#Robert De Grasse

[seventhdiscipleworldwide]

[fdelopera]

America owes its independence to Haym Salomon, a Sephardic Jewish Patriot

A Jewish American Hero

by Yosef Kaufmann

October 17, 1781. An eerie silence takes hold over the battlefield outside Yorktown, Virginia. After weeks of non-stop artillery shells and rifle fire, the rhythmic pounding of a drum is all that is heard. Through the wispy smoke that floats above the battlefield, a British officer can be seen waving a white flag. General Cornwallis has surrendered Yorktown, ending the last major battle of the American Revolution. The surrender of Yorktown and the nearly 8,000 British troops convinced the British Parliament to start negotiating an end to the war. On September 3, 1783, the treaty of Paris was signed. The war was over.

If not for Haym Salomon, however, the decisive victory at Yorktown never would have happened.

Haym Salomon was born in Leszno, Poland, in 1740. In 1770, he was forced to leave Poland for London as a result of the Partition of Poland. Five years later, he left London for New York City, where he quickly established himself as a broker for international merchants.

Sympathetic to the Patriot cause, Haym joined the New York branch of the Sons of Liberty, a secret society that did what it could to undermine British interests in the colonies. In 1776, he was arrested by the British and charged with being a spy. He was pardoned on condition that he spend 18 months on a British ship serving as a translator for the Hessian mercenaries, as he was fluent in Polish, French, German, Russian, Spanish and Italian. During those 18 months, Haym used his position to help countless American prisoners escape. He also convinced many Hessian soldiers to abandon the British and join the American forces.

In 1778, he was arrested again and sentenced to death for his involvement in a plot to burn the British Royal fleet in the New York Harbour. He was sent to Provost to await execution, but he managed to bribe a guard and escape under the cover of darkness.

He fled New York, which was under the control of the British army, and moved to Philadelphia, the capital of the Revolution.

He borrowed money and started a business as a dealer of bills of exchange. His office was located near a coffee house frequented by the command of the American forces. He also became the agent to the French consul and the paymaster for the French forces in North America. Here he became friendly with Robert Morris, the newly appointed Superintendent of Finance for the 13 colonies. Records show that between 1781 and 1784, through both fundraising and personal loans, he was responsible for financing George Washington over $650,000, today worth approximately over $13 million.

By 1781, the American congress was practically broke. The huge cost of financing the war effort had taken its toll. In September of that year, George Washington decided to march on Yorktown to engage General Cornwallis. A huge French fleet was on its way from the West Indies under the command of Comte De Grasse. The fleet would only be able to stay until late October, so Washington was facing immense pressure to lead an attack on Yorktown before then.

After marching through Pennsylvania, with little in the way of food and supplies, Washington’s troops were on the verge of mutiny. They demanded a full month's pay in coins, not congressional paper money which was virtually worthless, or they would not continue their march. Washington wrote to Robert Morris saying he would need $20,000 to finance the campaign. Morris responded that there was simply no money or even credit left. Washington simply wrote, “Send for Haym Salomon.” Within days, Haym Salomon had raised the $20,000 needed for what proved to be the decisive victory of the Revolution.

Haym’s chessed continued after the war. Whenever he met someone who he felt had sacrificed during the war and needed financial assistance, he didn’t hesitate to do whatever he could to help.

He was also heavily involved in the Jewish community. He was a member of Congregation Mikveh Yisroel in Philadelphia, the fourth oldest synagogue in America, and he was responsible for the majority of the funds used to build the shul’s main building.

He also served as the treasurer to the Society for the Relief of Destitute Strangers, the first Jewish charitable organization in Philadelphia.

On January 8, 1785, Haym died suddenly at the age of 44. Due to the fact the government owed him hundreds of thousands of dollars, his family was left penniless.

His obituary in the Independent Gazetteer read:

Thursday, last, expired, after a lingering illness, Mr. Haym Salomon, an eminent broker of this city, was a native of Poland, and of the Hebrew nation. He was remarkable for his skill and integrity in his profession, and for his generous and humane deportment. His remains were yesterday deposited in the burial ground of the synagogue of this city.

Although there is little proof, many believe that when designing the American Great Seal, George Washington asked Salomon what he wanted as compensation for his generosity during the war. Salomon responded “I want nothing for myself, rather something for my people.” It is for this reason that the 13 stars are arranged in the shape of the Star of David.

[clownhara]

is there like a jester ocs 101 i do wanna learn about them

Putting these under a read more because this might get long

My family :)

Edward Roberts-Rosales: I made too many jokes about this bastard being my dad and now he's my dad. High key wants to fuck plants. Evades taxes like no ones business. Kind of a shit guy but it's funny to watch him mess up everything so we keep him alive for that alone Max Rosales: My better dad. Can really do so fucking much better than Edward but he settled </3. Is a plant man. Likes baking. Is the dad that actually loves me. Heron Rosales: I don't do to much with her but I'm trying to do more. Max's trans sister. Wants Edward dead and honestly, we don't blame her. Average chronic pain haver tbh please get her some Ibuprofen. Boaty McBoatface: My brother who is a boat. Edwards favorite son, despite being terrified of being on boats after he was the sole survivor of a ship wreck. I fuckinh hate this thing

Project Moon adjacent ones

Despise Domek (Or just Des): Local Enkphalin hooked rat. Goes by it/they but people close to it can call them she/her. There are two remaining people who can call them she/her. Steals things from people it likes to keep a piece of them, so don't invite them to your house. Things WILL go missing. Says the phrase "Well it didn't kill me so I'm fine" way to god damn often. Ambrose Domek: Not actually related to Des at all his parents just stole Des's parents last name. We heart religious fanaticism to the point of self harm!!!!!! Has two boyfriends and has convinced himself neither of them like him. Him and Des are besties :) Keith: Real Jester-heads remember Keith. I made this bastard before Ruina came out and he keeps fucking staying relevant to whatever game is out. How does he do it. Lobcorp him is Geb and Myo's adopted son, a Rabbit, and had a complex where he's gotta prove himself 24/7 and ends up getting his leg ripped off. Ruina him is trying to find Gebura again after the whole Library situation happened, and is wildly distraught after learning Myo's whole deal. Limbus Keith is content, much older, runs a weapons shop, and is gay married to Heathcliff. Jesus Christ I made him before the new translation of Lopcorp happened I think HOW LONG HAS HE EXISTED WHAT THE FUCK

Damien Domek: Also not related to Des, just took it's last name because he liked it. They are qprs though. Also is broke as shit but mostly stays out of the Rat lifestyle by just old fashioned robbing people. Loves lying to people for fun and profit, but he is honestly a pretty nice guy. Minus the lying

Randos

Arlo: Disgusting rancid cyborg scientist who needs to bathe and touch grass. I adore him though. Ellie: Arlos little sibling. She/they user. Kills people for money and feeds the bodies to the eldritch horror that follows her around Hector: The eldritch horror that follows Ellie around. usually just looks like a dilf tbh its easier for Ellie to explain. Can't actually speak so he usually just talks telepathically while making a bunch of hums, chirps, and clicks to mimic speaking.

Oleander: Local unethical scientist that unethicaled a bit too hard when trying to revive his even worse older brother and turned off most of his emotions manually to avoid coping with the mental toil. Sad! Many such cases. Can't feel any emotions other then joy now. Kinda sucks but he certainly doesn't seem to upset about it :)

Simon: Oleadners brother. Kinda. Moreso a robot piloting Oleanders brothers body. Fucking hates Oleander but after Oleander lobotomized himself Simon begrudgingly takes care of him now. Despite his complicated feelings, he's wildly overprotective.

Cybel: A robot Oleander made! They are meant to gather as much information as they possibly can in case some horrible event happens that kills off humanity. is quite literally indestructible. Likes ice cream.

Octavius: I made this guy to be a danganrompa villain back in high school and I succeeded too well. I fucking hate this fake ass bitch

Tabb: This fucking guy. Trapped in a time loop but he doesn't know and its technically not a time loop. Met his (now) husband ages ago but died shortly after meeting him, so he revived Tabb, then the two got married, then Tabb died again so Halt (the husband) revived him again but he lost his memories then halt died and Tabb revived him the Tabb died again so Halt revived him but he lost all his memories so they dated again and got remarried then Tabb died again and you get the idea. Very nice guy, a bit anxious, perfectly normal minus the dying thing. If it wasn't for him losing all his memories and Halt tampering with shit so he was in love with him i uh. Don't think he'd actually like Halt all that much tbh

Halt: Just wants to be happy with his husband :(. Sad he unethicaled all over that science. Hey are you noticinga theme here. Also he's a cat boy but thats really not relevant to his depression issues

Urge: Halts kinda milfy twin sister. Really sick of all of this loop bullshit because she gets to watch her bestie Tabb die repeatedly, so she packed up her bags and left. Can't be in the same room as Halt without them getting into a fist fight. Do you see the themeing with their namesan d their ideals. Halt is kinda halted in place but Urge keeps pushing forward because she has the urgeto move on. Do you see it. It is almost 1 am

Russel: A kid that got roped into this whole mess because he walked in on a Tabb revival tube without permission. Sticks around Urge most of the time. Had a bad homelife to put it mildly, so Urge took him in.

Theres way more of these bastards but these are the most relevant ones. I am going to bed now. Goobnight

[therecordchanger62279]

THE BEST WRITTEN SONGS OF ALL-TIME

     Because I have zero innate musical ability, the idea that someone can sit down with a musical instrument, and create an original song out of thin air is magic to me. Songwriting is a craft, but it’s inspiration that makes a good song into a great one. There are songwriters who seem able to turn out high quality songs in perpetuity. There are others who write maybe one or two great songs, and are never heard from again. So, I made a list of what I think are the 50 best written songs I’ve ever heard. These are in no particular order. I’ve listed the title followed by the songwriter or songwriters, and in parentheses is the performer I most enjoy hearing do the song – although most of these songs have been recorded countless times by a variety of artists. You can probably find all of these on YouTube or any of the streaming services. Most have lyrics, but some do not. But, it’s hard for me to imagine any of these songs being recorded by anyone with talent, and not retaining the brilliance with which the song was written.

