#Sam winchester made BETTER choices than God aka Chuck guys!!

[sounknownvoid]

Yes exactly 💯.... chuck couldn't write anything else...just like sam couldn't fight n win against dean - even though he fought n won against literally everything n everyone else! ...

Spn is a tragedy with so so many tragic characters throughout: John,Mary,bobby,Jesse,Charlie,that wolf-girl,magda n those kids, azazels "special children", Rowena,crowley,cas,gadreel,Kelly,lucifer(yes lucifer was the 1st to experience chuck's "tragedy-acting-out"), jody, donna,the novaks, the girls,mark davies,Jack n ofc sam n dean - chuck just writing his story full of endless tragic characters n crying over his own story of feeling oppressed by amara n then choosing freedom by caging her but then missing her but hating her but unable to stop loving her n so on over n over until the end like a petulant angry sullen repressed child ...

Suspect it's why he thought sam would react the same way he himself had n why he was chosen to be lucifers vessel - as the younger son he was chucks self insert, as was lucifer - hence 'lucifer was my favourite ' .... n while lucifer played the part - sam - simple human SAM WINCHESTER did NOT ... which is what 1st piques chucks interest in THIS sam n dean to begin with ... n he throws everything possible at sam throughout those years to MAKE Sam choose to go against dean n others - to do as he did - thus helping to reinforce n justify his own actions through sam n others' actions like he's always done....but...

This Sam showed through his actions n choices despite all the tragedy n absolute horror his life had been that you could choose kindness n could CHOOSE love - ie he lived his belief: it was what you CHOSE to do n NOT who you were/your designated-at-birth role or fate that determined your worth n value....a choice chuck had NOT made n never makes....absorbing amara in the end.... n no matter how hateful he makes dean - sam chooses him n refuses to kill dean or let dean kill him ...driving chuck to his rage-fuelled end-game

Sam winchester BETTER than G*d aka chuck, y'all!! ....😇🥰🤩

Supernatural and First Sons. Something about duty and how it is enforced with violence, and love and it being dispensed as anger.

And how the second child is a victim to it all.

Something about how Chuck at the beginning of it all was a second child, victim to his older sisters love and anger. Imprisoned by the wants and desires she had about his life and the way he was allowed to live it.

The First Child is always right in the end, the second child should have listened, but they are weak corruptible and wrong. Chuck destroys the world, how could he think he could ever build it.

This is the story he has always written. It’s the only one he knows.

[s11e17]

popping in to say i'm sorry to hear that and also your writing is so, so good. i get chills every time i read your work. got any excerpts or tidbits you'd like to share? anything you're especially proud of in past or current works?

wahh thank you so much anon! <3 <3

right now i'm kind of pleased over this little bit in the big bang fic - dean can't say "i love you" to cas, so instead, he asks him if he's ever been to the grand canyon.

Cas’s mouth tilts up sleepily, would be a smile if half of it wasn’t squashed against the pillow. He’d say it now, if he could, the thing that Cas deserves to hear, the thing Dean has never told anybody in his adult life.

Instead, he asks, “Have you ever been to the Grand Canyon?”

also i started writing this like 15k pwp (the plot is basically that dean and cas keep having sex in dreams, aka put up your dukes but not as good) but i feel like it'll be ages before i actually finish it so here are the first two scenes (mostly under the cut bc its like 1600 words lmao):

The few times Castiel has been put under by a djinn, he hasn’t felt particularly disturbed by it. Dean flinches when djinn are mentioned. Sam is deeply distressed when the possibility of unreality is discussed. But Castiel is not so committed to this distinction as the Winchesters are.

Yes, undoubtedly, there are things that are real, and things that are, well, unreal. He likes the prefix un-. It implies a sense of reversal; undoing. Something is real, and then made fiction. Fiction, of the Latin fingo: to make. To invent. To create.

Things are, or they are not. If they are not, then they’re nothing — unless they’re something, in which case, they are. So on and so forth. This is to say, a djinn dream must be as real as Dean’s smile: both created and natural at once. Nature, creation, it is. I am that I am. We are.

