#SM58

[sowhatifiliveinfukuoka]

the girl who always smokes

Hibiki Tokiwa

[bestshopuniverse]

Shure BLX288/SM58 UHF Wireless Microphone System

Unlock the Freedom of Wireless Performance with the Shure BLX288/SM58 UHF Wireless Microphone System

Hey, Reddit community!

Are you ready to elevate your live performances, presentations, or events with the freedom and flexibility of wireless audio? Introducing the Shure BLX288/SM58 UHF Wireless Microphone System, a top-tier solution that combines the legendary sound quality of the SM58 with the reliability and convenience of Shure’s wireless technology. Whether you’re a professional musician, public speaker, or event coordinator, this wireless microphone system delivers unmatched performance and clarity. Let’s dive into why the Shure BLX288/SM58 is a game-changer for any audio setup.

🌟 Key Features of the Shure BLX288/SM58 UHF Wireless Microphone System:

Dual SM58 Microphones: Includes two industry-standard SM58 dynamic microphones known for their clear vocal reproduction and durable construction.

UHF Wireless Technology: Operates on UHF frequencies, providing excellent signal stability and reducing the risk of interference.

Easy Setup: Quick and easy setup with one-touch QuickScan frequency selection that locates the best open frequency.

Reliable Performance: Up to 300 feet (91 meters) of transmission range for freedom of movement without signal dropouts.

Long Battery Life: Up to 14 hours of continuous use with AA batteries, perfect for extended performances and events.

Professional-Grade Components: Includes BLX88 dual-channel receiver for simultaneous operation of both microphones.

Integrated Antennas: Internal antennas simplify setup and enhance the sleek, portable design.

Audio Output Options: XLR and 1/4" output connectors ensure compatibility with a wide range of audio equipment.

🔍 Why Choose the Shure BLX288/SM58 UHF Wireless Microphone System?

The Shure BLX288/SM58 offers the best of both worlds: the renowned audio quality of the SM58 and the freedom of wireless performance. It’s perfect for live vocals, presentations, and any application where you need clear, reliable audio without the constraints of cables. Its robust design and easy setup make it ideal for both seasoned professionals and beginners alike.

🛠 Easy Setup and Maintenance

Setting up the Shure BLX288/SM58 system is straightforward. Simply connect the receiver to your audio system, power on the microphones, and use the QuickScan feature to find the best frequency. Maintenance is minimal, with durable components designed to withstand regular use.

🔧 How It Works:

Unbox and Inspect: Unbox your Shure BLX288/SM58 system and check all components.

Connect to Audio System: Use the XLR or 1/4" outputs to connect the receiver to your mixer, PA system, or audio interface.

Power On and Scan: Insert batteries into the microphones, power them on, and use the QuickScan button on the receiver to find the best frequency.

Test and Adjust: Perform a sound check to ensure clear audio transmission and adjust settings as needed.

Start Performing: Enjoy the freedom of wireless audio for your performance, presentation, or event.

📢 Join the Conversation!

Do you already use the Shure BLX288/SM58? Share your experiences, tips, and performance stories in the comments below! If you have any questions, feel free to ask – our community is here to help.

👍 Don’t Forget to Upvote and Follow!

If you found this post helpful, please upvote and follow for more tips, reviews, and recommendations on the latest audio gear and tech gadgets.

🔗 Useful Links:

Buy the Shure BLX288/SM58 UHF Wireless Microphone System

Shure Official Website

User Manual and Support

#ShureBLX288 #SM58 #WirelessMicrophone #UHFWireless #LivePerformance #AudioGear #MicrophoneReview #ProAudio #ShureMicrophones

[whitewoodbr]

Com fio https://encurtador.com.br/anNU1

Sem fio https://encurtador.com.br/fGO12

[officialriff]

🎤🎛️💡 Links to all profiles and platforms in Bio. 📲 🎧 officialriff.com 🎧 🎛️ Used equipment in my sessions: Elektron Digitakt, Elektron Digitone, Elektron Syntakt, Elektron Model:Samples, Elektron Model:Cycles, Moog Grandmother, Teenage Engineering OP-Z, Haken Audio Continuum Mini, Hologram Microcosm, SP404MK2, SP404, Akai MPC Live, Akai MPC 2000, Roland MV8000, microKorg XL, MacBook Pro, Logic Pro, Teenage Engineering Frekvens stagram

[rossmakesrecords]

