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spy-in-the-house · 7 years ago

Audio

SpyInTheHouse 674 Fm Podcast 011 11272017

This 3hrs (also) video-streamed 674.fm / SpyInTheHouse all.vinyl November-jam (by Claus Bachor / Psycho Thrill Cologne) with featured tracks by Anthony Shakir, Dwele, The Advent, Chaos/ Mark Floyd, The Droyds, Morphology (2), Circadian Rhythms, Underground Resistance , Jean-Loius Huhta, Blake Baxter, Steve Rachmad (2), Fabrizio Lapiani, Sigha (remixed by Wata Igrashi & Function) (2), Akmé, Slam (remixed by Claude Young Jr.), Biochip C, Jeroen Search (4), Laurent Garnier, Cliff Hanger (2), Waajeed (2), Oniris, Delano Smith, Trevino, Broccoli Bros. vs. Righteous Men, Woo York, Roland Casper, Mark N-R-G (remixed by Roland Casper), Opuswerk, Integer, The Dusk, Philus, Echoplex, Murat, Tafkamp, Terrence Dixon, Klankman, Mode Selector, SCB/ Scuba (2), Egyptian Lover, DJ Roach, Rennie Foster, Timeline, John E.Collins, A Number Of Names, Sexual Harrassment, John D. (2), Roy Ayers, Lil'Justin, Drivetrain/ Derrick Thompson, Da Rebels, Funkadelic (remixed by Moodyman) in this mix. TRACK LISTING: 01 ANTHONY 'SHAKE' SHAKIR: Detroit: State Of Mind [ B2-track from “... Waiting For Russell” Frictional Recordings FRCT-008 US Promo-12" | 1998 ] 02 DWELE [ANDWELE GARDNER]: Early Morning [ A-side from “Detroit City” Rara RARA-003 UK 12" | 2004 ] 03 THE ADVENT [CISCO FERREIRA & COLIN McBEAN]: Insight 01 (Level Z) [ B2-track from “Standers” Internal CCCB-10 UK Promo-12" | 1996 ] 04 CHAOS [MARK FLOYD]: Afrogermanic [ A-side from “Crime Report” Underground Resistance UR-021 / Submerge US 12" | 1998 ] 05 THE DROYDS [ANDY CHATTERLEY & RICHARD NORRIS]: All I Ever Wanted [ A1-track from “EP 1” New Religion REG117 UK 12" | 2005 ] 06 MORPHOLOGY [MATTI TORUNEN & MICHAEL DIEKMANN]: Conductive Force [ A1-track from “In Between” Innerspace Records 001 CRO 12" | 2017 ] 07 CIRCADIAN RHYTHMS [CHRISTOPHE DE GROOT]: Insight [ A-side from “Silicon EP” Triad Recordings TRIAD 001/ Elypsia BEL Promo-12" | 1997 ] 08 MORPHOLOGY : Inversium Layer [ A2-track from “In Between” Innerspace Records 001 CRO 12" | 2017 ] 09 JEAN-LOUIS HUHTA: Viva La Differenze! [ A1-track from “Zoat Zingo” Hybrid Productions HP-1017 SWE Promo-10" | 2000 ] 10 UNDERGROUND RESISTANCE: Electronic Warfare _ Vocal Mix [ B1-track from “Electronic Warfare - Designs For Sonic Revolutions” Underground Resistance UR-033 US 12" | 1995 ] 11 DJ NAUGHTY: Boing Bum Tschak [ A-side from “Boing Bum Tschag / Innerwood” International Deejay Gigolo Records Gigolo-001 GER Promo-10" | 1996 ] 12 STEVE RACHMAD: Ubatuba Blues [ B-side from “Neo Classica” Sino SINO-102LP HongKong 3x12" | 2006 ] 13 BLAKE BAXTER: Energizer [ A1-track from “Energizer” Tresor 038 GER Promo-12" | 1996 ] 14 STEVE RACHMAD: My Tikkie Tik [ A1-track from “Neo Classica” Sino SINO-102LP HongKong 3x12" | 2006 ] 15 FABRIZIO LAPIANA: Weaving [ A1-track from “://about blank 002” ://about blank 002 GER 12" | 2017 ] 16 SIGHA [JAMES SHAW]: Black Massing _ Wata Igarashi 'Dusk Falls' Remix [ A1-track from “Metabolism Remixes” TOKEN-077 BEL 12" | 2017 ] 17 AKMÉ: Inner Islands [ A2-track from “://about blank 002” ://about blank 002 GER 12" | 2017 ] 18 SIGHA: Down _ Function Remix [ B1-track from “Metabolism Remixes” TOKEN-077 BEL 12" | 2017 ] 19 JEROEN SEARCH [JEROEN SCHRIJVERSHOF]: Without Abrupt Change [ A2-track from “Continuum EP” Odd Even ODD/EVEN 012 GER 12" | 2017 ] 20 SLAM [ORDE MEIKLE & STUART McMILLAN]: Dark Forces _ Claude Young Jr. Remix [ A2-track from “Dark Forces Remixes” Soma Quality Recordings SOMA-45 UK Promo-12" | 1996 ] 21 JEROEN SEARCH: Quantitative Transitions [ A3-track from “Continuum EP” Odd Even ODD/EVEN 012 GER 12" | 2017 ] 22 BIOCHIP C [MARTIN DAMM]: Quartz [ A2-track from “Cranefly Warriors Vol. 3” Dj.ungle Fever 2002.02 GER Promo-12" | 2002 ] 24 JEROEN SEARCH: Continuous Or Discrete [ B3-track from “Continuum EP” Odd Even ODD/EVEN 012 GER 12" | 2017 ] 25 CLIFF HANGER [DARREN PRICE]: That's How It Is [ A1-track from “That's How It Is” Underwater Records H2O-007 UK Promo-12" | 1998 ] 26 LAURENT GARNIER: The Man With The Red Face [ A-side from F Communications F-119 Romo X FRA Promo-12" | 2000 ] 27 WAAJEED [ROBERT O'BRYANT]: Shango [ A2-track from “SHANGO EP” Dirt Tech Reck DTR-11 / Submerge US 12" | 2017 ] 28 Cliffhanger: Who's Who? [ B1-track from “That's How It Is” Underwater Records H2O-007 UK Promo-12" | 1998 ] 29 WAAJEED [ROBERT O'BRYANT]: Winston’s Midnight Disco [ A1-track from “SHANGO EP” Dirt Tech Reck DTR-11 / Submerge US 12" | 2017 ] 30 ONIRIS [XAVIER JANUARIO]: Hope & Despair [ A-side from “Hope & Despair” Astropolis Records AR-02.2 FRA 12" | 2013 ] 31 DELANO SMITH: On The Run [ A-side from “Detroit Lost Tapes” Sushitech Records SUSH-039 GER 3x12" | 2017 ] 32 TREVINO [MARCUS KAYE]: Spin Away [ B1-track from “Tactical Manoeuvre EP” 3024 3024-020 UK 12" | 2012 ] 33 BROCCOLI BROTHERS vs. RIGHTEOUS MEN [GREGOR POTTMEIER, JOHANNES EHMANN, TOBIAS KOTH vs. KRISCHAN JAN-ERIC WESENBERG, THIMO U. SEIDEL]: Ruhrschnellweg _ Last Exit Stahlhausen Mix [ B1-track from “Catch It” Thee Blak Label BLAK-005 / Radikal Fear BEL Promo-12" | 1995 ] 34 WOO YORK [ANDREW VANZHULA & DENNIS ANDRIYANOW]: I Am Against _ Ø [Phase] Remix [ B-side from “I Am Against” Soma Quality Recordings SOMA-409 UK 12" | 2017 ] 35 ROLAND CASPER: Chance [ A2-track from “Sons Of Acido [Down With The Pig System #3.0]” Psycho Thrill PT-XTRA 003 Testpress-12" | 2016 ] 36 MARK N-R-G [ALEXANDER TROITZSCH]: Don't Stop _ Remix by Roland Casper [ B-side from “Don't Stop (The Remixes)” Overdrive OVER-062-R1 GER 10" | 1995 ] 37 OPUSWERK [HENDRIK VAN BOETZELAER]: Derzhprom _ Keith Carnal Remix [ B2-track from “Social Condenser” Arts ARTS-030 ITA 12" | 1017 ] 38 INTEGER [JASON ALEXANDER]: Kabbola [ A-side from “Kabbola / Patter” Dystrophic Recordings DYS TEN-001 UK Promo-10" | 1997 ] 39 SCB [SCUBA / PAUL ROSE]: Test Tubes [ A1-track from “Old Media New Society” Hotflush Recordings HF-047 UK 12" | 2017 ] 40 THE DUSK [ROBERT BABIZC]: Drugsky 0023 [ B3-track from “Tatort: 42” Essence 109 / Roadrunner GER Promo-12" | 1996 ] 41 PHILUS [MIKA TAPIO VAINIO]: Kuvio 3 [ B2-track from “Kolmio EP” Sähkö Recordings SÄHKÖ-014 FIN Promo-12" | 1998 ] 42 ECHOPLEX [PETER SLIWINSKI]: Equilibrium [ B1-track from “Entire Sound Spectrum EP” Speaker Attack spa-017 / Axodya CH Promo-12" | 2001 ] 43 MURAT [MURAT GOKSEL]: Photon #3 [ B1-track from “Photon” Data Records DATA-001 US Promo-12" | 1999 ] 44 THANOS HANA [HANA]: Jon Always At 1210 [ B1-track from “TH06” TH Tar Hallow TH-006 NL BL-12" | 2017 ] 45 TERRENCE DIXON: Midnight Hours [ D1-track from “Detroit : Beyond The Third Wave” Astralwerks ASW6170-1 US 2x12" | 1996 ] 46 KLANKMAN[MAARTEN EPSKAMP]: Rashond [ A1-track from “Klankman” TH Tar Hallow TH-002 NL BL-12" | 2017 ] 47 MODE SELECTOR [FANON FLOWERS]: Last Trip [ D2-track from “Detroit : Beyond The Third Wave” Astralwerks ASW6170-1 US 2x12" | 1996 ] 48 SCB [SCUBA / PAUL ROSE]: Freedom For The Fifty [ A2-track from “Old Media New Society” Hotflush Recordings HF-047 UK 12" | 2017 ] 49 EGYPTIAN LOVER [GREG J.BROUSSARD]: Girls _ Re-Mix-Long Version [ A-side from “Girls” Egyptian Empire Records ?DMSR-0664 US 12" | 1985 ] 50 DJ ROACH [RAUL ROCHA]: The Heads [ A2-track from “Universal Shift” Soiree Records Int. SRT-168 US Testpress-12" | 2017 ] 51 RENNIE FOSTER: Infrastructure [ B1-track from “Universal Shift” Soiree Records Int. SRT-168 US Testpress-12" | 2017 ] 52 UNDERGROUND RESISTANCE: Timeline [ A-side from “Millenium To Millenium” Underground Resistance UR. 2001 / Submerge US Promo-12" | 2001 ] 53 JOHN E.COLLINS: All We Need [ A-side from “All We Need / Yeah” Underground Resistance UR-080 US Promo-12" | 2009 ] 54 A NUMBER OF NAMES [PAUL LESLEY, RODERICK SIMPSON, SERLING JONES]: Sharevari _ Instrumental Mix [ B2-track from “Edits 1” Bass 001 / Submerge US WL-12" | 1999 ] 55 SEXUAL HARRASSMENT: You Are Myx Sexual Connection [ A3-track from “I Need A Freak” Heat SV-301 US Promo-LP" | 1983 ] 56 JOHN D. [JOHN DIAZ & CARMEN PADILLA] feat. CARMEN: Hot Spot _ Dub [ B-side from “Hot Spot” 25 West Records TFW-1019 US 12" | 1986 ] 57 JOHN D.: Electro-Bop _ Dub Version [ B-side from “Electro-Bop” 25 West Records TFW-1015 US 12" | 1985 ] 58 ROY AYERS: In The Dark _ 12" Mix [ A-side from “In The Dark” Columbia 44 05115 US 12" | 1984 ] 59 KERRI "KAOZ 6:23" CHANDLER pres. LIL'JUSTIN: Trace _ Club Mix [ B-side from “Ah Baby / Trace” Madhouse Records, Inc. KCT-1003 UK Promo-12" | 1993 ] 60 DRIVETRAIN [DERRICK THOMPSON]: One Love [ A1-track from “Universal Shift” Soiree Records Int. SRT-168 US Testpress-12" | 2017 ] 61 DA REBELS [CURTIS ALAN JONES & LIDDELL TOWNSELL]: Come To Me _ Night Mix [ A2-track from “Mello Madness” Clubhouse Records CHR-120 US Testpress-12" | 1992 ] 62 FUNKADELIC: Cosmic Slop _ Moodymann Mix [ B1-track from “Reworked By Detroiters” Westbound Records SEW3-158 UK 3x12" | 2017 ]

