#SOME PERSON STARTED WRITING IT NOT KNOWING WHAT IT WAS

[inkskinned]

you said you were stuck in a time loop, which was fine. i feel like late-stage capitalism has us all in a time loop, ammiright? you came barging in at 5:33. in the morning. i hadn't even processed the idea of coffee.

but you had this look of utter panic in your eyes. terror like the ocean. you grabbed my cheeks. im in a time loop.

i don't know why in movies the first reaction is to deny it. when someone is panicking like that, it's not appropriate to ask them to calm down. it didn't matter if i believed it, what mattered was that you believed it so much that it was consuming you.

so here we are. i pour you some of the dark roast. "you look like utter and entire hell," i say.

you push your fingers into your eyes. "you always say that."

i try to think of something funny to say that i wouldn't have said on previous time loops, but jokes don't land without the proper timing (lol). "remind me to think -"

"-yeah, of a joke that only works in the future. and before you say anything, i know you're pissed i just stole your punchline." you bolt the coffee, which is wild. it's very hot. you don't seem to notice.

i blow on mine to cool it down. i both am very pissed at you and also i can't see you in this amount of panic without wanting to help. but i'm also not really sure what we are, not since i saw you kiss her like that, no offense. it just was like, kind of rude when you knew i liked you.

and besides. i'm just like, barely a person. i write omegaverse fanfiction. i love the concept of a time loop, but what the fuck am i gonna do? send an alpha in there? i open my mouth.

you point at me. "you're about to ask why me. and then say some disparaging shit about yourself. i'm just a nerd who plays dnd or something. that self-own is slightly different each time." you sigh. "i know you think you can't really help me. i don't know who can help me. i only came to you because you fucking believe me." you check your watch, sigh, and throw your head back. you cover your eyes with one hand. "i've come here on 26 separate revolutions," you say. "you have believed me every time. and yeah, i have no idea how you fit into this but i just -" you sigh again. "i just like fucking talking to someone about it."

"do you need more cof-" i start, but you're already holding the empty cup out. i frown at it. "you're not getting any more until you promise not to bolt this one like an animal."

you laugh a little and sit up, pushing your hair out of your face. "okay, that's new dialogue. but to be fair to you, i'm not usually this rude. i'm still pretty new at all of this." you check your watch again. another sigh. i guess you're cruising for a personal best in the Sigh Olympics.

i almost tell you im not an NPC but i've played enough video games to know i'm very much an NPC. i pour you another cup. "so what happens in the loop?"

"really bad explosion." you mutter into the mug. you put your elbows on the table (rude) and bury your face in your arms like an angsty teenager. one hand floats up while you talk, because evidently you literally can't talk without your hands. "i have to save the day and there's this bomb and i have no bomb training and it keeps moving, you know."

"do i die?"

you peek up from your arms. "yeah. bigtime. you keep trying to run or stay or do anything and you always super die."

"oh."

"to be fair, like, everyone dies in it though.... so you're in good company."

i hate that you make me laugh. i hate that being around you always feels tingly and strange, this electric tension between us. something that is evidently (given how you stuck your tongue down a stranger's throat literally 3 days ago) (well. 3 for me) super one-sided. i take a sip of my coffee and close my eyes.

i die today, i guess. a little spark of panic starts at the top of my hands and starts whipping up my wrists.

"shit," you say. you look at your watch and jump to your feet. "i have to go. if i can come back, i will. i am still trying to figure out when is best to do everything, you know? the order of stuff. maybe morning isn't good for us."

i look up at you and think about how you keep kissing me in the back of my car and in alleyways and in the dark. and i can never fucking get a read on you. and i also think about how incredibly panicked you look. how broken. how long have you been doing this? "i don't want to die," i say.

you glance downwards. "well, you're not really dead, you'll come back in the loop."

"but i will have died." my hands are shaking. i am trying really hard to stay calm.

you push your hands through your hair again. "i really have to go. i will have this discussion with the next version of you, though. it is like, something i am thinking about."

"but i don't get a next version," i say. i don't really have the language for this, because i haven't had 26 tries with you. i only have my memories: you, a week ago. drunk and telling me you loved me in my ear. you, kissing her anyway. you, months ago, throwing up on my birthday, whispering to me i ruin everything i touch, always, over and over. please don't ask. i can't ever fucking have that be you.

i run my finger along the rim of the mug. "i don't want to die in this one."

you seem baffled by this. "i get that but - time will reset, you'll be fine, you won't even remember we talked about this."

"but i know now." i stand up too. "i have to live the rest of this day knowing i could die. knowing i probably am going to."

"you could always die, to be fair."

i feel my hands get out of control. "earlier, you said i always say a different insult about myself. what if you're just going through different parallel universes and those are all just different - but real - versions of myself? what if you're not in a time loop, you're in a fucking universe loop?"

"if it helps, i've wondered this too. also, you're hot in all of them. if that helps."

i point at you. "no flirting. i'm trying to figure out if i die today."

"who's flirting?" you catch my wild hands and give me that long, perfect smile. like we're in this together. "i won't let ya die." you check your watch and sigh again. "well. maybe not this time."

i grit my teeth. you are so not making quips at me while i try to explain the existential dread i'm having. "does the time loop reset if i fucking kill you?"

"honestly i don't know how long it continues after i die, because i just wake up. it could be that the loop goes until the explosion for everyone, and we're all in the loop, or it could be that when i die, the loop restarts. when i die i wake up, is all."

i pull away from you and stalk into the kitchen and start doing all 3 of my dishes. "okay, first, you know i was joking. and secondly, this is exactly my point. you don't know if this is just a parallel universe. maybe in the ones where you died, the explosion happened and nobody reset and it's just you travelling." i have to stop and push my heel into my eyeball. "... how often have you died?"

i look at you. you look at me. you give me this very sad, halfway smile and a little what can ya do shrug. something in that action seems so old and weary that i want to burst into tears.

"i have to go," you say. "really. for real. there's this family of five i save from getting into a car crash. and i know it's like oh but we're all gonna die in the explosion anyway, what's the point. and..." you shrug again. "it matters to me, is all. at least i saved them for now. at least i saved anything."

you pad over to me and wrap me in a tight hug. you always seem so tall against me. i feel your cheek rest against the top of my head for a moment. for a second, it's just us, and the space is warm, and my heart is a little broken hare.

you leave me there, and i stand in my stupid badly lit kitchen with my stupid mugs. i think about you. i start texting my mom that she needs to get out of the city, but it feels pointless.

i don't know what to do. tomorrow is the same day for you. but i have to prepare to die in my today.

[kngrose]

do you not write for ambessa 👉🏻👈🏻? cuz your sevika headcanons are *chef’s kiss*

ambessa general headcanons 𝜗𝜚

WARNINGS: 18+, sexual content, implied voyeurism, body worship, oral, slapping, spanking, dacryphilia, implied age gap, slave/master if you squint, wlw!

prayers have been answered ^^

SFW

Come, come. Let's talk about it.

I don't think Ambessa strikes anyone as a lovely kind of person. Yes, she is incredibly charismatic, and might even be the love-bombing type, but Ambessa seems to clearly reserve "love" for those closest to her. Well, her version of it anyway.

She won't just walk around with her heart on her shoulder, she's a warrior for hell's sake. And we're all familiar with her opinions on becoming weak at the hands of love.

If you've managed to genuinely catch Ambessa's interest-- not just for her personal gain or a quick fuck-- then you've got a headache coming your way. Like, a migraine.

I want to really emphasize the love bombing because regardless of whether Ambessa is aware of it or not, the relationship will feel this way for a long time. There's a pattern. She's affectionate one day; showering you with praises and soft kisses, sunrise to sunset. You'll have to want for nothing. Gifts and trips, all treated to you by hers truly. Wining and dining, a good fuck. And though all of this is displayed in private, you'll be enamored. Which is exactly what she wants you to be.

And then, she'll be cold and standoffish. Uncaring of your presence or too busy to be bothered. When Ambessa handles business, there's no such thing as making time for you. You'll just have to pacify yourself until she's ready to be bothered with you again.

It'll take you a while to realize, but when you do you can't miss it; she's got an avoidant attachment. She wants to love you and to be loved, but the moment she receives it she's pulling away. She's looking for flaws in you, anything that'll convince herself that you're bad for her, to leave you where she found you.

Constantly creating exit strategies, thinking of petty little arguments to start for no reason, or an insecurity of yours to pick at. She was trained to fight, it's her strong suit in any sense. It's always easier for her to disconnect and dismiss her feelings than to just sit and talk it out. And you'll want nothing to do with her, which is also what she wants.

She just be losing the plot, I fear.

Unfortunately, cycles like this take time to break. Fortunately, she's not going to let you leave! So you have all the time in the world! <3

When you bring this to her knowledge, you'll really have to bring it. Sit her down and let her know she's not moving until she's heard every word that leaves your mouth, wagging a painted finger in her face. And she'll humor you because you've managed to make an impression with her.

She will sit, patiently and leisurely, man spread and all, watching you fuss her out throwing your hands every which way and yelling. And she will have the softest, fondest smile on her face. She'll know you love her at this moment.

She will let you say your piece without interruptions. In fact, she's so quiet that you have to question if she's even listening a few times. And when you catch sight of that little smile you just pause, dumbfounded. And she'll just humor your expression, urging you to continue with a curt wave of her hand.

After this occasion, Ambessa will be relentless. In her mind, anyone willing to fuss her out the way that you have must truly love her. So now, she knows no limits. In the past, Ambessa would have you stay put with some guards while she handled her day-to-day tasks. But now? You tag along with her everywhere.

In meetings, Ambessa has you perched on her lap. Touching you mindlessly as she discusses possible strategies and looks over speeches. Rubbing your thighs, your neck, your arms. You'll find it awkward at first--such a public display of affection-- but you'll have no choice but to get used to it.

She's hand-feeding you everything. Holding your cups to your lips, licking frosting off your mouth. It's a starch contrast to the dynamic your relationship used to have. But, you suppose you shouldn't be surprised at her shamelessness, she's always been a bit... eccentric.

And now, you don't even have to ask her to share her feelings, in fact, you have to tell her that some things are a little TMI because she wants to share everything with you. Everything. EVERYTHING.

Secrets don't exist, she's an open book. Whatever's on her mind, you're going to hear about it. Which in most cases, you can appreciate. She'll open up about her past and all of the things that have led her up to this point. She'll speak of her daughter, Mel, expressing a regret that she's never opened up to her about. And she'll talk about the effects you have on her personally.

These moments are heartwarming, cause it solidifies your bond.

Undoubtably, Ambessa is a very possessive woman. She's very adamant about expressing to everyone that you belong to her. Not necessarily in a verbal sense, but people will know. They'll know when they see the lingering touches she leaves, the elongated glances, the kisses. Again she's very shameless, so don't let these things take you by surprise.

