#Roberto Ottaviano

[musicwithoutborders]

Michel Godard · Roberto Ottaviano, Astrolabio mistico, 2023

[donospl]

Co w jazzie piszczy [sezon 2 odcinek 29]

premierowa emisja 14 sierpnia 2024 – 18:00 Graliśmy: Carlos Bica “Roots” z albumu “11:11” – Clean Feed Records Luís Vicente Trio “Hope II” z albumu “Come Down Here” – Clean Feed Records Gonçalo Almeida “Restraint, Pt.2” z albumu “States Of Restraint” – Clean Feed Records Luísa Gonçalves “Piano Distance” z albumu “Under Your Breath I Solo Piano Works II” – Trem Azul Records Margaux Oswald…

[m2024a]

È morto Arnaldo Dell'Acqua, stuntman per Bud Spencer Arnaldo Dell'Acqua, uno dei più noti stuntman del cinema italiano, talvolta anche attore, è morto martedì 23 luglio a Roma all'età di 86 anni. Nato a Campobasso il 14 maggio 1938, appartenente a una famiglia di cascatori (era fratello di Alberto, Roberto e Ottaviano Dell'Acqua), dopo la gioventù nel circo aveva intrapreso l'attività di stuntman e controfigura a Cinecittà, apparendo in oltre 120 film. In diversi film è stato anche la controfigura di Bud Spencer. La notizia è stata data dal fratello Ottaviano sui social. Tra i numerosi film in cui Arnaldo Dell'Acqua ha dato prova delle sue mirabolanti capacità di cascatore figurano Gli invincibili tre (1964), Lo chiamavano Trinità... (1970), ...continuavano a chiamarlo Trinità (1971), La spada normanna (1971), La vita, a volte, è molto dura, vero Provvidenza? (1972), Piedone lo sbirro (1973), Lo chiamavano Tresette... giocava sempre col morto (1973), Ci risiamo, vero Provvidenza? (1973), Safari Express (1976), I due superpiedi quasi piatti (1977), Lo chiamavano Bulldozer (1978), Zombi 2 (1979), Uno sceriffo extraterrestre... poco extra e molto terrestre (1979).

[ulkaralakbarova]

After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another. Credits: TheMovieDb. Film Cast: Encolpio: Martin Potter Ascilto: Hiram Keller Gitone: Max Born Eumolpo: Salvo Randone Trimalcione: Mario Romagnoli Fortunata: Magali Noël Trifena: Capucine Vernacchio: Fanfulla Il predone: Gordon Mitchell Minotauro: George Eastman Il capitano: Carlo Giordana Enotea: Donyale Luna Arianna: Elisa Mainardi Proconsole: Marcella Di Falco L’imperatore: Tanya Lopert La schiavetta: Hylette Adolphe Il suicida: Joseph Wheeler La matrona: Lucía Bosè Abinna: Giuseppe Sanvitale Scintilla: Danika La Loggia Lica: Alain Cuny Orgy Musician: Richard Simmons Liberto arricchito: Eugenio Mastropietro Theather Group Woman (uncredited): Maria Mascarielli (uncredited): Dalia Zagni (uncredited): Ottaviano Dell’Acqua …: Genius …: Catharina Dahlin (uncredited): René Fiorentini Party Guest (uncredited): Nadia Balabine Imperatore nella rappresentazione: Alvaro Vitali Film Crew: Original Music Composer: Nino Rota Story: Federico Fellini Co-Writer: Brunello Rondi Producer: Alberto Grimaldi Set Decoration: Danilo Donati Director of Photography: Giuseppe Rotunno Editor: Ruggero Mastroianni Story: Bernardino Zapponi Novel: Petronius Original Music Composer: Tod Dockstader Original Music Composer: Ilhan Mimaroglu Original Music Composer: Andrew Rudin Production Design: Luigi Scaccianoce First Assistant Director: Maurizio Mein Second Assistant Director: Liliana Betti Line Producer: Enzo Provenzale Camera Operator: Giuseppe Maccari Makeup Artist: Rino Carboni Hair Department Head: Luciano Vito Production Manager: Roberto Cocco Unit Manager: Lamberto Pippia Script Supervisor: Norma Giacchero Visual Effects: Joseph Nathanson Assistant Editor: Adriana Olasio Second Assistant Director: Lia Consalvo Movie Reviews:

[jazzandother-blog]

TJF 2023 - Roberto Ottaviano quintet "Eternal love"

