#Reo is more relatable to me specifically

[animentality]

I wanted to write NagiReo fanfiction, but the Nagi fans have spoken: I am incapable of writing Nagi Seishiro. So I guess I'm writing anything but NagiReo from now on.

I still ship it, and all, but I'mma let Kaneshiro provide the NagiReo for y'all. I shan't be involved.

But I'm rooting for the girlies.

[saerins]

─── 𝐄𝐅𝐅𝐄𝐑𝐕𝐄𝐒𝐂𝐄𝐍𝐓

+ nagi seishiro x f!reader | wc 3.2k | content: fluff, ngl i was too lazy to proof this, childhood friends to lovers, canon-compliant (i tried), yn’s parents are just bad

notes: me ?? writing someone other than sae ?? wild . but it’s my first try at nagi so pls have mercy :’) feedbacks/reblogs appreciated !! <3

summary: it’s a little more difficult for nagi to realise his feelings compared to the average man.

i. fleeting moment

nagi seishiro was your first kiss, age ten on the swings of your backyard.

you’re only friends by chance. he was a loner on the swings in the public playground and you have a habit of picking up strays. (but until then, it had been limited to animals and not humans.)

yeah, yeah, maybe having a first kiss at the young age of ten is a little alarming, but it’s not like nagi is a bad person. if anything, he was just trying to shut you up. probably, maybe. (and it wasn’t with tongue, if anyone needs the specifics.)

“if you keep crying that loudly i won’t be able to hear my game,” nagi grumbled, eyes glued to his screen. apparently he was playing some pseudo horror game where four fighters run from a single hunter and apparently he needed to listen to the sounds to know when to run.

but really, you were ten and crying because some other boy bullied you in the playground, saying how you were so ugly and that no boy would ever wanna kiss you. given all of that, why would you even care about nagi’s stupid game?

if he didn’t want to be bothered, he shouldn’t have chased you all the way back home.

“but seishiro, am i really ugly?” you were ten and in need of immediate validation while nagi was in need of your immediate silence.

he didn’t even look up. “that’s subjective.”

even when he was young he had a smart mouth that would be able to break you.

“well then what do you think?” because honestly, even at that point, you thought nagi seishiro was handsome; he was the face claim you used to imagine all your scenarios at night before you went to sleep.

he was your knight in shining armor, coming to break you free from the cage which was your life and obligations. he was your prince charming who’d rescue you above all else. heck, sometimes he was mario and you were princess peach.

seishiro groaned when the screen shows game over and honestly, he really did think it was all your fault because he couldn’t hear anything over your incessant wailing. but then he looked at you for the first time after you cried and had the recurring thought that he didn’t want to be the reason for you to keep on crying.

“yeah, you’re pretty.”

and he puts his lips on yours like it’s no big deal.

ii. unreciprocated

fifteen is when you’re most rebellious. it’s a sickness you get from none other than mikage reo.

your family and the mikages go way back. they’d been family friends for such a long time. a part of you feels it’s not genuine, blinded by the fact that they’re always business partners and everything else stemmed from that one simple fact.

you started to play hooky from business dinners, started to say fuck off to rude old geasers who truly didn’t deserve a single dime they got.

all you ever got in return was your father’s temper and your mother’s cowardice and reo’s praises. most of all you at least had nagi’s shoulder to cry on. (he’s learned to bring along his earpiece just in case he had to meet you or accidentally bumped into you.)

“they all sicken me,” was what reo told you when you asked about his family in relation to their business. you could sympathise. sometimes all you could feel from your parents were that they treated you as a next-in-line rather than just daughter. and almost everyone around you made you feel like you were just a moneybag.

what reo felt shouldn’t have been too far off. except you thought he had it better; at least all his parents did was try to spoil him while not-so-subtly training him up to be the next ceo. he at least didn’t suffer at the hands of foul tempers and verbal abuse.

no one should have to.

“oh shit! i gotta go soon,” you realised, noticing that it was almost six and you’d made plans with nagi.

reo cocked a brow, “y/n l/n, you have other friends?”

you knew he was joking, but that didn’t stop you from landing the hardest punch you could on his arms. “hey, i’m not that inept at socialising okay?”

sure, you’d started taking caution with making friends because most of them were just after one thing: money. even at this age. which is crazy to you, at least, but you felt you had no right to think that. not when all the money you wanted was still at your disposal.

but you weren’t actually bad at making friends. it was just that maybe most people weren’t even worth the effort.

“they’re good to you, right?”

you took a moment to decide before you eventually nodded. “yeah, for sure.”

nagi was… weird, for you. but in the good sense. yeah, he’d open his mouth and ask you for money which at least told you he was honest. even if you rejected him, though, he was still beside you.

“man, what a hassle,” he grumbled when you wouldn’t buy any more food. he was broke, which meant he couldn’t eat anymore too if you didn’t buy some.

the two of you still never talked about that kiss. it never happened again, to your dismay.

you were a teen, and screw stupid teen hormones for driving you to ask him.

“hey sei, we’re good friends, right?”

“huh?” nagi was already fixated on his phone. probably some new game you didn’t know about. his earpieces were ready, around his neck. “uh, i guess?”

but that was not good enough for your feisty fifteen-year-old self.

“sei, i’m serious! would you be sad if one day we weren’t friends anymore?”

back then you didn’t know what you were doing. back then you didn’t think to yourself what it was, really, that you were trying to get out of him. maybe it was validation, and maybe it was just boredom.

you really just wanted to know nagi cared.

all he did was shrug, brows furrowed in annoyance. “that’s life, isn’t it? sometimes friends drift and sometimes they don’t.”

throwing wisdom around as if that was what you needed. and it was unfair to expect anything out of nagi as it was, but that didn’t stop you from throwing a tantrum and storming off.

(he watched you as you left, and there was something unsettling about the sight of your back moving so far away.)

iii. turning point

the world is small.

when you were sixteen you realised that the so called treasure reo told you he found was a human, who so happened to be your friend—nagi seishiro.

teeny tiny.

they also both happened to be picked by the JFU to go to blue lock. which you only found out after they’d both been gone for a week.

it didn’t surprise you though—they were both talented. it was only right they got picked. though, they also happened to be the only two people you would hang out with, so by default you felt lonely.

but at sixteen you’d learned to suck it up, hide your feelings. everything was okay—as long as you deceived yourself so. your parents were the same; overbearing and breathing down your neck and now that reo was not around for you and nagi couldn’t be your confidant, it felt much worse than usual.

everything was a transaction and you felt suffocated. it made you appreciate nagi’s unfiltered honesty and reo’s unwavering loyalty to whatever you dedicated yourself to.

“at least that reo boy has some other talents like that foolish soccer he plays,” your father berated over dinner. “and here my daughter is, good for nothing yet expects us to believe her when she says she can make a living outside of our company.”

and if you’d had other close friends, they would’ve told you that sixteen was too young to be sure what you wanted to do for the rest of your life. they’d have said your parents were unreasonable and that they were the fools.

but you didn’t. and the only friends you had weren’t around. so you ate it up. you clenched your fists where your parents couldn’t see and let them run their mouth. or, in your mother’s case, stay silent while your father made unreasonable arguments.

“and that nagi boy you hang out with,” your father turned his focus to him, “all he reeks of is laziness. i don’t get why you have to hang out with him all the time. inviting that oaf into our house like he’s welcome.”

that time your fists hit the table and you didn’t even expect it. it hurt because of how hard you hit but nothing could beat the hurt your father inflicted on your heart.

you found you couldn’t say anything, only because your father’s eyes were wide with rage at your outburst and you were still the same scared girl inside at age four when he first raised his voice at you.

“i-i’m sorry,” you choked out, which was pathetic but you didn’t want to end up murdered in your own house.

your father scoffed. “get your stupid head out of your ass or you’re cut off.”

the only time you could do that was when nagi and reo finally got their first break out of blue lock. you occupied their time for the most of it, listened to them going on and on about the matches that went on inside. though reo seemed a little mad at nagi, a little awkward around him, for some reason you weren’t privy to.

“i’m gonna head home first,” and reo was gone with the wave of a hand, something about having to settle something at home—probably nothing good.

maybe it was the lovestruck idiot in you talking, but you’d made peace with the fact that maybe you had a small crush on nagi seishiro, judging by how you acted around him. maybe it was that idiot that made you want to spend all of his free time together.

“guess i’ll see you tomorrow too?” sue you, you were just trying to shoot your shot.

nagi put his phone in his pocket, for once, and you were struggling to remain standing as he held eye contact with you, calm gray eyes the bane of your existence. “mmm can’t, gotta meet isagi and the rest.”

isagi, a name you’d just learned earlier—apparently nagi thought he was strong and chose his team. maybe that was why reo was mad.

“oh, okay then.” you’d ask for the next day, but you didn’t want to get rejected twice. besides, nagi would probably just prefer playing games and resting at home. you were just friends, after all.

“was thinking we could get dinner though,” nagi told you, hands in his pockets as the both of you walked down the street.

that was the first time he ever extended an effort, you remember. and suddenly life wasn’t that bad anymore.

it was also the first time nagi asked you to feed him, not because he was playing some game but on purpose.

and you didn’t know how it turned out that way, but he ended up taking up all of your time. it was the only reason you had the ability to fill him in on your family, and he actually listened. and, like reo, he said “fuck them.”

maybe that was the point you realised maybe he did care.

but for a girl at seventeen just concerned with romance and happiness, it was paradise—until of course he went back to blue lock, taking your heart with him.

