#Real Fake Passport
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#These flight companies will make me go crazy#Finessing is not for the weak for real#Like only now you are telling me I could book my passport while I wait for the new one by adding fake info and then correct it with the new#Ones
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never leaving the house without makeup on actually because why did i get id'd for a FUCKING ENERGY DRINK today. like i am definitely over sixteen. i look over sixteen. do i only look over sixteen with makeup on? did that one tesco employee not like the look of me? every other employee is like "yeah let me just approve the age for you" and doesn't ask questions. this woman (who literally could not have been much older than me) apparently decides that today i do not look over sixteen. and the only difference is that i did not have foundation etc. on just eyeliner. so like. uh. what was going on there.
#ma'am almost everyone who shops in the tesco express is a uni student#and all uni students are at least 17 as a rule#and im pretty clearly not scottish so like. at least 18 as a rule#AND I DONT LOOK YOUNG?? when i was 15 a guy thought i was an adult and was giving me pub recommendations for an oxford bar crawl like-#saying that. in a theme park once a ride attendant thought i was under 13 (i was 15) and thought my brother (12) was 15#so what is the answer#i understand getting id'd for alcohol because thats challenge 25 and i am under 25 but still#the corner store doesnt id me for vapes. why are you iding me for monster#its monster nobody gives a shit#take me back to home bargains and b&m where they dont give a fuck about energy drink age limits lmao#when i was 17 i once pulled my passport out in a morrisons to buy a monster flavour that home bargains didnt stock#ALSO in the train station wetherspoons the waiter was so busy feeling the texture of my drivers license to see if it was real#that he didnt even check my birthdate and ASKED ME what is was#SIR YOU JUST HAD THE INFORMATION IN YOUR HANDS.#idk what it is with wetherspoons employees and thinking my id is fake like idk what to tell you#the local boots doesnt give a fuck honestly they accept student id for shit that requires id#(like. nail glue and stuff. i wasnt buying but i witnessed it. the cashier was like “yeah whatever that'll do”.)#actually take me back to my rural area where pubs generally dont give a shit about age#unless the police are nearby or theyre like. a chain (wetherspoons fuck off challenge lmao)#actually if you sit in the smoking area in wetherspoons theres a chance they wont id you#sometimes they id the whole table though#when i was 17 and my 18 year old friend wanted a wkd with their meal my friend gave me her car keys and was like#“if they ask just say youre the designated driver and you left your license in the car”#ive driven a car exactly once in my life this wont go well#(my license is a provisional. i have it solely for the purpose of buying alcohol & vapes. cigarettes when vapes get banned in june lmao)
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Every chapter Henry Townsend is in I hate him a little more.
#he’s like if instead of Walter White cooking meth to make money he just bitched at Jesse to get him money#like for real he broke into an unlocked office and now he thinks he’s owed millions for his hard work#meanwhile xavier is the making the fake passports and setting up the offshore bank accounts#neon moonlight
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Simple Math / Part Fourteen
Simple Math masterlist
Ghost/Soap/female reader 4.1k words - AO3 Warnings-tags: 18+ MDNI. Discussion of child loss/miscarriage and domestic violence. Oral sex - fem receiving, face sitting, Johnny is a menace as usual, Simon talks you through it, dirty talk, brief daddy kink, pet names. Nurse!reader, medical inaccuracies, feelings of fear and anxiety, PTSD. Dialogue heavy. Bunny making progress. What's in a name?
When you were a child, you got caught in a storm.
Getting caught in a storm as an adult is a normal thing. It’s not frightening and foreign like it is when you’re young. When you’re a child, storms feel like hurricanes. They feel life altering, life ending. With no concept of larger, or smaller storms, it’s hard to understand how you’d make it through the to the other side.
You remember this one vividly. Your mother was on her way to work, her night job, and you were clicked into the backseat, barely awake, staring out the rain pelted window. The wind was so strong it shook the car, blew it all over the road, your mom’s fingers like rebar gripping the wheel. It was terrifying. It was like you’d never be safe, like the wind would pick your entire world up and send it crashing down into a farm field that stretched a million miles long.
It felt, somewhat, like this moment, and hundreds of moments before it. Small thorns in a life that no longer felt like your own. A far cry from the dreams you had when you were that little girl.
The thorns, the storms, had twisted you into this version of yourself, this stranger, and that’s how you feel as you stand in front of Simon, cold panic crackling through your bones.
Your mouth opens and closes without sound coming out. You’re a fish out of water, lips parting just to swallow dry air, eyes wider than saucers.
Penny cries in your arms, but Simon doesn’t move. Johnny doesn’t breathe, and you stand alone in the silence, baby vomit on your clothes, trembling in fear.
They won’t understand. They’ll know you’re a liar. They won’t trust you.
They won’t want you.
“It’s not… I arranged it months ago.” You blurt, words strung together in a stream of consciousness. “It’s not like, you can just go out and buy a new passport. It takes a while, and connections, and lots of hoops and money and I-“ Simon holds his hand up.
A signal to stop.
