#SM58

[sowhatifiliveinfukuoka]

the girl who always smokes

Hibiki Tokiwa

[eddievillanueva]

“Gimme Gimme Gimme Gimme…” (Gear Acquisition Syndrome) 11/11/22 - #gimme #gearacquisitionsyndrome #gas #gear #bingo #musicgear #sm58 #gibsonsg #guitar #guitargear #guitarporn #battlestation #drawing #sketchbook #drawingoftheday #photooftheday #sketchoftheday #artistofinstagram #collage #coloredpencil #ink #inkdrawing #art #artwork #artschool #artistlife #journal #honesty #radicallyhonest https://www.instagram.com/p/Ck08RNdrNqB/?igshid=NGJjMDIxMWI=

[bestshopuniverse]

Shure BLX288/SM58 UHF Wireless Microphone System

Unlock the Freedom of Wireless Performance with the Shure BLX288/SM58 UHF Wireless Microphone System

Hey, Reddit community!

Are you ready to elevate your live performances, presentations, or events with the freedom and flexibility of wireless audio? Introducing the Shure BLX288/SM58 UHF Wireless Microphone System, a top-tier solution that combines the legendary sound quality of the SM58 with the reliability and convenience of Shure’s wireless technology. Whether you’re a professional musician, public speaker, or event coordinator, this wireless microphone system delivers unmatched performance and clarity. Let’s dive into why the Shure BLX288/SM58 is a game-changer for any audio setup.

🌟 Key Features of the Shure BLX288/SM58 UHF Wireless Microphone System:

Dual SM58 Microphones: Includes two industry-standard SM58 dynamic microphones known for their clear vocal reproduction and durable construction.

UHF Wireless Technology: Operates on UHF frequencies, providing excellent signal stability and reducing the risk of interference.

Easy Setup: Quick and easy setup with one-touch QuickScan frequency selection that locates the best open frequency.

Reliable Performance: Up to 300 feet (91 meters) of transmission range for freedom of movement without signal dropouts.

Long Battery Life: Up to 14 hours of continuous use with AA batteries, perfect for extended performances and events.

Professional-Grade Components: Includes BLX88 dual-channel receiver for simultaneous operation of both microphones.

Integrated Antennas: Internal antennas simplify setup and enhance the sleek, portable design.

Audio Output Options: XLR and 1/4" output connectors ensure compatibility with a wide range of audio equipment.

🔍 Why Choose the Shure BLX288/SM58 UHF Wireless Microphone System?

The Shure BLX288/SM58 offers the best of both worlds: the renowned audio quality of the SM58 and the freedom of wireless performance. It’s perfect for live vocals, presentations, and any application where you need clear, reliable audio without the constraints of cables. Its robust design and easy setup make it ideal for both seasoned professionals and beginners alike.

🛠 Easy Setup and Maintenance

Setting up the Shure BLX288/SM58 system is straightforward. Simply connect the receiver to your audio system, power on the microphones, and use the QuickScan feature to find the best frequency. Maintenance is minimal, with durable components designed to withstand regular use.

🔧 How It Works:

Unbox and Inspect: Unbox your Shure BLX288/SM58 system and check all components.

Connect to Audio System: Use the XLR or 1/4" outputs to connect the receiver to your mixer, PA system, or audio interface.

Power On and Scan: Insert batteries into the microphones, power them on, and use the QuickScan button on the receiver to find the best frequency.

Test and Adjust: Perform a sound check to ensure clear audio transmission and adjust settings as needed.

Start Performing: Enjoy the freedom of wireless audio for your performance, presentation, or event.

📢 Join the Conversation!

Do you already use the Shure BLX288/SM58? Share your experiences, tips, and performance stories in the comments below! If you have any questions, feel free to ask – our community is here to help.

👍 Don’t Forget to Upvote and Follow!

If you found this post helpful, please upvote and follow for more tips, reviews, and recommendations on the latest audio gear and tech gadgets.