This is the first microphone I ever bought (I have two that I bought together). It’s (I think?) 22 years old. I recorded my entire first EP with just those two SM58s. Today it’s a talkback mic (weird routing to work around a mix in progress so our normal talkback mic is not in the circuit). #audioworker #recordingstudio #audio #recordingengineer #studiolife #shure #sm58 (at Brainville) https://www.instagram.com/p/ClSZtofs4Cg/?igshid=NGJjMDIxMWI=

[saturnisfallingdown]

not to be an audio tech major on main but one of the biggest mcr return moments to me was finally noticing gerards mic and going "is that ....... an sm58....." and then it was. after using a customized Sennheiser EW 135 (a standard model will run you $500-$800 today) throughout danger days, when mcr finally comes back..... its to the humble shure sm58 (maaaybe $100). we all come back to the shure sm58

[thekidsfromyestergay]

What level of crazy would it be to buy the same kind of mic gerard used in the helena video

[tmbgareok]

Hello John(s), do you have any advice on adjusting to how your voices sounds over recordings? :D I love singing and want to make music someday, but hearing my own voice sound different than how it does to me is very off-putting. I have a hard time even listening to audio memos I occasionally record.

Hmmm. The good news is a Shure SM58 is really as good a mic as any, doesn't cost very much and is impossible to break (you could use it as a hammer, and then continue to use it as a microphone) so I would invest in that. The great thing about digital audio is it makes learning how to record your voice very cheap. There are some great audio platforms, and lots of cheap interfaces--The Focusrite Scarlet (like under $100) or the small MOTU interface--those are better sounding than anything we had in the early 80s.

This next part is only from me, and I know people who think it is of no consequence, but for me, for years, I had technical problems where I would sing flat initially (what folks call scooping) or I would fall flat on sustained notes. Both of these are terrible issues typical of untrained voices. I also had issues singing smaller intervals (like half steps vs. whole steps) accurately. Again-not a good sound. I found vocal training, especially this fellow Jeff Polka on YouTube https://www.youtube.com/@JeffRolka very helpful. Just 15 or 20 minutes a day-have a warm up routine to extend your range and sort out your breathing, and then explore some of his ear training and interval clips--this stuff is really helpful. Singing should be a natural thing, and the way you do it is the right way, but if you sing more, and push yourself along the edges of your natural abilities a little bit, you can find yourself capable of doing a whole set of things you didn't know you could do--which is exciting! Trust me--if you dedicate a bit of time every day for a month you will be shocked at how much better your are.

Recording you voice can be jarring, but I suspect it sound great. So grab that mic and sing loud, sing quiet, change the key and sing at the top of your register, or the bottom. Who knows what is going to be the most fun for you and where it could all land?

Good luck!

-John F.

[disparition]

A note on the most recent episode of Welcome to Night Vale, #230

This episode was, I believe, the 11th anniversary of the show. This means it was about ten years ago I was on vacation in Wales with my wife, where I wrote the albums Madoc and Taran Wanderer. It was while on this trip - knowing I was about to lose my day job at a rapidly sinking book publisher - that I first received a communication from a fan in Brazil asking for my permission to use music in a Portuguese “fan translation” of the podcast. The fact that the show had reached so far away and inspired people to translate it was, in retrospect, one of the first signs of what was to come, which ended up completely changing my life. But at the time I simply thought it was neat and moved on, and we spent days tromping through sheep pastures looking at cairns and standing stones in a remote corner of Ynys Mon. While doing so, we encountered a rusty old farm gate that sang a particularly haunting song as it opened and closed, which I recorded. I thought it would be cool to use that sound in this season finale episode, and so it’s what I used (well, a small fragment of it) to play a new version of the main theme music. I thought the sound ending up working well atmospherically with the episode as well.

If you’d like to use that sound yourself, you can grab it here: https://freesound.org/people/earwicker23/sounds/193712/

Also, I’m not going to spoil the plot of the episode but it concludes in a rather dramatic fashion and required a specific sound design element. I’ll admit it had me stumped for a few days, but here’s what I did. I had a canvas sack filled with a few ice packs that had melted, effectively they were just little plastic pouches of water. I dropped this from a height of about eight feet, landing 1.5 feet from the microphone (an sm58). That’s source one. Source two was a ziploc bag filled with a mix of wet and dry cheerios, plus an egg, crushed by foot. The two sources were each slowed down very slightly and then combined, with the first source somewhat louder. So there you go, in case you ever need to do… that.

[vocaloidfactoftheday]

Hiyama Kiyoteru has an official list of his favorite microphones: Behringer Ultravoice XM8500, Shure SM58 and Shure Beta 58A / RODE NT1-A. His VOCALOID4 Rock illustration depicts him with a microphone, but it is not any of the three listed as his favorites, instead being the Shure 55s (which had also been drawn in the box illustrations for Sweet ANN, Lily, MEIKO V3 and CYBER DIVA).