“Give me the baby.” He says, stepping forward, arms out, and your hands shake as you pass her over, avoiding eye contact until he tips your chin back. “Take a deep breath, go upstairs, get cleaned up. When you come back down, we’ll talk. Okay?” He looks to Johnny, who nods, and then back to you, expectantly waiting on your answer.
“O-okay.”
Simon still has the passport.
It’s in front of his knee, on the coffee table, but within arm’s reach, close enough he could snatch it up in moment’s notice.
“Were ye goin’ to leave us?” Johnny whispers, and you shake your head.
“No, I… it takes a while. I arranged it months and months ago, before I even met you.” Simon frowns.
“This is not a fake, it’s a real passport. How did you get it?” Oh, fuck. Your throat is as dry as paper, scratchy and stiff, and you force yourself to spit out a coherent sentence.
“I bought it… from a guy.” Brilliant. You sneak a glance at Johnny, who’s watching with a pink sheen on his cheeks, knuckles white against the arm of the couch. He looks upset, and guilt swamps you, worry over making him feel worse in his state eating away inside your heart.
“You know a guy who can get his hands on government issued documents?” Simon holds himself very still. Nearly a statue, his eyes never leave your face, and you move your hands under your thighs to try to stop their trembling.
There’s a familiar feeling building in your chest. A twisted, gnarled root of fear, growing deep. “I… it’s… no, he’s… I was referred to him, by someone else. He doesn’t even know my real name, I’m careful, I’ve-“
“Done this before.” Simon finishes, and your heart stops in your chest.
“Yes.” You whisper. How are they going to feel when they realize you’ve been lying to them about your name? You spiral, imagining the hurt flashing across their faces, the disappointment from Simon, the sadness from Johnny. “I use a new identity, when I move around.”
“Your name…”
“Isn’t my real one.” The admission stings, but that person doesn’t exist anymore. You haven’t been that happy, fulfilled, carefree girl in too long. You don’t know her. You don’t remember her.
She’s dead.
She’s a ghost.
“Will ye tell us? Yer real name?” Simon is thoughtful from where he sits on the chair, focused, as Johnny looks hopeful. They’re both looking at you with trust heavy in their eyes, and it gnaws, burns in your bones all the way through until your real name is slipping free with a whisper.
“That’s beautiful, bun.” Johnny murmurs sweetly, and they exchange a look, something stern etching across Simon’s brow before it drifts away.
“Do you want us to use it?” You shake your head.
“N-no, I… I’m not that girl… anymore. She’s long gone.” The room is silent, and you mull it over, toss it back and forth in your mind. You’re so disconnected from the person you were when you last felt whole, when you last felt real. How will you ever feel that way again?
Something flickers in Simon’s gaze. Something severe and almost sad, a storm in the middle of a sea, a little boat with nowhere to hide, and you get lost in it, lost in him, a million lives and a million emotions clouding the space between your bodies.
He swallows, and it’s gone.
“How does that work with your nursing license?” You blink, but you’re not surprised he knows to ask the one question that will undoubtedly unravel the rest of the threads. The biggest piece of the puzzle.
“I…” Fuck. Are you really going to do this? Are you doing this?
Do you trust them?
It’s not a question now, you know the answer. Know why it is you’ve been sleeping in their bed, helping with their baby, living in their house.
It’s more than trust.
“I had a friend in college. Dean.” You’re really doing this. “He was really smart, and really kind, and going places. We were on different paths, but we stayed in touch. As best we could… my ex didn’t really like me talking to… anyone.” Johnny’s fingers slide across the couch, hesitantly brushing your thigh, and it grounds you, calms you. “He became a fancy, big time lawyer. Like, really big time. One of the best in Texas,” Simon’s eyes narrow, head tilted as he stares at you, before it all flits away, and he returns to stasis, “possibly the country. He… he helped me.” You pause, unsure, and Johnny nods encouragingly.
“Helped ye how?”
“I’ve been running, had been running, for a while. Years. At one point, Dean got a judge in a different state to agree to change my name, my identity, everything, and then seal the record. It gave me a chance to disappear, a fresh start to build from. Or, I thought it did, anyway. My ex is… very determined, it didn’t take long for him to catch up.”
“So, your license…”
“Whenever I get a new job, I refer the HR department to my big fancy lawyer in Texas, and he makes sure my license is accepted and they understand the circumstances. I manage the rest… on my own. The turning over of a new identity- identification documents, passports, housing, everything.”
“Do they know anything about this?”
“No. I think they probably think I’m in witness protection or something, and per the court order, they can’t discuss the discrepancy with the name on the license to anyone in the hospital. Dean makes sure of that.” You laugh weakly, but Simon doesn’t, he only studies you, laser focused. “I can’t really have contact with him anymore, because it leaves too much… out in the open, but he’s a really good friend. The best.” Tears blur your vision as you think about Dean, remembering the way he stared at you the night you turned up on his doorstep.
You were so young then. So stupid. But he gave you best chance he could, and you’d always be grateful.
Johnny reaches for where your hand is shoved beneath your thigh, and lightly tugs until it’s in his grasp, warm and safe.