Roberto Ottaviano - Saxophone

Marco Colonna - Clarinet

Alexander Hawkins - Piano

Giovanni Maier - Bass

Zeno De Rossi - Drums

Having undergone highly qualifying training experiences with Giacomo Manzoni, Luigi Nono, Evan Parker, Jimmy Giuffre, George Russell and Andrea Centazzo, Roberto Ottaviano has made and continues to make the history of Italian jazz. The list of his international collaborations is impressive: Dizzy Gillespie, Art Farmer, Mal Waldron, Albert Mangelsdorff, Chet Baker, Keith Tippett, Steve Swallow, Kenny Wheeler, Paul Bley, Aldo Romano, Tony Oxley, Misha Mengelberg, Han Bennink, Trilok Gurtu and Paolo Fresu. Eternal Love, his latest project, has its roots in African spirituality. As in a prayer or an evocation, the group pays homage to the music of Don Cherry, Charlie Haden, John Coltrane and Dewey Redman. Immersed in this mystical bath, jazz returns to embody that spirit of total music that often seems lost, with the collective work of an ensemble of exceptional level.

                                        ______________________

Después de haber pasado por experiencias de formación altamente cualificadas con Giacomo Manzoni, Luigi Nono, Evan Parker, Jimmy Giuffre, George Russell y Andrea Centazzo, Roberto Ottaviano ha hecho y sigue haciendo la historia del jazz italiano. La lista de sus colaboraciones internacionales es impresionante: Dizzy Gillespie, Art Farmer, Mal Waldron, Albert Mangelsdorff, Chet Baker, Keith Tippett, Steve Swallow, Kenny Wheeler, Paul Bley, Aldo Romano, Tony Oxley, Misha Mengelberg, Han Bennink, Trilok Gurtu y Paolo Fresu. Eternal Love, su último proyecto, tiene sus raíces en la espiritualidad africana. Como en una oración o una evocación, el grupo rinde homenaje a la música de Don Cherry, Charlie Haden, John Coltrane y Dewey Redman. Inmerso en este baño místico, el jazz vuelve a encarnar ese espíritu de música total que muchas veces parece perdido, con el trabajo colectivo de un conjunto de nivel excepcional.

Fuente: ohjazz.tv/home-esp

[inonda]

Lecce, sabato 13 al Teatro Nasca prosegue la stagione concertistica

SABATO 13 GENNAIO AL TEATRO NASCA DI LECCE LA STAGIONE DI CONCERTI DELL’ASSOCIAZIONE “GOOD VIBES – MUSICA CULTURA AMBIENTE” PROSEGUE CON IL PINTURAS DUO DI ROBERTO OTTAVIANO E NANDO DI MODUGNO. PROSSIMI APPUNTAMENTI CON PAOLO FRESU, PIERLUIGI BALDUCCI E MARIA PIA DE VITO. Sabato 13 gennaio (doppio set ore 20 e 22) nella sede di Nasca – Il teatro in Via Siracusa 28 a Lecce, con il Pinturas…

[upennmanuscripts]

Murder in Lombardy! The original owner of a rare Italian Book of Hours identified

Fifty-two discoveries from the BiblioPhilly project, No. 9/52

   Book of Hours (here identified as the Hours of Cornelia Rhò), Use of Rome, Philadelphia, Free Library of Philadelphia, Lewis E 206, fols. 16v-17r (full-page miniature of the Virgin and Child, and beginning of the Hours of the Virgin with historiated initial and coat-of-arms)

Though in rather poor condition, a closer look at this neglected Renaissance Book of Hours from Lombardy, Free Library of Philadelphia Lewis E 206, can tell us a great deal about its original context. Though it now has a Lewis shelf mark, the manuscript was a gift to the Free Library from Simon Gratz (1840–1925), a Philadelphia lawyer, education reformer, and autograph collector. Like an item we examined several weeks ago, this manuscript never belonged to John Frederick Lewis and therefore was not described in the 1937 catalogue of the Lewis Collection’s 200 western manuscripts.[1] Prior to being owned by Gratz, the book had been in the possession of another lawyer, George T. Strong of New York (1820–1875), who had acquired the book by 1843, when he inscribed his name on one of the flyleaves (incidentally, Strong’s notoriety stems from the survival of his 2,250-page diary, which records nearly every day of his adult life in great detail, so it would be interesting to see if he mentions the acquisition of this book). The manuscript thus came to the New World relatively early on, but that is certainly not where its story begins!