(what you both failed to realise was that he left his with you.)

iv. slow realisation

in the bleachers of his first match out of blue lock, nagi seishiro spots you easily in the front row—wearing his jersey and number, when did you buy that?

doesn’t change the fact that nagi likes seeing it on you. he’s not familiar with the feeling, but it’s equivalent to saying you like him the most, which feels great if he’s honest to himself.

what he doesn’t like is the guy next to you. sharp jawline and spiky hair wearing a business suit and his raven eyes are always peeking at you out of the corner. does he like you?

but the whistle blows and nagi forgets about you for a little over ninety minutes. he’s going to show you he can win this, with you watching from the front row, and he’ll show you why he’s the best and that other guys in business suits don’t matter.

after the game reo makes a big deal out of the fact you’re wearing nagi’s jersey and not his, and nagi finds out the guy with you was someone your dad wanted to hook you up with.

twisted business marriages.

“i’m just going out with him to shut my father up,” you admit to nagi when you’re both finally alone. (aka, after you’ve convinced reo to pry him away and leave you two alone.)

nagi’s not used to this. what’s this relief he feels? “oh, good to know,” is all he says because he doesn’t even understand himself.

he isn’t even sure why he’s here in the first place, walking you home. he’s not sure why reo left when he could’ve driven all of you home instead of just mr business-suit-guy.

“how’s it feel now, to be mr popular?” you’re not even sure why you’re asking. maybe because you feel like the gap between you and nagi grew so wide in such a short period of time and you’d do anything to hear him say that he’s still the same seishiro you knew.

your seishiro.

nagi only shrugs, “dunno. don’t really feel the difference.”

because really, apart from the fact that he’s much more busy, he’s still him—playing games when he’s free, texting you because that happens to fall in the list of things he likes to do now, and well, the only difference he feels is—he takes a peek to his side—you, somehow.

not because of anything you do in particular, but he feels different somehow. and he can’t make sense of it. he never can. how’s he supposed to? no one ever warned him about shit like this.

“uh, nagi? have you ever thought that maybe you like her?” reo tells him over the phone later that night, a little baffled by the things his usually detached friend just told him.

“you like her too though,” nagi retorts.

reo sighs, wondering how nagi ever made it to where he is. “not in the same way.”

“what do you mean?”

“figure it out yourself.”

nagi hangs up, thinking he already has it figured out. he also thinks reo will keep his mouth shut.

he doesn’t.

v. requited

it’s funny how reo rushed to call you that night, right after nagi basically told him (without saying it explicitly) that he has a crush on you.

but it’s also funny how it’s been three months since then and nagi still hasn’t said anything about it. you play ignorant around him, waiting and waiting for him to admit it himself.

evidently it’s not working.

tonight you’re just watching him on the screen, cheering him on from the other side of the world because despite being from a rich family you can’t just up and leave to another country as and when you feel like it.

besides, you’ve made peace with your parents; you’d learn about the family business willingly as long as they stopped interfering with your personal life. they surprisingly agreed.

nagi and reo win, as you expected, and as usual, the cameras trail their team as they celebrate on the field, their captain having tore his shirt off to celebrate that they’d won the tournament. it’s not long before the camera pans back to nagi, a few reporters already surrounding him.

“so nagi, how do you feel right now?”

“great,” he answers, with a sexy amount of enthusiasm. he’s rarely ever enthused, but you find it so much more attractive when he is.

nagi has his phone in his hand, you notice, and you immediately fish for yours. he’d texted you right before they started hounding him.

are you watching?

you smile as you type back.

no. congrats on becoming champions! 🫶🏼

“nagi nagi, who would you like to dedicate this win to?” the reporters are all clambering to get a chance to question him.

“oh i don’t know,” nagi says, and you catch him looking at your message before looking back at the camera. “i guess i’ll dedicate this one to this girl i like.”

you nearly spit out your drink.

“wait, does this mean you’re involved with someone? tell us, who is it!”

all the reporters get excited, and understandably, since nagi’s probably just about given them the biggest scoop for the month. they’re all looking at him, money signs in their eyes, while your jaw drops open as he overshares with the entire world.

“oh, y/n l/n, she’s been my friend since forever and i don’t know… i kinda like her a lot,” he’s saying all this earnestly, a hand scratching his neck and a blush creeping on his face, though he doesn’t look the least bit fazed.

you rush to find his chat thread.

nagi, what the fuck!!!

you did NOT just say my name on live tv!!!

on the screen, he openly looks at your messages before typing a reply as the reporters hound him for more details.

oh shit, m i not supposed to?

“nagi, is she the one texting you right now?”

and like the honest guy he is, he nods. “oh yeah, think she’s mad at me right now.”

you curl up under your blanket, flustered because nagi is way too open and way too precious.

“would you like to say anything here to her now?”

nagi looks off camera and hums in contemplation before finally deciding on a response.

“hey y/n, tomorrow i’m gonna make you mine okay? so just wait for me.”

reo finally drags him away and towards the rest of his team and his interview ends there. you switch the television off, half mortified and half flattered. your phone blows up with most of your contacts gushing over what nagi said.

leave it up to nagi seishiro to have feelings for you, not realise it until years later, not tell you in the whole three months before this and yet announces it and your full name to the entire world on live television.

in spite of how flabbergasted you are, there’s a warm sensation blooming underneath your chest, a comfort that you’ve always been looking for finally fulfilled. there’s a certain endearment in the way nagi realises and professes his feelings.

you pull up his messages again.

you better keep your word, sei.

it doesn’t take him long to respond.

don’t worry, i’ll make you mine.

[kinkandkreep]

Celebratory Blue Lock Boi Yandere Interpretations: Ryusei Shidou, Yoichi Isagi, Meguru Bachira, Reo Mikage, Rin Itoshi

A/N:...Hey hey y'all...🙂 Ok, so I fuckin' lied I am so sorry. 😭 These was sposed to be for my birthday yestaday but the day got so busy and I was tied den a mug, so posting these did not happen. 🙃 But! Alas, I am here now, and I have for you all my introductory yandere interpretations for 5 of the Blue Lock boyos!

Keep in mind, I am still getting caught up on the anime so if anything reads off, I apologize. I'll very likely either come back and adjust these as I become more familiar with their personalities or just post a whole new set for each boy.

Anyway, enjoy!

Ryusei Shidou: 

Let me just say right off the bat that I get the strong notion that Ryusei is gonna swiftly become my favorite character the more exposed I am to him (like I already love his design and that weird sexual edge his character possesses 😏)

That aside, as a Yandere, I envision that he maintains that same intense energy he has about football, it just manifests a little differently

You make his heart “explode,” in a similar fashion to his precious football- either that, or you possess an “explosive” quality within yourself that draws him in

I saw someone say that outside of a few specific circumstances, Ryu is a pretty chill dude, which I think is 100% true

And I believe this can even apply to you, in the Yandere sense as well

Ryusei can be intense, and a little monopolizing 

He's also somewhat possessive 

But for the most part, as long as he knows you're his and you continue to make him “explode,” Ryusei isn't the worst Yan to have

Now, in my research, I have seen some interpretations of him where he’s much more sadistic than I personally envision him to be, which of course is fine, but just know that my Ryusei can’t really be bothered to act sadistically unless you try to fight him

Exactly why you’d try to do that is beyond me, but if you did happen to want to start a physical altercation with Ryu, he may be inclined to be a little rough with you, just to show a bit of what he’s capable of and also keep you in check

Yoichi Isagi:

I just look at Yoichi and a single phrase comes to mind- “he’s a sweetheart unless provoked”

You, provoke him

You make this nagging little voice in the back of his head make the Spongebob “wee-woo” sound at like max volume every time you’re in each other’s vicinity

Yandere Yoichi adores you

He’s like a little pup around you, always wanting attention and affirmation and reassurance that he’s the best, and the he’s going to be the best, and that throughout it all you’ll never leave him

But! He can also be kind of intense and maybe a bit of an asshole

Like just look at him and tell me you don’t get that vibe

I’m new to the game as it relates to Blue Lock but from what I’ve gleaned, Yoichi has a sort of metaphorical switch that turns on and off depending on the circumstance

Things get heavy when he’s on the field, and that’s when his “Ego” comes out

It makes him more cocky and confident, from what I understand, and I’d say the same thing applies where it concerns you

For the most part, Yandere Yoichi is just your average puppy with a thigh fetish

But let the “Ego” come out, and now he’s more domineering, controlling and patronizing

Try not to trigger that part of him though, and Yoichi is actually a pretty ok Yandere to have

Meguru Bachira:

Meg’s a weirdo but one of the lovable variety

He’s a very eccentric character, as I’m sure anyone who’s familiar with Blue Lock will know

He talks about the “monster” that inhabits his psyche and manifests itself when he plays soccer

I don’t particularly subscribe to the idea that this “monster” influences his actions on a normal, day to day basis (though that could be the case and I just missed it in my research) but I can definitely see how one would think it does