“An’ ye change yer identity every time?” You nod, lips tucking in over your teeth.
“That’s what the passport is for. In most places, a passport counts for both a birth certificate and identification card, so they don’t ask for a secondary. It’s the easiest to use.”
“You were preparing to run.” Simon murmurs.
“Before Johnny became my patient, I was getting ready to, yeah.”
“Why?” You take a deep breath, but your chest feels too tight. Fear is still dripping down the back of your throat, making your stomach sick, your hands tremble.
“I knew he was here.” The words break apart into a sob, and your eyes slam shut.
The next thing you know, you’re breathing into Johnny’s warm chest, a hand running up and down your back slowly.
“I don’t want to be scared anymore.” You cry, gasping. “I.. I’m scared all the time. I run all the time. I d-don’t even know who I am, without it. I don’t know how to be here, or be a normal person, or have a normal conversation.”
“Shhh, yer alright, pretty girl. It’s okay.” Johnny hums, and you feel his diaphragm vibrate as he soothes you.
“I want to be with you… but I don’t know how. I’m terrified he’ll come here and- and hurt you, or Penny. That it will be my fault, like everything else has.” You cry harder, chest aching, Simon’s hands closing around your shoulders and pulling you back to tilt your face up to the two of them.
“It’s not your fault, bunny. None of it, ever, has been your fault. Do you understand?” You shake your head no, because you don’t. You’re good at running, at hiding. You’ve made a new life over and over again by doing it, and getting caught is your fault, no matter what they say.
You slipped up. It could happen again.
“You don’t understand. I… I should have left, after he found me in my apartment. I should have left.” It sticks in your mind, playing over and over again. “I sh-should have left, I shouldn’t be here, I-“ your vision tunnels.
“Okay, okay. Easy, sweetheart.” Simon tries to settle you, but everything is bubbling up and you feel like you’re going to explode, like your skin is too tight, like you’re falling apart, all at once.
There’s nothing left inside of you, nothing left to do.
You break.
Millions of miles of denial and fear and agony splinter, shattering into shards that destroy you from the inside out.
“He’s going to kill me.” Johnny curses something thick as you sob, palm flat over your racing heart. “He t-took everything. He made me into… into this, and it’s only a matter of time. He’s going to find me again, and he… he’s-“ He cups your cheek.
“Shhh, bunny. We’re here, we’re right here.”
“No, he’s not. Listen-“ you try to pull away but Johnny stops you, holding you firm as Simon ducks into your line of sight. “Listen to me. He’s never going to touch you again, do you understand? We will never let him near you, ever again. We promise.”
“You can’t pr-promise that.”
“We can,” Simon vows, “but… we need to know everything. What we’re looking for, who he is.”
No. You don’t know why, but there’s a barrier around Phillip’s name. Like you can’t force your tongue to make the sound, and you can’t tell them.
If they know, they’ll look for him. They’ll try to find him; you can already tell.
They’ll get hurt, or worse.
You can’t let that happen.
“I can’t.” You whisper. “I can’t.” Johnny pulls you back into his arms, and you curl up against him, his chin on top of your head. They look at one another, long glances you can’t interpret, before Simon takes a deep breath, his hand gentle on your knee.
“Bunny… do you have a child? Someone you’re trying to protect?” Your eyes slip shut, and despair grips your throat like a vice.
“No.” You croak. “No, there would have been one but…” you drag the truth into the light. “I lost it. He didn’t want it so… he got rid of it.” They both freeze.
“Sweetheart.” Simon whispers, Johnny’s arms going rigid, and you shrug, slipping away from this moment, from them.
“It was a long time ago.” You pause, keeping your eyes closed. “I’m fine.” Johnny scoffs.
“The hell ye are. And ye shouldnae be.” You shake between them, exhaustion settling into your bones like it belongs there, and they linger in silence with you, in the moment, letting it stretch long before Simon murmurs something and brushes his fingertips against your cheek.
“We’ll wait, until you’re ready.” You relax with a small sigh. “But if we don’t know who we’re dealing with, that means no more coming and going. I don’t want you outside this house without me, do you understand?”
“I’m going back to work.” You refute immediately.
“When you’re ready to go back, we’ll come up with a plan to keep you safe.” He says sternly, and you swallow, eyes wide.
“We jus’ want to keep ye safe, pretty girl.” Simon tugs your hand into his, and murmurs lowly.
“I know you’re independent, and you’re used to being on your own, but we’re here now. You don’t have to do this alone. We’ve got you.” Tears burn at the corner of your eyes.
You should tell them no, but you can’t.
You should be angry, or nervous, or even scared, but all you can feel is relief.
You don’t have to do this alone.
The house is quiet when you wake up the next morning.
It’s odd now, opening your eyes to an empty bed. All you’ve known for years, is being alone. All you’ve relied on for so long, was yourself.
But now, when your arms and legs spread wide between the sheets and you come up empty, panic flutters in your heart. “Johnny? Simon?” When there’s no answer, you stumble over the side, loping steps hauling you down the stairs and into the living room.