She's also very protective. She does like to have you tag along with her everywhere, but every now and then she'll leave you with Rictus while she goes to handle more trying situations. You know, the ones where she may potentially commit a war crime or two.

She'd much rather you be locked away than have to protect you on the battlefield. Though she's positive you know of her capabilities, she wouldn't like to have you see her in that light regardless. She'll go to great, violent, bloody lengths to keep you safe.

Besides her shameless physical touch, Ambessa likes to show her love with flashy gifts and large bouquets of flowers. She likes to collect things from all the places she's been to gift to you; know that every time she's out, she thinks of what you might like to have.

She also likes to share knowledge. She finds that to be one of the biggest displays of love; sharing one's knowledge of the world and life. Things you can can learn from. She will really appreciate and admire the fact that you look up to her as a mentor, and especially loves it when you ask for her opinion or perspective. It shows that you rely on her.

And she likes to be relied on!

She has a tendency to just walk around naked, and not for any particular reason other than the fact that it’s, “Comfortable, sweet thing.” It doesn’t matter what time of the day it is, if she has leisure time to waste, she’ll be naked. And she likes to be watched; “I worked hard for this body, honey..” She’ll say, flexing her arms at you.

She takes great pride in her form and in her strength. She likes to lift you up randomly just to showcase it. She’ll always pick you up when she hugs you, gripping your thighs loosely or not at all. You could honestly just hang onto her, dropping all of your weight. It wouldn’t make a difference.

She never fails to fluster you at any given chance. Every time you’re having a conversation she’s holding the strongest eye contact, chuckling to herself when you avoid her gaze. She'll randomly grip your chin, or caress your face. Sometimes twirling the hair by your ears. She likes to see you get all flustered because of her. It genuinely makes her day. That's why she does it so much.

She's old! Lol, you'll have to keep her updated with the new slang and terms of endearment. If you're someone who incorporates a lot of slang into your vocabulary, you'll often receive sideways glances of confusion before she stares at you and mutters, "...What?"

NSFW

I’m going to say it again; she’s shameless.

She has no qualms. Like, at all.

She loves to put on a show. She loves to be ogled at, it strokes her— already large enough— ego. More often than not, she’ll shove you down onto the bed, and with a calculated slowness, she’ll begin to undress, maintaining eye contact with you throughout. Her eyes always smoldering with a mix of passion and a touch of dominance.

And she’ll study you closely for your reaction, loving the look of pure awe on your face as she stands nude before you. Her voice, a low and husky murmur, would echo through the room, "See something you like, my dear?" and she’ll hum in approval at the soft, “Yes, Ma’am” she receives in return.

Ambessa appreciates a well mannered slut.

Most times, Ambessa will request that you massage her, all over. She loves it; It fulfills her desire to be worshipped. She loves to watch you take your time and rub every part of her, smirking down at you as you get lower and lower.

Ambessa will lean back slightly, her expression transitioning into a devilish smirk. Her free hand slowly tracing a path along the contours of your body. She watches you like a hawk, a smirk ever present on her lips.

When you start to kiss down her body a contented sigh will escape her lips. She’ll run her fingers through your hair, gently but firmly guiding your movements. Her head will tilt back, her eyes half-lidded with satisfaction. Each touch, each kiss, draws out a low and guttural sound from her throat, her desire evident in the way her body responds to your ministrations.

And the hand in your hair will tighten as she shoves your face in between her legs, a knowing glint in her eyes, “You know what to do.” And her body tenses as you start to eat her pussy, the hand in your hair tightening almost painfully as she groans.

She requires eye contact; she wants you to watch her come undone on your mouth. It’s like a reward, no? Watching the effect you have on her. She wouldn’t want you to miss the way she leans her head back, her hips rutting against your tongue at a steady pace, glancing down at you as she murmurs, “Good girl.”

And she won’t miss the hand that you trail down to your pussy, toying with yourself impatiently. A leisurely chuckle will fall from her lips, “Patience, Darling.” She’ll always say, pulling your hair to angle your head just right so she can fuck your face better. “Patience.”

And soon her breathing will turn shallow, Ambessa's grip on your hair impossibly intensifying, her fingers tangling in your locks as she guides your movements. Her control momentarily slips as she succumbs to the pleasure you're giving her.

And when she cums? She’ll pull your head back playing idly with the mess on your face, “Tsk… now you’re all dirty,” She’ll mutter, before leaning down and licking it off your chin. She’ll meet your lips in a sloppy mess of a kiss, groaning softly at the taste. And when she pulls back she’ll admire the look on your face, taking a mental photo of it. “Pretty…”

I think Ambessa would have a thing for teasing you. She likes to put you in uncomfortable positions. Make you put yourself on display in risky places. Loves touching you under tables. It just warms her core to see you so flustered, really riles her up. Especially so if you start crying, she’ll just squeeze your cheeks in her hand and snicker at you, “Ohhhh, you poor thing,” She’ll chuckle, and peck your puckered lips.

I already mentioned that Ambessa loves it when you’re well-mannered, it’ll quite literally get you anything your heart desires. You ask her nicely to make up cum? She’ll do it in a heartbeat. “With my mouth, or with my hands?” She’ll raise a brow, “Or with something else?” You use your manners with Ambessa like a good girl and she’ll be at your beck and call.

Laying you on your stomach softly to pull your ass in the air and eating your pussy until you squirt all over her mouth, and she won’t let a drop go to waste. She’ll trail her thick tongue from your clit all the way to your ass and back, over and over and over, circling the hole playfully before spitting onto it, the spit trailing back down. It’s truly a beautiful sight, she thinks.

Do you want her to fuck you with her fingers? They’re thick. You’ll hardly need two of them to satiate that churning in your core. Perhaps you want a massage of your own? Want her to suck on your pretty feet? Maybe you want her to talk you through your orgasm and praise you softly in your ear while you cum on her fingers? Everything all at once? No request is too far for Ambessa. She likes to worship her pretty thing; and loves to appreciate your body. Especially when it’s well deserved.

But when you’re ill mannered? Ambessa will show you exactly how she became a warlord.

Don’t expect any pleasure from this outcome. It’ll be hard. It’ll be brutal. And you’ll wish you’d never mouthed off at her the way you did. “What did we learn?” She’ll growl, above you, slapping your ass with a powerful force, “Quickly.” She’ll order.

And she’ll hum as you blubber loudly about being respectful, but her abuse will not stop. She will continue to keep you over her knee, slapping at your ass and thighs relentlessly. And when she’s done with that? She’ll have you on your knees, facing up at her with your hands folded politely over your lap. And you’d better pay extra attention to your posture or she’ll punish you for that too.

You’re never prepared for the swat to your cheek. “What are we not doing in the future?” She won’t falter at the cry that leaves your mouth, her gaze stone-cold and unwavering. She’ll swat your cheek again, slap, “I said, quickly.” And again, she won’t be moved by your blubbering until she’s satisfied-- until she believes you’ve learned a lesson.

And she’ll always be sure to pacify you until you’ve calmed down, offering you water and comfort, but still being stern enough that you remember your place the next time around. She’ll be sure to build you up just as she’s broken you down, affirming you gently. And you’ll fall back into her, blubbering your apologies.

She’ll conceal a smirk.

She loves to see you cry.

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taglist: @opropheticsoul

[meshaamem-li]

yeah sure, because y'all never used the free tool that mimicks human dialogue because instead of talking to a Human Being or using google.

googling "how to do groceries" isn't going to give you any productive results, your parents aren't always gonna be available to baby you or they might have never been there for you, and yeah some people are not good at preplanning this shit when they also have a full time job and have to pay bills and take care of a million other stuff, asking chatGPT how to manage groceries is better than surviving on instant ramen and takeaway (like how boomers used to make fun of college-aged millennials)

sometimes you have no clue where to start searching for a topic, so you either make a post on social media asking complete strangers for guidance (hence the Reddit forums) then double check it to make sure you didn't get answers from an idiot, orrrr you use the Free Tool that might have some sort of information on it and then double check it to make sure it didn't hallucinate.

have trouble summarising shit? I used to have a friend who was better at writing than me while I understood the materials of the lesson better, so we covered each others' weaknesses whenever we studied together, I'd help them learn and they helped me summarise (not exactly, and we didn't study a lot together, but kinda). I may have failed creative writing but I did pass my physics exams.

use... a fucking calculator.... why do you need a language model to be a calculator.....

chatGPT is free and it's convenient especially if you don't have friends and if a search engine has trouble giving you results. is it still a fucking language model that's pushed everywhere and is a massive problem? yeah. should you avoid it? absolutely. but it's also inevitably helping all these people, as long as they don't over-rely on it and learn to develop their skills, its not harming anyone.

we dreamt for years about personal assistants and intelligent robots. Siri was always meant to be AI powered eventually, all of these futuristic movies where they ask the computer to do something and it answers like a person is AI, this is the direction people wanted to go towards for DECADES, and now you're surprised it helps people with little things that they probably could've done on their own? it's its entire point of existing!

the problem with chatGPT is that it's used to replace people in the ART FIELDS where HUMAN CREATIVITY is key, used to replace HUMAN CONNECTION with apps like character.ai when it CAN'T ACTUALLY FEEL, and that it's being presented as a DATABASE that knows FACTS when it DOESN'T KNOW HOW TO ANSWER "I don't know" or provide proper sources for what it "knows". that and the fact it was illegally trained on data that - while public - was still owned by hundreds of thousands of people.

[felassan]

David Gaider on Flemeth, under a cut for length:

"I have a type. I admit it. There are certain wells I can return to repeatedly and always find something new to explore. One of them is older female characters. Mike used to rib me about it. Consider Wynne. Meredith. Genevieve. And, of course, the biggie: Flemeth. Why are they a type? I... don't know, honestly. I guess I have a feeling that older men fade, they strive to regain their youth or establish a legacy and we've seen that story a thousand times, but older women? They become free to become something new. I guess I see so many possibilities in that. I had a conception of who Flemeth was, and why, right from the very start. Her creation went hand in hand with Morrigan, as a being whose thirst for retribution hundreds of years ago attracted an entity (slight confession: I didn't know Mythal specifically, at the time, "an elven god" was enough). I also knew where Morrigan was right and very wrong about her. Misconceptions of the truth are built into DA's foundation, and they were fundamental to this mother-daughter relationship I was building. Like many seeds I'd put in the world, however, I had no idea whether I'd ever get to explore it. Knowing that she was a character of possible future importance, if not a major player in DAO, I wasn't much surprised when she was one of the first cuts the art team made in terms of getting a unique appearance. Thus the "batty old woman" players met in DAO. Not as hard a cut as the Qunari, though."

