#Saburo Miki

[blu-moon-art]

*HAKUOUKI FANDOM HAVE A MIKI FANART*

Let me in pls 🤡

It's shitty ik, I'm sorry but I drew it on my phone 🥲

[lightmelodyva]

Seems Haruka got stuck with Miki to guard he Shogun.

[otobabe]

Omg girlie (gender neutral) I was not expecting you to include Kondou!!! If you have others you’re thinking ab def tell us!

ugh kondou is just so good!!!! and that's not just my daddy issues talking!!!

More praise thoughts/headcanons~

(from) Harada: He's infatuated with his partners, that much is certain. Especially in the beginning of a relationship (or fwb situation) he's full of compliments that make you feel like you're in the center of a nsfw fairytale, examples like "oh my god you're adorable" and "you really know how to get me going". Later on, if you express interest in exploring~ and more praise, he'd get really into praises that emphasize size differences or age differences. "I love to see your little hole taking my big cock so well", "My older man/woman/partner is so good at teaching me new things", "What a cute little princess/prince/majesty you are, riding daddy's big dick so well " (yes i am assigning sano both milf fucker and daddy kink, this is my barbie dream house)

(to) Souji: in the right moments you'll send shivers down Souji's spine with a "Souji-kun~ you look so cute like this~", praises with a teasing edge, almost on the brink of sounding degrading, can get him blushing and embarrassed from how hard he gets hearing it come from your mouth. He likes to banter and has more attitude and walls up than most can bear, just make sure if your praising him it's playful and not too serious or accidentally hurtful ;)

from) Amagiri the type to kiss you mid-moan then send you reeling with his low voice telling you "Quiet now, I want to hear how wet you are for me/I want to hear you take in my thrusts". Erotic, deep, sensual, that's the game Amagiri plays, but it comes out naturally. Nothing he says will sound like he read it from some '50 ways to get in their pants' how-to book. He's kinky, but classy, urging you on both with his words and his fingers, and it's a pleasant surprise when you catch him teasing you with a hint of a smile like, "don't give in now, I'm just getting started".

to) Motoyama: To be friends with Iba and to have taught Iba many many things over their lives, Motoyama has got to have some special characteristics, one of those is that he loves to be praised. Iba might praise his partner often, but as far as his bestie goes it doesn't happen often but is very genuine when it does, and that's something Motoyama craves in romantic experiences too! I know I said this about Nomura as well, but it's true for both of them: Motoyama looooves to be called a "pretty boy", he doesn't have that haircut for nothing. He's also a reader and though he's not normally reading romance, he does love praises with a little more substance to them, "You're intoxicating", "i love how obedient you are", "you look so silly squirming like that, but don't worry, I know you can endure this<3", all examples of words that will keep him straining in his pants 💖

more praise headcanons below the cut!

from) Ootori: Ahhhh Ootori Keisuke, my sassy "30-something" plot device lol. He's such a tease, you'd be surprised how much filth can come out of his outwardly-polite mouth. This tea drinking, romance novel reading, aristoCAT is all about shmoozy words in bed. Honestly, he's quoting from stuff he's read before and hoping you won't notice. "You look as beautiful as the morning glory's flower, my love~ Your legs are opening up for me quite nicely~", whenever he opens his mouth it makes you question whether or not you should expect better from him, or whether it's exactly the kind of charming corniness you need in your life (it is). He wants to come home to you trying on some new lingerie and praise "what a thoughtful little slut you are<3", he wants to bring you almost to orgasm over and over again and then tease that he "loves how needy you are".

from) Kimigiku: Ugh the most perfect femdom is here!!! She can give you gentle or kinky, it's all about giving YOU what YOU want. While not exclusively a service top, she does love to give a lot of coaxing like "doing so good, princess/prince/majesty" and "i'll take care of you cutie, i promise, just give me one more, I know you can". Now let's say you've touched her nerves a little this week: stayed out a little late with your coworkers, or gave her attitude a couple times... She's more than willing to tie you up and taunt you, telling you "Oh, I'm sure you can get out of those restraints yourself, right? Such a big strong man/woman/lover that I have". She'll degrade you and make it sound like the most enchanting curse you've ever heard; "I love using you", "No one else could ever match up to you, my biggest whore<3", "You don't need to cum, right? It's enough just to please me, right?"

from) Yamazaki: Hakuouki's own sweet little romantic nerd + killer spy <3 Idk if anyone else was surprised that he's canonically supposed to be 30 but I was when I first saw it lol! He's experienced: with sneaking around, one night stands, keeping things quiet, but when he finds someone special he turns into a blushing mess. His duality also pertains to praise, he likes hearing it and giving it, and he also likes giving and receiving degradation, just not normally at the same time ;). If you want him to he'll definitely put on his spy persona in bed for you! That said, he loves to assure you "Don't worry, you're safe with me, you can let it all out, you sound so beautiful", and loves to make little promises in bed when you're pleasing him like "That's my baby, I'll reward you so well for this. I love to see you full of me".