(source: Vocaloid Wiki)

[reamed]

what equipment do you use for recording?

oooo im about to yap

I use yamaha HS5 monitors / audio technica ATHm50x headphones

a Scarlett of course to plug all the junk into

Akai mpk mini keyboard

Shure SM58 mic

and then I use Logic cuz I have a Mac :3

[ewyband]

Quick Q but did you record drip drip drip fall whilst underwater? It feels drowned in like a good way

i recorded it using my old setup which was a free version of studio one and a singular SM58. its one of the reasons why that EP sounds so muddy but hey ho people love the song.

[34saveme34]

so funnnnnyyy fact, I'm getting a damn good mic, right so uh

man. I'm jjust....... sdjkldjdkjsj jjust

ouggghhh I wanna record shit so bad but llike- for the essay of course

that I wanted to do for so long for 34 but it's not quite done

maybe I'll continue it while waiting for it

would be so cool to use it for such stuff

for those who are in the know, it's SM58 like. the mic that survives The Truck

[nigelgodrichproducer]

Photos of Tom Skinner's drum kit. The treatment is pretty typical of past Nigel-esque setups. No front head on the kick with blankets and pillows muting the batter head, which is mic'ed up with a FET 47. Coles on the overheads, localized towards the cymbals. C12As on the toms. Some LDC (likely a U47) as the mono overhead, 57 on the snare. CMV-563 as the "heart" / wurst / center mic above the kick (seen in a previous photo from the first Smile record).

There is a mic behind the kit that looks like it's for talkback, possibly a SM58,but can't be sure since other engineers, like Bill Schnee, have also used this position for drums.

[x-heesy]

