#Riddim God Music

[britishhiphop]

Frisco - Di Teacher [Audio]

Easy vibes on this bass heavy rolling Dancehall track with steel guitar backed track from Frisco. On Di Teacher, the riddim and Frisco’s delivery has a live freestyle feel. Produced by: Teflon Zincfence and Jus Bus The Den Records / Riddim God…

[curryvillain]

Elephant Man Releases Visual For "Walk Out Gyal"

Today’s National Heroes Day, and we salute those who have fought and sacrificed their lives in advancing Black people in Jamaica, and inspiring many outside of the Island to do the same for their countries. We use this time to salute our musical heroes, as many of them made efforts to put Jamaica on the map with their work for decades. One of those heroes is Dancehall Artist Elephant Man, and…

[subbykittyboythoughts]

semiserious music vent

genuinely have no idea how people make memorable melodies/rhythms. ive said it before but melody is a thing i have absolutely 0 sense for. legitimately i am fucking awful at writing melodies, let alone memorable ones. this isn't just a now thing - this has been a problem my entire time making music. i made one song that was memorable, ever, or i should say 1/2 of a memorable drop because the rest of the song was just parts of the drop, and the second half was bad. ig the bridge was good too but that was just the guy's vocals vocoded. even putting in random notes leads nowhere, genuinely trying to write melodies fucking sucks. if i had a friend i really trusted, with similar styles, and actual skill in songwriting id LOVE to collab but alas, i do not, so im just dissuaded from anything other than sound design. thank god that's something that i can do with consistency for what i can do well, and a skillset i know and have been adding to. any time i try to generate just some basic rhythm it ends up being another song's, and i can never figure out what to do woth it without sounding like another song. literally any time i try making color bass (not melodic riddim, which i dislike) i just fucking rip off Parachute (Skybreak Remix), idk maybe i just need to listen to more but like. how tf do people find rhythms to work with. i just tried to think of one and IT WAS JUST ACCELERATE BY TEMINITE AND SKYBREAK it's ALWAYS ripping someone off. it feels like ever since i discovered electro my entire career is going to be based around ripping SOMEBODY off, at least doing sound designy complextro i can mix brostep and wolfgang gartner-y sounds with mild justice influence for something kind of my own, but i actually enjoy having songs with songwriting. such a shame i cannot write song

[kushblazer666]

oh my god apparently after the sleng teng riddim took off there was discussion among casio management if they should sue musicians to protect their intellectual property before they decided that its kind of a dick move to sell consumers musical instruments and then take them to court when they use the instruments to make music

[imageryofme]

I no longer listen to music throughout the day, so to come home and connect to my speaker is an absolute treat! Feeling even more so connected to the riddim and melodies. God is good!

[djrj]

Playlist: August 13, 2024

7:00pm – Watch Over I Intro by Anthony B on King In My Castle (Born Fire Music)7:00pm – Sweep Over My Soul by Luciano on Sweep Over My Soul (Xterminator)7:04pm – Hardcore Rub A Dub by Johnny Osbourne on Houver Riddim (John John Records)7:06pm – Tell Me Who by Sanchez on Houver Riddim (John John Records)7:08pm – God Ah God by Aza Lineage on Houver Riddim (John John Records)7:10pm – Take Control by…

[thesinglesjukebox]

STRAY KIDS - "CHK CHK BOOM"

The "Livin' La Vida Loca" reference makes me wonder what we would have given "The Thong Song"...

[5.12]

Michelle Myers: Stray Kids work best with a light touch and a wink. The harder they seem to try, the more tedious the results. "Chk Chk Boom" doesn't reach their pandemic era heights, but it is their best title track since 2022's "Maniac." Changbin's gravelly, rolled r's are the highlight, but I'm also charmed the lyrics--innuendos so excessively bowdlerized that they add much needed levity. [7]

Taylor Alatorre: These variegated vignettes of boys' noise are intended to show off how wild and untamable and "catastrophic" the crew is; their apparent fear that the robo-reggaeton riddim would be incomplete without some pidgin Spanish grafted onto it tells a different story. "Livin' La Vida Loca" deserves better than to be made a proxy for "donde esta la biblioteca." [4]

Nortey Dowuona: This is dallasK's fault. (Also Bang Chan, but I expect young industry professionals to be either circumspect or self indulgent.) [1]

Ian Mathers: [watches music video] "Huh, you know, K-pop is starting to feel a bit like pop's equivalent of the MCU." [5]

