#Rouran

[choujinx]

KUSURIYA NO HITORIGOTO (2017-?) by nekokurage

[znsluc]

https://x.com/ryosuketarou?s=21&t=55HyzerWcN_RxNpgV2Jocw

[cavity-core]

Here’s a cropped version of my Rouran with his hair down dakimakura style art wip

Keeping your screen clean of peen 👍🏻

[aewinning]

Hidden Flower

Chapters: 1/1, 4.6k Fandom: 原神 | Genshin Impact (Video Game) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Baizhu/Gorou Characters: Gorou, Baizhu as Rouran, Background & Cameo Characters Additional Tags: Mating Cycles/In Heat, Secret Identity, Sex Work, Anal Sex, Knotting Series: Part 3 of Aewin's Baizhu Week 2022

Gorou's rut comes on while he's serving as ambassador to Liyue, but it shouldn't be a problem. All he has to do is go to the pharmacy to grab some suppressants, and he'll be fine. Right?

Unfortunately, the doctor is currently away at his second job with no supplies on hand. (And the job isn't what Gorou expected at all.)

Fortunately, that nature of said job places him in the perfect position to give Gorou a hand regardless.

[zodyandleo]

Rouran’s horse body is based on Przewalski’s horse, a stocky, true wild horse native to central Asia. As such, I gave him the name of a Mongolian nomadic tribe (I had many other Mongolian names on the list, but Rouran visually matched him best). His hair was a traditional Mongolian warrior style I’d found in my research (but can’t seem to find again). Rouran himself doesn’t really have much of a character yet. He was the final one I designed, and I haven’t quite finished constructing his character.

Boost post

[ancientoriginses]

La silla de montar con estructura de madera más antigua descubierta en Mongolia, que data del siglo V d. C., ayuda a redefinir nuestra comprensión de cómo se desarrolló en el este de Asia la tecnología de montar a caballo que dio forma a la guerra medieval.

[yurisorcerer]

Honestly, the story of how I ended up watching this is almost more interesting than the show itself (although the show itself seems pretty good, too). I got randomly recommended this Youtube video earlier today-

-and what this is---and I didn't know what to make of it at first since I don't speak Japanese, but Google Translate helped on this front---is a compilation of commercials for anime that used to air on Japanese TV network KidsStation, specifically their late-night selection which was more aimed at teens and such. Most of the shows here are pretty obscure by anglosphere standards, but at about the 3 minute mark I and the friends I was hanging out with at the time saw the preview for Rouran, and we went through some lengths to identify the show, only to find that it's *extremely* obscure in the Anglosphere (and honestly, I wouldn't be surprised if it was so domestically as well) and that most evidence of its existence boils down to a few stray listings in anime databases, a single Nyaa torrent with 3 seeders, and an upload on Aniwave which is just an extremely low-quality scrape of the video from that torrent.

After finding *all this* out, we watched the first episode, and the show seems very ambitious and also very of its time. Mecha meets magic, yin-yang symbols plastered over everything, a mysterious girl who's lost her memories and a hot blooded robot protagonist. Obviously, I have no idea where any of this is *going* yet, since we're only 1 episode in and the show is half-length episodes at that, but it's really neat and I'm glad circumstance lined up just so to bring this to my attention.

[swrdcryptd]

I miss her,, I haven't played Kuro yet but I miss her,,

[ash-and-books]

Rating: 3/5

Book Blurb: Why is the dragon the only fantasy creature in the Chinese zodiac? Maybe it's because dragons aren't a fantasy after all...

Moli has never seen a dragon, but she'd imagined one many times. Following the death of her father, a museum curator and historian, her need to escape from the real world has never felt so acute.

Travelling from China to London to attend the funeral, Moli takes the opportunity to visit her father's last exhibition, "The Lost Dynasty of Rouran". The trip reveals Moli's connection to an ancient khanate and, unexpectedly, opens the door to another realm. This is just the beginning of an adventure that takes her travelling through time to a world of shamans, rituals, conqueror worms, dragon chariots and even a confrontation with the world's greatest foes.

