#Relationship Golds

[puppetmaster13u]

Prompt 170

Once again on my Ras & Danny being training rivals thanks to time travel bullshit. 

Look, Danny knows about the league of Assassins, but he almost dies of laughter when he realizes it’s the modern name of the league of Shadows. He’s an adult now, has been for a while, he’s allowed to find the situation he’s found himself in amusing. Hell, his sparring buddy who is somehow still alive is laughing too. 

And no one else knows what’s going on, okay? This random man walked into their secret base, completely ignored the many assassins trying to stop him, and called their illustrious leader a “Little Bitch Man” and they are now fighting?

The fighting is familiar, but why the fuck is Ras cackling and saying things like “Ayreh Feek” back. Practically saying “Fuck you,” while laughing and oh Pit, they’re Bantering this is terrifying, why has Ras not won yet, why has this man not died yet and- bodies aren’t supposed to bend like that what the fuck- 

Ras on the other hand, has One friend, who is immortal like him, actually remembers the shit he complains about, is also down for saving endangered animals, and actually knows how to spar! It’s not a proper spar unless someone loses at least a hand that has to be reattached! And honestly, people nowadays should know that the proper greeting to an old friend is to instantly try to kill the other. 

[nhura]

Life is too short.

[ my art ] [ twitter ]

(detail + ratio rambling under the cut >_>)

This is one of those "I need a break between my ten other illustrations, let me do a lil sketchy sketch :D" that got too ambitious etc. etc. I never want to see the color red again" moments. BUT!

I really, really like to explore Ratio's viscerality and what's happening between his brain and his nerves, like... all of this thorough control and discipline and he still has to breathe and react to himself and his surroundings, you know? His accomplishments are insane for "his age"* but he's going to run out of "age" at some point! His ambitions are so far reaching that he's not worried about getting doctorate degree Number Nine! Rather, his efforts are pointed outwards, into the universe, for the universe. As you know.

Speaking of his degrees, I had a half thought a while ago that we've seen him with two types of laurel pins.

One is him in his suuuuuper cute mother goose avatar (three leaves) and the other is the hat he's wearing everywhere else (eight leaves).

The thought was, "Aww, what if they're like commemorative pins counting the number of his degrees or whatever :)". Literally only because there's eight in the current one. This is kind of silly because then you'd HAVE to have an obscene number of degrees even for a normal person for your leaf pin to start looking like a laurel in the first place so scratch that BUT it's cute to think that it's still academic regalia. Something something I work in higher ed myself and it's like... it's like that.

The university goldsmith appreciates the job security.

I REMEMBER WHY I BROUGHT THAT UP. FOLLOWING the fantasy where more leaves = more knowledge!, in summary, even though Ratio seems to be a little beyond trying to get a prize every time he learns something now. But he does want to Keep Going. He can only Keep Going.

So I drew him in a bathtub full of an uncountable amount of gold leaves looking at the camera with an indescribable expression born from a hunger that will never be satiated lol DETAIL SHOT!

*Referenced only vaguely in a comment in the context of astonishment, but it could have easily have been "woah he's accomplished so much for his age (young)" as it could be "woah he looks good for his age (older)". There is no canon age and even then, reconciling standardized system time versus planetary time versus "does his particular breed of lizard human have the same lifespan as tumblr user nhura?" is a losing game for everyone involved! Here's what I think: I think he started going grey in his early twenties, whatever that means in spacefantasygame, and that that's very cute on him.

Do YOU think Ratio would be tempted by immortality???? Or would he MIND HIS BUSINESS

[harveyverse]

do i ship johnny and ponyboy romantically? no. do i think they had a platonic bond that is so intense it just feels inherently queer? maybe. do i think their relationship is absolutely beautiful to the point where it makes me tear up when i think about it too much? YES.

[stackthedeck]

this is fucking revisionist history no the fuck you didn't clark

[ask-the-colony-tree-siblings]

Last post got me thinking. Way in the future, when the twins have fixed their relationship and accepted Riv as their half-sib and everyone’s healed and happy…

Arti and Riv would ABSOLUTELY put makeup on Hunter against his will lmfao

[hitlikehammers]

take the call

rating: t ♥️ cw: off-screen car accident (but EVERYTHING IS FINE), hurt/comfort, softness ♥️ tags: established relationship, married steddie, hurt/comfort, rockstar Eddie/teacher Steve, Steve's heart of gold is very possibly going to be Eddie's undoing one of these days, well-worn-soul-deep love

for @steddielovemonth day eighteen: Love is terrifying (@starryeyedjanai)

set in the 00s, with Steve and Eddie having two decades of loving under their belts, now ♥️

Eddie isn’t expecting a call, any call, really; he’s in the studio, like, if he gets a call someone takes a message or whatever.