to) Yamazaki: Like I said, I think he's a duality-pleasing man. Praise him in bed and he's working double time to please you. Very enthusiastic when hearing what you like, if you tell him "I love it when you give me head", he'll make sure to spend extra time pleasing you down there~

to) Miki: Beat up his ego a little bit. Unlike Souji, Miki is a brat who can take what he gives. He's down with being called a slut/whore/etc or being referred to as your sex toy. If you top him it's a secret turn on of his to get embarrassed so saying "I know it hurts but you're taking it so well!" is an insta-nut. He's also into hearing you egg him on when he's being a brat and rub it in when he gives in, "You're such a good listener when I give you what you need, huh?" and "Can't you beg sweeter than that? Or is it beneath you even when you're already on your knees for me?"

from) Miki: Aaaaand he gives as good as he gets~ His mouth is filthy, and he's shameless when it comes to fucking you. Brash and abrasive, he'll tell you that "you look so beautiful with my cock in your mouth" with a haughty smirk on his face and he knows his confidence is a turn on in this case. He's not pussyfooting around what he means, with "you can beg better than that, little slut" often proceeding a later groan of "your screams sound so good baby". If you've been flirting or sexting before meeting up, he loves to throw in a "I've been waiting all day to put my cock in you" as soon as he walks through the door.

[otomeminion]

bro has no right being so attractive in those western clothes (⌣_⌣”)

[yugenronin]

Just a quick notice for anyone who is interested in my muse Miki Saburo from Hakuoki.

He is still available but I moved him to his own side blog @sankyuken

Miki never got much attention on this blog and since most of my characters here are from the Sengoku Era, I figured I may as well scoot his booty into his own space where he is more noticeable for anyone who wants him.

[mochiimiiki]

i mean i don’t mind if he insults me…

[eleiyaumei]

Souma's route was a slog to get through so here's some bad jokes that kept me awake

I got scared every time Kaji-san screamed ^^' Dialovers trauma is real

(So disappointed we didn't get a proper Dialovers reunion scene...)

(It's so weird to me that Hakuouki was first with the whole MC-gets-her-blood-sucked-by-her-love-interests thing and Dialovers just leaned into it more. Ah, and comparing the blood-drinking scenes from EB with DL really did me no good, it just frustrated me due to the missed opportunities... Especially since imagining Souma during Kanato's dummy head moments helped me get through his route ^^' I kinda want a Souma with some Kanato-elements now, you know? Oh, and not to mention all the shame every Hakuouki love interest felt before/while/after drinking blood, like: It wouldn't be awkward/bad if you didn't make it so! Also feels like kink-shaming tbh...)

[kamen-rider-fanatic]

Recently decided to watch Dai Sentai Goggle V's first episode. And it got to the point where the team is formed and I was like "ah yeah, time to see the explanation as to why these guys get to be Sentai" then it cuts away and cuts back and they're like "yeah fuck it, let's ball" and I'm like what! It wasn't even Ken'ichi (Goggle Red) who was on board first, it was Kanpei (Goggle Black) who said it for everyone. Which I'm cool with cause Kanpei my beloved. But still, like none of them had any hesitation. I can understand Ken'ichi and Kanpei, you know an adventurer who aided Professor Hongo from being killed by Deathdark and witnessed them first hand, and a loveable genius, being down for being Goggle V, but what about Saburo(Blue), or Futoshi(Yellow), or Miki(Pink)? A hockey player? A zookeeper? And a gymnast? They wouldn't have any hesitation join? Fuckin, alright. We ball, fuck it. I love Goggle V.

[celosia-starfall]

Uh-oh, looks like I went and fell in love...

[blu-moon-art]

I am working on all of the cast rn, but I couldn't wait to post these so there you go. Spoilers for a project I'm working on ehe 🫰🏻

[lightmelodyva]

This shot with Miki is gonna be finished on friday during stream on twitch. Miki's hair is an absolute floof like Ibuki. But I like how it turned out.

[otobabe]

discord pinned messages on hakuoki images pt 4 dramatic mantacore

@hakuoukiss @confused-tofu @smugshiranui @marikamiya

[rosencrantzsguildenstern]

At the age of seventy, after years of consolidating his empire, the Great Lord Hidetora Ichimonji decides to abdicate and divide his domain amongst his three sons. Taro, the eldest, will rule. Jiro, his second son, and Saburo, his third son, will take command of the Second and Third Castles but are expected to obey and support their elder brother. Saburo defies the pledge of obedience and is banished.

It's beautiful. It's Kurosawa's biggest, most expensive film. It's about nuclear war and how technology has only made killing easier. It's about Kurosawa's fear that he was old and obsolete. It's an adaptation which asks what sins Lear had to commit to become king. This is the only version of King Lear where Goneril is implied to be a kitsune. (Or, where Albany is a kitsune, however you want to look at it)

A retelling of MacBeth set in feudal Japan. Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place.