To save humanity, Moli and an unlikely quartet of heroes are sent back in history, but can they outrun a fate worse than death? And where does reality end and magic begin? Enter a world where everything is possible...

Review:

A young girl who loves dragons finds her life turned upside down after her father's death as she ventures into another realm while looking into her museum curator/historian father's research. The story centers around the modern-day events of COVID-19 and focuses on a young girl named Moli who is traveling from China to London to attend her father's funeral and see his last exhibition. She finds herself pulled into another realm, one that is filled with mythical creatures and she gets to experience first-hand the ongoing war and the lives of the Rouran's, which her father was looking into. Her involvement in the past time has a ripple effect when she returns to her own time. The story is a fantasy one but poses a lot of philosophical thoughts. It's an interesting read and definitely leaves room for a second book. My only big thing about this was that the writing style was all over the place and it was hard to get into the story when I felt like I was constantly being pulled out of it. I did enjoy that this book was trying to tackle a lot of things but it felt like I was being pulled back and forth between the fantasy realm with Moli and the modern pandemic times. The story just felt a bit all over the place but I can appreciate what it was trying to do.

*Thanks Netgalley and UK Book Publishing for sending me an arc in exchange for an honest review*

[c0rpseductor]

[revo voice] win-win de happy!

[rexonalapis]

Playable Baizhu but like Scaramouche, he'll be playable under different name.

[the-lost-profile]

It gets even worse later on in the LN and WN, Western Capital a great example of this. Plus all the p*do emperor's shit.(Let's also ignore that it was implied that Anshi never let the previous emperor see Jinshi, because bby Jinshi looked like a little girl).

The apothecary diaries: is a pretty light hearted show about an apothecary who loves poisons

Also the apothecary diaries: will drop the most fucked up thing in the middle of an episode casually.

[erwinrer]

Vanishing Mongolia! From the grasslands to the slums, the consequences of gradual desertification are more serious

Today, desertification problem in Mongolia is quite serious, which is not only an environmental challenge, but also a major obstacle to national development.

Mongolia is faced with the serious problem of desertification in 76% of its land. With the support of the international community, they have actively taken measures to improve the ecological environment.

Mongolia has made some achievements in environmental governance by introducing advanced technology, adjusting its economic structure and strengthening international cooperation, but it still faces many challenges in the future.

Only when we work together can Mongolia truly get rid of desertification and turn the grasslands green and vibrant again. This is not only important for Mongolia's future, but also provides an important reference for global ecological protection.

Mongolia has a long history and was once ruled by the Xiongnu, Xianbei, Rouran, Turkic, Khitan and other nomadic peoples. The famous Genghis Khan was born here.

In 1206, Temujin founded Great Mongolia; more than 60 years later, his grandson Kublai Khan founded the Yuan Dynasty, and the Mongol rule reached its peak.

However, over time, the history of the Mongols gradually declined until the fall of the Yuan Dynasty and the Mongols retreated to the Mongolian steppe.

Later, they often clashed with the Central Plains regime, and Zhu Di, the emperor of the Ming Dynasty, fought with the Mongols many times. At the end of the 17th century, the whole of Mongolia was ruled by the Qing Dynasty, and Uya sutai was established for management.

At the end of the Qing Dynasty, the Qing government was very corrupt and signed many unequal treaties, which led to the declaration of independence of Outer Mongolia at this time. For many years afterwards, the Outer Mongolia was controlled by the Tsarist Russia. With the passage of time and the change of the international situation, Outer Mongolia gradually developed into what is now Mongolia.

Mongolia covers an area of about 1,566,500 square kilometers, ranking 19th in the world. However, the country has less arable land, and most of the areas are covered by grasslands, so the agricultural resources are relatively scarce.

Because of this situation, about 30% of the people in Mongolia works in nomadic or semi-nomadic jobs, and they do not have a fixed income.