#Claus Bachor #Psycho Thrill Cologne #674fm #spyinthehouse #techno #House #electro #HI-TECH FUNK #electronica #idm #somewhereincologne #bnkr

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goldeagleprice · 6 years ago

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First International Coin Designer Training program held in Shanghai

2018 International Coin Designer Training at Shanghai Mint participants

By Louis Golino

In early December the Chinese Mint held the first International Coin Designer Training program at its Shanghai branch mint, which brought together several prominent coin designers from Europe, the U.S., and China. These experienced coin designers and medallic artists shared their wealth of experience with artists and designers from China during several days of presentations and workshops.

Joel Iskowitz, a former member of the U.S. Mint’s Artistic Infusion Program and prolific American narrative artist who has designed countless coins, stamps, and medals for many countries and private mints, was the U.S. participant in the program who was asked to teach and give lectures on the key concepts and techniques involved in designing coins and medals.

Joel was invited to be one of the program instructors by Ms. Tina Deng of the Shanghai Mint. He is no stranger to China, having previously been there 25 years ago on a U.S. Air Force Art Program assignment.

Luo Yonghui and Joel Iskowitz reconnecting nine years after their work on the Journey for Peace medal during the presentation by Joel. Hover to zoom.

In addition, nine years ago, at the invitation of prominent numismatist Mel Wacks, he worked with a team of Chinese medallic artists and designers led by Yonghui Luo to design the “Journey for Peace” medal issued by the Chinese Mint for the 40th anniversary of former President Richard Nixon’s historic visit to China in 1972.

Obverse side of Chinese medal for 40th anniversary of Nixon’s visit to China.

Only 400 of these high-relief, bronze two-medal sets were struck by the MedalCraft Mint in Greenbay, Wisconsin for the Art Medal Communication center in Shanghai. The medal consists of two halves that each weigh over 10 ounces and fit together. The obverse of one medal features an image of President Nixon and smaller images of doves and of the U.S. president in China, while the other obverse features Chairman Mao of China and smaller images of him with Henry Kissinger and more doves.

Reverse side of Chinese medal for 40th anniversary of Nixon’s visit to China.

Each reverse features a yin-yang design of an American flying eagle and a Chinese dragon.

During the recent training program, Joel was able to reunite with Mr. Yonghui and said he was “embraced as a family member of the artistic community and by those I met in commerce and government.”

Reflecting on the recent program, Joel said:

I have always believed that art is a universal language which transcends cultural and physical barriers and even time itself. As a designer of coins and medals, I have witnessed their powerful role as ambassadors of good will which connect humankind in marvelous ways. Envoys of our collective human story, they are miniature in physical size yet epic in content. Coins and medals are the nexus of history, art, and beauty.

He added:

It is my hope and belief that this first successful International Coin Designer Training inaugurates and inspires a new frontier of dedicated collaboration, a golden era of beautiful coins and medals that combine the best of our cultures and talents to add to the beauty and harmony of our world.

Interview

Erkki Vainio and Joel Iskowitz present winning design teams with their medals of excellence.

Joel provided additional insights on his experience with this program in an interview with Coin Update, which sheds light on the state of medallic art in China and collaboration between Chinese designers and those from other countries.

Louis Golino: When did the training program occur and how long did it last?

Joel Iskowitz: The 2018 International Coin Designer Training began 12/5/18 and lasted three days through 12/7/18.

LG: Was the main purpose of the program increasing collaboration between Chinese coin designers and those from other countries? Did it have other goals?

JI: Yes, in general this initiative was intended to educate, engender mutual understanding and respect, enhance communications, and possible future collaboration between the East and the West. The emphasis was certainly international as suggested in the title of the event.

This approach to share knowledge and inspiration for design excellence across cultural and national borders was realized by inviting presentations by artists/designers, such as the brilliant Erkki Vainio of Finland, worldwide tool and die expert Torbjørn Hansen of the Norwegian Mint, and myself. The great Chinese master sculptor Yonghui Luo and rising star, Zhu Xiuai, also had important input in every phase of the program. Many of China’s finest coin and medal designers were selected from a competition to participate as well.

I would add that besides the actual colloquy concerning design principles, procedures, and techniques, an additional — but extremely tangible benefit — was the goodwill and camaraderie established among all the artists/designers and the Mint officials who participated.

China is in the midst of a celebration of a 40-year-period of openness. Since 1978 this new era of prosperity and great transition in Chinese culture and art has robustly welcomed ideas and advances of Western nations. The timing of this event could not have been more perfect as China’s successful economic, cultural, and artistic renaissance ushers in a new world order that warmly welcomes active participation by Western civilization.

For myself personally, as someone who believes that art has no borders and considering the general direction my career as an artist has been taking, with more international commissions, this could not have been a more-timely event to be invited to participate in.

LG: Were the Chinese artists and coin designers employees of the Chinese Mint?

JI: Yes, both Zhu Xiuai and Yonghui Luo are employees of the Shanghai Mint, Mr. Yonghui being the senior designer/sculptor, similar to the position of chief engraver. Many other accomplished Chinese artists participated. My understanding was that some have a contractual relationship with the Shanghai Mint and some were independent artists.

LG: Please describe some of the programs you participated in and what activities took place during those programs.

JI: There were three main presentations, mine being the first on 12/5, Erkki Vainio’s being the second on 12/6, and Torbjørn Hansen’s on 12/7. However, I left Shanghai early that Friday morning and did not attend the last day of the training.

Additional workshops included presentations of artists/designers’ work which were reviewed, critiqued, and judged in a competition. The five principals mentioned earlier forming the panel of judges. Topics covered included:

Effectiveness and accuracy of background research

Understanding and conveying the cultural context of the design

Successful exploration of new techniques and approaches;

Inter-relationship with coinability of design regarding tooling, striking, etc.