Johnny’s half-awake on the couch in his boxers, flipping idly through television programs. You breathe a little bit easier, and he cracks a smile. “Morning, pretty.”
“Morning.” You bend in front of him, swooping down to press your lips to his. “Where’s…”
“He took Pen to swim. She’s in classes and then has a playdate at a friend’s house after. Busy wee one, our Penny.” Fingers idly rub against the skin beneath his ear, tracing down to his collarbone.
“You eat breakfast?”
“Was waitin’ for ye.” Something dark and hungry glints in his eyes, and your knees go weak.
“Oh, w-well I can make you someth-“
“No.” He traces down the inside of your thigh, where he’s eye level, and then up, backs of his fingers stroking over the front of your panties, thumb skirting along the seam between your legs. “Not hungry for food, bun. Just for ye.”
“O-oh.” His thumb presses, just enough pressure brushing against your clit, and you gasp, hand shooting out to steady yourself on the arm of the sofa, where his head is.
His lips touch to the inside of your wrist, and he grins. “C’mere Bunny.”
“You’re still recovering.” Your fingers twist in the hem of the t shirt you grabbed off the floor, one of theirs.
“My face isn’t.” His hands wrap around the backs of your thighs, tugging you closer. “My face is the perfect seat for ye, pretty girl. Let me make ye feel good.” Everything tightens, your chest, your heart, each blood vessel stitched throughout your body. Your clit pulses, knot in your stomach tying so tight it makes you lightheaded, agony and arousal singing together in perfect harmony. It’s a song with perfect pitch, swirling around the two of you in euphoric polyphony.
You want this. Want him. Want to let it all go.
“Johnny.”
“Got a seat for ye,” his fingers trace over his lip and down his neck, where his throat bobs with a swallow. You can’t pull your eyes away. “Right ‘ere.”
It doesn’t take more coaxing after he tucks his fingers into your underwear and rolls them down your thighs, giving you a light pat just under your ass, shifting and arranging until you’re perched across his shoulders.
“What if you can’t breathe?” Your voice hitches on a panicked note, and he rubs your legs soothingly.
“Then I’ll die a happy man.” You choke. “Just kiddin’ bunny. Ye cannae hurt me, I can breathe just fine.” His eyebrows crinkle and crease, soft expression puckering down to where his lips part.
Let go. You can do it. You want this. Just let go.
“I- I’m not very good with…” You gulp, chest heaving. “With sex, I uh. I don’t have good memories of it, and I’ve never… I’ve never done this.” It’s the best you can explain, in this moment, and you pray it’s enough, that he’ll understand.
“We’ll go slow.” He promises, still rubbing circles into the backs of your legs, grabbing fistfuls of your ass and thighs, pressing long kisses into your skin. “Ye tell me to stop, if ye dinnae like it or ye want to stop, promise?” You nod. “Say it, pretty girl.”
“I’ll tell you… to stop.” He smiles, and urges you forward, palms still curved around your cheeks.
“Cannae wait to taste ye,” you move slowly, hesitantly, and he encourages gently, patting and rubbing patiently, eyes locked your face the entire time, “have been dreamin’ about it, since that day ye didnae wear any panties to work.”
“Johnny!” you hiss, playfully scandalized, heart trilling. He’s turned a miserable memory, a scary memory, into something not so bad, so easily. It means a lot, means more than you think he knows, and you’re just about to tell him when you feel heat slip across your skin, thumbs stroking down the seam of your cunt. He jerks you forward completely, until the bottom half of his face is missing, and all you can see beneath your legs is a crop of mohawk.
The first touch is heaven. He’s warm, and safe, and you melt onto him, indulging in the feeling of it all. His arms wrap around your hips, anchoring you in place, mouth sloppy against your pussy like he’s trying to devour you whole. You jerk, falling forward at the waist, one hand against the couch, the other fisted in his hair, trying to create space for him to breathe.
“No.” He growls, slamming you back down, nose bumping against your clit over and over as his tongue dives into you, curling up into your body.
You close your eyes. You need more friction, but you don’t know what to do, don’t know how to get it, and the longer you try to figure it out, the more you’re slipping away, kicking and fighting in darker waters.
Stay present. Stay here. With him. You’re safe. Let go.
Your breath stutters in your chest. Two factions fight one another, one trying to catapult you towards an orgasm faster than you’ve ever gotten there in your life, and the other, trying and failing to stem the memories and anxiety that bleed freely from your brain. The pleasure is mixed with pain, with nightmares, and your muscles turn to rock, eyes slamming shut.
A big, warm hand settles between your shoulder blades.
You jolt away from it, but when your eyes snap open-
You see Simon.
He’s on his knees at your side, part of your thigh now pressed against his chest. He watches you intently, sweeping over your features and down to where you’re sitting on Johnny’s face, half relaxed, half coiled tense.
“You’re in control, sweetheart.” Even kneeling, he’s tall enough that he’s nearly eye level with you, and Johnny’s free hand searches for him when he hears his voice. Simon gives him a squeeze, and then lovingly strokes some of his hair from his forehead. “Our sweet boy just wants to make you feel good. Do you want that?”