Beyond this American provenance, the book’s origins have until now remained obscure. Perhaps on account of its somewhat compromised condition, the book was not included in the landmark Leaves of Gold exhibition in 2001. And yet, present at the bottom of the first page of the Hours of the Virgin, on folio 17r, are a straightforward heraldic escutcheon bearing two impaled coats-of-arms (i.e. shown fully side-by-side to indicate a matrimonial union) and a somewhat less easily discernible name. These elements do not appear to have been altered through overpainting. They therefore must indicate the original owner.

   Lewis E 206, fol. 17r (detail of Visconti/da Rhò coat-of-arms) and their modern equivalents below

The right or sinister side of the coat-of-arms is readily identifiable as a serpent devouring a human baby, the famous vipera or Biscione, employed by the Visconti rulers of Milan and incorporated into the arms of their successors, the Sforza (argent an azure serpent devouring a child gules, or, in Italian, d’argento alla biscia d’azzurro ingolante un bambino di carnagione). The dexter side of the arms is of a less famous family, the De Raude or da Rhò (Gules, a wheel of five spokes argent, in Italian, di rosso, alla ruota d’argento), with the five-armed cartwheel being a play on the Latin word “rota” or wheel. Happily, the blue cartouche that surrounds the escutcheon contains a still-legible three-line inscription in gold capitals that reads “CO-RNE/LIA- DE/RA-VDE” or Cornelia de Raude.

Because the Sforza, the usurpers of ducal power in Milan, re-employed the Biscione in their more complex arms, I initially thought that the combination in our Book of Hours might be a reference to Cornelia, illegitimate daughter of Ottaviano Riario (1479–1523). Ottaviano was himself the son of Caterina Sforza (1463–1509), and the latter was instrumental in the upbringing of her illegitimate grandchild Cornelia. The date range seemed approximately correct, and the Sforza link could explain the use of the Biscione on the sinister, as well as the inclusion of a full-page prefatory miniature of Saint Catherine a few pages earlier, on folio 15v.

Lewis E 206, fol. 15v, full-page miniature of Saint Catherine

And yet, Cornelia Riario had no known connection to the da Rhò family. Further research allowed me to conclude that the correct identification lies in the person of Cornelia Rhò (birth date unknown, died after 1538), the daughter of Giovanni Paolo Rhò who married Giovanni II Borromeo (known as “Il gigante,” apparently on account of his size!), in 1518. As the son of Filippo Borromeo and Francesca Visconti, Giovanni II was the descendant of a prominent aristocratic line and served as commander of the Sforza infantry. His grandparents, Count Giovanni Borromeo (1439–1495) and Cle­ofa Pio da Carpi, owned a truly splendid Book of Hours illuminated by Cristoforo de Predis (ca. 1443–1486), today in the Biblioteca Ambrosiana.

Cornelia’s mother-in-law was therefore a Visconti (see family tree below). The greater fame of the Visconti dynasty, and the complexity of the Borromeo family arms, which include a small Biscione anyway, are likely what led to Cornelia to elect to include the Visconti arms on the sinister, stripped of the gold crown atop the viper to signify that ducal power had passed to the Sforza. The wedding of Cornelia and Giovanni in 1518 accords perfectly with the circa 1520 date given to the book on account of the style of its miniatures and inhabited initials, which show the ongoing impact of the art of Leonardo da Vinci and his followers on miniature painting in Lombardy. It therefore seems reasonable to assume that this Book of Hours was a wedding gift to the young bride, either from her new husband, his parents, or her own parents.

  Family tree of the Borromeo family, from Vincenzo De-Vit, Il Lago Maggiore, Stresa e le isole Borromee notizie storiche colle vite degli uomini illustri dello stesso lago (Prato: Alberghetti, 1877), 112–113

The da Rhò family had their ancestral origins in the town of the same name, some ten kilometers north-west of Milan, but in the late-fifteenth century were elevated by Gian Galeazzo Sforza to become lords of Borghetto Lodigiano, about ten kilometers south of the bishopric of Lodi, in the Lombard plain. Their imposing residence there, the Palazzo Rhò, still survives and currently serves as the town hall. It was built sometime after 1481 (see here for further information and photos).

Palazzo Rho in Borghetto Lodigiano, the former seat of the da Rhò family.