I will say that years of simple…cohabitation (?) with the monster has definitely left an indelible mark on Meguru’s mind

Yandere Meguru especially 

To Yandere Meguru Bachira, you are perhaps the most important thing in his life

Being bullied for so long and so relentlessly probably wasn’t the best for his mental and emotional wellbeing, as you can imagine, so Meguru has been in desperate need of someone to come along and show him genuine love and support

He’s found that in you, and that’s part of the reason his Yandere personality/tendencies make an appearance when he’s with you

He’s definitely clingy and wants all your attention all the time, and he’s also not very knowledgeable on what it means to give someone their personal space

He doesn’t give you much autonomy either, really preferring to do things for you when given the chance

He can get a little intense, but he’d never hurt you 

Physically, at least

And if by some off chance he were to hurt you otherwise, it would never be on purpose

All that said, I do kind of think that Bachira would be one of the slightly more uncomfortable Yans to have, simply on account of his neediness 

Reo Mikage: 

FIrst off, let me just say, eat the rich 😤

Chile when I was doin’ my research and saw dis dude’s frankly ridiculous net worth I was appalled 

But if he smart enough to know what to do with the money and assets then I guess it’s whateva 🤷🏾‍♀️

Anyway, that aside, let’s focus back up 😂

I could potentially see Reo being one of the more strict Yan’s to have 

He just has so much to protect, and that includes you

He’s also probably very used to getting the things he wants and having things go his way that he can’t imagine you not reciprocating his feelings, or at the very least seeing the benefit in choosing him over everyone else

And as we’ve seen (me only partially really, I’m still makin’ my way through the show 🙃) he already has some form of an attachment issue as it relates to Nagi, or alternatively, the things he’s invested time and energy in and on

Which, as you can imagine, would include you, should he decide to pursue you

As a Yandere, Reo is admittedly controlling and a bit smothering

But he’s just like that ‘cus he wants to ensure that nothing will separate you two!

It’s innocent really, honest!

And given Reo’s reputation, it would be rather difficult to convince others that he’s, well, kinda crazy if you were so inclined

But other than that, as long as you remain loyal, Reo’s a pretty fair Yandere

Rin Itoshi:

Whoo boy, this one’s a tough nut to crack

I honestly think Rin is more tsun than yan but I could definitely see where the Yandere aspect of him could potentially rear its head

I’m not 100% up on my knowledge of what the hell his deal is with his brother, but from what I’ve gathered, there’s this mostly one-sided rivalry (on Rin’s part) towards Sae (his brother, for the uninformed) because he (Sae) refuses to acknowledge Rin in soccer and he abandoned their shared soccer dream from when they were little

That all being the case, I really like the concept that Rin is a Yandere for you because A.) something about you warms something cold and dead inside him and B.) you recognize him as talented and capable outside of his brother’s influence, and he (Rin) desperately clings to that affirmation 

Rin is undoubtedly possessive, wanting nothing more than to hide you away where only he can access you or, alternatively, make it known to everyone, in whatever way, that you belong to him

Rin is also somewhat domineering and controlling, as he still doesn’t want anything to tarnish his reputation

I think as a Yandere he’s a little more open to PDA (not by much at all, but just a little) 

I also think that, as a Yandere, Rin can be fairly intense without realizing it

Like during games and whatnot, he ups the ante ‘cus he knows you’re watching and he wants to impress you, keep your attention, and have earned your praise when he’s done

That could also apply to him normally sorta, but I think the behavior is more prominent in Yandere mode

All-in-all, Yandere Rin isn’t the most terrible, he’s mostly just…needy, in his own special way

[ranahan]

Had you talked about the whole eyn/te/haar thing at some point?

I don’t think so! I didn’t have anything prepared, and don’t have very strong opinions one way or another, but here are some thoughts anyway. Feel free to add more if you have more/other ideas.

So Mando’a has three articles: eyn, te, and haar. Articles in Mando’a don’t seem mandatory like the articles in e.g. English; you can drop them. So of course the question is when you should use them and when drop them then?

Eyn is the indefinite article, like English a/an. In creole languages (I headcanon that Mando’a is one), the indefinite article often develops from the numeral one in the lexicaliser language. I think that would make sense for Mando’a too, that eyn in (some, at least older) compound words would stand for “one.” So I headcanon that eyn is the numeral one in Classical Mando’a, which gives Modern Mando’a one more creole feature.

And then we have two definite articles… which obviously results in asking what’s the difference and how are they used?

Te is your ordinary definite article, like English the, I guess. Haar, I think, is etymologically related to e.g. haat, so the original meaning might be something like “the one (and only),” or “the true.” Haar might also be a part of some compounds, but it’s difficult to tell apart from e.g. haat because of Mando’a’s habit of eliding consonants when joining together morphemes.

Okay, that’s a cool enough a system, I guess. But you know my whole shtick with Mando’a grammar is taking the pieces and interpreting them in a way that is not like English. So I want to go a bit deeper, and in any case we have a couple of unanswered questions, so let’s look at some natural languages and different ways they use articles and see if anything catches.

Different kinds of articles in natural languages

Clearly Mando’a’s system is not just English’s indefinite/definite distinction, since Mando’a has a three different articles. But there are other kinds of articles as well.

There’s partitive article, which is a type of indefinite article used with mass nouns. Like “some water,” only instead of “some,” you’d have an indefinite article. Maybe you could also use eyn this way? Eyn pirun, some water/a water/a drink. (Eh, I have no idea how Mando’a handles mass/count nouns.)

If you can have an indefinite noun without an article, or you can specify an indefinite article, wouldn’t the latter be the equivalent of saying “some dude, I don’t know which,” which is another sense of “some.”

Obviously the two different senses of “some” happen to belong to the same word in English (but not necessarily in other languages). But I think many of the adoptees who would have contributed to Mando’a’s creolisation would have spoken Basic. And the other way a language can contribute to a creole is by replicating grammatical structures or senses of words. Now obviously we don’t want to recreate English senses all over because that would just create a complicated cipher for English. But it does compel me when I can do it in a way that produces an end result that is not like English, haha.

I like to imagine (that Traviss imagined that) there were a bunch of working class folks from the Northeast of the Galactic Republic, and a bunch of soldierly types, who got absorbed into the mando armies at some point during their Imperial days, and left behind some dialectal Basic words (yaim, birgaan, taabir, etc) and some specific ways of using words (which might be not much like the prestige dialect of Basic).

Some languages use the partitive article to refer to a part of something or a member of a group, but in Mando’a this kind of a meaning seems to already exist in the suffix -b/ab/eb (or -il in some fandom dialects).

Te reo Māori has a proper article, meaning the noun it refers to is a unique entity. (Oceanic languages btw have a pretty elaborate systems of possession and classification of nouns that defines how they are possessed.) The proper article might be used to refer to proper nouns (the Azores) or names.

And well hey, we seem to have an article which means “the true one,” so something like this might be a good fit. So maybe it ought to be Mand’alor haar Ani’la (not te Ani’la) and haar Yaim’ol (The Return, as in the historical movement)?

There’s negative article, which basically does the same job as English no in sentences like “no man can kill me.” Mando’a would probably just use the negative particle here though.

And then there’s zero article. So a language might make the same distinction as English does with a/the with no article (indefinite)/article (definite). English actually uses this for mass nouns. But I don’t think this is what’s going on with Mando’a, since it has three different articles which are apparently just not mandatory (i.e. the lack of article is not grammatically significant, just depends on context of the conversation).

The distinction between the two definite articles could be one of distance (proximate/distal; this/that/yonder), but I don’t think that’s what Mando’a does either. I mean I love this feature, but unfortunately it doesn’t seem to exist in Mando’a.

And of course many languages have different articles for different noun classes (whether that’s masculine/feminine, or animate/inanimate, directly/indirectly possessed, count/mass nouns, or some other classification) and cases.

More ideas

One idea I like is that the distinction between eyn and te could be more about specificity than definiteness. So te could refer to a specific thing, whether it’s mentioned for the first time or not (hehe, more translation confusion!), and eyn could refer to any such thing. Oceanic languages do something like this, to the best of my understanding.

Te could also be used when speaking about general truths, or maybe general truths don’t require an article: Mando’ade draar digu. No article there.

Another idea I had at some point is that the articles could also be used sort of interchangeably with the demonstratives, so eyn could be translated as “some” or “any” and te as “this” or “that,” depending on context. So kind of like Finnish does: “anna mulle joku ase” vs. ”anna mulle se ase” (”give me some (any) weapon/that weapon”); more or less the same distinction as the specificity. Obviously Mando’a also has demonstratives, so this alone is not going to work.

One way I’ve been using te is in place of a possessive pronoun, when the owner is known from context. This avoids repeating the pronouns (kaysh te’habi be kaysh buy’ce) and feels a bit more natural to me (kaysh te’habi be te buy’ce). I stole this from Swedish.

Plurals? Maybe Mando’a uses the articles the same way regardless of whether they refer to a singular or plural. E.G. eyn jetiise would be “some jedi” and te jetiise would be “the jedi, those jedi, or that group of jedi.” Although of course it can make sense to restrict the article that means “one” to singular nouns, I kind of also like the idea that the demonstratives ibic/ibac can be both singular and plural (saw this somewhere on tumblr and didn’t write down where, ugh)—I think it would make sense to either have or not have the distinction but do it the same way for both articles and demonstratives.