"Going into DA2, I wanted both Morrigan and Flemeth, but we could only have one. So I picked Flemeth. This was the game where she really got to come into her own. I remember the art team coming and asking if it was OK if she got a new model, as it'd be a retcon of sorts. I didn't care. I wanted it. I honestly don't remember whether Kate Mulgrew was cast before or after Claudia. After, I think? All I recall is that Cab came into my office one day and asked if Kate might be a good fit. Asked me, the dyed-in-the-wool Trekkie who had stuck with Voyager even through the admittedly lean years? The squeal I made was un-manly. Cab took that as a "yes". 😅 I didn't get to talk to Kate until DA2, however. Schedules being what they were, we had a tight window to record Flemeth... so I had to write all her scenes before almost anything else in DA2 was written, before I even had a team! Ack! It was OK, though, for the most part. I knew where I wanted to take her, and a big part of it was going to explain her transition - to set her up for the future. So I whipped up a script in, like, two days and off we went. Kate was a marvel in the booth. She adored Flemeth and you could really tell. I didn't get to meet Kate in person, however, until DAI. This came pretty late in its development, compared to when we recorded her for DA2, and we flew down to Virginia (to accommodate her schedule - she was writing her memoir at the time, I think) for a single session. It was going to be *tight*."

"I was a mess. I was finally going to meet Captain Janeway... and yes yes, I know she's also more than that. But come ON. When we sat down, I figured I'd have to talk her through the character all over again. It'd been years since that one session at the start of DA2, right? And even more since DAO. But, no. Kate remembered Flemeth perfectly. I remember sitting there as she told me how much she loved the character, how rare it was to get one with so much texture and possibility. She called out my writing - my writing! - and waxed poetic about how she viewed Flemeth's arc. I... I was floored. 🫠 Then we began recording. One issue that quickly reared its head was how Caroline had to speed through the lines if we hoped to finish. Kate was a trooper, and most takes she'd get it in one (which is rare), but I was alarmed because we weren't giving Kate time to read the VO comments on each line. I brought it up, as there were some lines (so much sarcasm) that required nuance - Kate was getting them, oddly, but I was worried. "Oh, it's fine," Kate said. "I read the comments as we go." "How could you? We're going so fast!" "I'm a speed reader." Oh. OK, then. That certainly explained it. 😁 We got to the confrontation scene with Morrigan and she nailed it. Over and over. More than once, Caroline would make a call and, before I could even interject and say "no, Kate had it right, actually" Kate would explain exactly why she did it that way and why it worked for Flemeth. I was in love. She did the "I will see her avenged!" section all in one go. I got chills. Then we got to the final scene. You know the one. With Solas. It was this beautiful moment. She took it somewhere quiet and sad... and when she got to that last line, we all felt it: Flemeth was dead. Everyone was in tears. I suppose I could talk more about the process. How she started off aligned with Morrigan's original Delirium inspiration, but I didn't pull back her loopy way of talking as much (bet you wondered). I still don't know why it was so easy to slip into her voice, but I'm grateful I got the chance. ❤️"

[source thread]

[dissapointu]

Could you please write arcane characters with crybaby S/O?? If you want, of course! Whatever, thank you, I love your works 💗💗

I’m so glad you enjoy my work! Arcane characters and their crybaby s/o,:

———————————————————————

Jinx

Jinx’s first instinct is to panic when she sees you crying. Her eyes widen, and her brain short circuits a bit as she scrambles to figure out what’s wrong.

“Oh no! Did I break something? Was it my bombs again?!” She pulls you into her arms and starts rattling off a series of wild suggestions to make you smile. “Maybe some candy? Or I could build you a new toy—no, wait, I’ll make a whole new everything!”

When she finally calms down enough to hold you and see the tears are simply from emotion, she softens, giving you a tight hug and whispering, “Don’t cry, okay? I can’t handle it.” She might still end up doing something completely ridiculous to cheer you up, but she loves you so much and hates seeing you sad.

Vi

Vi’s reaction to you crying is immediately protective. She’s quick to scoop you up in her strong arms, cradling you against her chest like you’re the most precious thing in the world.

“Hey, hey… you’re okay,” she murmurs softly, gently stroking your hair. “I’ve got you. Don’t worry.”

She’s not great with words when it comes to comforting, but her touch speaks volumes. She’ll just hold you close, letting you cry it out in her arms, her jaw tight and eyes soft as she assures you, “You’re the toughest person I know, don’t forget that.” She’d never let anything hurt you.

Sevika

Sevika is a lot tougher on the outside but crumbles when you’re upset. When she sees you crying, it’s like a switch flips, and all her usual hardness melts.

“Why are you crying?” she asks, her voice surprisingly soft, but her posture tense as if she’s trying to hold it together. She gently wipes away your tears with her thumb.

Sevika doesn’t quite know how to comfort in a traditional sense, so she might pull you into her lap, leaning against the wall as she lets you cry it out. “You’re tough, you don’t need to cry, alright?” But there’s a softness in her tone, a vulnerability she doesn’t often show to anyone but you.

Silco

Silco is stern, but when he sees you crying, a strange protectiveness takes over him. He’s never really been great at comforting anyone, but when it comes to you, he’s incredibly tender.

“Enough of this,” he says, voice low and commanding, yet his actions are the opposite. He gently pulls you into his arms, running a hand through your hair, his grip surprisingly delicate.

“You’re the last person I ever wanted to see in tears,” he mutters, his voice rough. He may not have the right words, but the way he holds you speaks volumes. “Don’t waste your tears. I’ll handle whatever is making you sad.” He’ll find a way to fix it—because you mean that much to him.

Vander

Vander’s heart aches whenever you cry. The moment you start, he’s immediately by your side, pulling you into his massive arms with an almost fatherly tenderness.

“There, there,” he murmurs, rocking you gently as he lets you cry it out. “You don’t have to hide your tears from me, sweetheart.”

His voice is soothing and steady, like a calm in the storm. He doesn’t ask questions right away; he just holds you, rubbing your back and whispering, “I’m here. You’re safe.”

Vander’s the type to offer warmth and security, his hands gentle on your back as he helps you through whatever’s troubling you.

Ekko

Ekko’s heart drops when he sees you upset, especially when it’s tears. He immediately drops everything, running over to wrap his arms around you in a tight hug.

“Hey, hey, what’s going on?” he asks, his voice full of concern. His hands are all over you—touching your arms, face, shoulders—as if making sure you’re real, that you’re okay.

“Come on, you know you can tell me anything, right?” he says, trying to reassure you. Ekko’s never good with seeing you cry, and he’ll do anything to stop it. He might even go a little overboard with distractions—making you laugh, telling you a silly story, or offering to make you something special—because the last thing he wants is for you to feel sad for long.

Jayce

Jayce is the type to immediately feel overwhelmed when you cry, unsure of what to do at first. He’s a man of action, and seeing you upset makes him want to fix everything.

“Sweetheart, please, tell me what’s wrong. I can help, I swear,” he pleads, his voice urgent yet gentle as he pulls you into his arms.

Jayce is the kind to try and solve whatever’s troubling you, whether it’s with words or some grand gesture. “Whatever it is, we’ll fix it together,” he promises, brushing your hair out of your face.

He might even work himself into a frenzy, trying to make everything perfect just so you’ll stop crying, but ultimately, his soft embrace and the way he looks at you with concern will make you feel safe again.

Viktor

Viktor is a mix of confusion and worry when he sees you in tears. He’s so used to dealing with problems with logic and technology that when it comes to comforting you, it’s like stepping into uncharted territory.

“Why are you crying?” he asks, his voice soft and a little uncertain. “This isn’t like you.”

Viktor doesn’t understand all of your emotions, but what he does understand is that you’re important to him. He’ll sit beside you, reaching out to hold your hand, carefully avoiding overwhelming you with words.

He’s more likely to offer you quiet, thoughtful gestures—making you tea, working on something together—anything to make you feel better.

Caitlyn

Caitlyn is a little flustered when she sees you cry, especially if it’s about something that’s beyond her control. She’s so used to solving problems in a structured way, but she wants to do everything to help you feel better.

“Darling, what happened?” she asks, her voice soft but filled with concern as she wipes your tears away.

She’s very gentle with you, rubbing your back or combing through your hair, and she’ll do anything to get you to stop crying. Caitlyn might get a little frustrated with herself if she can’t figure out the cause, but she’ll keep reassuring you with sweet words and actions: “You’re safe with me, I won’t let anything hurt you.”

Mel Medarda

Mel’s reaction to you crying is calm, yet deeply caring. She’s not overly sentimental, but she’s not cold either. She’s incredibly composed, and she’ll use her sharp intellect to try and get you to open up about what’s troubling you.

“Tell me, my dear,” she says softly, her voice full of warmth. “What’s weighing on your heart?”

Mel will sit down with you, her hands resting on yours as she listens carefully, offering advice only if she thinks it’s needed. She doesn’t want to push you, but she’ll always make sure you know you’re not alone, and that you have her support, no matter what.

Ambessa Medarda

Ambessa’s reactions are subtle, but her presence is commanding. She doesn’t like seeing you cry, and while she may not be the most emotionally open, she’ll show you affection in her own way.

“Don’t cry,” she says with quiet authority, pulling you into her arms. “Tears are for weakness.”

But her actions are softer than her words. She’ll stroke your back gently, offering you silence as she lets you cry it out, and then, once you calm down, she’ll make sure you’re taken care of, ready to shield you from whatever caused the pain.

Maddie Nolen

Maddie’s heart breaks the moment she sees your tears. She’s quick to offer comfort, wrapping you in a tight hug, kissing your forehead, and telling you everything will be okay.

“You’re everything to me,” she whispers, her voice low and soothing. “Please don’t cry.”

She might be a little overwhelmed by how much she cares for you, but she does everything she can to help you calm down. Maddie will talk with you for hours if she has to, just to make sure you know you’re not alone, and that she’s there for you.

Lest

Lest’s heart always skips a beat when she sees you upset. She’s very protective of you, and she’s quick to wrap you up in a soft embrace, not quite knowing what to do but instinctively wanting to shield you from anything causing you pain.

“Hey, it’s okay,” she says softly, her hands gentle as she holds you close. “Don’t cry, I’m here.”

She doesn’t rush you to stop crying, letting you take your time. She’s patient, and she’ll listen quietly, never pushing you for answers, just offering her warmth and comfort.