Claire de Lune by Claude Debussy (Eugene Ormandy & The Philadelphia Orchestra)

Rhapsody in Blue by George Gershwin (Zubin Mehta & The New York Philharmonic, Gary Graffman, piano)

A Change Is Gonna Come by Sam Cooke (Sam Cooke)

Coal Miner’s Daughter by Loretta Lynn (Loretta Lynn)

Hello Walls by Willie Nelson (Faron Young)

I Left My Heart In San Francisco by George Cory and Douglass Cross (Tony Bennett)

God Bless The Child by Arthur Herzog, Jr. and Billie Holiday (Billie Holiday)

Eleanor Rigby by Paul McCartney and John Lennon (The Beatles)

Blind Willie McTell by Bob Dylan (Bob Dylan)

A Remark You Made by Wayne Shorter (Weather Report)

She’s Always a Woman by Billy Joel (Billy Joel)

Roll Me Away by Bob Seger (Bob Seger)

Margie’s At the Lincoln Park Inn by Tom T. Hall (Bobby Bare)

Angel From Montgomery by John Prine (Bonnie Raitt and John Prine)

Rainy Night in Georgia by Tony Joe White (Brook Benton)

You Never Can Tell by Chuck Berry (Chuck Berry)

Where or When by Richard Rodgers and Lorenz Hart (Dion and The Belmonts)

American Pie by Don McLean (Don McLean)

It Was a Very Good Year by Ervin Drake (Frank Sinatra)

Gentle On My Mind by John Hartford (Glen Campbell)

Early Morning Rain by Gordon Lightfoot (Gordon Lightfoot)

Book of Rules by Harry Johnson and Barry Llewellyn (The Heptones)

Highwayman by Jimmy Webb (The Highwaymen)

American Music by Ian Hunter (Ian Hunter & Mick Ronson)

That’s Entertainment by Paul Weller (The Jam)

Song of Bernadette by Leonard Cohen (Jennifer Warnes)

Jazzman by Carole King and David Palmer (Carole King)

Talking Back to The Night by Steve Winwood and Will Jennings (Steve Winwood)

My Favorite Things by Richard Rodgers and Oscar Hammerstein II (John Coltrane)

Don’t It Make You Want to Go Home by Joe South (Joe South)

Sunday Mornin’ Comin’ Down by Kris Kristofferson (Kris Kristofferson)

Heart Like a Wheel by Anna McGarrigle (Linda Ronstadt)

I Am a Town by Mary-Chapin Carpenter (Mary-Chapin Carpenter)

Footprints by Wayne Shorter (Miles Davis Quintet)

Pleasant Valley Sunday by Gerry Goffin and Carole King (The Monkees)

This Old Town by Jon Vezner and Janis Ian (Nanci Griffith)

Brooklyn Roads by Neil Diamond (Neil Diamond)

Thrasher by Neil Young (Neil Young & Crazy Horse)

Box of Rain by Robert Hunter and Phil Lesh (Grateful Dead)

Is That All There Is? By Jerry Leiber and Mike Stoller (Peggy Lee)

Louisiana 1927 by Randy Newman (Randy Newman)

King of the Road by Roger Miller (Roger Miller)

America by Paul Simon (Simon & Garfunkel)

The Sound of Silence by Paul Simon (Simon & Garfunkel)

Children’s Crusade by Sting (Sting)

My Girl by Smokey Robinson and Ronald White (The Temptations)

Green, Green Grass of Home by Claude “Curly” Putnam, Jr. (Tom Jones)

Downtown Train by Tom Waits (Tom Waits)

The Whole of The Moon by Mike Scott (The Waterboys)

My Heroes Have Always Been Cowboys by Sharon Vaughn (Willie Nelson)

[thewarmestplacetohide]

Dread by the Decade: The Leopard Man

👻 You can support me on Ko-Fi! ❤️

★★

Plot: After a performing leopard escapes from a club, several young women in a small town are found mauled to death.

Review: A step down from Tourneur's prior work, this generic whodunit is as predictable and dull as it is uneven.

Source Material: Black Alibi by Cornell Woolrich Year: 1943 Genre: Psychological Horror, Mystery Country: United States Language: English Runtime: 1 hour 6 minutes

Director: Jacques Tourneur Writers: Ardel Wray, Edward Dein Cinematographer: Robert De Grasse Editor: Mark Robson Composer: Roy Webb Cast: Jean Brooks, Dennis O'Keefe, Margo, James Bell, Isabel Jewell, Tuulikki Paananen

-----

Story: 2/5 - Unfocused and low energy, its point-of-view shifts awkwardly between flat characters. Its twist is so obvious it can barely be called one at all.

Performances: 2.5/5 - Brooks and Margo are charming, but Bell's delivery is stilted and amateur.

Cinematography: 3.5/5 - A few truly dynamic shots. Still, not as engaging as some of Tourneur's other films.

Editing: 3/5 - Occasionally lacking in flow.

Music: 3.5/5 - The shifting of castanets from diagetic to nondiegetic within the soundtrack is unique.

Effects & Props: 3/5

Sets: 3/5 - Nothing terribly memorable, but diverse and fairly realistic.

Costumes, Hair, & Make-Up: 3.5/5

Trigger Warnings:

Mild violence

Brownface

Child death (offscreen)

Animal death (offscreen)

[dreaminginthedeepsouth]

Matuchet Oudot, The Holy Spirit in the form of a Dove (Dijon, 1508) taken from the Book of House of Madeleine d'Azay. Bibliothèques de Nancy, France, Ms. 355. Folio: 19 :: [Robert Scott Horton]

* * * *

No Poet Like The Great Grace Of Silence There is no dark like a night replete with the mystery of death. There is no truth like a fleeting wind. There is no lover like a lonely tree. There is no friend like a blade of faithful grass. There is no light like a solitary beam from the sun. There is no poem like an evolving earth and no Poet like the great Grace of Silence.

from POEMS OF THE SACRED UNKNOWN by Richard W. Bachtold

[via "alive on all channels"]

[czolgosz]

i went to a used book sale today... procured:

railroad color history: new york central railroad (brian solomon & mike schafer) — i'm not actually that into trains but it appealed to me.

the complete guide to the soviet union (jennifer louis & victor louis) — travel guide from 1980

an anthology including the big sleep (raymond chandler), "the undignified melodrama of the bone of contention" (dorothy l. sayers), "the arrow of god" (leslie charteris), "i can find my way out" (ngaio marsh), instead of evidence (rex stout), "rift in the loot" (stuart palmer & craig rice), "the man who explained miracles" (john dickson carr), & rebecca (daphne du maurier) (i already have this one..) — it's volume 2 of something (a treasury of great mysteries) which annoys me but whatever

an anthology including "godmother tea" (selena anderson), "the apartment" (t. c. boyle), "a faithful but melancholy account of several barbarities lately committed" (jason brown), "sibling rivalry" (michael byers), "the nanny" (emma cline), "halloween" (mariah crotty), "something street" (carolyn ferrell), "this is pleasure" (mary gaitskill), "in the event" (meng jin), "the children" (andrea lee), "rubberdust" (sarah thankam mathews), "it's not you" (elizabeth mccracken), "liberté" (scott nandelson), "howl palace" (leigh newman), "the nine-tailed fox explains" (jane pek), "the hands of dirty children" (alejandro puyana), "octopus vii" (anna reeser), "enlightenment" (william pei shih), "kennedy" (kevin wilson), & "the special world" (tiphanie yanique) — i guess they're all short stories published in 2020 by usamerican/canadian authors

an anthology including the death of ivan ilyich (leo tolstoy) (i have already read this one..), the beast in the jungle (henry james), heart of darkness (joseph conrad), seven who were hanged (leonid andreyev), abel sánchez (miguel de unamuno), the pastoral symphony (andré gide), mario and the magician (thomas mann), the old man (william faulkner), the stranger (albert camus), & agostino (alberto moravia)

the ambassadors (henry james)

the world book desk reference set: book of nations — it's from 1983 so this is kind of a history book...

yet another fiction anthology......... including the general's ring (selma lagerlöf), "mowgli's brothers" (rudyard kipling), "the gift of the magi" (o. henry) (i have already read this one..), "lord mountdrago" (w. somerset maugham), "music on the muscatatuck" (jessamyn west), "the pacing goose" (jessamyn west), "the birds" (daphne du maurier), "the man who lived four thousand years" (alexandre dumas), "the pope's mule" (alphonse daudet), "the story of the late mr. elvesham" (h. g. wells), "the blue cross" (g. k. chesterton), portrait of jennie (robert nathan), "la grande bretèche" (honoré de balzac), "love's conundrum" (anthony hope), "the great stone face" (nathaniel hawthorne), "germelshausen" (friedrich gerstäcker), "i am born" (charles dickens), "the legend of sleepy hollow" (washington irving), "the age of miracles" (melville davisson post), "the long rifle" (stewart edward white), "the fall of the house of usher" (edgar allan poe) (i have already read this one..), the voice of bugle ann (mackinlay kantor), the bridge of san luis rey (thornton wilder), "basquerie" (eleanor mercein kelly), "judith" (a. e. coppard), "a mother in mannville" (marjorie kinnan rawlings), "kerfol" (edith wharton), "the last leaf" (o. henry), "the bloodhound" (arthur train), "what the old man does is always right" (hans christian anderson), the sea of grass (conrad richter), "the sire de malétroit's door" (robert louis stevenson), "the necklace" (guy de maupassant) (i have already read this one..), "by the waters of babylon" (stephen vincent benét), a. v. laider (max beerbohm), "the pillar of fire" (percival wilde), "the strange will" (edmond about), "the hand at the window" (emily brontë) (i have already read this one..), & "national velvet" (enid bagnold) — why are seven of these chapters of novels....? anyway fun fact one of the compilers here also worked on the aforementioned mystery anthology. also anyway Why did i bother to write all that ☹️

fundamental problems of marxism (georgi plekhanov) — book about dialectical/historical materialism which is published here as the first volume of something (marxist library) which is kind of odd to me tbh

one last (thankfully tiny) anthology including le père goriot (honoré de balzac) & eugénie grandet (honoré de balzac)

[icedbatik]

Gold-medal music

For those looking to know what Olympic athletes listen to when they're warming up for that life-changing moment ...

