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digihindnews · 2 years

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Biggie Small Net Worth 2023: How Much Money Did The Notorious B.I.G. Have?

Born in the heart of Brooklyn, Christopher Wallace, better known as Biggie Smalls, rose to fame as one of the most iconic rappers of the 90s. With a voice that commanded attention and lyrics that told tales of the struggles and triumphs of life, Biggie's impact on the music industry was undeniable. Even after his untimely death, his legacy lives on, and his music continues to inspire a new generation of fans.

How Much Money Did The Notorious B.I.G. Have?

At the time of his death, the Notorious B.I.G., an iconic American rapper, was worth $10 million. As of this writing, the circumstances surrounding his death from a drive-by shooting on March 9, 1997, at the age of 24 remain unknown.

Early Life Of Biggie Small

He was born Christopher George Latore Wallace on May 21, 1972, in Brooklyn, New York, and became known as The Notorious B.I.G. He was born to Voletta Wallace and Selwyn George Latore, two Jamaicans, and he was their only child. When he was just two years old, his father abandoned his family. As a child, Wallace lived in Clinton Hill, a neighborhood of Brooklyn not far from Bedford-Stuyvesant. In middle school, he excelled academically, earning a number of English-related awards.

Rap Career Biggie Small

After his release from prison, "Biggie Smalls" released "Microphone Murderer," a demo. The Source's Unsigned Hype editor featured Biggie after hearing the recording. The demo tape was also given to Uptown Records A&R and producer Sean "Puffy" Combs. After Combs signed Biggie, Heavy D & the Boyz featured him. Uptown fired Combs in 1993. He started Bad Boy Records soon. Wallace joined Combs' record label on launch day. Biggie's big break was appearing on Mary J. Blige's "Real Love" (remix). He garnered music industry notice as a guest performer. He remixed Craig Mack's "Flava in Ya Ear" with LL Cool J and Busta Rhymes in July 1994.

Biggie Small Net Worth 2023 Biggie released Ready to Die, his first solo album, on September 13, 1994. The Billboard Hot 100 ranked the song thirteenth. "Big Poppa" and "One More Chance" from the album reached #1. Over 1.1 million units were sold in 1995. It went six times platinum. Busta Rhymes said Wallace gave away free copies of Ready to Die from his residence for self-promotion and grassroots marketing. You may also like: - Actress Annie Wersching Cause Of Death: Annie Wersching Played a Variety of Characters in Movies And Television Shows - Is Mayim Bialik Married? Height, Age, Net Worth And More Information About Mayin Bialik Biggie became pals with Tupac Shakur and Shaquille O'Neal on his debut album. Biggie and O'Neal created "You Can't Stop the Reign." A second album from Notorious B.I.G., recorded over 18 months starting in September 1995. He visited New York, Trinidad, and Los Angeles. He also worked on Michael Jackson's ninth album, HIStory. Biggie was jailed in March 1996 for chasing and threatening to murder two autograph seekers in a Manhattan nightclub. Community service was 100 hours. Biggie was arrested for drug and firearm possession later that year. Biggie's meteoric rise elevated East Coast rap despite West Coast rap's peak popularity. As expected, coasts clashed. After a falling out and diss recordings, Tupac and the Notorious B.I.G. sparked the East Coast vs. West Coast hip-hop battle. On September 7, 1996, six bullets killed Tupac in a drive-by shooting. He died six days later. Biggie's family dismissed the murder rumors. Death To promote his second studio album and film the music video for its lead single Hypnotize, Death Wallace jetted off to the Golden State in February 1997. Since he was concerned for his safety, he hired security guards. Biggie was shot and killed in a drive-by outside a Los Angeles museum on March 9, 1997, six months after Tupac had been killed in the same way. Earlier in the night, he had presented Toni Braxton with an award at the Soul Train Music Awards. At 12:45 a.m., as Biggie was leaving an afterparty, a black Chevy Impala pulled up next to his truck. When an unknown assailant opened fire on Wallace's vehicle, four bullets struck his vehicle. Biggie was rushed to Cedars-Sinai by his crew, but he was pronounced dead at 1:15 a.m., at the age of 24. The funeral was held on March 18 in Manhattan, and 350 people attended to pay their respects, including Queen Latifah, Busta Rhymes, Salt-N-Pepa, and many more. Both rappers were brutally murdered, and no one has ever been brought to justice. There are many differing theories and perspectives on what really happened to the two men. On March 25, 1997, just 16 days after Wallace's death, his second solo studio album was released. It was certified Diamond in 2000, making it one of the rare hip-hop albums to reach the top spot on the Billboard album charts. In the end, this album would earn 11 platinum certifications. The Notorious B.I.G.'s rapping style was known for its relaxed flow, the apparent autobiographical nature of its dark lyrics, and its ability to tell stories. Several albums and compilations have been released in his honor since his passing. Biggie's estate would make tens of millions of dollars in the decades after his death. Posthumous album releases, re-releases, licensing deals, and other factors have helped increase Biggie's estate to an estimated $160 million today. His mom, Voletta Wallace, is in charge of the estate. Along with Biggie's former manager Wayne Barrow, a merchandising manager, and several lawyers, Biggie's widow Faith Evans helps manage the estate. Read Next:> Raquel Leviss Net Worth: When Did Raquel Leviss Join ‘Vanderpump Rules’?

Personal Life Of Biggie Small

The couple had broken up by the time Wallace and his high school sweetheart Jan had their first child, T'yanna, on August 8, 1993. On August 4, 1994, Biggie married R&B singer Faith Evans. Reports say the couple got married just days after meeting at a Bad Boy photo shoot. On October 29, 1996, Evans gave birth to Biggie's son, Christopher C.J. Wallace Jr. After rumors spread that Evans had an affair with Tupac Shakur, she became embroiled in the East Coast vs. West Coast rivalry. As of Wallace's passing, he and Evans had been living apart but were not divorced.

Quick Facts

Net Worth in 2023 $160 million Full Name Christopher George Latore Wallace Nick Name Biggie Smalls, The Notorious B.I.G Birth Place Brooklyn, New York, United States Birthday 21 May 1972 Death Date 9 March 1997 Age 24 years old ( 21 May 1972 – 9 March 1997) Occupation Rapper, Songwriter Sun Sign Gemini Spouse Faith Evans (m. 1994–1997) Height 6 feet 2 inches

Biggie Smalls’ Youtube Channel

https://www.youtube.com/watch?v=_JZom_gVfuw&t=12s He created his channel on YouTube on March 12, 2006, and as of February 1, 2023, it had over 1,876,433,514 views and 3.3 million subscribers. Follow us on Twitter to check out our latest updates on our social media pages. Read the full article

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stephanieinge · 4 months

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Check out this listing I just added to my Poshmark closet: Vintage 1930's Hall China Enterprise Aluminum Drip-O-Lator Rose Teapot with Lid.

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princelydelinquents · 2 years

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Rose Landlonde Apretiation Will show art lator

#my Writing isn’t very good rn #apologies for any inconveniences I may have caused #massk rambles

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gwens-fiction · 4 years

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Welcome Post

Hi! I’m Gwen. Currently applying for a PhD in wildlife and fisheries. I’m 24, have two younger siblings, and 6 pets (3 dogs, 2 rabbits, and a cat). I write a lot of fanfiction for the Penguins of Madagascar fandom, but I also write on original things, too.

Main Penguins of Madagascar Fanfics:

-A Scientific Match

Summary: Kowalski, a penguin scientist, has tried again to build his Love-u-Lator invention. After a few scans of nothing, the device suggests a potential soul-mate match in New Jersey. He chooses to follow the device to see if his device is working properly (and potentially find himself some romance).

-A Scientific Conundrum

Summary: Sequel to A Scientific Match, Kowalski and Francis now find themselves in the situation of figuring out the conundrum that is their newly established relationship and all its ups and downs. Join them as they face new challenges such as Blowhole's family, other enemies, and whatever chaotic situation they manage to get themselves into. A Kowalski x Blowhole (Franski) fic. (Other minor focus ships may appear later).

-Scientist Overboard

Summary: Francis and Kowalski have been dating for over a year when Kowalski and the others go on a mission out at sea. Kowalski finds himself washed overboard during a bad storm, waking up without any memory on an island. He and his spirit guide then attempt to return to New York while the others try to find him. A Blowhole x Kowalski fic.

-Haunted Mansion

Summary: Blowhole, Kowalski, and their children decide to go on a family vacation, but get sidetracked by a haunted mansion's advertisement that Blowhole couldn't pass up. Will include 2 guest OCs of my friend @insert-meaningful-username . A Franski fic with bonus fankids.

-Caretaker of Madagascar

Summary: Some believe misfortune can bring people together. Others believe that destiny has the power to interconnect lives, whether those lives wanted to or not. Call it a coincidence. Call it fate. Call it a despicable force of nature. Either way, nothing could've stopped the fact that Bridget Ailith, a cantankerous new zookeeper, found herself forced to team up with the Penguins to undo a machine's disastrous effects. Doesn't help that those penguins are now— (CO-written with @insert-meaningful-username)

Original WIPs

-Harris & Bell

Summary: Gregory and Kendall are investigating a series of murders that have been appearing by the Thames. Not only is a killer on the loose, but their ability to continue working alongside the police is at risk as Chief McIntosh is under review. The two have to show that they are useful compatriots to the department, even if their methods are….questionable occasionally.

-Hidden Earth Chronicles

Summary: Local Necromancer Vasco has just returned home to find his beloved wife missing. He tries getting help but everyone tells him she must have left him and to get over it, but he knows his Estella too well for that to be the case.

-Obscure Science

Summary: Rejected scientist Dr. Darwin Rose finds new employment with an off-the-record agency that focuses on well…obscure and bizarre occurrences, whether they be paranormal, supernatural, fantastical, or seem like something from science fiction, this agency investigates it all. Darwin is paired up with another scientist, Dr. Cassidy Blue, and together they have some crazy escapades.

