#Reid Boucher

[rosealouette]

credits! the price of salt by patricia highsmith, two friends by henri de toulouse-lautrec, jupiter and callisto by nicolaes pieterszoon berchem, the fragments of sappho, sara by fleetwood mac, two nymphs of diana by françois boucher, my love mine all mine by mitski, two fairies embracing by hans zatzka, annabel lee by stevie nicks (inspired by the edgar allen pie poem), the seven husbands of evelyn hugo by taylor jenkins reid

[freddiemercurylegendabovelegends]

"I must have met Freddie in the context of the band first of all and as a woman, initial eye contact and body language were only with Roger and Brian. I regret to say that I was repelled, as a woman, by Freddie's appareance. The air with the split ends, his theet; his very physical presence was just not one which appealed to me. This had nothing to do with his sexuality as I didn't know it then and got no vibe about it either way and in any case, I worked for Elton who was gay and whom I adored. Of course, as soon as I saw Freddie perform, on stage, he transcended his physical self and metamorphosed, going from chrysalis to butterfly, amazing me that I was watching the same person, showing that you should never judge people by their appearance.

However, after I left John Reid to have my first baby, I didn't see Freddie again until a reception a few weeks after my daughter Katie's birth when my husband and I took the baby to the 'September' restaurant in Fulham Road. We left the baby upstairs in the manager’s office whilst we enjoyed a brief respite from nursery fatigues. People were dutiful in enquiring after the baby but basically indifferent. What absolutely amazed me was that the one and only person who was constantly solicitous, forever going upstairs to check whether Katie was crying or sleeping, was Freddie Mercury"

- Caroline Boucher - 'THIS WAS THE REAL LIFE: The Tale of Freddie Mercury' book

By David Evans, David Minns

- Caroline Boucher Music journalist writing for Disc. Press and Publicity Officer for John Reid Enterprises 1974-77, Queens management 1975 onwards. Handled all pressand PR for 'A Night At The Opera' and subsequent albums while the band was managed by John Reid -

📸 Pic: Tokyo, Japan, March 1976 - Freddie Mercury (It was the band's second Japanese tour, 'A Night At The Opera')

[ulkaralakbarova]

When secretive new neighbors move in next door, suburbanite Ray Peterson and his friends let their paranoia get the best of them as they start to suspect the newcomers of evildoings and commence an investigation. But it’s hardly how Ray, who much prefers drinking beer, reading his newspaper and watching a ball game on the tube expected to spend his vacation. Credits: TheMovieDb. Film Cast: Ray Peterson: Tom Hanks Lt. Mark Rumsfield: Bruce Dern Carol Peterson: Carrie Fisher Art Weingartner: Rick Ducommun Bonnie Rumsfield: Wendy Schaal Ricky Butler: Corey Feldman Hans Klopek: Courtney Gains Dr. Werner Klopek: Henry Gibson Walter Seznick: Gale Gordon Vic, Garbageman #1: Dick Miller Joe, Garbageman #2: Robert Picardo Uncle Reuben Klopek: Theodore Gottlieb Detective #1: Franklyn Ajaye Dave Peterson: Cory Danziger Detective #2: Rance Howard Ricky’s Girlfriend: Heather Haase Steve Kuntz: Nicky Katt Ricky’s Friend: Bill Stevenson Ricky’s Friend: Gary Hays Cop: Kevin Gage Cop: Dana Olsen Walter’s Daughter: Brenda Benner Suzanne Weingartner: Patrika Darbo Voiceover Actor: Sonny Carl Davis Voiceover Actor: Moosie Drier Voiceover Actor: Leigh French Voiceover Actor: Archie Hahn Voiceover Actor: Billy Jayne Voiceover Actor: Phyllis Katz Voiceover Actor: Jeffrey Kramer Voiceover Actor: Lynne Marie Stewart Voiceover Actor: Arnold F. Turner Voiceover Actor: Gigi Vorgan Ricky’s friend (uncredited): Carey Scott Kid on Bike (Uncredited): Tony Westbrook Ray’s Boss (uncredited): Kevin McCarthy Film Crew: Sound Effects: Mark A. Mangini Casting: Mike Fenton Casting: Judy Taylor Costume Design: Rosanna Norton Original Music Composer: Jerry Goldsmith Director: Joe Dante Executive Producer: Ron Howard Production Sound Mixer: Ken King Hairstylist: Christine Lee Production Design: James H. Spencer Set Designer: James E. Tocci Producer: Larry Brezner Producer: Michael Finnell Additional Photography: John Hora Music Editor: Kenneth Hall Set Decoration: John H. Anderson Foley Editor: Ron Bartlett Makeup Artist: Daniel C. Striepeke Co-Producer: Dana Olsen Special Effects Supervisor: Ken Pepiot Editor: Marshall Harvey Camera Operator: Michael D. O’Shea Director of Photography: Robert M. Stevens Stunts: George P. Wilbur Associate Producer: Pat Kehoe Dolly Grip: Kirk Bales Key Grip: Charles Saldaña Stunts: John-Clay Scott Supervising Sound Editor: George Simpson Stunts: Eddie Hice Stunts: Gary Epper Stunts: Wally Rose Stunt Double: Brian J. Williams Stunts: Jeff Ramsey Stunts: John Hateley Stunts: Ray Saniger Art Direction: Charles L. Hughes ADR Editor: Stephen Purvis Stunts: Gary Morgan Stunts: Frank Orsatti Second Assistant Director: David D’Ovidio Sound Editor: Warren Hamilton Jr. Costume Supervisor: Cheryl Beasley Blackwell Makeup Artist: Michael Germain Foley Artist: Dan O’Connell Transportation Coordinator: Randy White Boom Operator: Randall L. Johnson Foley Artist: Kevin Bartnof Visual Effects Supervisor: Michael Owens Still Photographer: Ralph Nelson Jr. Script Supervisor: Roz Harris Leadman: Nigel A. Boucher Sound Re-Recording Mixer: Michael Minkler Sound Re-Recording Mixer: Gary C. Bourgeois Foley Editor: Aaron Glascock Sound Editor: Michael J. Benavente Chief Lighting Technician: Leslie J. Kovacs Costume Supervisor: Eric H. Sandberg Greensman: Dave Newhouse Construction Coordinator: Michael Muscarella Stunts: Roydon Clark Stunts: Sandra Lee Gimpel Set Designer: Judy Cammer Assistant Editor: Uri Katoni Lighting Technician: Brent Poe Grip: T. Daniel Scaringi Production Coordinator: Karen Shaw Lighting Technician: Ken W. Ballantine Special Effects: Michael Arbogast Studio Teacher: Adria Later Stunt Coordinator: Jeff Smolek Construction Foreman: Ciro Vuoso Production Accountant: Julianna Arenson Assistant Chief Lighting Technician: Benny McNulty Set Designer: Erin M. Cummins Property Master: Gregg H. Bilson Lighting Technician: E. Christopher Reed Stunts: Rick Sawaya Unit Publicist: Reid Rosefelt Special Effects: Jeff Pepiot Grip: Danny Falkengren Best Boy Grip: Hal Nelson Grip: Paul E. Sutton Special Effects: Thomas R....