And I kind of like the idea that in colloquial speech at least, te might get reduced to t’ in front of front vowels. T’eparav, the feasting; t’iviin, the speed.

tldr

Well, that’s a bunch of ideas. My gut feeling is I like the unspecific/specific distinction for eyn and te, the proper article for haar, and dropping the article for general truths and whenever the meaning is clear from context. So basically some/any (eyn), a specific one out of many (te), and a unique entity (haar). That feels about right. Although it would unfortunately mean retconning some established fandom practices, which I don’t like (I prefer to build around them, not over them whenever it makes sense to me).

Anyway, I’ll have to mull it over, and dig up some more stuff (do you know what you get when you search for “article”…), and come back to this some later day with a more coherent view. Hope this was at least a little like what you were asking for. If you have any better ideas/just different ones/thoughts/comments, please share!

P.s. your other question is excellent as well, I’ll answer it some other day when I have more time.

[greyscale-enthusiast]

EPINAGI chapter 20 things im rotating on my mind

hiiragi was saying how it feels so good to destroy nagi’s natural (and sensitive?) genius with his logic

nagi kinda has a knack for attracting smart people who want to tell him how to ‘play’ only for him to end up rejecting them and angering them (reo, agi in the msc, and well this dude isn’t gonna get too far but he tried)

really, the curse of the lazy genius.

nagi was comparing hiiragi to isagi with his analysis and logic and to himself with his trapping skills. then he goes to ask what reo or isagi would do at a time like this…

and it happened around the time niko said how matches were so easy without reo or isagi around, too 😭

reo mentions in the chapter: 2 and in passing.

chigiri explains a different framework or perspective so they can overcome their weaknesses

the only one who stepped up 😭😭🫶 imagine trying to explain something to BAROU AND NAGI

the graffiti wall makes me think back on skater chigiri what with the misspelling and typography. queen.

barou and chigiri realizing hiiragis intentions

i mean zantetsu and niko both said they wanted nagi i don’t know what they expected. or did they saw how it was kinda exploitative and that’s why they don’t want to give him up?

hiiragi wants to get nagi into his team so he can teach him about soccer since nagi’s ignorant.

something about how that’s what’s so attractive about nagi to other people, his unbelievable talent with barely any background, but seeing it being expressed so explicitly in a way that sounds kinda malicious is just hyping me tf up like defend urself nagi!!!

do yall think nagi is going to relate hiiragis motivations to reo’s and get even more angry 🥺

anyways i will be microwaving these specific moments if anyone wants to comment on something feel free to and also here’s a size comparison between niko and nagi from the chapter

[twentyfivemiceinatrenchcoat]

okay. i am now awake and semi-coherent and ready to talk about the blue lock movie. nagi and reo specifically because ohhhhhh my fucking goddddd they were made for me?????

a puppeteer and his devoted puppet??????? but they vow to be together always????????? they have a dynamic where reo exercises control over nagi but it’s never in a twisted sense, only something built on a very deep trust. nagi trusts reo’s judgement and doesn’t care about soccer anyway, only reo himself, so he doesn’t mind being puppeteered. it’s only when he realizes he actually enjoys it that he leaves reo behind — and even then it’s all for the sake of them being together in the end!!!! they’ll meet again on the other side!!!!!!!!!!

but it’s still so. fucking soulcrushing because reo might seem controlling, he might seem a little detached, but he cares for nagi so deeply and calls him a genius and trusts him in a way no one else does. he loves him so much. soccer was the first thing reo ever wanted for himself, nagi was the second. and nagi left him behind.

the concept of a doting puppeteer being left by his beloved puppet makes me batshit insane all on its own but the fact that their relation to each other is so genuine and kind just wrecks me. nagi is doing what he thinks is best for reo but he’s hurting him more in the process. reo wishes he could be happy for nagi, but he still cries because he doesn’t want to be alone. he doesn’t want nagi to walk farther than he can reach, even if that will stunt his growth. maybe he’d prefer him being under his thumb, always, willingly, never meeting his full potential;

and i think that makes reo feel so, so guilty.

[cuntycassandra]

What songs make you think of your faves?

Ooo this is difficult because my brain is basically a big jumbled mess of songs and story/character relations, and I haven’t made a proper character playlist in a while, but I’ll do my best!!

These are just for my current or very recent faves, and the songs are just the ones I know off the top of my head have correlation in my head.

Alex Summers:

- X Men

These are on vibes alone, not as much storyline

I Saw Her Standing There - The Beatles

Leaving On A Jet Plane - John Denver

Don’t Stop Me Now - Queen

I Know Places - Taylor Swift (shut up I know 😭)

Cough Syrup - Young the Giant

I’ll Stand By You - The Pretenders (this one is specifically a Charles and Alex father-son esque song.)

Monster - Caissie Levy

No Surrender - Bruce Springsteen

Teenagers - My Chemical Romance

The Way I Loved You - Taylor Swift

We Built This City - Starship

Iris - The GooGoo Dolls

I have a lot more on hc based storylines but I haven’t introduced that version of Alex to the public very much yet.

Shout out to You Belong With Me as that makes me think of Alex simply because of Lucas Till, and You Are My Sunshine for being the main plot point in my first Alex fic.

Charles Xavier and Erik Lehnsherr:

- X Men

Andante, Andante - ABBA (Mamma Mia version) (CE)

As If We Never Said Goodbye - Barbra Streisand (C)

Can’t Fight This Feeling - REO Speedwagon (CE)

Confrontation - Jekyll and Hyde (mostly E but could be CE depending on the AU)

Dos Oruguitas- Sebastián Yatra (CE)

Evermore - Dan Stevens (CE)

From Now On - The Greatest Showman (C)

History Has Its Eyes On You - Hamilton (E)

How To Save A Life - The Fray (E/CE)

If This Was A Movie - Taylor Swift (CE)

Just A Man - EPIC: the Troy saga (E)

Knowing Me, Knowing You - ABBA (CE)

Make You Feel My Love - Sleeping at Last (CE)

On My Own - Samantha Barks (C)

Our Last Summer - ABBA (Mamma Mia version) (CE)

Pieces - Ella Henderson (CE)

Slipping Through My Fingers - ABBA (Mamma Mia version) (C)

Somebody That I Used To Know - Gotye (CE)

To Sir, With Love - Lulu (C)

Treacherous - Taylor Swift (CE)

Turning Tables - Adele (CE)

Wild Uncharted Waters - Jonah Hauer-King (CE)

Writing’s On The Wall - Sam Smith (E/CE)

Sebastian Smythe:

- Glee

Some of these will be KB labelled

All You Wanna Do - Aimie Atkinson/SIX

Applause - Lady Gaga

Bad Reputation - Joan Jett

Bad Blood - Taylor Swift

Bejewelled - Taylor Swift

Blackbird - Beatles

A Boy Like That - West Side Story (KB)

Candyman - Christina Aguilera

Crazy What Love Can Do - Ella Henderson + more (KB)

Delicate - Taylor Swift

Gee Officer Krupke - West Side Story

Glad You Came - GCV

How To Be A Heartbreaker - Marina and the Diamonds

I Never Dreamed Someone Like You - Katie Irving (KB)

I See The Light - Tangled

I Want You Back - GCV (KB)

King Of My Heart - Taylor Swift (KB)

Make Me Feel - Janelle Monráe

Paris - Taylor Swift (KB)

Shut Up And Drive - Rihanna

Speak Now - Taylor Swift (KB + B)

Patricia Thornton:

- MacGyver

I don’t think you people understand the chokehold she has on me. She’s barely in the show and yet she has me by the neck with those manicured fingers.

Literally so many songs from Reputation by Taylor Swift

Ready For It?

I Did Something Bad (this one is the most Thornton song that’s ever written)

Don’t Blame Me

Delicate

Look What You Made Me Do

Getaway Car

Dancing With Our Hands Tied

This Is Why We Can’t Have Nice Things

Okay other than Reputation:

No Body, No Crime - Taylor Swift

Rabbit Heart - Florence + the Machine

Skyfall - Adele

Thumbs - Sabrina Carpenter

Trust In Me - Scarlett Johansson

Yours - Ella Henderson

AHS: James March and Kit Walker:

- Asylum + Hotel

No don’t worry I don’t ship these two. They’re just the only characters I care about besides Sister Jude.