(condensed from the Associated Press, which apparently created the appropriate Spotify playlist)

(AP also has an all-occasions Olympics playlist.)

SUNNY CHOI, USA Kendrick Lamar's "Not Like Us" "Étouffée" by Vince Staples Nas' "Hate Me Now" featuring Puff Daddy

JAYDON HIBBERT, JAMAICA Drake's "Uuugly," "Controlla" and "Redemption"

MILES CHAMLEY-WATSON, USA BossMan Dlow's "Get In With Me" Songs from Future and Drake along with British rapper Central Cee, who known for songs such as "Sprinter" and "Did It First" with Ice Spice.

MARCELL JACOBS, ITALY Italian rapper Baby Gang, Travis Scott, King Von and the late Pop Smoke.

BRITTANY BROWN, USA Beyoncé's "American Requiem" and Stevie Wonder's "As." JULIEN ALFRED, SAINT LUCIA Caribbean music: dancehall, soca and calypso Gospel, including Cody Carnes' "Firm Foundation (He Won't)" with Maverick City Music with Chandler Moore, "You Will Win" by Jekalyn Carr and Josh Baldwin's "Evidence"

ANDRE DE GRASSE, CANADA Songs from Canadian artists from The Weeknd and Drake to Kendrick Lamar and J. Cole.

RAI BENJAMIN, USA Drake and G Herbo, along with film scores including "Interstellar" and "The King."

REBECCA MCGOWAN, UK Panic! At The Disco's "High Hopes" during warmups "Can't Stop" by the Red Hot Chili Peppers as she walks out

LOGAN EDRA, USA Malcolm McLaren's "World's Famous" from 1983

BRADLY SINDEN, UK Kanye West's "Stronger"

VERONICA FRALEY, USA Afrobeat melodies are her vibe, but ... she turns on rap music like Future's "March Madness" before stepping in the circle.

FERNANDO DAYAN JORGE, REFUGEE OLYMPIC TEAM "Legendary" by blues rock band Welshly Arms.

MCKENZIE COAN, USA Britney Spears, particularly "Circus" and "Womanizer" Coan, 28, has a Spotify playlist that features artists such as Spears and Rihanna.

RACHEL GLENN, USA Y.G.'s "Perfect Timing" with Mozzy and Blxst. Snoop Dogg, Soulja Boy, Lil Vada and Tommy the Clown.

JAYDIN BLACKWELL, USA The inspirational intro to Madden NFL 13, which features two-time Super Bowl champion Ray Lewis. He also listens to David Goggins, an ultramarathon runner.

DANIEL ROBERTS, USA Old-school R&B such as the 1979 classic "Use to Be My Girl" by The O'Jays.

CORDELL TINCH, USA "God Did" by DJ Khaled featuring Jay-Z, Rick Ross, Lil Wayne, John Legend and Fridayy. "A healthy dose" of Broadway songs. Rod Wave's "Yungen" is another favorite.

SAMANTHA BOSCO, USA Pink's "I Am Here" the gospel-inflected "Chant" by rapper Macklemore and Australian singer Tones and I.

[dailyanarchistposts]

I.8.3 How were Spanish industrial collectives organised?

Martha A. Ackelsberg gives us an excellent short summary of how the industrial collectives where organised:

“Pre-existing structures of worker organisation made possible a workers’ take-over of much of the industrial economy, especially in Catalonia … Factory committees formed to direct production and co-ordinate with other units within the same industry. Union organisations co-ordinated both the production and distribution of manufactured goods across industries and regions … In most collectivised industries, general assemblies of workers decided policy, while elected committees managed affairs on a day-to-day basis.” [Free Women of Spain, p. 100]

The collectives were based on workers’ democratic self-management of their workplaces, using productive assets that were under the custodianship of the entire working community and administered through federations of workers’ associations:

“The collectives organised during the Spanish Civil War were workers’ economic associations without private property. The fact that collective plants were managed by those who worked in them did not mean that these establishments became their private property. The collective had no right to sell or rent all or any part of the collectivised factory or workshop. The rightful custodian was the CNT, the National Confederation of Workers Associations. But not even the CNT had the right to do as it pleased. Everything had to be decided and ratified by the workers themselves through conferences and congresses.” [Augustin Souchy, The Anarchist Collectives, p. 67]

In Catalonia “every factory elected its administrative committee composed of its most capable workers. Depending on the size of the factory, the function of these committees included inner plant organisation, statistics, finance, correspondence, and relations with other factories and with the community … Several months after collectivisation the textile industry of Barcelona was in far better shape than under capitalist management. Here was yet another example to show that grass roots socialism from below does not destroy initiative. Greed is not the only motivation in human relations.” [Souchy, Op. Cit., p 95]

Thus the individual collective was based on a mass assembly of those who worked there. This assembly nominated administrative staff who were mandated to implement the decisions of the assembly and who had to report back, and were accountable, to that assembly. For example, in Castellon de la Plana ”[e]very month the technical and administrative council presented the general assembly of the Syndicate with a report which was examined and discussed if necessary, and finally introduced when this majority thought it of use. Thus all the activities were known and controlled by all the workers. We find here a practical example of libertarian democracy.” [Gaston Leval, Collectives in the Spanish Revolution, p. 303] Power rested at the base of the collective, with “all important decisions [being] taken by the general assemblies of the workers” which “were widely attended and regularly held … if an administrator did something which the general assembly had not authorised, he was likely to be deposed at the next meeting.” An example of this process can be seen from the Casa Rivieria company. After the defeat of the army coup “a control committee (Comite de Control) was named by the Barcelona Metal Workers’ Union to take over temporary control of the enterprises … A few weeks after July 19th, there was the first general assembly of the firm’s workers … It elected an enterprise committee (Comite de Empresa) to take control of the firm on a more permanent basis… . Each of the four sections of the firm — the three factories and the office staff — held their own general assemblies at least once a week. There they discussed matters ranging from the most important affairs to the most trivial.” [Robert Alexander, The Anarchists in the Spanish Civil War, vol. 1, p. 469 and p. 532]

In summary, the collectives in Spain were marked by workplace self-management. They successfully implemented the long-standing libertarian goal of turning industry from an autocracy to a democracy, of replacing wage-labour with free-labour based on the association of equals (see section I.3.1). However, it would be a mistake to assume (as many do, particularly Marxists) that the CNT and FAI considered the creation of self-managed collectives as the end of the revolution. Far from it. While they embodied such key libertarian principles as workers’ self-management, they were fundamentally a product of both anarchist ideas and the specific situation in which they were created. Rather than seek a market system of producer co-operatives, the CNT was committed to the full socialisation of the economy and the creation of libertarian communism. The collectives were, as a result, seen as development towards that goal rather than as an end in themselves. Moreover, as historian Ronald Fraser notes, it “was doubtful that the CNT had seriously envisaged collectivisation of industry … before this time.” [The Blood of Spain, p. 212] CNT policy was opposed to the collectivisation decree of the Catalonian government, for example, which formalised (and controlled) the spontaneous gains of the revolution as expressed by the collectives.

Therefore, the collectives were (initially) a form of “self-management straddling capitalism and socialism, which we maintain would not have occurred had the Revolution been able to extend itself fully under the direction of our syndicates.” In other words, the revolution saw the abolition of wage-labour but not of the wages system. Thus capitalism was replaced by mutualism, not the socialism desired by most anarchists (namely libertarian communism). As economic and political development are closely related, the fact that the CNT did not carry out the political aspect of the revolution meant that the revolution in the economy was doomed to failure. As Leval stressed, in “the industrial collectives, especially in the large towns, matters proceeded differently as a consequence of contradictory factors and of opposition created by the co-existence of social currents emanating from different social classes.” [Gaston Leval, Collectives in the Spanish Revolution, pp. 227–8 and p. 227]

That the initial forms of the revolution were not as expected should, perhaps, be unsurprising. After all, no social transformation ever exactly matches the hopes of those who had advocated it and the people had more pressing matters to attend to such as re-starting production and fighting Franco. So it is utterly understandable that the collectives only embodied some and not all aspects of aims of the CNT and FAI! Moreover, social change does not produce instant perfect transformations and the workers “had to build new circuits of consumption and distribution, new types of social relations between the proletariat and the peasantry, and new modes of production.” [Abel Paz, Durruti in the Spanish Revolution, p. 451] That process was started, even if it were initially incomplete. That a wider goal was envisioned by these organisations can be seen from the fact that union activists sought to extend the degree of socialisation. So, and again in line with libertarian theory, the collectives also expressed a desire to co-operate within and across industries (see section I.3.5). These attempts at federation and co-ordination will be discussed in next section, along with some of the conclusions that can be drawn from these experiments. For, as would be expected, this attempt to introduce libertarian socialism had its drawbacks as well as successes.

