#S900

[outdoorovernights]

Cellular Trail Camera S900 Review

Are you in need of a versatile outdoor camera that sends real-time images directly to your phone? The Cellular Trail Camera S900 might just be the answer to your needs. This isn’t just any trail camera; it’s a modern marvel designed to make your outdoor monitoring tasks easier and more efficient. With sharp images and videos sent over 4G LTE networks, this little gadget becomes your eyes in the…

[wheelsgoroundincircles]

2024 Mercedes-Maybach S900 AMG

Designed By EmrEHusmen

[vizreef]

Steelphon Synthesizer S900 (Italy, 1973)

via

[happychildcreation]

I just noticed that I has bought this month (deliveries are starting next month) 2x alesis andromeda A6´s , roland JD-800 , 2x roland JP 8080´s , one roland JP-8000 , two vermona DRM-1 mk3´s + one vermona DRM-1 mk4 , korg kaoss pad KP1 & KP2 and KP3 , akai s900 & s950 & s1000 & s1050 , s3200 & s4000 and s5000 and Oberheim OB-Mx and matrix 1000 + three oberheim x-panders + jomox sun syn x2 ... yeah money sucks but it buys lots of cool things

[odk-2]

𝐍𝐞𝐰 𝐎𝐫𝐝𝐞𝐫 - 𝐓𝐫𝐮𝐞 𝐅𝐚𝐢𝐭𝐡 (𝟏𝟗𝟖𝟕) Bernard Sumner / Gillian Gilbert / Peter Hook / Stephen Morris / Stephen Hague from: “True Faith” / “1963” (UK 12") “Substance 1987” (Singles Compilation)

Post Punk | Synth-Pop | Alternative

@𝐀𝐫𝐜𝐡𝐢𝐯𝐞 (left click = play) (320kbps)

Personnel: Bernard Sumner: Lead and Backing Vocals / Yamaha QX1 Sequencer / Yamaha DX5 Synthesizer / Guitar Gillian Gilbert: Octave Voyetra-8 Synthesizer Stephen Morris: Yamaha QX1 Sequencer / Akai S900 Sampler / Hi-hat / Cymbals Peter Hook: Bass Guitar

Stephen Hague: E-mu Emulator II / E-mu SP-12 Programming

Produced by New Order / Stephen Hague

Recorded: @ Advision Studio One in London, England UK 1987

Released: on July 20, 1987 Factory Records

[barbatusart]

real quick actually can someone more educated in 1997 synth tell me what drum machine hocico was using around that time? like obv it’s reverbed to heII & back but what is that?? im still learning so my only points of reference are the tr808 and S900 & i don’t think thats it

[anewkindofanger]

On April 10, 1990, Public Enemy released their third album, "Fear of a Black Planet," under the labels Def Jam Recordings and Columbia Records. All tracks were produced by The Bomb Squad, using E-mu SP-1200, Akai S900, and a Macintosh computer. This is the original poster for the U.K. version, released in 1990.

[eclecticreviewpeace]

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[ddenoris]

Kaija Saariaho's Stilleben (1988) expresses to me a deep discomfort with transportation and communication technologies. There is a feeling that these technologies that seem to connect us more closely may drive us further apart.

------------------------------------------------------------------------------

One of the texts comes from Franz Kafka's Letters to Milena. I found the following fragment, which is included in the tape piece, very compelling.

From the composer's website (https://saariaho.org/works/stilleben):

"Stilleben is a piece for solo tape, commis­sionned by the Finnish Radio for the Prix Italia, and using very varied sound sources: instru­mental ensemble, mixed choir, soprano, flute, and finally different noises, but with common denom­i­nators (commu­ni­cation, transports, travel).

Besides the unifi­cation of these multiple materials to form a musical unity, I was interested here in the idea of commu­ni­cation, princi­pally in two different situ­ations. Firstly, how a conductor commu­nicates with his musicians during a rehearsal; with few banal words, but specially with his gestures, he creates a musical inter­pre­tation, and how these two worlds ��� a rehearsal situation and music in its abstraction – are foreign to each other. Secondly, I thought about the commu­ni­cation of separated lovers, how they commu­nicate when the most important language, the eyes, is excluded.

I chose the texts of the piece in reference to the second theme. They are extracts from by Franz Kafka's Letters to Milena, used here in three different languages: French, English, and Finnish. These languages have been chosen because of their differences and phonetic richness. By contrast with these deses­perate texts, I used also few poetic fragments of Paul Éluard.