-Tropical Storm

Summary: Martin along Evy and Diego, are newly moving into the San Diego Zoo. However, Martin’s life is unexpectedly rocked when a secret agent accidentally drops a piece of top secret spy equipment among his belongings. Now he’s been recruited by the local espionage squad. Together they keep the zoo safe from assorted enemies, as well as face international threats.

-My Baby’s a Werewolf

Summary: Single Dad, Sebastian’s, toddler daughter, Amber, gets bitten by a “big dog” one evening at the park and becomes a little werepup. Now her dad is handling the pressures of being a single dad as well as trying to get his daughter back to normal.

#writerblr #writblr #wips #original wips #welcome page #long post

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aubryguerra · 3 years

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The Notorious B.I.G.

INTRODUCTION

Christopher George Latore Wallace (May 21, 1972 – March 9, 1997), better known by his stage names the Notorious B.I.G., Biggie Smalls, or simply Biggie, was an American rapper and songwriter. Rooted in the New York rap scene and gangsta rap traditions, he is widely considered one of the greatest rappers of all time. During 1996, while recording his second album, Wallace became ensnarled in the escalating East Coast–West Coast hip hop feud. Following Tupac Shakur's death in a drive-by shooting in Las Vegas in September 1996, speculations of involvement by criminal elements orbiting the Bad Boy circle circulated. On March 9, 1997, while visiting Los Angeles, Wallace was murdered in a drive-by shooting. The assailant remains unidentified. Wallace's second album Life After Death, a double album, was released two weeks later, and reached number one on the Billboard 200. With two more posthumous albums released, Wallace has certified sales of over 28 million copies in the United States, including 21 million albums.

INDEX

Introduction

Index

Photo #1

Photo #2

Participant Account #1

Participant Account #2

Artifact #1

Artifact #2

Summary

PHOTO #1

Not long after Wallace’s death, The double album Life After Death was released March 25th. It sold 700,000 hard copies almost immediately, jumping from No. 176 to No. 1 on the Billboard 200 in the space of a week. The album’s cover art featured the man formerly known as Biggie Smalls in a long black coat and black bowler. He stared us in the face while leaning against a hearse that bore the license plate “B.I.G.” There were no sunglasses to hide his lazy eye. He wore it full and proud, looking over his shoulder as if he already knew. He wasn’t smiling. But he wasn’t mad. He was just stating the facts from the other side of the grave.

Questions:

Do you think this album would have sold as many copies if he was still alive?

What do you think this album cover looked like before he died?

What do you think this album is about?

PHOTO #2

By 12:45 a.m., the streets were crowded with people leaving an after party. Wallace's truck stopped at a red light 50 yards (46 m) from the Petersen Automotive Museum, and a black Chevy Impala pulled up alongside it. The Impala's driver, an unidentified African-American man dressed in a blue suit and bow tie, rolled down his window, drew a 9 mm blue-steel pistol, and fired at Wallace's car. Four bullets hit Wallace and his entourage subsequently rushed him to Cedars-Sinai Medical Center, where doctors performed an emergency thoracotomy, but he was pronounced dead at 1:15 a.m.

Questions:

Do you think Christopher Wallace suspected someone coming after him?

What do you think the shooters reasoning for killing Christopher Wallace was?

What do you think Christopher Wallace’s last thoughts were?

Participant Account #1

Sullivan’s Dead Wrong: The Continuing Story of City of Lies, Corruption and Cover-Up in the Notorious B.I.G. Murder Investigation (Atlantic Monthly Press) was released, a new book charting the story of Wallace’s murder and the extreme lengths power brokers in the city of Los Angeles have gone to cover-up the full extent of the crime. Sullivan previously reported that former LAPD officer David Mack, working in connection with Death Row Records’ Suge Knight (rapper), was believed to be involved in arranging the murder of Christopher Wallace. The FBI’s investigation into David Mack’s involvement in the Biggie slaying was stymied by the fear potential cooperators had of Mack. Phil Carson visited Mack in federal prison and interviewed him in connection with the Wallace murder and its links to police corruption.

Questions:

Why do you think people were so afraid of David Mack?

Why do you think an LAPD officer would want to kill Christopher Wallace?

Do you think David Mack was involved with Christopher Wallace’s death?

Participant Account #2

Voletta Wallace is the mother of rap icon Christopher Wallace. Voletta Wallace, 64, told the Daily Mail she hurts ‘every single day’ knowing that she won’t see her son again and his murderer is still out there. She also says she, and the Los Angeles police detectives investigating his death, know who killed him, but a “conspiracy” is keeping the case from being solved.

Questions:

Who do you think Voletta is talking about in her statement?

Do you think Tupac’s and Christopher Wallace’s deaths had anything to do with each other?

What do you think this conspiracy involves?

Artifact #1

A plastic crown worn by the Notorious B.I.G. during the rapper’s “King of New York” photoshoot — originally purchased for $6 before the March 1997 photograph was taken — sold for $595,000 Tuesday night at Sotheby’s first-ever auction dedicated to hip-hop memorabilia.

Questions:

Do you think this crown would have sold for $595,000 if Christopher Wallace was still alive?

Who do you think would pay that much for a $6 crown?

What is this picture is supposed to depict?

Artifact #2

The 1997 Soul Train Music Awards was held at the Shrine Auditorium in Los Angeles, California on March 7, 1997. The show was hosted by Brandy, LL Cool J and Gladys Knight. It would be the final public appearance for The Notorious B.I.G., as he would be murdered two days after the ceremony.

Questions:

How do you think Christopher Wallace felt in this moment?

Where do you think his award is now?

What did Christopher Wallace win this award for?

Summary:

In conclusion, Two decades after his death at age 24, Notorious B.I.G.'s music continues to Hypnotize. Christopher Wallace will forever be remembered, in fact, A Netflix documentary Biggie: I Got a Story to Tell, executive-produced by Voletta Wallace and Combs, focuses on B.I.G.'s life before he rose to fame as "The King of New York," and features “unprecedented access granted by the Wallace estate.” has been released in his memory.

TEKS:

(8) Geography. The student understands how people adapt to and modify their environment. The student is expected to: (A) describe how and why people have adapted to and modified their environment in the United States such as the use of human resources to meet basic needs; and (B) analyze the positive and negative consequences of human modification of the environment in the United States.

(20) Culture. The student understands the relationship between the arts and the times during which they were created. The student is expected to: (B) explain how examples of art, music, and literature reflect the times during which they were created.

Sources:

https://www.rollingstone.com/music/music-news/notorious-big-crown-auction-1060809/

https://en.wikipedia.org/wiki/1997_Soul_Train_Music_Awards

https://theundefeated.com/features/notorious-big-life-after-death-album-cover/

https://www.mercurynews.com/2017/03/09/mom-of-notorious-b-i-g-says-she-knows-who-killed-her-son/

https://www.usatoday.com/story/life/entertainthis/2017/03/09/tributes-to-notorious-big-biggie-smalls-20th-anniversary/98945220/

https://lithub.com/five-things-you-should-know-about-the-ongoing-investigation-into-biggie-smalls-murder/

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davidemorelli · 5 years

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Altra raccolta di poesie di Davide Morelli

Frammenti eterogenei:

Sono Scirocco su aranci e limoni. Sono in prima fila alle processioni. Sono sempre temuti e rispettati. Sono sempre più uomini d'affari. Sono disposti a tutto per la famiglia. Sono ormai degli eroi negativi. Sono ruote dentate del sistema. Sono false identità alla frontiera. Sono il possesso illegale d'armi. Sono il cemento depotenziato. Sono la lupara. Sono il tritolo. Sono l'intimidazione e l'estorsione. Sono una voragine nel cielo. Sono il silenzio, che regna sovrano. Odiano pentiti e testimoni. Odiano giudici e giornalisti. Hanno prestanome incensurati. Mantengono le famiglie dei carcerati. Risolvono pure le controversie. Gestiscono ospedali e ospizi. Ridono quando vengono arrestati. Comandano anche dalla prigione o latitanti dalle loro tane. Sanno impastare il sangue con la terra. Credono ciecamente nei santi, ma anche nel codice cavalleresco. Sono dappertutto. Sono ovunque. La paura chiude occhi e bocche. La società civile è inerme. L'opinione pubblica non esiste. Le mafie compenetrano lo Stato. Questa è una guerra secolare, ma qui quasi tutti parlano d'altro. Sono pochi i sopravvissuti e molti i morti e gli scomparsi. Agnello di Dio abbi pietà di quei corpi freddi e immobili e fa che di loro resti memoria. Da sottoterra invocano giustizia (beato chi crede nella vita eterna). Signore dei fucili d'assalto fa che i nostri posteri distruggano questa immensa muraglia di silenzio e una cultura che sa di morte. Dio dei sicari e dei mandanti fa che finisca questa mattanza. Nostro Signore degli impuniti risparmia gli innocenti dal male, fa che siano luce nelle tenebre. Fa che possano crescere liberi, fa che diventino uomini giusti e possano fare nomi e cognomi, senza essere santi o eroi.

Trovassi lavoro avrei più decoro e forse una donna. Invece annaspo tra le cose e con le persone (questa assurda contrazione e dilatazione dell'io). Qui ogni scadenza è inderogabile, l'invisibile è indecifrabile e l'imponderabile diviene sempre ineluttabile. Qui le verità sono molte e tutte provvisorie. Uccido in fondo ai fossi i chiari di luna, mentre voi ricercate un senso ed eludete il nonsenso. Io faccio gli sberleffi a un nemico così generico, che è impossibile da combattere (non faccio che ripetermi che è la legge del tutto o nulla: gli stimoli restano al di sotto della soglia). Il mio pauperismo non è frutto di una scelta o di un'ideologia. Non sono un venduto, semplicemente perché non mi hanno mai voluto. Lascerò il mondo senza aver lasciato figli. Nessuna obiezione sulla ritenzione del seme. Ho già scritto la dichiarazione di declino della responsabilità dei miei gesti: troppe variabili aleatorie (ma non voglio fare un rendiconto dettagliato). Ho passato una vita a capire che non avevo niente da dire e nonostante questo volevo persone che mi stessero a sentire. Tra i miei ricordi non c'è priorità: cambiando l'ordine degli addendi la somma non cambia. La mia mente è un vuoto a rendere. Invidio chi si sente speciale e lo scuso perché per vivere bisogna mentire a se stessi. Sognate pure Shangri-La, ma ogni mondo finisce con un pugno di polvere. La morte è un segreto inviolabile. Amen.

