#Roger Gilchrist

[wellbodymind]

Craniosacral Biodynamics training in Austin, Texas

I am working with one of the most experienced teachers of Craniosacral Biodynamics in North America, Roger Gilchrist, to offer a foundation training in Austin, starting in 2025. I completed his foundation training in Washington DC in 2023, because no training was available in Texas that I hadn’t already taken. (If you’re wondering, a foundation training consists of 10 four-day seminars spread out…

[tygerbug]

https://youtu.be/FC4sYmilGF8 The Thief and the Cobbler Recobbled Cut Mark 5 Work in Progress 06/20/23

This restoration is still a work in progress. It contains new animation which has not yet been completed, and is "half done" in this preview. At times, there are unfinished edits and smudgy frames.

"Animation among the most glorious and lively ever created!" - The New York Times "The best and most important 'fan edit' ever made." - Twitch Film

Chief Restorationist: Garrett Gilchrist

Directed by Richard Williams Screenplay by Richard Williams and Margaret French Master animator Ken Harris Produced by Imogen Sutton and Richard Williams

Here is your first sneak preview of a newly re-restored version of this lost animation classic, written and directed by legendary three-time Academy Award winning animator Richard Williams (animation director of Who Framed Roger Rabbit, and the author of The Animator's Survival Kit). Nearly 30 years in the making, a labor of love by a team of animation greats, this was to be the masterpiece of Williams’ career, perhaps the most ambitious independent animated film ever conceived. It was taken away from Williams when he couldn’t meet his deadline, recut and destroyed. It has never been seen the way it was intended to be seen … until now. Based on Williams’ original workprint, missing scenes have been restored using storyboards and unfinished animation. Restored to its true form, this lost cult classic has finally been found - for you at home.

2023 could be considered the 60th anniversary of when production began on the film that would become "The Thief and the Cobbler." 2023 is also the 30th anniversary of when production ended on the film, when a reedited version called "The Princess and the Cobbler" had a very small release in some countries. 2023 is also the 10th anniversary of "The Thief and the Cobbler Recobbled Cut Mark 4," a restoration by filmmaker Garrett Gilchrist which intended to restore the film to its original intended form, as much as possible. This is also, approximately, the 25th anniversary of Gilchrist's first experiments with restoring this film.

So we thought it would be a good idea to go back and restore the film further, and see what could be done with it. We still do not have access to a high quality HD copy of any version of the film (such as the released version "Arabian Knight" or Williams' workprint "A Moment In Time"). We do have some 35mm workprint scenes, which we transferred in HD for this project, and which make up over 30 minutes of the film. Some scenes were also upscaled and rebuilt in HD, and all scenes were cleaned up and restored frame by frame by Garrett Gilchrist. Any Blu-Ray labels that would like to take on this project with us officially can contact us.

Garrett Gilchrist writes:

I had often said that I wouldn't do a "Mark 5" edit unless an HD version of the film (in any form) was released and could be used for a better quality version. The "Recobbled Cut" project was begun in 2006 and continued until 2013, originally. That's eight years of work restoring the film (frame by frame in Photoshop!) and building up a huge data archive of Richard Williams' work (Available via ocpmovie at archive. org). I wasn't going to return to the project without a very good reason to do so. No new footage has turned up in our hands in the last ten years.

But it's been ten years since the "Mark 4," and I was approached by animators Dennis Van Hout and Kiko Pablo (The Crow Artist), who had animated a few new shots for the film. It's very difficult, without a budget, to create the sort of high quality animation that this film requires. However, their efforts showed me that it's possible. I had just completed inking a Thief and the Cobbler Coloring Book (available at archive) and felt more confident that I could draw and ink in Richard Williams' style. I chose about twenty shots that seemed possible to animate, and began work on them in early 2023. You can see a half-finished version of the results in this video. I am still working to bring the results up to standard as much as possible.