And in fairness, Eddie doesn’t get the call.

He gets a message.

“Eddie?”

He rolls his eyes kinda automatically, kinda thoughtlessly at the cut of the audio track to let the mic system override from outside the booth.

“Okay, so, like, don’t freak out.”

He’s not thoughtless at all about the way he clocks the tension in Jeff’s voice even across the speaker system; it’s entirely automatic how he freezes, how he looks up and locks eyes with his friend through the glass and sucks in a sharp breath for the look on his face: pained.

Maybe, maybe scared.

Eddie’s heart drops somewhere near his knees, but beats there so fucking hard.

“This lady called, and she said she found Lainie’s card inside the case of a phone she picked up,” and okay, okay, that’s…that’s random but maybe it’s about their assistance manger, who just got her contract confirmed and got fancy new business cards for it and has been handing them out to everybody she sees, even gave Eddie extras to pass on to Steve, maybe he can share them at the school as if anyone at even a hoity-toity private 6-through-12 school would have a reason for a card from a record label but she’s excited, and Eddie’s excited for her, and Steve loves the people Eddie works with, and not just because they’re attached to Eddie and he loves the things that come with Eddie as a given—but that’s also true, and always has been, but—

“She, um,” Jeff’s voice is filtering through again, and Eddie clocks that there’s…there’s something more to it, more than his brain’s willing to grasp just yet but his body’s apparently picked up on because he thinks the slightest breeze would knock him over and shatter him into pieces, for the tightness in his body; he’s not focused enough to count the separate beats of his pulse but he can tell it’s quick enough already, still weighed down near his feet, that counting would be kinda hard, would take effort:

“She found the phone at a car crash?”

So: the more-to-it. The thing his body already knew.

Eddie…Eddie doesn’t even need to know what comes next to know he cannot fucking breathe.

“Sounded kinda like, uh, like it could have been Steve’s phone,” Jeff is trying to tell him, and part of Eddie hears it, part of him does but most of him is white noise, is pins-and-needles, is underwater and drowning and not even fucking thinking of fighting the pull because he can’t, he’s heavy at the legs and his lungs are seizing and there’s, he’s—

“Because it, umm, she found the card because the case was broken?” and just last night Eddie’d watched Steve pop off the case and slide the cards behind with a laugh and a promise to take them with him not today—because it’s one of those federal holidays that only schools notice happening, like the post office is still open—but definitely tomorrow, never knew which of the kiddos at the Rich People School might be a budding metalhead underneath their uniforms—

“And she said the case was, um, like bright—“

Green.

Electric lime neon fuckin’ green because after three times of Eddie taking Steve’s phone by accident he’d come home with that endearing eyesore, and a kiss to the bridge of Eddie’s nose and a soft hard to confuse that, babe nuzzled against him and—

“It could maybe have just been a coincide—“ Jeff’s talking but Eddie can’t fucking hear it, not really, not when he’s letting the door slam behind him and ripping off his headphones to drop to the groundnut when he’s gasping hard enough to crack a rib, not when the floor’s gone out from underneath him and his vision’s tunneled and nothing seems real, and everything feels too real, every world ending possibility shuddering through his foggy mind alongside every heartbreakingly perfect memory blossoming up unbidden just to serve as a reminder, an underscoring of what he stands to lose, what maybe he’s already fucking lost—

He meets Jeff’s eyes without the glass between them as he grabs his keys from his jacket on the couch and makes himself take the breath that’ll fuel the voice, that’ll give him words, just one word, he needs, he fucking needs—

“Where?”

_______________________

Eddie shouldn’t have driven himself, he knows that.

Like, on some other plane of existing, he’s sure he knows that.

But on this plane, he rips past his bandmates, all the extra people with them for recording, jams the close-door button before anyone can follow him into the elevator because he happens to know this one’s quicker than the stairs even on a good day, and this—

Eddie’s shaking so goddamn hard he can barely get one foot in front of the other, he really doesn’t think he can manage ten fucking flights of steps.

