#Rosalie Varda
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lonesomedreamereccentriclover ยท 1 year ago
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Happy Birthday Agnรจs Varda!
Born May 30, 1928
Died March 29, 2019 (90)
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saturniasxenos ยท 2 months ago
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PINK N PRETTY ID PACK
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Inside this pack, you will find: Pronouns, Titles, Names, and Genders that relate to Pink colors, Pink stuff, Cute things, Pretty things, and anything alike! (I put whatever I (personally) thought was cute, pink, and/or pretty.) + (Includes Masc titles & names)
No matter who you are, or what you look like, YOU ARE PRETTY. ๐Ÿซถ
"How many emoji pronouns do you want?"
"Yes."
This entire pack was inspired by an OC of mine called Lotus ๐Ÿฉท๐Ÿชท
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Pronouns:
Pi/Pin/Pink/Pinks/Pinkself
Ro/Ros/Rose/Roses/Roseself
Ro/Ros/Rosa/Rosas/Rosaself
Lo/Lov/Love/Loves/Loveself
Hea/Hear/Heart/Hearts/Heartself
Blo/Bloo/Bloom/Blooms/Bloomself
Fla/Flami/Flamingo/Flamingos/Flamingoself
Fu/Fuch/Fuchsia/Fuchsias/Fuchsiaself
Or/Orch/Orchid/Orchids/Orchidself
Wate/Waterme/Watermelon/Watermelons/Watermelonself
Lo/Lot/Lotus/Lotuses/Lotusself
Pe/Pet/Petal/Petals/Petalself
Che/Cherr/Cherry/Cherrys/Cherryself
Blo/Bloss/Blossom/Blossoms/Blossomself
Ce/Ceri/Cerise/Cerises/Ceriseself
Pea/Peae/Peach/Peachs/Peachself
Blu/Blus/Blush/Blushs/Blushself
Tu/Tuli/Tulip/Tulips/Tulipself
Cu/Cut/Cute/Cutes/Cuteself
Pre/Prett/Pretty/Prettys/Prettyself
Ma/Mage/Magenta/Magentas/Magentaself
Pa/Pas/Pastel/Pastels/Pastelself
Swe/Swae/Sweet/Sweets/Sweetself
Flo/Flow/Flower/Flowers/Flowerself
Flo/Flor/Flora/Floras/Floraself
Pre/Preci/Preciae/Precious/Preciousself
Ri/Ribb/Ribbon/Ribbons/Ribbonself
Fri/Frill/Frillae/Frills/Frillself
Do/Doll/Dolly/Dolls/Dollself
Co/Cor/Coral/Corals/Coralself
Da/Daw/Dawn/Dawns/Dawnself
Sun/Sunse/Sunset/Sunsets/Sunsetself
Hib/Hibis/Hibiscus/Hibiscuses/Hibiscusself
Dia/Diam/Diamond/Diamonds/Diamondself
Gem/Gemsto/Gemstone/Gemstones/Gemstoneself
Gor/Gorge/Gorgeous/Gorgeousness/Gorgeousself
La/Lac/Lace/Laces/Laceself
Pu/Puff/Puffy/Puffys/Puffyself
Flu/Fluff/Fluffy/Fluffys/Fluffyself
Pom/Pomp/Pompom/Pompoms/Pompomself
Po/Pop/Poppy/Poppys/Poppyself
Chrys/Chrysan/Chrysanthemum/Chrysanthemums/Chrysanthemumself
Ast/Aste/Aster/Asters/Asterself
Ga/Garn/Garnet/Garnets/Garnetself
Pe/Pear/Pearl/Pearls/Pearlself
Op/Opa/Opal/Opals/Opalself
Qua/Quart/Quartz/Quartzs/Quartzself
Bub/Bubble/Bubblegum/Bubblegums/Bubblegumself
Car/Carna/Carnation/Carnations/Carnationself
Stra/Straw/Strawberry/Strawberrys/Strawberryself
Ma/Mau/Mauve/Mauves/Mauveself
Sa/Sak/Sakura/Sakuras/Sakuraself
Li/Lil/Lily/Lilys/Lilyself
Emoji Pronouns: ๐Ÿ’‹/๐Ÿ’‹'s, ๐Ÿ’„/๐Ÿ’„'s, ๐Ÿ’…/๐Ÿ’…'s, ๐Ÿฉท/๐Ÿฉท's, ๐Ÿชท/๐Ÿชท's, ๐Ÿท/๐Ÿท's, ๐Ÿ–/๐Ÿ–'s, ๐Ÿฆ‘/๐Ÿฆ‘'s, ๐Ÿฆฉ/๐Ÿฆฉ's, ๐ŸŒธ/๐ŸŒธ's, ๐ŸŒบ/๐ŸŒบ's, ๐ŸŒท/๐ŸŒท's, ๐Ÿ‘/๐Ÿ‘'s, ๐Ÿฉฐ/๐Ÿฉฐ's, ๐ŸŽ€/๐ŸŽ€'s, ๐Ÿงธ/๐Ÿงธ's, ๐ŸŒน/๐ŸŒน's, ๐Ÿ‘›/๐Ÿ‘›'s, ๐Ÿ’•/๐Ÿ’•'s, ๐Ÿ’ž/๐Ÿ’ž's, ๐Ÿ’“/๐Ÿ’“'s, ๐Ÿ’–/๐Ÿ’–'s, ๐Ÿ’—/๐Ÿ’—'s, ๐Ÿ’˜/๐Ÿ’˜'s, ๐Ÿ’/๐Ÿ’'s, ๐Ÿ’/๐Ÿ’'s, ๐Ÿฅ/๐Ÿฅ's, ๐Ÿง/๐Ÿง's, ๐Ÿง/๐Ÿง's, ๐Ÿ’’/๐Ÿ’’'s, ๐Ÿฉ/๐Ÿฉ's, ๐Ÿงผ/๐Ÿงผ's, ๐Ÿ’Œ/๐Ÿ’Œ's, โค/โค's, ๐Ÿ’”/๐Ÿ’”'s, โฃ๏ธ/โฃ๏ธ's, โค๏ธโ€๐Ÿฉน/โค๏ธโ€๐Ÿฉน's, โค๏ธโ€๐Ÿ”ฅ/โค๏ธโ€๐Ÿ”ฅ's, โ™ฅ/โ™ฅ's, โ™ฆ/โ™ฆ's, ๐Ÿฆ„/๐Ÿฆ„'s, ๐Ÿฆข/๐Ÿฆข's
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Titles:
Pretty In Pink
(X) Who's Pink
The Prettiest
Perfect Pink
The Pink One
Dancing With Pink Petals
(X) Who Loves Pink
(X) Who Feels Pretty
Sparkling
(X) Who Sparkles
Sparkling In Pink
(X) Who's Aura Is Pink
The Pink Spirit
The Cute Spirit
The Pink Creature
Dancing With Doves
The Pretty Dove
The Pretty Creature
The Pretty Pink Spirit
The Pretty Spirit
(X) Who Blooms
(X) Who Blossoms
The Blossoming Flower
The Pink Flower
The Pretty Flower
Deity of Pink
God of Pink
Goddess of Pink
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Names:
Fem: Aphrodite, Ara, Azalea, Amora, Amaranth, Annabella, Annabelle, Amandine, Aimee, Aelia, Alani, Aviva, Briallen, Belle, Blossom, Bellerose, Begonia, Blush, Briar, Coral, Celia, Colette, Cerise, Clary, Camellia, Cherry, Carnation, Coralie, Coraline, Desiree, Dahlia, Dennise, Eglantine, Elodie, Elke, Esme, Fae, Fuchsia, Flamina, Flora, Fraise, Garnet, Hana, Huong, Heather, Isadora, Irisa, Jada, Jadah, Jalajaa, Keasha, Koral, Kamelia, Lien, Linnea, Lacey, Lyanne, Laelia, Leilani, Lotus, Mink, Mimose, Magenta, Mauve, Nerine, Odessa, Peony, Pearl, Petunia, Pinkie, Pink, Pinkus, Pinkney, Rosella, Rosanna, Rose, Rosie, Rosa, Rosalie, Rosaline, Rosalind, Rosabella, Rosita, Roseanna, Roseanne, Rydell, Rora, Rada, Rhoda, Sharyn, Sonnet, Scarlett, Sadie, Sandhya, Teuila, Varda, Venus, Xiloxoch, Yvete, Zelie,
Masc: Asmodeus, Amandus, Amadeus, Aziz, Amias, Altansarnai, Alroy, Astilbe, Akala, Amado, Amato, Connelly, Caleb, Cordovan, Carwyn, Corwin, Cordian, Dariel, Dante, Dilan, David, Darell, Eros, Fuchsio, Florian, Fenmore, Floyd, Geranium, Gul, Gulabi, Gulzar, Haneul, Hart, Jamil, Jared, Kiefer, Kevin, Kamal, Kunal, Lohan, Leif, Lennon, Milos, Manik, Manu, Magento, Mauverell, Mawar, Phlox, Roz, Rosario, Rosalio, Rosen, Razzmatazz, Rosamel, Roosevelt, Rouge, Rosewood, Rosewell, Rozovo, Roth, Thulian, Taffy, Vered, Zahri,
Neu: Amor, Aruna, Aphro, Adonis, Ambrose, Ceri, Callisto, Ceinwen, Carmine, Cassius, Corentin, Cupid, Dianthe, Erasmus, Erastus, Erato, Francis, Kamon, Kokoro, Koharu, Kirani, Kaipo, Lerato, Loxi, Martie, Maud, Mallow, Noa, Nasrin, Parvati, Obi, Pembe, Primrose, Paris, Rozene, Sakura, Sorrell, Salmon, Sashiro, Syd, Valentine, Valentino, Vaihere, Varuna, Xinyi, Zerah,
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Genders:
Viosalimi - a gender connected to liminal spaces in the colors of pink & purple, whether it be the color combo or the two separately.
Ivsidirosen - a colorgender connected to the colors pink, black, and white
Pinkribbon - a gender under the genderribbon system which is related to the color pink & ribbons ; like ribbons being colored pink or being the color pink that loves ribbons , or any other combination of the two .
Pinkangeldigital / Pinkangelvirtual - a gender in which your gender is related to virtualย /ย digital themes and pink angels, being a virtual/ digital pink angel, being a pink angel and loving virtual / digital themes, being a virtualย /digital being who loves pink and angel themes, etc!
Pinkmagicalgirlic - a xenogender that relates to being a pink magical girl. it can also relate to the aesthetic of pink magical girls, the colour pink, or being a magical girl !! the gender often feels feminine or neutral .
Pinkdollic - A gender under the genderdollic system related to the color pink and being a doll
Pinkshirofoxic - a gender related to white foxes, pastel pink, and soft aesthetics.
Pinkadorded - a gender under genderadored related to being adorable ) adored and the color pink . may be related to being the color pink who is adored by all , the color pink who is adorable or being the color pink and adored.
Strawlovecatrum - a masculine- and neutral-in-nature xenogender that is best described by strawberries, lovecore, pink, and cats!
Pinkpresentic - A gender that presents itself in a pink way/as pink/in a way that involves a lot of pink. Can be used as a descriptor for other terms
Pinkrufflic - a xenogender relating to pink and ruffles, or pink in a ruffly way
Pinkabomination - a gender connected to being an abomination of pink , being an abomination in a pink way , etc.
Pinkcutecorian - a gender related to cutecore, pastel pink, and cutesy fashion
Pinkbratfem - a gender related to pink, being a stereotypical "bratty girl" and being transfem
Redpinkic - a gender connected to the colors red and pink, specifically when they're together
Pinkvampgender - A gender in which you are connected to vampires, softness, and the cuteness of pink, soft vampires.
Pinkgender - an aesthetigender under the colorgender umbrella connected to the color pink. One who is pinkgender might feel as though their gender is validated by the color pink, or as though their gender is best described as the color pink.