🔗 Useful Links:

Buy the Shure BLX288/SM58 UHF Wireless Microphone System

Shure Official Website

User Manual and Support

#ShureBLX288 #SM58 #WirelessMicrophone #UHFWireless #LivePerformance #AudioGear #MicrophoneReview #ProAudio #ShureMicrophones

[whitewoodbr]

Com fio https://encurtador.com.br/anNU1

Sem fio https://encurtador.com.br/fGO12

[pgoeltz]

[officialriff]

🎤🎛️💡 Links to all profiles and platforms in Bio. 📲 🎧 officialriff.com 🎧 🎛️ Used equipment in my sessions: Elektron Digitakt, Elektron Digitone, Elektron Syntakt, Elektron Model:Samples, Elektron Model:Cycles, Moog Grandmother, Teenage Engineering OP-Z, Haken Audio Continuum Mini, Hologram Microcosm, SP404MK2, SP404, Akai MPC Live, Akai MPC 2000, Roland MV8000, microKorg XL, MacBook Pro, Logic Pro, Teenage Engineering Frekvens stagram

[rossmakesrecords]

This is the first microphone I ever bought (I have two that I bought together). It’s (I think?) 22 years old. I recorded my entire first EP with just those two SM58s. Today it’s a talkback mic (weird routing to work around a mix in progress so our normal talkback mic is not in the circuit). #audioworker #recordingstudio #audio #recordingengineer #studiolife #shure #sm58 (at Brainville) https://www.instagram.com/p/ClSZtofs4Cg/?igshid=NGJjMDIxMWI=

[bbdeathz]

Folge 59 war immer chillig, aber hat doch paar emotionale Momente, die ich mag und der OST ist da auch nice. Auch so kleine Sachen wie Burnet, die sich um Garstella kümmert und die Reaktionen der anderen. War doch ne nette Folge, aber ich hab die immer so als normal im Kopf

-

Die Reaktionen von denen hab ich immer richtig gemocht, weil ich sowas generell mag, wenn Charaktere eine Situation dadurch besser gestalten. 

[thekidsfromyestergay]

What level of crazy would it be to buy the same kind of mic gerard used in the helena video

[arotkhana]

Which is Best Shure sm57 and sm58 dynamic Microphone 2022 (Full review)

The Shure SM57 and SM58 are known as the world’s most popular performance microphones. it’s worth comparing two of Shure’s most successful microphones, the SM57 and SM58.

SM57 And SM58:

The Shure SM57 is a fixture in the music business. You see it everywhere. In small clubs and 100,000-seat stadiums. This renowned mic is used by legendary performers and the latest up-and-comers. What you may not have seen are the thousands of SM57s at work behind the scenes in professional recording studios around the world. In fact, you’ll probably find it in more studios than any other mic. Not surprising.

The unidirectional dynamic SM57 has set the industry standard by defining the way instruments should sound. Which is why it’s used by any serious musician or recording professional. Its warm, clean sound along with its carefully contoured presence rise make it ideal for a wide range of instrument miking applications, particularly guitar amplifiers and drums. The SM57 features a uniform cardioid pick-up pattern that isolates the main sound source and minimizes background noise.

SM57 Mic You Can Trust:

The Shure brand ensures a long-lasting product that can withstand years of road or studio use.

The SM57 was put through Shure’s famous drop test, in which the microphone was dropped ten times from a height of ten feet with no loss in input quality. Buyers can be confident in the durability of this microphone, exposing it to hours in the studio or the elements of an outdoor performance.

The SM57 uses a cardioid pickup pattern to focus specifically on one source, rejecting audio from outside the pickup area.

This can also be a great asset in live performances, as you can position the microphone wherever you like and not worry about feedback.

Presidential Sound Quality:

The SM57 is one of the most versatile microphones on the market.

This dynamic product can handle the highest sound pressure levels without distortion, making it the perfect choice for recording high-volume instruments like drums.

Many hit recordings feature the SM57 on the snare, as it can handle the noise without distortion.

This product is also perfect for use with high-volume amplifiers.

The SM57 can even handle close-up recording on half-stack amps that are painfully loud for human ears.

This microphone will help you to bring the feel of a live performance to your recordings for a better representation of your music.

While this microphone is notorious for being used in the studio to record the sounds of percussion, wind, and string instruments, it also provides high-quality vocal recording.

Whether you are using it for spoken word or vocals, the SM57 will deliver a flawless sound while eliminating background noises.

Because of its reliability, sound isolation, and quality sound reproduction, the SM57 has been used at the podium for Presidential speeches for the past 40 years.

SM58 Dynamic Vocal Microphone:

If you’ve ever heard someone sing or speak into a live microphone, there’s an excellent chance it was an SM58. Rock stars. Pop idols. Comedians. Presidents. Popes. Immortal words have passed through its iconic grille for generations.

