#Riccardo Minasi
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DIALOGUES DES CARMÉLITES A LES ARTS 2024-2025
Salutació final al Palau de Les Arts, Dialogues des Carmélites 23 de gener de 2025 Abans d’ahir, 23 de gener de 2025 es va complir un de les mancances operístiques de la meva vida, assistir per primera vegada a una representació al teatre, de l’òpera de Francis Poluenc, Dialogues des Carmélites, estrenada a la Scala de Milà el 26 de gener de 1957 en italià i a París en francès el 21 de juny del…
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#Alexandra Marcellier#Ambur Braid#Antonella Zanetti#Ángela Lindo#Bryan Sala#Carla Mayer#Carla Sanmartín Ganau#Carmina Sánchez#Cor de la Generalitat Valenciana#Dialogues des Carmélites#Doris Soffel#Estíbaliz Ruiz#Ester Ferraro#Francis Poulenc#Irakli Pkhaladze#Irina Avramenko#Laura Fleur#Marina Rodríguez-Cusí#Michael Colvin#Michele Losier#Myriam Arnouk#Nicolas Cavallier#Nuada Le Dréve#Orquestra de la Comunitat Valenciana#Riccardo Minasi#Robert Carsen#Sandra Hamaoui#Tanya Durán-Gil#Valentin Thill
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Cosi fan tutte - Oper Zürich 28.01.2024
Cosi fan tutte - Oper Zürich 28.01.2024 #wolfgangamadeusmozart #ricardominasi #kirillserebrennikov #somachensalle #rezension #wiederaufnahme #operalover #musicwasmyfirstloveanditwillbemylast
Sechs Jahre nach der Premiere von KIRILL SEREBRENNIKOVs grossartiger “Cosi fan tutte” Inszenierung an der Oper Zürich, gibt es nun erneut eine Wiederaufnahme in hervorragender Besetzung zu erleben, am Pult steht RICCARDO MINASI… Continue reading Cosi fan tutte – Oper Zürich 28.01.2024
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#Cosi fan tutte#Edwin Crossley-Mercer#Evgeny Kulagin#Francesco Guglielmo#Kirill Serebrennikov#Kritik#Mauro Peter#Oper#Oper Zürich#opera#operalover#Philharmonia Zürich#Rezension#Riccardo Minasi#Samantha Hankey#Vannina Santoni#Wiederaufnahme#Wolfgang Amadeus Mozart#Xiaomeng Zhang
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Giovanni Mossi (1680-1742) : Sonata in B minor for Violin & B.c Op.1 No.5
[00:00] I. Adagio [03:04] II. Allegro [05:30] III. Adagio [07:33] IV. Allegro [08:32] V. Allegro moderato
Musica Antiqua Roma :
Riccardo Minasi, violin
Giulia Nuti, harpsichord
Marco Ceccato, cello
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Saint-Saëns: 3. Sinfonie (»Orgelsinfonie«) ∙ hr-Sinfonieorchester ∙ Iveta Apkalna ∙ Riccardo Minasi
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Da Britten a Puccini, definita stagione Carlo Felice Genova
(ANSA) – GENOVA, 22 GIU – Nove appuntamenti lirici, ventiquattro concerti, il cartellone in fieri di “Liguria musica” e in autunno una nuova stagione nel Teatro della Gioventù. Il Carlo Felice ha presentato stamani le nuove stagioni 2023/2024 presenti il sovrintendente Claudio Orazi, il direttore artistico Pierangelo Conte e il direttore musicale Riccardo Minasi. Il governatore Toti è intervenuto…
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Messe à trois voix, Op. 12, FWV 61: Panis angelicus
Pre-release (with a provisional cover) of “Christmas Wishes”! The full double album will be released in 2022.
#Diana Damrau#opera#opera tag#Christmas Wishes#Christmas music#Riccardo Minasi#Panis angelicus#Christmas carols#sacred music
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Ilya Gringolts, Riccardo Minasi & Ensemble Resonanz: Concerti und Capric...
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Saint-Saëns: 3. Sinfonie (»Orgelsinfonie«) ∙ hr-Sinfonieorchester ∙ Ivet...