Until I Found Her - Stephen Sanchez (KW)

Insane - Black Gryph0n & Baasik (JPM)

[rindreamery]

guidelines.

before you interact.

you must be 15 or older !!!

keep in mind that i am twenty years old, and that i write suggestive content. i will not interact with anyone that, i feel, is too young.

more about me.

basic facts ...

filipino, 20, infj, psych major

what am i interested in?

this blog is centered around blue lock, meaning that a majority of what i talk/write abt will be related to blue lock. but, i am also part of others fandoms, some as listed below (not all will be listed !):

anime: aot, haikyuu, demon slayer, jjk, kaiju no. 8

kpop: enhypen, aespa, riize, nct dream, le sserafim, illit, newjeans, seventeen, twice

other artists: niki, thuy, kiana lede, jeff bernat, denise julia, w2e, slchld, ariana grande, sabrina carpenter

games: genshin, l&ds, stardew valley, fields of mistria

misc: alien stage

interested in any of these as well? feel free to chat with me!

general rules.

what do i write abt?

my fics can be interpreted as gn! or fem! reader

i will not write x male readers as i am not a man, and i most likely would not be able to do you any justice.

i do not write character x character

i will talk abt the relationships of characters/certain ships outside of my writing, but i simply do not write fics abt them.

my work will purely be sfw + suggestive

some of my works may include kissing/making out, other suggestive content, but it will never exceed that. i will not write smut on this account, and i will not interact with any asks asking for smut.

i do not write any proshipping content

proshippers: someone with the mindset of "ship and let ship." this means that they are okay with supporting morally dubious, or morally wrong, ships. this would include noncon, p*dophilia, inc*st.

how to request.

requests are not on first come, first serve basis. and i may not be able to fulfill all requests (if they do not meet the criteria of what i am willing to write for, or simply do not have the motivation to write it out.)

writing is tough and requires motivation, pls be understanding :) i am also a college student with a somewhat busy life.

list of characters i love to write for ...

itoshi rin, itoshi sae, mikage reo, nagi seishiro, michael kaiser, oliver aiku, kenyu yukimiya

list of characters i will also write for ...

isagi yoichi, chigiri hyoma, karasu tabito, otoya eita, sendou shuto (i will add more to this, but i'll make it easy on myself for now.)

specify the prompt + style

be as vague with the prompt as you wish, but if you are thinking of something specific, please specify.

please also specify whether you want it in the form of a headcanon, or as a regular fic (length, however, will depend on me). if not, i'll simply write it as i see fit.

for headcanons, i will only write for FOUR characters at most !!!

as of right now, requests are closed !!!

[boyheros]

Long story short I didn't do OCtober for yesterday's prompt because even though lots about my OCS is inspired by music I'm shit at playlist curating and my only one is outdated and for the ENTIRE OC story so it's hard to suss out what's happening really cuz there's a shit ton of characters and situations crammed together. I started making a long ass post listing some specific song and character associations but for some reason I always get scared talking about music cuz I expect judgement so I'm not posting that and instead making an even briefer post now:

ESSENTIAL LISTENING FOR A SELECTION OF MY OCS:

Lifetime Achievement Award by Lemon Demon - literally inspired the creation of Maverick and Reo and the story. and the whole reincarnation plot lol

Futuristic Casket, Let Me Down, (and) Nothing But Trouble by Phantogram - Maverick songs 💔 they're all kinda sad lyrically but he's a lonely little wretched beast sooooo. He gets his crazy from Lifetime Achievement (and other LD songs) and his sad from here. Also Phantogram is like my favorite music group so unfortunately. I can relate like all of their songs to my OCS even if it doesn't make any fucking sense. trust.

Ancient Aliens (and) The Afternoon by Lemon Demon - Reo !!! Not so literally in the former case LOL but these heavily inspired his dangerously curious/nosy nature.... His ass be getting into situations <3

Only by Nine Inch Nails - Facestealer ass song. Inspired a lot of his current motivations/kinda irrational thought process behind his facestealing actions lmfaooo. if you listen to it think of it as being from his perspective about Maverick...

Fortunes by Metric - FOSTER MAVERICK. her song. it's why she's got luck theming and it shows that she's. very unlucky.... I would do an animatic for this if I could... I want to... also idk it just sounds foreboding to me. You're doomed girl ‼️

Vermilion (and Vermilion, Pt 2 if you're feeling more somber) - Elaine and Mizrieta . GAY. need I say more. but also they're doomed

There's a shit ton more I could explain but I shan't. Last tidbit are name associations: Ana Maverick is named after Oh Ana by Mother Mother, Adelaide isn't named after Adelaide by Meg Myers, it was a happy coincidence, but bits of her personality are based on it. Lucy is named (and based) after the Lucy that gets mentioned in Phantogram's "Nothing but Trouble" and "When I'm Small"

[m1ckeyb3rry]

OMG ITS LITERALLY WHAT WEVE TALKED ABOUT LMFAOOOO the “nikos only 15” and ofc aiku being aiku and Barou being like “can u stfu” also I lowk forgot that the special exhibition art (the colorings you reblogged recently) had niko and aiku tgt LMAO truly destiny

Wait I almost forgot about that moment bc YEAH FR I remember thinking in that moment like “is bro a kdrama watcher????” Nagi truly is an enigma

I’m ngl I was (am..??? I just forgot abt the concern until just now ig) worried that they’d make the entire first episode the wildcard thing but surely not..!!!! Surely not….lowk I don’t think there’s even enough content there to fill whole episode (I hope) only because I really couldn’t gaf about Shidou or igaguri

NO FR IVE BEEN TRYING TO GET PEOPLE ON THE CHIGIRI MAN AGENDA FOR AGES (I say that having not interacted with like any of the fandom) because his hair is the only thing that really sticks out as not typical dude (bro does NOT use 3 in 1 shampoo) but lowk I think that’s also just because of his meticulous/picky nature for things? We see him taking a lot of time for his knee too ofc but other than that he’s such a dude HSHSHS like are we forgetting all the dude bro muscle screaming moments he has to get hyped up with Barou and zantetsu after the 3v3 and leading up to the 4v4 and also he’s had his moments on field too like…fanon characterizations really are the epitome of wrong (oops)

Bro I’m just imagining the two otoyas meeting like you’re typical like multiverse crossover episode hollyhocks like “yeah bro I’m an assassin” and bllk otoyas “like sick dudeee I get hella girls” and hollyhock otoya replies with “ayo that’s my boy, would’ve been me if I weren’t busy killing ppl smh” LMAOOOO

No matter the au Yukimiyas always dying surrounded by idiots LMAOOO he just never wins…the “unfortunately there’s ness” has me howling AHAHAHA real there are no ness enjoyers here

Karasu being a softie and picking up random animals so real and yuki is so done with his shit but POKEMON AU I also forgot we had a section in our convo abt that (not specifically your au but pokemon in general) omg…can you drop some hints from the outline….im Lowk curious what kinda story you’d write i don’t think I’ve ever seen a pokemon au fic (no pressure ofc!! Only if u wanna show it LOL)

LMFAOAOAOAOA YOURE NOT AKAZA IS BRUTAL YOU JUST KILLED THE MAN stop im crying that would’ve been such a funny response (although kinda mean shdgshshs) what is your strat for rejecting these people because i can only imagine you’d have a shit ton of opps if they took your words the wrong way omg

NOOO OUR STREAK it’s ok we can erase this outlier….also lowk I think it’s maybe just the game art style if you showed me a pic of yuki making this face in the manga or in fanart I’d think he looked hot but something about the eye sizing and like his mouth isn’t consistent and throws it off for me…like if they exaggerated his smirk a bit more and adjust the left eye shape to kinda follow the sharper “angry” look as opposed to just leaving it completely normal maybe it’d be better….atp it sounds like im just saying “make a Karasu face” oops

- Karasu anon

LMAOOO RIGHT IT WAS SO PERFECT aiku trying to be the big bro of the ubers but mommy barou is NOTT letting his bs slide 😭 i also love the headcanon of aiku trying to be bffs w barou meanwhile barou has 0 interest and thinks aiku is an idiot (deep down he actually thinks he’s chill but he would NEVER admit that) also poor niko the mdni sign killed me 😩

when he said that i was like 😮 because it was so random??? but honestly he’s so real for that…average nagimira activities are just us rewatching crash landing on you and relating the characters to people we know irl KFNDKSKSK

OKAY if i have to make a prediction they’re going to start the episode with the flashback almost like a prologue?? reo will be the narrator introducing what the scenario is, we see the confrontation + game + outcome, and then we cut back to ego announcing top six and explaining the premise of the third selection ☝🏻 that way the hype for shidou is built up but the rest of the top six are also introduced and we can get right into the third selection from there since there’s also the entire u20 arc that’s supposed to fit into this season so they can’t delay too much

OKAY PLUS CHIGIRI HAS AN OLDER SISTER WHO HE’S REALLY CLOSE WITH as someone who gets along rlly well with my own little brother you KNOW that man has a meticulous skin and haircare routine because i’d literally make fun of him if he didn’t…tbh those are the vibes chigiri gives me 😩 but agreed i mean he’s honestly manlier than isagi (he also has a pretty deep voice) and despite having a “pretty” appearance he doesn’t necessarily act as such ☝🏻 except in official arts but lbr official arts are lowkey the fanon versions of characters half of the time anyways

