#Roy Kinnear

[bewareofdarkness]

Note: - Foot & Algernon are the two evil scientists, yes the character's name is actually Foot. - The TV director is Victor's character who has the wool jumper.

These are based on my view watching the films, as obviously in the 1960s they were a lot more subtle.

[hotvintagepoll]

Roy Kinnear (Help!)—i can think of nothing scrunglier than constantly being belittled by your (also scrungly) boss Victor Spinetti, so this one's for you Roy. King, icon, clown, comedian, legend. Help! is a terrible movie but you are the best part in it. I like the bit where he's useless. (all of them. every second he's on screen.)

Musidora (Les Vampires)—That batty lady just scrungles across the screen!

This is round 1 of the contest. All other polls in this bracket can be found here. If you're confused on what a scrungle is, or any of the rules of the contest, click here.

[additional submitted propaganda + scrungly videos under the cut]

Roy Kinnear:

Musidora:

[adamwatchesmovies]

Willy Wonka & the Chocolate Factory (1971)

In 2005, Tim Burton directed an adaptation of Charlie and the Chocolate Factory. It was generally well-reviewed and made nearly $500 million at the box office. I’ll call it a good film. Watching 1971's Willy Wonka & the Chocolate Factory, you can understand why someone felt like it could use a remake/the book needed to be adapted again. That said, the artistic decisions at the writing, musical, performance and tonal level accompany all of the weird “of the era” choices. Combined, they make this movie the kind that transcends the decades.

Poor, kind Charlie Bucket (Peter Ostrum) lives in a small house with his mother (Diana Sowle) and his four grandparents. One day, legendary candy maker Willy Wonka (Gene Wilder) announces he has hidden five golden tickets in his world-famous Wonka Bars. The children who find them will be allowed access to his mysterious factory and receive a lifetime supply of chocolate. As the world madly scrambles to find the golden tickets, Charlie continues to believe he has a chance of finding one too.

The premise implies it, but Charlie does eventually find one of the golden tickets and he invites his beloved Grandpa Joe (Jack Albertson) to join him on the factory tour. I’m still labeling this fact as a spoiler because it’s about a third to halfway through the movie before Charlie finds his golden ticket. A sizeable chunk of the running time is dedicated to showing our hero as kind, good-hearted and full of hope despite his circumstances, while the other people who find the tickets… are exactly who you think they would be. The film teases you and builds the anticipation. Charlie is poor. He has to scratch together the money needed to buy a single Wonka bar while some of his classmates open over a hundred. There’s a cruelty to the fact that any other year, a single bar for his birthday would be the most wonderful thing Charlie could’ve dreamed of but this year, the bar is a disappointment because it doesn't contain a shiny invitation. You want Charlie to see the inside of that factory because you like him and you know what it would mean to the boy. It’s equally important that he finds one because everyone else who's going doesn’t deserve to go like he does.

Until we get to the factory, director Mel Stuart frequently cuts to gags showing us the extent of the globe's Wonkamania. Scientists have developed machines to find tickets without opening the wrappers. As the worldwide supply begins to dry up, sealed boxes of Wonka bars are sold at auction houses for ridiculous sums. We even see a woman whose husband has been kidnapped hesitating to pay the ransom: her stash of Wonka bars.

Is it a surprise that the children who find the Golden Tickets are all loathsome in their own ways? There’s the gluttonous Augustus Gloop (Michael Böllner). He loves chocolate but just looking at him constantly stuffing his face makes you feel a little ill. Next is Veruca Salt (Julie Dawn Cole). She got her ticket because her father bought millions of bars and dedicated the entire staff of his peanut factory to rip the packaging open until they found it. She's the definition of "spoiled". The last two children, chronic gum-chewer Violet Beauregarde (Denise Nickerson), and television-obsessed Mike Teevee (Paris Themmen) are brats consumed by their bad habits. I guess there’s nothing THAT bad about chewing gum the way Violet does (though her obsession is pretty gross) or the way Mike obsesses over his shows (boy does his rotten attitude make him detestable, however) but they both give you a headache. There’s something pretty funny about the fact that some of these kids’ “deadly sins” are so juvenile and you’re happy to see all of them taught a lesson.