“Y-yeah.. but I don’t… I don’t know how.” You squeak, burning with embarrassment, still clutching the couch. He pulls that hand free, into his, and rubs a thumb over the back of your knuckles, before placing it back against the armrest. It’s comforting, and reassuring, and he keeps the other one anchored at your back.
“Just relax.” He murmurs above your ear, now cradling your hips. “Hold onto the couch with both hands, like that- good girl.” His grip tightens, and then slowly, he starts to move you. “Find what feels good, take your time.” You roll your hips slowly, looking for the right amount of pressure, the friction you’re desperate for, and Johnny moans beneath you, his own hips flexing. “There you go, does that feel good?” Simon’s eyes are nearly black, and you nod hungrily. “Ride him just like that, don’t stop.”
“Oh my god.” You moan, tilting back. Each time Johnny’s nose or tongue rubs against your clit it’s like lightning striking in your blood, and warmth crackles around you like a blanket.
“Fuck,” Simon growls, palm pressing against your lower belly. “Look a’ the two of you, all mine.” The possession shivers across your skin and you moan, head heavy. Johnny’s tongue finds your rhythm, and then he’s flicking across your clit like he’s plucking a string, a perfect note.
“Johnny, ah…” He groans something in response, the vibration shooting straight to your brain. You tip to the side, face pressing into Simon’s neck, and he supports your weight, keeping a hand on your hip, now spread over where Johnny holds you. You're in a frenzy now, panting, chasing, rough pace only increasing with desperation.
“Good girl, rubbing your little pussy all over our sweet boy’s face. Is he going to make you cum? Can you show daddy how pretty you are when you cum?” Daddy. The word makes you dizzy, strikes you dumb. Simon’s lips press to the crown of your head, and all you can do is gasp and whine, hips jerking across Johnny’s nose and mouth, slick, lewd noises coming from between your legs.
“Oh, oh- fuck,” you gasp, fingers now tightening in Johnny’s hair, electricity sparking through your muscles like fireworks, “I’m gonna- I’m-“ You drag yourself across him, chasing the edge of oblivion, white light crackling behind your eyes as you clench them shut with a near shout. Your orgasm shoots through you, exploding every cell in your body into star light, everything heating together as your eyes roll backwards and your hips shake. Johnny grunts, still anchoring you down onto him, aftershocks rattling through your bones to your teeth. Simon pries him lose, keeping a hand on you, and him, as he pulls you back to reveal Johnny’s face.
He's soaked. Neck, chin, cheeks, stubble all coated in you, and your eyes goes wide, wicked pleasure at the sight curling in the pit of your stomach.
You did that. Your boy.
Simon chuckles like he’s reading your mind, tucking you into his chest before pulling you free and placing you in the space next to Johnny on the couch, laying down. He kisses him slowly, softly, running his tongue over his cheeks before returning to dip back into his mouth and pulling away. “Stay, ‘m gonna go get a towel to clean you both up.” He says quietly, kissing your nose before rising and slipping off into the kitchen. Johnny tries to tug you closer.
“How was that?” You can hear the smug smile and his face as he breaks the silence, and your cheeks burn.
“Really good.”
“Hmph, I was shooting for amazing, so I guess we’ll just have to try again.”
“That’s not… it was!” He laughs, and then gives you a half hug with his good arm.
“Ye were perfect, bunny. We’re so lucky to have ye.” Tears burn and threaten to spill.
“I’m the lucky one.” You whisper, and you don’t know if anything could be truer. It’s more than luck now, more than a chance meeting, a chance occurrence. It’s something bigger, something all consuming, something stronger than anything you’ve ever known.
Something bright, like the sun.
Something like… love.
#simple math#peaches writes#ghoap x reader#soap x reader#simon riley x reader#simon ghost riley#ghost x soap x reader#simon ghost riley x reader#john soap mactavish#simon riley#ghost x reader#ghost x reader x soap#johnny soap mactavish
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Where to Run
Sam and Dean Winchester & little sister!reader
Requested by @deansobssessedgirl
Synopsis: you’re on the run from the British Men of Letters, and you meet your big brothers for the first time.
Entering the United States unnoticed had gone better than you thought it would. As soon as you got through passport control, you dug into your backpack—the only luggage you had brought with you, and it contained all you owned—and pulled out two pieces of paper. You considered them both for a long moment—one, an over a decade-old letter with the name of a small city in black ink in the middle of it, and the other a list of cities, one circled in red.
The list would take you to a nearby Men of Letters bunker in Lebanon, and the letter…
The letter might just lead you to your father.
…
“And you’re sure we haven’t already been to this one?” Sam asked his big brother as they pulled up to a storage facility.
“Of course I’m sure. I would’ve remembered one so close to Lawrence,” Dean said.
“What do you think dad kept in here?” Sam questioned, his curiosity getting the better of him as Dean led the way to the right storage room.
“Who knows?” Dean shrugged. “Let’s just hope one of these works.” He jangled a small set of keys on a ring that John had left in the car—they contained a spare key for the Impala as well as John’s old truck, and several storage facility keys. Dean had thought that he and Sammy had been to all of John’s secret storage places, but after scanning John’s journal for the hundredth time, he caught sight of an address scratched in the corner of a page with a storage number.
