#Released: 1992
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k-i-l-l-e-r-b-e-e-6-9 · 1 year ago
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UFO - I'm A Loser
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classichorrorblog · 2 years ago
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Tales From The Crypt - "Split Personality" - (1992)
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sneverussape · 1 year ago
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sunday driving for errands with uncle sev (with the occasional song break to distract tantrumatic toddlers from the hypnotic lure of sweets section)
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schiavonaspada · 1 month ago
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If I had a quid for every time I hyperfixated on an old ish movie, and started following the instagram of the actor who plays the unhinged strange guy... only to fall down a rabbit hole that involves a complicated history with a prosthetic ear, wifebeating allegations, lots of weed, actually doing some really nice and wholesome charity work, releasing lots of art about his traumatic childhood, and very weird instagram captions...
which ends in me being torn whether or not I should buy his book because I have a love-hate relationship with the guy in general...
I'd have.. £2
Which isn't a lot, but how the fuck did this happen again???
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electrosquash · 2 years ago
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While we're on the topic of movie comparisons i just wanna point out the following again:
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Kaz' gender goals
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sunmisbf · 9 months ago
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i found out my favorite artist is releasing an album may 2nd we r so fucking back
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Something is coming…🧛🏻
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kerosene-saint · 1 year ago
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this literally isn't a flex to anyone but me but I want people to know that I have the 92sies sound track on cassette
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thatoneandlonelyemo2005 · 1 year ago
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DO YOU like pirates, gay men, newsies and all the characters you can think of THEN YOU SHOULD READ THIS
my beloved friend (@chaosfairy18)and I made this AU go way too deep (but its fine were fine) down below is the first part in case you have forgotten or just didn't know it existed, so do read and leave a comment and kudos <3
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thislovintime · 2 years ago
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Peter Tork and The Peter Tork Project, early 1980s; photos by Michael Ventura/Alamy.
“Eventually, Tork moved to New York City, working odd jobs and performing ‘sporadically.’ In the early ‘80s, after he quit drinking, he started a couple of bands, Peter Tork and the New Monks, and the heavy-metal-leaning Peter Tork Project. But Tork says that heavy drinking had ‘left me with mediocre skills. Until I started working on my skills again, it didn’t matter.’” - Los Angeles Times, October 20, 1992
“In June of 1982, Peter Tork was in my face again. It was at a gritty, downscale, but packed-to-the-gills club in Boston called Bunratty’s. (Long gone.) Tork, then 40, was on a tour he described as the ‘I Have to Laugh to Keep from Crying Tour.’ It was billed as Peter Tork and the New Monks – Tork plus four crack musicians providing a hard-rock ride down memory lane. We talked a bit between sets. Me: ‘What it’s like going through life and to always be viewed as a former Monkee?’ Tork: ‘Compared to what?’ I paused for a moment and thought to myself, ‘Exactly! When this is the life you’ve known, what can you compare it to?’ (This was one of the best answers I’d ever had to one of my queries.) I re-used this anecdote when I talked to Ringo years later – switching up Monkees for Beatles in his case – and he chuckled. ‘Yeah,’ he said. ‘What can you compare it to? This is where I am and this is what I am.’ So, why were we Bostonians packed shoulder-to-shoulder in the post-punk heyday to hear ‘60s pop done live and loud? ‘A lot of people come out and they want to remember the old songs,’ Tork said. ‘They want to drift back to when they were fetuses or however old they were then.’ [...] ‘When I arrive at the gates of St. Peter,’ Tork quipped, ‘he’s going to say First one to go . . . okay, we’ll let you in.’ One Peter to another. ‘When I quit the Monkees,’ Tork continued, ‘the first thing I wanted to do was divorce myself from the whole thing entirely.’ Tork formed a ‘straight- ahead pop rock’ band, Peter Tork and/or Release, but it failed to go anywhere. In late 1971 and early 1972 Tork spent three months in jail for possession of hashish. Tork, who was a folk musician prior to Monkee-dom, resurfaced in 1977 to play an acoustic gig at CBGB’s, at the time New York’s prime punk club. In a sense, punk was responsible for bringing Tork back to work. The Sex Pistols did a vicious sloppy cover of ‘Steppin’ Stone,’ and other punk new wave bands have embraced the Monkees on two levels: 1) damn good pop tunes and, 2) potential kitsch value. Tork, who was married and living in Venice, Calif., was on a tour playing small U.S. clubs. (Dolenz and Jones, incidentally, had also formed Monkees facsimiles at that time and were rumored still to be big stars in Japan.) Tork has been around the area all week – he was playing an even dive-ier club in nearby Somerville the next night – unveiling a repertoire that consisted of some Monkees tunes, some non-Monkees originals, and some early rock ‘n’ roll covers. He wasn’t exactly playing the Monkees’ songs by the (Boyce & Hart) book. I’d venture to say this was almost hard rock/heavy metal Monkees music. ‘The [Monkees] records are a little thin by contemporary standards,’ Tork said. ‘People who are just into rock ‘n’ roll and had a lot of contempt for the Monkees phenomenon as a whole aren’t going to come in the first place. People who are on the borderline – they liked the Monkees and they like rock ‘n’ roll today – are going to come. If I play it like it was off the records, they’re going to say ‘Well, it was nice to see him but so what?’ If I play ’em right and they want to dance, I’ve got good musicians whacking away and they’re going to come back.” Tork’s musicians – Phil Simon and Nelson Bogart, guitars; Vince Barranco, drums; and Paul Ill, bass – have played variously with Little Feat, Dave Brubeck, Joe Beck and Carolyne Mas. [...] Although not signed to a label, Tork said producer Jimmy Miller (Rolling Stones, Traffic) was ready to record an album with them. (Jimmy Miller, who lived in our region, was had made maybe the greatest Stones album ever in Exile on Main St., but was drug-damaged goods by that point, sad to say.) ‘My goals right now are to make a living entertaining,’ Tork said. ‘Put away something for my old age, cookouts on the weekend, no big thing. You never know what’s going to happen. One of these days I might make a mark on my own.’”- Rock and Roll Globe, February 2022
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pl3as3hangup · 17 days ago
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i love making movie recommendation lists for my friends it's like giving them a part of my soul
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musiclandoux · 8 months ago
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: 🎼💜🎼
UFO - Lights Out
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spilladabalia · 18 days ago
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Paganeaster - Desert Hill
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felicitykings · 1 year ago
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I can see you in your suit and your necktie Passed me a note sayin’, "Meet me tonight" Then we kiss and you know I won't ever tell
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mourningmaybells · 2 months ago
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less than a week and i've already gotten homophobic comments (now deleted by me) on my youtube video. lmao. cranky because love bites 1988 is superior to love bites 1993 (<- only real vamp deep divers will suffer knowing what i mean)
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yunfox00 · 6 months ago
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:D
^w^
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