The odd thing about Willy Wonka and the Chocolate Factory is that there aren’t any character arcs. The bad children are taught lessons but in the process, they leave the factory tour and the movie. Charlie is already the person he’s meant to be so what the film does is introduce him and the world outside the factory, introduce the other children, then whittle down the cast as we explore the chocolate-making process and get to know Willy Wonka. That’s an unusual structure but it suits the film well. We anticipate the inevitable even before realizing their lessons come with musical numbers.

The competition for which piece of music is the best is fierce. Despite going on to become a hit after its rendition by Sammy Davis, Jr. and fitting in the movie perfectly, I don’t think The Candy Man is as memorable as (I've Got a) Golden Ticket but is the latter’s ability to stick in your mind due to the music & lyrics, or because of the scene that introduces it? The real contenders are Pure Imagination and the Oompa Loompa song, which gets my vote. It’s got an iconic melody, memorable lyrics and has the added bonus of being easy to expand upon or parody. It’s another reason to look forward to the bad kids misbehaving.

There’s a lot to say about Willy Wonka and the Chocolate Factory. Visually, it’s not as slick as it could be and there are times when it’s so strange (that scary tunnel ride) that you can understand why someone said “We should try this again”. The thing is, the strange choices aren’t bugs; they’re features. Yes, it is occasionally unexpectedly weird/scary but if the movie was nothing but sweet songs and bright-eyed children learning nice lessons, it wouldn’t be any fun. The moments when Willy Wonka is a little bit nasty towards his bratty guests mirrors the way you feel about them. The release of 2023's Wonka only makes the film's evergreen quality more apparent. (November 29, 2024)

[nedison]

I haven't forgotten that's oXTCtober! Here's a nice little Wasp Star meme for you.

[gawsby]

Alice's Adventures In Wonderland (1972)

(it's on YouTube so you can watch it for nothing!)

Directed by William Sterling

Starring Fiona Fullerton as Alice

with Spike Milligan as the Gryphon

Michael Hordern as the Mock Turtle

Roy Kinnear as the Cheshire Cat

Peter Bull as the Duchess

Ralph Richardson as the Caterpillar

Happy New Year everybody

why not celebrate by watching the wonderful 1972 Alice and singing your heart out!

[hell0dolly]

6 characters from How I Won The War!

[motionpicturelover]

"The Adventure of Sherlock Holmes' Smarter Brother" (1975) - Gene Wilder

Films I've watched in 2023 (114/119)

One of my all-time favourite comedies!!

[ulrichgebert]

Die hier im Zusammenhang mit Wonka angekündigte gravierende cineastischen Bildungslücke, sollte den wirklich aufmerksamen Internettagebuchleser eigentlich gar nicht so verwundern wie angekündigt, weil ich sie hier schon erwähnt habe, da in Vorbereitung für das damals neue Musical: Nämlich, daß ich noch nie Willy Wonka and the Chocolate Factory mit Gene Wilder angeschaut habe. Was mich als notorischen Verfechter von Leslie-Bricusse-&-Anthony-Newley-Kindermusicals sogar selber etwas wunderte, aber irgendwie war ich immer etwas misstrauisch. Aber jetzt, und die erwarteten Lieder, kommen alle (obwohl es mir jetzt scheint, als seien es die falschen...), es ist angemessen verschroben und Gene Wilder ist natürlich ganz entzückend (der Bub auch), die Hauptirritation für hiesige Anglophile besteht aber irgendwie darin, daß das Haus der Buckets und Willy Wonkas Schokoladenfabrik sich so offensichtlich in München befinden. Dies ist jetzt Teil vergleichender Studien mit allen Willy-Wonka-Verfilmungen, die aber aber vorhersehbarerweise wohl damit enden wird, daß uns das Bühnenmusical am besten gefallen hat.