Pinkmetropolistic - A gender related to pink cities or cities that primarily have the color pink in them
[Link] Pixelovic - a gender related to pixel hearts, chiptune music, love, and the colors pink and red ๐Ÿฉท๐Ÿฉท Loverwave - a gender connected to love, being a lover, and being a wave
Feinflambelle - a fein gender connected to pink, make-up, nail polish, perfume, flamboyant dressing, bright colours, dresses, and skirts.
Pinkautix โ€” A subset of autigender related to the color pink
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detournementsmineurs ยท 10 months ago
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"Jean-Luc Godard et Anna Karina avec Rosalie Varda le Jour de leur Mariage, Paris" par Agnรจs Varda (1961) et "Agnรจs Varda au New York Film Festival avec un Badge Dรฉdiรฉ ร  Jean-Luc Godard" par Elliott Landy (1966) prรฉsentรฉs ร  la rรฉtrospective "Viva Varda !" de la Cinรฉmathรจque Franรงaise, janvier 2024.
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prose2passion ยท 1 year ago
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dillinger ยท 2 years ago
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AGNรˆS VARDA
LA POINTE COURTE, FROM PHOTOGRAPHS TO FILM
CLOรŽTRE SAINT-TROPHIME
3 JULY - 24 SEPTEMBER 2023
09.00 AM - 07.00 PM
BILLETTERIE
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Agnรจs Varda cherished a particular fondness for Sรจte.ย Sรฉtoiseย by adoption as a teenage refugee there during World War II, she returned to the town every year until the beginning of the 1960โ€™s. She began in 1947 as an amateur photographer, then turned professional. Her Rolleiflex captured friends, sailors, the quays of the southern town, water jousts on the canalsโ€ฆ and soon the fisherfolk and narrowย traversesย of Pointe courte, the working-class neighborhood by the ร‰tang de Thau that anchors her first film, shot in 1954.
Agnรจs Vardaโ€™s contact sheets reveal her photographic journey. When we compare the 800-odd photos she took in Sรจte with the painstaking selection the young woman undertook in 1953 to prepare her film, we begin to see her vision. These are not film stills of the shooting or the set, but images antedating the idea of the film or forming part of its conception. These reference and scouting photographs, collected on nine sheets, were her inspiration for scenes, atmospheres, even particular shots. Her favorite subjects and motifs are confirmed by their reappearance in contemporary or subsequent prints.
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Alternating a graphic and a realist style, Agnรจs Varda produced a radical film, appreciated by cinephiles and critics of the time. Many saluted the originality of its script and especially the daring of its maker, known as the official photographer of the Festival dโ€™Avignon and the Thรฉรขtre National Populaire. Produced on a shoestring,ย La Pointe Courteโ€™s artistic independence broke with the codes of the eraโ€™s cinema to the point of being qualified as a precursor of the Nouvelle Vague.
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With her first photography show in June in her courtyard on the rue Daguerre (Paris 14) and the shooting that summer of her first film, 1954 crystallized for Varda the connection between these two modes of expression, announcing a unique body of work.
Carole Sandrin
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CURATOR: CAROLE SANDRIN, ASSISTED BY ELISA MAGNANI. WITH THE HELP OF ROSALIE VARDA AND THE CINร‰-TAMARIS TEAM: SHร‰RINE EL SAYED TAIH, JULES MARTIN. EXHIBITION COPRODUCED BY THE INSTITUT POUR LA PHOTOGRAPHIE DES HAUTS-DE-FRANCE AND THE RENCONTRES Dโ€™ARLES.ย  WITH SUPPORT FROM KERING |ย WOMEN IN MOTION.
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poumpatate ยท 6 months ago
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Rosalie Varda liked my insta post promoting out next episode about the umbrellas of Cherbourg
I know she's well aware of everything that's happening concerning her family's legacy but still kinda want to scream
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abwwia ยท 9 months ago
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Agnรจs Varda, โ€œThe Widows of Noirmoutierโ€ (2006). View of the exhibition โ€œAgnรจs Varda, Lโ€™ile et Elle,โ€ Fondation Cartier pour lโ€™art contemporain, Paris, 2006, image courtesy Cinรฉ-Tamaris. ยฉEstate of Agnรจs Varda
visionandartproject.org/features/an-interview-with-rosalie-varda-about-agnes-varda
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chansonsinternationales ยท 1 year ago
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Rosalie Vardaย : "Agnรจs avait toujours l'ล“il malicieux"
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princess-maker2 ยท 1 year ago
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ํ”„๋ฆฐ์„ธ์Šค ๋ฉ”์ด์ปค 2 19 ๋ฒ„์ „ ๋‹ค์šด (dd ์‚ญ์ œ)
ํ”„๋ฆฐ์„ธ์Šค ๋ฉ”์ด์ปค 2 19 ๋ฒ„์ „ ๋‹ค์šด (dd ์‚ญ์ œ) ๊ธฐ๋Šฅ ๋ชจ๋“œ ์žˆ์Šต๋‹ˆ๋‹ค.
ํ”„๋ฆฐ์„ธ์Šค ๋ฉ”์ด์ปค 2 ๋‹ค์šด๋กœ๋“œ <
ํ”„๋ฆฐ์„ธ์Šค ๋ฉ”์ด์ปค 2 ์—”๋”ฉ ๊ณต๋žต ๋ฌด์‚ฌ์ˆ˜ํ–‰ 19 ์ŠคํŒ€ ์น˜ํŠธ ๊ฐ€๋Šฅํ•ฉ๋‹ˆ๋‹ค. ๊ณ ๊ธ‰ ์ฐฝ๋ถ€ ๋น„๋งŒ ๋ฆฌํŒŒ์ธ ์—”๋”ฉ๊นŒ์ง€ ๋ฌธ์ œ ์—†์Šต๋‹ˆ๋‹ค. ์ŠคํŒ€ ๋„์ŠคํŒ ๋ชจ๋ฐ”์ผ ์ „์ฒดํ™”๋ฉด ์ง€์›ํ•˜๋ฉฐ ์Šคํ‚ต ๊ฐ€๋Šฅํ•ฉ๋‹ˆ๋‹ค. ํ™”๋ฉด ํฌ๊ธฐ ์„ค์ • ํ• ์ˆ˜ ์žˆ์œผ๋‹ˆ ํ”„๋ฆฐ์„ธ์Šค ๋ฉ”์ด์ปค 2 ๋ฌด์„ค์น˜ ๋ฒ„์ „์œผ๋กœ ๋„์ŠคํŒ, ์ผ๋ณธํŒ 19๋ฒ„์ „ ์ž„์‹  ๊ฐ€๋Šฅํ•ฉ๋‹ˆ๋‹ค. ๋””๋ฒ„๊ทธ์™€ ๋ฆฌํŒŒ์ธ ์˜ท์‚ญ์ œ ํ• ์ˆ˜ ์žˆ๊ณ  ddํŒŒ์ผ ํ†ตํ•ด์„œ ๋น„๋งŒ, ๋””๋ฒ„๊ทธ ๊ฐ€๋Šฅํ•ฉ๋‹ˆ๋‹ค. ํ’์œ ํ™˜ ์ฐจ์ด๋Š” ๋ชจ์ž์ดํฌ ์ œ๊ฑฐ ๋ฒ„์ „ ์ž…๋‹ˆ๋‹ค.