“It’s this one,” Sam spoke up, grabbing the keys from Dean and trying a few before one finally worked.
The room was small, but packed full. Sam and Dean—after carefully scanning for traps—split up and began to go through their father’s things.
“Hey, I think this file cabinet’s locked,” Sam said from one corner. Dean lifted his head, but didn’t go to his brother’s aid, too busy going through a box of odds and ends.
“Or you just didn’t pull hard enough—maybe if you had any muscle in those noodles—“
“Ok, ok,” Sam interrupted with a scoff. He rolled his eyes, but didn’t dismiss Dean’s theory—he yanked hard on the file cabinet, and it jerked open in a cloud of dust. Coughing, Sam reached down to shuffle through what was inside. “Hey, there’s only one file in here.”
“Fascinating,” Dean said in a tone that said exactly the opposite.
“There’s a birth certificate inside,” Sam said, and suddenly his voice caught. “With…with dad’s name on it.”
“Dad’s birth certificate?” Dean asked, mildly intrigued.
“Dean…not dad’s.”
“What?” Dean was by Sam’s side before Sam had even seen him move.
“Y/N Winchester, born to John Winchester and…Jane Doe.” Sam frowned, his brow crinkling. “I wonder why dad would use his real name when the mother used a fake.”
“This can’t be real,” Dean insisted. “I mean…I know with Adam…but another one?”
“Let’s see,” Sam mumbled, putting the certificate inside and checking the rest of the file. “Pictures.” Sam held up a stack, which Dean immediately snatched from him. Sam ignored this, because he’d found his own details to focus on. “And letters.” Sam grabbed the first letter from a stack of dozens, and began to read. “Dear John…our girl turns one today…”
Dean tapped Sam’s shoulder and held up a photo of a little Y/H/C girl blowing out a singular candle on a pink cake.
Sam moved onto the next letter, skimming it.
“Dear John…I put Y/N in gymnastics because it’s the only way I can get her to work on strength training and endurance.” Sam’s brow crinkled in confusion, but he was distracted when Dean held up a photo of the same girl, a few years older, in a gymnastics leotard on a balance beam.
“What do you think she meant by training?” Sam asked. “Do you think she was a hunter?”
“Could be.” Dean shrugged. “Maybe that’s why she signed her letters Jane Doe.” Dean pointed to the bottom of the letter, where “love, Jane Doe” was written.
Sam was about to pull out another letter when his fingers froze on the paper.
“Dean…”
“Hm?” Dean asked distractedly, still going through photos.
“Dean look at this.” Sam flipped the paper around, and on the back of it was a watermark—an indicator of who made the stationary.
It was the Men of Letters insignia.
…
“Lebanon, please,” you said to the taxi driver. “I’ll direct you to a more specific location when we get there.”
The man shrugged, unbothered, and began the journey.
You desperately wanted to go to Lawrence in search for your father, but you had to be realistic—you hadn’t eaten all day, you were jet lagged and exhausted, and you needed a plan of action. You needed to recover and regroup, and you needed to do it in a secure location; you needed to feel safe. In fact, you were so wound up that you flinched when the radio came on.
“—o one seems to have any information on who is causing the recent string of murders. The chief of police has offered no comment, other than a warning that the people of Lawrence should stay indoors when possible, and be alert. But there’s no denying the oddity of the case—the mass murderer seems to have some kind of vampire ideologies, with each of its victims drained completely of their blood. In other news—“
“Hey, driver!” You called out, and he glanced over his shoulder to indicate he was listening. “I changed my mind. Take me to Lawrence.”
…
“It’s gotta be another djinn.”
Dean would’ve groaned if he didn’t have a mouthful of hamburger to swallow first.
“Not those again,” he said after a gulp of beer washed down the last of his burger. They’d finished going through John’s things—Sam taking the file of your pictures and documents with him—only to leave and stumble upon a case. Dean had wanted to stop at a diner on the way back home, but he hadn’t expected to walk past a news stand to see a paper with “vampire killer” written across the front. It took Sam less than ten minutes of reading the paper, as well as a little time on the internet, to render the paper completely wrong.
“It doesn’t fit with a vampire. No teeth marks, no signs of struggle, the bodies were found in a different location from where they were taken—it’s definitely a djinn.”
“Ok, so silver knife dipped in lamb’s blood.” Dean sighed. “We happen to have one of those?”
“I think we still have the one we used last time in the trunk,” Sam said.
“Then let’s get going.”
…
You picked up a machete after being dropped off by the cabbie, hoping beyond hope that the radio had been right (even if they were kidding) about it being a vampire—there were several monsters known to drink blood, and if it was anything other than a vamp then things might get tricky. Normally you would be more prepared, but it wasn’t like you could get your weapons through customs when traveling to America, and you’d had to travel light so you could move more quickly. The British Men of Letters worked quickly, so you couldn’t take any chances. And buying up strange kinds of weapons near an old Men of Letters bunker was definitely too high a chance to take, so all you could do was hope that it was a vamp.