🅸🅽🆈🅰🅵🅰🅲🅴

​On and on and on and ​on and on and on and on

PΔID Δ ҒΣΣ DΩΩR LΣT MΣ IΠ ҒRΣΣ

SΩMΣ ΩҒ US PRΩ ΔΠD DΩΠ’T ΠΣΣD ID

I SPΣΔҜ ΔΠD βIRDS ΩPΣΠ UP THΣΨ βΣΔҜ

ҒLΨ ҒLΨ ҒRΩM IΠSIDΣ SLΩШ MΩTIΩΠ SPΣΣD

LΩΩP SΣΠSΣS DRΩP ΨΩUR βRITCHΣS ΔΠD ШΩRҜ

HΣRC PΩШΣR STRUCҜ DΩШΠ Δ JΣRҜΨ ΠURSΣ

PHΩΠΨ MΣDICΔL RΩβΣ SURΣLΨ CΔMΣ ҒRΩM HΩMΣ

PULL THΣ ҜΠΩT ΩUT STΩҜΣD TΔG T’THΣ MΔCҜ ΣΠ ∇ΩGUΣ

QUΣ MΩDΣLΔ CΩΔCHΣLLΔ ШHΣΠ THΣ TUΠΣS RΣLΣΔSΣD

PLΔΠΣTΔRΨ DΩMIΠΔTIΩΠ HΔRDLΨ GΣT TΩ SLΣΣP

MΔRLΣΨ ШΣΣҜΣΠD ҒRΣΔҜ, SMΩҜΣ Δ βLUΠT ΔΠD ΣΔT

PΔΠCΔҜΣ DIRTΨ DΔTΣ ҜIRβΣΨ LΔΠΣ ΩΠ Σ

HΩΠΣΨ CLΔШS GΩT THΣ PSΔLMS ҒΩR THΣ JUΠҜΨ CHURCH

RUΠΠΨ GΔШS HITTIΠG PΔUSΣ SΩ ΨΩUR βΩDΨ DΩΠ’T HURT

I THIΠҜ I’M ҒIΠΔLLΨ PΣRCHΣD ΩΠ Δ TRΣΣ TΩ DΣSΣRT

THΣ UΠDΣRGRΩUΠD CΩMΔ SΩUΠD βULLSHIT THΔT’S THΣ ШΩRST

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

SHΩΩT Δ LΩT ΩҒ LIP GΣT SPLIT LIҜΣ GΣMIΠI

TШΩ HΣMISPHΣRΣS TШΩ MIΠD ΩΠΣ PΔΠ ҒRΨ

MΨ βUSIΠΣSS TRUΠCΔTΣ ΠΣMΣSIS

ΠΩШ ҒUTURΣ’S ҒRΣΣ ΩҒ SҜIRMISHΣS

DΣΣP ҒUCҜIΠG D CUP TΩURΠΔMΣΠTS

SLΩШ βUSTIΠG THRUSTIΠG MURDΣRΩUS

ΠIGHTLIҒΣ ШΔΠT MΣ βΔCҜ βΨ ΠIΠΣ

ҒIΠISH UP ΣXCHΔΠGΣ ΔΠD RIDΣ

PUT Δ LΩT IΠTΩ CΩUP DΣ ΣTΔT ΠΩΠΣ ΩҒ THIS IS ΠΣШ TΩ MΣ

ҒUCҜΣRS THΩUGHT THΣΨ’D PLΔΨ THΣ PΔRT SUPΣR CLΔRҜΣ CHΔΠGΣ THΣ SCΣΠΣ

LIҜΣLΨ DRΣΔM CΣPT ҒΩR THΣ PΔRT PΣRTΔIΠIΠG TΩ THΣ TΔLΣΠT

THΣM MΩTHΣRҒUCҜIΠG MΩΠΣΨ-SUCҜΣRS CHΩP ‚ΣM IΠTΩ SΔLΔD

CΣILIΠG Ш/Δ PILLΩШ ШΔTCHIΠG THΣ PRΩPHΣCΨ DRΩP

SΩMΣHΩШ ҒΣΣLIΠG HΔLҒШΔΨ GUILTΨ SLΣΣPIΠG THΣ SΨMPΔTHΨ ΩҒҒ

PRΔΨ ҒΩR ΔΠΔRCHIST LΔШ βLIΠD MISCHI∇ΔLRΩUS PIGS

ΨΩU CΔΠ’T CUҒҒ UP MΨ ШRIST IҒ ΨΩU CΔΠ’T ҒIΠD IT

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

DIGITΔL ΔΠIMΔLS ҒRΣΔҜΨ ҒΩLҜS

βΣLLΨ CΩ∇ΣRΣD UP T-SHIRT RΣD TIGΣR

DRΩΩL DΩШΠ THΣ LIP STRIPΣD SΔβΣR-TΩΩTHΣD SLIMMΣR

DRIββLΣ SPIT TIP SCΔLΣ DIRTΨ DΩGMΔ

PUPPΨ LΩ∇Σ βLΩCҜΣD SHΔҜΔ TШΔ MéΠΔGΣ

ΠIΠJΔ, ΠIΠJΔ, ∇ΔΠISH M.Ω. CRΣΣP

ΠΔUGHTΨ ҒUCҜIΠG ҒRΣΔҜS ΔΠD βUSTIΠG TΣCHΠIQUΣS

ΣΔST ШΣST βΔTTLΣ βΣST TURΠ ΨΩUR βΩΠΣS TΩ ΔSHΣS

SΣΠD ‚ΣM TΩ THΣ ҜIΠ Ш/ THΣ SΨMβΩL ΩΠ THΣ PΔCҜΔGΣ

GRΩШ THΣ ҒΔSCIΠΔTIΩΠ LΔRGΣR THΔΠ IT Σ∇ΣR ШΔS

ШΔLLS ҜICҜΣD Ω∇ΣR βΣRLIΠ SΠΔP CΔMΣRΔS

GΔLLΔGHΣR PΣTΣΨ G SLΣDGΣHΔMMΣR ҒΔMILΨ

DΔββLΣ Ш/ IΠSΔΠITΨ GRΔΠTΣD MΣ THΣ ΔMΠΣSTΨ

I LΣΔRΠΣD MΨ LΣSSΩΠ MΣSSIΠG UP MΨ LIҒΣ IS ΠΩT THΣ ШΔΨ TΩ ШRΣCҜ IT CHΣCҜ THΣ SM58

RΣPLΔCΣ THΣ ∇IβΣ βΣHIΠD ΨΩUR ҒΔCΣ PIΣCΣ

βΔSS βΣΔTS ΨΩUR βΔSICS PLUS MΣ IT’S THΣ CΩMβIΠΔTIΩΠ

ҜΠΩШΠ TΩ DΣҒΣΔT THΣ βΣΔST ΔΠD HIS GΔTΣҜΣΣPΣR

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

DIGITΔL ΔΠIMΔL βΨ HΩΠΣΨ CLΔШS

@bethanythestrange @luna---zylum @bigbonzo @boanerges20 @seanisnothing @1mikel2 🤪😜🤪

[bcbdrums]

You know you’re a sound engineer when you wake up with XLRs and SM58s on your bed, don’t know how they got there, and don’t think anything of it.