Scusa non chiesta, accusa manifesta. Poi mi narrasti erotiche festa. Soltanto agli altri ti donavi, mentre difronte a me recalcitravi. La vita per te era una festa. Non ritornavi mai a casa mesta. Imperterrita ti ubriacavi e poi mi collocavi tra gli ignavi. Sono passati anni e malanni. Forse non insegui più l'effimero. Io patisco i soliti inganni. Ormai non azzanni. Non fai più danni. Adesso non ricerco più il vero e non mi importa dei tuoi affanni.

Mi difendevo dalle tue offese con silenzi eloquenti e ostinati. Tu mi attaccavi a più riprese; gli strali a me erano sempre destinati. Entrambi eravamo parti lese. Eravamo sogni procrastinati, ascese intervallate dalle attese. Ora calcoli e elabori i dati. Sei madre e moglie morigerata. Non hai tempo per gli amanti di ieri. Ora sei perfettamente integrata. Ma ti preferivo disadattata quando il tuo pensiero era in fieri, anche se allora non ci sei mai stata.

Ho visto tutto da una feritoia. Ho vissuto nel disordine apparente. Sono morto mille volte di noia prima che me ne vada totalmente. Io ho mischiato cielo e terra. Non mi sono mai davvero redento. Ho perso ogni battaglia di ogni guerra. Mi sono sempre salvato a stento. La mattina canticchio un motivetto perchè il silenzio non è dei vivi. Mi sento più oggetto che soggetto. Sono da sempre un essere abietto, sopraffatto dagli interrogativi. Alle parole tolgo il belletto....

Nel niente l'esistito e l'esistente ? Tutto cadrà nel vuoto alla fine ? È una vessata questione insistente (spero in un rilascio di endorfine). C'è l'obsolescenza programmata anche per noi poveri esseri umani (pagare la rata, segnare una data, sperare sempre di essere sani). Vivere, ovvero sporcarsi l'animo, ci renderà alla fine più saggi e con noi Lui sarà più magnanimo ? O meglio finire con malanimo ? Cessare ora tutti i viaggi, sperando nel giudizio equanimo ?

La vita è una sequenza di gesti, di frasi fatte, di luoghi comuni. Viviamo di automatismi mesti: alla quotidianeità già immuni. Voglio pensare al sistema solare ed invece consigli per gli acquisti. Voglio respirare e camminare e non pensare più ai passatisti. Credo nella mente universale. Mi sento osservato e osservatore di questa entità non materiale. Aspetto una svolta epocale. Ma della coscienza siamo all'albore e per ora regna sempre il male.

Percepiamo dalla culla alla tomba odori, suoni, sapori e colori finchè Qualcuno il cielo piomba e finiscono incontri e dolori. Tutti gli anni vissuti( albe e tramonti), tutta la vita, in un istante solo. Forse con Qualcuno faremo i conti. Ognuno reciterà il suo ruolo. Per ora ci godiamo la stagione. Niente lascia presupporre la fine. Per ora non si pone la questione. Dell'Estate intoniamo il tormentone, facendo le smorfie alle beghine e a qualche tricheco bacchettone.

Io non so che simboleggia una rosa. Non so neanche chi sono davvero. Non so cosa vuole dirmi ogni cosa. Non so chi sono, chi sarò, chi ero. Dove mai finisce l'identità ? Dove invece inizia l'essenza ? Nessuno sa davvero la verità o non la dice mai per reticenza. La vita ha le sue zone morte: ore sprecate, gettate nel nulla. Ma la vita ha anche molte porte. Non si sa che ci riserva la sorte. La fortuna è un'eterna fanciulla, che non si lascia mai fare la corte.

È un nodo impossibile da sciogliere, nonostante mestiere e esercizio. Sono istanti rari che può cogliere solo chi non è avvezzo ma novizio. Non ci vogliono le metafisiche. Ci vuole una felice intuizione per carpire immagini mitiche e per giungere ad una agnizione. Ma non ci sono molte alternative: vivere o essere fino all'ultimo. Non ci sono altre fonti sorgive. Non ci sono analisi comparative. Io sono sempre stato il penultimo a trovare parole sbrigative.

Vivo all'insegna del minimalismo e sono rimasto con l'essenziale. Me ne frego di ogni altro ismo. Forse faccio bene o forse male. Tu continua a sgranare il rosario. Io non credo più in ciò che credi tu e passo il tempo a scrivere un diario. Tu arruffianati pure con chi sta su. Non ce l'ho davvero con chi dà le carte, ma quante sono le disuguaglianze e che caos tra chi viene e chi parte ! Me ne starò qui sempre in disparte, evitando tutte quante le lagnanze, amando questo mondo e la sua arte.

Ammiro gli scorci della Toscana dal finestrino dell'automobile. Con la Primavera esco dalla tana. Ora si dilegua ogni nube ignobile. La strada serpeggia tra le colline. La brezza carezza i nostri volti. Sembra che le rose non abbiano spine. Ma l'infelicità ha più risvolti. Non basta rasserenare l'anima per qualche risonanza interiore. Ci vuole qualche annata magnanima, che ci accende, ci risveglia e rianima. Ci vuole un evento: un latore che rechi il messaggio di una buonanima.

#Davide morelli #Poesia #Poesie

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t-annhauser · 5 years

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La Traviata: Atto II, Quadro I: Amami Alfredo

[puntate precedenti: preludio, atto I]

Per gli amici della lirica (seguitemi perché è denso).

Residenza di campagna fuori Parigi. Violetta e Alfredo convivono more uxorio da tre mesi (”Volaron già tre lune dacché la mia Violetta agi per me lasciò, dovizie, onori, e le pompose feste”, lambiccato com’è d’uso in Piave). Il loro amore procede a gonfie vele (”De’ miei bollenti spiriti”), però, c’è un però. Sopraggiunge Annina, la domestica, e interrogata da Alfredo gli comunica che Violetta le ha dato ordine di vendere tutti i suoi beni per provvedere al mantenimento del villino, Alfredo resta di stucco (”Oh mio rimorso! Oh infame!”), innamorato com’era s’era dimenticato di pagar le bollette, 1.000 luigi, provvederà lui (esce di scena).

Inizia il dramma. Giunge alla porta il padre di Alfredo, chiede di parlare con la scostumata (la traviata, cioè Violetta), e con irremovibile cipiglio le fa presente che quella situazione non va bene, lui tiene una figlia, “pura siccome un angelo”, che ha da sposarsi e la relazione di suo fratello con una donna dai facili costumi rischia di mandare a monte il suo matrimonio. Germont padre le ingiunge imperioso: “Deh, non mutate in triboli le rose dell’amor!” (della figlia, non quello di Violetta).

Germont padre chiede a Violetta di lasciare il figlio, bella e giovane come siete, dice, ne troverete un altro, e poi quando sarete vecchia Alfredo non v’amera più.. ma Violetta reagisce veemente: “Ah, no giammai! Non sapete quale affetto vivo, immenso m'arda in petto?”.

Alla fine, dai e dai, Violetta cede, s’aprono le cateratte degli occhi: “piangi, piangi, piangi o misera!” (con certe stilettate a pieno violino che riecheggiano quelle che ritroveremo nel lacrymosa del Requiem).

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Violetta, sola, scrive un biglietto ad Alfredo dove annuncia l’intenzione di lasciarlo senza apparenti spiegazioni. Alfredo entra allarmato dalla visita del padre, coglie Violetta singhiozzante, lei si getta ai suoi piedi e prima di andarsene le professa il suo amore eterno: Saro' la', tra quei fior presso a te sempre, sempre sempre presso a te...

ALFREDO Perche' piangi?

VIOLETTA Di lagrime avea d'uopo... ...or son tranquilla Lo vedi? ti sorrido Saro' la', tra quei fior presso a te sempre, sempre sempre presso a te... Amami, Alfredo, amami quant'io t'amo... Addio.

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Alfredo non ci capisce più niente (c’è da capirlo), vede un biglietto sul tavolo, un invito a una festa parigina e pensa che Violetta lo tradisca ritornando alla sua vita di sempre, parte d’impulso per Parigi ignorando le suppliche del padre di tornare a casa da lui (“ne' rispondi d'un padre all'affetto?”, e Alfredo,"mille serpi divoranmi il petto!”). Alfredo corre fuori pensando che Violetta lo tradisca col barone Douphol, latore dell’invito alla festa, tramando vendetta.

Fine del quadro I.

#opera #Giuseppe Verdi #la traviata

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theboardofdirectorslovesyou · 7 years

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I regret, dear listeners, that we must descend into that den of iniquity- the post-flood Tunnels. Perhaps some wisdom can be gained here, despite the direly un-Corporate nature of the locale?

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Content Warnings for this episode can be found here.

Foster Livy— Ansel Burch

Clear Skies Tim— Tyler Samples

Grayson— David Rheinstrom

Archie— Mark Soloff

Hopper— Stephanie Murphy

Veronika— Ginneh Thomas

Ash— David Rheinstrom

Ferrous— Jeffrey Gardner

Limey— Lauren Faits

Loamy— Kat Evans

Peat— Jared Latore

Clay— Clint Worthington

Sandy— Abby Doud

Jade— Rose Sengenberger

Coal— David Fink

Chert— Lauren Faits

Shale— Jeffrey Gardner

The Bastard Silty— Sebastian H. Orr

Written by Jim McDoniel. Directed by Jeffrey Gardner. Sound Design by Ryan Schile. Music by Stephen Poon. Episode art by Betsey Palmer. Produced by Jeffrey Gardner. Recording Engineering by DJ Catnip. Created by Clayton Faits. Special thanks to our sponsor for this episode, Cards Against Humanity.