PLSSS can you imagine the hollyhock characters meeting their current time counterparts 😭 like the two otoyas are just dapping each other up because their living each other’s dreams meanwhile bllk karasu’s just like “wtf i’m the general of the army and eventually become shogun and my best friend is a baddie ⁉️” and hollyhock karasu is like “eh ig so” and bllk karasu’s like “why are you depressed then dawg that’s fire” and hollyhock karasu is like “i miss otoya and y/n ☹️” FJDJDJSJSJ omg poor yukimiya though he’d definitely be like “why tf am i a villain 😭😭😭” meanwhile hollyhock yuki is like “🤷🏻 it was coachella 2016 that was the vibe at the time”

bro save yukimiya he’s actually a victim he needs to become friends w aiku and barou (new diva trio) because idt he can actually take being a trio w karasu and otoya longer…OKAY HEAR ME OUT instead of tabieitaken it’s tabieitaryu (karasu + otoya + SHIDOU i think that would be such a peak dynamic) and then yuki seeks refuge w the ubers or mancity groups because he could easily be close w reo or barou i can rlly see either…ALTERNATIVELY in actual canon let’s see a yukimiya and kunigami team up ☝🏻 GET YUKI OFF THE BENCH, GET US A WILDCARD FLASHBACK, AND LET THE BOYS W THE FUCKED UP BODIES AND DESTRUCTIVE THEMES LINK UP AND SCORE THE FINAL GOAL 🙏🏻 it would be a good way to utilize kunigami i think (since he’s not rlly done much post wildcard) and also to reinforce why yuki was literally number five in the third selection

OFCCC I CAN TALK ABT THE POKÉMON AU i actually wrote it in my notes app so i’ll just type instead of giving screenshots since that’ll end up as a lot 😭

so basically the gist of it is the mc is barou’s younger cousin or sister or smth (rip barou male lead but the familial bond is the main theme of the story so he’s still important) and he disappears to go on a journey when he’s of age and he’s never heard from again!! originally mc doesn’t want to go on a journey but eventually she’s decides she has to in order to find barou ☝🏻 they don’t live close enough to a professor for her to get an actual starter so she takes the sibling of barou’s first pokemon, which is a houndour, so that’s her starter!! she goes through the region in search of barou, collecting badges and meeting the crew (who i will elaborate on in the next paragraph hehe) and catching pokémon/having various misadventures etc etc but eventually they realize an evil team (because is it a pokémon au if there’s no evil team) is after them after originally thinking mc is one of them because of her houndour as they believe the crew is a threat to the team’s goals 😨 it’s eventually revealed when mc breaks into the base that the leader is barou HOWEVER barou is very clearly acting strange and it turns out he actually died right before challenging the champion of the region and the evil team used a ghost pokémon to puppeteer his body so that they could use his team since he basically had the strongest team in the region and would’ve been champion if he didn’t die 😓 the evil team wants to get rid of pokémon training as a system because they believe it takes advantage of the unfortunate (such as nagi) which the mc does agree with but she can’t agree with their methods and especially possessing barou’s corpse 😭 so she and her houndoom kill barou for good which leads barou’s own houndoom to basically kill itself (the rest of his pokémon are inherited by mc and mostly like her because they realize how much she loved barou and how she never stopped looking for him) and this proves aiku’s theory that pokémon do form familial bonds as mc’s houndoom mourns for its brother (also ik i just mentioned nagi and aiku without context but i’ll explain who they are now + their teams and hopefully it’ll make more sense then!!)

so the main group that reader travels with is herself, tullia, otoya, and karasu!! otoya is the descendant of an exiled clan and he’s trying to regain their honor by being a legitimate trainer instead of all sneaky the way his family members were, karasu is the younger brother of the region’s flying-type gym leader (yayoi 🥹) and he ran away from home to prove himself as a trainer in his own right, and tullia is an aspiring pokémon breeder who’s basically training up her own pokémon so people want their offspring?? if that makes sense lol

mc’s team: houndoom [starter], gyarados, aegislash, donphan, galvantula, dragalge

barou’s team: houndoom [starter], pangoro, zoroark, krookodile, sharpedo, weavile

otoya’s team: greninja [starter], ampharos, blissey, sylveon, ninetales, altaria

tullia’s team: infernape, lilligant, vivillon, lanturn, granbull, hitmonchan (all pokémon mentioned to be somehow helpful to people, particularly attractive/used as companions, or, in hitmonchan’s case, having offspring with multiple evolutions [without being basic and just giving her an eevee])

karasu’s team: honchkrow [starter], pidgeot, staraptor, talonflame, garchomp, lucario (he mostly has flying type pokémon because yayoi kept giving him rejected gym pokémon to keep for himself; lucario and garchomp are the only ones he catches himself)

then we have a lot of recurring characters, some who appear more than others (ex nagi has a lot of appearances because he’s my goat whereas hiori and isagi don’t have as many)

yukimiya wants to be a battler like the rest but because of his frail health and eyes he’s forced to be a coordinator and model however he’s actually quite talented at battling so he helps mc in training and move efficiency and whatnot whenever he sees her

team: breloom [starter] , steelix, alakazam, noivern, manectric, azumarill

nagi had like 0 interest in going on a journey or doing anything difficult but a fire burns his house down and leaves him an orphan and the only way he can get any governmental assistance/literally SURVIVE is by becoming a trainer so that’s what he does

team: arcanine [starter], goodra, reuniclus, clefable, whimsicott, snorlax

reo is the son of the current champion and he’s training to be a gym leader and eventually possibly replace his father as the champion

team: gallade [starter], mawile, persian, flygon, cinccino, florges

chigiri used to be a very famous rapidash racer but he has a very bad accident and injures his leg to the point that he can’t race anymore so he also has to become a trainer in order to earn money

team: off-the-track rapidash [starter], zebstrika, dragonite, gorebyss, liepard, pyroar

hiori literally just becomes a trainer so his parents leave him alone and he can have some peace and quiet; i’m thinking he appears in some kind of fossil-related side quest hence why he gets a fossil pokémon

team: kingdra [starter], metagross, nidoqueen, luxray, aurorus, swanna

isagi is completing the trials to become an elite four member so he kinda runs into mc and co every now and then?? he seems to have known barou in the past so mc tries to talk to him about it but isagi doesn’t know what happened to barou; or, if he does, he’s elusive about it and refuses to answer mc’s questions

team: charizard, lapras, stoutland, machamp, leafeon, raichu

aiku is in training to be a pokémon professor and is currently doing research for his thesis about whether pokémon are capable of forming familial bonds on the level that humans do or if it’s more instinctive pack-bonding for them

team: aiku doesn’t really have a team per se since he mostly does catch and release for research purposes but he does have an arbok that stays with him permanently and is his partner in crime and rizz

um…anyways…that was a lot as you can see…LMAOAOA idk who the endgame would be in terms of a love interest (probably nagi if we’re being real) because the main focus is honestly mc and barou’s sibling relationship ☝🏻 i also don’t know who tullia would end up if anyone i just wanted another female main-ish character so it’s not just mc with a bunch of boys 😭

HELP I LITERALLY HAVE A FORMULA FOR REJECTING GUYS tried true and perfected so feel free to steal!! i just say “hey i’m flattered you thought to ask me and i really admire you for speaking up but i’m not interested in you like that. i hope we can still be friends!” (i ghost immediately afterwards though ngl) that only works if they’re straight up abt it otherwise if they’re being sneaky i just ignore/ghost or make up a boyfriend/parental excuse 😭 i have made some opps sadly but for the most part it’s worked out well!!

EEK tbh i’m used to watching some very crunchy animes and gaslighting myself into finding characters attractive so i think my mind just automatically yassified him…like i see the vision and the vision is hot enough that i’m like ok yeah he’s hot LDFHJSJS

[ncon29]

political statement - waka kotahi quip

I used this quote because its amusing quality appealed to me, as Hana-Rawhiti Maipi-Clarke is poking fun at the people who dismiss Te Reo, but in this instance, referring specifically to the transportation service changing their primary name from Waka Kotahi NZ Transport Agency to NZ Transport Agency Waka Kotahi (https://www.nzherald.co.nz/nz/nz-transport-agency-dumps-maori-name-first-for-english-name/5LTOW7AFGJAQFCKJ4ILAXYTA5M/). This was in response to a ‘coalition agreement between National and NZ First included requiring public service departments to “have their primary name in English, except those specifically related to Māori”’. This was due to the parties’ wish to prioritise comprehension and attack “virtue-signalling” (?) However, the name “Waka Kotahi” was gifted by iwi to the agency in 2008.

An NZTA staffer has this to say: "I am insulted that the names gifted to us by Iwi now have no relevance, and I think it's a slap in the face for them, too… " to which Chief Exec Nicole Rosie stresses their focus on partnership with Māori. (https://www.rnz.co.nz/news/national/509316/emails-reveal-concerns-within-waka-kotahi-about-name-change)

I think this the old name worked well and encouraged the use of Te Reo in our day-to-day lives.

For my the first two designs, I tried out distortion filters to have the text conform to the displacement map images. This helped give the impression that the posters are tactile. I also used stroke paths to make my text follow wavy lines and encourage cohesion across the posters. I'm a big fan of paper textures.

With the third design, I stuck to some sort of box grid, which my text was restricted to -- the kerning between the characters fluctuates, creative interesting pockets of negative space. I also used an embossed text effect to create more depth.

[lacefuneral]

it could be the sleep deprivation! but it is also possible. that i unironically like space waltz BECAUSE!

[spongebob holding hands out dot jpeg]

it reminds me a lot of red dwarf. WHICH!