Camille Saint-Saëns: 3. Sinfonie c-Moll op. 78 ∙ »Orgelsinfonie« ∙ I. Adagio – Allegro moderato – Poco adagio ∙ II. Allegro moderato – Presto – Allegro moderato – Presto – Allegro moderato – Maestoso – Allegro ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Iveta Apkalna, Orgel ∙
Riccardo Minasi, Dirigent ∙ Barock+ ∙ hr-Sendesaal Frankfurt, 21. Februar 2020 ∙
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Rules: list 10 songs that you’re currently obsessed with and tag 10 people
I was tagged by three exquisite ladies (and my absolute favorites) @dearorpheus, @provst and @echymosis to do this. Thank you, darlings!
i. Vincenzo Bellini’s aria Tu sola, o mia Giulietta ... Deh! tu, bell’anima from I Capuleti e i Montecchi (Joyce DiDonato, Riccardo Minasi, Orchestre de l’Opéra Nationial de Lyon) ii. Nick Cave and the Bad Seeds' God Is in the House from the album No More Shall We Part iii. Lucilla Galeazzi’s Quante stelle nel cielo con la luna iv. Jean-Philippe Rameau’s Prélude from Hippolyte et Aricie’s third act (Christophe Rousset, Les Talens Lyriques) v. The entirety of Ottorino Respighi’s Trittico Botticelliano, and in particular the sensuous third movement, La nascida di Venere (Salvatore di Vittorio, Chamber Orchestra of New York) vi. Claude Debussy’s Mes longs cheveux from Pelléas et Mélisande (Barbara Hannigan, Esa-Pekka Salonen, Philharmonia Orchestra) vii. Roccu Mambrini’s Lamentu di Ghjesu (sopra La Follia) (Barbara Furtuna, L’Arpeggiata) viii. Leonard Cohen’s Joan of Arc from the album Songs of Love and Hate ix. Claudio Monteverdi’s aria Addio Roma from L’incoronazione di Poppea (Jennifer Larmore, René Jacobs) x. Luciano Berio’s arrangement of Azerbaijan Love Song from the song cycle Folk Songs (Anna��Stéphany, Labyrinth Ensemble)
Bonus: Wolfgang Amadeus Mozart’s Domine Jesu from his Requiem in D minor, K. 626 (recording of my own performance with the Choir and Orchestra Gulbenkian)
I tag: @sainterly, @lessthansix, @parmandil, @barcarole, @mostlydeparted, @likeniobe, @womenlikeher, @abernatty, @mothersofmyheart, @twoclaws, @blazeofgold, @antigonick, @violentwavesofemotion, @objetpetita, @eclogues
#music#tag game#personal#Vincenzo Bellini#Nick Cave and the Bad Seeds#Lucilla Galeazzi#Jean-Philippe Rameau#Ottorino Respighi#Claude Debussy#Roccu Mambrini#Leonard Cohen#Claudio Monteverdi#Luciano Berio#Wolfgang Amadeus Mozart
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Giovanni Henrico Albicastro ; also know as Johann Heinrich von Weissenburg (1660-1730) - Concerto a quattro for oboe, strings & b.c. in C minor, Op. 7 No. 4
I. Grave - 0:05 II. Allegro - 2:00 III. Adagio - 4:22 IV. Allegro - 9:18
Collegium Marianum, Collegium 1704 / Václav Luks (conductor) :
Lenka Koubková, Riccardo M. Minasi (violin) Josef Fiala (viola) Marek Štryncl (violoncello) Ján Krigovský (double bass) Evangelina Mascardi (theorbo) Václav Luks (harpsichord)
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The DWR Friday Baroque Interlude - Female Composers - Élisabeth-Claude Jacquet de La Guerre (1665-1729)
The DWR Friday Baroque Interlude – Female Composers – Élisabeth-Claude Jacquet de La Guerre (1665-1729)
Élisabeth-Claude Jacquet de La Guerre (1665-1729) Violin Riccardo Masahide Minasi Harpsicord Salvatore Carchiolo (by Opus111-Naive) ——— Tempi 1. Presto 2. Adagio (1’25) 3. Presto (2’50) 4. Presto (4’25)
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(vía https://open.spotify.com/track/4rYdoxeiTUGL4D9BPlQlX5?si=YF1LN152RbWUwu0XVZKe4g)
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From the Maguelone Festival 2012 Jordi Savall and Hespèrion XXI - Lachrimae Caravaggio - Musical Europe in the Time of Caravaggio. Check the time codes below. Subscribe to Total Baroque: https://goo.gl/ZWoSxm Jordi Savall - viola da gamba Ferran Savall - voice Philippe Pierlot - viola da gamba Sergi Casademunt - viola da gamba Lorenz Dufschmidt - viola da gamba Xavier Puertas - violone Xavier Diaz-Latorre - lute, theorbo & guitar Perdo Estevan - percussions 2:03 Anonymous - Pavana del re 3:56 Anonymous - Galliarda la traditora 5:37 Jordi Savall - Saltarello 7:22 Giovanni M.Trabaci - Durezze E Ligature 13:15 John Dowland - Lachrimae Pavan 17:06 Orlando Gibbons - In Nomine a 4 19:16 William Brade - Ein Schottisch Tanz 22:15 Jordi Savall - Passacaglia Libertas 25:00 Jordi Savall - Deploratio II 