#our fair city #season eight #episodes #molepeople

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blackkudos · 7 years

Text

Biggie Smalls

Christopher George Latore Wallace (May 21, 1972 – March 9, 1997), better known by his stage names The Notorious B.I.G., Biggie, or Biggie Smalls, was an American rapper. He is consistently ranked as one of the greatest and most influential rappers of all time.

Wallace was raised in the Brooklyn borough of New York City. When he released his debut album Ready to Die in 1994, he became a central figure in the East Coast hip hop scene and increased New York's visibility in the genre at a time when West Coast hip hop was dominant in the mainstream. The following year, Wallace led his childhood friends to chart success through his protégé group, Junior M.A.F.I.A. While recording his second album, Wallace was heavily involved in the growing East Coast–West Coast hip hop feud.

On March 9, 1997, Wallace was killed by an unknown assailant in a drive-by shooting in Los Angeles. His double-disc album Life After Death, released 16 days later, rose to No. 1 on the U.S. album charts and was certified Diamond in 2000, one of the few hip hop albums to receive this certification. Wallace was noted for his "loose, easy flow", dark semi-autobiographical lyrics and storytelling abilities, sometimes changing his pitch on songs. Two more albums have been released since his death. He has certified sales of 17 million units in the United States.

Life and career

1972–94: Early life, arrests, career beginnings and first child

Wallace was born in St. Mary's Hospital in Brooklyn, New York, New York, on May 21, 1972, as the only child of Voletta Wallace, a Jamaican preschool teacher, and Selwyn George Latore, a Jamaican welder and politician. His father left the family when Wallace was two years old, and his mother worked two jobs while raising him. Wallace grew up in the Clinton Hill section of Brooklyn on 226 St. James Place near the border of Bedford-Stuyvesant, Brooklyn, considered at the time to be within the latter neighborhood's boundaries.

At Queen of All Saints Middle School, Wallace excelled in class, winning several awards as an English student. He was nicknamed "Big" because of his overweight size by age 10. He said he started dealing drugs when he was around the age of 12. His mother, often away at work, did not know of her son's drug dealing until Wallace was an adult.

At his request, Wallace transferred out of Bishop Loughlin Memorial High School to attend George Westinghouse Career and Technical Education High School, which future rappers DMX, Jay-Z and Busta Rhymes also attended at the time. According to his mother, Wallace was still a good student, but he developed a "smart-ass" attitude at the new school. At age seventeen, Wallace dropped out of school and became further involved in crime. In 1989, he was arrested on weapons charges in Brooklyn and sentenced to five years' probation. In 1990, he was arrested on a violation of his probation. A year later, Wallace was arrested in North Carolina for dealing crack cocaine. He spent nine months in jail before making bail.

Wallace began rapping when he was a teenager. He entertained people on the streets and performed with local groups the Old Gold Brothers and the Techniques. After being released from jail, Wallace made a demo tape under the name Biggie Smalls, a reference to a character in the 1975 film Let's Do It Again as well as his stature; he stood at 6 feet 3 inches (1.91 m) and weighed 300 to 380 lb (140–170 kg) according to differing accounts. The tape was reportedly made with no serious intent of getting a recording deal. However, it was promoted by New York-based DJ Mister Cee, who had previously worked with Big Daddy Kane, and it was heard by the editor of The Source.

In March 1992, Wallace was featured in The Source's Unsigned Hype column, dedicated to aspiring rappers, and made a recording off the back of this success. The demo tape was heard by Uptown Records A&R and record producer Sean Combs, who arranged for a meeting with Wallace. He was signed to Uptown immediately and made an appearance on label mates, Heavy D & the Boyz' "A Buncha Niggas" (from the album Blue Funk). Soon after signing his recording contract, Combs was fired from Uptown and started a new label. Wallace followed and in mid-1992, signed to Combs' new imprint label, Bad Boy Records.

On August 8, 1993, Wallace's longtime girlfriend gave birth to his first child, T'yanna. Wallace had split with the girlfriend for some time before T'yanna's birth. Wallace wanted his daughter to complete her education, despite being a high school dropout himself. Wallace said that if his mother had promised him what he promised his daughter, everything she wanted, Wallace would have been not only a graduate but also at the top of his class. He continued selling drugs after the birth to support his daughter financially. Once Combs discovered this, he forced Wallace to quit.

Later in the year, Wallace gained exposure on a remix to Mary J. Blige's single "Real Love", under the pseudonym The Notorious B.I.G. He recorded under this name for the remainder of his career, after finding the original moniker "Biggie Smalls" was already in use. "Real Love" peaked at No. 7 on the Billboard Hot 100 chart and was followed by a remix of Blige's "What's the 411?". He continued this success, to a lesser extent, on remixes with Neneh Cherry ("Buddy X") and reggae artist Super Cat ("Dolly My Baby", also featuring Combs) in 1993. In April 1993, his solo track, "Party and Bullshit", appeared on the Who's the Man? soundtrack. In July 1994, he appeared alongside LL Cool J and Busta Rhymes on a remix to label mate Craig Mack's "Flava in Ya Ear", reaching No. 9 on the Billboard Hot 100.

1994: Ready to Die and marriage

On August 4, 1994, Wallace married R&B singer Faith Evans after they met at a Bad Boy photoshoot. Five days later, Wallace had his first pop chart success as a solo artist with double A-side, "Juicy/Unbelievable", which reached No. 27 as the lead single to his debut album.

Ready to Die was released on September 13, 1994, and reached No. 13 on the Billboard 200 chart, eventually being certified four times Platinum. The album, released at a time when West Coast hip hop was prominent on US charts, according to Rolling Stone, "almost single-handedly... shifted the focus back to East Coast rap". It immediately gained strong reviews and has received much praise in retrospect. In addition to "Juicy", the record produced two hit singles: the Platinum-selling "Big Poppa", which reached No. 1 on the U.S. rap chart, and "One More Chance" featuring Faith Evans, a loosely related remix of an album track and its best selling single.

Busta Rhymes claimed to have seen Wallace giving out free copies of Ready to Die from his home, which Rhymes reasoned as "his way of marketing himself." Around the time of the album's release, Wallace became friends with Tupac Shakur, also a rapper. Cousin Lil' Cease recalled the pair being close, often traveling together whenever they were not active in furthering their careers. According to him, Wallace was a frequent guest at Shakur's home and they constantly spent time together when Shakur was in California or Washington, D.C.. It was claimed by Yukmouth, an Oakland emcee, that Wallace's style was inspired by that of Shakur. Wallace also formed a friendship with Shaquille O'Neal, O'Neal remembering his first time hearing Wallace, during listening to the song "Gimme the Loot", where Wallace mentioned him in the lyrics and thereby attracted O'Neal to his music. O'Neal requested a collaboration with Wallace, which resulted in the song "You Can't Stop the Reign". Sean Combs related that Wallace would not do collaborations with "anybody he didn't really respect", adding that Wallace paid O'Neal "respect by shouting him out." Daz Dillinger said in 2015 that Wallace and he were "cool". Wallace would travel to meet with him, and Dillinger recalled serving him cannabis and recording two songs with him.

1995: Junior M.A.F.I.A., Conspiracy and coastal feud

In August 1995, Wallace's protégé group, Junior M.A.F.I.A. ("Junior Masters At Finding Intelligent Attitudes"), released their debut album Conspiracy. The group consisted of his friends from childhood and included rappers such as Lil' Kim and Lil' Cease, who went on to have solo careers. The record went Gold and its singles, "Player's Anthem" and "Get Money" both featuring Wallace, went Gold and Platinum. Wallace continued to work with R&B artists, collaborating with R&B groups 112 (on "Only You") and Total (on "Can't You See"), with both reaching the top 20 of the Hot 100. By the end of the year, Wallace was the top-selling male solo artist and rapper on the U.S. pop and R&B charts. In July 1995, he appeared on the cover of The Source with the caption "The King of New York Takes Over", a reference to his Frank White alias from the 1990 film King of New York. At the Source Awards in August 1995, he was named Best New Artist (Solo), Lyricist of the Year, Live Performer of the Year, and his debut Album of the Year. At the Billboard Awards, he was Rap Artist of the Year.

In his year of success, Wallace became involved in a rivalry between the East and West Coast hip hop scenes with Shakur, now his former friend. In an interview with Vibe in April 1995, while serving time in Clinton Correctional Facility, Shakur accused Uptown Records' founder Andre Harrell, Sean Combs, and Wallace of having prior knowledge of a robbery that resulted in him being shot five times and losing thousands of dollars worth of jewelry on the night of November 30, 1994. Though Wallace and his entourage were in the same Manhattan-based recording studio at the time of the shooting, they denied the accusation. Wallace said: "It just happened to be a coincidence that he [Shakur] was in the studio. He just, he couldn't really say who really had something to do with it at the time. So he just kinda' leaned the blame on me." In 2012, a man named Dexter Isaac, serving a life sentence for unrelated crimes, claimed that he attacked Shakur that night and that the robbery was orchestrated by James Rosemond aka Jimmy Henchman.

Following his release from prison, Shakur signed to Death Row Records on October 15, 1995. Bad Boy Records and Death Row, now business rivals, became involved in an intense quarrel.

1996: More arrests, Tupac Shakur's death and second child

Wallace began recording his second studio album in September 1995. The album, recorded in New York City, Trinidad, and Los Angeles, was interrupted during its 18 months of creation by injury, legal wranglings and the highly publicized hip hop dispute in which he was involved. During this time, he also worked with R&B/pop singer, songwriter and producer Michael Jackson for the HIStory album. Lil' Cease claimed in 2013 that Wallace denied his wishes to meet Jackson, citing that he did not "trust Michael with kids".

On March 23, 1996, Wallace was arrested outside a Manhattan nightclub for chasing and threatening to kill two autograph seekers, smashing the windows of their taxicab and then pulling one of the fans out and punching them. He pleaded guilty to second-degree harassment and was sentenced to 100 hours of community service. In mid-1996, he was arrested at his home in Teaneck, New Jersey, for drug and weapons possession charges.