Overall this just translates the rising sense of the doom and drama of Macbeth so well! The film is also beautifully atmospheric. It really leans into using mist and darkness to set an eerie feeling tone. Shoutout to Washizu’s (Macbeth’s) absolutely wild death scene in this version.

Moody, atmospheric, visually beautiful film that captures the vibe of Macbeth better than any I've seen. The illusion of the trees moving is astonishing (especially if you're lucky enough to see this on a big screen) and Lady M's hand-washing scene is as creepy as you'll ever see. And Toshiro Mifune gives a splendid performance (and is extremely hot).

[mochiimiiki]

Happy valentine’s day!!! enjoy a little drawing of Okita and my oc <3

[widemushroom]

I try to portray Chizuru as accurately as possible in my fanfic that features Kazama taking Chizuru by force after threatening to kill her lover and then tries to make her accept him as her husband but well Chizuru is still heavily traumatized.

My fanfic made some hakuouki fans pay more attention to the game scenes in which Chizuru kills Miki Saburo, protects Okita or Hijikata from Kazama, kills imperial soldeirs to protect herself and Okita in Okita's route and uses her minimal fighting skills without hesitation. Some readers were like, "we saw this behavior in the game, but we didn't pay enough attention until we read what you wrote. "

Chizuru is a very compassionate person, but she is capable of using violence when the situation asks for it even though her fighting skills are very minimal.

In my fanfic, Chizuru is not only worried about herself or a shinsengumi male protagonist, but she is also worried about the future of her future child in case Kazama made her pregnant.

[byneddiedingo]

Isuzu Yamada in Osaka Elegy (Kenji Mizoguchi, 1936)

Cast: Isuzu Yamada, Seiichi Takagawa, Chiyoko Ukura, Shinpachiro Asaka, Benkei Shiganoya, Yoko Umemura, Kensaku Hara, Shizuko Takizawa, Eitaro Shindo, Kunio Tamura, Takashi Shimura.  Screenplay: Yoshikata Yoda, Tadashi Fujiwara, Kenji Mizoguchi, Saburo Okada. Cinematography: Minoru Miki. Film editing: Tazuko Sakane. Music: Koichi Takagi. 

It's easy to imagine Kenji Mizoguchi's Osaka Elegy remade into a 1930s "women's picture" starring Bette Davis, except that nothing made in Hollywood under the infantilizing Production Code would have had the depth and insight into the real problems of women that Mizoguchi's film does. Mizoguchi's direction frames the story elegantly: He begins with a shot of the neon-lighted city, backed by the pop standard "Stairway to the Stars" on the soundtrack, as day gradually breaks and the glamour of the neon fades into the drab reality of the daytime city. We go to the home of Sonosuke Asai (Benkei Shiganoya), the head of a large pharmaceuticals company, where he berates the maids for small infractions and quarrels with his shrewish wife, Sumiko (Yoko Umemura). The opening sets a tone of disillusionment that pervades the entire film, which becomes a sharp commentary on both traditional and contemporary sexual roles. The film's protagonist is Ayako (Isuzu Yamada), switchboard operator at Asai Pharmaceuticals, whom Asai wants to become his mistress. Ayako is reluctant -- she has a boyfriend, Nishimura (Kensaku Hara), another employee at the company -- but her feckless father (Shinpachiro Asaka) has been skimming from the till at work and has lost the money in the stock market. So she quits her job, lets Asai set her up in a fancy modern apartment, and sends her father the money he needs. After Asai's wife uncovers the arrangement, a friend of Asai's, Fujino (Eitaro Shindo), tries to move in on Ayako. But Ayako reconnects with Nishimura, who proposes to her. Uncertain how he will respond to the truth about her life -- she has told him she works in a beauty parlor -- she postpones her answer. Then she learns from her younger sister that their brother is being forced to drop out of the university because her father can't pay the tuition. She gets the money by pretending to yield to Fujino's advances, but runs to Nishimura and agrees to marry him, while also confessing her liaison with Asai. As Nishimura is pondering this information, a furious Fujino arrives and after being turned away, calls the police, charging her with theft. Nishimura cravenly tells the police that he was innocently dragged into the affair by Ayako, but because it's her first offense she is released into her father's custody. Her family, whose money problems she has dutifully solved, shuns her and her brother calls her a "delinquent." Ayako walks out into the night and we follow her to a bridge, where she looks down into the trash-filled waters. But as we wonder if she is going to commit suicide, the family doctor, who has been present at several of the crisis points in her story, happens to meet her on the bridge. She asks him if there is a cure for delinquency, and when he says no, she accepts the judgment and, holding her head high, walks away toward the camera. Yamada's terrific performance was one of several she gave for Mizoguchi, establishing her as a specialist in strong female roles -- she is perhaps best-known by Western audiences as the Lady Macbeth equivalent in Akira Kurosawa's Throne of Blood (1957).