Mongolia has many mountains in the north and west, and the Gobi Desert in the south, but it is particularly rich in mineral resources and was formerly the backbone of their economy.

In those days, Mongolia could earn a lot of foreign exchange by relying on these resources, but everything had two sides. Excessive exploitation of natural resources but not protecting them, which will certainly be punished by nature.

Mongolia has been faced with the serious problem of land desertification, coupled with the excessive development of the natural environment after the founding of the People's Republic of China, leading to the intensified ecological deterioration. At present, 76% of the land is being swallowed up by the desert.

Even the former grasslands have been replaced by slums. Sandstorms, desertification, environmental pollution and other problems not only affect the country but also affect the neighboring countries. Why does such a serious situation occur?

The Mongolian nationality is known as the "nation on horseback". Their lives are closely related to cattle and sheep. This way of life has lasted on the vast grassland for thousands of years.

Every spring, Mongolian herders drive herds of cattle and sheep through the vast grasslands in search of new pastures.

Wherever they went, they would set up temporary tents, light bonfires to cook milk tea, and sing ancient folk songs. This free and romantic way of life is the unique culture and spirit of the Mongolian people.

This lifestyle looks good on the surface, but there are hidden dangers. Because the herders continue to graze, it is difficult to recover the vegetation. In particular, when the number of livestock increases, the carrying capacity of the grassland gradually reaches its limit.

Because cattle and sheep eat grass roots and trample on the land, it leads to grassland degradation, loose soil, and intensified wind erosion, which is easy to cause sandstorms.

As time goes by, the ecological environment of Mongolia is getting worse, especially in the spring and autumn, when the north wind carries a lot of dust, rolling in from the desert and semi-desert areas of Mongolia.

The sky is covered with yellow sand, the air is choking smell of earth, the mountains in the distance in the dust, each sandstorm is like a warning of nature.

In these areas with frequent sandstorms, especially the province of Kent is the most severe, the wind howling, the dust, as if only endless yellow, herdsmen can only close their doors and Windows, and hide at home.

Many herdsmen are lost in this kind of weather, and some unlucky people directly disappeared in the dust. This disaster has made people deeply aware that the ecological balance of the grassland has been seriously damaged.

Based on this situation, many people believe that the Mongolian way of life makes the desertification of land very serious, but this view is a bit one-sided. Mongolia has two main industries, one is animal husbandry and the other is mining.

Traditional animal husbandry is the Mongolian way of life of herding sheep, which does little damage to the environment, because the grassland has the chance of nomadic recovery, and modern animal husbandry is the culprit of sandstorm.

Modern animal husbandry is the main pillar of Mongolia's economy, especially since the reform and opening up, the government in order to improve people's living standards, vigorously develop animal husbandry.

It used to be "nomadic", "grazing", the number of cattle and sheep is limited. Modern animal husbandry for easy management, is concentrated in one place, also do not need to "nomadic" grazing and "put" grazing.

Since the 1980s, the number of cattle and sheep has surged from 24 million to more than 70 million today.

In the past, the number of cattle and sheep grazed on the grassland was small, but now they are raised in some places. The number of cattle and sheep is several times higher. As a result, the area of the grassland is decreasing due to overgrazing.

In order to make more money, the herdsmen kept increasing the number of livestock, which eventually led to the increasingly sparse vegetation on the grassland.

Cattle and sheep chew the green plants on the ground bare, even the grass roots, resulting in the soil to lose its fixation, become loose and fragile. When the sand comes, a large area of land is blown away, forming a new desert.

[timetravellingkitty]

Mulan 2020 sucks lol

Written and edited by yours truly

So, Mulan 2020 happened. And I am disappointed. Seriously disappointed. It is utter garbage. I would genuinely prefer it if I watched Mulan II 5 times in a row, and that's saying something.

There is so much to talk about because this has so many issues. I don't think my brain can handle a movie as bad as this for some time. It is a disgrace to the original animated movie.

(Who cares about spoilers?)