He burns rubber on the way out of the parking lot, and the nearest hospital to where Steve would have been—on his day off, because holiday, he’d have bene close to home, he mentioned food shopping, he thought he might make stir-fry but he wasn’t sure, they hadn’t made a vegetable haul from the Asian market downtown in a couple weeks and they need to, they need to but Steve wasn’t feeling like going on his own, because he might not say it out loud but they both know he enjoys Eddie’s excitability when new items hit the shelves and he can’t read the language they’re labelled in so he guesses frantically until the man who owns the place takes pity, only laughs a little and explains what this spice is for, or that that crazy looking thing’s a fruit, and they ultimately buy whatever it is because Eddie wants to try it now, because he got invested and—

Eddie should pull off the fucking road; his head’s a mess, he can’t see for the way his eyes are welling, streaming, the way he’s shaking with sobs that don’t exactly burst forth, just leak from his lashes as he trembles horrifically because…

Because they were maybe gonna have stir-fry, tonight. Even without the good vegetables.

They were—

Eddie thinks it’s fucking cruel, kind of unbearably so, that his brain’s dead-set on still processing the mundane little perfections of his life as if every single one of them might be dashed to pieces, might be hanging by a thread, might be entirely fucking gone, and he, he…

He can’t. He just, he fucking can’t.

Because that the thing, isn’t it: the scenarios he’s imagining aren’t hypothetical—they’re all memories, too. Steve bloodied, Steve bruised, Steve’s bones broken and flesh torn. Steve still, too still; Steve’s skin under Eddie’s hands when he can’t find a pulse because Eddie’s shaking, same as now how Eddie is fucking shaking—

Eddie knows all those things. They’re so long ago, now, so distant but his fucking cells will never forget every single moment he saw the man he loves bigger than his own goddamn life hurt like that; be risked like that. Be lost like—

And that’s the difference. That’s what is unravelling him as he speeds through the streets quicker than he should, probably breaking more laws than he could count and definitely more than he gives a shit to notice: it’s the losing.

Because the first times, even the times that came after Steve was his: they didn’t come with the loss of so much time, so much of themselves, so much glorious life that they’d built between them, the struggles and the triumphs, the hard choices and the easy things that weren’t choices at all: everything hand-in-hand, every night spent curled around each other, all of them, all of him, inside that chest since he was twenty fucking year old, and Eddie doesn’t just not know how to be outside of what he shares with Steve.

Eddie doesn’t think his own heart can survive, if if Steve’s isn’t next to him.

Eddie’s damn fucking sure no part of him would want to.

It takes him a minute to steady himself enough to get out of the car, once he finally reaches the ER. Steady his body, but more his fucking soul because the whole of him is shaking, is crying out, is wailing unfettered and breaking because he’s terrified, he is goddamn terrified of what he’s going to find when he walks in but he has to, he has to because whatever awaits him, that’s his husband, that is the love of his whole goddamn life and if the worst is going to come for him he’ll face it like he’s faced everything else: at Steve Harrington’s side.

If the worst comes for one of them, then it came for them both.

So he’s stumbling, shuddering, but resolute in his chest when he flies through the sliding doors, eyes still swimming, unfocused but he makes himself take a deep breath—it takes a few tries, and he doesn’t quite succeed, it’s still a tremorous thing and his lungs are still in revolt, but it’s something, and he’ll take something; he has to to take something—

“Eddie?”

He almost doesn’t register it, the voice from the sick-spiral of his memories, all the love on the table to be forfeit—

He almost doesn’t register that his name’s not coming from inside his head.

“Oh my god, what happened?” There’s a flurry over motion in front of him, and he blinks rapidly to try and pin it down because it looks familiar, it smells familiar, it aches familiar in his chest but:

“What is it, what’s wrong?” and fuck, it feels familiar when a hand reaches for his cheek where it’s still damp, tacky for the tears; when another hand slides itself into Eddie’s and draws him in, a hand that fits like no other hand in this world or any other, ever—

“Are you okay?”

And the hand on his cheek turns him and follows his eyes and it takes that long for him to clear his vision properly, but now he’s just blinking so much because that, that can’t be, even if it feels in every goddamn way like it really is, but it can’t…

It can’t be Steve here, whole and on his feet and looking at Eddie with so much worry, so much heart as he tilts Eddie’s chin a little this way, that way, squints to try and see…something.

Eddie’s breath tears out of him in a wet fucking gasp;

“Am I okay?”