This must surely be why Castiel is satisfied with being, when it comes to his love for Dean. Isn’t it enough to create? To speak, and to therefore move from nothing to something? From unformed feeling to articulated truth, Castiel has heaved himself down to Earth from out of the sun more times than he can remember. Dean is his lodestone, and Castiel dreams of him often. It is enough.

Sam’s the one to ask him, in the end. Castiel supposes that makes sense. Dean’s always aimed his comfort at Castiel’s shoulders and his stomach, offering back pats and warm meals, as if even his hands can’t meet Castiel’s gaze.

Sam invites Castiel out to the roof of the bunker to look at the sunset, while Dean is out buying supplies for his tune-ups from the 24 hour mechanic shop he likes to visit when the usual customers aren’t around. Castiel knows this because Dean once told him, once said that he liked to go when the guys were just “shootin’ the shit,” so to speak, liked to roll up with Baby and have them look her over and tell him he’s done a good job. Castiel knows he likes the camaraderie of it, likes having men touch his shoulders and slap his ass the way men do, the way Castiel does not.

So Castiel and Sam are on the roof. “It’s beautiful,” Castiel says.

“It’s real,” Sam says, as if in reply.

“Yes,” Castiel agrees. “It’s that, too.”

Sam sighs. His cheek twitches, and he looks at Castiel. His body is so big— that’s what Castiel thinks, whenever he looks at Sam Winchester. So much goodness, in that broad and wiry body— how could anyone beat him down? Castiel’s heart clenches with love for his brother, because that’s what Sam is to him. “You know— you know this is real, right?” Sam asks. “You know it’s not— you’re not— you’re not in the djinn— in the dream anymore.”

“I know.” Perhaps it’s some angelic power, which makes Castiel so certain of his place. “I know where I am.”

“Good. That’s good.” Sam sits back in his chair, then. “Do you— do you wanna talk about what you saw?”

It’s kind of Sam to phrase it that way. Dean would’ve asked him directly. He would’ve said, What did you see? And Castiel would’ve had to tell him.

Maybe that’s why he didn’t ask. In any case, Castiel says, “I’m happy to tell you if you’re curious.”

Sam huffs out a laugh. “Damn,” he says, “you’re well-adjusted.”

Castiel smiles, too. “I don’t have much to hide from you, Sam,” he says. And he thinks of Dean, who surely must know— who must feel the weight of Castiel’s desire every day. Dean sees how careful Castiel is. He sees Castiel’s hesitance to touch him, sees Castiel’s eyes shining when Dean makes dinner for him, and knows the depth of Castiel’s feeling. The depth of Castiel’s feeling drives Dean to the 24 hour mechanic shop whose men can give Dean what Castiel can’t.

But Dean comes home to Castiel, too.

“Okay,” Sam says, “sure. If you’re really okay with it, then yeah, I’d— I’d love to know what an angel dreams about.”

Castiel wonders how to say it. “We had a house,” Castiel starts, “me and Dean.”

It was a small house. Castiel remembers that vividly. It was tall enough to feel comfortable, but with only a single floor. Two bedrooms— their room, and a guest room. Roof access. It was the kind of house where you could bump shoulders with someone in the kitchen easily, the kind of house that built intimacy. Castiel remembers Dean standing in the back door with his coffee, face turned up to the sun, as he did every morning. He was so beautiful. He’d had a smile on his face, an easy and gentle smile. He’d taken a sip of his coffee, and said, glad we started shellin’ out for the good stuff, Cas, because he knew Castiel was behind him. After so long together, Dean could trust that Castiel would always want to watch him in the morning sunlight, freckles coming in across the bridge of his nose. Some days, Castiel would kiss his shoulder, and say, You are who I cherish most in my life. Do you know that? and every time, Dean would say, Yes, sweetheart. I know.