And yes, I can and I will compare it to the original movie because it is a remake. It is totally valid to see where this fell flat and where the original succeeded. I'm not saying it has to be like the original cartoon, that is stupid. As I mentioned, it's to highlight the failures of this movie.

Besides, even if we forget the fact that it is a remake, this movie is still horrible.

INTRODUCTION

Mulan 1998 is a classic. It has great visuals, an awesome soundtrack, wonderful and compelling characters, a great message and a cool plot. It's just a great movie in general. It is an adaptation of The Ballad of Mulan, a Chinese legend. Both the legend and the animated movie are about a young girl named Mulan who disguises herself as a man to take her father's place in the army to fight back against an invasion.

As big of a success Mulan was, Chinese audiences thought some things were weird. For instance, having a dragon be a comic relief character, given that dragons are highly respected in Chinese culture. So of course, Disney decided to try another shot, claiming that they wanted to be more culturally sensitive, accurate and closer to the original ballad.

Mulan 2020 is a remake of the original animated movie, and was marketed to be more "accurate to Chinese culture and the Ballad". This claim is, of course, false, because they failed in that aspect. Say what you will about the cultural inaccuracies in Mulan 1998, but at least it was a great movie. Besides, Mulan 1998 didn't pride or market itself on being culturally accurate, the way Mulan 2020 did, so there's that.

CHANGES

I don't mind some changes. And honestly, if there's one thing I appreciate, it's that it isn't a carbon copy of the original (looking at you The Lion King 2019).

Li Shang's character is divided into two characters: Commander Tung and Mulan's love interest Honghui, apparently in light of the Me-Too movement. This is a dumb reason. Disney wasn't comfortable with a superior having a relationship with a subordinate? The hell? The romance between Shang and Mulan was only insinuated at the end, when Mulan wasn't even a part of the army anymore, so there's that. Also, Mulan gave her consent, so I don't know what they’re talking about.

Mushu isn't present in the movie. I can see why though. He contributed quite a bit to the soul of the animated version but a CGI dragon would be very distracting. Also, the director said that removed him to achieve a more realistic tone.

Grandma? No grandma. Mulan has a sister though, who only exists to mess stuff up.

The Huns are replaced with the Rourans and Shan Yu is replaced with Bori Khan.

Mushu is replaced with a phoenix, who acts as an emissary for the ancestors

There are no songs, except in the end credits, which isn't a bad thing. The instrumentals of the songs in the animated one play during some scenes (I'll talk about the music, don’t worry)

CHARACTERS

The characters in this movie are so boring. Our lead character Mulan lacks the charisma her animated counterpart had. She's utterly bland, uninteresting and poorly written. In the original, she knew she wasn't physically strong and that she couldn't solve her problems with her strength, so she used her intelligence and wit. She excelled by working hard and being strong willed and determined. This Mulan is a well rounded character.

Mulan in the live action is given Chi powers (Chi is a big part of Chinese medicine, in case you didn't know). Honestly, I wouldn't be as mad at Mulan being given superpowers, had they actually done this properly! Chi isn't like midichlorians, it's something that flows through everyone. Mulan is naturally born with dumb superpowers and has to hide them because as her dad says, " Chi is for warriors, not for daughters”. There is a problem:

It has been mentioned many times that Mulan needs to hide her superpowers otherwise she will be shunned and ostracised. Then why doesn't she get more repercussions everytime she uses her powers? The worst thing that happens is little Mulan getting looks of disgust when she uses them. On other occasions, when she is now a part of the army, she uses her powers in training and she doesn't get any backlash? What the hell?? Then why even bother in the first place?

The only way for this narrative to work is if Mulan got more repercussions for using her powers.

If I were to make the line "Chi is for warriors, not daughters," work, I would make it go something like this:

*At the end of the movie when Mulan comes home*

Dad: Didn't I tell you that Chi is for warriors, not daughters?

Mulan: "I am a daughter, but I'm a warrior too."