You’d done so much research about Lawrence that you barely even have to wonder where the creature might be hiding out—while researching Lawrence, you’d almost automatically noted the places where a supernatural being might be inclined to hide, so all you had to do was see which one was closest to the bodies that were dropping.
Then you were ready to hunt.
…
“I’m telling you, this has to be it. It’s nearly equidistant to all the bodies, and it’s the perfect place for a djinn to hide out.”
“You don’t have to sell me on the location, I believe you,” Dean told Sam. “But you do have to tell me how to get there.”
“Turn right here…yeah, and a left at that stop sign, and then we’re there.”
“So are we just not gonna talk about it?” Dean asked after a beat of silence as he followed Sam’s directions.
“Talk about what?”
Dean scoffed. “I don’t know, maybe our little sister?”
“I don’t know what to say, Dean,” Sam sighed. “There’s no address anywhere in the documents or the letters, and we don’t even know her mother’s name, or if Y/N even goes by Winchester. Her mother used an alias, it makes sense that the kid would go by one, too. We have no reason to believe that she’s going by the name on her birth certificate, so we don’t have the first clue on how to find her.”
“Well it feels like we have to do something,” Dean argued. “I mean we don’t even know if this kid knows about dad—for all we know, she thinks he’s still alive. She deserves to know.”
“Why the sudden interest?” Sam questioned. “You didn’t seem all this interested when we found out about Adam.”
“That was different,” Dean sighed. “With Adam…Adam was just some normal, innocent kid who saw dad once a year for a baseball game and knew nothing about the life. This kid—Y/N—with the talk in those letters about training, and the Men of Letters insignia…she’s in this life, Sam, I can feel it. And since dad’s not around anymore…I think it’s our job to make sure she’s ok.”
“And I’d be happy to do that,” Sam insisted. “If only we knew how to find her. But for now, let’s do what we can do—take out this djinn.”
…
The sight of a car in the parking lot of the abandoned warehouse worried you—even if it was a beautiful car.
“Chevy Impala,” you mumbled to yourself. “67, I think.” You shook yourself, moving your mind back to the task at hand, rather than the conversation you were having with yourself. Hopefully the car here didn’t mean that its owners were anywhere near the warehouse—the last thing you needed was some innocent people getting in the way and getting hurt.
Seeing no one around, you hefted your machete and headed inside.
…
Dean gestured at Sam to be quiet as he peaked around a corner. Signaling that the coast was clear, Dean led the way through the warehouse, the silver dagger gripped in his steady hand. Dean was just signaling Sam to wait so he could check around another corner when—
“Hey!”
“Jeez—what?”
Dean stopped himself just short of cutting not a djinn, but a Y/H/C girl wielding a machete that was aimed at him.
“Hey, easy.” Dean took a quick step back, raising the knife and his hands in the air. “We’re not—“ Dean’s words died in his throat when he got a good look at your face.
“Dean,” Sam breather from beside him. “It’s—“
“No kidding.”
“What are you talking about?” You demanded, lowering the machete just a little bit. “Who are you guys, what are you doing here?” You didn’t want for an answer. “You have to get out of here, there’s a—“ your eyes fell to the silver dagger.
Sam’s gaze followed your own to the weapon in Dean’s hand before he looked back at you.
“It’s not a vamp,” he said, gesturing at your machete. “It’s a djinn.”
You lowered your machete completely.
“You’re hunters?”
Dean couldn’t keep the astonished smile off his face.
“And you’re Y/N Winchester.”
The machete was back up in an instant.
“Who are you?” You demanded for the second time. “Men of Letters?”
“Easy, easy,” Dean said, taking a step back as you advanced on them. “I’m not—“
“Guys!”
Sam’s warning proceeded the arrival of the djinn by a split second—just enough time for Dean to dodge the blow that the djinn tried to land on him.
“Hey!” Your call turned the attention of the djinn, who grabbed hold of your arm before you had the chance to move away. He twisted your arm behind your back until your machete was crashing to the ground and you were crying out in pain.
“Here!” Dean’s call came a second before the silver dagger was hurtling at your face. You snatched it up with your free hand and twisted it so it was facing the djinn a moment before you plunged the dagger into the djinn’s side. He howled with pain and released your arm, giving you an opportunity to spin around and stab again, this time in the neck.
The djinn went down without a sound, and the thud of his fall echoed through the empty room. For a long moment, only the sound of heavy breathing could be heard. That is, until Dean took a step towards you.
“Back off!” You yelled, raising the blood-soaked dagger.
“Are you serious?” Dean scoffed. “Hey, I just helped save your life.”
“I’m not going back!” You were starting to look panicked as you backed away from the brothers. “So-so just tell Lady Bevell, or Ketch, or Mick, or whoever recruited you that I’m done! I’m not a part of the Men of Letters, and I never will be!”
“Hey, hey, easy,” Sam soothed. “We’re not Men of Letters.”
“Then how do you know who I am?” You challenged.
“Because of John Winchester.”