Because Eddie’s really not the one to fucking worry about here, Steve had—

“You’re in a hospital, Eds, that’s not usually where you go when you’re okay,” Steve’s eyes widen as he he slides both hands now to Steve’s head, holding him still and assessing…something, maybe, Jesus: Eddie doesn’t know, but he does know that the touch on him now makes his…makes his heart feel safe and he’d been fucking terrified he’d never feel that again.

“Fuck, what happened, baby, did you hit your,” and fingers are dancing gentle across points on Eddie’s skull, so delicate and careful and he can’t fucking help it—

“Are you real?”

Because he needs to know, he needs to know with words because this feels…this feels right and warm and impossible but also true, so.

He needs to know. “Am I…?” Steve’s lips part and his brow furrows before his jaw clenches in that dependable way he has of squaring up to the monster at hand, no matter the kind.

“Shit,” he breathes out slow but then he nods: resolved; “shit, okay. Okay, let’s find—“

“You are real,” and it turns out Eddie didn’t actually need him to say it. He just needed to see the flash in Steve’s eyes when he was ready to take on the world for the sake of love, the way he positions himself a little different in front of Eddie as he keeps one hand at Eddie’s cheek but then slides to brace more at his neck, purposeful, like he’s splinting a wound or something, and then a hand grabs for Eddie’s own again and: oh.

Oh yes. That is Steve Harrington, living and breathing and solid and real, because no one else protects like this.

No one.

Eddie’s heart stumbles, jackrabbits around a little, almost like a reset: like it knows as the implications sink in to Eddie’s mind that it’s not destined to break anymore.

“Yeah,” Steve agrees too easily, distracted as he tugs the gentlest bit at Eddie’s hand, toward the nurse’s station; “yeah, and we should—“

“And you’re okay?”

“I’m fine,” Steve shrugs it off, but Eddie…Eddie’s vision is clearing. His pulse is settling. He can hear above the static and his limbs are getting lighter.

“You’re one-hundred-percent okay, not a scratch on you, not a single thing wrong,” he needs to make sure, like, so fucking sure.

“I am fine, Eddie,” Steve turns to look him straight on, exasperated and anxious and vibrant with it, so alive in it; “but you’re—“

Eddie’s hand moves almost without his conscious consent, definitely without a plan to grab at Steve’s arm and pinch his skin because Eddie was vaguely toying with the idea of pinches himself, and maybe with poking Steve a few extra times to make sure he didn’t disappear, but apparently his brain landed on: pinch Steve, avoid confirmation bias if your head wants to lie enough to make him real just you you, because you need him that bad.

Steve startles, and turns those beautiful brilliant bronze eyes on Eddie, stretches wide as he gapes a little at his husband.

Eddie…Eddie is here, in front of his living-breathing-gorgeously-aghast husband.

“Okay, oww,” Steve drops Eddie’s hand and pulls back, leaving Eddie’s head to its own devices as he looks a little shocked, shooting just shy of a glare Eddie’s way: full of questions.

Eddie—now that the biggest one’s solved, and solved so perfect, so gentle and sure and he doesn’t have to bury the soul of him; he doesn’t have to bury his soul—but now?

Eddie also has some fucking questions.

“Where’s your phone?” seems the most relevant to start with.

Steve blinks, frowns a little:

“It got lost in the crash—“

“Crash?” Eddie’s tone pitches up to squeak a little because: Steve’s here and whole in from of him, yes. But fuck, there was still a crash? He was—

“Not mine, my car’s still parked at fucking Jiffy Lube,” Steve adds with a huff; “I saw it happen so I stopped and—“

And Eddie knows his husband. He knows his husband better than he knows himself, and Eddie’s kinda made it a point of pride for how self-aware he’s grown to be these days, in living this life and loving Steve beyond the bounds of living at all. But he knows his Steve, and so he knows damn well what happened.

Car runs into car. Steve sees it and jumps out to help. Because Steve Harrington is a protector. Steve Harrington is a helper. Steve Harrington is the best man Eddie’s ever known.

Soon as he jumped into the fray, he wouldn’t have thought once about a fucking phone.

And Eddie, Eddie just, he needs to—

He grabs Steve’s hands and wraps them around his own waist, lets them go and then pulls Steve tight to his chest and buries his face in Steve’s shoulder as Eddie winds his way around his husband, feels him breathing, feels the tickle of his hair.