I also "re-restored" most of the film for this version, rebuilding some shots in HD using cropped DVD sources, recoloring some shots to appear higher quality, removing dirt and damage in Photoshop frame by frame, and doing months of new work to bring the film to life like never before. We were never happy with the HD transfer of the scenes of The Thief in the War Machine, which are very red and dark and lack detail. Some color correction trickery helped bring more detail to the scenes, and dirt and damage was removed by hand in Photoshop over the course of several months.

Other HD scenes were also restored by hand, which had been overlooked for the previous version, because I'd been working on it for eight years at that point and had to stop somewhere. The U-Matic video source for the workprint was also revisited. Pencil test scenes are hard to see due to the low quality of the video source, and I went back to the original source for this version, and cleaned up the scenes very carefully frame by frame to bring out quality and detail that was previously lost. Scenes that previously switched from one source to another have been cleaned up as much as possible so that the sources match seamlessly. Some workprint scenes have been recolored by hand to improve their quality.

The scenes directed by Fred Calvert were done on the cheap and are not up to the quality standards that Richard Williams intended. In this edit I have reworked the Calvert scenes as much as possible, so that they play more smoothly with additional inbetweening. I have removed animation errors and improved scenes with special effects, and rebuild some scenes in HD. This work will continue as time allows.

Our newly animated scenes are also a work in progress, and will require further work to make the animation smoother and more in line with the rest of the film. I am just one illustrator and do not have the budget of a professional animation studio, so I'm really pushing my luck by trying to insert new animation into a cult-favorite masterpiece by one of the greatest animators who ever lived. But I also was careful to choose scenes that are less complex in how they move. It's been a lot of work, and it's still a work in progress. But I hope you enjoy seeing what I've been up to all these months, as well as the delightful new animation by Dennis Van Hout, Kiko Pablo, Chris Fern and others.

[paleoforest]

Some sketches with ZigZag The Grand Vizier, Magician and Sorcerer too, voiced by Vincent Price - by director of Who Framed Roger Rabbit

- from The Thief and The Cobbler

The Unfinished Animation Art from Richard Williams, which has a confusing and intriguing story, what making for almost 3 decades. It lost in shadow of Aladdin, because of host's perfectionism - unsuccessful animators left/fired from project, took ideas with them and went another studio. Film was twice remaked and shamefully released, then tragically forgotten in time.

But there's some enthusiast, who calls for profi artists: Garrett Gilchrist is editor of Recobbled Cut - the restoration of this masterpiece, what based on origin Workprint, rough footages and other versions (The Princess and the Cobbler & Arabian Knight)

I really love the bad one! In particular, this criminal brain has a Jafar and Genie vibe at same time, but he is original. For example - Zigzag all time speak with rhymes. After I watched film, few months I just did something and mumbled his quotes to myself for fun! Once they came useful on English lesson! Well, you should see and hear him for yourself..

Here Greatest Underrated Villain of all time

Now this Animation needs worldwide fame and full completion! Teamwork can put some beauty back in the world!

I draw all these in 2022 :D

[grumpycurbur]

sorry for this "shish"post, but i've been on a Richard Williams binge recently.

To put in short (TLDR), RW was a LEGEND in animation, known for the animation in 1988's Who Framed Roger Rabbit, and perhaps his most infamous project, The Thief And The Cobbler (which if you're aware of Garrett Gilchrist, you know all about it's 30+ year production history including "The Recobbled Cut").

I just wanted to share my care and say that one of the Care Bears commercials from the 1980's (storybook commercial btw), featured animation done courtesy of RW and his animation studio, as one of the thousands of commercials he and his studio did in the 60's, 70's and 80's.