Musically, I work here with perpetual tranfor­mation processes, where the hetero­gen­uous materials are melting into each other in order to form a conti­nuity: he travel of the consciousness. This is a travel through different landscapes, but the reflection of the observer, poten­tially, stays the same on the train window: when light gradually vanishes towards evening, the landscape also vanishes, and the window transforms into a mirror, where the traveller then only sees his own face.

The sonic materials were recorded on a multitrack tape recorder, and transformed through different processes: computer filtering, mixing, and pitch-shifting with the Composer Desktop Atari Workstation, sampling with the AKAI S900, digital filtering and rever­ber­ation on Lexicon PCM-70 and Yamaha SPX-90. Synthesis was achieved with YAMAHA DX7 and TX816. Scores for both processing and synthesis were controlled with rhythmic inter­po­lations calculated with the Esquisse Aid-to-compo­sition envi­ronment developped in IRCAM for the Macintosh.

The piece was realized in the Exper­i­mental Studio of the Finnish Radio. It won the Prix Italia 1988."

Kaija Saariaho

[legotoys-blog1]

#TaiNgheBluetoothSiêuMỏngYivoiceS900 - Công Nghệ Dẫn Truyền Âm Thanh Qua Xương

Tai nghe Bluetooth có thể thao tác dạng mở Yivoice S900 công nghệ mới dẫn truyền âm thanh qua xương Tai nghe Bluetooth thể thao dạng mở Yivoice S900 công nghệ mới truyền âm thanh qua xương (Hàng chính hãng) … Your browser does not support HTML video. Tai nghe Bluetooth có thể thao tác dạng mở Yivoice S900 công nghệ mới dẫn truyền âm thanh qua xương #Tai #nghe #Bluetooth #có #thể #thao #tác #dạng…

[almahiphop]

MC Shan - Born to be Wild (25/10/1988)

MC Shan es uno de los pioneros del hip-hop, reconocido como parte integral de la escena de Queensbridge en Nueva York durante los años 80. Su estilo único, letras incisivas y su rivalidad con KRS-One son aspectos que lo colocaron en la historia del rap como una figura importante. Uno de sus trabajos más icónicos, Born to Be Wild, lanzado el 10 de octubre de 1988, captura perfectamente la esencia del hip-hop de la época, mezclando ritmos sencillos y líricas que reflejan la vida y el entorno urbano de Nueva York.

Born to Be Wild fue producido en su totalidad por Marley Marl, el legendario productor y DJ, fue realizado bajo el legendario sello discográfico Cold Chillin’ Records, una de las principales disqueras de la época para artistas de hip-hop y donde se gestaron otros éxitos de la Juice Crew.

Born to Be Wild tiene un enfoque temático centrado en las experiencias de vida de MC Shan, especialmente relacionadas con los problemas de la calle, la cultura de Queensbridge y su visión de la industria musical. Aunque MC Shan también incluyó temas más ligeros, la esencia del álbum sigue siendo un reflejo de las luchas urbanas. Tracks destacados del álbum incluyen:

"I Pioneered This": Esta canción es un manifiesto de MC Shan, quien proclama su lugar en la historia del hip-hop. Aquí, se percibe la influencia de Marley Marl con el uso de muestras y ritmos que enfatizan el contenido de las letras.

"Juice Crew Law": Una oda a la Juice Crew, grupo al que MC Shan pertenecía y que estaba compuesto por algunos de los nombres más respetados del hip-hop como Big Daddy Kane, Roxanne Shante, y Kool G Rap.

Marley Marl es ampliamente reconocido como un innovador en la producción musical de hip-hop, famoso por sus técnicas de muestreo y la creación de beats característicos que definieron el sonido del rap de los 80. En Born to Be Wild, Marley Marl utilizo posiblemente equipos de la epoca como la caja de ritmos EMU SP-1200 y el clásico Akai S900 dando ese enfoque eléctrico y metalizado combinando samples de funk y soul con ritmos intensos y simples, logrando un sonido crudo que da protagonismo a las letras de MC Shan. Born to Be Wild no fue tan exitoso comercialmente como otros álbumes de la época, pero su influencia y valor histórico dentro de la cultura hip-hop no se pueden subestimar. Este álbum ayudó a consolidar a MC Shan y a la Juice Crew en la escena del hip-hop de Nueva York y dejó una marca imborrable en los seguidores del género.

[okeydeyim]

Profilo Yazarkasa Hata Kodları

[nhung-hns]

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