“You’re gonna kill me, Stevie,” Eddie whimpers, that going tight now all over again:

“You’ve got the biggest heart of fucking gold the world’s ever seen,” he moans into Steve’s collar; “and you’re going to fucking kill me.”

Steve doesn’t say anything, but his hands move up to rub Eddie’s back, rote and learned and he might not wholly get, yet, what Eddie’s putting together, and where Eddie’s head’s been, what his heart’s been through, but the first thing he knows, and does like clockwork, is to love of his partner, to soothe him even if he doesn’t know what for.

“Someone found your phone, and they, umm,” Eddie licks his lips, takes a suffering breath and tries to straighten but he’s not ready, not yet: he slumps right back onto Steve’s shoulder:

“They called the studio.”

“Shit,” Steve hisses, bunches his hands in Eddie’s shirt and draws him tighter to his chest: “shit, they interrupted,” and oh, fuck no, fuck regretting the interruption—

“They told me they found it at a crash site,” Eddie grits out, the hurt of it still raw, like just saying the words no matter where they landed in trust, just recalling those minutes that felt like full nightmarish lifetimes, reopens the tender wounds it’d left in hims; “they found it with the case broken,” and Steve leans back, then, eyes saucers as he meets Eddie’s gaze, breath catches harsh.

“Oh,” Steve whispers, eyes darting back and forth between Eddie’s, taking the whole of him in and then he exhales so heavy:

“Oh, babe,” he murmurs, fucking mournful before he takes his hands and links them behind the base of Eddies’ skull and draws him in to the center of his chest, envelopes him there whole: “come here.”

And Eddie falls into that chest—rising-falling-living—he falls into Steve so fucking fast

“I am totally fine, I promise you,” Steve breathes again Eddie’s ear, close and dear and real: “car’s fine—“

“I don’t fucking care about the car—“ Eddie tenses up, appalled at the implication that he gave one single goddamn thought to the car— “No, like, as proof,” Steve’s quick to correct him, to ease the hackles on him; “I wasn’t in the crash, but it was pretty bad and,” Steve shrugs a little then adds soft: “I keep my first aid certs up to date for a reason, I figure, right?”

Jesus; yes, okay. Steve’s savior complex had largely mellowed to a non-interdimensional-threat level with time but he’s meticulous about keeping every skillset he’d gone out of his way to learn from professionals before they’d gone up against the Upside Down for the last time sharp and at the ready for anything: even now.

Fuck, but this beautiful, brilliant, impossible man.

“I was helping, best I could, until the EMTs got there,” Steve tells him softly, fills in the gaps because he knows Eddie’s mind, all the pictures it paints for itself, and in times like these it’s always the worst possible pictures—he knows Eddie needs the slate wiped clean with the truths, blessedly softer, in this:

“Police wanted me to stick around for a statement but the girl who was driving the first car, she was so panicked and she didn’t want to go alone so, umm,” Steve huffs a little, shifts against Eddie gentle and solid and here: “she said she knew me, she was pretty desperate I think, so I rode here with her,” and of course he did, of course he did because he’s Steve; “now I’m just waiting to make sure she gets out of surgery okay,” he squeezes Eddie then, like a punctuation, and it feels so, so fucking good; “also still have to give the goddamn statement, but fuck knows that’s just hurry-up-and-wait,” he turns, and he kisses Eddie’s hair then and Eddie feels something snap in him, give way and the lingering tension spill from his frame as he gasp a little on a breathy exhale:

“I love you so much,” and he does, god: god, but how much he loves this man.

“I love you too, baby,” Steve mouths against his head and Eddie closes his eyes and nuzzles his a little closer as he puts it into words, because it feels like he needs to, it feels like in Steve’s arms like this, pressed up close to him to feel this undeniable life in him: it feels like the coast is clear enough to risk it, to confess:

“I was so fucking scared,” and the words only break a little, and that’s more than Eddie honestly expected.

“I am so sorry,” Steve bows his chin down to graze lips against Eddie’s hairline, delicate and intimate and shivery, trembly down Eddie’s spin for the best of reasons, now.

“Not your fault,” Eddie’s quite to counter, to make clear, because: “shit, you didn’t do anything, I just…”

Eddie makes himself pull back and meet Steve’s eyes, reaches out to frame his face, dear and desperate:

“I can’t lose you,” he moans a little, begs a little, says it with a bare line of something primal echoing in it, scraped straight from his bones: “I cannot ever lose you.”