This book is a valuable addition to the biography of Cornelia Rhò, as precious little else is known about her. She and Giovanni II had a son, Filippo Dionigi, the year after their marriage, who would go on to marry the noted poetess Livia Tornielli. Apparently, for unknown reasons, Cornelia’s brother Baldassarre murdered Giovanni II—her husband and his brother-in-law—in 1536![2] His tomb survives in the Milanese church of Santa Maria delle Grazie, famous for being home to Leonardo’s Last Supper. [3] In a future post, we’ll explore the authorship and attribution of the manuscript’s high-quality miniatures and inhabited initials, which can help us to further understand the context in which this overlooked gem of the Lombard Renaissance was produced.

[1] Edwin Wolf, A. S. W. Rosenbach, and Richard W. Ellis, A descriptive catalogue of the John Frederick Lewis collection of European manuscripts in the Free library of Philadelphia (Philadelphia: Free Library of Philadelphia, 1937).

[2] Vincenzo De-Vit, Il Lago Maggiore, Stresa e le isole Borromee notizie storiche colle vite degli uomini illustri dello stesso lago (Prato: Alberghetti, 1877), 172.

[3] Pietro C. Marani, Roberto Cecchi, and Germano Mulazzani, Guide to the refectory and Church of Santa Maria delle Grazie (Milan: Electa, 1999), 67.

from WordPress http://bibliophilly.pacscl.org/murder-in-lombardy-the-original-owners-of-a-rare-milanese-book-of-hours-identified/

[pirategate-blog]

Roberto Ottaviano - Eternal Love

https://pirategate.com/roberto-ottaviano-eternal-love/

[donospl]

Co w jazzie piszczy [sezon 2 odcinek 12]

premierowa emisja 27 marca 2024 – 18:00 Graliśmy: Arve Henriksen, Harmen Fraanje “Touch Of Time” z albumu “Touch Of Time”  – ECM Records Vijay Iyer and Linda May Han Oh, Tyshawn Sorey “Nonaah” z albumu “Compassion” – ECM Records The Messthetics and James Brandon Lewis “Emergence” z albumu “The Messthetics And James Brandon Lewis” – Impulse! Records Matthieu Bordenave “Cyrus” z albumu “The…

[lostradone]

Sarah Jane Morris in show, al teatro comunale assieme alla Maxima Orchestra

Sarah Jane Morris in show, al teatro comunale assieme alla Maxima Orchestra #Corato #lostradone #maxima #Orchestra

Sabato 18 marzo, presso il Teatro Comunale di Corato, le più note musiche di Bacharach, Battisti, Cave, Chapman, Clapton, Cocciante, Daniele, Gamble, Lennon, Morris, Reverberi, Sting, Vivaldi, Webber si fondono con la travolgente voce della lead vocalist inglese Sarah Jane Morris.

Il concerto/spettacolo, ideato dal CLUB delle Idee& LUDI, organizzato e prodotto da Paolo Tittozzi si pregerà inoltre…

[giallofever2]

1981 (International 📼 VHS Covers)

......E tu vivrai nel terrore! L'aldilà

Also Known As (AKA)

Argentina El más allá

Brazil (video box title) A Casa do Além

Brazil Terror nas Trevas

Bulgaria (Bulgarian title) Седмата порта на ада

Canada (French title) L'au-delà

Denmark (video title) Rædslernes hotel

Denmark Woodoo - rædslernes hotel

France L'au-delà

Germany Die Geisterstadt der Zombies

Greece (transliterated) I 7i pyli tis Kolaseos

Greece (DVD title) I evdomi pyli tis Kolaseos

Greece Η έβδομη πύλη της κολάσεως

Hong Kong (Cantonese title) Gwai seng siu siu

Hong Kong (Mandarin title) Gui sheng xiao xiao

Hungary A pokol hét kapuja

Italy (short title) L'aldilà

Italy ...E tu vivrai nel terrore! L'aldilà

Japan Biyondo

Mexico Las siete puertas del infierno

Netherlands (informal literal title) Hotel der verdoemden

Norway The Beyond

Poland Siedem bram piekieł

Portugal As Sete Portas do Inferno

Soviet Union (Russian title) Седьмые врата ада

Spain El más allá

USA (promotional title) Seven Doors of Death

USA (cut version) 7 Doors of Death

USA The Beyond

Uruguay (video box title) El más allá

West Germany (video box title) Geisterstadt der Zombies

West Germany Über dem Jenseits

West Germany (video title) Eibon - Die 7 Tore des Schreckens

World-wide (English title) The Beyond

World-wide (English title) (literal English title) And You Will Live in Terror: The Beyond