A full day devoted to technical aspects, such as levels of relief, special coin shapes, surface treatments;( laser, color applications, plating, etc.)

A hands-on workshop in which teams of designers were tasked with creating packaging materials that organically and thematically relate to and enhance the particular coin or medal. This was ultimately formatted as a contest with the best teams earning medals of merit and the winning design team earning the auspicious gold medal for design excellence.

LG: Are there any particular artistic styles or techniques that you would associate with Chinese coin designers other than the use of symbols and imagery from Chinese culture?

JI: My overall take away from being exposed to the wide array of designs from the Chinese participants was a sense that no matter how enthusiastically they embrace Western influences and modern approaches both aesthetically and technically, they have a natural and inborn respect for their rich and ancient cultural artistic heritage. They do not abandon this lineage in favor of blind rush to be “modern.” They realize that there is a precious connection to the art of the past, and that art really is timeless and retains its relevance if it is created without the artificial and superficial need to appear contemporary.

On a more pedestrian note, I believe that because of a long history of visually interpreting the world through a lens that embraces a circular, mandalic view of the universe (think Yin-Yang) these artists seem to have a very fluid and naturally elegant sensibility when designing in the round. Also considering the fact that their written form of communication is a type of animated calligraphy or pictograph, these artists have a superb ability to effectively combine inscriptions with figurative imagery.

All in all, although, I was honored to present as an authority in design, I came away from this event awed by the richness and pure artistry of the participants. Most impressive to me was the depth, character, and beauty of the younger designers’ creations.

2018 International Coin Designer Training instructors Zhu Xiuai, Erkki Vainio, Joel Iskowitz (with glasses), and Chinese coin designers.

LG: Were you, Erkki Vainio, and Zhu Xiuai the main instructors and the ones who led the discussions and presentations?

JI: As I mentioned above, myself, Erkki Vainio, and Torbjørn Hansen made the formal presentations, but Mr.Yonghui and Zhu Xiuai played a very active and important role in the training. Their comments were very informative and as is evidenced in the Chinese world of arts and letters, quite poetic. Listening to some of the comments, especially those of Yonghui Luo, I thought of some of the grand statements of Andre Malraux, who spoke of a sisterhood and brotherhood of artists that speak to each other, unbounded by the constraints of time or national and cultural boundaries.

❑

#Precious Metals

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burlveneer-music · 8 years ago

Audio

Brutalist Mixtape / in memory of Mika Vainio by mHz | M Hz

#brutalist mixtape #mika vainio #electronic #experimental #industrial #techno #noise #mhz #mix

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stormyrecords-blog · 7 years ago