Harlan Talib Ockey: My impression of Stray Kids up to now has been that the production does most of the heavy lifting, and "Chk Chk Boom" isn’t exactly proving me wrong. This warped reggaeton beat is an immediate [10]. The verses are more cohesive than, say, “God’s Menu”, and at their best (Han & Felix, 1:25-1:35) they’re genuinely delightful. I’m very tempted to deduct a few points for the agonizingly forced Deadpool & Wolverine promo, but that probably isn’t fair on Stray Kids themselves. [7]

Katherine St. Asaph: Today in US politics: NRA types are attempting to smear vice presidential nominee and avowed pheasant hunter Tim Walz as a fake and unconvincing gun guy -- in gunfucker terminology, a "Fudd." I have to assume they haven't heard Stray Kids' poseurish "rat-tat-tat-tat"s. The synth kinda sounds like Mya's "Step," though, so I can't hate it too much. [6]

John S. Quinn-Puerta: I do feel like name dropping "Livin' La Vida Loca" on a song that stutters through its rhythmic identity shouldn't work this well. But the lack of stability on the beat is half the point, forcing me to stay on my toes while I find a flow to dance to. [8]

Hannah Jocelyn: What is this trying to be? Is that a trap beat? A dembow beat? A four on the floor stomp? It's trying to be dazzling but the beat switches are indistinguishable so I'm just left confused. It just throws a bunch of shit at the wall for two minutes, trying to be zany but refusing to commit to the bit. The festival version is better because it's bland. [3]

[Read, comment and vote on The Singles Jukebox]

[chloeworships]

NOW…

Some good news

I woke up this morning and heard a beat… then I heard

“Rise To The Occasion”

This is a song my Sizzla that I love. This song confirms the message we got earlier about not being able to stop you. I am sharing the lyrics and the song as I was guided to.

What’s crazyyyyyyyy is the cover of the remix combined with other popular songs by Sizzla. Recall the LORD showed us “Name Noms” in his writing on lined paper.

😱🤯😎

https://youtu.be/yZOmRjo_Z7c?si=j1NgWnfixAbhvhrW

Also the number 11

This message is for several of you 💌

I wanted to highlight the fact the LORD allowed me to hear the beat aka the riddim which is important to whoever this message is for. Why? Producers in Jamaica 🇯🇲 are often as BIG as their artists. Idk if dancehall still features several artists on one riddim but I know growing up that’s what reggae was like. DJ’s clashed on the same riddim to see who was better. It’s a hallmark of reggae that sets it apart from any other music I know.

Pray about this message for the LORD will confirm if it’s for you.

I have another message about music coming up soon as well. Bear with me.

PS. Also heard

“They can’t stop the King” 👀🤩

Go ahead with your plans babes. You have God’s approval ✅

The time is NOW‼️ticktock ⏰

PS. I am now hearing the Diwali riddim 🤩🎶💃🏾

This means something to whoever this message is from. Perhaps you are from India 🇮🇳 or have Indian roots like me!!! Or from Jamaica as well 🇯🇲 Could be from Trinidad 🇹🇹

Here is a popular song by renowned artist Sean Paul that went viral INTERNATIONALLY and the video was made in Brampton. Someone is about to blow up.

This brings back so many good memories… HOUSEPARTY.

Sean Paul was one of those reggae artists that infiltrated all genres and worked with a number of American artists. He was BIG and still is an absolute legend 🎶🇯🇲🙌🏾 Let me give him his flowers 💐

[socaprince]

SOCA THERAPY - MARCH 17, 2024

Soca Therapy Playlist

Sunday March 17th 2024

Making You Wine From 6-9pm on Flow 98.7fm Toronto

More Sokah Refix (Dr Jay Plate) - Nailah Blackman

How ah Living (DM On The Edit) - Farmer Nappy

Ah Love It Here (Muv Short Edit) - Ricardo Drue

Impossible - Problem Child x Patrice Roberts

Festival - Jasper YMC

Niceness - Kenny Montana

Dem Vincy - Mason

Cat Attack Riddim (Instrumental)

Party In The Road - Skinny Fabulous

Eating Cat (Meow Meow Meow) [Clean] - Suhrawh & Rawsheid

Slip In [Clean] - Geo

Bedsqueak Riddim (Instrumental) 

Bruk Time - Grabba

Weed n Village Ram - Skinny Fabulous

Bend - Nessa Preppy

Darlin - Aaron Duncan

Give Away The Wine - M1

Plan B - Orlando Octave

Majesty Riddim (Instrumental)