[spongebob holding hands out dot jpeg]

isn't to say that it's good like red dwarf is. only that, as a parody of the space exploration/space opera genre, it also manages to be its own thing. you look at, for example, unser traumschiff. it's a one-to-one parody of star trek tos. the characters, set design, costume, even sound effects. when you watch unser traumschiff you are essentially watching Bad, unliscenced Star Trek, on purpose. red dwarf, while a sitcom that parodies, goes out of its way to make New Lore. New Characters. New Motivations. (and is also a pastiche of many scifi works.) when you watch red dwarf, you are just... watching red dwarf.

and that's the weird thing about space waltz. because it strikes a weird balance between an unser traumschiff and a red dwarf. the primary parody is star trek tos, and this is obvious. you have a character standing in for uhura, a character that references sulu (a botanist that also flies the ship), a character that appears to reference both data from TNG and kryten from red dwarf in the form of an android.

but.... the costume design, the sound design, the set design, even the props.... they don't follow the norm for a parody in this genre. you have this weirdly haunting music that plays over most skits. a bright white ship interior that ALSO differs from more modern blockbuster takes of sci-fi, it's like its own... uncanny sort of thing. and then the uniforms are a mashup of navy, pirate, super hero??? reflective tape??? rubber/PVC???

and then we have the characters. the captain isn't there because he's skilled... he's a nepo baby with absolutely no expertise. a māori descendant, weirdly, of the colonizer captain cook. he has a literal pirate ship steering wheel (which... may? or may not? work?) and his first officer, a pāhekā with a te reo name, Rangi. meaning sky/heaven and, as one fanfic author pointed out, one letter away from "ranga" (derogatory slang for a red-haired person). he's a knowitall, spent 6 years at the academy, and resents his inexperienced captain for outranking him. also there's a guy that has kirk and spock "dollies" that he plays with at his station.

then plotwise, the purpose of their mission is specifically to find a planet to evacuate the aoteoroean population to, as rising sea levels have already swallowed the north island and are beginning to swallow the south island. in one skit, the PM says that they are doing this so the kiwis won't have to go to australia. but, paradoxically, we do also see a group of australians in space? and most of australia's population is concentrated on the coastline. so perhaps the australians, too, are in search of land to evacuate to. unclear.

anyway. all of this is like. genuinely kind of compelling to me? which is weird to say because this was made as part of like. an objectively terrible, unfunny, aged-like-milk skit show. the goal of which was to be as LOL RANDOM XD and offensive as possible, apparently. so even though space waltz is undoubtedly the best skit segment, it's still........ well. it's still radiradirah. the premise of one "episode" (collection of related skits?) is that the ship has been infested by tribbles (called "meeple" here) that can only be killed with human farts. the premise of another episode is that captain hemi """gets schizophrenia""" from looking into a black hole (which results in. what you would expect. unfortunately.). and in the same episode, the uhura stand-in character makes a comment that she's worried about being sexually assaulted if first officer Rangi mutinies and takes over the ship. (which like. deeply upsetting to begin with. but also there's no basis at all for the character to do something like that. it, like many other radiradirah skits, chucks in SA as an Edgy Shock Humor Joke).

if you do check out space waltz, i recommend doing so by watching the compilation someone made on youtube. radiradirah itself isn't worth it. i gave up on episode 4. and also... do be aware that it is still radiradirah. and with it comes... well. what it comes with.

now all of that being said. i do kind of want to see a take of space waltz that's more like red dwarf. like, still silly. completely absurd. but also... a little more effort put in. some more lore building. little less trek. really showcase the bits of the world that are actually interesting and new.

like, it's fucking strange that captain hemi talks into a vacuum cleaner hose on his belt to record his captain's log. that's awesome. give me 500 more details like that

alcohol is illegal? why? what happened? prohibition 2? give me the fake earth history

but more importantly. put men back in those shiny suits and hats. for me, specifically

[evelhak]

Old art #14: KnB OCs

Specifically the girls!

Because I just reblogged a post about how unappreciated female characters can be, and it made me mad. The second I started writing my massive KnB fic I was like oh lord does this story need more significant female characters. And my story is slice of life and about so much more than basketball, so there's no excuse for the lack of girls like "unfortunately that's just how it is" like Fujimaki said or something.

I'm not undermining the fact that Riko and Momoi especially are great characters, and I'm so happy for their existence, I'm just pointing out how obvious it was to me that as a fic writer I could do so much more! And that if I had found myself for some reason creating only male OCs for this project, the only reason I could think of for why that would happen is misogyny. (Not that the gender diversity in my fic is limited to male and female, I'm just trying to simplify things for the sake of an argument.)

Now that I'm thinking about this in the light of that other post that pointed out how people make excuses for why they don't have any favourite female characters or even female OCs, it occurred to me that had those people been writing this love story between the two main guys they probably would have used that as an excuse? Like, oh well, this story is just basically about them, so it's what it is. I mean, my story is about KagaKuro. Like 90%.

Somehow, that wasn't an issue.

Sorry for the rant. I'll introduce you to some of my girls now, whose pictures I've posted before, but I'll tell a little bit more about them this time.

Meet Mitsuhara Tomie! She came along early, and isn't getting out of this. She's a theatre nerd, a playwright, and an actress whose drama club causes fun times for Seirin's basketball club too. Her life collided with our main characters' because her friend had a crush on Kagami and was using Tomie as a reluctant messenger. Pretty obviously, no romance bloomed between her friend and Kagami, but as a side effect, Tomie became friends with Kuroko. She's gay, she's very intense and kinda socially anxious, she has very distinct life philosophies, and she has described herself as "the ball of hair the Cheshire Cat pukes". She's short, pear-shaped, very flexible and loves her big glasses. At one point, Kuroko describes her style of discussing controversial topics in her plays to be as subtle as Kagami's Meteor Jam, to which Kagami says it must be really to the point, then.

The reason she came into existence was because I felt like it would be nice if Kuroko had a friend who gets stories on a deep level, a non-basketball friend for a change, and especially a female friend who isn't forcing herself on him from left and right. Pretty soon Tomie bloomed into a character I would not know how to tell this story without anymore.

Next we have Kirigaya Azumi who is a joint effort between me and my ex. She is Rakuzan's manager during our main characters' second year, so she isn't very frequently involved in my main story, as she's much more significant to my still in-progress and unpublished Akashi centric fic. Momoi describes Azumi from her notes as follows:

"Kirigaya Azumi, age 17, height 166 cm, used to play small forward in middle school. Also has a background in traditional and street dance, plays the piano and koto, and is apparently an unbeatable archer. She lives at her family shrine, and is supposed to be the successor, which explains some of her wide repertoire of skills. She believes things are interesting as long as you haven’t achieved your personal best. Old money from her father’s side, new money from her mother’s. Her brother is a professional basketball player in the US. She secretly dyes her hair with a hint of reddish purple, and gets away with it, because everyone believes it to be natural. She’s childhood friends with Mibuchi Reo. I assume that’s related to how she became the manager, although I haven’t got the details on that, and there’s a gap in my knowledge of her motives too. She’s not the usual manager type."

Basically, the idea behind Azumi's character was a big fuck you to people who call female characters Mary Sues for simply being on par with a male character. So, in this world of ridiculous guys we needed more ridiculous girls, and especially on the occasion that one might turn out to catch Akashi's interest in several ways, she would have to be in his league. We had seen so many takes on Akashi's OC girlfriend who was shy or poor or otherwise exactly the type of character to buy into the whole "school prince" narrative, which obviously isn't wrong, but we didn't want that. We wanted someone who could be an obvious power couple with him. We felt he needed someone who would not trigger him into feeling like he needs to control things and take care of everything. We didn't feel like Akashi actually fits into the trope of "soft girl makes cold boy open up" because Akashi isn't really like that. We felt he needed someone more traditionally strong and independent, someone who can make him relax. Azumi has her own issues of course, but she's chill, confident and in the "feline club" so other characters tend to perceive her as someone not to be messed with.

Sato Mika is Seirin's manager during the main characters' third year, when Riko is in university but has still decided to go on as Seirin's coach, and she can no longer deny the need of a couple of extra hands. Thankfully, Mika is also someone to match her brain and becomes practically an assistant coach. She has a photographic memory, which turns out to be particularly handy in helping people develop faster because she can always point out the smallest differences in people's forms and movements off the top of her head. She is one half of Sato twins and her brother also joins the team. They are also both Finnish-Japanese and have lived most of their lives in Finland because my brain needed some Finns. They are both third years who transferred to Seirin because of some problems in their old school.

Here's a bit from Mika introducing herself in Seirin's group chat and her brother being as ass. (This is Kagami's phone, and he's just calling them Sato1 and Sato2 at this point.)

Sato2

Okay, I can start. :)

So, I’m the new manager, though it seems we’re still kinda working on my job description. My unnecessarily long nickname as a kid was “picture encyclopaedia”, but I’d totally prefer to be conceptualized as a search engine because I’m SO much faster than some physical book. Okay, I’ll stop before Aki says I’m bragging. Anyway, I’m not totally clueless about basketball, because I grew up with him, obviously. Hmm. So, we came from the dark cold north, and I think the best thing about Japan so far is the rice. I really love rice and it's so much better here. What else? I like Marvel and Nightwish.

So, nice to meet you. Please, ask me anything, and my brain will come up with a selection of visuals related to that thing.

Sato1

I was still gonna say you’re bragging. But then again, who would lift the cat’s tail if not the cat itself.