The Shure SM58 is known as the world’s most popular performance microphone. It is an instantly recognizable icon for performance and can be seen in the hands of anyone from Pop Idols and Presidents, to Podcasters, Poets, and MCs It is also a very effective microphone for live streaming and podcasting.

How It Works:

Made to handle voice with clarity and care, the uniform cardioid polar pattern reproduces every note as it was intended. And it leaves background noise behind. On any stage — from the club show to the stadium — the SM58 delivers warm, crisp sound, time after time.

Why It’s Better:

Handling noise gets absorbed by the pneumatic shock mount, keeping the sound free of vibration.

When wind and plosives try to take over, the spherical mesh grille and built-in pop filter keep them out of the mix.

Vocal voice isolation from background noise.

SM58 Dynamic Vocal Microphone is ready to bring any performance to life.

SM57 and SM58: What’s the Same:

The main difference is in the grille. The SM58 was designed for vocal applications, and therefore uses a ball grille with a built-in pop filter to eliminate plosives.

The SM57 is designed as an instrument microphone, where a smaller grille size is more practical and plosives are less of a concern.

SM57 and SM58: Which Is Better?

So we’ve introduced you to both the SM57 and SM58 as well as outlined the similarities and differences between them. As we’ve mentioned, you can choose between the SM57 and SM58 based on some important factors.

The Case for the SM57:

We’ve discussed already that the SM57 is best suited for the studio. If that is what you’re looking for, then you’re in for a tremendous recording experience with this microphone on your side. After all, when you are in the middle of a creative endeavor, the last thing you want is to have to consider the audio quality that may result. Instead, you can trust the SM57 right from the moment you open the box.

The SM57 is built to last, you can cut loose during your performance without causing any harm to your recording.

The Case for the SM58:

With a concentration on capturing quality vocals, the SM58 also has a pneumatic shock mount. But this microphone doesn’t just focus on keeping background noise to a minimum. It also goes further to eliminate any unwanted air that threatens to undermine the recording quality.

If you’re on the road or have a tendency to travel with your audio equipment, this is one microphone that won’t take any damage in transit. It also has a break-resistant microphone clip that stands up to the main unit’s strength. You’ll never have to worry that it will suffer at the hands (literally) of your performance, regardless of how energetic you may be or any mishaps that may occur.

My Opinion:

I’m reviewing What’s the Difference Between sm57 and sm58 (Full Review) in this article. The Shure SM57 and SM58 are known as the world’s most popular performance microphones. it’s worth comparing two of Shure’s most successful microphones, the SM57, and SM58.

All the best. and I hope this article was helpful to you. Thanks for Visiting. Keep visiting for more.

[disparition]

A note on the most recent episode of Welcome to Night Vale, #230

This episode was, I believe, the 11th anniversary of the show. This means it was about ten years ago I was on vacation in Wales with my wife, where I wrote the albums Madoc and Taran Wanderer. It was while on this trip - knowing I was about to lose my day job at a rapidly sinking book publisher - that I first received a communication from a fan in Brazil asking for my permission to use music in a Portuguese “fan translation” of the podcast. The fact that the show had reached so far away and inspired people to translate it was, in retrospect, one of the first signs of what was to come, which ended up completely changing my life. But at the time I simply thought it was neat and moved on, and we spent days tromping through sheep pastures looking at cairns and standing stones in a remote corner of Ynys Mon. While doing so, we encountered a rusty old farm gate that sang a particularly haunting song as it opened and closed, which I recorded. I thought it would be cool to use that sound in this season finale episode, and so it’s what I used (well, a small fragment of it) to play a new version of the main theme music. I thought the sound ending up working well atmospherically with the episode as well.

If you’d like to use that sound yourself, you can grab it here: https://freesound.org/people/earwicker23/sounds/193712/

Also, I’m not going to spoil the plot of the episode but it concludes in a rather dramatic fashion and required a specific sound design element. I’ll admit it had me stumped for a few days, but here’s what I did. I had a canvas sack filled with a few ice packs that had melted, effectively they were just little plastic pouches of water. I dropped this from a height of about eight feet, landing 1.5 feet from the microphone (an sm58). That’s source one. Source two was a ziploc bag filled with a mix of wet and dry cheerios, plus an egg, crushed by foot. The two sources were each slowed down very slightly and then combined, with the first source somewhat louder. So there you go, in case you ever need to do… that.