Release Dates

West Germany 22 April 1981

Italy 29 April 1981

Hong Kong 11 July 1981

UK 27 August 1981

Netherlands 24 September 1981

France 14 October 1981

Spain 19 October 1981

Portugal 27 May 1982

Denmark 14 March 1983

USA 11 November 1983

Mexico 2 February 1984

Japan 28 August 1986 (video premiere)

Netherlands 21 March 1987 (The Weekend of Terror)

Netherlands 22 April 1996 (Amsterdam Fantastic Film Festival)

Germany 1 January 1998 (re-release)

USA 12 June 1998 (re-release)

Sweden 9 November 2002 (Uppsala Horror Film Festival)

Denmark 30 March 2003 (NatFilm Festival)

Finland 17 August 2006 (DVD premiere)

Hungary 5 April 2007

USA 16 July 2010 (New York Museum of Arts and Design)

Japan 1 March 2011 (Tokyo Intenational Zombie Film Festival)

Spain 12 October 2011 (Barcelona) (re-release) (Phenomena)

Greece 20 November 2012 (Panorama of European Cinema)

USA 18 October 2014 (New Orleans Film Festival)

Finland 30 October 2014 (Night Visions Film Festival)

Directed by Lucio Fulci

Music by

Fabio Frizzi / Walter E. Sear ... (U.S. version)

Filming Dates

20 October 1980 - 15 December 1980

Writing Credits

Dardano Sacchetti ... (story/screenplay)

Giorgio Mariuzzo ... (screenplay)

Lucio Fulci ... (screenplay)

Filming Locations

Otis House, Fairview Riverside State Park - 119 Fairview Drive, Madisonville, Louisiana, USA

(Seven Doors hotel)

Incir De Paolis Studios, Rome, Lazio, Italy

(studio)

New Orleans, Lake Charles, Monroe, Metairie, Louisiana, USA

Lake Pontchartrain Causeway, New Orleans, Louisiana, USA

(on location)

technical specifications

Runtime 1 hr 27 min (87 min)

1 hr 20 min (80 min) (R-rated) (USA)

1 hr 22 min (82 min) (cut) (Korea)

Cast

Catriona MacColl Catriona MacColl ... Liza Merril (as Katherine MacColl)

David Warbeck David Warbeck ... Dr. John McCabe

Cinzia Monreale Cinzia Monreale ... Emily (as Sarah Keller)

Antoine Saint-John Antoine Saint-John ... Schweick

Veronica Lazar Veronica Lazar ... Martha

Larry Ray Larry Ray ... Larry (as Anthony Flees)

Giovanni De Nava Giovanni De Nava ... Joe the Plumber (credit only)

Al Cliver Al Cliver ... Dr. Harris

Michele Mirabella Michele Mirabella ... Martin Avery

Giampaolo Saccarola Giampaolo Saccarola ... Arthur

Maria Pia Marsala Maria Pia Marsala ... Jill

Laura De Marchi Laura De Marchi ... Mary-Ann

Ottaviano Dell'Acqua Ottaviano Dell'Acqua ... Zombie at Hospital (uncredited)

Roberto Dell'Acqua Roberto Dell'Acqua ... Glass-Smashing Zombie (uncredited)

Lucio Fulci Lucio Fulci ... Town Clerk (uncredited)

Dardano Sacchetti Dardano Sacchetti ... Mob Member (uncredited)

[stue1967]

Alexander Hawkins and Roberto Ottaviano - Cafe Oto, Hackney, 20 January 2023

Another fantastic evening at @Cafeoto with @hawkinsmusic and Roberto Ottaviano. My birthday present membership is the gift that keeps giving. Read about the evening here:

The beauty of having been gifted a membership to Cafe Oto is that it reduces ticket prices to such a ridiculously cheap level that I am minded to take a chance on things I’m unfamiliar with.  It’s a chilly Friday night in the middle of January, and I’ve paid £8 to watch Alexander Hawkins and Roberto Ottaviano perform together. Roberto Ottoviano (left) and Alexander Hawkins (right) What piqued…

[chiara-morini]

a Teatro la prima edizione di Jazz al Castello Winter

[pisanello]

Il bellissimo SKINS che Roberto Ottaviano mi ha lasciato durante OSIMU e che finalmente ho trovato il tempo di ascoltare con attenzione. Un suono bellissimo che si spande in 15 tracce, roba da far accapponare la pelle, appunto! #skins #robertoottaviano #sax #sassofono https://www.instagram.com/p/Cab2wnNgI6T/?utm_medium=tumblr