“We were so happy,” Castiel whispers. It’s all he can think to say. He looks at the sunset. Dean will come home in an hour with new parts for the ‘58 in the garage and a spring in his step, and Castiel will say, Welcome home, Dean, and Dean will say, Thanks, man. They will sleep in separate rooms. Dean has no need for the kind of love Castiel dreams of. Dean is already as happy as he will ever be. In his own way, in the way Dean has outlined with his words and his body, Dean has delineated what it is that he wants and what it is he finds unnecessary. Castiel is honored to fit almost entirely into what Dean wants. The only thing he wishes is that he could jettison the remains.

“Did you— did you know you were in a dream?”

“The whole time.”

“And you—” Sam cuts himself off. “Jesus. That’s— wow. Did it, uh… I mean, what did you feel?”

Castiel considers the question. “I think a better way to phrase it is that I knew it… I knew it wasn’t material. That what I was experiencing was a construction. But it’s not… that distinction isn’t meaningful to me, the way it likely is to humans.”

“No shit,” Sam barks, too aggressive to be a laugh. Castiel looks at him. He’s hunched over, knee wiggling. “It’s— it’s important to me to— to— to know what’s real. That means something to me. Being certain about what the truth is.”

“I understand.”

“But I can’t know,” Sam says, and he looks at Castiel. Half-chuckling still, he says, “I think about it every day, but I can’t know. And you do know, but you don’t care. How fucked is that?”

Castiel’s mouth twitches, but he isn’t happy. He knows Sam isn’t either. “I wish I could give you my certainty,” he says, and Sam looks away. “All I can say is that you are real. I see you. I sense you, in all ways.”

Sam nods. He breathes, deeply, and asks, “Do you miss it?”

Castiel doesn’t pretend to misunderstand. Does he miss his house with Dean, the warm sunlight through the bay windows, the way Dean’s hands would slide over Castiel’s thighs in the front of the Impala? “No,” he says, because he thinks also of Dean’s bunker kitchen chili, and his unfettered delight at cowboy movies. “No, I don’t think so. Once — you remember, with God — once Dean asked me what about all this was real.”

“Yeah. I had the same question.”

“I told him we are.”

Sam exhales. “Oh.”

“Maybe that’s why it doesn’t matter to me,” Castiel realizes. “I know that Dean and I are real, that our friendship is— is a truth which has shaped our paths, in all ways. Whether it’s a djinn dream or a material place, I know the truth.”

Sam nods, considers it. Eventually, he asks, “What made you wake up?”

“I tried the moment I first realized,” Castiel says. “And again, a few— what I perceived as a few weeks later. That was when you found me. The first time I was too weak to escape on my own, and the djinn captured me again.”

“Shit, Cas,” Sam breathes. “You— you— you did it twice?”

“I’ve killed more often for less,” Castiel says. “Killing myself was easy.”

Sam doesn’t ask. Perhaps they’ve all tallied each other’s body counts. Castiel wonders if Sam keeps a list of all the people Castiel has killed.

Instead, Sam says, “Well. Here’s a— okay. The distinction between dreams and real life doesn’t matter to you. I get that. My question is, is it right to say that the material world has— that it’s primary, I guess?”

It’s interesting, to attempt to apply dialectical materialism to an angel. But perhaps faithful to God’s original purpose. “You’ve seen Heaven,” Castiel says, working it out as he says it. “It’s nothing but memories. Consciousness. You’ve seen Hell, too.”

“Yeah.”

“The only way to describe these places is through metaphor. A hallway. A cage. Ripping, tearing. I think that tells us that Earth is where true creation happens. No matter what Chuck says or does, you create your own destiny. Here.”

“Shit.” Sam shakes his head. The sun has gone down; now, Sam and Castiel are accompanied by twilight mosquitoes, by stars coming in up above. “We make our own choices, huh.”

“We have to.” That’s perhaps what was wrong with the djinn dream, the reason why Castiel couldn’t stay there. It had nothing to do with whether it was real or not. It was about choice. That Dean in that back doorway of that sunlit house must have had no choice — because this Dean, his Dean, would’ve chosen otherwise.