[loganhowlettshousewife]

animal

chapter 6

friendly reminder that i am not a writer, i'm just a girl who loves logan howlett and wanted to write something exploring his animalistic side since i so rarely see it done. my first language is also not english, so please do not be rude when giving me any feedback.

warnings: swearing, smut, oral (fem!receiving), unprotected piv, my first time writing smut so i'm sorry if it's horrible

series masterlist │my masterlist

you’ve known three versions of logan so far. the feral, animalistic version of logan that seems to be at the core of who he is - without any memories, that’s the personality he reverted to, those were the actions he took when controlled only by his baser instincts. then there’s the version of logan you imagine he’s created over the years to deal with his pain, the one that drinks himself stupid and fights against his nature to make others more comfortable, terrified to hurt anyone, terrified that he’ll prove to everyone that he’s a monster.

this version of logan though, the one you see before you now, is as close as you’ve ever gotten to knowing the real him. a person's memories and experiences make them who they are, shape them as a person, and the same can be said for logan. but he’s no longer trying to hide what his mutation makes him, at least not as much as before. he’s not the innocent, loving man you’d brought into your home - you doubt you’ll ever get that exact version of logan back - but he expresses himself in a new way now.

he’s explained to you some of the conditions of his mutation, why he acts the way he does. it makes more sense to you now, why his face is always finding its way to your neck, pressed to the spot where your scent is the most pronounced, mixing your scent with his to mark you. it soothes him, to walk by you and recognise that even when he’s not at your side his presence clings to you.

it’s nice, watching him slowly let his guard down, opening up to you. you’re proud of him every time he mutters something about himself or his past to you, quickly and quietly as though he’s partially hoping you won't hear him.

“i love you,” he says, taking a break from kissing you to breathe the words into the shared air between you.

you smile back at him. the words are as easy as breathing. “i love you too.”

he kisses you again, loving and intimate, a hand going to your waist, gripping onto your flesh tightly as if you’ll vanish if he ever lets go. you’ll have bruises in the shapes of his fingers tomorrow, a reminder of his touch, of the way he worships your body. you part your lips for him, gasping lightly when his grip tightens, giving him free reign to explore your mouth with his tongue.

heat grows in your stomach, wetness flooding between your legs, insistent, and you grind down on his lap, feeling him growing hard underneath you. he’s big, you’ve seen him naked enough times to know, but it feels different with you pressed against him, much more imposing.

“need you,” he groans, fingers sliding under the elastic waistband of your sleep shorts, releasing it to watch it slap your skin. you gasp again and he chases the noise with his mouth, catching it on your lips.

he takes his time pulling your sleep shorts down your legs, reverently. there’s always a strange duality to intimacy with logan. he’s intense in everything he does, taking you apart multiple times a night, his gaze almost predatory as he explores your body. and yet he treats you like a queen, taking his time to make sure you feel good before he ever does anything for himself.

he spreads your legs open with his large hands, kneeling between your legs. he kisses up your thighs, so close to where you want him and you squirm.

“please, lo,” you beg, your hands in his hair.

he starts off slow, a consistent rhythm that has you begging for more, your moans growing breathier and louder until he can no longer control himself, eating you out like a man starved. his beard burns against your thighs, a delicious pain that only makes the pleasure more intense.

he adds one finger, the thick digit brushing against your walls, pressing against the spot inside you that makes you cry out. his fingers are bigger than your own, longer too, and he’s always much more effective at fingering you to an orgasm, able to give you what you need. he always knows what you need.

he adds a second finger, and that paired with the way his tongue drags against your clit, catching on the tip, has the pressure building inside you. 

your orgasm hits you like a wave, a slow crescendo and then you’re falling. you ride his face as you cum, using your grip on his hair to pull him closer to you, feeling his nose bump against your clit as you press your cunt against his mouth. you shudder as you come down from your high and logan pulls away, mouth and beard glistening with you.

he’s still nearly fully dressed, which you find absolutely unfair, so you pull his shirt off, tossing it aside, making quick work of removing the rest of his clothes until he’s gloriously naked. his cock is hard and proud, flushed and straining.

he needs you, and he tells you so, the words echoing between you, the sentiment going straight to your core.

you wrap a hand around his cock, stroking him a few times, running your thumb over the tip to collect the beads of precum and rub it down his shaft. he groans at the feeling, rutting into your hand. usually this is the part where you take him into your mouth, let him fuck your throat until you’re gagging around him and spit dribbles from your lips around his thick cock.

but you want something different today, you want more. you haven’t taken this step yet, you didn’t feel ready before, wanting to wait until you were at a point where your rocky, unlabeled relationship felt solid. now, you couldn’t imagine not being ready to share this step with him, to give him every piece of you, putting your life and your love in his hands and begging him to keep it, keep you.

“lay down,” you order him, letting go of his cock to shove lightly at his chest, not hard enough to actually move him - you’re definitely not strong enough for that - but he goes willingly, and you smile at how quickly he complies.

you’re not usually the one giving orders in the bedroom, but he’s always weak to your whims, regardless of how small or meaningless they might seem. he wants to make you happy, something he’s told you multiple times when you teased him about how willing he was to do anything you asked of him. you could easily make him submit to you in bed if you batted your eyelashes at him and asked nicely.

he watches you with dark, lustful eyes as you crawl over him, straddling his lap, grinding your leaking pussy against his hard cock. you both moan at the feeling of your wetness sliding against his length, at how ready you both are for this.

“i want you inside me,” you say.

“are you sure?” logan asks, breathless. he wants it, you can see how hard he’s fighting not to rut up into you, but he’s holding back. it makes you feel warm all over, the way he cares so deeply about you, never pushing your boundaries, never wanting to push for more than what you’ll allow. it makes you want him even more.

“i’m sure,” you affirm, “don’t think i’ve ever felt more ready for anything, actually.”

you line him up with your entrance and slowly sink down, feeling the stretch with every inch of him. you're thankful he stretched you out with his fingers, but you have to stop to breathe regardless when he’s halfway inside, the sound of your heavy breathing mixing with his own ragged pants as he fights to let you take the time you need.

finally you sink down onto him, a sigh escaping your lips when he’s fully sheathed inside you. you roll your hips to adjust to the feeling and logan growls, low in his throat. 

you lift yourself up halfway before sinking back down, a new rush of heat rolling over you when you hear the way logan groans. he holds onto your waist as you move, helping lift you so you don’t get too tired, but eventually you start to falter, unable to keep up the steady rhythm. you pout as your movements become slower, annoyed at yourself, but logan takes over the moment you can’t, rolling you over onto your back so he’s hovering above you.

you wince at the feeling of him slipping out of you, but as soon as he has you positioned on your back the way he wants you, he’s lining himself up with your hole again, fucking into you hard and fast.

“this okay?” he asks, though you doubt he needs the answer given how you’re whining and writhing underneath him.

his thrusts are relentless, a steady pace that he could probably keep up for days and days. he has wonderful stamina, something you’d learnt the first time you’d made him cum when his cock immediately hardened again in your hand, your eyes widening as you looked up at him. he’d shrugged and smirked as he explained he didn’t have much of a refractory period. “‘least not when i’m with someone as pretty as you,” he’d continued.

he’s using one hand to grope your breasts and the other sneaks down between your legs, rubbing circles over your clit. he’s hitting that perfect spot inside of you that has you seeing stars, and you can feel your second orgasm approaching, more intense than the first.

“fuck,” logan grunts, “y’feel so good, so tight.”

he looks wild, fucking into you like this, his eyes roaming over your body like a predator assessing his prey. you feel your stomach twist pleasantly at the thought. he keeps up his pace until you’re coming around him and even as you squeeze around him he doesn’t falter.

“logan!” you scream as he continues, overstimulation bordering on painful.

he grunts and growls, and you grip onto his shoulders, your nails digging into his arms. he moans loud when you accidentally draw blood from the intensity of the hold you have on him. you feel the blood welling against your fingertips and then the strange sensation of his skin stitching itself back together until it's smooth again under your touch.

“gonna breed you,” logan growls, and you babble incoherently in response. you’re not quite sure his words are even penetrating your mind. all you hear is the sound of his voice, the rough timbre of it. “gonna make you mine. my mate.”

“yes, yes logan, please, come inside me. need you!” his thrusts get more erratic as he gets closer to the edge, and then they falter for a moment and he’s coming. hot spurts painting your insides as he keeps fucking into you, shallow thrusts that push his cum deeper, closer to your womb.

he presses a kiss to your stomach, nuzzling his head into the soft flesh there. his breathing is as ragged as yours. you feel completely undone, your mind fuzzy and content, like you could stay right here forever and you’d be perfectly happy.

“that was amazing,” you say.

he looks worried now, eyes narrowing like he’s not quite sure he trusts you to be telling the truth, like what just happened wasn’t the best sex you’ve ever had in your life.

“you sure?” he asks, “that wasn’t too much?”

“no,” you smile, “i told you, i like when you act like an animal.”

you can feel his cock hardening again inside you, pressing against your walls. he moves his hips so you can feel it shifting with the change in position, at the perfect angle that he knows will make you scream. you watch his lips curl up, a dark smile that matches the darkness in his eyes as he stares at the way you’re trapped underneath him.

“do you?” he says, not a real question. you love when the feral side of him takes control, and you’re watching it happen now, can read what he wants from the look in his eyes.

yeah, you’re in for a long night. and you couldn’t think of anything better.

“you called me your mate,” you comment much later, feeling sated and boneless with your head resting on logan’s solid chest, feeling it rise and fall along with the steady pace of his breathing.

logan hesitates for a long moment. you can feel him tense underneath you, his muscles freezing in place, the smallest hitch in his breath that you wouldn’t have noticed if not for your close proximity. you don’t mind waiting for him to cycle through his thoughts, the words caught in his throat, seconds ticking by in comfortable silence until his frame relaxes once more and he pulls you in closer.

“i did,” is his only reply. short, succinct, waiting expectantly for your response, your reaction to a term that is distinctly animal-like. it’s also the first time he’s put any sort of label on your relationship, other than calling you “mine”, possessively whispering the word in your ear as if you’ll forget if he doesn’t remind you.

“what does that mean for us?” you ask, tracing patterns on his skin, forming each letter of your name with your index finger, “we’ve never actually said what we are, you know. and i can’t say i know the ‘human’ equivalent of the term mate. does this mean you’re my boyfriend? something else?”

“that’s a childish term,” logan says, lines forming between his brows as he frowns.

you smile, leaning in to kiss away the tension there, feeling the slight sheen of sweat that had formed over his skin while he fucked you, not quite dry yet. you should be getting up to shower, rinsing away the salty layer of sweat from your activities, throwing the ruined bedsheets into the laundry to be replaced by clean ones.

but you’re comfortable where you are now, avoiding the mess you’d made of the sheets by curling up on the other side of the bed, wishing you could push up closer to logan despite the fact that you’re already as close as humanly possible. if only you could crawl into his skin, break past his ribs and settle there, protected where no one else could ever reach you, tucked right against his heart.

“what would you want me to call you then?” you ask.

“for now, nothing,” logan says. in his eyes you see a battle, words and thoughts that you wish you could read, that you hope he’ll one day say aloud. “there isn’t a word that’s enough to describe this. one day i’ll be your husband, but until then, just say you’re mine. my girl.”