[bookquest2024]

100 Books to Read Before I Die: Quest Order

The Lord Of The Rings by J. R. R. Tolkien

In Search of Lost Time by Marcel Proust

The Great Gatsby by F. Scott Fitzgerald

A Wrinkle in Time by Madeleine L’Engle

Jane Eyre by Charlotte Brontë

Pride and Prejudice by Jane Austen

Frankenstein by Mary Shelley

The Good Soldier by Ford Madox Ford

Under The Net by Iris Murdoch

American Pastoral by Philip Roth

The Unbearable Lightness of Being by Milan Kundera

Animal Farm by George Orwell

Housekeeping by Marilynne Robinson

Anna Karenina by Leo Tolstoy

Atonement by Ian McEwan

Crime And Punishment by Fyodor Dostoyevsky

The Grapes Of Wrath by John Steinbeck

Midnight’s Children by Salman Rushdie

Lucky Jim by Kingsley Amis

Slaughterhouse-Five by Kurt Vonnegut

The Sun Also Rises by Ernest Hemingway

Invisible Man by Ralph Ellison

A Passage to India by EM Forster

Of Human Bondage by W. Somerset Maugham

The Prime of Miss Jean Brodie by Muriel Spark

The Amazing Adventures of Kavalier and Clay by Michael Chabon

If on a Winter’s Night a Traveller by Italo Calvino

The Hitchhiker’s Guide to the Galaxy by Douglas Adams

1984 by George Orwell

White Noise by Don DeLillo

The Count of Monte Cristo by Alexandre Dumas

The Sound and the Fury by William Faulkner

The Stranger by Albert Camus

Lolita by Vladimir Nabokov

Oscar And Lucinda by Peter Carey

The Wind-Up Bird Chronicle by Haruki Murakami

Gulliver’s Travels by Jonathan Swift

Brave New World by Aldous Huxley

As I Lay Dying by William Faulkner

To Kill A Mockingbird by Harper Lee

Lord of the Flies by William Golding

The Portrait of a Lady by Henry James

The Call of the Wild by Jack London

Pale Fire by Vladimir Nabokov

Beloved by Toni Morrison

Tinker Tailor Soldier Spy by John Le Carré

Austerlitz by W. G. Sebald

The Scarlet Letter by Nathaniel Hawthorne

Brideshead Revisited by Evelyn Waugh

Tropic of Cancer by Henry Miller

The Age of Innocence by Edith Wharton

Mrs. Dalloway by Virginia Woolf

The Heart Is a Lonely Hunter by Carson McCullers

The Phantom Tollbooth by Norton Juster

Ulysses by James Joyce

Scoop by Evelyn Waugh

Haroun and the Sea of Stories by Salman Rushdie

Things Fall Apart by Chinua Achebe

Middlemarch by George Eliot

Are You There, God? It’s me, Margaret by Judy Blume

Clarissa by Samuel Richardson

Moby-Dick by Herman Melville

The Handmaid’s Tale by Margaret Atwood

Herzog by Saul Bellow

The Brief Wondrous Life of Oscar Wao by Junot Diaz

Wuthering Heights by Emily Brontë

Don Quixote by Miguel De Cervantes

A Bend in the River by V. S. Naipaul

A Dance to The Music of Time by Anthony Powell

The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson

Go Tell It On The Mountain by James Baldwin

Wide Sargasso Sea by Jean Rhys

Catch-22 by Joseph Heller

The Rainbow by D. H. Lawrence

Song of Solomon by Toni Morrison

I, Claudius by Robert Graves

Nostromo by Joseph Conrad

The Tin Drum by Gunter Grass

Madame Bovary by Gustave Flaubert

The Catcher in the Rye by JD Salinger

Charlotte’s Web by E. B. White

Tom Jones by Henry Fielding

His Dark Materials by Philip Pullman

Alice’s Adventures In Wonderland by Lewis Carroll

Little Women by Louisa M Alcott

Great Expectations by Charles Dickens

Portnoy’s Complaint by Philip Roth

Watchmen by Alan Moore

One Hundred Years of Solitude by Gabriel García Márquez

Robinson Crusoe by Daniel Defoe

Tristram Shandy by Laurence Sterne

On the Road by Jack Kerouac

The Big Sleep by Raymond Chandler

The Wind in the Willows by Kenneth Grahame

To the Lighthouse by Virginia Woolf

The Corrections by Jonathan Franzen

The Trial by Franz Kafka

Their Eyes Were Watching God by Zora Neale Hurston

Money by Martin Amis

David Copperfield by Charles Dickens

[vahsaw]

I updated my list of movies I watched and loved in alphabetical order:

12 Years a Slave (2012) DIR. STEVE MCQUEEN

45 Years (2015) DIR. ANDREW HAIGH

About Dry Grasses (2024) DIR. NURI BILGE CEYLAN

Aftersun (2022) DIR. CHARLOTTE WELLS

Alcarras (2023) DIR. CARLA SIMON

Annihilation (2018) DIR. ALEX GARLAND

Anatomy of a Fall (2023) DIR. JUSTINE TRIET

Arrival (2016) DIR. DENIS VILLENEUVE

A Quiet Place (2018) DIR. JOHN KRASINKI

Black Swan (2010) DIR. DARREN ARONOFSKY

Blue is the warmest color (2013) DIR. ABDELLATIF KECHICHE

Blue Valentine (2010) DIR. DEREK CIANFRANCE

Brokeback Mountain (2005) DIR. ANG LEE

Burning (2018) DIR. LEE CHANG-DONG

Carol (2015) DIR. TODD HAYNES

Close (2023) DIR. LUKAS DHONT

Dallas Buyers Club (2013) DIR. JEAN-MARC VALLÉE

De Rouille et d’os (2012) DIR. JACQUES AUDIARD

Drive (2011) DIR. NICOLAS WINDING REFN

Fire of Love (2022) DIR. SARA DOSA

Get Out (2017) DIR. JORDAN PEELE

God’s Own Country (2017) DIR. FRANCIS LEE

Gone Girl (2014) DIR. DAVID FINCHER

Gravity (2013) DIR. ALFONSO CUARÓN

Great Freedom (2022) DIR. SEBASTIAN MEISE

Girl (2019) DIR. LUKAS DHONT

Her (2013) DIR. SPIKE JONZE

Hereditary (2018) DIR. ARI ASTER

Ida (2014) DIR. PAWEL PAWLIKOWSKI

Io Capitano (2024) DIR. MATTEO GARRONE

If Beale Street Could Talk (2018) DIR. BARRY JENKINS

Incendies (2011) DIR. DENIS VILLENEUVE

Inception (2010) DIR. CHRISTOPHER NOLAN

Interstellar (2014) DIR. CHRISTOPHER NOLAN

Irréversible (2002) DIR. GASPAR NOÉ

It follows (2015) DIR. DAVID ROBERT MITCHELL

Jagten (The Hunt) (2012) DIR. THOMAS VINTERBERG

Joyland (2023) DIR. SAIM SADIQ

Kill Bill (vol. 1 & 2) (2003) DIR. QUENTIN TARANTINO

Leave No Trace (2018) DIR. DEBRA GRANIK

Loveless (2017) DIR. ANDREY ZVYAGINTSEV

Manchester by the Sea (2016) DIR. KENNERTH LONERGAN

Melancholia (2011) DIR. LARS VON TRIER

Midsommar (2019) DIR. ARI ASTER

Mommy (2014) DIR. XAVIER DOLAN

Moonlight (2016) DIR. BARRY JENKINS

Nightcrawler (2014) DIR. DAN GILROY

Nomadland (2020) DIR. CHLOE ZHAO

Oslo, August 31st (2012) DIR. JOACHIM TRIER

Parasite (2019) DIR. BONG JOON HO

Past Lives (2023) DIR. CELINE SONG

Poor Things (2023) DIR. YORGOS LANTHIMOS

Portrait of a Lady on Fire (2019) DIR. CELINE SCIAMMA

Rabbit Hole (2010) DIR. JOHN CAMERON MITCHELL

Respire (2014) DIR. MÉLANIE LAURENT

Revoir Paris (2023) DIR. ALICE WINOCOUR

Riceboy Sleeps (2023) DIR. ANTHONY SHIM

Saint Maud (2021) DIR. ROSE GLASS

Shame (2011) DIR. STEVE MCQUEEN

Short Term 12 (2013) DIR. DESTIN DANIEL CRETTON

Take Shelter (2011) DIR. JEFF NICHOLS

TAR (2022) DIR. TODD FIELD

The Babadook (2014) DIR. JENNIFER KENT

The Banshees of Inisherin (2022) DIR. MARTIN MCDONAGH

The Beasts (2023) DIR. RODRIGO SOROGOYEN

The Broken Circle Breakdown (2012) DIR. FELIX VAN GROENINGEN

The Eight Mountains (2023) DIR. FELIX VAN GROENINGEN & CHARLOTTE VANDERMEERSCH

The Farewell (2019) DIR. LULU WANG

The Father (2021) DIR. FLORIAN ZELLER

The Handmaiden (2016) DIR. PARK CHAN-WOOK

The Killing of a Sacred Deer (2017) DIR. YORGOS LANTHIMOS

The Lighthouse (2019) DIR. ROBERT EGGERS

The Lost Daughter (2021) DIR. MAGGIE GYLLENHAAL

The Matrix (1999) DIR. ANDY & LANA WACHOWSKI

The Revenant (2015) DIR. ALEJANDRO G. INARRITU

The Tale (2018) DIR. JENNIFER FOX

The Way He Looks (2014) DIR. DANIEL RIBEIRO

The Worst Person in the World (2022) DIR. JOACHIM TRIER

To Leslie (2022) DIR. MICHAEL MORRIS

Under the skin (2013) DIR. JONATHAN GLAZER

Wadaean Julia (2023) DIR. MOHAMED KORDOFANI

Whiplash (2014) DIR. DAMIEN CHAZELLE

[denimbex1986]

There's a portrait on the cover of the book American Prometheus: The triumph and tragedy of J. Robert Oppenheimer , it's his most famous image: the "father of the atomic bomb" has a western star face, cigarette dangles in the corner of the mouth, the very clear eyes scrutinize us. He was a charming, elegant man, tombeur de femmes. In short, a beastly physique. With piercing eyes, literally, a gaze that passes through you, he tells who met him. It is from this book that Christopher Nolan made the film Oppenheimer. It is not her habit to write screenplays with the lead actor already in mind: this time she was the exception because "Cillian's eyes", she said, "were the only ones I knew capable of conveying such intensity". We are talking about "endless pools", "the color of the sea on a sunny day", as we read on social networks where there are countless dedicated profiles (one for all, fuckyeahcillianseyes on Tumblr): a super power that Cillian Murphy , 47 years old, knows how to use very well. Irish from Cork, he is one of those actors who "the less people know about me the better". Very reserved, he goes to bed early, and has been married for twenty years to Yvonne McGuinness, a fifty-two year old Irish artist from Kilkenny, a visual artist with whom she has two children: Malachy, 18, and Aran, 16. They returned to live on their beloved island when their children's accent in London was becoming too posh . They want to raise them as Irish, by the sea, near their grandparents.