“I know,” Steve turns and kisses one of his palms, and those two words hold the promise of five more they’ve said so many times, and held so true between them for so many year, through so fucking much:

It’s the same for me.

And to be loved the same as he loves is a fucking privilege; it’s heady and it’s wonderful and Eddie needs it, needs Steve, more than goddamn air.

“Sit with me?” Steve covers Eddie’s hands with his at his cheeks, and nods a little toward the blessedly-quiet collection of chairs by the windows; “while I wait?”

“Nowhere else I’d go,” Eddie says it like the given that it is, and pulls Steve close to kiss him full, to press his lips to Steve’s and drink his warmth, his breath, to feel it sink int past his heart and pump through his veins:

“Not ever, Stevie,” he speaks against Steve’s lips, all of him in it, every vow inside it:

“Not ever.”

tag list (comment to be added): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson

♥️

divider credit here

[spotsupstuff]

Gold is often connected to divinity in rl religions. In Buddhism, it indeed symbolizes enlightenment and such, and it is often kept pure in order to not ruin its brilliance. In Tibetan Buddhism, statues are gilded with it and the 5 tonne Golden Buddha statue in Thailand is composed of 18 karat gold, almost fully pure.

Within this world, I like to think that gold has caught the eye of the Anemons in a religious sense upon the (,,re/")discovery of the Void Sea. The golden waves of it shaped the perception of their world, from explaining the sun as coated in a layer of Void, to giving an idea of what "cleanliness of soul" should look like. Wheel Flowers are also attributed to the Void as sprouts of it, because of their ethereal gold coloration.

The feeling of the divine has however faded when the motivations behind handling of the Void went terribly south, replaced by the extremist corruption and greed of High castes.

In other words, I wanted an excuse to draw Euros as a šarkan/змей.

[unloneliest]

in the lonely hearts club job leverage asks the question "does romantic love exist?" and answers it by having eliot buy parker a venus fly trap on hardison's behalf, expecting no recognition and revealing eliot remembers a throwaway comment parker made on their second job together.

we all know this.

but was anybody going to tell me hardison already had a browser window open looking for restaurants to buy eliot in portland in response at the start of the episode immediately after that? or was i supposed to figure it out on a rewatch all by myself?!

[wiihtigo]

isnt fatherhood wonderful

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[macaroonkitti]

Dropping my designs for the Johto gang :]

[zishu-arts]

some of my fav ava/m duos drawn w references

[casscainmainly]

If Cassandra was the one taking Batman's mantle back in 2009 instead of Dick, how do u think would've been her dynamic with Damian?

Honestly possibly similar to Dick? In Batman and Robin (2009), Dick wasn't like overtly praising Damian or being outwardly affectionate (until later). What Dick gave Damian was someone who didn't treat him like a prince, but also someone who stuck with him through every mistake; a steady presence during a tumultuous time. Cass could totally provide those, so the foundation of trust that flourished between Dick + Damian would probably flourish for Cass too.

Some key differences would be that Cass, I think, wouldn't feel as immediately responsible for Damian as Dick did. So the beginning would be a lot rockier, and Cass would be giving Damian the silent treatment while he follows her around and insults her. (I also think Cass wouldn't shrug the insults off as easily as Dick). Damian's decision not to kill is also fundamentally different from Cass', so she'd be uncomfortable around him, and they wouldn't have the same sort of lighthearted banter that Dick and Damian had from the beginning.

However, Damian would probably respect her more quickly than he did Dick. And Cass would be more overtly enthusiastic about his decision not to kill, and understand just how big that decision is given his upbringing. This shared understanding would bridge a lot of the cracks in Cass' ability to handle kids. If events play out the same, I think after issue #3 (when Damian fails to save Sasha and is shaken by it), Cass would understand Damian as a person more, and their relationship would improve significantly.

I think they would physically fight a lot more, though, given Cass' tendency to confront with fists. She'd win every time, which would annoy him, but add to the respect thing. This is one area where Cass, if she realises beating up Damian all the time isn't helping, might outsource to Steph.

Anyway in the ideal version of this Dick and Steph would be around to provide the emotional stability a grieving Cass wouldn't be able to give, but I do believe (because they are deeply compassionate people, and Batman and Robin), they would end up being very close.