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GIANT new release list

stormy records13306 michigan avedearborn, mi 48126 313-581-9322 AMAZING week of new releases - we've got new works by old favorites (members of SCORN, PANASONIC), JOHN ZORN, EUGENE CHANDBOURNE, new music by COLLEEN, KING KRULE, DON CABALLERO, and hallowwen favorites including BOLLYWOOD BLOODBATH, GUNDELLA THE WITCH, and VINCENT PRICE!!!!!! so many great new tunes for your ears!!! new arrivals for 10-20-17 BULLY: "LOSING" (Sub Pop) LOSER EDITION COLOR VINYL LP - $19.99 / CD - $13.99 BRAND NEW FULL LENGTH! Free Poster & Sticker (while supplies last) WOLF PARADE: "CRY CRY CRY" (Sub Pop) LOSER EDITION COLOR VINYL Double LP - $24.99 / CD - $13.99 A couple of weeks late on this one, but we do have the Loser Editions! Free POSTER and STICKER while they last COLLEEN: "A FLAME, MY LOVE" LP - cd $16.99 lp $21.99A flame my love, a frequency marks another bold step in Colleen's evolution as an artist, as Schott set aside her signature instrument the viola da gamba for an entirely electronic setup, utilizing pocket synthesizers and Moog pedals. Like her move from instrumental music to vocally driven songs, or her move from guitar to cello to the viola da gamba, the keyboard melodies of the album captures Colleen's ability to adapt and grow with each release, while retaining her singular qualities as an artist. KING KRULE: "THE OOZ" Double LP $25.99 COURTNEY BARNETT & KURT VILE: LP - $19.99 / CD - $13.99 DESTROYER: "KEN" Color Vinyl LP w/ BONUS 7" - $26.99 / Black Vinyl LP - $19.99 / CD - $13.99 THE CLIENTELLE: "MUSIC FOR THE AGE OF MIRACLES" LP - $19.99 SPOON: "GA GA GA GA GA" Double LP - $29.99 10th Anniversary Re-issue. Remastered 180 gram. Download Included. Extra 12" includes previously unreleased songs. SUPERCHUNK: "SUPERCHUNK" LP - $19.99 Remastered Debut Album comes with a poster & an additional download of a 1990 NYC concert. WILLIAM TYLER: "DESERT CANNON" Double LP - $21.99 Double LP cut @ 45 rpm. USA Re-issue of this album originally an import only release from 2008 WILLIAM TYLER: "MODERN COUNTRY" LP - $19.99 Back In Stock! Outstanding recent release by this wonderful instrumental guitarist. A Stormy Records favorite! RADIOHEAD: "OK Computer OKNOTOK" Triple LP - $39.99 BLUE COLOR VINYL!!!! One Copy Back In Stock PAVEMENT: "CROOKED RAIN, CROOKED RAIN" LP - $20.99 Back In Stock after a long absence. THE NATIONAL: "SLEEP WELL BEAST" Double LP - $25.99 Blue Color Vinyl. 1st time in stock. JACKIE SHANE: "ANY OTHER WAY" (Numero) Double LP - $25.99 / Double CD - $21.99 Known by genre aficionados as one of the greatest singers and most riveting stage presences in soul music, Jackie Shane has remained largely unknown outside Toronto, where her career briefly flowered in the 1960s. Beyond her unmistakable gift of the gab, Shane is a pioneer of transgender rights, born in a male body but unabashedly living her entire life as a woman at a time when to do so seemed unthinkable. Any Other Way is the first artist-approved collection of Ms. Shane's work, collecting all six of her 45s and every highlight from the legendary 1967 live sessions at the Sapphire Tavern, including three mind blowing, previously-unreleased tracks. Rob Bowman's 20,000 word essay is Jackie's first communication with the public in nearly half a century, telling for the first time ever Jackie Shane's story in her own words. RITUAL HOWLS: "THEIR BODY" 5 song 12" EP - $14.99 Back in stock - brand new music! ALEX LAHEY: "I LOVE YOU LIKE A BROTHER" (Dead Oceans) LP - $17.99 Limited Edition OPAQUE YELLOW VINYL Pressing DON CABALLERO: "SINGLES BREAKING UP (Vol. 1)" LP - $21.99 13 song collection of singles from the 1990's. COLOR VINYL first edition - download included. HEADROOM: "HEAD IN THE CLOUDS" (Trouble In Mind) LP - $17.99 Color Vinyl 1st pressing. PASTOR T.L. BARRETT: "LIKE A SHIP...(Without A Sail)" (Numero) LP - $16.99 FINALLY BACK IN PRINT! JOHN CARPENTER: "LOST THEMES" (Sacred Bones) LP - $18.99 GREEN VINYL * Limited to only 500 copies JOHN CARPENTER: "ANTHOLOGY Movie Themes 1974-1998" (Sacred Bones) LP + 7" - $22.99 Limited Edition COLOR VINYL pressing - includes a bonus 7" CULTS: "OFFERING" LP - $21.99 Brand New Album REPTALIENS: "FM-2030" (Captured Tracks) LP - $18.99 "Full of lush melodies and catchy hooks, Reptaliens create psychedelic, chameleonic dreamscapes on their debut album" NHK YX KOYXEN: "EXIT ENTRANCE" (DFA) LP - $18.99 Exit Entrance is the Japanese techno artist’s first record for the veteran New York label. According to a press release, the album’s eight tracks cover “elegant arrangements and crisp drum breaks”. The album closes with ‘Outset’, a “somber hushed techno tune” dedicated to the late Mika Vainio, who collaborated with Matsunaga on several records over the years. SHIGETO: "THE NEW MONDAY" Double LP - $22.99 Brand New Release * COLOR VINYL and also comes with a SHIGETO button. MOGWAI: "EVERY COUNTRY'S SON" Triple LP Box Set - $52.99 third album in this limited edition Box Set includes demo versions. Also comes with the CD version and a set of photo prints. ASTON NEIGHBORHOOD PLEASURE CLUB featuring DAVID J - "HIS SIDE / HER SIDE" $9.99 BRAND NEW Clear Vinyl 7" Single released by HOLD FAST. Limited Numbered Edition of 500 copies HER DARK HOST - "CRIMSON QUEEN" / "LYCANIA" $6.99 Danzig / Blues Metal. Brand New Single released by HOLD FAST. Limited Numbered Edition of only 300 copies "THE ORBIT MAGAZINE ANTHOLOGY" 256 Page Book $35.00 die ANGEL: Entropien l LP $23.99Ilpo Väisänen (Pan Sonic) and Dirk Dresselhaus (Schneider TM) retitle themselves Die Angel for Entropien 1, their eighth LP of electro-acoustic music together, and the duo's debut for Shapednoise's Cosmo Rhythmic label. Accompanied by skilled improviser Oren Ambarchi on two tracks, Die Angel model a complex physicality through raw, elemental inputs, exploring a flux of reactive feedback processes and mutating, unstructured sonic states generated from crackling fusions of electronics, drums, electric guitar, and field recordings warped and riddled with FX. Taking its title from both the Finnish word and German plural for entropy -- in physics, the measure of thermodynamic disorder within a system -- Entropien 1 renders seven examples of their kinetic systems in elusive action, keening from arrhythmic mulch to sloshing Brownian motions and a brilliantly towering 15-minute exploration that tips into billowing, white hot feedback with scintillating effect. The amorphous results document and describe a freeness of energy travelling from body to machine and diffused across alternating acoustic environments. Each player works as controlled, external variables which act upon and interact with the different acoustic conditions to tempestuous impact, convulsing between squashed, recursive diffractions in "Roha", to the sublimated roil of jazz drums and electric guitar wail in "Terminen Kevät", before harnessing sloshing feedback chaos in the combustible, diaphanous two parts of "Entropia" -- both "North" and "South" -- which bring the LP to its logical, compelling conclusion. With the addition of Wold or KTL-like metal emulsification and lacquer-bubbling grain in "Kitka", and Ambarchi's plasmic overdubbing in the burning plasmic plong of "Silvaticum", the overall impression is like auditive DMT, dissolving the senses and the ego -- simultaneously theirs and the listeners -- to better snag the listener in the