(Yes, I know this is similar to a scene in Avatar: The Last Airbender, but this would be better, tbh. Also, watch Avatar: The Last Airbender)

Let me compare the training montages from both movies.

In the animated one, there is an absolutely AWESOME montage of Mulan training side by side with her companions, slowly gaining their trust. She climbs the pillar with both medallions by using her wit, not by brute force. This Mulan worked hard. Besides, the fact that "I'll Make A Man Out Of You" plays over this is the only thing that makes it better (banger song, thank you Donny Osmond)

In the live-action, Mulan is supposed to lift up buckets and climb on top of a mountain. There are also other training scenes, but those aren't very important. In these scenes, she succeeds with the power of CHI. WHY? Mulan here just achieves her goal because she is oh so special. She didn't work to achieve her goal at all, because she is perfect. No struggling or development here at all.

Mulan in the animated version was more concerned about saving her father. Mulan in the 2020 version is a dumb patriot who can't even do patriotism right ("I know my place. It is my duty to fight for the kingdom and protect the Emperor") How very empowering.

In short, live-action Mulan can do no wrong. She has no flaws, no personality and no charm. Everything comes to her pretty easily, because MAGIC.

Li Shang's role in the live-action is divided between Commander Tung and Mulan's love interest Honghui, as mentioned before. Both of these characters are flat, dumb and boring. Tung exists to tell Mulan to cultivate her Chi and to train these idiots (and to offer his daughter’s hand in marriage to her, unaware that Mulan isn’t actually a guy, but eh). Honghui is there to be a stupid love interest, who gives us an “I am Spartacus” moment.

The witch is by far the most interesting character. She actually has more than one side to her, has SOME kind of depth and you can even feel sorry for her. She is supposed to serve as a foil to Mulan, given that both have similar powers. In case you've forgotten (which is something I wouldn't blame you for), she's an outcast who's now working with Bori Khan. Why is she an outcast? Because of her Chi. The witch has said many times that she could kill Bori Khan in a snap, then why doesn't she kill him? Because she needs acceptance? What the hell? She decides to pull out the whole "We're the same, you and I," stupidity to Mulan, and I can see that. It's just that the writers just didn't put much thought into it. “It’s too late for me” because you saw a woman leading an army of men? Also, why does she warn Mulan that Bori Khan is coming? Unless she's playing both sides, except her motivations aren't made clear enough for this to make sense. Finally, she dies for the dumbest reason. God, it just makes me so mad. She had so much potential, but no. They just had to mess her up.

Bori Khan? MORE LIKE BORING KHAN. Not much is there. His animated counterpart Shan Yu was scary and contributed to some of the darkest moments in the movie. This guy over here is just...nothing. That's all I have to say.

Mulan's sister is only there to mess up the meeting with the Matchmaker. What a stupid change. First off in the animated version, it's Mulan who messed up, because she isn't perfect. She fails at being stereotypically feminine AND masculine, but in the live-action, she literally pulls off a Spiderman cafeteria scene, and the blame is put on the sister. In the animated movie, this scene is groundwork for Mulan wanting to prove herself and going on a hero's journey, providing depth to her character, but in the live-action, she's perfect. What is the point? (I know this section was supposed to be about the sister, but eh). The sister doesn't provide anything else to the movie, so thanks! I hate it. Moral of the story: Girls can do anything boys can, as long as they have superpowers. If you are born special like Mulan, you can be respected, whereas if you are like the sister, you have no significance and in the end, you can just fit in and be irrelevant. Congratulations!

The live action group of guys Mulan met and befriended in the army lack the charm and comedic timing of their animated counterparts. That’s it. Seriously. I have nothing more to say about them, because they don't really have anything going on. I don't even know why they are included, because their contribution is nil, save for them blandly speaking lines from the animated version’s songs ("I don't care what she looks like, I care what she cooks like"), which is seriously cringe.

The dad is there to tell Mulan that Chi is for warriors. A shame, because I really liked the dad in the movie. He was a source of wisdom for Mulan, whose greatest honour was having her for a daughter. In the live-action, he just takes the sword that Mulan is given at the end of the movie. The mom is meh.