Life After Fete - Kerwin Du Bois

Everytime - Nadia Batson

Brain Freeze - Leadpipe x Jus-Jay

Brain Freeze (Scratch Master Mashup) - Leadpipe x Jus-Jay

By De Bar - God Fathers Asylum

We Still Here - 3SUNS

Cock Back And Wine - Machel Montano

Push - Imij & Co

Aye Aye Aye (Remix) - Square One feat. Alison Hinds

Bass - Young Voice

Calypso (Jus Now Road Mix) - GBM Nutron

Engine Room - Olatunji 

Is D Weekend - Bass aka Trilo G

Search Party - Preedy

Entering GreenzLand - Bunji Garlin

All The Wine - Jab King

Bag Ah Sugar - Terra D Governor

Cooking Good - Problem Child

TOP 7 @ 7 - Powered By The Soca Source

Top Soca Streamed Across The World On Apple Music

7. Tempted To Touch - Rupee

6. Soca Kingdom - Machel Montano x Superblue

5. Holiday [Clean] - Problem Child

4. Anxiety - Patrice Roberts

3. Lucy - Destra Garcia

2. DNA - Mical Teja

1. Fast Wine - Machel Montano

In The Center - GBM Nutron x Farmer Nappy

De Last Time - Miss Cali

Jouvert Morning - Jfiyre

Rock n Roll - Preedy x DJ Crown Prince x Dr. Jay

Sugar Daddy - Nadia Batson

Sugar Cake (Muv Sugar Boy Transition) - Patrice Roberts

Spellbound - Problem Child

Shell Way - Shal Marshall

Beat Rum Bad - Wadicks

OLTL (One Life To Live) - Olatunji

On My Way - Machel Montano

Where I Am - Freetown Collective

Greater - Dash

Middle Finger [Clean] - Boyzie

Allez - Teddyson John

Phenomenal - Benjai 

Out On De Road - Darnella 

The Best - Sekon Sta

Her Love - Flipo

Ola - Olatunji

Oh Yay - Olatunji

Bum Bum (Remix) - Timaya feat. Machel Montano

PAN MOMENTS Essence (Pan Cover) - Michael The Pannist           

TANTY TUNE Caribbean Man (Tribute To Black Stalin) - David Rudder & Andy Narell Band

Bad Gyal - Erphaan Alves

Blind - Hey Choppi

Wassy - Full Blown

Runaway (Radio Edit) - Mical Teja

When Last - GBM Nutron x Jus Jay King

My All - Nadia Batson

Beatin Road (Dr. Jay Plate) - Preedy

Miracle - Kes & Tano

Whistle Riddim [Clean] - Triple Kay

Strictly Local - Asa Banton

Do What You Want - Skinny Fabulous x Asa Bantan x Mr Killa

Spirit - Erphaan Alves

Carnival Contract - Bunji Garlin

Carnival Contract (Dr. Jay Plate) - Bunji Garlin

Child Of Bacchanal - Viking Ding Dong x Lyrikal x Travis World

In The Water - Suhrawh x Chow Minister

Wet It Up (Riddim Master Intro) - Zeek

Wet Wet Wet - Zeek feat. Shatta

WDS - Aidol

TGIM - Lil Natty & Thunda

NORTHERN PRESCRIPTION Simple Things - KI & The Band

High Life - Machel Montano

Peace Of Mind - Voice

Follow Dr. Jay @socaprince​ and @socatherapy

“Like” Dr. Jay on http://facebook.com/DrJayOnline

[msdroppinit]

God #shorts Bless

Debbie Dropit • Anointed #debbiedropit THANK YOU JESUS #thankyoujesus Spice #spiceofficial #msdroppinit God Is Love #godisloveforever Merry Christmas 2023 #jesus  #reggaemusic #reasonfortheseason #riddim #audiovisual #videoedit #addimage

Debbie Dropit is a rising star in the Roots Reggae Community in Toronto as well as the city’s sound clash culture. She has gained popularity through her presence on Facebook and YouTube, where she shares videos showcasing her talent as a Digital Creator specialize in Audio Visuals, Copywriting and Graphic Design. . Some of her videos may be muted in certain countries due to music rights as she has dedicated her time restoring her 35 year old cassette collection of Rare Reggae Music and Digitalizing the audio for future perseverance to be shared with all who engage.  Debbie Dropit has received positive reactions and comments from her audience, indicating her rising star status all all Digital Platforms

[curryvillain]

Elephant Man Doubles Up With New Singles

Dancehall Artist Elephant Man is ready to make a lot more noise for the rest of 2024. Having enjoyed a summer where he connected with new and old fans through energetic live performances, he’s not letting the flame die down, and he’s going the extra mile. Not only is he putting in the work in the Studio, but for his latest release, he doubles up with the new singles, “Dem Nuh Like We“, and “Walk…

[medinainternational]