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Agnรจs Varda๊ฐ€ ์ฃฝ์—ˆ์„ ๋•Œ, ๊ทธ๋…€๊ฐ€ ์ด๋ฏธ ๊ทธ๋…€์˜ ์‚ถ๊ณผ ์ผ์— ๋Œ€ํ•ด ๋ชจ๋“  ๊ฒƒ์„ ๋งํ–ˆ๋‹ค๊ณ  ๋ฏฟ์„ ์ˆ˜ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค. ์•”์œผ๋กœ ์„ธ์ƒ์„ ๋– ๋‚˜๊ธฐ ํ›จ์”ฌ ์ „์ธ 2019๋…„ 3์›” 29์ผ, ๊ทธ๋…€๋Š” ์ž์ „์  ์˜ํ™”, ์ฑ…, ์žฅ๊ธฐ ์ธํ„ฐ๋ทฐ๋กœ ์ž์‹ ๋งŒ์˜ ์ถ”๋ชจ๋ฅผ ์ƒˆ๊ธฐ๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค.
์šฐ๋ฆฌ๋Š” ๊ทธ๋…€๊ฐ€ ์œ ์ผํ•œ ํ”„๋ฆฐ์„ธ์Šค ๋ฉ”์ด์ปค 2 19 ๋ฒ„์ „ ๋‹ค์šด (dd ์‚ญ์ œ) ๊ฐ๋…์ด ๋  New Wave ์ง์ „์˜ ์˜ํ™” ์ œ์ž‘์ž๋กœ์„œ์˜ ์‹œ์ž‘์— ๋Œ€ํ•œ ์ด์•ผ๊ธฐ๋ฅผ ์•Œ๊ณ  ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค. 1950๋…„๋Œ€ ๋ง ์žํฌ ๋“œ๋ฏธ ๊ฐ๋…๊ณผ์˜ ๋งŒ๋‚จ, ํŽ˜๋ฏธ๋‹ˆ์ŠคํŠธ๋กœ์„œ์˜ ํ—Œ์‹ , ์šฐ์ •(์—ฌ๋ฐฐ์šฐ ์ œ์ธ ๋ฒ„ํ‚จ, ๋ธํ•€ ์„ธ๋ฆฌ๊ทธ ๋“ฑ); ๊ทธ์˜ ์˜ํ™”(Clรฉo from 5 to 7, 1962๋…„, Without roof or law, 1985๋…„, Les Gleaners and the Gleaner in 2000โ€ฆ). rue Daguerre, 1951๋…„๋ถ€ํ„ฐ ๊ทธ๋…€๊ฐ€ ๊ฑฐ์ฃผํ•˜๊ณ  ์ผํ–ˆ๋˜ ํŒŒ๋ฆฌ 14แต‰ ๊ตฌ์˜โ€ฆ
๊ทธ๊ฐ€ 90์„ธ์˜ ๋‚˜์ด๋กœ ์„ธ์ƒ์„ ๋– ๋‚ฌ์„ ๋•Œ ๊ทธ์˜ ๊ธฐ๋ก ๋ณด๊ด€์†Œ๋Š” ๊ฑฐ์˜ ์ •๋ˆ๋˜์–ด ์žˆ์—ˆ๊ณ  ๊ทธ์˜ ๋‘ ์ž๋…€์ธ Rosalie Varda-Demy์™€ Mathieu Demy๊ฐ€ ์ „์Šน์„ ๋ณด์žฅํ–ˆ์Šต๋‹ˆ๋‹ค. Agnรจs Varda์˜ ์ž‘์—…๊ณผ ๊ทธ๋…€์˜ ๊ธฐ์–ต์€ ์‚ด์•„๋‚จ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๊ฒƒ๋“ค์€ ์ฃฝ์€ ๋งŽ์€ ์˜ํ™”์ œ์ž‘์ž๋“ค์ฒ˜๋Ÿผ ์ˆ˜๋…„์— ๊ฑธ์ณ ์„œ์„œํžˆ ํฌ๋ฏธํ•ด์กŒ์„ ์ˆ˜๋„ ์žˆ๋‹ค.