Cillian is the ruthless Tommy Shelby of Peaky Blinders , the Scarecrow of the Batman trilogy signed Nolan, the young doctor who joins the fighters of the Wrath in the Wind that strokes the grass of Ken Loach. Oppenheimer is his sixth film with the director of Inception. An impressive film, an announced masterpiece, the film event of the summer. To Cillian's blue eyes, Nolan entrusted the complexity of the man and his husband Oppenheimer but above all the conflicts of conscience of the scientist who, after the Trinity test, the first atomic detonation, on July 16, 1945, said the famous phrase: "Now I am become death, the destroyer of worlds". The film is released July 21 in the US and UK, August 23 in Italy . "I can't reveal almost anything", Cillian Murphy smiles from her home in Dublin , as if to say "Mo, I want to see you: I'm not talking about private matters and the film is top secret, what can we tell each other for half an hour?". Practically a challenge.

In one sentence, Oppenheimer is a film about…?

Chris said it's a film about the most important man who ever lived. I truly believe that the world changed forever in 1945. It is a sadly timely film that has the flavor of a thriller, exciting and incredibly immersive, a must see at the cinema.

The moral theme is central, I guess.

I don't want to spoil the pleasure but, yes, his human struggle is part of the story. You will be very surprised.

As you rightly say, nuclear power is still a current threat but we also have other dangerous weapons today.

It's interesting, I think people find a lot of similarities between nuclear fission and artificial intelligence, the development of the internet... They are all events that changed the world profoundly. Oppenheimer asks questions, gives no answers. The best films are those that provoke you and make you think, cinema must not be prescriptive, dogmatic or didactic, it must raise questions, it must shake consciences.

It is shot on IMAX 65mm, “the closest thing to reproducing the world as the naked eye sees it”. With each film Nolan tries to outdo himself. What is it like for an actor to be directed by him?

We've known each other for twenty years and every time it's a challenge, this one more than others because I'm the protagonist. He's very, very demanding, and expects the best from every member of the cast and crew. You have to show up on his sets very prepared, ready to get on the train, because as soon as you leave the station, that train never stops and goes at a furious speed. We shot it in 57 days, which is totally insane for a film like this. I had been preparing for six months, I threw myself into it, back and forth from Los Angeles to confront Chris. It's a way of working that I appreciate, it galvanizes me.

It's different, I guess, from a director like Ken Loach.

Another filmmaker who changed my professional life, another profound and stimulating experience even if it has a completely different method. Every director is different and every character is different. Sometimes they ask me what role I would have liked to play: I can't answer, because I'm convinced that every actor has a role meant for him, I can't think "it could have been me", that great film was a success because there was that director together with those actors. It doesn't make sense, I don't care, that's why I never bring works from the past to the theater. I don't want to say the same lines that someone else has said wonderfully well before me, I prefer to find new ways.

What has remained of this last job?

Each film takes different things from you and each film is a strange synthesis between the script, your acting, your personality and the director's vision. It's too early to understand what he left me, I'll tell you in about ten years », he smiles.

Nolan wanted to recreate the Trinity test the old-fashioned way, with a real explosion, no CGI. The result?

Crazy. If you can, go see it in an IMAX theater. Chris also used IMAX in black and white for the first time, it's stunning... Will you forgive me a moment? (Talk to someone, he says “Ok, I'll take care of it in 5 minutes, don't worry”). Excuse me, he was my son (he says, with an almost embarrassed smile).

Is the family happy to be back in Ireland?

Very. My wife and I have lived in London for 14 years.

You moved before Brexit, right? So it wasn't a "political" choice...

It has happened before but after Brexit we were even happier with our choice. I feel very European.

Have you ever lived in the United States?

I go there often and willingly to shoot films but I'm not made to live there. I need other cultures, to feel them around me, to be able to frequent them; I like European cinema, I like living in Ireland, I feel very connected to my country, America is too strange for me. Here I can disconnect, live a simple, normal life.

Define “simple and normal”. Farm? Animals? Hoe the garden, since he's a vegetarian?

(bursts out laughing) When I'm not working, I take care of my children for example, my dog, I like reading and watching movies, I don't go out much. I throw myself headlong into the work, I give a lot of myself and therefore I like to take a lot of free time between one commitment and another. I find it healthy. I detach and just live. I just want to exist as any human being in the world. For me it is research, study. Look around, take transport, observe people.

His wife once said that Tommy Shelby had a hard time leaving your house... Do you have a ritual to get rid of characters? Some of his colleagues shave their heads.

Definitely not that, I can't stand wigs so I always keep my hair pretty long because you never know what they'll ask you… It takes time to get back to yourself, on a set like Oppenheimer or Peaky Blinders you work 16, 17 hours a day, you're always busy busy busy and then suddenly you're not. It's alienating. It's hard to put yourself back together overnight, it's good for me to find activities to keep me busy, otherwise I wouldn't know what to do with all that energy left in me. I do some gardening, start training for a marathon, read one of those heavy tomes I've been putting off for a while.

Help his wife with her installations...

(Laughs as if to say "I don't fall for it") My wife definitely doesn't need my help.

It was a golden year for Irish cinema: Island Spirits , The Quiet Girl , Paul Mescal. Why is the land so fertile?

I'm proud of all those guys, many are friends. We Irish are natural storytellers. So much has happened in our history and in a relatively short period of time: we are very connected with our artistic, poetic part, it is our way of elaborating the story, through storytelling and music.

Is there an interesting female point of view in the film Oppenheimer ? After all, the producer is a woman, Emma Thomas, Nolan's wife.

I can only say that Emily Blunt (Kitty, his wife) and Florence Pugh (psychiatrist Jean Tatlock) are magnificent. Chris was a genius in choosing Emily, she and I have known each other for a long time, we understand and respect each other, and if you take two friends to play a couple you skip a step. Kitty and Robert have an interesting, special relationship that spreads like wildfire throughout the film. Emily is phenomenal and Florence is very young but she is so wise and mature and sophisticated and brilliant.

Peaky Blinders the movie: will it be done?

I hope so. If there's another story to tell, I'm with it. But it must make sense, because I'm so proud of the series and the character, I become protective. Steve Knight is a fantastic writer, if he finds something legitimate that justifies a film I'm in it.

Tommy Shelby has his ghosts, as does Robert Oppenheimer. What does she do for his mental health?

(He widens his eyes) Me personally you mean? Look, I think it's important in life to be aware of always having to improve yourself: to try to be a better husband, a better father, a better human being. If you have this awareness and are trying, that's enough. And I strongly believe in empathy, in the ability to recognize the emotions of others and feel them.

What does being successful mean to you?

Working with people I admire. I don't want to stand still, look back or too far forward, I want to say something with my choices. I'm lucky because I've worked a lot with Chris, one of the few who manage to provoke within the mainstream system. He's someone who doesn't underestimate the viewer, he asks a lot and does well, it's the right approach.

How has your friend Nolan changed over the years?

The principles are the same but the mastery of the language, that vernacular of his making films, has improved: now he clearly knows what he wants. With Batman he has shown that he can do genre cinema incredibly well but when he started writing his films he found his true genius.

What makes it immediately "home"?

My family, the Irish countryside, our west coast which is so powerful.

Your body is a work tool, like your face, which is so particular: how do you take care of it?

I try to live healthy, to keep fit... Are you talking about wrinkles? They don't worry me, being an actor constantly puts you in front of the awareness that day after day your face changes. I try to age as gracefully as possible. I like to sleep, I sleep a lot.

He just turned 47: is everything ok?

Yes, I'm not very young anymore but I'm not old either, come on. Look, I do the job I love, I have a great family, can I ever complain about anything?

[driftwork]

names, most surnames (2)

Allow me to apologize again for this partial list of names in the library,  titles available on request…