music's metastable potential and aid our unanchored exploration in those dimensions. Entropien 1 is dedicated to Mika Vainio. RIYL: Pan Sonic, Mika Vainio, KTL. Mastered and cut by Matt Colton at Alchemy. Sun Ra: Discipline 27-II CD $16.99Corbett Vs. Dempsey present a reissue of Sun Ra Discipline 27-II, originally released on El Saturn Records in 1973. Arguably the last great original-era Saturn LP to be reissued on CD, Discipline 27-II has long deserved to be more familiar to Sun Ra fans and layfolk alike. Recorded during the same sessions in 1972 at Chicago's Streeterville Studios that produced Ra's most popular and best-known record, Space Is The Place (1973), it's got much the same vibe, from the 24-minute four-part suite of the title track -- an important conducted piece that Ra performed frequently in these years -- to the opening cut, "Pan Afro", with John Gilmore's sensational tenor work. Sporting a percussion-rich 18-piece Arkestra, the music can be thick, voluble, and dense or it can winnow down to a small group, as on the delightful track "Neptune", a vehicle for June Tyson's singing and the site of the indelible Sun Ra space chant: "Have you heard the latest news from Neptune, Neptune, Neptune?" This marks the first time Discipline 27-II has been reissued on CD. It has been remastered from the original tapes, includes a never published period photo of Ra by Charles Shabacon, and ends with an explosive bonus track from the same session, showing quite a different side of the same ensemble. Personnel: Sun Ra - electronic keyboard space age instruments, Moog synthesizer, vocals; John Gilmore - tenor saxophone, percussion, vocals; Marshall Allen - alto saxophone, flute; Danny Davis - alto saxophone, flute; Pat Patrick - baritone saxophone, bass; Danny Thompson - baritone saxophone, flute; Eloe Omoe - bass clarinet, flute; Akh Tal Ebah - trumpet, flugelhorn, vocals; Lamont Kwamie McClamb - trumpet, percussion; Russell Branch - percussion, congas; Stanley Morgan - percussion, congas; with Alzo Wright, Harry Richards, Lex Humphries, Robert Underwood on drums and vocals by June Tyson, Cheryl Banks, Judith Holton, and Ruth Wright. Cover art by LeRoy Butler; cover design by Alton Abraham. Recorded by Ed Michel at Streeterville Studios, Chicago, October, 1972; LP produced by Alton Abraham for Infinity Inc. Chadbourne, Eugene: Lost Eddie Chatterbox Session CD $16.99Corbett Vs. Dempsey present The Lost Eddie Chatterbox Session, a reissue of Eugene Chadbourne's album, first released as a cassette on No Prestige Records in 1988. Dateline: Christmas Day, 1977, San Francisco. On an ailing quarter-track tape deck, in a marathon session, Eugene Chadbourne recorded a series of slide guitar solos playing compositions by the likes of Thelonious Monk, Charlie Parker, John Coltrane, and Ornette Coleman, along with a few standards and originals. Although the recording quality was imperfect, the playing was absolute genius -- enough so that Chadbourne was eventually convinced, a decade later, to issue it as a cassette tape, which he sold at concerts. Long pre-dating the slash-and-burn-and-reinvent approach to jazz songbooks now familiar from groups like News From Lulu, Chadbourne leapt into each short track with giddy abandon, introducing the piece with a nerdy credit line, then ripping and tearing at it adoringly, his improvisations forcing a new view of the familiar melodies. Anyone familiar with Chadbourne's wonderful duets with Frank Lowe on Don't Punk Out! (1979), waxed in the same period, has a general sense of his modus, but the complete commitment he gave to the project on The Lost Eddie Chatterbox Session makes it a special and wholly unique item in the manic master's chronicles. On this special CD reissue, the tracks have been tenderly but respectfully restored, eliminating some of the most distracting audio flaws but leaving the inconceivable artistry intact. Four unreleased tracks have been added to the jam-packed program, as well as the original cover photo and Chadbourne's unreadable track listing, which is carefully reproduced on the interior. Recorded December 25, 1977, in San Francisco John Zorn and Eugene Chadbourne: 77-81 LP+BK $44.99Song Cycle Records present a reissue of 1977-1981, a collection of rare free-jazz pieces performed by John Zorn and selected by the American guitarist and music critic Eugene Chadbourne originally released in 1998. Originally released to accompany the book release of Sonora: John Zorn (Materiali Sonori), the album is presented here for the first time in an exclusive release in limited edition on vinyl. This special issue includes the original book that features exclusive interviews, essays, and photos about the artist's entire oeuvre up to 1988. VA: Bollywood Bloodbath CD $17.99 VA: Bollywood Bloodbath 2LP $29.99restock on one of carl's essentail listening favorites!!black vinyl, 2 slabs of screams, sighs, shrieks and sitars!! songs from horror slasher bollywood films - makes great halloween listening!! Caretaker: Everywhere At The End Of Time 1-3 3CD set $29.99The first three stages in a series of six albums by The Caretaker, compiled here on a deluxe three CD collector's edition. Each album reveals new points of progression, loss and disintegration, progressively falling further and further towards the abyss of complete memory loss and nothingness... Embarking on the Caretaker's final journey with the familiar vernacular of abraded shellac 78s and their ghostly waltzes to emulate the entropic effect of a mind becoming detached from everyone else's sense of reality and coming to terms with their own, altered, and ever more elusive sense of ontology. The series aims to enlighten our understanding of dementia by breaking it down into a series of stages that provide a haunting guide to its progression, deterioration, and disintegration, and the way that people experience it according to a range of impending factors. In other words, Everywhere At The End Of Time probes some of the most important questions about modern music's place in a world that's increasingly haunted or even choked by the tightening noose of feedback loops of influence; perceptibly questioning the value of old memories as opposed to the creation of new ones, and, likewise the fidelity of those musical memories which remain, and whether we can properly recollect them from the mire of our faulty memory banks without the luxury of choice. It's highly encouraged that you join The Caretaker on this, his final journey through the endless haunted ballrooms and mazy corridors of his wasting mind... Features new and exclusive artwork by Ivan Seal on each panel -- made especially for this series. Housed in a deluxe eight-panel, triple digifile. Mastered and cut by Lupo. Fret: Over Depth 2LP $28.99 Mick Harris (Scorn, Quoit, Painkiller) returns after several years of hiatus with ten tracks of blasting landmine bass and interlocking shrapnel rhythms. Derek Szeto on the album: "... For someone with decades of releases over various solo projects, collaborations and pseudonyms, whether it's doing blast beats in the original Napalm Death to crushing techno brutality as Monrella, or savage drum & bass as Quoit. Then of course there's the mighty Scorn and his numerous collaborations with fellow luminaries such as John Zorn and Bill Laswell (in Painkiller). Rather than being tied to genres or scenes, Mick Harris is one of those producers who