๊ทธ๊ฐ€ ์„ธ์ƒ์„ ๋– ๋‚œ ์ง€ 4๋…„์ด ์ง€๋‚œ 2023๋…„ ์˜ฌ ์—ฌ๋ฆ„์€ ์šฐ๋ ˆ์™€ ๊ฐ™์€ ๋ฐ”๋ฅด๋‹ค ์ถ•์ œ์˜ ํ˜•ํƒœ๋ฅผ ์ทจํ•ฉ๋‹ˆ๋‹ค. ์˜ํ™”์ œ์ž‘์ž, ์‚ฌ์ง„์ž‘๊ฐ€, ์˜ˆ์ˆ ๊ฐ€, ์šด๋™๊ฐ€โ€ฆ Arles์—์„œ ์—ด๋ฆฌ๋Š” ๋‘ ๋ฒˆ์˜ ์ „์‹œํšŒ: Rencontres de la photographie์˜ ์ผํ™˜์œผ๋กœ "La Pointe courte. ์‚ฌ์ง„์—์„œ ์˜ํ™”๋กœ", Sรจte์˜ ์–ด์ดŒ ์ง€์—ญ์—์„œ ๊ทธ์˜ ์ฒซ ๋ฒˆ์งธ ์˜ํ™” ์ดฌ์˜ ์ด๋ฏธ์ง€์— ์ „๋…ํ•ฉ๋‹ˆ๋‹ค. ๋‹ค๋ฅธ ํ•˜๋‚˜๋Š” LUMA ์žฌ๋‹จ์—์„œ "๋‚˜๋ฌด๋ฅผ ๋ณด์ง€ ์•Š๋Š” ๋‚ ์€ ๋นŒ์–ด๋จน์„ ๋‚ "์ด๋ผ๋Š” ์ œ๋ชฉ์œผ๋กœ ์•„๊ทธ๋„ค์Šค ๋ฐ”๋ฅด๋‹ค์˜ ๊ฐœ์ธ ๊ธฐ๋ก ๋ณด๊ด€์†Œ์— ์žˆ๋Š” ๋ฉ”๋ชจ์—์„œ ๋ฐœ์ทŒํ•œ ๋ฌธ์žฅ์œผ๋กœ ์‹œ๊ฐ ์˜ˆ์ˆ ๊ฐ€๋กœ์„œ์˜ ๊ทธ๋…€์˜ ์ž‘์—…์„ ๋ณด์—ฌ์ค„ ์˜ˆ์ •์ด๋‹ค. ๋ถ€๋ถ€ ๋‚ด์—์„œ ์„ฑ๋งค๋งค ๊ฐ€๊ฒฉํ‘œ๋ฅผ ์ ์šฉํ•œ๋‹ค๋ฉด ๋‹น์‹ ์€ ๊ฐ€๋‚œํ• ๊นŒ, ๋ถ€์ž์ผ๊นŒ? ๋ˆ„๊ฐ€, ์–ผ๋งˆ๋ฅผ, ์–ด๋–ค ์„œ๋น„์Šค์— ๋Œ€ํ•ด ์ง€๋ถˆํ•ฉ๋‹ˆ๊นŒ? ๋ˆˆ์„ ๊นœ๋นก์ด์ง€ ์•Š๊ณ  Joan Chelimo๋Š” 2021๋…„ 10์›” 13์ผ ์ดํ›„ ๊ทธ๋…€์˜ ๊ธฐ์–ต์„ ๊ดด๋กญํžŒ "ํ”ผ์˜ ์›…๋ฉ์ด"์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•ฉ๋‹ˆ๋‹ค. 32์„ธ์˜ ์ผ€๋ƒ ๋งˆ๋ผํ†ค ์„ ์ˆ˜๋Š” ์ง€๊ตฌ๋ ฅ์„ ๋งˆ์นœ ํ›„ Iten์˜ ์ž‘์€ ๋งˆ์„์— ์žˆ๋Š” ๊ทธ๋…€์˜ ์ง‘์—์„œ ์‰ฌ๊ณ  ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค. ์„ธ์…˜, ๊ทธ๋…€๊ฐ€ ์ „ํ™”๋ฅผ ๋ฐ›์•˜์„ ๋•Œ. ํ•จ๊ป˜ ํ›ˆ๋ จํ•˜๋˜ ์นœ๊ตฌ Agnes Tirop์ด ๋ฐฉ๊ธˆ ๊ฑฐ์‹ค์—์„œ ์ฃฝ์€ ์ฑ„ ๋ฐœ๊ฒฌ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
๋ช‡ ์ฃผ ์ „์— ์ฑ”ํ”ผ์–ธ์€ 10km ๋กœ๋“œ ๋ ˆ์ด์Šค์˜ ํ”„๋ฆฐ์„ธ์Šค ๋ฉ”์ด์ปค 2 19 ๋ฒ„์ „ ๋‹ค์šด (dd ์‚ญ์ œ) ์„ธ๊ณ„ ๊ธฐ๋ก์„ ์‰ฝ๊ฒŒ ๊นจ๋œจ๋ ธ์Šต๋‹ˆ๋‹ค. ๋”์ฐํ•œ ์†Œ์‹์„ ๋ฏฟ์ง€ ์•Š๋Š” Joan Chelimo๋Š” ์ด๋ฏธ ๋งŽ์€ ๊ตฌ๊ฒฝ๊พผ๋“ค์ด ๋ชจ์—ฌ์žˆ๋Š” ์ž‘์€ ๋ฒฝ๋Œ์ง‘ ์ธ ์นœ๊ตฌ์˜ ์ง‘์œผ๋กœ ๋‹ฌ๋ ค๊ฐ‘๋‹ˆ๋‹ค. ์—ด๋ ฌํ•˜๊ฒŒ ๊ทธ๋…€๋Š” ์ฐฝ๊ฐ€๋กœ ํ–ฅํ•ฉ๋‹ˆ๋‹ค. Joan Chelimo๋Š” ๋ฐ”๋‹ฅ์— ๋ˆ„์›Œ์žˆ๋Š” ์‹œ์ฒด๋ฅผ ๋ด…๋‹ˆ๋‹ค. Agnes Tirop์€ ์‚ฝ์œผ๋กœ ๋จธ๋ฆฌ๋ฅผ ๋งž๊ณ  ๋ชฉ์„ ์ฐ”๋ €์Šต๋‹ˆ๋‹ค.