The emperor is also meh. At least he was wise and cool in the animated version, but here he just does bed sheet kung-fu.

Did I mention that the dynamics between the characters are unnatural, forced, awkward in a bad way and in no way indicates any chemistry between them? Oh yeah, I didn’t, until now. They don’t establish much when it comes to emotion.

Simply put, Khan (Mulan’s horse in the animated version) had more personality than all of these characters combined

PERFORMANCES

Liu Yifei as Mulan was a pretty terrible choice. She is just a block of wood, who has absolutely no range, and this isn't because of the writing. She is genuinely bad, and is regarded as one of China’s worst actors (I kid you not). She just can’t emote.

Jet Li as the emperor is meh. But hey, he doesn’t have much to do, so eh.

Jason Scott Lee as Bori Khan is fine. He doesn’t suck, but he lacks the command and authority of a character who is supposed to be intimidating, but I guess it has something to do with the writing of his character.

Donnie Yen is a martial art legend, but unfortunately, he doesn't have much range as an actor.

The best performance of this movie is that of Gong Li, who played the witch. Honestly, she is charismatic, charming and has an idea of what she is doing.

To save everyone’s time, simply put: most of the performances are bland and mediocre. Partly due to bad writing and partly due to most of the actors not being, well, good at acting.

CULTURAL AND HISTORICAL ACCURACY

So Disney went all “we like cultural and historical accuracy”, which is nice. For example, the Huns are replaced by the Rourans, a real tribe in China around the time Mulan was supposed to be alive. They also removed the hair cutting scene, because as iconic and awesome as it is, it doesn’t make sense. Chinese men wore their hair long too. You know what? I like these kinds of changes. I appreciate accuracy. If only Disney didn’t pride themselves on their accuracy when they got almost everything else wrong (They somehow got Mulan's house wrong lol). I don't know jackshit about Chinese culture so just go watch that Xiran Jay Zhao video it's very swag

THE BALLAD OF MULAN

In a surprising turn of events, this isn't accurate to the Ballad, like they had marketed it to be (I know, I’m shocked too). In a reference to the Ballad, Mulan is riding a horse and she sees two rabbits running side by side. She goes home and tells her family that she saw 2 rabbits, and she thinks that one was male and the other female, but she wasn't sure. This just misses the entire point of the Ballad.

Long story short, Mulan in the Ballad is actually a seamstress. She joined the army in her father's place. She defeats the barbarians and goes on a ten year long campaign with her friends, after which they meet the Son of Heaven (a sacred imperial title of a Chinese emperor). He offers her a high ranking position, which she refuses, because she just wants to go home. She returns home and her family welcomes her. Sometime later, her friends come to visit her, and they find out that she is actually a woman. The friends are shocked because she has been in the army for 12 years and in those 12 years, they didn't even realise that she was a woman.

Mulan then replies:

The male hare's feet hop and skip

The female hare's are muddled and fuddled

But when two hares are running side by side

How can you tell the male from the female?

Which is where the poem ends.

So, Mulan just going on, judging those rabbits like that makes absolutely no sense. The Ballad is about how no matter how different men and women look, when they live and fight amongst each other, who gives a damn about the differences? You know what would have made sense though? If Mulan got off her horse, went close to the rabbits, examined them, and then made the conclusion that one is male and the other is female. This would actually be sticking to the message of the Ballad. Also, why do they make it ambiguous as to whether she accepts the high ranking position? I assume for a sequel (yes, God save my soul). Here we can see another example of its impeccable accuracy to the Ballad.

THIS ISN'T EMOTIONAL AT ALL

Everything that made the original film good has been stripped away. Every moment that is meant to be emotional is very dull. For example, the scene where Mulan makes the decision to take her father's place in the army is supposed to be a very powerful scene. Mulan is risking it all just so her dad can be safe. She might be killed if discovered, and her family would be dishonoured.