amis, acker kathy, ackroyd peter, abbey edward, aldiss brian, alcott louisa, m. anonymous, aldiss brian editor, ackroyd peter, allende isabel, acker kathy, adair gilbert, adams richard, asimov isaac, alcott louisa m., austen jane, azhayev vasili, asimov isaac, austen jane, ableman paul, amis martin, atwood marga,ret adams richard, abish walter, burroughs edgar rice, benn melissa, butler samuel, blyton enid, beckett samuel, beckett samuel, blyton enid, billington rachel, burnford. sheila, burroughs edgar r,ice bentley phyllis, burney francis, burroughs edgar rice, burroughs edgar rice, compton-burnett ivy, bryant arthur, burchard johann, bryant arthur, brame charlotte, bryant arthur, boll heinrich, buckeridge ant,hony boston l.m., buchan john, brightwen mrs illustrated by f carruthers gold, bronte charlotte, bradbury ray, banks lynne reid, barr pat, betto fre,i baxter stephen, banks iain, bronte charlotte, bryant arthur, banks iain m illustrated by nick day, bradbury malcolm, bell adrian, ballantyne r,.m. balzac honore de, benson e.f, barth richard, barrie j.m, bainbridge beryl, bronte emily, ballard j.g, bronte charl,otte borden mary, black lionel , bellow saul, introduced b,y j. michael walton wilde oscar, salgado gamini, ready stuart, besier rudolf, salgado gamini, euripides, euripides, williams t,ennessee sophocles, ionesco. eugene, ibsen henrick, marillier chri,stabel jonson ben, bennett alan, ionesco eugene, brenton. howard, stoppard tom, pinter harold, aristophanes, arnold mathew, daisenberger j.a., stoppard tom, eliot t.s., creeley rob,ert chaucer geoffrey - edited by walter w. skeat, cronin a. j., carr j. l., cooper edmu,nd colette, chevalier tracy, cosse laurence, christopher joh,n chatwin bruce, collingwood h, cather willa, cattieuchlan, crane stephen, calvino italo, collier eric, cela camilo c,ela crichton micheal, carpino f. brancaccio di, comrie margaret s., chabon michael, crofts freeman wills, carre john le, crace jim, michael co,x and r. a. gilbert cheever john, cardetti raphael, coolidge clark, chevallier gabr,ial coxe harmon george, cronin a. j., cheyney peter, conway hugh, cullum ridgwell, christian catherine, crace jim, crace jim, dickens charles, dickens charles, dunn nell, defoe dani,el bernheim emmanuele, doctorow e.l., chesterton g. k., donleavy j.p., bronte charlotte, duggan alfred, delany samuel r. - petaja emil, durrell gerald, dallek robert, dickens charles, dickens charles, dalby richard ed,. dickens charles, chang jung, delacorta, dickens ch,arles dickens charles, conan-doyle arthur, du maurier daphne, dostoyevsky f.m, durrant valentine, durrant valentine, donoso jose, delillo don, delillo don, defoe daniel, defoe daniel, duke neville, colette, camus albert, cheever john, egan frank, eastwood helen, england barry, duke of windsor, eden emily, egan greg, edwardson ake, franken rose, fowles john, frzer douglas, fielding henry, frankau gilbert, featherstone don,ald fyson j.g., fitzgerald f. scott, fyfield francis, fletcher h.l.v., ford madox ford, fuentes carlos, fuentes carlos, fossum karin, fielding henry, fielding henry, fox gardner f., forester c.s., flaubert gustave, forsyth frederick, fitchett w.h., faulkner willi,am gallico paul, garfeld leon, galsworthy john, gaskin catherine, goldring douglas, greene graham, fletcher j. s., goldsmith olive,r grey zane, faulkner william, grisham john, greene graham, green f.l., delany samuel r, fenn george manville, gide andre, grimwood jon courtenay , gordimer nadine, grisham john, greene graham, greene graham, grass gunter, galsworthy john, gray malcolm, gou xiaolu, goldsmith oliver, greene graham, harsch rick, hill weldon, hall radclyffe, hibbert christopher, hanley james, hemingway ernest, hardy thomas, horvath odon von, conan-doyle arthu,r scott-giles c.w., kollings ken, herbert a.p., houellebecq m,ichel hawes james, holt anne, hopkins r. thurston, huxley aldous, hawkins paula, holwell william, indridason arnaldur, inoue yasushi, ishiguro kazuo, houellebecq michel, hesse hermann, hemingway erne,st hamilton peter f., howard cecil, hyland ann, jewett sara,h orne - with a preface by willa cather joinville & villehardouin, jelinek elfriede, james m. r., jonke gert, moyle j.b.  (translator) - justinian, johns capt. w.e., jerome jerome k, jenkins elizabet,h jenkins elizabeth, james m. r., kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, kerr j. lennox, kipling rudyard, kilvert rev francis, kipling rudyard, kipling rudyard, kent nora, kipling rudyard, king stephen, kipling rudyard, kipling rudyard, kipling rudyard, khadra yasmina, khadra yasmina, kipling rudyard, kipling rudyard, lovell ann, koontz dean, lucas-philli,ps c.e. kafka franz, leyner marx, linklater eric, kipling rudyard, kipling rudyard, kennard mrs. edward, kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, leskov nikolai, leyner mark, lewis norman, carre john le, lee laurie, kilver francis - edited william plover, leyner mark, laver james, lear edward, lever charles, laing e.t., carre john le, longmate norma,n lane jane, lewycka marina, baker margaret, llwelyn davis w,eeks forestier-walker and bor wenstrom o. edmund and harlock walter e., rensschler eric, st. claire byrne muriel, day mabel  (edited by), linklater eric, linklater eric, linklater eric, martel yann, lewis c. s., lee laurie, longford elizabeth, lewis c. s., mason a.e.w, maupassant guy de, maclean alistair, masters john, reich-ranicki marcel, melwood mary, mathews basil, mackenzie fait,h compton maxwell  w. b., macleod m kathleen, mcwilliam candia, mee arthur, marquez gabriel garcia mendoza plinio apuleyo, maurois andre, maclean alistair, mankowitz wolf, masefield john, marryat captain, macnamara brinsley, morris william, murdoch iris, mandelstam. osip, morris william, murdoch iris, mustoe anne, morris william, morris william, bradbury ray, gifford barry, miller henry, maturin charles, millet lydia, mitchison naomi, michener james, mcewan ian, miln lousie, jordan mitford mary russell, menglong feng, munthe. alex, moran lord, nicholl charles, new yorker the editors, oppenheim e.phillips, o'neill jamie, oppenheim e.phillips, nin anais, nairne a, hughes-pa,rry j. powell anthony, ponsonby d.a., price anthony, pangborn edgar, pollard velma, priestley j.b, barry n. malzberg & bill pronzini, powell anthony, nabokov vladimir, porter sheena, peacock thomas love, pratchett terry ian ,stewart and jack cohen powell anthony, percy w. s., needham violet, raymond diana, russo richard, rice margery spring, rabelais, reed thom,as baines russ joanna, remarque erich maria, pearson hesketh, rezzori gregor v,on rolfe fr- frederick baron corvo, sayers dorothy l. sayers  (translator), renault mary, raphael frede,ric phillips adam, robertson e.arnot, pavic milorad, robinson heath, rendell ruth, read miss, robinson heath, rice elmer, rackham arthur, rutley c. bernard, renault mary, steinbeck joh,n smith alexander mccall, spyris 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orson, wood mrs henry, wren p.c, waugh auberon, white. t. h., white t. h., westo kjell, webster jason, wain john, quin b. g., westall rob,ert white t.h, wodehouse p.g, wodehouse p.g, westerfield sc,ott wodehouse p.g, zweig stefan, wodehouse p.g, urquhart r.e., wyndham john, wodehouse p.g, wodehouse p.g, waugh evelyn, wallace edgar, vine barbara, white patrick, virgil, vesaas tarjei, varesi valerio, vine barbara, updike john, young francis brett, vaizey george, wilde oscar, verne jules, wheatley dennis, updike john, markham mrs, vine barbara, vine barbara, kilvert rev francis, kilvert rev francis, new towns act 1946 -, leyser henrietta, perry anderson malcolm bull jan breman rob lucas david simpson rachel malik alexander zevin marco d'eramo, shaw george bernard, shaw george bernard, shakespeare william, shaw george bernard, shakespeare william, shaw george bernard, shaw bernard, shakespeare william, shaw bernard, shakespeare w,illiam shaw george bernard, shaw bernard, shaw george 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pablo iglesias mike davis francis mulhern joann wypijewwski joshua rahtz emma  fajgenbaum  r taggart murphy, evgeny morozov gopal balakrishnan wang chaohua  mauricio velasquez franco moretti jeffrey r. webber anders stephanson barry schwabsky, joshua wong frederic jameson joetrapido emilie bickerton sebastian veg  adam tooze achin vanaik franco moretti, gopal balakrishnan bhaskar sunkara  daniel finn francesco fiorentino  enrica villari  micheae denning blair ogd,en  vivek chibber susan watkins ching kwan lee neil davidson nancy ettlinger alex niven timothy brennan joshua rahtz emilie bickerton,mike davis giovanni arright, g tamas peter nolan koza yamamura asef bayat  benedict anderson tariq ali ian birchill kheya bag  regis debray, dark horse comics, dark horse comics, warren ellis lee bermejo david baron, warren ellis lee bermejo david baron, warren ellis lee bermejo david baron, damon hurd with pedro camello, brian wood /  becky cloonan, chris claremont jim lee scott williams, dark 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(edited by), connolly joseph, cherryh c.j., cadigan pat, mccaffery anne, divakaruni chit,ra banerjee zappa moon unit, vernadsky vladimir i, mackesy serena, waterhose keith, hines barry, golding william, keenan joe, ironside vi,rginia cullimore claudine, kawabata yasunari, motter dean and lark michael, mccaffery anne, mccaffery anne, mccaffery anne, packard vance, moore gerald, furey maggie, furey maggie, mccaffery anne, duane diane, gaiman neil, brown dan, furey maggie, lindsay dougl,as scott-giles c. w., modesitt jr  l. e., bronte charlotte, murdoch iris, streatfield noel, leiris michel, bronte emily, williams ursu,la moray ecke wolfgang, pratchett terry, mclean lenny, edwards-jones, imogen nesser hakan, mcintyre vonda, fisk nicholas, evanovich jane,t tey josephine, robbe-grillet alain, aeschylus, baudrillar,d jean baudrillard jean, pagels heinz r., sen amartya, sen amartya, caputo john d., rossini, corey james a., holt tom, kube-mcdowell michael p., sweterlitsch tom, wolfe tom, cadigan pa,t murdoch iris, bronte anne, dyer geoff, spinoza  be,nedictus de  spinoza  benedictus de, haasen carl, dexter colin, moffat gwen, handke peter, handke peter, handke peter, handke peter, kavan anna, kavan anna, kavan anna, gaiman neil, nicholson william, christopher adam, lena levinas ousmane sidibe gabrial piterberg kristen surek franco moretti tom mertes jan breman emilie bickerton, tawadayoko, snow c. p., snow c. p., groening matt, claudel philip,pe leith sam, spinrad norman, russo richard paul, hamilton peter f., haldeman joe, rankin robert, musil robert, niven larry, niven larry, walsh micheal, dibden michael, anouilh jean, herbert frank, allen roger macbride, mcgraw eloise jarvis, lowery marilyn m., bruford bill (editor), bishop micheal, saraute nathalie, abbey edward, wahloo per, davies andrew, davies andrew, asimov isaac, faulks sebastian, dos passos john, egan greg, egan greg, bradley marion, rankin robert, brown eric, shakespeare, william jeter k. w., dyer geoff, beckett chris, roth philip, marshall smith michael, armesto felipe fernandez, almond david, bolano robert,o goscinny f - uderzo a, goscinny f - uderzo a, lowe helen, arnott jake, reynolds alaistair, frith r. j., lena levinas ousmane sidibe gabrial piterberg kristen surek franco moretti tom mertes jan breman emilie bickerton, anderson perry, anderson perry, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, higgins jack, hoban russell, rolfe fr- fred,erick