In June 1996, Shakur released "Hit 'Em Up", a diss song in which he claimed to have had sex with Wallace's wife (at the time estranged) and that Wallace copied his style and image. Wallace referred to the first claim about his wife's pregnancy on Jay-Z's "Brooklyn's Finest" where he raps: "If Faye (Faith Evans, his wife at the time) have twins, she'd probably have two 'Pacs. Get it? 2Pac's?" However, Wallace did not directly respond to the record during his lifetime, stating in a 1997 radio interview that it was "not [his] style" to respond.

Shakur was shot multiple times in a drive-by shooting in Las Vegas, Nevada, on September 7, 1996, and died six days later on September 13, 1996 of complications from the gunshot wounds. Rumors of Wallace's involvement with Shakur's murder were reported almost immediately. A two-part series Chuck Philips wrote for the Los Angeles Times in 2002, "Who Killed Tupac Shakur?", based on police reports and multiple sources reported that "the shooting was carried out by a Compton gang called the Southside Crips to avenge the beating of one of its members by Shakur a few hours earlier" and that Wallace paid for the gun. His family publicly denied the report, producing documents purporting to show that the rapper was in New York and New Jersey at the time. The New York Times called the documents inconclusive, stating:

The pages purport to be three computer printouts from Daddy's House, indicating that Wallace was in the studio recording a song called Nasty Boy on the night Shakur was shot. They indicate that Wallace wrote half the session, was In and out/sat around and laid down a ref, shorthand for a reference vocal, the equivalent of a first take. But nothing indicates when the documents were created. And Louis Alfred, the recording engineer listed on the sheets, said in an interview that he remembered recording the song with Wallace in a late-night session, not during the day. He could not recall the date of the session but said it was likely not the night Shakur was shot. We would have heard about it, Mr. Alfred said."

Moreover, Philips' article was based on multiple sources. As the Assistant Managing Editor of the LA Times Mark Duvoisin wrote: "Philips' story has withstood all challenges to its accuracy, ...[and] remains the definitive account of the Shakur slaying." Faith Evans remembered her husband calling her the night of Shakur's death and crying due to him being in shock. Evans added, "I think it’s fair to say he was probably afraid, given everything that was going on at that time and all the hype that was put on this so-called beef that he didn’t really have in his heart against anyone." Wayne Barrow, Wallace's co-manager at the time, said Wallace was recording the song "Nasty Girl" the night Shakur was shot. Shortly after Shakur's death, he met with Snoop Dogg, who claimed that Wallace played the song "Somebody Gotta Die" for him, in which Snoop Dogg was mentioned, and declared he never hated Shakur.

On October 29, 1996, Faith Evans gave birth to Wallace's son, Christopher "C.J." Wallace, Jr. The following month, Junior M.A.F.I.A. member Lil' Kim released her debut album, Hard Core, under Wallace's direction while the two were having a "love affair". Lil' Kim recalled being Wallace's "biggest fan" and her being "his pride and joy." In a 2012 interview, Lil' Kim said Wallace prevented her from doing a remix of the Jodeci single "Love U 4 Life" by locking her in a room and according to her, Wallace stated that she was not "gonna go do no song with them," likely because of the group's close affiliation with Tupac and Death Row Records.

1997: Life After Death and car accident

During the recording sessions for his second album, tentatively named "Life After Death... 'Til Death Do Us Part", later shortened to Life After Death, Wallace was involved in a car accident that shattered his left leg and temporarily confined him to a wheelchair. The injury forced him to use a cane. He and Lil' Cease were arrested for smoking marijuana in public and had their car repossessed. Wallace chose a Chevrolet Lumina rental SUV as a substitute, despite Lil' Cease's objections. The vehicle had brake problems before the accident but Wallace dismissed them. According to Lil' Cease, Wallace's leg was shattered when they hit a rail along with Lil's Cease's jaw. Wallace spent months in a hospital following the accident and had to complete therapy. Despite his hospitalization, he continued to work on the album. The accident was referred to in the lyrics of "Long Kiss Goodnight": "Ya still tickle me, I used to be as strong as Ripple be / Til Lil' Cease crippled me."

In January 1997, Wallace was ordered to pay US$41,000 in damages following an incident involving a friend of a concert promoter who claimed Wallace and his entourage beat him up following a dispute in May 1995. He faced criminal assault charges for the incident which remains unresolved, but all robbery charges were dropped. Following the events of the previous year, Wallace spoke of a desire to focus on his "peace of mind". "My mom... my son... my daughter... my family... my friends are what matters to me now".

Death and funeral

Wallace traveled to Los Angeles in February 1997, to promote his upcoming second studio album and film a music video for its lead single, "Hypnotize". The album, Life After Death, was scheduled for release on March 25, 1997.

On March 7, he presented an award to Toni Braxton at the 1997 Soul Train Music Awards in Los Angeles and was booed by some of the audience. The following evening, March 8, Wallace attended an after party hosted by Vibe magazine and Qwest Records at the Petersen Automotive Museum in Los Angeles. Other guests included Faith Evans, Aaliyah, Sean Combs, and members of the Bloods and Crips gangs.

On March 9, Wallace left in a GMC Suburban SUV at 12:30 a.m. (PST). By 12:45 a.m. (PST), the streets were crowded with people leaving the event. Wallace's SUV stopped at a red light at the corner of Wilshire Blvd & South Fairfax Ave 50 yards (46 m) from the museum. A dark colored Chevrolet Impala SS pulled up alongside Wallace's SUV. The driver of the Impala, a black male dressed in a blue suit and bow tie, rolled down his window, drew a 9mm blue-steel pistol and fired at the SUV. Four bullets hit Wallace. His entourage rushed him to Cedars-Sinai Medical Center, where doctors performed an emergency thoracotomy, but he was pronounced dead at 1:15 a.m. (PST), six months after Tupac Shakur was killed.

Wallace's autopsy was released to the public in December 2012, over a decade after his death. According to the report, three of the four shots were not fatal. The first bullet hit in his left forearm and traveled down to his wrist; the second hit him in the back, missing all vital organs, and exited through his left shoulder; and the third hit his outer left thigh and left through his inner thigh. The report said that the third bullet struck "the left side of the scrotum, causing a very shallow, 3⁄8 inch [10 mm] linear laceration." The fourth bullet was fatal, entering through his right hip and striking several vital organs, before stopping in his left shoulder area. That bullet struck his colon, liver, heart and upper lobe of his left lung.

Wallace's murder remains unsolved and there are many theories regarding the identities and motives of the murderers. Immediately after the shooting, reports surfaced linking Wallace's murder to the murder of Tupac Shakur, because of the similarities in the drive-by shootings and the involvement of Shakur and Wallace in the East Coast–West Coast hip hop rivalry. In 1997, Los Angeles Times authors Chuck Philips and Matt Laitt reported that the key suspect was a member of the Crips acting in service of a personal financial motive.

Biggie's funeral was held on March 18, 1997, at the Frank E. Campbell Funeral Chapel in Manhattan. There were among 350 mourners at the funeral, including Queen Latifah, Flava Flav, Mary J. Blige, Lil' Kim, Lil' Cease, Run–D.M.C., DJ Kool Herc, Busta Rhymes, Salt-N-Pepa, DJ Spinderella, Foxy Brown, Sister Souljah and others. After the funeral, his body was cremated and the ashes were given to his family.

Posthumous releases

Sixteen days after his death, Wallace's double-disc second album was released as planned with the shortened title of Life After Death and hit No. 1 on the Billboard 200 charts, after making a premature appearance at No. 176 due to street-date violations. The record album featured a much wider range of guests and producers than its predecessor. It gained strong reviews and in 2000 was certified Diamond, the highest RIAA certification awarded to a solo hip hop album.

Its lead single, "Hypnotize", was the last music video recording in which Wallace would participate. His biggest chart success was with its follow-up "Mo Money Mo Problems", featuring Sean Combs (under the rap alias "Puff Daddy") and Mase. Both singles reached No. 1 in the Hot 100, making Wallace the first artist to achieve this feat posthumously. The third single, "Sky's The Limit", featuring the band 112, was noted for its use of children in the music video, directed by Spike Jonze, who were used to portray Wallace and his contemporaries, including Sean Combs, Lil' Kim, and Busta Rhymes. Wallace was named Artist of the Year and "Hypnotize" Single of the Year by Spin magazine in December 1997.

In mid-1997, Combs released his debut album, No Way Out, which featured Wallace on five songs, notably on the third single "Victory". The most prominent single from the record album was "I'll Be Missing You", featuring Combs, Faith Evans and 112, which was dedicated to Wallace's memory. At the 1998 Grammy Awards, Life After Death and its first two singles received nominations in the rap category. The album award was won by Combs' No Way Out and "I'll Be Missing You" won the award in the category of Best Rap Performance By A Duo Or Group in which "Mo Money Mo Problems" was nominated.

Wallace had founded a hip hop supergroup called The Commission, which consisted of Jay-Z, Lil' Cease, Combs, Charli Baltimore and himself. The Commission was mentioned by Wallace in the lyrics of "What's Beef" on Life After Death and "Victory" from No Way Out but never completed an album. A song on Duets: The Final Chapter titled "Whatchu Want (The Commission)" featuring Jay-Z was based on the group.

In December 1999, Bad Boy released Born Again. The album consisted of previously unreleased material mixed with guest appearances including many artists Wallace had never collaborated with in his lifetime. It gained some positive reviews but received criticism for its unlikely pairings; The Source describing it as "compiling some of the most awkward collaborations of his career". Nevertheless, the album sold 2 million copies. Wallace appeared on Michael Jackson's 2001 album, Invincible. Over the course of time, his vocals were heard on hit songs such as "Foolish" by Ashanti and "Realest Niggas" in 2002, and the song "Runnin' (Dying to Live)" with Shakur the following year. In 2005, Duets: The Final Chapter continued the pattern started on Born Again, criticized for the lack of significant vocals by Wallace on some of its songs. Its lead single "Nasty Girl" became Wallace's first UK No. 1 single. Combs and Voletta Wallace have stated the album will be the last release primarily featuring new material.