[vocaloidfactoftheday]

Hiyama Kiyoteru has an official list of his favorite microphones: Behringer Ultravoice XM8500, Shure SM58 and Shure Beta 58A / RODE NT1-A. His VOCALOID4 Rock illustration depicts him with a microphone, but it is not any of the three listed as his favorites, instead being the Shure 55s (which had also been drawn in the box illustrations for Sweet ANN, Lily, MEIKO V3 and CYBER DIVA).

(source: Vocaloid Wiki)

[reamed]

what equipment do you use for recording?

oooo im about to yap

I use yamaha HS5 monitors / audio technica ATHm50x headphones

a Scarlett of course to plug all the junk into

Akai mpk mini keyboard

Shure SM58 mic

and then I use Logic cuz I have a Mac :3

[ewyband]

Quick Q but did you record drip drip drip fall whilst underwater? It feels drowned in like a good way

i recorded it using my old setup which was a free version of studio one and a singular SM58. its one of the reasons why that EP sounds so muddy but hey ho people love the song.

[nigelgodrichproducer]

Photos of Tom Skinner's drum kit. The treatment is pretty typical of past Nigel-esque setups. No front head on the kick with blankets and pillows muting the batter head, which is mic'ed up with a FET 47. Coles on the overheads, localized towards the cymbals. C12As on the toms. Some LDC (likely a U47) as the mono overhead, 57 on the snare. CMV-563 as the "heart" / wurst / center mic above the kick (seen in a previous photo from the first Smile record).

There is a mic behind the kit that looks like it's for talkback, possibly a SM58,but can't be sure since other engineers, like Bill Schnee, have also used this position for drums.

[x-heesy]