[cinemacentral666]

Willy Wonka & the Chocolate Factory (1971)

Movie #1,135 • FRIDAY WILDCARD

I will be taking a break from double posting on Mondays and Fridays in September to give myself a slight breather as I'll be on the road for much of the end of August and won't be able to take in my usual glut of cinema. This one is the lone exception as I watched it recently with my daughter after we finished the original Roald Dahl book.

For starters, it absolutely still holds up and really its only flaw is that Gene Wilder isn't in the movie until halfway through. This both heightens his appearance/role but it also makes the opening 45 minutes a tad boring by comparison.

I hadn't realized until this rewatch that Roald Dahl also penned the screenplay and briefly worked as a screenwriter as in the 60s, even penning two James Bond adaptations (for You Only Live Twice and Chitty Chitty Bang Bang). Interestingly enough he wound up disowning the final film version of Willy Wonka both because of deviations made in the production and ultimately placing too much of the emphasis on Wonka instead of Charlie (and that's obvious in the title change). But, that being said, it truly is Wilder in the titular role that makes this movie work. Visually, it is definitely fun if not dated but none of it works without his performance at the center. It's as hilarious as it is completely bizarre. Wilder presents an affect that is uncanny, almost creepy at times, but constantly engrossing. It's the rare execution that is both perfect and impossible to explain.

And not to disagree with the master Dahl, but I found most of the deviations of the original story to be mostly positive changes, especially the ending, which is a bit more complicated the book but actually strengthens the character of Charlie as well as the moral implications. The book just kind of ends with him getting the factory and I think the final twist in the film is the better conclusion.

SCORE: ⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️

[loveboatinsanity]

[moviehealthcommunity]

Willy Wonka & the Chocolate Factory (1971)

This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.

Willy Wonka & the Chocolate Factory has a few scenes with cameras flashing infrequently. One late scene involves some sudden, very bright lights. When a boat enters a tunnel, there are lights that rapidly change colors, similar to strobe lights. This effect ends when the announcement is made that the boat ride is over.

All of the camera work in this film is either stationary or very smooth. The final scene of the movie depicts flight high above a city.

Flashing Lights: 4/10. Motion Sickness: 1/10.

TRIGGER WARNING: There is some disturbing imagery during the tunnel sequence, including a chicken having its head chopped off with no indication if it's previously alive or dead. Claustrophobic viewers may be disturbed by a scene of crowding in a small room, and by one of a child stuck inside a tight pipe.

Image ID: a promotional poster for Willy Wonka & the Chocolate Factory

[bigmenarethereasontowakeupdaily]

[drzito]

Esta semana, diez peliculas recientes.

El banco de Dave (Chris Foggin, 2023)

[esonetwork]

Taste The Blood Of Dracula |Episode 383

New Post has been published on http://esonetwork.com/taste-the-blood-of-dracula/

Taste The Blood Of Dracula |Episode 383

Jim looks back on the sequel to Hammer’s “Dracula Has Risen From The Grave,” – “Taste The Blood Of Dracula, ” starring Christopher Lee, Geoffrey Keen, Ralph Bates, Linda Hayden, Anthony Higgins, Peter Sallis, John Carson, Isla Blair, Martin Jarvis, Gwen Watford Roy Kinnear and Michael Ripper. Three wealthy London men seek thrills and cross paths with Count Draculs resulting in murder and mayhem. Find out more on this Halloween episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies

[mariocki]

Play for Today: The Mayor's Charity (BBC, 1977)

"Who were you talking to just?"

"I had some conversation with Mr. Major traversing the corridors."

"But no, I meant just now. I was fascinated, I don't know quite why."

"Ah. That is my technique for dealing with ceremonials where I have no particular function."

"Is it?"

"I call it my 'spare part drill'. In order not to be burdened and weighed down with the mind-destroying small chat of pinheads and numbskulls, I invent an interlocutor with whom I am partaking in intelligent conversation and the pinheads and numbskulls pass me by."

"My word, that's clever."

"Also I station myself on the route of waitresses, particularly those engaged in the transport of free liquor. Whiskey is a favourite, sherry accepted."