[canisalbus]

Imagine if Machete was Muslim instead of Catholic. His name would be something like Saif سيف, and Vasco would probably be something like Dhahabi ذَهَبِيّ

.

[grassoftunnel]

I Love You For Psychological Reasons: George and Shannon as a matching pair of gendered insecurities

let me start right off…this is NOT a shipping post (for MANY reasons..), and is not structured in any particular way its just half awake rambling but I feel like George and Shannon’s relationship is super compelling in terms of what they are looking for in each other, and how they define themselves using each other as props.

the title is from the song I Love You For Psychological Reasons by They Might Be Giants which is kind of a cute romantic song but i think can be applied to them as a sad and cynical song about their relationship. I’ve also just thrown lyrics from this song into the post not for anything deep really but bc it made me think of them. Like I said, this is just rambling but I’ve divided it roughly into 4 ways they’re similar:

1.

Hard to explain, but it's plain that I love you for psychological reasons

The root of their decisions to pursue each other have nothing to do initially with an actual interest in the other on their own merits. For George, he was driven by wanting to make Shannon turn away from Battler and look at him that way instead, and for Shannon, george was her way to settle/move on from the heartbreak of Battler.

2.

Lately, I've taken to vacantly making repetitive movements. Mistakenly seen as improvements

They are both deeply insecure about their abilities to fulfil certain gendered expectations, and both seeing each other as pathways to successfully performing those gendered expectations. For George, he was bullied so much and unable to be “strong” and “assertive” or even defend himself, and feels like he’s not a real man because of it. For Shannon, she has her hangups about her androgynous appearance first, and then her intersex body later. See also, their awkward, and at times uncomfortable/forced miming of their ideas of how a man and a woman in a relationship “ought” to act. For George, this can sometimes veer into really uncomfortable ordering around of Shannon…and as for Shannon herself…she learns to react in specific ways to his artificial negging. Both are trying to follow the “script” for how George thinks these types of couple interactions should go/what he thinks Shannon wants based on his distorted perceptions of her past relationship with Battler.

They are both also well aware of the inexperience of the other in relationship matters, so they are able to kind of do a training-wheels version of an actual relationship (most notable with George, but for Shannon like as much as she eventually slowly grows to like George…kind of…any boy who was nice/showed interest would have done the job).

Nearing perfection but wisely electing To shun my reflection, preferring instead shoe inspection

Even then, they’re both twice shy due to their own neuroses so their relationship kind of stalls until George resolves to marry her.

3.

They are also both desperately wanting to leave their old/current self behind, in favour of remaking themselves in order to reach a certain type of future, even at great personal cost. For George, this is his desire to go all out in marrying Shannon, even to the point of throwing away his family if he needs to.

Under the table, unwilling, unable, the torture's medieval The dream is a fable with feeble wings

For Shannon this is her murder-suicide bomb plot deathwish that will wipe away all traces of the truth of her cage of flesh (of the body which makes her “unable to love” in a physical sense..and also a genetic one..since it taints the romantic relationships that were so important for her with incest) ,and make real the possibility of her relationship with George being a True, Uncomplicated Love. They differ greatly though in what this commitment to this relationship means emotionally….for George it’s triumphant but for Shannon, while also triumphant in a way…it’s a bittersweet death march.

Why does the mouse share the house with the louse? They won't say, but they feel their feelings

It’s also worth noting that both of them see the other as “above” themself, and as attaching themself onto someone better in order to improve themself (regardless of whatever the actual reality of their class and age difference is…)

4.

I'm ashamed to admit I'm afraid of assuming the blame For my lame abnegation of braveness and fame Brain in a jar in a car in reverse, I'm rehearsing the way I'll replay how to say how to be where you are

In pursuing this relationship, they both want to prove to themselves that they are capable of achieving these things that they’ve wanted for so long (performing their gender, remaking themselves). They are both constantly trying to plot out their future and like do a “good job” of hitting milestones in their relationship rather than being carried naturally from one stage to another.

Anyway I have no way to wrap this up lmfaoo this is just my loose thoughts! These two are really interesting! Their weird falsely-mutualistic relationship where theyre simultaneously both getting something but also not really getting something of actual substance since its all performance. The selves they present to each other within the context of the relationship are curated specifically to exist in the relationship. And of course this relationship “succeeding” crystallises Sayo’s resolve to undertake the murder suicide…the win condition for both of them is so drastically different haha…

[cementcornfield]

Amarius helping Joe up after that huge sack 🥺