27:43 Luys del Milà - Pavana and Gallarda 30:47 Joan Cabanilles - Corrente Italiana 34:17 Jordi Savall & Dominique Fernandez - Concentus Aria 35:36 Jordi Savall & Dominique Fernandez - Concentus Recitativo 37:52 Jordi Savall - Folias 41:51 Anonymous - Pavane de la Petite Guerre 44:06 Anonymous - Bourrée d'avignonez 46:27 Consonanze Stravaganti (d'après trabaci) 47:57 Jordi Savall - Deploratio III 51:14 Samuel Scheidt - Paduan & Courant dolorosa 57:56 Jordi Savall - Spiritus Morientis 1:00:53 Jordi Savall - Deploratio IV 1:05:29 Luigi Rossi - Fantasie "Les Pieurs d`Orphée" 1:08:40 Anonymous - Sarabande Italienne 1:10:16 Cantus Caravaggio III "In Memoriam" A co-production of Calicot - Mezzo - TV Sud - Maguelone Festival Video director: Olivier Simonnet
LACHRIMAE CARAVAGGIO
Review by: John Greene
Artistic Quality: 8 Sound Quality: 10
Since 1991 when Jordi Savall contributed to the soundtrack of Alain Corneau’s acclaimed film Tous les Matins du Monde (type Q4828 in Search Reviews), he’s occasionally supplemented other mostly French and Spanish soundtracks with similar improvised music in keeping with the film’s period and theme. The movie featuring most of Savall’s music to date has been Jacques Rivette’s 1994 epic Jeanne La Pucelle, where he is credited for more than half of the movie’s score. This new Alia Vox offering titled Lachrimae Caravaggio (Caravaggio’s Tears) is Savall’s first non-soundtrack programmatic effort as well as the first recording devoted exclusively to his music.
The program is divided into seven “Statios” (stanzas) of four to five movements, each representing Savall’s take on seven works by the Renaissance Italian painter Michelangelo Caravaggio. Sharing equal billing with Savall in the project is the French novelist Dominique Fernandez, who provides seven brief complimentary essays about each of the selected paintings in the accompanying booklet.
This is one of the quietest, most meditative ensemble recordings Savall has ever made. The vast majority of the program is devoted to inordinately pensive string improvisations performed by Savall, violinists Riccardo Minasi and Xavier Puertas, and harpist Andrew Lawrence-King (Note: Savall’s son Ferran also is listed as one of the five “improvisators”, though his contribution is limited to light flamenco-like moaning in the four wisely dispersed “Deploratio” movements accompanied only by his dad).
Savall’s Sinfonia di Guerra (fashioned after the opening Sinfonia of Monteverdi’s seminal masterpiece Combattimento di Tancredi e Clorinda–a work Savall often performs live though has yet to record), the (eventually) spirited Passacaglia Libertas, and the at times stunningly dissonant Spiritum Morientis count among the program’s very few, memorably upbeat moments. Andrew Lawrence-King’s solo improvisations in the Passicaglia Umbrae and very brief Transitio that opens the fifth “Statio” couldn’t be lovelier.
Alia Vox’s SACD sound is absolutely gorgeous; rich, well-balanced, and sumptuously detailed. The handsome spare-no-expense digipac presentation and 168-page booklet (translated in six languages) also is typical of the care Alia Vox continues to take in every one of its projects. Given the title of the program and the often dark, mournful nature of Caravaggio’s subject matter, it’s certainly understandable why Savall chose to keep the proceedings here so consistently low key. However, this 77-minute ride often gets a little tedious because of it. Recommended only to Savall’s most devout fans.
https://www.classicstoday.com/review/review-14376/
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Mozart: Symphonies Nos. 39, 40 & 41 "Jupiter" - Ensemble Resonanz & Riccardo Minasi
Mozart: Symphonies Nos. 39, 40 & 41 "Jupiter" – Ensemble Resonanz & Riccardo Minasi
I. Adagio. Allegro II. Andante con moto III. Menuetto Allegretto. Trio IV. Finale Allegro I. Molto allegro II. Andante III. Menuetto Allegretto VI. Allegro assai I. Allegro vivace II. Andante cantabile III. Menuetto Allegretto. Trio IV. Molto allegro
Mozarts last three symphonies were composed in a white-hot burst of energy during the summer of…
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Liked on YouTube: Handel: Bad Guys | Xavier Sabata, Il pomo d'oro, Riccardo Minasi (Teaser) https://youtu.be/b1u_Q2ubFDU
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