(Motif-Radio) REGGAE PON TOP # 33 2023 TRACK LISTING BELOW:

SINGLES: ROUND SIX VERSION COLLIE BUDDZ- CLOSE TO YOU KING KONG- MONEY CPOULD A BUY GINJAH- MUSIC IS MINE LINVAL THOMPSON- DEM A WAR RICHIE SPICE- DEM LEADERS QUEEN MAKEDAH- HEAL THE EARTH JAHMAN- JAH OVER WE MANUDIGITAL FT. ALBOROSIE & YAMI BOLO- REGGAE MUSIC AND LOVE TWIN STAR- IN NEGRIL KHALIA- FT. SHAGGY- DOUBLE TROUBLE

RIDDIMS: BOXING AROUND RIDDIM IMAGINE ME RIDDIM UNCONDITIONAL LOVE

DANCEHALL: TILLY BENG- BOSS GIRL KAY CYY & ECHOSLIM, NICO REBEL, FFY- HIGHER MR. VEGAS- GOD OUT ENUH ZJ LIQUID- EVERYTHING ALRIGHT ZJ LIQUID- MAKE LOVE JAHAZEIL & IRELAND BOSS- SOUL CRY PATEXX, EM1, DONZILLA- MONEY RACE GAPIX- RISE ITS DIA- NO RUSH KEVIN LITTLE, MATT CORMAN, NJJ- PUT IN ON SHENSEEA- WAISTLINE NATION BOSS- NATIVE WAY DEMARCO- BRUK IT OFF GINJAH- PEPPER PARTY SPOT RIDDIM

ROOTS REGGAE/ ONE DROP: GREGORY ISAACS FT. BUNNY GENERAL- MY PRIDE WON'T LET ME COLLIE BUDDZ- MR. WICKED KING KONG FT EEK A MOUSE- WAKE UP THE TOWN DUBTOWN ABBEY MEETS OMAR PERRY- LIFE IS NOT A DREAM ROHAN SIXY MORRIS- FIH REAL MYSTIC MARLEY, NAILAH BLACKMAN, WALSHY FIRE- JUMP F.Y.A.H.- OH OH OH ARIWA POSSE FT. ASKALA SELASSIE- SURVIVOR ROOTS VIBRATION- WELL RUFF RECORDS VIRUS- WELL RUFF RECORDS BASSAJAM FT. VANZO- RUDE BOY STORY DEJA FT. TARRUS RILEY- RUDE BOY QUEEN MAKEDAH- CLEAN HANDS THE CONGOS- JAH IS THE LIGHT

[karamanti]

Kara committed to di King like

Artist vocalist beats and mic

Spiritual warfare when I write

Dem say words have power so me choose mine

A no money me a hunt right now a time

I&I a big woman wid a deadline

So me hail Baba God day and night

Mi no tek back no chat naa apologize

Mi no see dem

Mi pree dem

Mi no need dem

so

No matta wah

Dem ago chat

Mi know dat

Bro

Inna mi lane

Dis a no game

Maintain

Cho

Dats why mi pray

Everyday

No delay

No

***********

#newmusic back to my roots #hardcoredancehall 💪🏾🎙 "Committed to the King" 🙏🏿this song is featured on the #deedsriddim prod. by watzh you frenz records... it's available on all music platforms [DJs DM ur email addy to have the full riddim sent to u]

[gerogerigaogaigar]

We are 100 albums down into the Rolling Stone 500 greatest albums list. I thought I might offer some thoughts so far since, quite obviously, I disagree to some extent with this stupid idiot list. The most important thing to note is that making an objective greatest albums list is futile. What criteria determine that they are the greatest? Most popular? Most influential? Most artistically valid? There are simply no criteria that are subject to the baleful whims of subjectivity. Once the subjective is embraced then making this list is easy, just put anything you like on it. But that clearly isn't what Rolling Stone wants. If it was then they would not have revised it twice. No they want to be as inclusive and diverse as possible. They want some sort of objectivity, but they are limited by their perception. The qualia of any given rolling stone editor is one in which the only mark of significance is popularity in the west, the only influence that matter is influence over white western artists. If they were to be truly honest with themselves the list would just be Sgt Pepper's Lonely Hearts Club Band repeated 500 times. But there is no room for honesty in the wretched hearts of music critics.

The thing that is most obvious is that, although they do mix in a few women and Latino artists, the only marker for diversity they understand is blackness. The overwhelming prominence of Motown and Stax artists on the list is so obviously the result of them simply not knowing that many black artists from outside their comfort zone. So they double dip again and again, choosing albums like Al Green's Greatest Hits and Marvin Gaye's Here My Dear. They could of course be choosing some Asian artists, J-Pop and K-pop have been very popular and influential and City Pop is even surfacing as a popular hipster genre in the west. Why ignore these? It's because they don't see any music that didn't hit the UK or US as being culturally relevant.