“are you proposing to me?” you laugh, eyes bright and smile pulling at your cheeks in a way that’s nearly painful.

“no,” he grunts, “when i propose to you it’ll be much better than this.”

and what else can you do but fall into him? your heart feels like it might burst from the warmth that fills you, threatening to spill out from every cell in your body, too much for anyone to properly handle. it’s on your hands when you use them to hold him down, swinging your leg over his lap so you’re straddled atop of him, kissing him in the hopes that it’s enough to express what words will never be enough to express.

he meets you in the middle, mouth hot and demanding. you’ve never felt more wanted, never felt more loved, like you could take on any struggle the universe may throw at you and be fine because logan’s by your side, always there to catch you. you read the promise on his lips, and the word forever is unspoken but you both hear it anyway.

taglist: @mystiquesvendetta @raeinyourdreams @babey-fruit-bat @meetmypointlessaddiction @kneelforloki @deaky-with-a-c @hypermarvellove @littlepeanut03 @the-ruler-of-death @aliengutzstuff @misscrissfemmefatale @mynamesstevenwithav @teaganthemorningstar @blackkatzz @leryg0 @fries11 @forksloree @i5uckersblog @dragovegogrimborn @quillycrow @melday0105 @just-a-little-cellist @scorpiosaintt @akasha157-blog @insanesosciopath @eridektbh @trickstergabriel69 @lord-bingus666

[stargatesg-1obsessed]

As someone who has only started writing this year, I feel this. I feel the pressure of feeling like I have to write just as good as some of my really good writer mutals or like the books i read, but in reality, they've been doing it for years, and I've just started. I don't need to be as good as them because I'm just going to end up critising myself for being a beginner writer and not having all the talent straight away, and that's just stupid.

All the feedback I've gotten on my fanfics has been wonderful. They're all really lovely people, and they're supportive even if the writing sucks because that's just what you do. It someone's writing is bad, don't point it out. If it bothers you that much, don't read it! I personally would much rather have one less hit on a fic than have someone be hateful in the comments. There is just no need for it. If you want to give them some tips, go for it. But don't be rude about it, especially when that person isn't a writer but is still judging them.

The whole point of fanfic is to have your own creative freedom, with the characters you love. And if your writing isn't as good as someone else's, or it doesn't sound as good as a book you've read, it doesn't matter!! All writers have off days, even the really talented ones with really popular books/fics. No one should critise you for your writing. They don't have the right. The only time it is semi acceptable is when you ask someone to beta a fic for you. And even then, it's not for critising. It's for helping out with any mistakes, typos, ooc dialogue, etc etc. You're not there to judge them, you're there to help them.

So please, if you see a fic with writing, that could be better, either support them, or just don't say anything. Because I know that writers need criticism sometimes, but what we really need is support. And if there is something you want to point out, say something simple like; "Loved this fic! Really loved how the characters interacted!! :D Although I think I saw a little typo towards the end when it says "the entire planet," I think you meant to put "the entire plane,". But it's not that big a deal, and we all make mistakes :))".

That's based on a comment I got from someone on AO3 who helped me out majorly with a typo. It changed the entire sentence and didn't make any sense otherwise. And they really saved me there.

But if you're going to say something rude like; "at the end, when you put "the entire plane," instead of what I think you meant to put which is "the entire planet," it really messed up the fic and it makes no sense." Then just don't point it out because I'm sure someone else with kinder words will.

Fanfic writers don't need to be as good as professional authors!!! Just have fun and create what you want, and what makes you happy. Don't be scared to post something because it's practise. We all do it, and we'll all improve if we have practising. Don't let someone else's harsh words stop you for doing what brings you joy.

At some point "fanfic can be as good as professional writing" became "fanfic should be as good as professional writing" and that's caused major damage to fandom spaces.

[sparrowlucero]

i enjoy ur bird abode thoughts! I was a genuine enjoyer of the show when it was airing, I’m no die hard fan though and love to see ppls personal takes on the overall story/plot. Im curious if you also would agree or have any thoughts on the impacts The Mouse’s cancellation had on the shows ability to be more than it was? srry im not super eloquent with my words, but basically ur response to that ask got me wondering if part of the reason the show like genuinely wasnt all that ground breaking or unique in the end plot wise (other than the villain faces consequences in the end ig) as far as YA/Teen animation goes, was because of The Mouse’s inability to let the writers flesh out the show before gutting it? i have a negative bias toward The Mouse franchise and obviously dont know anything about how writing a show under the eyes of a franchise that big would work, its just smth that rattles around in my head and wanna know what u think!

Well to an extent, but I think it's much more the effect the studio had on how the owl house started out as rather than it not getting a full season at the end - It didn't escape my noticed that the show was initially announced as being a "horror comedy" when it doesn't really seem like either, especially by the second season, and yeah, the original pitch bible is obviously aiming for that much more than the show proper is as it goes along (and is honestly seems quite a bit more funny, weird, and dark, with an overarching plotline about a giant bug being used to religiously suppress people, eda able to cure her curse by killing luz, and one of the major characters being a teen boy awoken from a sleeping curse who ends up being a weird little bigot because he's from the 13th century, among other things)

(side note, i just noticed they actually specifically describe the thing i assumed the show was gonna be about here. huh.) but ultimately the bulk of the show that was actually made seems very influenced by a writing team that was genuinely interested in making a tropey YA fantasy story rather than just being mandated to. I mean even in what aired you can see the show sort of settle in ways that feel less like studio interference and more like, you know, art students creating their ideal fantasy show, like how King is clearly Eda's roommate who's funny because he looks like and sounds like a little dog despite being an adult man at the beginning but by the end they've made him her adopted sad backstory son who's explicitly a child. While I think a third season would have made the show as it existed better, because they clearly didn't get to finish the plot they wanted to (frankly to the point where some major aspects of the show are a bit confusing, I'm still not sure what a grimwalker is), I don't really fault the show for that but also don't think that hypothetical season (which pretty clearly would have been mostly about the magic school teens going to normal school) would suddenly flip around into something that I personally found interesting and subversive. Nor should it, really; again, it being Queernorm Harry Potter thing is clearly the intended appeal of the show, it's not really a flaw but just not a genre I'm personally interested in when compared to what I initially expected the show to be.

HOWEVER I will say they robbed little weird girls of their representation and that can't be forgiven

[missingininaction]

alright, friends, i might say something you don't like but i think it's important. not just to defend a character, but because i think this is literally making people's experience and relationship with this game worse.

give jimmy like two seconds to exist.

by hating jimmy so much you refuse to even say his name, and judge real, living people for liking him, you are cheapening your experience by boiling down the main character to the most ~yuckiest~ moments. and, by not making a seperate space for hating on him, you are drowning out the voices of people who actually have nuanced things to say about his character. you know, the skilled writers and artists that feed the fandom? limitation is what kills fandoms, you have to know that.

is jimmy a good person? no. is he a good captain/companion/worker? Absolutely Not! he crumbles like dust under any pressure and he immediately shifts blame off of himself, he is an actively harmful individual and it's right to be upset by his actions. i literally had to stop myself from saying "man FUCK jimmy." multiple times because i didn't want to spoil how terrible he got to my friends when i showed the game to them.

but you have to understand; people are more than their actions. thats part of the entire point of the game. thats why its so abstract. you are meant to think about the nuances of their situation.

we can agree that anya was way more as a woman than what happened to her and what she did as a result of it, right? that despite her best efforts, she was a victim of circumstance, and she deserves to be understood and analyzed fully?

then why, seeing a fictional man who has done immoral things, are you so disgusted you won't even draw, write or discuss him outside of hate? what is that doing for you, to ignore literally the main character of the game because of his actions?

now, this is not to say people can't hate jimmy. i understand it! as someone who has been a victim of s/a and abuse, i understand if you hate him and are even triggered by him to the point of avoiding mention of him. (but...why are you in this fandom? ((not aggressive im genuinely asking)))

you can feel however you want about any character, my goal is not to control people. but i thought it was common knowledge to not hatepost about someone in their tag? over actual insight into his character and, you know, the main themes of the game?

jimmy is a man who has struggled his whole life. both him and curly confirm that in the game. he's unable to control his emotional outbursts, and he likely had no idea what to expect from being in fucking SPACE for over a year with people he probably didn't even know before that trip. and pony express and their corporate safety corner cutting certainly didnt help, did it?

for one reason or another, he most likely was never actually taught how to manage his emotions. that's just how it is sometimes, growing up as a man. and it would make sense if he was forced to deal with everything himself, no? he always complains, but he still says he'll handle it. because that's what he's always had to do. and this is just the start of what i could say about what made him the way that he is.

he's a victim too, not only of his own actions.

surprise surprise, people who do awful things can also be victims.

honestly, this entire situation baffles me. how are you going to avoid one of the main characters of the game, let alone the one you play as ninety percent of the time? mind you, curly is also guilty, and i am happy to see at least some people giving him space for nuance. because he is also a victim!!! why is it so impossible to see jimmy as nuanced, when literally every other character also has incredible depth to them??

you're tarnishing and spitting on the beautiful writing of this game just because one character is too icky for you to feel comfortable thinking about for too long. it's horror, you absolute morons. it's supposed to make you uncomfortable.

if you hate jimmy, i dont blame you. but please, please, make your own space for it. be kind to people who want to explore jimmy and the darker themes, and like him for what his character represents. this is a video game fandom, not a witch hunt. and please, learn some fandom etiquette while you're at it, okay? okay. thank you

also just say his name. its not a slur youre not gonna go to hell if you say jimmy. like this isn't as important but still it just feels like a microcosm of this whole thing.