Musical style

Wallace mostly rapped on his songs in a deep tone described by Rolling Stone as a "thick, jaunty grumble", which went deeper on Life After Death. He was often accompanied on songs with ad libs from Sean "Puffy" Combs. On The Source's Unsigned Hype, his style was described as "cool, nasal, and filtered, to bless his own material".

Allmusic describe Wallace as having "a talent for piling multiple rhymes on top of one another in quick succession". Time magazine wrote Wallace rapped with an ability to "make multi-syllabic rhymes sound... smooth", while Krims describes Wallace's rhythmic style as "effusive." Before starting a verse, Wallace sometimes used onomatopoeic vocables to "warm up" (for example "uhhh" at the beginning of "Hypnotize" and "Big Poppa" and "whaat" after certain rhymes in songs such as "My Downfall").

Lateef of Latyrx notes that Wallace had, "intense and complex flows", Fredro Starr of Onyx says, "Biggie was a master of the flow", and Bishop Lamont states that Wallace mastered "all the hemispheres of the music". "Notorious B.I.G. also often used the single-line rhyme scheme to add variety and interest to his flow". Big Daddy Kane suggests that Wallace didn't need a large vocabulary to impress listeners – "he just put his words together a slick way and it worked real good for him". Wallace was known to compose lyrics in his head, rather than write them down on paper, in a similar way to Jay-Z.

Wallace would occasionally vary from his usual style. On "Playa Hater" from his second album, he sang in a slow-falsetto. On his collaboration with Bone Thugs-n-Harmony, "Notorious Thugs", he modified his style to match the rapid rhyme flow of the group.

Themes and lyrical content

Wallace's lyrical topics and themes included mafioso tales ("Niggas Bleed"), his drug dealing past ("10 Crack Commandments"), materialistic bragging ("Hypnotize"), as well as humor ("Just Playing (Dreams)"), and romance ("Me & My Bitch"). Rolling Stone named Wallace in 2004 as "one of the few young male songwriters in any pop style writing credible love songs".

Guerilla Black, in the book How to Rap, describes how Wallace was able to both "glorify the upper echelon" and "[make] you feel his struggle". According to Touré of The New York Times in 1994, Wallace's lyrics "[mixed] autobiographical details about crime and violence with emotional honesty". Marriott of The New York Times (in 1997) believed his lyrics were not strictly autobiographical and wrote he "had a knack for exaggeration that increased sales". Wallace described his debut as "a big pie, with each slice indicating a different point in my life involving bitches and niggaz... from the beginning to the end".

Ready to Die is described by Rolling Stone as a contrast of "bleak" street visions and being "full of high-spirited fun, bringing the pleasure principle back to hip-hop". Allmusic write of "a sense of doom" in some of his songs and the NY Times note some being "laced with paranoia"; Wallace described himself as feeling "broke and depressed" when he made his debut. The final song on the album, "Suicidal Thoughts", featured Wallace contemplating suicide and concluded with him committing the act.

On Life After Death, Wallace's lyrics went "deeper". Krims explains how upbeat, dance-oriented tracks (which featured less heavily on his debut) alternate with "reality rap" songs on the record and suggests that he was "going pimp" through some of the lyrical topics of the former. XXL magazine wrote that Wallace "revamped his image" through the portrayal of himself between the albums, going from "midlevel hustler" on his debut to "drug lord".

Allmusic wrote that the success of Ready to Die is "mostly due to Wallace's skill as a storyteller"; in 1994, Rolling Stone described Wallace's ability in this technique as painting "a sonic picture so vibrant that you're transported right to the scene". On Life After Death Wallace notably demonstrated this skill on "I Got a Story to Tell", creating a story as a rap for the first half of the song and then retelling the same story "for his boys" in conversation form.

Legacy

Considered one of the best artists in hip hop music, Wallace was described by AllMusic as "the savior of East Coast hip-hop". The Source magazine named Wallace the greatest rapper of all time in its 150th issue in 2002. In 2003, when XXL magazine asked several hip hop artists to list their five favorite MCs, Wallace's name appeared on more rappers' lists than anyone else. In 2006, MTV ranked him at No. 3 on their list of The Greatest MCs of All Time, calling him possibly "the most skillful ever on the mic". Editors of About.com ranked him No. 3 on their list of the Top 50 MCs of Our Time (1987–2007). In 2012, The Source ranked him No. 3 on their list of the Top 50 Lyrical Leaders of all time. Rolling Stone has referred to him as the "greatest rapper that ever lived". In 2015, Billboard named Wallace as the greatest rapper of all time.

Since his death, Wallace's lyrics have been sampled and quoted by a variety of hip hop, R&B and pop artists including Jay-Z, 50 Cent, Alicia Keys, Fat Joe, Nelly, Ja Rule, Eminem, Lil Wayne, Game, Clinton Sparks, Michael Jackson and Usher. On August 28, 2005, at the 2005 MTV Video Music Awards, Sean Combs (then using the rap alias "P. Diddy") and Snoop Dogg paid tribute to Wallace: an orchestra played while the vocals from "Juicy" and "Warning" played on the arena speakers. In September 2005, VH1 held its second annual "Hip Hop Honors", with a tribute to Wallace headlining the show.

Wallace had begun to promote a clothing line called Brooklyn Mint, which was to produce plus-sized clothing but fell dormant after he died. In 2004, his managers, Mark Pitts and Wayne Barrow, launched the clothing line, with help from Jay-Z, selling T-shirts with images of Wallace on them. A portion of the proceeds go to the Christopher Wallace Foundation and to Jay-Z's Shawn Carter Scholarship Foundation. In 2005, Voletta Wallace hired branding and licensing agency Wicked Cow Entertainment to guide the estate's licensing efforts. Wallace-branded products on the market include action figures, blankets, and cell phone content.

The Christopher Wallace Memorial Foundation holds an annual black-tie dinner ("B.I.G. Night Out") to raise funds for children's school equipment and supplies and to honor the memory of the late rapper. For this particular event, because it is a children's schools' charity, "B.I.G." is also said to stand for "Books Instead of Guns".

There is an oversize portrait mural of Wallace as Che Guevara on Fulton Street in Brooklyn a half mile west from the star's old block. A fan petitioned to have the corner of Fulton Street and St. James Place, near Wallace's childhood home renamed in his honor, garnering support from local businesses and attracting more than 560 signatures. The Notorious B.I.G.'s children C.J. and Ty'anna are set to star in an animated series called House of Wallace.

Biopic

Notorious is a 2009 biographical film about Wallace and his life that starred rapper Jamal Woolard as Wallace. The film was directed by George Tillman, Jr. and distributed by Fox Searchlight Pictures. Producers included Sean "Diddy" Combs, Wallace's former managers Wayne Barrow and Mark Pitts, as well as Voletta Wallace. On January 16, 2009, the movie's debut at the Grand 18 theater in Greensboro, North Carolina was postponed after a man was shot in the parking lot before the show. The film received mixed reviews from critics and grossed over $44 worldwide.

In early October 2007, open casting calls for the role of Wallace began. Actors, rappers and unknowns all tried out. Beanie Sigel auditioned for the role, but was not picked. Sean Kingston claimed that he would play the role of Wallace, but producers denied it. Eventually it was announced that rapper Jamal Woolard was chosen to play Wallace while Wallace's son, Christopher Wallace, Jr. was cast to play Wallace as a child. Other cast members include Angela Bassett as Voletta Wallace, Derek Luke as Sean Combs, Antonique Smith as Faith Evans, Naturi Naughton formerly of 3LW as Lil' Kim, and Anthony Mackie as Tupac Shakur. Bad Boy released a soundtrack album to the film on January 13, 2009; the album contains hit singles of B.I.G. such as "Hypnotize", "Juicy", and "Warning" as well as rarities.

Wikipedia

#Biggie Smalls #05-21 #03-09

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samira667 · 7 years

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Everyday Struggle performed by Notorious B.IG. from His Ready To Die Album in 1994.

Christopher George Latore Wallace (May 21, 1972 – March 9, 1997), better known by his stage names The Notorious B.I.G., Biggie, or Biggie Smalls,was an American rapper. He is ranked by Billboard magazine as among the ten greatest rappers of all time.

On March 9, 1997, Wallace was killed in Los Angeles. His double-disc album Life After Death, released 16 days later, rose to No. 1 on the U.S. album charts and was certified Diamond in 2000 by the Recording Industry Association of America, one of the few hip hop albums to receive this certification.

His Music Lives on and you got it here on the Station that knows Old School Hip-Hop 107PowerFM.Net.

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The Notorious B.I.G.. (2017, November 17).

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Notorious B.I.G. on – FNJ Everyday Struggle performed by Notorious B.IG. from His Ready To Die Album in 1994. Christopher George Latore Wallace (May 21, 1972 – March 9, 1997), better known by his stage names The Notorious B.I.G., Biggie, or Biggie Smalls,was an American rapper.

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britishhiphop · 5 years

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RIP: Biggie Smalls

Christopher George Latore Wallace (May 21, 1972 – March 9, 1997), best known as The Notorious B.I.G., Biggie or Biggie Smalls, was an American rapper. Wallace was raised in the Brooklyn borough of New York City. When he released his debut album Ready to Die in 1994, he became a central figure in the East Coast hip hop scene and increased New York's visibility in the genre at a time when West Coast hip hop was dominant in the mainstream. The following year, Wallace led his childhood friends to chart success through his protégé group, Junior M.A.F.I.A. While recording his second album, Wallace was heavily involved in the growing East Coast/West Coast hip hop feud. On March 9, 1997, Wallace was killed by an unknown assailant in a drive-by shooting in Los Angeles. His double-disc set Life After Death, released 16 days later, rose to No. 1 on the U.S. album charts and was certified Diamond in 2000, one of the few hip hop albums to receive this certification. Wallace was noted for his "loose, easy flow", dark semi-autobiographical lyrics and storytelling abilities. Two more albums have been released since his death. He has certified sales of 17 million units in the United States. via britishhiphop.co.uk

#rip #britishhiphop

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marcusssanderson · 6 years

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50 Biggie Smalls quotes and lyrics about life and death

Looking for the best Biggie Smalls quotes? We’ve prepared this collection of inspirational quotes from the late rapper for you. Enjoy!