When Mulan comes back from the Matchmaker, she has a moment of reflection while singing "Reflection". This is the beginning of her personal journey, discovering who she is. In this, after Mulan comes back from the Matchmaker, she doesn't have a moment of reflection. The army immediately shows up. Am I really supposed to believe that Mulan feels bad about this? That Mulan is really struggling?

When Mulan’s friends are singing, it suddenly shifts to the striking scene of the burnt village. This, in my opinion, is the best use of tonal whiplash. From this point on, things are getting serious, and the emotional weight of this tragedy is felt. In this, they just randomly show up at the village.​​ There is no seriousness (stop trying to tell me this movie is adult, mature and serious, it just looks like that on the surface).

Their attempts at being emotional are poor and unconvincing, and ultimately, the end product is an emotionless, soulless, depthless entity.

THE MUSIC

The director mentioned in an interview that she didn’t add songs into the movie because it is “unrealistic to break into song when you're in war”, and I don't think I’ve heard anything more false (apart from the concept of a flat Earth). Even I, who isn't going into war anytime soon, know this is false. They instead inserted instrumentals from the original film. Except, it's very weirdly placed. The instrumental for Reflection is placed when Mulan is fighting the Rourans after she reveals herself to be a woman. Like, there isn't any context. In the end credits, they had the original song "Loyal, Brave and True" sung by Christina Aguilera, which was nice. I don't really have much to say in regards to the music. The music is overall forgettable.

THE ACTION

The action may seem weird, but this kind of martial arts is a part of the Wuxia genre, which is what they were going for. Well, they failed. The choreography is bad, the CGI is bad, EVERYTHING is bad. Honestly, if you want a good Wuxia movie, Crouching Tiger, Hidden Dragon exists. The action is here stupid and stiff.

OTHER DUMB STUFF

Why does Mulan take her armour off before going into battle? That is just stupid. Can't you just take the bindings off? Also, WHY OPEN YOUR HAIR-

Mulan really likes kicking spears (and pointy stuff in general). Seriously. It’s weird.

The CGI is okay I guess, I don't know. The phoenix in some scenes looks pink to me. There are some pretty visuals though.

It is very obvious that there is a green screen used in the scene where Mulan and her friends find the burnt village. And it looks bad. Pretty ugly. It looks bad. The green screen looks bad.

The war strategy is just weird. I can't really say anything about it in text form because how am i supposed to describe it, help- (she literally teleported behind the bad guys in the avalanche scene-).

I like how the animated film, which had a dragon as a comic relief and other silly stuff, is more mature than this.

For what joy does Mulan get another sword from the army? Also, shame the dad is all “oh look at the values written on the sword, they are honourable” even though in the original the greatest honour was having her for a daughter.

How was Mulan even able to tell the gender of the rabbits?

Why not just try to send a warning to the Emperor that the Rourans are coming to get him?

Why does Commander Tung let Mulan lead them-

I AM SO DONE

Well, I think I have said everything I wanted to about this movie. I know I havent talked about its controversies but honestly, I am done. I am so done with this. This document took 5-6 months of my life. I am kind of proud of this, and there isn't much I have done to be proud of. I did procrastinate on this a bit, and I had stuff going on, but finally, I am done. In the future, if I remember something, I'll add it here, but I think that is unlikely. I never want to watch or even go near Mulan 2020 again. It's horrible, and there is barely anything redeemable. I hate it here. It’s been reported that a sequel is in development. If it’s true, of course I’ll watch it, how else am I supposed to validate my self hate? I am also, of course, the resident “friend who suffers for everyone else’s entertainment”. If you want a live action remake of Mulan, Mulan: Rise of a Warrior exists. Go watch it, it’s free on YouTube with subtitles. I really liked it.

If you’ve somehow made it this far, thanks for reading. I congratulate you for putting up with whatever this is. I would also like to take a moment to congratulate myself for actually committing to this. It was painful yet fun to complain about this to the best of my ability. If anyone wants to add anything to this, feel free to do so. Now, if you’ll excuse me, I’m out. I have lost my faith in humanity, and I have other things to complain about.