[tidesreach]

fuck it friday

tagged by @dangerpronebuddie <3 haven't done one of these in a while but. i started writing this one months ago and now i'm like. well wow. should really finish this because. eddie really might be going to texas. (part of the buck drowns fic btw)

Buck waits, chugs down some more wine while Maddie's eyes flicker over the letter, once, twice. Finally, she sets it down on the counter, looks up at Buck and says, "I think you need to go to El Paso." Somehow, all at once, it's exactly what Buck wants to hear, and exactly what he doesn't want to hear. There's a relief that washes over him, like a warm, sunlit wave. But then— "You think I don’t want to?" Buck says, sets his glass down. "God, Maddie. I feel like I—like I'm going five rounds in a ring with myself every day just to not get in my car and drive." "Okay." Maddie looks at him. Careful, soft, gaze intent. "So why don’t you?" "Because," Buck argues. Because. "Because he asked me not to." "Did he?" Maddie asks. She slides her fingers over the letter, delicately. Like it's something precious, like—like she knows it is. To Buck. Then pushes it back over to Buck's side of the counter. "Because I just read the note, Buck, and I don't think he did." Buck swallows, reaches for it, for those familiar creases, the distinct indent of Eddie's scrawl. Did he? "I–well, okay. Not–not specifically," he agrees. Because it wasn’t��Eddie didn't ask. But it was— "He said he needed time. So I can’t. I can't be this person, Maddie. This—this needy, clingy person who chases him across states. That's not who he needs me to be." "Or it's exactly who he needs you to be." Maddie covers his shaking hands. Shaking. God, when did they start shaking? "I think he needs you to go after him, and I think—" Maddie pauses, soft pads of her fingers pressing against Buck's skin. Then, "I think the only reason you haven't is because you're afraid you're not enough to bring him back." Buck shakes his head, can't quite make his throat and mouth work in tandem to refute her. The words twist and churn in his chest, his stomach. Like a pinwheel. Sometimes, it's uncomfortable, just how well Maddie knows him. "You—you really think I should go?" "Buck," Maddie says, then softer, "Evan," the way she used to say it when they were kids. When she needed him to hear what she meant. "This is a love letter. You do know that, don't you?"

tagging @thatbuddie @sibylsleaves @inell @absolutelybifurious @standback

[caitified]

Hey, can you write some more Kate stories please ? They are really good 😊

puppy love

kate martin x reader

warnings: none! more family series coming soon

kate’s been quiet since the loss. she’s not one to show it too much—always trying to be strong, for her teammates, for you—but you can see it in the way she moves around the apartment, slower than usual, her usual spark dimmed.

it’s been a tough adjustment, this first season in the league. vegas has been good to her, to both of you, but the end of the playoffs hit harder than either of you expected. you’ve been wracking your brain for days, trying to find a way to cheer her up.

and then it hits you—the idea you’ve been holding onto for years.

kate’s always wanted a dog. she talked about it all the time in college, her face lighting up as she’d scroll through adoption websites, dreaming of the day you’d finally have a place big enough, a schedule steady enough, to make it happen.

now feels like the perfect time.

you spend a few days researching, visiting shelters while she’s at practice, and finally, you find the one. a golden retriever mix with the sweetest brown eyes, one that practically melts into your hand the moment you meet him.

the adoption papers are signed that afternoon.

when kate comes home from her workout the next day, the apartment’s unusually quiet.

“babe?” she calls, setting her bag down by the door.

“in the living room!” you reply, barely containing your excitement.

she rounds the corner, her brows furrowing as she takes in the scene—you sitting on the couch, and the dog sitting at your feet, wagging his tail like he’s already claimed her as his favorite person.

“oh my god,” kate breathes, dropping her water bottle as her eyes widen.

“surprise,” you say softly, your smile growing as she just stands there, frozen.

“is this—?”

“he’s ours,” you confirm, patting your thigh to call the dog closer. he trots over to you, but his attention quickly shifts to kate, sniffing her cautiously before pressing his nose against her hand.

“you—” kate’s voice catches, and she sinks to her knees, scratching behind the dog’s ears. “you got me a dog?”

“i got us a dog,” you correct, watching as her eyes start to glisten. “i know how hard this season’s been for you. and i thought… maybe this would help.”

kate lets out a shaky laugh, wrapping her arms around the dog, who happily licks her cheek. “you’re amazing, you know that?”

“i try,” you tease, moving to sit beside her on the floor.

she looks over at you, her eyes still wet but filled with so much love it makes your chest ache. “seriously, i can’t believe you did this. he’s perfect.”

“you’re perfect,” you counter, leaning in to kiss her temple.

she laughs again, this time lighter, and rests her head on your shoulder. “what’s his name?”

“i was thinking you could pick,” you say, watching as the dog flops onto his back, clearly at home already.

kate grins, brushing a hand over the dog’s soft fur. “how about lucky? because that’s how i feel right now.”

you laugh softly, pressing a kiss to her hair. “lucky it is.”

[everpresence]

I was wrong.

over the last few weeks, i started heavily questioning my beliefs.

i noticed that some of my desires came in faster than other desires. some of them (as you may see in my recent posts) took years to reflect, but some of them got reflected so fast at the speed of light.

i’ve been told by various people that there’s usually a time delay for desires to materialize in the 3D, and for some reason, it resonated with me. that’s why i mention it in my answers because i was merely basing it off of my own experiences with the law.

but something clicked for me recently. i watched a video by missy renee, about why people haven’t seen their manifestations for years. i’m just going to put it out there that you don’t need to pay for coaching. there are a lot of manifesting coaches that don’t know what they’re talking about, and when you read source, it’s a lot more telling. missy renee is not one of those coaches. she has read source and has even applied those teachings into her life. if i have to recommend a coach for you to watch, though, it would be her.

anyways, there was a line that she said that i immediately wrote down because it caused so much confusion in me. basically, she said that the reason why we have yet to see things come to pass is because we are still identifying with our old beliefs — our old story — and due to this, we become double-minded. this double-mindedness is then perceived as the “time delay.”

in that moment, i slowly leaned back in my chair. it was an “a-ha” moment for me, but it was also a little harrowing.

how long have i held myself back from just accepting that i am the person that i wanted to be? how long have i been limiting myself, telling myself the old story over and over again like a broken record? more importantly, i’ve been telling other people that there is such thing as a “time delay” because i decided that i should experience the delay.

so when i wrote a list and just allowed my higher self to figure it out, some of them came in so fucking fast at the speed of light. it stunned me. that’s when i realized that i was holding a false belief.

i never thought that i’d be writing an apology post, but here i am. i’m holding myself accountable because i was the one that wrote that there is such thing as a “time delay,” but in reality, there isn’t. sure, you don’t have to be pitch perfect with your beliefs, but when this desire has no conflict with your beliefs — when you have no resistance, when you aren’t arguing with yourself about whether you have it or not — then there’s no delay.

i remember some people said that it should not take more than thirty days, and i used to think that it’s bullshit, but now i can clearly see that there is a reason why they believe this. it’s not even about the length of time, but about how frequent you return to the state. it’s all about you accepting that the person you want to be is who you are now.

besides that, i want this post to be a reminder that everyone’s beliefs are constantly changing. there is always going to be expansion, growth, an inevitable withering of the old beliefs and the blossoming of new beliefs the more we learn about how this all works. this is why i want people to go back to reading source, to not always take everyone’s posts as “truth” or “the gospel” because we are all still learning in the end. learning never ends.

edit: i don't mean to say all this for you to start focusing on the physical reality as your primary reality. i still wholeheartedly believe that this is merely a reflection of your beliefs, and ultimately, it is all about who you are choosing to be right now despite what it looks like.

[glass--beach]

what do you think sixth wave emo will sound like?

gonna be honest i feel like even the definition of fifth wave emo is a little flimsy. it includes a mix of artists that are just continuing emo revival (4th wave) without rly changing it as well as artists who are so far removed from emo that putting them under the umbrella is a little reductive. but emo is just such a polarizing genre that if there is 1% emo in a band's sound they immediately become for emo fans only.

just real quick for any followers who don't know the waves (this is off the top of my head so might not be perfect):

1st wave (late 80s): Washington DC emotive hardcore, not very far removed from post-hardcore at all, just more focused on emotions whereas post hardcore tended (at the time) to be more political. ie rites of spring, moss icon

2nd wave (90s - early 00s): the start of "midwest emo" - develops the sound further through the influence of post-rock among other things, tends to use less distortion & gentler singing. some bands became minor successes through the post-nirvana alternative rock gold rush but many were not appreciated til way after they were active. american football, capn jazz, sunny day real estate, the promise ring, mineral, etc etc etc

3rd wave (00s): what the average person knows emo to be. often known as mall emo. crosses over with pop punk frequently. this wave saw the greatest commercial success due to strong pop songwriting and slick production. spoke to a general malaise among teenagers post 9/11. my chemical romance, AFI, the used, brand new, also includes the whole "scenecore" wave towards the end of the 00s

4th wave (late 00s - mid 10s): the "emo revival". largely a reaction against the commercialization of the genre that occurred in the 3rd wave, and a revival of a more 2nd wave sound. bands in this wave tended to put out one album on a tiny label before fizzling out, and largely found success online. they also all REALLY hated 3rd wave. the world is a beautiful place and i am no longer afraid to die, snowing, the hotelier, algernon cadwallader, modern baseball (honestly i could list 4th wave bands forever it's the wave i'm most familiar with lol)

5th wave (late 10s - 20s): online, postmodern/post-postmodern, lots of influence from genres far removed from the first four waves of emo (jazz, hyperpop, folk, noise), bedroom production, digital sounds, synthesizers, odd instrument choices, autotune, pitch shifted vocals. two of the biggest influences here are Heccra and The Brave Little Abacus (i will go to my deathbed insisting TBLA is NOT an emo band though lmao). the thing is, there are bands lumped into this wave like Home is Where or awakebutstillinbed who generally have a much more 4th wave kinda sound & very few of the traits associated with 5th wave. or Origami Angel & Mom Jeans who remind me more of later 4th wave "weed emo" bands like Jank (fuck that band tho). AND THEN there's also bands here who sound more 3rd wave, like Jhariah. i'd say the bands most emblematic of a uniquely 5th wave sound (aside from the aforementioned TBLA and Heccra) are MEEEEEEEEEEEEE (glass beach), stomach book, lobsterfight, your arms are my cocoon, nouns, weatherday.

tbh the only real common thread with 5th wave is that all of these bands are friends lmao. there are very few bands I listed there that I do not know personally, some are very close friends, and the rest are like, one degree of separation from me. i believe Bea from Home is Where was the one to codify it but critics really latched onto the term because it's every critics dream to be the first to write about a new genre right as it emerges. 5th wave's variety is largely indicative of the breakup of monoculture that's been going on since the dawn of the internet, with this sort of postmodern genre collage aesthetic that has been facilitated by the increased ease of access to ALL styles of music for everyone in the world & micro-categorization of genre on sites like rym for example. i think it's going to take putting this all into historical context to really know what comes next. any new development in emo will inevitably fit under 5th wave's very broad umbrella, and as a result MANY bands in the genre reject the term. hell, the dividing lines between all of the existing waves are extremely arbitrary and there are countless exceptions to this generally accepted categorization going all the way back to the start of emo.

at this point it is genuinely impossible for there to be a 6th wave. i'm sure we'll see some new developments, some albums that shake things up, but it will take literally redefining the genre for there to be a Next Era of Emo.