โ€œ๊ฐ‘์ž๊ธฐ ๋ฐค์ด ๋‚˜๋ฅผ ์‚ผํ‚จ ๊ฒƒ ๊ฐ™์•„์š”. ๋‚˜๋Š” ๊ฑฐ์˜ ๊ธฐ์ ˆํ–ˆ์Šต๋‹ˆ๋‹ค.โ€๋ผ๊ณ  ์ฃผ์ž๊ฐ€ ๋งํ•ฉ๋‹ˆ๋‹ค. ๋‹ค์Œ๋‚  ๊ฒฝ์ฐฐ์€ ์‚ด์ธ ํ˜์˜์ž ์ธ Agnes Tirop์˜ ๋‚จํŽธ์„ ์ฒดํฌํ•ฉ๋‹ˆ๋‹ค. ์ด ์†Œ์‹์€ Joan Chelimo์—๊ฒŒ ์ „๊ธฐ ์ถฉ๊ฒฉ๊ณผ ๊ฐ™์Šต๋‹ˆ๋‹ค. 2022๋…„ ์„œ์šธ๋งˆ๋ผํ†ค ์šฐ์Šน์ž๋Š” ์นœ๊ตฌ๋ฅผ ์œ„ํ•ด ์ƒˆ๋กœ์šด ์‹ธ์›€์„ ์ด๋Œ๊ธฐ๋กœ ํ•œ๋‹ค. โ€œ๊ฐ€์ • ํญ๋ ฅ์— ๋Œ€ํ•œ ์ด ์ด์•ผ๊ธฐ๋Š” ์ด ์ฃผ๋ณ€์˜ ์ˆ˜๋งŽ์€ ์ฃผ์ž๋“ค์˜ ์ด์•ผ๊ธฐ์ž…๋‹ˆ๋‹ค. ๋‚ด๊ฐ€ ๊ทธ๋…€๋ฅผ ์•Œ๊ณ  ๊ทธ๋…€๊ฐ€ ์œ ๋ช…ํ–ˆ๊ธฐ ๋•Œ๋ฌธ์— ์•„๋งˆ๋„ ๊ทธ๊ฒƒ์€ ๋‚˜๋ฅผ ๊นจ์› ๋‹ค. ๋‚˜๋Š” ๋” ์ด์ƒ ์•„๊ทธ๋„ค์Šค๊ฐ€ ๏ฟฝ๏ฟฝ๏ฟฝ๋„๋ก ์‹ธ์šฐ๊ธฐ๋กœ ํ”„๋ฆฐ์„ธ์Šค ๋ฉ”์ด์ปค 2 19 ๋ฒ„์ „ ๋‹ค์šด (dd ์‚ญ์ œ) ๊ฒฐ์‹ฌํ–ˆ๋‹ค. ยป
์ผ€๋ƒ ์„œ๋ถ€์— ์žˆ๋Š” ์ผ€๋ฆฌ์˜ค ๋ฐธ๋ฆฌ(Kerio Valley) ๊ณ ์›์˜ ๋ฌด์„ฑํ•˜๊ณ  ๊ฐ€ํŒŒ๋ฅธ ๊ด‘ํ™œํ•จ ์†์—์„œ ๊ธธ์„ ์žƒ์€ ์ดํ…(Iten)์€ ๊ตญ์ œ ์žฅ๊ฑฐ๋ฆฌ ๋‹ฌ๋ฆฌ๊ธฐ์˜ ๊ฑฐ์žฅ๋“ค์˜ ๋ณธ๊ฑฐ์ง€์ธ ์™•๊ตญ์ž…๋‹ˆ๋‹ค. ํŒ๊ธˆ ์ง€๋ถ•๊ณผ ์•ผ์ฑ„, ์ „์ž ์žฅ๋น„, ์žก๋™์‚ฌ๋‹ˆ๋ฅผ ํŒŒ๋Š” ์ƒ์ ์ด ์žˆ๋Š” ์ด ์‹ ์ค‘ํ•œ ์ˆ˜๋„์˜ ์žฅ์‹์—์„œ ๊ทธ๋“ค์ด ์™„๋ฒฝํ•œ ๊ฑธ์Œ์„ ๋‚ด๋”›์Šต๋‹ˆ๋‹ค. ์ฃผ๋ณ€ ๊ธธ์—๋Š” ์ด ์ง€์—ญ์˜ ๋ถ‰์€ ๋Œ€์ง€์ธ ๋ผํ…Œ๋ผ์ดํŠธ ๊ตฌ๋ฆ„์„ ํƒ€๊ณ  ๋งค์ผ ์ˆ˜์‹ญ ๋งˆ๋ฆฌ๊ฐ€ ํ˜ผ์ž ๋˜๋Š” ๊ทธ๋ฃน์œผ๋กœ ํƒ€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. Olga์™€ Dmytro๋Š” ์•„์ด๋ฅผ ์›ํ–ˆ์Šต๋‹ˆ๋‹ค. "์šฐ๋ฆฌ๋Š” ํ–‰๋ณตํ–ˆ์Šต๋‹ˆ๋‹ค." 22์„ธ์˜ ๊ทธ๋…€๋Š” ์ˆจ์„ ๋‚ด์‰ฌ๋ฉฐ ์‹œ์„ ์„ ๊ฐ์ท„๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ „์Ÿ์€ ๋ชจ๋“  ๊ฒƒ์„ ํŒŒ๊ดดํ–ˆ์Šต๋‹ˆ๋‹ค. Dmytro Kovalov๋Š” ๊ทธ๋…€์™€ ๊ฐ™์€ ๋‚˜์ด์˜€์Šต๋‹ˆ๋‹ค. ๊ทธ๋Š” ๊ทธ๋…€์˜ ์‚ถ์˜ "๋ณธ์งˆ"์ด์—ˆ์Šต๋‹ˆ๋‹ค. 2018๋…„ ๊ตฐ์— ์ž…๋Œ€ํ•œ ๊ทธ๋Š” 2022๋…„ 5์›” ํ•˜๋ฅดํ‚ค์šฐ ์ง€์—ญ์—์„œ ์ „์žฅ์—์„œ ์‚ฌ๋งํ•œ ๋™๋ฃŒ 1๋ช…์˜ ์‹œ์‹ ์„ ์ˆ˜์Šตํ•˜๋˜ ์ค‘ ์ž์‹ ์˜ ๋ถ€๋Œ€์› 7๋ช…๊ณผ ํ•จ๊ป˜ ์ง€๋ขฐ ํญ๋ฐœ๋กœ ์‚ฌ๋งํ–ˆ๋‹ค. 6์›” 23์ผ, ์šฐํฌ๋ผ์ด๋‚˜ ์ตœ์„œ๋‹จ ์ฒด๋ฅด๋‹ˆ์šฐ์น˜ ์‹œ๋‚ด์— ์žˆ๋Š” ๊ตฐ๋Œ€ ๊ตฌํ˜ธ ์„ผํ„ฐ์˜ ๋ฒฝ ์ค‘ ํ•˜๋‚˜์— ๋“œ๋ฏธํŠธ๋กœ์˜ ์ดˆ์ƒํ™”๊ฐ€ ํ”„๋ฆฐ์„ธ์Šค ๋ฉ”์ด์ปค 2 19 ๋ฒ„์ „ ๋‹ค์šด (dd ์‚ญ์ œ) ๊ฑธ๋ ค ์žˆ์Šต๋‹ˆ๋‹ค.