[kwebtv]

Jesus - CBS - May 14 and 15, 2000

Historical Drama (2 episodes)

Running Time: 240 minutes

Stars:

Jeremy Sisto as Jesus

Jacqueline Bisset as Mary, mother of Jesus

Armin Mueller-Stahl as Joseph the carpenter

Debra Messing as Mary Magdalene

David O'Hara as John the Baptist

G. W. Bailey as Livio

Luca Barbareschi as Herod Antipas

Christian Kohlund as Caiaphas

Stefania Rocca as Mary of Bethany

Luca Zingaretti as Simon Peter

Ian Duncan as John, son of Zebedee

Elena Sofia Ricci as Herodias

Gilly Gilchrist as Andrew

Thomas Lockyer as Judas Iscariot

Claudio Amendola as Barabbas

Jeroen Krabbé as male Satan

Gary Oldman as Pontius Pilate

Gabriella Pession as Salome

Maria Cristina Heller as Martha

Manuela Ruggeri as female Satan

Peter Gevisser as Lazarus

Fabio Sartor as James, son of Zebedee

Sebastian Knapp as Matthew

Sean Harris as Thomas

Karim Doukkali as Philip

Said Bey as Jude Thaddeus

Abedelouhahad Mouaddine as James, son of Alphaeus

El Housseine Dejjiti as Simon the Zealot

Mohammed Taleb as Bartholomew

Omar Lahlou as Nathanael

Roger Hammond as Joseph of Arimathea

[dalekofchaos]

Dead Rising 1 fancast

I already did a Dead Rising fancast, but this time I will only be focusing on Dead Rising 1 as I did not fancast the psychopaths.

Credit to this reddit thread for most of the fancast pics

Jensen Ackles as Frank West

or Chris Pine as Frank West

Melissa Barrera as Isabella Keyes

Margot Robbie as Jessie McCarney

Mike Colter as Brad Garrison

Roger Aaron Brown as Otis Washington

Malcolm McDowell as Doctor Russell Barnaby

Cooper Andrews as Ed DeLuca

Diego Luna as Carlito Keyes

Woody Harrelson as Brock Mason

Paul Walter Hauser as Adam The Clown

Michael Rooker as Cliff Hudson

Patton Oswalt as Steven Chapman

Angus Sampson as Cletus Samson

Austin Butler as Kent Swanson

Lea DeLaria as Officer Jo Slade

Colton Haynes as Sam Franklin

Raoul Max Trujillo as Miguel Sánchez

Michael Jai White as Reginald Jenkins

Steven Weber as Roger Hall

Sean Grandillo as Jack Hall

Nicholas Hamilton as Thomas Hall

Willem Dafoe as Sean Keanan

John Carroll Lynch as Larry

Keir Gilchrist as Paul Carson

[whatsonmedia]