creates a whole sonic world uniquely of his own . . . Needless to say his work has influenced legions of producers like Surgeon, Regis, Ontal, Vatican Shadow/Prurient, Fausten, Shapednoise et al. . . . And yet after all this time, it is impressive that Harris still stands way above his successors and has never been surpassed in his own production/performance game. After a hiatus of several years, he is back with a new album under the guise of Fret. Working at a faster tempo than his Scorn material, the Fret project first surfaced years ago on the Downwards label, rooting it firmly in the dark, industrial and technoid world, and appeared more recently on Tresor (Kern mix by Objekt), maintaining the characteristic colossal bass-heaviness and textural depth. And now a full album on Karlrecords, Berlin. Harris fans will be delighted to know that despite the 130 bpm tempo, the newest Fret still resolutely avoids any straight four-on-the-floor kick drums; every track lurches, stumbles, staggers and charges forth with beats in beautifully broken asymmetry. We get ten tracks of crushing, percussive destroyers, each itself a storm of precision chaos, with colossal low-end frequencies that'll cause stampedes in the right circumstances. The classic Harris sound is there; searing waves of feedback distortion, intricate, interlocking rhythms and cold, abattoir atmospheres . . . The lazy-minded would probably lump it in with the term 'techno', but the disciplined brutality, blasting landmine bass and interlocking shrapnel rhythms are clearly Harris's own trademark style, sitting somewhere between Scorn and Quoit. The tracks appear deceptively chaotic on the surface, yet each is meticulously and masterfully composed with great attention to layering and detail." 180 gram vinyl; Includes download code. Outro Tempo: Electronic And Contemporary Music From Brazil, 1978-1992 double cd $22.99Double CD release of the outstanding compilation, Outro Tempo: Electronic And Contemporary Music From Brazil, 1978-1992. Contains three tracks not included on the double LP version (MFM 016LP). For their first multi-artist compilation, Music From Memory take a trip to the heart of the Amazon rainforest. Outro Tempo: Electronic And Contemporary Music From Brazil, 1978-1992 explores the outer reaches of Brazilian music, where indigenous rhythms mix with synthesizers and where MPB mingles with drum computers. As Brazil faced the last years of its military dictatorship and transition to democracy, a generation of forward-thinking musicians developed an alternative vision of Brazilian music and culture. They embraced traditionally shunned electronic production methods and infused their music with elements of ambient, jazz-fusion, and minimalism. At the same time they referenced the musical forms and spirituality of indigenous tribes from the Amazon. The music they produced was a complex and mesmerizing tapestry that vividly evoked Brazilian landscapes and simultaneously reached out to the world beyond its borders. Features: Piry Reis, Nando Carneiro, Cinema, João De Bruçó & R. H. Jackson, Os Mulheres Negras, Fernando Falcão, Anno Luz, Andréa Daltro, Bené Fonteles, Maria Rita, Carlinhos Santos, Bené Fonteles, Priscilla Ermel, Carioca, Marco Bosco, and Luhli E Lucina. Greiner, Svarte: Knive LP $23.99Miasmah present a reissue of Svarte Greiner's debut album Knive, originally released on Type in 2006. 11 years since its inception, the surreal and darkly romantic Knive still sounds like a mystery and something that's hard to pin down. Svarte Greiner's debut album feels like a trip into the forest at midnight, with all the sounds and impressions that comes with it. Spiritual, horrific, and fragile in essence, its melancholic core is hard to shake off, and feels as present today as it did back then. While starting off the sub-genre of "acoustic doom" back in 2006, it's difficult to say what else to name it now, with its inspiration and elements from countless genres. The record flows through the dissonant cellos and washed-out vocals of "Ocean Out Of Wood" past the introverted church organs of "The Black Dress", distorted guitars and wooden beats of "The Dining Table" to the operatic finale of "Final Sleep". Everything is scattered, with field recordings from crows, branches, walking, sleeping, rain, wind, and who-knows-what. Knive stands on many feet, wherever they may be. Erik K Skodvin's path as Svarte Greiner have since been dwelling more and more into this world, picking each element apart to focus on them, stretching them out or cutting them down, looping, experimenting, and flooding with reverb -- trying to make time stop and night fall. But for now a re-visit to where it all started seems appropriate. Includes download code; Full-tone color artwork; Edition of 500. Partch, Harry: And On The Seventh Day Petals Fell In Petaluma lp $26.99Performed by The Gate 5 Ensemble: Harry Partch (director), Danlee Mitchell, Harry Partch, Michael Ranta, Emil Richards, Wallace Snow, Stephen Tosh. Limited edition LP release (180 gram vinyl) with previously unpublished bonus tracks + free download card. "'In late 1962 Harry Partch returned to California and began a project that would not only become the bones of a masterwork, Delusion of the Fury, but have a life of its own. In a too-small space within an abandoned Petaluma chick hatchery, Partch gathered the instruments he had designed and built -- new and old -- eager to once again expand the boundaries of his compositional fabric. He learned each individual part as he composed, establishing that it could be played. And On The Seventh Day Petals Fell In Petaluma (1963-64, rev. 1966) was born of his exploration and assembled with that 'minimum of players' over a three-year period. In spite of rough conditions and meager resources Partch's dogged persistence, along with the efforts of his dedicated assistants, eventually succeeded in realizing the 34 verses of expanded duets. With this album we revisit an important work and turning-point, guided by the original 'Statement' Partch wrote for the first commercial release of the piece. Previously only excerpted, it is a voicing of his beliefs that transcends one project to illuminate an entire purpose. We also reprise exquisite notes by the late Bob Gilmore, who distills and explains the story of Petals so clearly and eloquently. No one wants a dead reissue, so by digging into the archives, I am pleased to offer hidden gems. First, The Petals Sessions is an aural glance into the cramped quarters of the recording space, as composer and players labor to bring new notes to life, Harry himself giving direction. The montage ends with a 'test take' by Danlee Mitchell and Michael Ranta that could have easily been a keeper! Finally, we present the original Verse 17. In 1964 Partch wrote two duets that used the Adapted Viola; by the time the piece was finished in 1967, he had excised them. The ending track -- never before released -- brings Harry back to life, playing and recording Adapted Viola for one of the last times. I was completely unaware of this recording until I examined the outtakes and it glows, fifty years on. That Petals ever came to be, like much of Partch's story, stands somewhere between determination and miracle.' --Jon Szanto, The Harry Partch Foundation" Price, Vincent: Hornbook for Witches CD $12.99Reissue of the ultra-rare 1976 vinyl, Vincent Price's A Hornbook For