if i can try to be a little deleuzian on main i predict we will see bands push the genre forward by using the components of the more uniquely 5th wave sound while not overtly referring to fifth wave (or ANY wave) at all. it'll probably take a different setting too, possibly less bedroomy, more live, maybe a more longform classical kind of approach rather than pop structure. small ensemble orchestra + autotuned screaming? tapping guitar over endlessly looping 190BPM 909 beats? otherwise by-the-numbers midwest emo bands with vocaloid singers? rapid oscillation between all of the waves, Naked City style? emo vocals with no instrumental accompaniment whatsoever? screamo jazz? 5th Wave: The Musical? Rites Of Spring meets The Rite Of Spring? fags in skinny jeans burning american flags while Courtesy of The Red White and Blue plays on a boombox? a band that's actually a tech startup that's actually a huge ponzi scheme? Talking Heads reunites but Jerry Harrison only plays in FACGCE now? drum stems from The Black Parade echoing through an abandoned parking garage? another 9/11? Emo bands that don't play music at all and just make out with each other on stage? who fucking knows. all i know is whatever comes next, online music nerds will be crying out "this isn't emo"

sorry for the essay LMAO

[dogsplayingpoker]

Ok weird it wasn't letting me reblog this properly. Anways hiiiii

I did read it (over a year ago when i reblogged this) and that isn't what I said, or my criticism of his point and, overall, the neo-liberal ancient-contemporary comparative perspective that Devereaux is routinely writing these articles in. It would be silly to be fully Pro-Rome, sure, but I'm not really accusing him of that persay. I do still think his general perspective is a silly and factually inaccurate one and disagree with it, so I therefor disagree with the arguments he makes starting from this perspective. In particular, I think that no matter how much he claims to actively be against it, Devereaux and the many historians that follow his same playbook end up: 1. romanticizing (I previously said "admiring," which may have been where we got mixed up) Rome by claiming it was a ghastly horrific slave state (true) while also being unable to help from looking to "the good parts" with a kind of breathless nostalgia, and here, overtly for guidance. This is of course a pretty common issue for classicists, unfortunately, including professors of mine that I've generally really respected. Usually the "good parts" = freedom of religion in occupied territories, civil rights afforded to slaves (+the way that pre-Race slavery functioned differently in general), and exactly what Devereaux says in the title of the article, i.e. their "Notion of authority" being likened, often, to a gentle but firm father figure who knows whats best for his children. It is absolutely hilarious to me how often historians, even ones that claim to have left-wing values, can believe in the noble pater familias rule of the romans with a smile and a tear in their eye. Does anyone else here remember 'the white man's burden'? Did anyone see that weird tucker carlson speech where he talks about daddy coming to spank the disobedient little girl that (assumably?) was supposed to be the Biden government? Anyways. Writers try to isolate only that there was religious self determination (in occupied territories of an expansionist empire), that they Ruled the horrible violent imperial war machine Fairly, and then don't even hide the fumble when they get to the slavery part, proudly saying YEAH, they were ENSLAVED, sure, and that's BAD, BUT........ This all ties into issue two, or the underlying issue:

2. Devereaux is a liberal American historian that is either unable to appreciate the full context of the country he lives in OR is actively obfuscating it AND/OR accepts it and thinks its just peachy outside of a few stubborn issues like police brutality and the like which he thinks can be handled in a vacuum by throwing enough good old fashioned liberal values at them. He fails to view issues from a systemic lens and therefor thinks anything he doesn't like is a weird flaw coming from some outside source. In that article (and I can't find this specific article again on Foreign Policy to pull examples from, I'm sorry) he was trying to 'learn from rome' for the sake of America. Even if he's saying Rome was a heavily flawed society, he is saying our empire can still learn a good thing from their empire. I disagree with that. I disagree with the empires staying empires in the first place, or that empires are things worth saving, or that they're even possible to save. My argument is also that we should actually definitely not look to Ancient Rome for advice on law enforcement, or indeed any of our policies point blank period. I personally think this kind of Rome-USA compare and contrast exercise is always fnny because the writer also never seems to reckon with how much we already, fundamentally, ARE Rome-- in all the worst ways, and in the ways he's claiming we can 'learn' from them. We already have. We've been romanticizing and following in their footsteps very intentionally the whole time, just as others were inspired to follow in ours in a horrific timeline of gore and human atrocities. Devereaux, per his website, is really into classical liberalism, liberal democracies, private property, free-market capitalism, and John Locke. (https://acoup.blog/2024/07/05/collections-the-philosophy-of-liberty-on-liberalism/). We simply have really different perspectives on politics that also inform how we view and would choose to write about things as historians.

I think this quote from that blog post on liberalism is especially funny in context: "And of course Cicero himself never fully absorbs the implications of his philosophy: a wealthy Roman slave-holder, it never occurs to Cicero that perhaps he daily violates the natural law by keeping people in bondage." Devereaux himself never fully absorbs the implications of his philosophy: a white well-to-do professor in an elite seat within American Academia, it never occurs to Devereaux that perhaps he daily violates the individual freedoms of liberalism by rationalizing and hiding away the dark parts of a fundamentally unjust empire relying on the slave labor of prisoners, the indentured servitude of sweatshop workers worldwide, the slaughter and subjugation of millions of in the global south and the underclasses within the empire itself, and the theft and hoarding of the world's resources. But okay. Cicero bad, John Locke good. Got it. My argument would of course be that they are both bad, both equally ignoring the reality of the society they lived in and their places within it. Devereaux is starting his argument from an already catastrophically flawed point of view that forces him to look past things like 'context' whenever it becomes inconvenient. He has to say in the post multiple times that like yeah, sure, Locke's view of who counted as a "person" worthy of having things like "rights" was, um...narrower than ours today, but he was still correct because I like him (and it's totally different from how other people cited, like Cicero, were incorrect hypocrites). Ignore the slavery and colonialism, same old same old, it is still correct and not at all laughable to claim that the United States was a nation formed on a defining principle of inalienable freedoms for every single person. He mentions that those things were obviously bad but doesn't see them as truly conflicting, more as growing pains. He even says the founding father's misogyny and racism (towards the enslaved specifically: indigenous people, and therefore the ACTUAL founding principles of the US colonial empire, go completely unmentioned) "[...] represented betrayals of the principles that otherwise document: the crime was common, the hypocrisy was special." American exceptionalism who? Obviously if he was saying we should instate a more 1:1 ancient roman government that would also be ridiculous. But my point is that he's asking the wrong questions about the society we have and what's wrong with it in the first place. He is often wrong about Rome and near-universally wrong about America.

Despite Sparta’s reputation for superior fighting, Spartan armies were as likely to lose battles as to win them, especially against peer opponents such as other Greek city-states. Sparta defeated Athens in the Peloponnesian War—but only by accepting Persian money to do it, reopening the door to Persian influence in the Aegean, which Greek victories at Plataea and Salamis nearly a century early had closed. Famous Spartan victories at Plataea and Mantinea were matched by consequential defeats at Pylos, Arginusae, and ultimately Leuctra. That last defeat at Leuctra, delivered by Thebes a mere 33 years after Sparta’s triumph over Athens, broke the back of Spartan power permanently, reducing Sparta to the status of a second-class power from which it never recovered. Sparta was one of the largest Greek city-states in the classical period, yet it struggled to achieve meaningful political objectives; the result of Spartan arms abroad was mostly failure. Sparta was particularly poor at logistics; while Athens could maintain armies across the Eastern Mediterranean, Sparta repeatedly struggled to keep an army in the field even within Greece. Indeed, Sparta spent the entirety of the initial phase of the Peloponnesian War, the Archidamian War (431-421 B.C.), failing to solve the basic logistical problem of operating long term in Attica, less than 150 miles overland from Sparta and just a few days on foot from the nearest friendly major port and market, Corinth. The Spartans were at best tactically and strategically uncreative. Tactically, Sparta employed the phalanx, a close-order shield and spear formation. But while elements of the hoplite phalanx are often presented in popular culture as uniquely Spartan, the formation and its equipment were common among the Greeks from at least the early fifth century, if not earlier. And beyond the phalanx, the Spartans were not innovators, slow to experiment with new tactics, combined arms, and naval operations. Instead, Spartan leaders consistently tried to solve their military problems with pitched hoplite battles. Spartan efforts to compel friendship by hoplite battle were particularly unsuccessful, as with the failed Spartan efforts to compel Corinth to rejoin the Spartan-led Peloponnesian League by force during the Corinthian War. Sparta’s military mediocrity seems inexplicable given the city-state’s popular reputation as a highly militarized society, but modern scholarship has shown that this, too, is mostly a mirage. The agoge, Sparta’s rearing system for citizen boys, frequently represented in popular culture as akin to an intense military bootcamp, in fact included no arms training or military drills and was primarily designed to instill obedience and conformity rather than skill at arms or tactics. In order to instill that obedience, the older boys were encouraged to police the younger boys with violence, with the result that even in adulthood Spartan citizens were liable to settle disputes with their fists, a tendency that predictably made them poor diplomats. But while Sparta’s military performance was merely mediocre, no better or worse than its Greek neighbors, Spartan politics makes it an exceptionally bad example for citizens or soldiers in a modern free society. Modern scholars continue to debate the degree to which ancient Sparta exercised a unique tyranny of the state over the lives of individual Spartan citizens. However, the Spartan citizenry represented only a tiny minority of people in Sparta, likely never more than 15 percent, including women of citizen status (who could not vote or hold office). Instead, the vast majority of people in Sparta, between 65 and 85 percent, were enslaved helots. (The remainder of the population was confined to Sparta’s bewildering array of noncitizen underclasses.) The figure is staggering, far higher than any other ancient Mediterranean state or, for instance, the antebellum American South, rightly termed a slave society with a third of its people enslaved.

[help-itrappedmyself]

Pairing Thing

You guys remember that poll I put up a while ago, to help me pick a pairing to try practice writing romance/flirting. Well, this is that. It did not go where I had planned it too, and I'm not sure if it counts, but take it anyway.

Tim has reached his last nerve with their new hire. Tim surges toward Danny, intent on getting some answers out of him. Danny stumbles back at his approach, but Tim just reaches out, one hand grabbing ahold of Danny’s tie and the other pushing flat against Danny’s chest. In another quick second, Danny finds himself pressed against the wall of the classroom. 

Then, Tim loops the tie fully around his hand, tugging Danny’s face towards him. Danny’s breath hitches and his eyes go out of focus for a moment, lost in the sensation.

This makes Tim falter. The moment causes Tim’s mind to blank, forgetting to speak, and pausing as only one thought crashes circles. The thought circles around a few times before it starts to slip out of Tim’s mouth.

“You…” The word comes out angry, but Tim can’t quite make himself keep going the way he had planned a few moments ago. Tim looks Danny up and down, and Danny can do nothing but flush at the scrutiny, and the inevitable realization Tim comes to. Danny braces himself for the vitriol, but when Tim speaks next it is nothing but a murmur. 

“You like this.” A murmur in a voice that has turned into honey and Danny can do nothing, eyes slipping shut involuntarily.