10 Premier League Popcorn Moments to Keep Your Eyes Peeled

As the Premier League action heats up, this weekend promises exciting matchups and intriguing narratives. Here's a closer look at some of the standout fixtures: 1. West Ham vs Liverpool Klopp's Set-Piece Challenge Liverpool's struggle to defend set pieces against Everton should serve as a warning for Jürgen Klopp as they face West Ham. David Moyes' side, despite a recent collapse, can pose a significant threat from dead balls. Klopp must prepare his defenders to handle James Ward-Prowse's deliveries and the aerial prowess of West Ham's key players. 2. Fulham vs Crystal Palace Mateta's Transformation Jean-Philippe Mateta has experienced a remarkable transformation under Oliver Glasner at Crystal Palace. Previously a bit-part player, Mateta has thrived under Glasner's guidance, scoring eight goals in nine appearances. Fulham's defense will need to be on high alert when facing Mateta and a Palace side that is creating ample scoring opportunities. 3. Newcastle vs Sheffield United Howe's Underrated Coaching Eddie Howe's coaching ability should not be underestimated, despite Newcastle's recent disappointment against Crystal Palace. Howe has transformed a team consisting of players from five years ago into European contenders. As they face Sheffield United, Howe's coaching prowess will be crucial in avoiding a repeat of their earlier heavy defeat. 4. Manchester United vs Burnley: Antony's Last Chance? Antony's lackluster performance against Sheffield United raises questions about his future at Manchester United. With off-field allegations and on-pitch inadequacies, this match could be his last chance to make a positive impact. Erik ten Hag faces a tough decision whether to start Antony or not, as Burnley presents a crucial test before a challenging run-in. 5. Everton vs Brentford Safety at Stake Everton, buoyed by their recent win over Liverpool, aim to secure their top-flight status with a victory against Brentford. Despite being docked eight points, Sean Dyche's team has shown resilience and consistency. A win here would be a remarkable achievement, and the support of Evertonians will be crucial in maintaining their momentum. 6. Luton's Battle for Survival Luton finds themselves in a desperate situation, sitting 19th in the table. Despite their struggles away from home, their upcoming kind home fixtures against Everton and Fulham offer a glimmer of hope. With a potential total of 31 points, Luton's fight to stay up is far from over, and manager Rob Edwards must ensure that morale remains high. 7. Chelsea's Defensive Woes Chelsea's recent trip to Arsenal highlighted the absence of key players, including right-back Malo Gusto. Gusto's injury poses a significant challenge for Chelsea as they face Aston Villa. Stand-in right-back Alfie Gilchrist will need to be up to the task against the in-form Morgan Rogers. 8. Bournemouth vs Brighton: On-the-Beach Derby? With both teams in the middle of the table, Bournemouth and Brighton's encounter could be seen as a relaxed end-of-season fixture. However, Bournemouth still has something to play for, aiming for their highest-ever Premier League finish. Dominic Solanke's impressive form adds an intriguing element to the match. 9. North London Derby: Arsenal's Momentum Arsenal enters the derby against Tottenham with a busy schedule but a near fully fit squad. Despite fatigue and less time to prepare tactically, Arsenal's confidence from their emphatic 5-0 victory over Chelsea could give them an edge in the clash. 10. Nottingham Forest vs Manchester City- Hostilities Resumed Nottingham Forest faces a challenging match against Manchester City, with the odds seemingly against them. Previous encounters between the two teams have been heated, and with both managers known for their vocal criticisms, sparks could fly at the City Ground. Upcoming Match Dates - West Ham v Liverpool, Saturday 12.30pm (all times BST) - Fulham v Crystal Palace, Saturday 3pm - Newcastle v Sheffield United, Saturday 3pm - Manchester United v Burnley, Saturday 3pm - Everton v Brentford, Saturday 5.30pm - Wolves v Luton, Saturday 3pm - Aston Villa v Chelsea, Saturday 8pm - Bournemouth v Brighton, Sunday 2pm - Tottenham v Arsenal, Sunday 2pm - Nottingham Forest v Manchester City, Sunday 4.30pm Stay tuned for these captivating matches as the Premier League continues to deliver thrilling moments and unpredictable outcomes. Don't miss out on the excitement as the teams battle for crucial points and their respective ambitions. Read the full article

[forensicated]

Smiffina Episodes: Frontline 2 - Aftershock

Callum is sat outside the station in his car, lost in thought. Roger thanks him for trying to revive Emma and Will tells him he did everything he could. Everyone is numb and in shock.

SO15 have arrived to start working from Sun Hill. DI Karen "never knowingly underconfident" Lacey insists they will work it without uniform. She's happy for CID to follow up leads and bring them information but rather gruffly tells them SO15 - Counter Terrorism - are running the show. DI Lacey is told to show uniform more respect by Heaton and responds. "I'm sorry, I don't have much time for etiquette." With her in charge how likely is it that people would open up or want to tell her anything?! I bet her team cut her out.

Downstairs, the normally lively briefing room is so silent you could hear a pin drop. Gina tells them they gave 100 percent the day before and that she couldn't ask for more from them. She tells them it's protocol that she debriefs each of them but she's clearly struggling and Smithy steps up to take over the briefing. Heaton then explains what is going to happen. SO10 'understand feelings are running high'" "That's big of them." Callum snaps. Uniform are sent out to man the cordon though they're not happy.

Smithy asks how Callum is and after he dismisses the debriefing Smithy points out that it's not counselling. "Don't be a hero about it." "That's the last thing I am." Callum replies under his breath.