[professionalpuckbunny]

Reid Boucher raped a 12 year old btw stop sending me asks about him

[glitteryangeltastemaker]

My heart breaks for the poor girl. This is disgusting!

[formerlydyl]

Forgive me if I'm wrong.. But... Are Boeser and Goldy the only ones left?

[pensfan4lfe2]

Then&Now || Reid Boucher

[podgoalzin]

Reid Boucher and goldy with qualifying offers from the canucks, or at least sounding like it's happening

[fromthe-point]

[!] Utica Comets F Reid Boucher is the first 30-goal scorer in Comets history

[markstrom]

what a goal! (03/2518)

[freddiemercurylegendabovelegends]

🔸"I must have met Freddie in the context of the band first of all and as a woman, initial eye contact and body language were only with Roger and Brian. I regret to say that I was repelled, as a woman, by Freddie's appareance. The air with the split ends, his theet; his very physical presence was just not one which appealed to me. This had nothing to do with his sexuality as I didn't know it then and got no vibe about it either way and in any case, I worked for Elton who was gay and whom I adored. Of course, as soon as I saw Freddie perform, on stage, he transcended his physical self and metamorphosed, going from chrysalis to butterfly, amazing me that I was watching the same person, showing that you should never judge people by their appearance. #

However, after I left John Reid to have my first baby, I didn't see Freddie again until a reception a few weeks after my daughter Katie's birth when my husband and I took the baby to the 'September' restaurant in Fulham Road. We left the baby upstairs in the manager’s office whilst we enjoyed a brief respite from nursery fatigues. People were dutiful in enquiring after the baby but basically indifferent. What absolutely amazed me was that the one and only person who was constantly solicitous, forever going upstairs to check whether Katie was crying or sleeping, was Freddie Mercury"

- Caroline Boucher - 'THIS WAS THE REAL LIFE: The Tale of Freddie Mercury' book

By David Evans, David Minns

- Caroline Boucher Music journalist writing for Disc. Press and Publicity Officer for John Reid Enterprises 1974-77, Queens management 1975 onwards. Handled all pressand PR for 'A Night At The Opera' and subsequent albums while the band was managed by John Reid -

Pic: Second half of the 70s - Freddie Mercury posing

[theamericanhockeyleague]

Reid Boucher by Tori Hartman

[brockboesr]

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Mondays are for SloMo. #SloMoMonday

[hoardingunderthisrock]

Puck Collection #4: Vancouver Canucks Official Game Puck Autographed by:  Brendon Gaunce (Front logo), Alex Biega (Front right), Reid Boucher (Back top left), Adam Gaudette (Back top right), and Jake Virtanen (Back bottom)

Autographed on March 31, 2018, previously seen here

[brandonsutter]

[fuckyeahalexedler]

Edler records 300th career point (Apr. 8, 2017)