There is another marker for diversity though. One that I think is almost more offensive to have ignored if only because this is a music publication talking about music. Genre. Rock, prog, punk, funk, disco, pop, R&B, Hip-hop, all represented here. But there has only been one metal album and literally zero electronic music. No house, techno, drum and bass, jungle, juke, dubstep, riddim, trance, there are so many subsets of electronic music that should be represented here. Show me Jeff Mills, Juan Atkins, Carl Craig. Show me Aphex Twin, Autechre, Plaid. Orbital, The Field, Shpongle, Laurel Halo, Alec Empire! For the love of God show me anything! But what would old men who suckle upon the cock of John Lennon know of electronic music. Electronic music is fundamentally black, and it only really goes on to heavily influence other black music. The reality of all that Motown on this list is that it influences white people and is therefore valid. Keep that in mind and the list becomes easier to understand. If you see anything other than a cisgender white male artist on here then you can safely assume they must have been influencial to some other cis white guy.

[straycatboogie]

2023/04/02 English

BGM: Ryuichi Sakamoto - Undercooled

It was 35.7℃. Last night, I thought what records I would choose as the "desert island records" to post on Discord. This means that "what ones I would bring to the desert island to enjoy?", a classic question. Me, if I follow the current mood, I would choose Ryuichi Sakamoto and Fennesz's "condre" and Aphex Twin's "Selected Ambient Works Volume 2", etc. But I shouldn't forget Brian Eno (no, I should Eno's works to the urban situation), and also want to choose Little Tempo's "Ron Riddim". Referring to this kind of "desert island records" or like that, I never go to any desert island actually. But thinking this kind of selection is funny although it might look weird. If I choose that kind of books, I will choose Haruki Murakami's "Distant Drums" and a travelogue by Koutarou Sawaki. But I shouldn't forget Susumu Sogo's columns. It tells me that I would choose the same books wherever I go. Oh my gosh! I'm really stubborn.

This morning I still thought about this "desert island records". Maybe because by that thinking, I made a big mistake. I went to the workplace and started working at a wrong time. Of course, I should be ashamed of that. It would be from my autism so I have to reflect on how I should manage my tasks. I have to face this troublesome autism, so I have to share my failures honestly to let readers learn how an autistic person lives in his life. "An example of ordinary events from an autistic person". Oh my gosh. I am growing up? Today was so called "World Autism Awareness Day" but no one talked about this in my workplace. My co-workers don't talk about autism too. There is a difference between "common sense around me" and "common sense of my workplace". It might make me crazy because of that. But it's the real life.

I always have an obsession of "my life must end someday". Yes... but recently I read Jakucho Setouchi, a Japanese female writer, and learned from her words that "I am let by God to live this life". It would be a clue to live my life I guess. In short, "I will die someday" is a clear fact, but "I am not dying now" is also a fact. "I am let by God to live", then "I have to be dutiful to the fact and learn something from that fate". This is a change of thinking. I can never see this would work actually, but I shouldn't feel that I have a guilty to live, and also never have to feel sorrow to live this life. I live this life, so I want to enjoy the pleasure of this life.

This evening, I attended a online meeting on ZOOM. I made a fatal careless mistake and was being late to there about an hour. I am really sorry... but the host and other members welcomed me so I could enjoy the meeting. It was a lesson of English but I couldn't listen to the conversations, therefore I have to practice the skill of listening. At that time, a news that said "Ryuichi Sakamoto had passed away" came suddenly. When I began having an interest in music, the Japanese great group YMO was already broke up (but they got reunion later). So Ryuichi Sakamoto was already a "world famous" musician who worked distant from Japan. Therefore I felt a distance from him, but his essays delivered me some friendly essences so I started enjoying his music. I never am agree with all of his opinion. He showed some fatal paradoxes, and also had brutal essences. But, even I understand those things, I accept his great intelligence. Rest In Peace.

[nwtfghana]

Edi B – Mi Eye Pon (Official Music Video) (Dir Jmkad)

NWTF Ghana presents to you the official video for Mi Eye Pon by EDi B. Versatile musician EDi B jumped on the Holla riddim by Lazzy Beatz and made a masterpiece he titled ‘Mi Eye Pon’. On this song, the NWTF front-liner proved he is indeed talented as he exhibited his dancehall as well as rapping skills on this riddim. Mi Eye Pon talks about depending on God as a believer and you will not only…