James Marford, approaches the front desk with a request to speak about his friend Michael Gilchrist who ran the photocopy shop that was targeted and who died in the bombing the day before. Grace and Gina speak to him and he claims his friend had been contacted by the bomber. He hands over an envelope he says his friend received. He says Gilchrist should have told the police but he wouldn't take it seriously. "Gilbert [nickname] Visit here and I will take you out of my equation'" is written on a napkin in biro despite the typed envelope. Marford says that he thinks Gilchrist knew what it meant but he wouldn't admit it. Gina asks him to stay so they can search the flat the men shared. Marford is rather odd, but as we know...

Grace checks Gilchrist's internet history and it appears he visited an adult site. She suspects it could have been a warning not to visit the website again. One of the businessmen Kezia has been looking into is an investor in the website and paid Gilchrist for making DVD sleeves. Karen says the scale and planning behind the attacks suggest a large, organised, politically motivated group. Several terrorist groups claim responsibility for it.

The helpdesk receives an email that mysteriously echoes a card for Emma that had been received earlier with a single white rose. There have also been other emails that could be linked.

Lesson one is thought to apply to the Copy Shop owned by Gilchrist as he had a link to pornography - both using it and the DVD sleeves.

Lesson two is thought to apply to the building where Emma was killed but the actual targeted building was an immigration - not a likely target for anti-fascists. The owner of the charity later shows himself to be a racist, fleecing the desperate families of potential immigrants. He claimed he hadn't had a note like the others, however his wife had been suspecting him of an affair and had been intercepting his mail. "Reveal your dark secrets or pay for them."

A third is received whilst they're talking. Kezia traces the emails to a cyber cafe and a terminal used by the same man each time. Unfortunately he wears a motorbike helmet so his face cannot be seen on CCTV. Heaton orders surveillance of the cafe.

Gina reminds Callum that he needs a debrief whether he likes it or not, literally writing his name in to see her at 11am. "Talented as I am, Callum. I'm not a mindreader..." she starts as he sits in front of her in silence. He insists there's nothing to say and that everything was done by the book. He's clearly stressed and affected as much as he pretends he isn't. He then eventually admits he feels responsible and that it was his fault because he was distracted by the fake doctor arrest. Gina tells him she's as responsible as he is because she could have told Emma to wait for backup and not to play the blame game because they can't second guess what will happen at any moment.

He's allowed to go to to be surveillance for the cyber cafe with Sally, Nate and Will and escapes Gina's office quickly. Callum spooks the suspect by making eye contact with him and he races off. They stop him eventually by crashing into his bike and making him fly over the bonnet of one of the cars! Sally goes for him with her ASP extended and Callum has to physically wrestle her away before she strikes him.

Smithy and Ben march the suspect through to take his prints and search him but he's silent all the way through to Jack interviewing him. He finally speaks, denying sending the emails and says he can't help him. He, Carl Adams, is suspected of being the sender of the notes after his fingerprint is found to be on the napkin of the first note - a napkin from the cyber cafe he uses and his handwriting is similar to the notes. His house is raided and found to be a "bomb factory" with fake passports, nails, fertiliser and more. Adams insists he knows nothing about it and that it was delivered to him without ordering it. It was bought with a skimmed credit card and he has a history of identity theft. He's adamant he knows nothing about any bombs and suspects he's being framed. He shouts that MI5 are behind the glass and is paranoid. Lacey and Jack review the card and find a payment was made to a couriers with Azure - or blue - in their names. The third email is starting to make sense.

Kezia and Mickey attend the house listed on the invoice and Jack tells them not to go in. Just as he does... Kezia steps on a booby trap and seems to have activated a trip switch. Mickey tries to keep her calm. Adams exists he's been speaking to a man in a chatroom who claims he is on the run from MI6. He was told to place a package in a garden and leave it there. It later became the boobytrap that Kezia stepped on. He can't tell them how to defuse it because he didn't make it and knows nothing about bombs. Mickey keeps talking throughout to Kezia whilst someone tries to defuse it and tries to keep her calm whilst Smithy is the boss at the cordon, ordering everyone to move back and keep out the way and sending the residents who haven't been evacuated inside their homes.