์˜ฌ๊ฐ€ ์ฝ”๋ฐœ๋กœ๋ฐ”(Olga Kovalova, 22์„ธ), 2023๋…„ 6์›” 23์ผ ์ฒด๋ฅด๋‹ˆ์šฐ์น˜(์šฐํฌ๋ผ์ด๋‚˜)์—์„œ ์ „์„ ์— ์žˆ๋Š” ๊ตฐ์ธ๋“ค์„ ์œ„ํ•œ ๊ธฐ๋ถ€๊ธˆ๊ณผ ์žฅ๋น„๋ฅผ ์ˆ˜์ง‘ํ•˜๋Š” ์„ผํ„ฐ์˜ ์ž์›๋ด‰์‚ฌ์ž. ๊ทธ๋…€์˜ ๋‚จํŽธ ๋“œ๋ฏธํŠธ๋กœ ์ฝ”๋ฐœ๋กœ๋ฐ”(Dmytro Kovalov)๋Š” 2022๋…„ 5์›” ๊ด‘์‚ฐ์—์„œ ์šด์ „ํ•œ ํ”„๋ฆฐ์„ธ์Šค ๋ฉ”์ด์ปค 2 19 ๋ฒ„์ „ ๋‹ค์šด (dd ์‚ญ์ œ) ํ›„ ์‚ฌ๋งํ–ˆ์Šต๋‹ˆ๋‹ค. ํ•˜๋ฅด ํ‚ค์šฐ ์ง€์—ญ. ๊ทธ์™€ ๊ทธ์˜ ๋™๋ฃŒ๋“ค์€ ์ฃฝ์€ ๊ตฐ์ธ์˜ ์‹œ์ฒด๋ฅผ ๊ฐ€์ ธ์˜ค๋ ค๊ณ  ํ–ˆ์Šต๋‹ˆ๋‹ค.
์ˆ˜๊ฐœ์›” ๊ฐ„์˜ ํ˜‘์ƒ์€ ์ง€๊ธˆ๊นŒ์ง€ ๊ฒฐ์‹ค์„ ๋งบ์ง€ ๋ชปํ–ˆ์Šต๋‹ˆ๋‹ค. ์บ๋‚˜๋‹ค ์„œ๋ถ€ 30๊ฐœ ํ•ญ๊ตฌ์—์„œ 7,000๋ช… ์ด์ƒ์˜ ํ„ฐ๋ฏธ๋„ ๋กœ๋”์™€ 49๊ฐœ ๊ณ ์šฉ์ฃผ๊ฐ€ 7์›” 1์ผ ํ† ์š”์ผ ์บ๋‚˜๋‹ค ์ตœ๋Œ€ ๊ทœ๋ชจ์˜ ๋ฐด์ฟ ๋ฒ„๋ฅผ ํฌํ•จํ•ด ํŒŒ์—…์— ๋Œ์ž…ํ–ˆ์Šต๋‹ˆ๋‹ค. ํ•˜๋„๊ธ‰, ํ•ญ๋งŒ ์ž๋™ํ™” ๋ฐ ์ƒํ™œ๋น„๋Š” ๊ตญ์ œ ํ•ญ๋งŒ๋…ธ๋™์ž ๋ฐ ์ƒ์ ์ฃผ์ธ ์—ฐํ•ฉ์ด ์ด ๊ธฐํšŒ์— ์ทจํ•œ ์ง‘๋‹จ ํ–‰๋™์˜ ์ฃผ๋œ ์ด์œ ์ž…๋‹ˆ๋‹ค.
"์šฐ๋ฆฌ๋Š” ์ด ๊ฒฐ์ •์„ ๊ฐ€๋ณ๊ฒŒ ๋ฐ›์•„๋“ค์ด์ง€ ์•Š์•˜์ง€๋งŒ ์šฐ๋ฆฌ ๋…ธ๋™๋ ฅ์˜ ๋ฏธ๋ž˜๋ฅผ ์œ„ํ•ด ๊ฒฐ์ •์„ ๋‚ด๋ ค์•ผ ํ–ˆ์Šต๋‹ˆ๋‹ค."๋ผ๊ณ  ๋…ธ์กฐ ์บ๋‚˜๋‹ค ์ง€๋ถ€์žฅ์ธ Rob Ashton์€ ๋งํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๋Š” ์„ฑ๋ช…์—์„œ "๋…ธ๋™๊ณ„๊ธ‰์˜ ๊ถŒ๋ฆฌ๋ฅผ ์œ„ํ•œ ๋‹จ์ฒดํ˜‘์•ฝ"์— ์„œ๋ช…ํ•˜๋Š” ๊ฒƒ์— ๋Œ€ํ•ด์„œ๋Š” ์—ฌ์ „ํžˆ ๊ธ์ •์ ์ด๋ผ๊ณ  ๋ง๋ถ™์˜€๋‹ค. ์ด๋“ค์˜ ๋‹จ์ฒดํ˜‘์•ฝ์€ ์ง€๋‚œ 3์›” 31์ผ ๋งŒ๋ฃŒ๋๋‹ค.