Anyway, I’m her brother, so hi. :D But I’d totally prefer to be conceptualized as a crispy waffle with mango ice cream and a bit of maple syrup, but not too much, and with a slice of carambola on top.

Sato2

That was so unnecessary, and you know it.

Sato1

I apologize. I know the carambola slice was way too much.

Mika is very introspective, fun-loving and has some issues with a fear of commitment, but what better place to work on that, than Seirin, right?

I have more female OCs, but these three are the most significant ones so far, except for Kuroko's grandmother who is an OC for all intents and purposes, because she isn't actually a character in canon. I haven't drawn her because the task seems very daunting. She is too much to capture with my drawing skills and there are still, even after writing a million word fic, so many things even I don't know about her.

Here are a couple of characters' opinions of her.

Momoi:

She seems to embody something ancient for me. Like she’s an old, good witch of a sort. Someone who knows all the secrets of womanhood, because how else could she look like that? How else could she look so at ease with herself?

Kagami:

She smiles that all-knowing, all-powerful, “you puny human are lucky I’m nice” kind of smile at me, so what the hell am I supposed to say?

Basically...

Go love your female characters! (And show them to me if you want.)

[valiantponds]

yeah! John is canonically Māori. I believe Tamsyn Muir has talked about it outside the books, but for sources within the text [Nona the Ninth spoilers warning]: we know from Nona's flashback chapters that pre-apocolypse John is a guy from New Zealand/Aotearoa. He uses several te reo language phrases throughout the books (although of course that's not standalone evidence of his ancestry since those could be things he learned living in community with te reo speakers). His physical descriptions include having brown skin ("The cool white lights...cast the warm browns of his hands and face into an everyday ochre"), as well as "nondescript dark brown" hair, a "long jaw, high forehead", a "long, square, urbane face". Most directly, during the John chapters of Nona, he says that in response to his eye color change, "P— said I looked like a Māori TV Pink Panther" (referencing the cartoon character Pink Panther who has yellow eyes, and Maōri Television, now called by its te reo name Whakaata Māori, a channel that broadcasts programs that aim to revitalize and promote Māori language and culture)

I'm probably missing a few other descriptions/references but that's a fair gist. I feel like there are other things that indicate his culture like maybe when talking about his family but I can’t remember anything specific enough to go find a quote, my apologies for not quite yet encyclopedic knowledge of the books lol

also slightly related reading I wanna throw on here is this tamsyn tumblr post from 2019 about the GtN characters' appearances. she pulls together their main canonical descriptions as well as adding more about how she envisions them and it's a super interesting read to me. about Gideon she says, “Gideon is true butch … She should have a strong-jawed, boyishly pretty face with a big douchebag grin. … I envision her as mixed Mãori, darker-skinned than Harrow.”

Muir is definitely overall coming from a Kiwi perspective as a writer,

"(I am a Kiwi: I write Kiwis In Space as a default)" -Tamsyn Muir 2019.

real. I've always listened to the audiobooks but I wanna go reread the whole series with a Kiwi accent. here is the whole post: https://tazmuir.tumblr.com/post/187901634998/hello-i-loved-gideon-the-ninth-so-much-and

I love you all, you’ve done nothing wrong. But I’m begging you. The “kiri” in Kiriona is not pronounced like Siri on your phone. Kiriona is legit just how someone speaking te reo Māori would pronounce “Gideon”. You roll the R a little bit and it should sound a lot more like “Kee-dee-oh-nah” sorry idk how to properly write out phonetics but you get it

[shizukahaiji]

Oh yeah let me actually post my full Blue Lock predictions right now. Most of them are based on nothing but pure vibes alone and sound insane but Trust me. My brain is massive

- Nagi’s getting cut out from the project after this arc, Reo leaving him behind. Ego has some harsh words to say to him before he’s gone since he never liked Nagi to begin with, and Nagi’s crushed because he finally, FINALLY found meaning in his own soccer and was so excited to get to play it with Reo, so he leaves full of spite and just fed up and tired

- ^ Addition to above Nagi leaving is like Reo’s own personal 9/11 but in the time that Nagi’s gone he gets to perfect his own soccer and actually knows what he wants from a dream without Nagi

- I think Hajime Nishioka also gets kicked off the project after the NEL arc too but he does show up later. Trust me on this

- Some characters accept offers and end up playing for different teams in the internationals arc (I want Raichi to play with Kaiser and Ness and Shidou to play for Sae’s team again)

- Three of the background characters from Third Selection make it to the internationals team because Blue Lock LOVES bringing characters from that arc for new arcs but as for who. I can beg for Shizuka Haiji but who knows

- I don’t think they go immediately into internationals next arc I think that’s saved for a different later arc. But I Do think it’s soon

- There’s an arc where Kira comes back and directly challenges Blue Lock by like. Bringing light into the more unethical aspects of the Blue Lock project. Kunigami has a character arc here where he fully comes to terms with what happened to him in Wild Card

- ^ Ray Dark starts having extreme doubts about keeping the Blue Lock project ongoing because of this but less because he’s concerned with morals and more because it’s HORRIBLE for business

- Scandal arc leads up to Kira’s team composed of a lot of former Blue Lock players (Kuon, Hajime and Nagi specifically) challenging Blue Lock for a new place in the U-20 team. They obviously lose but instead of being emotionally affected everybody’s just numb and that’s more painful to read

- Kira is a melodramatic little cunt the entire arc and he’s overexaggerating his experiences at Blue Lock for attention

- Probably teams up with the U-20 coach in a kind of similar way that the otaku character and the theorist in As The Gods Will do to figure out the truth behind the death game

- Everybody is a genuine threat in the Scandal arc match but Hajime is essentially carrying the team and then he gets ANOTHER injury mid match and everything starts falling apart for them

- Reo has a moment after this match that parallels the post-Second Selection match’s “you’re a hassle” Nagi breakup scene and it is heartbreaking and life ruining

- Related to above Imamura is an idol post-Blue Lock based solely on the fact a character does that in As The Gods Will after the death game and it would be funny and also I want to see it

- Kaiser and Sae meet in the internationals arc and fucking HATE each other

- ^ We also find out what finally happened to Sae overseas in the internationals arc

- Ray Dark is Blue Lock’s real villain based solely on how his name is fucking. Ray Dark. That has to be intentional and I’ll believe it until proven otherwise

- At some point in a match with both Chigiri and Yukimiya, Chigiri injures his leg again (it ends up being just a scare and he’s completely fine and it’s manageable) and Yukimiya’s eyesight gets worse (it is Not ok and it’s heartbreaking)

- I kind of want to say they don’t even make it to the final match and the project ends abruptly before they can and they’re fully disqualified

- Blue Lock ends with Anri going to jail and Ego just completely missing

- I do Not think Blue Lock will have a happy ending for most of these characters just based entirely on Kaneshiro’s past writing

- I think Isagi specifically is going to be kind of like Shun post-death game where he’s listless and obsessed with getting revenge, and honestly I think he’s already getting close to that in the present day manga and I want to see him get worse but I don’t think that should be the end of his character arc at all and I think he should find closure somehow

- Kaiser’s birthday is on Christmas and Ness’s birthday is in May

- Rin gets the worst ending out of any character and his life is ruined by the end of the manga

- Bachira gets the best ending out of any character and is probably the catalyst for Isagi coming out of his downward spiral

- Trust me on these guys. Trust me

[raffyolearydes512]

Summative poster design - trial 1 and 2

For my Summative poster designs I have decided to pivot completely in order to better fit the brief and context of this assignment better based on my formative feedback.

The idea for this new poster design options is to show the growth ive made as a person at two of my different homes, the first poster will be my journey of living at my first family home, which is indicated by my house number ‘79a’. The second poster will be my growth and experience from living at my current home ‘17’.

My idea is to have the centre shape be two representations of me - the blue unformed blob is a representation of me not having found myself yet, undefined, isolated and not yet formed and the second poster will be a green star like shape, green is a safe and comforting colour to me and represents the idea of me well. - ill need to have a think about wether the blue and green are contrasting enough.

I still want to make use of the colour blue in this poster as it represents sadness and loneliness to me which I think will make more sense to people viewing the posters. In this poster I wanted to have a play around with different text in a couple of different positions, ive taken notes from posters which are sharing specific information like gig posters or company posters - these often have several different pieces of information scattered across the poster. I think this will help to add context and creates several points of interest.

I will be having a play around with this idea and how to better make it stand out and how to add more interest. The first picture was my initial play around where I have formed the basics for what id like out of of the poster. The second iteration is my first attempt as defining it and making it look more cohesive - basic changes were made but these help for moving on to the next design phase.

In the second poster I have included the word MOKEMOKE as its translates to “to be lonely” which is how i felt in my first home, I think this would work well as its showing another small part of my connection to NewZealand through te-reo, I like having this in te-reo rather than English as most people wont understand this word when first looking at it which i think is a representation of these feelings of isolation.

I’m still not sure if this will fit the brief exactly as intended but this is one of my biggest memories and the thing that I relate to from growing up in New Zealand. I am including the te-reo word for loneliness and love on either poster and I was wondering wether I could add texture to my images or the blobs by using either a native plant or my own images of textures of each of my houses represented in the posters.