It also gives me this gif which is pretty much a fair example of both my recent viewing and also my Tumblr.

Karen is starting to suspect that Adams is telling the truth and that everything they've 'discovered' has actually been a direction from another source. She doesn't believe that Adams is the guilty party as why would they expose themselves with notes if they can build bombs. She thinks it's someone highly intelligent and highly motivated and not an idiot who 'got lucky'.

Unfortunately, Kezia is soon rescued by an expert who disarms the bomb without any explosions and she runs straight into Mickey's arms.

Callum confesses how guilty he feels to Sally as Will listens in. Will goes to Smithy and tells him that he thinks Emma and Callum were 'having a thing' and that he might need a break. Smithy goes to check on him. "I won't ask how your feeling...." "Appreciate that..." Smithy suggests he should take some personal time and they have a tussle to make themselves feel better and Gina giving it 'fed up mother parting her two sons' vibes as she comes out to seperate them. "Oi, oi, oi, oi, OI!" Complete with Smithy's "It's your fault mum is angry!" shoulder barge. "I don't even want to know what it's about!" she growls, demanding Callum take leave.

Callum stalks to the locker room and takes his frustrations out on his locker and throws it onto the floor, choking back tears when he sees a poster for Emma's collection.

Mickey reports back that the bomb in the garden was a fraud set up to look like the real thing and newspaper articles are found under it about identity fraud. There's a note too saying "You have the wrong man. Do I have to spell it out for you? The ELVIS FOUR. No bomb today." Grace works out that the ELVIS four is a slight anagram and actually means The Four Evils Of The Internet with a handy website to spell it all out.

Gilchrist was the pornography evil (DVD sleeves/porn site usage) as was the nightclub owner (shares in the porn site Gilchrist used and paid him for making the dvd covers)

The charity owner the right wing politics (Fleecing immigrants families and meeting with the boss of a right wing political party)

Adams the identity theft (has a history of doing it and had himself had his identity stolen by the bomber) and in doing so he tied up uniform, CID and SO15 manpower as a display of power.

The final one is the abuse of children and Sun Hill need to work out who is the most likely to be targeted...

Karen suspects that it's one person now working alone - but who could it be, and why?

[sosoawayrpg]

boa tarde modsss! vcs tem prompts e mwfcs pros anões de a branca de neve?

bom dia, queride!

eu vou tentar aqui dar algumas possíveis prompts porquê como não sabemos do passado deles, você pode criar qualquer biografia, solta a imaginação à vontade.

O mundo dos anões se chama Dwarf Woodlands, e eles viviam uma vida pacífica em sua casa em uma clareira na floresta antes da Branca de Neve.

dunga: o caçula, ele é mais infantil que os outros, agradando as crianças que se identificam com sua inocência.

zangado: O mais mal-humorado dos anões. Ele não foi com a cara da Branca de Neve no inicio. Dizia que “Todas as mulheres são venenosas e cheias de maldades.”

mestre: Ele é o líder dos anões.

dengoso: O mais sentimental dos anões e também é muito tímido com as princesas.

soneca: Apesar de ser o mais preguiçoso dos anões, sempre procurando dar uma cochiladinha, ele não mede esforços para minerar tanto quanto seus companheiros.

atchim: como o próprio nome já diz, sua característica mais marcante é ser alérgico e espirrar o tempo todo. ele pode ir atrás de uma bruxa pra resolver esse problema dele.

alegre: O mais alegre de todos os anões, parece que ele tá sempre chapado mas é só felicidade mesmo.

mwfcs: Tom Holland, Noah Centineo, Hunter Doohan, Finn Wolfhard, Caleb McLaughlin, Asa Butterfield, Tye Sheridan, Timothée Chalamet, Ansel Elgort, Lucas Hedges, Levon Hawke, Louis Hynes, Dylan Kingwell, Freddie Highmore, Keir Gilchrist, Graham Rogers, Jacob Dudman, Theo Graham, Bryce Gheisar, Jack Dylan Grazer, Jaeden Martell, Wyatt Oleff, Gaten Matarazzo.