Witches, Stories And Poems For Halloween, on CD for the first time. Turn up the volume, and turn down the lights. Suspense-master Vincent Price presents a hair-raising, bone-chilling collection of classic horror tales featuring a ghastly brew of witches, ghosts, and goblins. Edgar Allan Poe's eerie Dreamland, John Collier's offbeat Thus I Refute Beezly, and Marias Leech's practical but frightful How To See Ghosts Or Surely Bring Them To You, are just a few of the tales stirring up fear in this chilling concoction of horror. These stories, sounds, spells, and incantations will send shivers up your spine. This is a truly amazing landmark recording from the good old days presented by one of the greatest voices of horror. Also features pieces written by Leah Bodine Drake, Charles Kingsley, and John Kendrick Bangs. Comes complete with all the original stunning album artwork. Digitally remastered. Gundella - The Hour Of The Witch LP $27.99 Make someone love you, discourage an unwanted suitor, and more - with the power of witchcraft! Finally, this obscure LP of spells reappears! A descendant of the green witches of Scotland, part of a Detroit area coven, and author of multiple books and a newspaper column helping solve everyday problems from the Wiccan perspective, Gundella helps you test your psychic powers, make ritualistic candles, and mold wax dolls. She’ll define witchcraft & magic, and teach you how to cast your own spells! Gundella’s arcane instructions are accompanied by a perfectly atmospheric and esoteric soundscape created by her son. All scribed into bewitching green vinyl or CD! Both including extensive notes by Gundella’s daughter! The LP features a 16 page portfolio of Witch Watch articles compiled by Gundella herself! Kelela - Take Me Apart black vinyl $24.99 Kelela - Take Me Apart (TRANSPARENT VINYL) $28.99With great anticipation, Kelela's debut album emerges as an epic portrait of an artist spanning the past and future of R&B. In her hands, however, the genre knows no boundaries and so Take Me Apart exists as an absolutely singular and fearless addition to a canon of recent classics. From her very earliest work, honesty and vulnerability have been cornerstones of Kelela's art - even when clad in the armor of the avant-garde electronics she so deftly inhabits - and Take Me Apart sees her double down on both the emotional intensity and resonance of her message as well as the sonic seeking she is renowned for. Single vinyl with printed inner and outer sleeves includes download code. Various Artists - Detroit Ghetto Blues 1948-1954 LP $20.99 Laraaji - Bring On The Sun + Sun Gong CD restock $17.99 Wolfe, Chelsea - Hiss Spun LP $26.99 While past albums operated on the intimacy of stripped-down folk music (The Grime and the Glow, Unknown Rooms), or the throbbing pulse of supplemental electronics (Pain Is Beauty, Abyss), Chelsea Wolfe’s sixth official album Hiss Spun wrings its exquisiteness out of a palette of groaning bass, pounding drums, and crunching distortion. Recorded by Kurt Ballou (Converge), the album was conceived as an emotional purge, a means of coming to terms with the tumult of the outside world by exploring the complexities of one’s inner unrest. “I’m at odds with myself,” she explains. “I got tired of trying to disappear. The record became very personal in that way. I wanted to open up more, but also create my own reality.” Hiss Spun features contributions by Aaron Turner (Old Man Gloom, SUMAC) and Troy Van Leeuwen (Queens of the Stone Age, Failure). Various Artists - Lake Michigan Blues 1934-1941 LP $20.99 MacKay, Bill and Ryley Walker - SpiderBeetleBee LP $22.99 Drag City presents the second volume of Bill MacKay and Ryley Walker's inspired collaboration. It's been nearly two years since their much-admired 2015 debut, Land of Plenty (Whistler Records), and SpiderBeetleBee more than makes up for lost time with rich, resonant performances that elevate the sound of the guitar duo as they work with an ever-widening panorama of styles. Their first album was developed over a month-long live residency at Chicago bar The Whistler, and reflected MacKay and Walker's shared joy in a new relationship with a kindred spirit, in playing that might wordlessly finish a phrase or suggest a direction, as they spoke through their guitars. SpiderBeetleBee continues fluidly down the path of their initial psych-folkblues-raga tandem, brewing further explorations in mixed-and-matchedidioms, turning composed melodies inside-out via improvisation, and finding in the blend a shared Walker/ MacKay pasture, serendipitously found somewhere between Appalachia and the Highlands. SpiderBeetleBee radiates forth with equal parts austerity and whimsy, opening with an almost-baroque dance before giving way to a Celtictheme, both featuring MacKay and Walker's acoustics in rambling conversation, picking through intricate passages as though they were exchanges, thoughts and afterthoughts. The second of these, Pretty Weeds Revisited is enhanced by sonorous statements from Dutch cellist Katinka Kleijn (a veteran of the CSO), showing a deep, instinctive feel for the Walker/MacKay sound. The album then takes an unexpected turn at midpoint, slowly melting down and drifting soulfully through the expansive space of Naturita. Side two picks up the tempo on 'I Heard ThemSinging,' with the aid of MacKay's requinto (a kind of 5-string Mexican guitar), Walker's rolling chords and the percolating tabla of Ryan Jewell, suggesting a hitherto unknown short-cut from Brazil to India. Drafts of slide guitar and bittersweet blues evocation illumine further fruitfultravels before Dragonfly, also featuring Ms. Kleijn's haunting cello, closes the cycle with a flourish. Adorned with Bill MacKay's colorful and wilfully primitive cover-art, SpiderBeetleBee wanders through styles, landmasses and hemispheres, capturing the further adventures of MacKay and Walker with spellbinding snapshots that only bloom Iggy & The Stooges - Raw Power limited RED VINYL lp $29.99 "Released less than a year after The Idiot, Lust For Life is a return to the sloppy, sleazy, blues-y, swagger of the Stooges. Though the record is, again produced by David Bowie, he takes much more of a back seat musically, allowing for Iggy Pop to take center stage in his return to form. His best solo album and an absolute classic from this legend. Limited edition of 1,000 on red vinyl." Upcoming events at Trinosophes Coming Soon:10/27: City of Djinn, Lime Rickey International 11/3: Embral, Devotional11/10: Circuits Des Yeux - $10 general admission $12 at the door. Advance tickets available at Trinosophes or by phone during business hours. 12/2: NOW! (Alex Harding, Vincent Chandler, Leonard King, Phil Hales)12/6: Larry Oches/Nels Cline/Gerald Cleaver Trio. Related10/26: Joel Peterson performs an original score to silent classic Der Golem at Toledo Museum of Art EL CLUB UPCOMING SHOWS (most shows all ages - ticket will say all ages or not)remember - tickets are cash only. this saves us all the service charges!! algiers fri oct 20th $13giraffage sun nov 5th $17kelela tues nov 7th $20parquet courts thurs nov 16th $17daniel ceasar sun nov 19th $15 MARBLE BAR (all shows 18 and over) cults sat oct 21st $19hoop sun oct 22nd $5bully wed nov 8th $15shy girls thur nov 9th $13cold specks wed nov 29th $10 ASSEMBLE SOUND (18 and over) the blow, ema fri nov 17th $13

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