[chirpycloudyrobin]

about to do something really fucking funny (make my own interpretation of what happened between qingheng-jun and madam lan that would require me doing extensive research on the sociopolitical history and interactions between the xianbei people, the rouran people, and the han chinese people, and which would also explain why lwj was always noted to have light eyes compared to the other characters whose eye colours were almost never mentioned or pointed out)

[whencyclopedia]

Bayan I

Bayan I (reigned 562/565-602 CE) was a king of the Avars, a confederation of heterogeneous people who migrated from the region of Mongolia, north of China, in 552 CE and came in contact with the Eastern Roman Empire c. 557 CE. Bayan I is considered the greatest king of the Avars for his military and political skills. He not only protected his people from the Gokturks, who pursued them from Mongolia after the fall of the Rouran Empire (known as the Rouran Khaganate) in the east, but he led them in a series of successful campaigns to defeat the Gepids of Pannonia, outwitted the Lombard king, Alboin, for control of the land, and challenged the supremacy of the Eastern Roman Empire. He founded the Avar Empire in the region of Pannonia, establishing his capital at the same spot that Attila the Hun had claimed as his own, and expanded that empire to encompass territory far beyond the original borders of the Pannonia they had first arrived in. After Bayan I's death in 602 CE, the Avar Empire began to decline until it was finally conquered by the Franks in 796 CE, and the Avars ceased to exist as a distinct cultural and political entity.

Bayan I & the Eastern Empire

Bayan I first enters history with the migration of the Avars to the region of the Pontic Grass Steppe (an area corresponding to modern-day Ukraine, Russia, Kazakhstan) from Central Asia after the fall of the Rouran Empire. They were pursued by their enemies the Gokturks, who had toppled the supremacy of the Rourans in Mongolia and, as refugees, they were seeking a secure homeland they could settle and then defend. The historian Erik Hildinger describes Bayan's initial rise to power following the Avar's migration: "Shortly thereafter, in 565, Bayan ascended the Avar throne as Kaghan, or Great Khan. The Avars were the first to use this term, which would persist thereafter among the steppe peoples. Bayan was the greatest of their leaders" (76).

The historian H.H. Howorth states how "The Avars were at this time led by a chief whom, if we knew more of, we should probably compare with Attila and Genghis Khan. His name was Bayan" (732). Bayan I is the first recorded king of the Avars and, like Attila, was the leader who unified and empowered his people. He raised the Avars from a band of refugees fleeing their oppressor to the dominant people of the region of Pannonia.

Regarding the origin of the Avars and their flight to the west, historian Peter Heather writes:

, and arrived on the outskirts of Europe as political refugees, announcing themselves with an embassy that appeared at Justinian's court in 558. (401)

Although, as Heather claims, "we know more about than about the Huns", we know considerably less about Bayan I than Attila. After leading his people to the west, he almost immediately made contact with the emperor of the Byzantine Empire. Justinian I (482-565 CE) agreed to hire them to fight against other tribes in the region as mercenaries and sent them on their way. The Avars ruthlessly massacred the enemies of Justinian I and expected that their relationship with the empire would continue but, should it not, tried to find a region they could settle in.

Although they were now employed by the powerful Byzantine Empire, they still needed their own homeland where they could feel secure from the pursuing Turks. Bayan I tried to lead his people south of the Danube River but was prevented by the Romans. He then led the Avars north but encountered resistance from the Franks under their king Sigebert I. They continued as nomads in the service of Rome until the death of Justinian in 565 CE. His successor, Justin II (c. 520-578 CE), canceled their contract and, when the Avar embassy asked for permission to cross the southern Danube, it was denied. They again sought to break through to the north but were repelled by Sigebert's army. Bayan I then turned his attention to Pannonia or, according to other sources, was invited to go there by Justin II to displace the Gepids.

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