[hollyoxleylevel6]

Findings from primary research

All the conversations I recorded has very different journey's, despite starting with the same conversation starters. My conversation Heather (Gilchrist, 2023) and Sim (Sondh, 2023) remained on topic and were relatively short. Meanwhile, my conversation with Tom (Roger, 2023) lasted over 40 minutes and jumped through multiple topics. I found this quite interesting because Sim and Heather I have known for a longer period of time whereas my friendship with Tom is relatively new. When considering this I am curious whether the length of time has an impact on the journey of a conversation. Could my conversations with Him and Heather be short because we know each other quite well already, so these two conversations was information we already knew?

However, this theory is proven wrong when looking at the conversation with Emily. The conversation lasted 10 times as long as Heather's and jumped through multiple of different topics before landing on a topic that was vastly different than the starting question (Treais, 2023), even though I have known Emily and Heather the same amount of time.

However, I have noticed that the time of day correlated with the length of the conversation. I recorded Lavender and Toms conversations (which are the longest) in the middle of the day, whereas Sim and Heather's conversations were recorded in the evening. Therefore, this factor could impact my results, meaning these conversations may not clearly show the different friendships I have with different people.

Therefore, these recordings may not be successful in showing different types of friendships. However, I think they are successful in showing how the journey of a conversation can not be predicted and is quite free, even if it starts with a conversation starter.

[tygerbug]

"The Thief and the Cobbler: Recobbled Cut. For the first time ever on video, enjoy the original version of this lost animation classic, written and directed by three-time Academy Award winning animator Richard Williams (animation director of Who Framed Roger Rabbit). Nearly 30 years in the making, a labor of love by a team of animation greats, this was to be the masterpiece of Williams’ career, perhaps the most ambitious independent animated film ever conceived. The film was the inspiration for Disney‘s film Aladdin, which proved to be its undoing. After over two decades of work, the film was taken away from Williams when he couldn’t meet his deadline. It was eventually bought by Disney, recut and destroyed. It has never been seen the way it was intended to be seen ... until now. Based on Williams’ original workprint, missing scenes have been restored using storyboards and unfinished animation. Restored to its true form, this lost classic has finally been found - for you at home." The first Recobbled Cut came out in 2006, and the fourth (and best known) version in 2013. My name is Garrett Gilchrist. I'm a filmmaker and artist, and I first experimented with restoring this film 25 years ago, around 1998. For the tenth anniversary of the Recobbled Cut Mk4, I've been working on a new version -- with new animation and a lot of newly restored scenes -- which should be out by the end of the year.

Choose your favorite!

Vote in the other polls!

What fans say:

The Little Prince:

The little prince is based on the book of the same name, and while i have yet to read the book, I adore this movie for its message of not losing the creativity and imagination you had as a child. It rejects the idea that all adults have to be serious all the time, and that one can't be successful if they still daydream or play pretend now and then.

The Thief and the Cobbler:

Masterful animation, interesting characterization, using indigenous art style for indigenous story (though process disrupted by studio).

[wellbodymind]

Craniosacral Biodynamics training in Austin, Texas

I am working with one of the most experienced teachers of Craniosacral Biodynamics in North America, Roger Gilchrist, to offer a foundation training in Austin, starting in 2025. I completed his foundation training in Washington DC in 2023, because no training was available in Texas that I hadn’t already taken. (If you’re wondering, a foundation training consists of 10 four-day seminars spread out…

[dailybrigettelundypaine]

Now that Atypical is officially completed. (sigh) Here is a photo spam of everything the awesome Nik Dodani has shared of Brigette and cast on his Instagram over the years. Part 1 of 2.