Christopher George Latore Wallace, better known as The Notorious B.I.G. or Biggie Smalls, was an American rapper who’s considered to be one of the greatest and most influential rappers in history.

Known for his effortless flow on the mic, storytelling abilities and profound lyrics on urban life in America, Biggie Smalls left an enduring mark on the world and influenced a generation of artists.

Smalls was born on May 21, 1972, in Brooklyn, New York. He had a tough childhood, started dealing drugs at around the age of 12, and dropped out of school at age 17. He began rapping when he was a teenager and made his first tape under the name Biggie Smalls after being released from prison.

In 1994, Biggie Smalls released his first album, Ready to Die, which became a huge success. He went on to achieve success at a very age, becoming the top-selling solo male rapper in the U.S.

On March 9, 1997, Smalls was shot and killed by an unidentified assailant in Los Angeles. Sixteen days after his death, his double discs album, Life After Death, was released. The album rose to number one on the U.S. album charts and became one of the best-selling albums in the United States. Since his death, three more albums have been released, and he has certified sales of over 13.4 million albums.

Though his life was short-lived, Biggie Smalls still managed to use his Everyday Power to rise to the top of his game. In this respect, here are some memorable Biggie Smalls quotes to inspire you to be the best you can be.

Biggie Smalls quotes and lyrics about life

1.) “Damn right I like the life I live, because I went from negative to positive.” – Biggie Smalls

2.) “If you feel like it’s something you don’t have to do, you really have to question it.” – Biggie Smalls

3.) “If you hear something about somebody, don’t be so quick to be like, I don’t like him. Try to find out what’s going on.” – Biggie Smalls

4.) “I’m living every day like a hustle.” – Biggie Smalls

5.) “My real life helped me sell a lot of records.” – Biggie Smalls

6.) “You gotta mature, you know.” – Biggie Smalls

7.) “If the game shakes me or breaks me, I hope it makes me a better man.” – Biggie Smalls

8.) “What happens on that corner happens on every corner.” – Biggie Smalls

9.) “Sticks and stones may break bones, but the Gat will kill you quicker.” – Biggie Smalls

10.) “Learn to treat life to the best, put stress to rest.” – Biggie Smalls

11.) “I’m a nice guy, but the fear keeps everybody on their toes. People sometimes mistake sweetness for weakness. You never want anyone to know everything about you. It makes you too easy to classify.” – Biggie Smalls

Biggie Smalls quotes and lyrics about death

12.) “I wonder if I died, would tears come to her eyes? Forgive me for my disrespect, forgive me for my lies.” – Biggie Smalls

13.) “I would never wish death on nobody, ’cause there ain’t no coming back from that.” – Biggie Smalls

14.) “I don’t wanna live no more, sometimes I hear death knockin’ at my front door.” – Biggie Smalls

15.) “You’re nobody ’til somebody kills you.” – Biggie Smalls

16.) “I can’t rhyme about being broke no more, I ain’t broke, I can’t rhyme about hustling in the streets no more cause I don’t hustle no more, you know, so it’s the life after. All that’s over with now, I ain’t hungry no more. Now it’s a new beginning, this the life after the death.” – Biggie Smalls

Biggie Smalls quotes and lyrics about success

18.) “Stay far from timid, only make moves when your heart’s in it, and live the phrase ‘sky’s the limit.’” – Biggie Smalls

19.) “Excellence is my presence, never tense, never hesitant.” – Biggie Smalls

20.) “We aint’ trying to fail in this game. We trying to succeed.” – Biggie Smalls

21.) “Keep trying. Persistence and consistency is the best thing. As long as you keeping it real, and you keep trying, keep banging that wall and it will fall.” – Biggie Smalls

22.) “I found something I was good at, I’m just trying to flip it, keep it going. I ain’t trying to slack at all.” – Biggie Smalls

23.) “Climb the ladder to success escalator style” – Biggie Smalls

24.) “And everything you get, ya gotta work hard for it.” – Biggie Smalls

25.) “Never let no one know how much dough you hold.” – Biggie Smalls

26.) “It’s like the more money we come across / the more problems we see.” – Biggie Smalls

27.) “I never thought it could happen, this rappin’ stuff.” – Biggie Smalls

28.) “You know very well who you are, don’t let em hold you down, reach for the stars.” – Biggie Smalls

29.) “Lyrically, I’m supposed to represent.” – Biggie Smalls

30.) “I’m blowing up like you thought I would/Call the crib, same number, same hood, it’s all good.” – Biggie Smalls

31.) “Never lose, never choose to.” – Biggie Smalls

Biggie Smalls quotes about love, family and friends

32.) “Spread love, it’s the Brooklyn way.” – Biggie Smalls

33.) “This rule is so underrated: Keep your family and business completely separated.” – Biggie Smalls

34.) “If you don’t love yourself, I’ll make you see your own heart.” – Biggie Smalls

35.) “I’m trying to get other niggas off the streets.” – Biggie Smalls

36.) “Get my daughter this college grant so she don’t need no man” – Biggie Smalls

37.) “96 is the year of love. We all need to pull together.” – Biggie Smalls

Other inspirational Biggie Smalls quotes

38.) “We can’t change the world unless we change ourselves.” – Biggie Smalls

39.) “The second time I went to jail, I was like, ‘okay, this is not the move.’” – Biggie Smalls

40.) “I don’t chase ’em, I replace ’em.” – Biggie Smalls

41.) “Please don’t hate me because I’m beautiful.” – Biggie Smalls

42.) “Even when I was wrong, I got my point across.” – Biggie Smalls

43.) “Never let them know your next move.” – Biggie Smalls

44.) “To all the teachers that told me I’d never amount to nothing.” – Biggie Smalls

45.) “Considered a fool ’cause I dropped out of high school. Stereotypes of a black male misunderstood.” – Biggie Smalls

46.) “Every true hustler knows that you cannot hustle forever. You will go to jail eventually.” – Biggie Smalls

47.) “I can’t even see me wasting my time or my talent to disrespect another black man.” – Biggie Smalls

48.) “If Faith had twins, she’d probably have two Pacs, Get it, Tu-Pac’s?” – Biggie Smalls

49.) “Catch me if you can like the gingerbread man.” – Biggie Smalls

50.) “If you didn’t know, now you now.” – Biggie Smalls

Which Biggie Smalls quotes were your favorite?

Although Biggie Smalls passed away back in 1997, he is still regarded as one of the best and most influential rappers of all time. He influenced a generation of artists and left an indelible mark on the world.

However you choose to celebrate and remember Biggie Smalls, we hope his words have inspired you to be the best you can be.

Did you enjoy these Biggie Smalls quotes and lyrics? Which of the quotes was your favorite? Tell us in the comment section below.

The post 50 Biggie Smalls quotes and lyrics about life and death appeared first on Everyday Power Blog.

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projectdroid1-blog · 6 years

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Hidden Divergence

Hidden Divergence https://www.projectdroid.com/wp-content/uploads/2018/04/word-image-97.jpeg https://www.projectdroid.com/ebook/hidden-divergence/

NEW TECHNIQUES

Hidden Divergence

Divergence, which is a term that techni- cians use when two or more averages or indices fail to show confirming trends, is one of the mainstays of technical analysis. Here’s a new way to use oscil- lators and divergence as well as meth- ods to locate entry levels during a trend.

ost technical indicators mirror or confirm price movement. When price

moves up, the indicator moves up; when

price moves down, the indicator moves down. When prices peak, the indicator peaks; and when prices bottom, the indi- cator bottoms. Sometimes, however, a discrepancy occurs between price and indicator movement. That discrepancy is known as nonconfirmation and can be seen most clearly on overbought or over- sold indicators as well as on indicators that move above or below a zero line.

Many traders only learn to recognize the type of nonconfirmation that occurs at market tops and bottoms, which is the classic divergence. But there are other forms of nonconfirmation I call hidden divergence (HD) that, when present, offer additional profit potential.

by Barbara Star, Ph.D.

MIKE CRESSY

Hidden divergences are the opposite of classic divergences. Classic divergence looks for lower low prices accompanied by

accompanied by lower indicator values at price tops. Hidden divergences, on the other hand, seek higher price lows accom- panied by lower indicator values during up moves and lower price highs accompanied by higher indicator values during down moves. Most hidden divergences signal continuation moves in the direction of the prevailing trend.

Here are examples of each type of nonconfirmation using stock and commodity charts. Even though many indicators display nonconfirmations, I will use a five- to 15-unit (5-15) price oscillator to illustrate various nonconfirmations. The oscillator is simply the difference between a five-unit expo- nential moving average (EMA) of the closing price and a 15- unit exponential moving average of the closing price. The value of that difference fluctuates above and below a zero line.

CLASSIC DIVERGENCE

Classic divergence is one of the best-known types of nonconfirmation. A divergence is a separation between price and indicator that warns of a possible short- to intermediate- term change of trend. A bullish divergence arises during a down move when price makes either a lower low or a double bottom but the indicator makes a higher low or a double bottom. A bearish divergence occurs during an up move when price makes either a higher high or a double top and the indicator makes a lower high or a double top. Classic diver- gences can occur at price tops or bottoms and also at price corrections.

The chart of PepsiCo [PEP] in Figure 1 shows both a bearish and a bullish divergence. The stock price rose from April to the end of May 1995. The oscillator made a top in early to mid-May at point A. However, when price made a top in late May (point B), the oscillator made a second top at a lower level. This was a sign that price momentum was decreasing and warned of a potential change in trend either from up to down or sideways. The stock made a corrective decline going into July. At the price low in mid-July (point D), the oscillator made a second bottom, but at a higher level. This signaled that downside momentum had decreased and either a potential rally or side- ways move could occur. The bullish divergence was confirmed as price resumed its up move.