baron corvo busby f.m, kepler lars, barnes julian, machiavelli ni,ccolo sebald w.g, priest christopher, martin sean, gibson gary, banks iain m, gibson gary, gibson gary, gibson gary, gibson gary, gibson gary, mclellan david, grady james, tilley patrick, van vogt a.e, boyd william, swartz richar,d bennett alan, cortazar julio, anders charlie jane, lowe helen, stagg guy, banks iain, banks iain m illustrated by nick day, banks iain m, banks iain m, flint james, larsson stieg, anthony piers, mcdevitt jack, lostetter marina j., richardson dorothy m., scott m. k. c., gaskall mrs, talbot-booth e. c., whitman walt, le carre john, shelley percy bysshe (introduction phyllis hartnoll ), holt tom, tett gillian, shepard luciu,s grimwood jon courtenay, proust marcel illustrated by phillipe julian, fenn jaine, caldecott a,ndrew caldecott andrew, harvey colin, mcauley paul j., mcdonald ian, mcdonald ian, linklater eric, pliny, nesbo ,jo mcauley paul j., brown eric, backman fedrik, de la motte and,ers galbraith robert, dahl arne, watkins susan, anderson perry, watkins susan, watkins susan, watkins susan, bull mccormack, badiou hart blackburn therborn sarfattio watkins susan, watkins susan, watkins susan, watkins susan, susan watkins benedict anderson franco moretti, hallward collini 'retort' bickerton, jean baudrillard giovanni arrighi richard gott rgis debray, watkins susan, anderson perry, anderson perry, watkins susan, watkins susan, tom mertes peter gowan gerad dumenil & dominique levy, watkins susan, watkins susan, watkins susan, blackburn ronin, watkins susan, watkins susan, watkins susan, watkins susan, perry anderson darko suvin lucio magri  carlos prieto, watkins susan, watkins susan, watkins susan, watkins susan, blackburn robin, watkins susan, watkins susan, watkins susan, blackburn robin, watkins susan, watkins susan, anderson perry, watkins susan, watkins susan, blackburn robin, blackburn robin, blackburn robin, peter hallward t,om nairn jean baudrillard sabry hafex watkins susan, watkins susan, blackburn robin, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, moravia alberto, tolstoy leo, busby f.m, marquand j,ohn p. airne c. w., haldeman joe, oçonnor richard, hardy thomas, rhys jones  griff, butcher jim, harper david, larsson stieg, joslin edward c., furnival kate, eastland sam, eastland sam, kadare ismail, hertzberg max, grancsay stephen v., mcintyre vonda, kafka franz, piketty thomas, greene harris, butcher jim, ordnance survey, brodie bernard and fawn, kornbluth c. m., bull emma, seigel martin, imlah mick, thomas edward, maclean alista,ir de giovanni maurizio, banks iain m, banks iain m, banks iain, corey james a., corey james a., carver raymond, mason paul, reynolds alaistair, lagercrantz david, lagercrantz david, shakespeare willia,m brooks rosetta , brooks rosetta , grant richard, scudder bernar,d (translator) bull emma, eliot george, kadrey richard, lowry malcolm, de la motte anders, aaronovitch ben (cartmel williamson renne), dick lesley, herbert fran,k setterfield diane, lyall gavin, carr caleb, mcintyre vo,nda groening matt, groening matt, dark horse comics, groening matt, greene graham, gunn kirsty, klein rachel, bussi michel, wiltshire professor patricia, collins bridget, ford ford madox, bishop micheal, brandao ignazio de loyola, kube-mcdowell michael p., pratchett terry, anderson kevin j, mitchell david, barnes john, barnes john, marion  jean,-luc marin louis, marion  jean-luc, marion  jean-luc, horner robyn, zizek slavoj, goscinny f - uderzo a, goscinny f - uderzo a, zizek slavoj, zizek slavoj, powers richard, nietzsche, zizek slavoj,  rorty richard, marion  jean-luc, monbiot george, zizek slavoj, zizek slavoj, litvinoff emanuel, williams raymond, williams raymond, williams raymond, fabre dominique, zizek slavoj, stiegler bern,ard knight renee, painter sarah, north claire, upson nicola, wesley mary, hogan ruth, jones ruth, brookmyre c,hristopher evanovich janet, dabos christelle, greene joshua, bullmore edwar,d upson nicola, gardener graham, honeyman gail, evanovich jane,t kadrey richard, vonnegut kurt, pratt tim, thomas d. ,m. liminov eddie, liminov edward, dahl roald, banks iain, vickers sally, zahn timothy, vonnegut kurt, bassini giorgi,o eastland sam, bainbridge beryl, hill susan, golding wil,liam chen da, tey josephine, reig rafael, lawrence d. ,h. vinge vernor, brown eric, grimwood jon courtenay, stross charles, maddox tom, ellis bret easton, de teran lisa st aubin, aldiss brian, fleming jim and wilson peter lamborn, kepler lars, roslund and hellstrom, kepler lars, cartmel andrew, ripley mike, lyotard jean-francois, stross chalres, kristjansson snorri, king laurie r, powell gareth l., costantino maria, various, mosley walter, brown eric, brown eric, nespolo matias, king laurie r, le carre john, cheever john, campbell john w. , ferman edward l. , oatmeal matthew inman, le carre john, niven larry, zetford tully, ripley mike, le carre joh,n boardman tom, candlish louise, gombrich e.h., shaw george be,rnard jones diana wynne, kennedy emma, jones ruth, gardiner be,cky  wainwright martin , bates stephen , meer malik, sylvain dom,inique paolini christopher, bourdain anthony, horowitz anthony, hugo victor, hesse hermann, tolstoy leo, hawtree christopher graham greene, hilbig wolfgang, barnes julian, kundera milan, zafron carlos ruiz, grimwood jon courte,nay bellow saul, isherwood christopher, clark alan, dahl roald, lotringer sylvere, pullman phillip, galgut damon, paolini chris,topher cresswell helen, jones sadie, christie agatha, doyle a.conan, robinson geoffrey, hodges andrew, sylvain dominique, dostoevsky f.m, martin george r.r., moore christopher, hacker katerina, o'flynn catherin,e cervantes miguel de, kavenna joanna, one direction, austen jane  g,rahame-smith seth conan-doyle arthur, lessing doris, wakeman rick, conan-doyle a,rthur conan-doyle arthur, gaskall mrs, hansen essa, trapani gina, lore pittacus, upward edward, lively penelope, morrison grant, ennis garth, ellis warren, morrison grant, ennis garth, moyes jojo, simsion graeme, shea dave and holzschlag molly e., cederholm dan, martin george r.r., macdonald kyle, feist raymond, upward edward, levi primo, stross charles, sjowall maj and wahloo per, krauss  rosalind, bataille georges, queneau raymond, blackwood algernon, arnold n. scott, leckie ann, cobley michael, levy david, bywater mic,hael brennan marie, fuller steve, fuller steve, fuller steve, tom taylor , jeremy rapack , mik s miller, tom taylor , bruno redondo , ball philip, morden simon, conan-doyle a,rthur pratchett terry, lovegrove james, sartre jean-paul, simenon georges, allan nina, plato, brown eric, cumming cha,rles moore christopher, mieville china, genna  giuseppe, aldiss brian, davidson lionel, adams douglas, russell eric frank, vance jack, cobley michael, cobley michael, furst alan, judd alan, king laurie r, gaiman neil, saint-exupery antoine de, aldiss brian, acker kathy, woolf virgina, mordern s. j., meaney john, anthony piers, christie agatha, smith cordwainer, smith cordwainer, dickson gordon, brin david, davidson lionel, cottrell leonard, rushdie salman, le carre john, brown eric, sayers doro,thy l. brown eric, szerb antal, szerb antal, von schrirac,h ferdinand barthelme donald, shakespeare william, jerome jerome k, kipling rudyard, duras marguerite, pavese cesare, ackroyd peter, tilly charles, thorton tim, reynolds alaistair, von arnim elizabeth, land nick, mackay robin, gould stephen jay, gould stephen jay, mackay robin, veal damion, wolfendale peter, ball philip, castoriadis ,cornelius chomsky. noam, dyson freeman, waldrop n. mitchell, wyatt sir thomas, watson james d., macrae  donald g, larsson stieg, noon jeff, rowbotham sheila & segal lynne & wainwright hilary, carrion jorge, hilbig wolfgang, fermor patrick l,eigh parveeb adams beverly brown elizabeth cowie, parikka jussi, pelevin victor, kurkov andrey, introduced by j. michael walton, jones steve, russ joanna, bennett jane, morgan dan, hannah dolan elizabeth dowsett emma grange, judge dredd!, sayers doroth,y l. sayers  cox edward, vickers sally, nykanen harri, matheson richa,rd jenkins martin and swift jonathan, fleming ian, o'brien flann myles na gopaleen, gieysztor aleksander et al..., de beauvoir simone, sayers dorothy l., sayers dorothy l., de la mare walter, marnham patrick, cumming charles, enger thomas, sayers doroth,y l. lebor adam, dick philip k, naylor doug, amis martin, priest christopher, makine andrei, pratchett terry, carofiglio gianr,ico s. c. kaines smith, grenier jean, lessing doris, pratchett terr,y vickers sally, pratchett terry, pratchett terry, pratchett terry, pratchett terry, pratchett terry, pratchett terry, pratchett terry, akerman chantal, kevin eastman peter laird dave sim, tremain rose, hustvedt siri, evanovich janet, nesser hakan, cage john, van vogt a,.e karlsson jonas, lethem jonathan, singer peter, tuck rchard, leach edmund, floridi luciano, floridi luciano, rose mark (edito,r) skolimowski henryk, kunzru hari, sexton ed, arden kath,erine milanovic branko, helen pluckrose and james lindsey, pinker steven, brooks rosetta,  zizek slavoj, keene jogn, fox jeremy, collins jef,f myerson george, fox dominic, pallant kathryn, haggard william, haggard william, haggard william, henshaw lee, golumbia dav,id dawkins richard, dawkins richard, dawkins richard, kaplan robert, balestrini nanni and moroni primo, watkins susan, watkins susan, barry max, weir andy, kadrey richard, mcauley paul j., mcauley paul j., mcauley paul j., mcauley paul j., mcauley paul j., mcauley paul j., mcdonald ian, mcdonald ian, mcdonald ian, cavanaugh wil,liam t. corina john, lee yoon ha, unt mati, simcox ad,am ripellino angelo maria, morgan richard, setterfield diane, morgan richard, stross chalres, garner alan, bassini giorgio, jennings luke, jennings luke, jennings luke, mordern s. j., novick naomi, novick naomi, macleod ken, reynolds alaistair, reynolds alaistair, afary janet and anderson kevin b, quignard pascal, queneau raymond, arrighi giovanni, niffenegger audrey, quignard pascal, conklin groff, gibson william, quignard pascal, quignard pascal, atkinson  anthon,y b zelazny roger, karl frederick and hamalian leo (edits), modiano patrick, foer jonathan sa,fran chekov anton, garnier pascal, thiongó ngugi wa, crussi f. gonzale,z forrest richard, delany samuel r., cadigan pat, damasio anto,nio damasio antonio, ackroyd peter, evans i. o. (editor), mcdevitt jack, van vogt a.e, stross charles, hamilton edward, pratchett terry, herbert frank, appia adolphe, king laurie r, brown eric, clifton mark and riley frank, mordern s. j., russell eric frank, kuttner henry, robson justina, tchaikovsky adrian, robson justina, mattelart armand and michelle delcourt xavier, dick philip k, cherryh c.j., pohl frederick and kornbluth c. m., graeber david, graeber david, robin blackburn, stiegler bernard, stiegler bernard and derrida jacques, llansol maria gabriela, benkler yochai, robinson kim stanley, anderson poul, jeter k. w., king lily, moorcock michael , leon donna, silverberg ,robert pratt tim, mcarthur maxine, moorcock michael , stephenson neil, carver jeffrey a., van vogt a.e, wollheim donald a. (editor), simenon georges, clarke arthur, mossman keith, okuda michea, and denise, gibson william, daly mary, sterling bruce , rankin ian, evans peter, j. coleman gabriella, edmund spencer, edmund spencer, patrick hamilit,on alexander moszkowski, jane austen, alexander moszkowski, christine brooke rose, helmuth plessner, zubrowsky