“Do you not care that it's me that's eliciting this reaction? I thought you didn’t like me.” Tim wonders aloud, and Danny can hear a tone in the voice that threatens to elicit shivers. A tone of sharp curiosity that concerns Danny more than anything. Danny’s eyes flutter back open, locking with Tim’s.

“I don’t like rich people.” Danny mutters. “It’s nothing personal.”

Tim, very slowly, lets the tie slip from his fingers. Danny is tempted to sigh in relief but before the sigh can become reality, Danny feels those fingers slide to his throat. The second they reach the skin there Danny’s breath hitches on a gasp.

A dark smirk graces Tim's face and the grip on Danny’s throat tightens for just a moment, just long enough for Danny’s eyes to flutter. Danny practically whimpers, chin tilting up subconsciously, exposing more throat to Tim.

As the grip loosens again, Tim leans forward to whisper into Danny’s ear. “Tell me, Danny. Would you respond to anyone this way… or is there something about me that encourages this reaction?”

At that, Tim’s arms fall to his sides as he takes a step away. Danny blinks after him, dazed and confused.

After a few moments of nothing but them watching each other, Tim straightens and squares his shoulders. “Are you going to answer the question?”

“Tim.” Danny chokes out, a lump in his throat that was oddly hard to work around, and no true idea what he was going to say next. He took a deep, shuddering breath as he stood straight, no longer leaning on the wall. Trying to buy time, he tried to fix his shirt and tie as best as he could, but after a moment of fumbling with it he gave up. 

Tim was still standing there watching him, face a mask of indifference. 

Danny had the thought that he didn't need to answer Tim. He also didn't need to be here anymore, and so he turned to leave. 

But when he got to the door it wouldn't open. He glanced back at Tim, who didn't seem to have moved, before trying everything he could think of to get the door to unlock. 

After a few moments, Danny sighed deeply, resting his forehead against the door for a count of three before turning back around to face Tim again. 

“What have you done?” He asked, trying to keep his voice steady.

“I locked the door.” Tim responded coolly. “I have full control of this building, you know?”

Tim walked back to his desk and sat down behind it. “ Now, I had some questions for you regarding your purpose in Gotham, why you chose to work with us at Wayne Enterprises, that kind of thing. But I find myself increasingly interested in your answer to my previous question.”

Danny swallows roughly. “Look, you're just going to have me on about it either way, why does it matter?” 

“It matters. Answer the question.” His eyes are hard and unwavering. Danny knows that he won't get out of here until Tim gets what he wants.

“It's because it's you, okay.” Danny spits the words out, hoping if they sound harsh enough, the content would be ignored in favor of the tone. “And I think this may count as some form of sexual harassment.” 

His hopes plummet as Tim starts to smirk.

“Well we could continue this meeting as normal if you would prefer.” Tim opens the folder he had placed on his desk after Danny walked in. “I will never bring it up again if you’d like.”

Danny sighs, then goes over to sit back down in the chair in front of Tim’s desk.

“Can we just continue the meeting?”

“Of course, Danny.” Tim winks.

[turretistrying]

I watched a playthrough of mouthwashing and wanted to write something, sorry if it's trash

warnings; Mentions of blood, death, etc. Canon events through the lens of the reader. jimmy. Mentions of Anya's situation, Unwanted touching

Summary; You are the effectively the homebrewed therapist of the Tulpar, you are the safe space of the ship. You experience the events of the game

On the Tulpar crew, you were considered a jack-of-all trades. You helped in any area the ship needed help in, but if your being totally honest thats not what your job entails to you.

Your job is being a safe space. Almost everyone on the ship has some type of issues during the night or problems they can only ruminate on when everyone else is asleep, and so you have decide to help on that front. Your room is the best on the ship, while it's walls and floors are the same as everyone elses room, your bed in the real star of the show. You've long since replaced the standard-issued Pony Express mattress with something softer from Earth, while some of the inspectors of the ship tried to make a stink about it you generally ignored them about it. Anothing thing about your bed is the blankets and pillows, so many of them on one twin sized bed. Originally you only had 3 blankets and 2 pillows when you started to make the bed more comfortable, but as some of the crew came in to sleep you started bringing more each time. Same thing with the pillows.

A year or two ago you started to comfort and therapize members of the crew the best you could but eventually that turned into them coming to your bed. Nothing ever happened mind you, just lying on the same bed, sometimes cuddling if the mental situation is bad enough. Anya, Daisuke, and Curly were the main crew members you helped, Swansea didn't feel comfortable being in your room so you mainly talked to him at 'night'.

The only person you were wary about was Jimmy.

Ever since you met him, he's become increasing strange to you. Something has felt off. But.. because you pride yourself on not judging anyone on the ship, you allowed him in your room for comfort. Even though it made you feel like your skin was going to be peeled off, like static was injected into your veins. It made your comforting and safe space feel decidedly not safe anymore for you. Any time he spent time within your room it made every single alarm in your head go off, making you wish you could lock the door only to keep HIM out. Especially when he decides he 'needs' cuddles, him touching you and nuzzling into your body makes you sick, it makes you feel like he's violating you. Sometimes he tries to get in when you're already helping someone else out and you revel in the fact you're able to reject him and KEEP HIM OUT. On the times he tries to get in and you're with Anya, you notice how she tenses up at his voice. She almost starts shivering (from fear? from terror? what did he do to her?) no matter how many blankets are piled onto her pale body.

She's the person who comes to you the most often and you have a feeling you know why. Even though she doesn't say anything, you're fairly sure Jimmy has hurt her in some fashiom, just from how her demeanor changes as soon as he enters a room and talks to her. She shrinks in on herself. (what did he dO TO HER?!)

Curly is almost as frequent as Anya but you can tell he probably shouldn't visit you. He's The Captain after all, he shouldn't need help and should feel the way he does. You feel bad for him most times, and while he may be friends with the monsterJimmy, him being in your room doesn't make you uncomfortable. He confides in you about his troubles and how he doesn't know what to do next, he doesn't want to be what he is forever. You understand him, maybe not at the level he feels it but you get it. You don't want to be stuck as a space therapist the rest of your life, you want to be a notable creative, or something. You're still working that dream out.

~~

It's a few months into the shipment, and Curly just dropped the news that Pony Express was going under and while all 5 of your were going to be let go from the company with no additional help, Curly would be able to get opportunities. You don't resent him honestly, knowing what he's thinking about after most days, you're just. contemplative. While yes job hunting is going to be a bit of bitch, you have savings and a good fall back if all else fails. You also understand the feelings of everyone else, their sadness, anger, confusion.

While you're cleaning a hallway waiting for someone to need you for something else you see Jimmy rush past you. He seems... startled and angry, from what you tell of a brief glance at his side profile. You shrug and go back to cleaning, you don't care about Jimmy anymore frankly. Curly comes up behind you and asks about him and you point him towards the cockpit. He leaves and you once again get back to work... Until the ship starts shaking and you hear yelling from down the hall. Before you can really process anything the whole ship jerks and you're thrown to the floor.

~~

The ship crashed. Foam covers all areas of the ship, your room was one of the lucky few that was spared from the crash. Other's weren't so lucky.

Curly is covered head to.. knee in bandages, only one eye still intact. You don't quite like going into the medical room anymore. It smells of burning and rotting flesh, mixed with the chalky smell of painkillers. But you visit at night and simply sit there with Curly, offering him a blanket. He never wants it, you assume it's because of how his 'skin' is still exposed even with the bandages and it could cause worse pain if it got stuck to it. Some nights he tries to talk, others he doesn't.

Daisuke and Anya are now the most frequent visitors of your room. They both cry, Anya more so. You don't know what to do now, you're almost.. numb to it all. Jimmy still comes by but you're grateful for Daisuke and Anya needing you, it keeps him away. But on nights no one comes by, HE does. Somehow it's gotten worse, he cuddles far too close for your liking and mumbles things into your collarbones you can't make them out but his mouth on your skin makes you want to cry. It makes everything so. much. worse.

~~

It's been months since the ship crashed and you don't leave your room anymore. You just. Can't. Everything is too much and not enough. You hope you die in your sleep.

~~

You hear commotion outside, it sounds like Daisuke and Jimmy. You slowly peel yourself off the bed, and take off the 6 blankets. Uncovered feet touch the metal flooring, you don't flinch. You stand up on shaky legs and make your way to the hallway. They're running towards Utility so you make your way over to the living room, to see whats happened since you stashed yourself away. The tv is shattered and it seems like everyone made their beds out here, mouthwash litters the floor. You turn to medical and hope to see Anya.

....

The door is locked. You give a soft knock.

"Anya..? are you-" you quickly cough, not used to talking anymore "are you okay?"

You receive silence.

"... Yeah, I'm sorry that was a stupid question. You're not okay, you haven't been for months, especially with... him here and yelling at you nearly every day." You rest your forehead on the door,

Silence.

"I'm sorry Anya."

~~

Daisuke is dead. Jimmy tried getting him into the damaged vent and it impalied the poor kid. You almost cry, you know so much about him, his hopes and dreams. But you decide to stay quiet and observe, Jimmy isn't aware you've finally left your room. Swansea looks downright murderous, after mercy killing Daisuke by cutting right into his head with the fire axe, he stares at Jimmy in a way you once wished you could. If looks could kill.

Swansea gets up and chases after him.

You hope he gets the monster.

~~

Swansea is dead too. Jimmy somehow got a gun and killed him. You watch from the shadows as he sets up the dead bodies of people you knew so, so well. A mockery of a party you were so excited for so long ago.

He brings out Curly and sets him on the table, he grabs the knife and cuts into Curly's thigh as if it's cake. You want to vomit. You want to cry. You want to do so many things but. You simple stand there.

You want to kill Jimmy. He's killed your friends, so you want to avenge them. None of them deserved this, none of them.

You go look for that axe.

~~

You found it in utility, it has weight but you can carry it well enough to take the swing at the man that's made this into hell itself. You hear footsteps coming towards the room so you make your way behind some foam. You wait.

And wait.

and wait.

You take action and run right towards Jimmy as he's about to kill himself.

He deserves pain, he doesn't deserve the easy way out.

You swing right into his arm holding the gun and it comes clean off.

Blood comes out from it in waves.

He needs to take responsibility.

You swing once more at his other arm, another clean cut.

needs to take responsibility.

Another swing.

tAKE RESPONSIBILITY.

One last swing.

RESPONSIBILITY.

he's not dead, but he looks just. like. curly.

you pick him up, his blood gushing onto you and place him in another cyropod.

he was have to face his actions, whenever that may be.

whenever someone finds him and curly.

~~

you walk to your room, one last time.

blood trailing behind you as you slowly walk.

your time is up and you'll get to end it the way you wanted to.

in bed.

you pull all your blankets onto yourself and close your eyes,

one.

last.

time.