[squarebracket-trickster]

ahhhh! Salvi harps are so sexy aren't they! My teacher has one (not sure which model) that she plays with our city's symphony.

I've played for around 14 years but I started when I was really young (just about to turn eight) and I am not pursuing it professionally. It has and, I think, always will be just a hobby for me. That being said, I have played my share of weddings, retirement homes, and garden tours. I also played in a harp ensemble with between 3-6 harps total for about three years (until the pandemic happened and then we all went to uni in different provinces). I started learning in the folk harp tradition and I still consider that my primary area, but I did get classical training when I was a teenager. I have four harps, a black Aoyama Etude 46 named Godzilla (which has wheels, not to flex or anything), a Triplet Harps Catalina 34 (also known as Princess Catalina for being high maintenance), a Triplet Harps Christina 26 named Tacky, and a Harpsicle named Eska (short for Escargot) which I take to the beach to play. I used to have a Dusty Strings Ravenna 26 and I miss that lil' guy. I also rented a Lyon and Healy (I'm not sure the model I can't seem to find it on the website lol) 46 string for about a year before I got my Aoyama.

On pedal harp, my favourite genres are anything schmaltzy and I have been dabbling in jazz and Viennese waltzes. So if I had to pick an era, I'd say golden age of Hollywood film scores. On lever harp, I play mostly Irish and Scottish folk music with some Canadian fiddle tunes (Quebec, Prairies, BC; some French-Canadian and Métis, some Irish-Canadian, and some Ukrainian Canadian). Though I think my favourite harp composer is Deborah Henson-Conant; Nataliana is such a MOOD piece and anytime someone says," oh! harps are so angelic and relaxing!" I play the opening bars to Baroque Flamenco to spite them. In terms of listening on Spotify, Maeve Gilchrist does some amazing stuff. She is an Edinburgh folk harpist living in Boston and her music is a fascinating cross between Scottish folk and American Country music and it works somehow. I was lucky enough to do a week-long workshop with her a few years ago.

My only orchestra experience was playing with my high school's pit band for our musical production of Rogers and Hammerstein's Cinderella, but I have to say, you and I are the exact opposites. Maybe because I have mostly been a solo performer, but I live for solos.

Okay, I gotta do this. Wanna gush about harps with me?

You mention orchestra so I assume you play pedal harp. How many harps do you own? What are they (Lyon & Healy, Aoyama etc.) & how many strings (I'm assuming at least one of yours is 46 or 47)? A lot of pedal harp players start on lever harp but barely touch it after they transition to pedal so do you still play lever harp in addition to your pedal harp--or some other kind of harp (wire-strung, Paraguayan, electric etc.)--or are you a strict classical pedal harp player?

Do your harps have names?

Do you mostly just play in orchestra or do you also play solo? Who are your favourite composers for harp and do you listen to any harpists on Spotify? What are your favourite genres/styles to play?

Omg I'm ALWAYS down. So yeah! I have a pedal harp, but I just got a lever harp as well just for fun lol. My pedal harp is a Lyon and Healy Style 100 Semi Grand built in 1973, and I named her Penelope Antonia♡ She is my greatest love. I have not named the lever harp yet. It is a Camac Isolde. I am planning on buying a proper concert grand soon, though. I'll be getting a Salvi Minerva. The Minerva will be my sixth harp that ive bought in my seven years of playinggg 😶 I started on lever but kept selling them as I moved up in skill and everything so now my sights are set on mastering ✨️both✨️. (I'm realizing how chaotic my answering is gonna be 😂). I was strictly classical, but now that I'm working with musicology more and am planning a career that isn't orchestra centric, I feel more able to do whatever I want. Right now, I'm still doing a lot of orchestral work, and I don't solo a lot which is 100% fine by me. I'm not a huge fan of soloing tbh. But when I do I LOVEEEEEEEE playing impressionistic or romantic pieces. The 19th and early 20th centuries are MY TIME (for music). Omg i love meeting other harpists you gotta tell me about your harps now PLS

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Casey Gardner, Atypical 2017-