🅸🅽🆈🅰🅵🅰🅲🅴

​On and on and on and ​on and on and on and on

PΔID Δ ҒΣΣ DΩΩR LΣT MΣ IΠ ҒRΣΣ

SΩMΣ ΩҒ US PRΩ ΔΠD DΩΠ’T ΠΣΣD ID

I SPΣΔҜ ΔΠD βIRDS ΩPΣΠ UP THΣΨ βΣΔҜ

ҒLΨ ҒLΨ ҒRΩM IΠSIDΣ SLΩШ MΩTIΩΠ SPΣΣD

LΩΩP SΣΠSΣS DRΩP ΨΩUR βRITCHΣS ΔΠD ШΩRҜ

HΣRC PΩШΣR STRUCҜ DΩШΠ Δ JΣRҜΨ ΠURSΣ

PHΩΠΨ MΣDICΔL RΩβΣ SURΣLΨ CΔMΣ ҒRΩM HΩMΣ

PULL THΣ ҜΠΩT ΩUT STΩҜΣD TΔG T’THΣ MΔCҜ ΣΠ ∇ΩGUΣ

QUΣ MΩDΣLΔ CΩΔCHΣLLΔ ШHΣΠ THΣ TUΠΣS RΣLΣΔSΣD

PLΔΠΣTΔRΨ DΩMIΠΔTIΩΠ HΔRDLΨ GΣT TΩ SLΣΣP

MΔRLΣΨ ШΣΣҜΣΠD ҒRΣΔҜ, SMΩҜΣ Δ βLUΠT ΔΠD ΣΔT

PΔΠCΔҜΣ DIRTΨ DΔTΣ ҜIRβΣΨ LΔΠΣ ΩΠ Σ

HΩΠΣΨ CLΔШS GΩT THΣ PSΔLMS ҒΩR THΣ JUΠҜΨ CHURCH

RUΠΠΨ GΔШS HITTIΠG PΔUSΣ SΩ ΨΩUR βΩDΨ DΩΠ’T HURT

I THIΠҜ I’M ҒIΠΔLLΨ PΣRCHΣD ΩΠ Δ TRΣΣ TΩ DΣSΣRT

THΣ UΠDΣRGRΩUΠD CΩMΔ SΩUΠD βULLSHIT THΔT’S THΣ ШΩRST

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

SHΩΩT Δ LΩT ΩҒ LIP GΣT SPLIT LIҜΣ GΣMIΠI

TШΩ HΣMISPHΣRΣS TШΩ MIΠD ΩΠΣ PΔΠ ҒRΨ

MΨ βUSIΠΣSS TRUΠCΔTΣ ΠΣMΣSIS

ΠΩШ ҒUTURΣ’S ҒRΣΣ ΩҒ SҜIRMISHΣS

DΣΣP ҒUCҜIΠG D CUP TΩURΠΔMΣΠTS

SLΩШ βUSTIΠG THRUSTIΠG MURDΣRΩUS

ΠIGHTLIҒΣ ШΔΠT MΣ βΔCҜ βΨ ΠIΠΣ

ҒIΠISH UP ΣXCHΔΠGΣ ΔΠD RIDΣ

PUT Δ LΩT IΠTΩ CΩUP DΣ ΣTΔT ΠΩΠΣ ΩҒ THIS IS ΠΣШ TΩ MΣ

ҒUCҜΣRS THΩUGHT THΣΨ’D PLΔΨ THΣ PΔRT SUPΣR CLΔRҜΣ CHΔΠGΣ THΣ SCΣΠΣ

LIҜΣLΨ DRΣΔM CΣPT ҒΩR THΣ PΔRT PΣRTΔIΠIΠG TΩ THΣ TΔLΣΠT

THΣM MΩTHΣRҒUCҜIΠG MΩΠΣΨ-SUCҜΣRS CHΩP ‚ΣM IΠTΩ SΔLΔD

CΣILIΠG Ш/Δ PILLΩШ ШΔTCHIΠG THΣ PRΩPHΣCΨ DRΩP

SΩMΣHΩШ ҒΣΣLIΠG HΔLҒШΔΨ GUILTΨ SLΣΣPIΠG THΣ SΨMPΔTHΨ ΩҒҒ

PRΔΨ ҒΩR ΔΠΔRCHIST LΔШ βLIΠD MISCHI∇ΔLRΩUS PIGS

ΨΩU CΔΠ’T CUҒҒ UP MΨ ШRIST IҒ ΨΩU CΔΠ’T ҒIΠD IT

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

DIGITΔL ΔΠIMΔLS ҒRΣΔҜΨ ҒΩLҜS

βΣLLΨ CΩ∇ΣRΣD UP T-SHIRT RΣD TIGΣR

DRΩΩL DΩШΠ THΣ LIP STRIPΣD SΔβΣR-TΩΩTHΣD SLIMMΣR

DRIββLΣ SPIT TIP SCΔLΣ DIRTΨ DΩGMΔ

PUPPΨ LΩ∇Σ βLΩCҜΣD SHΔҜΔ TШΔ MéΠΔGΣ

ΠIΠJΔ, ΠIΠJΔ, ∇ΔΠISH M.Ω. CRΣΣP

ΠΔUGHTΨ ҒUCҜIΠG ҒRΣΔҜS ΔΠD βUSTIΠG TΣCHΠIQUΣS

ΣΔST ШΣST βΔTTLΣ βΣST TURΠ ΨΩUR βΩΠΣS TΩ ΔSHΣS

SΣΠD ‚ΣM TΩ THΣ ҜIΠ Ш/ THΣ SΨMβΩL ΩΠ THΣ PΔCҜΔGΣ

GRΩШ THΣ ҒΔSCIΠΔTIΩΠ LΔRGΣR THΔΠ IT Σ∇ΣR ШΔS

ШΔLLS ҜICҜΣD Ω∇ΣR βΣRLIΠ SΠΔP CΔMΣRΔS

GΔLLΔGHΣR PΣTΣΨ G SLΣDGΣHΔMMΣR ҒΔMILΨ

DΔββLΣ Ш/ IΠSΔΠITΨ GRΔΠTΣD MΣ THΣ ΔMΠΣSTΨ

I LΣΔRΠΣD MΨ LΣSSΩΠ MΣSSIΠG UP MΨ LIҒΣ IS ΠΩT THΣ ШΔΨ TΩ ШRΣCҜ IT CHΣCҜ THΣ SM58

RΣPLΔCΣ THΣ ∇IβΣ βΣHIΠD ΨΩUR ҒΔCΣ PIΣCΣ

βΔSS βΣΔTS ΨΩUR βΔSICS PLUS MΣ IT’S THΣ CΩMβIΠΔTIΩΠ

ҜΠΩШΠ TΩ DΣҒΣΔT THΣ βΣΔST ΔΠD HIS GΔTΣҜΣΣPΣR

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

D D D D D D D D D DIGITΔL ΔΠIMΔL ҒRΣΔҜIΠG ҒΩLҜS

DIGITΔL ΔΠIMΔL βΨ HΩΠΣΨ CLΔШS

@bethanythestrange @luna---zylum @bigbonzo @boanerges20 @seanisnothing @1mikel2 🤪😜🤪