์บ๋‚˜๋‹ค์˜ ์ตœ์„œ๋‹จ์— ์žˆ๋Š” ๋ธŒ๋ฆฌํ‹ฐ์‹œ ์ปฌ๋Ÿผ๋น„์•„์ฃผ์˜ ํ•ด์–‘๊ณ ์šฉ์ฃผํ˜‘ํšŒ(Maritime Employers Association of British Columbia)๋Š” "๋ฐ˜๋ณต์ ์œผ๋กœ ์œ ์—ฐ์„ฑ์„ ๋ฐœํœ˜ํ•˜๊ณ  ํ•„์ˆ˜ ์šฐ์„ ์ˆœ์œ„์— ๋Œ€ํ•œ ํƒ€ํ˜‘์ ์„ ์ฐพ๊ธฐ ์œ„ํ•ด ๋…ธ๋ ฅํ–ˆ์ง€๋งŒ ์„ฑ๊ณตํ•˜์ง€ ๋ชปํ–ˆ๋‹ค"๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋“ค์€ ์„ฑ๋ช…์—์„œ "์šฐ๋ฆฌ๋Š” ์—ฐ๋ฐฉ ์ค‘์žฌ์ž๋“ค์ด ๋‹น์‚ฌ์ž๋“ค์—๊ฒŒ ์ œ๊ณตํ•œ ์ง€์›์— ๊ฐ์‚ฌํ•˜๋ฉฐ ๊ท ํ˜• ์žกํžŒ ํ•ฉ์˜์— ๋„๋‹ฌํ•˜๋Š” ๋ฐ ๋„์›€์ด ๋  ๋ชจ๋“  ํ•ด๊ฒฐ์ฑ…์— ์—ด๋ ค ์žˆ๋‹ค"๊ณ  ๋งํ–ˆ๋‹ค. ๊ธˆ์š”์ผ์— ์ด ํ˜‘ํšŒ๋Š” ํŒŒ์—… ๊ฐ€๋Šฅ์„ฑ์ด ๋ฐด์ฟ ๋ฒ„, ํ”„๋ฆฐ์Šค ๋ฃจํผํŠธ ๋ฐ ๋ฐด์ฟ ๋ฒ„ ์„ฌ์— ์ •๋ฐ•ํ•˜๋Š” ์œ ๋žŒ์„ ์— ์˜ํ–ฅ์„ ๋ฏธ์น˜์ง€ ์•Š์„ ๊ฒƒ์ด๋ผ๊ณ  ๋ฐํ˜”์Šต๋‹ˆ๋‹ค.
Maritime Employers Association์˜ ํšŒ์›์€ ํŠนํžˆ ์ž๋™์ฐจ์—์„œ ์„ํƒ„, ๊ณก๋ฌผ โ€‹โ€‹๋ฐ ์ปจํ…Œ์ด๋„ˆ์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ๋ชจ๋“  ์œ ํ˜•์˜ ๏ฟฝ๏ฟฝ๏ฟฝํ’ˆ์„ ์บ๋‚˜๋‹ค์™€ ๋ฏธ๊ตญ์œผ๋กœ ์šด์†กํ•ฉ๋‹ˆ๋‹ค. ๋”ฐ๋ผ์„œ ํŒŒ์—…์ด ๊ณ„์†๋œ๋‹ค๋ฉด ๋ถ๋ฏธ ์‹œ์žฅ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ „ ์„ธ๊ณ„์— ์ƒ๋‹นํ•œ ์˜ํ–ฅ์„ ๋ฏธ์น  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ํ˜‘ํšŒ ์›น์‚ฌ์ดํŠธ์— ๋”ฐ๋ฅด๋ฉด ๋งค์ผ 5์–ต ์บ๋‚˜๋‹ค ๋‹ฌ๋Ÿฌ(3์–ต 4600๋งŒ ์œ ๋กœ) ์ด์ƒ์˜ ์ƒํ’ˆ์ด ๋ธŒ๋ฆฌํ‹ฐ์‹œ ์ปฌ๋Ÿผ๋น„์•„ ํ•ญ๊ตฌ๋ฅผ ํ†ต๊ณผํ•˜๋ฉฐ ์ด๋Š” ๋งค๋…„ ์บ๋‚˜๋‹ค์—์„œ ๊ฑฐ๋ž˜๋˜๋Š” ์ƒํ’ˆ์˜ 16%์— ํ•ด๋‹นํ•ฉ๋‹ˆ๋‹ค. ๋ฐด์ฟ ๋ฒ„ ํ•ญ๊ตฌ๋งŒ ํ•ด๋„ ์—ฐ๊ฐ„ ์•ฝ 3,050์–ต ์บ๋‚˜๋‹ค ๋‹ฌ๋Ÿฌ์˜ ์ƒํ’ˆ ๋ฌด์—ญ์„ ํ—ˆ์šฉํ•˜๊ณ  119์–ต ์บ๋‚˜๋‹ค ๋‹ฌ๋Ÿฌ์— ๋‹ฌํ•˜๋Š” ๊ตญ๋‚ด ์ด์ƒ์‚ฐ์— ๊ธฐ์—ฌํ•ฉ๋‹ˆ๋‹ค.
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davidhudson ยท 2 years ago
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Agnรจs Varda, May 30, 1928 โ€“ March 29, 2019.
With Jacques Demy and Rosalie Varda.
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mes-popcorns ยท 2 years ago
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Agnรจs Varda avec sa file Rosalie chez elle ร  Paris dans le 14รจme Arrdt en 1967
Photo Giancarlo Botti
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ozu-teapot ยท 4 years ago
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Les parapluies de Cherbourg (The Umbrellas of Cherbourg) | Jacques Demy | 1964
Catherine Deneuve, Nino Castelnuovo,ย Rosalie Varda
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truffautleaud ยท 5 years ago
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Visages.
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detournementsmineurs ยท 10 months ago
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"Chris Marker et Anne Sarraute, Paris" par (1956) et "Agnรจs Varda et sa Fille Rosalie, Rue Daguerre, Paris" par Chris Marker (1962) prรฉsentรฉs ร  la rรฉtrospective "Viva Varda !" de la Cinรฉmathรจque Franรงaise, janvier 2024.
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fuckyeahwomenfilmdirectors ยท 6 years ago
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Director Agnรจs Varda with her daughter and producer Rosalie Varda at the Varda by Agnรจs photocall at the 2019 Berlin Film Festival.
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undiaungato ยท 6 years ago
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ยกGracias, Agnรจs!
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