[pearlsoflongago]

Voices of April

Breezes, Blossoms, and Birds

Prunieurs en Fleurs/Plum Trees in Bloom by Clause Monet

The West Wind

It’s a warm wind, the west wind, full of birds’ cries; I never hear the west wind but tears are in my eyes. For it comes from the west lands, the old brown hills, And April’s in the west wind, and daffodils.

It’s a fine land, the west land, for hearts as tired as mine, Apple orchards blossom there, and the air’s like wine. There is cool green grass there, where men may lie at rest, And the thrushes are in song there, fluting from the nest.

‘Will ye not come home, brother? ye have been long away, It’s April, and blossom time, and white is the may; And bright is the sun, brother, and warm is the rain,— Will ye not come home, brother, home to us again?

‘The young corn is green, brother, where the rabbits run, It’s blue sky, and white clouds, and warm rain and sun. It’s song to a man’s soul, brother, fire to a man’s brain, To hear the wild bees and see the merry spring again.

‘Larks are singing in the west, brother, above the green wheat, So will ye not come home, brother, and rest your tired feet? I’ve a balm for bruised hearts, brother, sleep for aching eyes,’ Says the warm wind, the west wind, full of birds’ cries.

It’s the white road westwards is the road I must tread To the green grass, the cool grass, and rest for heart and head, To the violets and the warm hearts and the thrushes’ song, In the fine land, the west land, the land where I belong.

-John Masefield

De Roze Perzikboom/Blossoming Pear Tree by Vincent van Gogh

Home Thoughts, From Abroad

O, to be in England Now that April 's there, And whoever wakes in England Sees, some morning, unaware, That the lowest boughs and the brushwood sheaf Round the elm-tree bole are in tiny leaf, While the chaffinch sings on the orchard bough In England—now!

And after April, when May follows, And the whitethroat builds, and all the swallows! Hark, where my blossom'd pear-tree in the hedge Leans to the field and scatters on the clover Blossoms and dewdrops—at the bent spray's edge— That 's the wise thrush; he sings each song twice over, Lest you should think he never could recapture The first fine careless rapture! And though the fields look rough with hoary dew, All will be gay when noontide wakes anew The buttercups, the little children's dower —Far brighter than this gaudy melon-flower!

—Robert Browning

Song of a Second April

April this year, not otherwise Than April of a year ago, Is full of whispers, full of sighs, Of dazzling mud and dingy snow; Hepaticas that pleased you so Are here again, and butterflies.

There rings a hammering all day, And shingles lie about the doors; In orchards near and far away The grey woodpecker taps and bores; And men are merry at their chores, And children earnest at their play.

The larger streams run still and deep, Noisy and swift the small brooks run Among the mullein stalks the sheep Go up the hillside in the sun, Pensively,—only you are gone, You that alone I cared to keep.

—Edna St. Vincent Millay

Pear Blossoms by Winslow Homer

[socaprince]

SOCA THERAPY - MARCH 10, 2024

Soca Therapy Playlist

Sunday March 10th 2024

Making You Wine From 6-9pm on Flow 98.7fm Toronto

Iron Bazodee (Dr. Jay Plate) - Alison Hinds

Carnival Calling - Giselle De Wassi One feat Alison Hinds

Mas And Wining - Patrice Roberts

Endless Vibration (Muv Short Edit) - Marge Blackman x Nailah Blackman

Life After Fete - Kerwin Du Bois

Everytime - Nadia Batson

Sha La La - Nessa Preppy x Freetown Collective

Calypso - V'ghn

Junction - Coutain x Tano

Tack Back - Kes x Tano

Savannah Grass - Kes The Band

Kaiso - Viking Ding Dong

Ego Jam  - GBM Nutron

DNA (DJ Kevin Festival Intro Edit) - Mical Teja

Beat Rum Bad - Wadicks

Fete Woman and Alcohol (F.W.A) - Terron

The Menu - Teddyson John 

Impossible - Problem Child x Patrice Roberts

Ah Love It Here - Ricardo Drue

Rosie - Destra x Yung Bredda

I'm Yuh Lover - Nadia Batson

Outside Jam - GBM Nutron x DJ Spider

How Ah Livin (Muv Short Edit) - Farmer Nappy

Haunted - Machel Montano

Jump & Wine - Beenie Man

Raggamuffin - Square One

Sugar - Square One

TOP 7 @ 7 Powered By The Soca Source

Top Songs by Dr. Alison Hinds Streamed On Spotify

7. In Trouble - Farmer Nappy x Alison Hinds

6. West Indian - Alison Hinds

5. King and Queen - Richie Spice x Alison Hinds

4. Born Wid It - Alison Hinds

3. Togetherness - Square One feat Alison Hinds

2. Faluma - Square One feat Alison Hinds

1. Roll It Gal - Alison Hinds

God Got Me - Marzville x Dj Spider

Forever Grateful - Mikey Mercer x Dj Spider

Bad Gyal - Erphaan Alves

Runaway - Mical Teja

Penthouse - Voice

Lift Me Up - DJ Crown Prince x King Vers x Ricardo Drue

Hustle Hard - Hoipong x GBM Nutron x CoolBlaze

Bassman (Razorshop Fully Extremed Edit) - Shadow

Full Extreme (DJ Puffy Remake) - Ultimate Rejects feat MX Prime

Long Time - Arrow

PAN MOMENTS Long Time - Republic Bank Exodus

TANTY TUNE (1977) Give More Tempo - Calypso Rose

Holiday - Problem Child

Wotless - Kes The Band

Warming Up - Adam O x Akaiiusweet

In The Center - GBM Nutron x Farmer Nappy

Cloud 9 - Lyrikal

Angel - Imani Ray

The A List - Pumpa 

Big Girl Now - Patrice Roberts

Finally (Refix) - V'ghn x Voice                  

Circles (Ryan Sayeed's Best Friends Intro) - Kerwin Du Bois

No Behavior (Touch Down, Shell Down) - Cloud 5

Leh Go - Blaxx

To D Future - Bunji Garlin

Whole Day - Ms Alysha

Wah Do - Olatunji 

Whistle & Horn - Cassi

Wrong Again - Skinny Banton

Inventor (Izaman) (Razorshop Roadmix) - Olatunji

Chutney Steam (Ryan Sayeed's Vapor Rub Intro) - Ravi B x Tempa x Travis World 

NORTHERN PRESCRIPTION Sweetman Bass - Hndfl

Sokah - Nailah Blackman x Len Boogsie Sharpe x Mungal Patasar

Devotion - Destra

Follow Dr. Jay @socaprince​ and @socatherapy

“Like” Dr. Jay on http://facebook.com/DrJayOnline

[astxriai]

lolitathon pt. 2: watching lolita (1997) so that i may finally know peace

part one can be found here

quick recap (to be read in the voice of jeremy irons):

lolitathon part one, the viewing of lolita (1962), dir. stanley kubrick, unceremoniously concluded the afternoon last, receiving a rating of 1 1/2 stars out of 5. the author, in very low spirits, ventured out to touch grass and decided to postpone the second half of their acursed double feature until the next day. reader, today is that faithful day.

the previous evening, the author treated themself to robert luketic’s pièce de résistance, legally blonde (2001), and now with renewed bravery, we sally forth to today’s feature presentation: lolita (1997)