THE BULLISH HIDDEN DIVERGENCE

In a bullish HD, the indicator makes a lower low, but price makes either a higher low or a double-bottom low. This type of nonconfirmation occurs mainly during corrective declines in an

A B

5-15 price oscillator D

PEP

METASTOCK (EQUIS INTERNATIONAL)

Bearish divergence

C D

Bullish divergence

FIGURE 1: CLASSIC BULLISH AND BEARISH DIVERGENCE. The 5-15 price

oscillator made lower highs, while the price of PepsiCo kept making higher highs into late May, resulting in a classic bearish divergence pattern. At the price lows in July, the oscillator showed bullish classic divergence by making a higher low.

5-15 price oscillator

8 9

FIGURE 2: BULLISH HIDDEN DIVERGENCES ON MICRON TECHNOLOGY. Bullish

hidden divergences appear in uptrending markets when the indicator makes a series of lower lows but price makes a series of higher lows.

5-15 price oscillator

Dec 95 corn

X 7

FIGURE 3: BULLISH HIDDEN DIVERGENCES ON DECEMBER 1995 CORN. Most

bullish hidden divergences occur between two successive indicator lows. Occa- sionally, however, it is helpful to use the second-point lookback technique, as was the case at point 7.

uptrend, but it may also be found on occasion at price retests of the lows. Bullish HDs indicate underlying strength in the security and often make good entry or re-entry points.

5-15 price oscillator

Jun 95 live cattle

During its spectacular rise (and before its equally spectacu- lar decline), Micron Technology [MU] displayed many bullish hidden divergences (Figure 2) in 1995. At point 2, the indicator made a lower low than it had at point 1, but price made a higher

Just as classic divergence does not appear on every price chart, so it is with hidden divergence. But when

they do appear, they are worthy of attention. The trick is to train your eye to recognize one when it presents itself.

low at point 2 than it had at point 1. In May, at point 4, the indicator was lower than at point 3, but the price low at point 4 made a double bottom with the price low at point 3 before price resumed its advance. As the indicator made lower lows in July and August at points 6 and 7 than it had at point 5, price continued to make higher lows. Another double-bottom price low occurred at points 8 and 9, but the indicator made a lower low at point 9, signaling the potential for additional strength. The year 1995 also produced a strong bull market in the grains. December corn made a $3,000 runup in price during a five-month period (Figure 3). Classic bullish divergence was not evident at the August price double-bottom retest of the July lows, but hidden divergence was very much in evidence as the indicator made a lower low at point 2 that was not confirmed by lower prices. Point 3 represents a confirmation rather than an HD because both price and oscillator dipped approximately

at the same time.

The next HD occurred at point 5. In October, the oscillator at point 5 was lower than it had been at 4, yet the price low was higher than it had been at either points 3 or 4. This was another place to enter or buy more contracts. Traders would have seen the bearish classic divergence in September and October as price continued to make new highs, while the indicator made lower highs. Some would have thought the move was over, but those who exited might have spotted the HD re-entry oppor- tunity at point 7 when the indicator was well below point 5 and the price low was higher than it had been at point 5, suggesting a price rally.

The “X” at point 6 in Figure 3 calls attention to a variation that I call the second-point lookback, which can be used when looking for hidden divergences. Most of the time, the HD will occur between the last two indicator lows such as those between points 4 and 5. Sometimes, though, it is important to look at the low made two indicator points ago. In this case, the indicator low at point 7 was lower than the indicator low at 6

— the preceding indicator low — but then so was the price low. That produced a confirmation with price and would appear to negate the pattern. However, a look back to the

FIGURE 4: BEARISH HIDDEN DIVERGENCE ON JUNE 1995 LIVE CATTLE.

Bearish hidden divergences appear in downtrending markets when the indicator makes a series of higher highs but price makes a series of lower highs.

5-15 price oscillator

1 2

KSU

FIGURE 5: KANSAS CITY SOUTHERN INDUSTRIES WITH BEARISH HIDDEN

DIVERGENCE. Several bearish hidden divergences appeared during a protracted price decline on this stock.

5-15 price oscillator

GNCI

FIGURE 6: VARIOUS NONCONFIRMATIONS WITH GENERAL NUTRITION. Stock

prices showed a bullish hidden divergence as it moved up and bearish hidden divergences during its downturn. A classic bearish divergence occurred at the price top prior to the decline, and a trendline drawn from the price lows from points 1 and 2 helped confirm the trend change.

indicator low at point 6 showed that it was higher than point 5 and that point 7 was lower than both points 5 and 6 and that the price low was higher at both points 6 and point 7 in relation to point 5. Many times, this indicates either a resumption of the up move or a rally to retest the top.

THE BEARISH HIDDEN DIVERGENCE

In a bearish HD, price makes a lower high, but the indicator makes a higher high. This type of nonconfirmation is mainly found during corrective ral- lies in a downtrend but may also occur during retests of a price top. Bearish HDs signal

potential underlying weakness in a security.

An example of bearish hidden divergence appeared on the June 1995 cattle chart (Figure 4). Following a steady two- month decline, price rallied in April to form point 1. After a brief decline, price rallied again to form point 2, which moved the indicator to a higher level than it had been at point 1. However, price made a lower high at its own point 2. The lower price high, accompanied by a higher indicator high, produced a bearish hidden divergence, and prices continued their de- cline. In May, another price rally ensued, taking both price and indicator to their respective point 3s. Because the indicator was higher at point 3 than at point 2 and the price high was lower at point 3 than at point 2, point 3 would be labeled as another hidden divergence.

But this proved to be a false hidden divergence, as price rose above the point 3 high within the next few days. A false hidden divergence is similar to a false classic divergence in that momentum has changed but not enough to produce a major price change. A trendline drawn from the price top of point 2

to the price top of point 3 would have been broken to the upside, suggesting a place to exit the trade.

The NYSE stock in Figure 5, Kansas City Southern Indus- tries [KSU], declined during the last half of 1994. Several of the corrective rally attempts in the stock produced bearish hidden divergences. A price rally push in July (point 2) double-topped with the June rally. However, the indicator at point 2 was higher than it was at point 1.

This bearish HD led to a resumption of the decline. Point 3 confirmed the decline because it made a lower high. However, the August price rally drove the indicator above the zero line into positive territory (point 4). But the price high at point 4 was lower than at point 3, which set up another bearish HD. Price point 5 was a confirming move, since both price and the oscillator made lower highs. At point 7, however, a potential bearish HD emerged when price made an approximate double top, with the price high at point 6 while the indicator was higher at point 7 than it had been at point 6 and price continued to move down.

ALL TOGETHER NOW

As can be seen in Figure 6, General Nutrition [GNCI] displayed both bullish and bearish HDs as well as bearish classic diver- gence. As price rose from 191/2 to 26, the stock showed a bullish hidden divergence at point 2, which led to the double top where the oscillator formed a classic bearish divergence at point B. If a trendline were drawn from the price lows at points 1 and

2, it would have broken to the downside in November and a change of trend suggested. At point 3, both price and the oscillator made lower lows than they had at point 2, which helped confirm the trend change. (Even though the price lows at points 2 and 3 were higher than at point 1, the indicator was lower at both points 2 and 3 than at point 1 so the pattern did not meet the second-point lookback criteria.) Point 4 was a confirmation move rather than a nonconfirmation.

The first bearish HD occurred at point 5, when the oscillator double-topped at its point 4 high and price was below its point

Bonds

8 10

Momentum

Bonds

FIGURE 7: BULLISH AND BEARISH HIDDEN DIVERGENCE USING WILLIAMS’

% R. Many indicators can display hidden divergences. Here, the US Treasury bondsshowhiddendivergenceswith Williams’ %R, which is found onmostsoftware charting packages.

FIGURE 8: BULLISH AND BEARISH HIDDEN DIVERGENCE USINGTHE MOMEN-

TUM INDICATOR. Another indicator commonly found on charting software is momentum. It also showed hidden divergences on US T-bonds.

4 high. The next bearish HD took place at point 6 where the indicator rose above its point 5 high, but price failed to take out its point 5 high. Price then continued to decline to the $18 level. Figure 6 also shows that not all hidden divergences lead to large price moves. Let me note here, however, that hidden divergences generally do help to keep a trader on the right side

of the trend.

EXPERIMENT WITH YOUR FAVORITES

There is nothing magical about the 5-15 price oscillator; hidden divergences appear on many indicators. Figures 7 and 8 illustrate HDs on the June 1996 bond chart using Williams’

%R† and momentum† indicators, both of which can be found on most charting software. Different indicators will display HDs at different places on the price chart, and some indicators may produce more hidden divergences than others.

The 14-unit Williams’ %R exhibited bullish hidden diver- gence at the indicator double bottom at points 1 and 2 as price made higher lows at each of those points. Other bullish HDs occurred at points 2 and 3, 3 and 4, 4 and 5 and points 7 and 9. An indication of a trend reversal appeared at point 10 when %R made a higher high than it had at either points 6 or 8, but the price high at point 10 was lower than at points 6 and 8. Price support at point 9 was broken to the downside following the bearish HD. The decline continued following another bearish HD at point 12.

default level on MetaStock software.) Despite bearish classic divergence at points A, B and C on the momentum indicator as price moved up above the 120 level during the last four months of 1995, bullish HDs were evident between points 1 and 2, 2 and 3, 3and 5, and 5 and 7. The first sign of a bearish HD came in January, when point 6 on the indicator double topped with point 4 as price made a lower high at point 6. The trend change was confirmed when price broke support at points 5 and 7. The second bearish HD occurred at points 8 and 9, which was followed by a swift five-point decline.

Just as classic divergence does not appear on every price chart, so it is with hidden divergence. But when HDs do appear, they are worthy of attention, as they can add to your profit potential by keeping you on the right side of a trend or by confirming a trend change. The trick is to train your eye to recognize a hidden divergence when it presents itself. Now that you know what to look for, see if you can spot them on the indicators you like to use.

Barbara Star, a university professor and part-time trader, leads a MetaStock users group and is vice president of the Market Analysts of Southern California.