Sam’s response froze you in your tracks.
“J…John Winchester?” The dagger was slowly lowering. “You know him? You know where he is?”
The hope in your eyes was like a punch in the gut to both brothers. However, it was gone in an instant and replaced with a harsh suspicion as you raised the knife higher again.
“How do I know you’re telling the truth?”
“That’s how we know who you are, kid,” Dean insisted.
“Here—“ Sam’s hand was halfway to his pocket when you pointed your knife at him and he froze. “Easy, ok? I’ll go slow.” He slowly reached in, and you relaxed slightly when he pulled out a small bundle of papers. “We’ve got letters that your mom sent to him, with some pictures.” Sam held them out, and you hesitantly took them, thumbing through the stack while occasionally glancing warily at the boys.
“They stop,” you mumbled.
“What?” Dean asked.
“The letters, they stopped…at least ten years ago.” You looked back up at the boys as you spoke. “Is…is there more, or…”
The despair on the boys’ faces spoke for itself. Your lip was already quivering as you tucked the letters away, still holding onto the knife but keeping it pointed down.
“Is he…is he dead?”
“Yeah,” Dean sighed. “About ten years ago.”
Sam could tell you were trying not to cry, trying to act like they hadn’t just ripped the rug out from under you.
“You know, I—I didn’t even know him—“ your voice cracked. “But I…gosh, I re-I really wanted to.”
You let Dean take the knife from you after he put a gentle hand on your shoulder.
“Um, so.” You wiped your hand over your face, trying to brush away any stray tears as you tried valiantly to pull yourself together. “So how did you two…”
“He’s…he’s our dad, too.” Sam said. Your eyes widened slightly as you absorbed this information.
“Wait, you…were you…from his wife?”
“You knew about her?” Dean asked.
“Not really,” you admitted. “John…dad, he…he never liked to talk about his past, but he did mention his wife in one of his letters…he said her death was what made him become a hunter.” Your lips quirked up as you remembered. “He said if I ever saw a yellow-eyed demon, send it to hell for him.” Your eyes went back to Dean and Sam. “Is…is that how he died? Hunting demons?”
“Kind of,” Sam said. “It’s…it’s a long story.”
“What about you?” Dean said suddenly. “If you know Lady Bevell and the rest, and you know they’re here recruiting, then you’ve got something to do with the Men of Letters. Not to mention their insignia on the back of those letters.”
Just the mention of the Men of Letters had you on edge again.
“Maybe we should talk about this at a more secure location,” you suggested. “There’s an old Men of Letters bunker not far from—“ you cut yourself off when you caught the look between the two brothers. “What?”
“We know,” Sam said. “We’ve been living in it.”
Dean noticed your fingers twitch, as if you were thinking about reaching for a weapon.
“And I’m supposed to believe you’re not Men of Letters?”
“Our grandfather was one,” Dean said. “He left us a key.”
You seemed to consider this. Dean watched as your eyes got a faraway look, and he knew you were trying to remember something.
“Mom said that John was from a line of the Men of Letters. It was one of the ways she tried to get him to join.” You shook yourself of the memories. “Fine. I’ll go with you, but that doesn’t mean I trust you.”
Dean couldn’t help the way a smile twitched just slightly on his lips before he dropped it.
“Fair enough.”
…
You were quiet the whole way to the bunker, and although your brothers had questions they sensed you were tired and on edge, so they refrained. Dean kept glancing at you in the rearview mirror the whole way, and he was happy to see the way you slowly put your guard down—mostly out of exhaustion—as you relaxed into a light slumber.
You awoke with a start when Dean pulled into the bunker’s garage, the echo of Baby’s engine reverberating loudly.
“Home sweet home,” Dean crowed as you stepped out of the Impala. You didn’t say a word as he led you inside, but the moment the three of you settled down around the kitchen table, you finally started to talk.
“John met my mother on a hunt. She was just visiting America, vacation or something, but she happened to stumble on a case. They met…and well, I came along.” Both brothers noticed you skipping over the details, for which they were grateful. “But while mom was still pregnant she tried to convince dad to join the Men of Letters.” Sam noticed the way you kept switching between dad and John, as if you either weren’t sure what to say, or you weren’t sure what the boys were comfortable with. “He didn’t like the idea, and he didn’t want that for me, either. They fought about it, and mom left the country to go back to England. She was still pregnant…” Dean saw your fists clench and unclench as you blinked rapidly. “Dad, he…he never saw me in person. Any-anyway, she still wrote to him, and she let me read his letters. She said he deserved that much, at least. Dad was always telling me hunter things—I think he was hoping I’d end up a hunter, like him.”
“Why did you?” Sam spoke up. “I mean, if your mother raised you with the Men of Letters…”
“She kept a lot from me,” you said. “The…morally ambiguous parts.” At Dean’s strange look, you scoffed. “Ok, let’s be real, the straight up evil parts.” This got a grin from both brothers. “But she, uh…” the lightheartedness in the room was gone in an instant. “She died last year, and well…people stopped lying to me. I realized all the crap they really did, and I ran.”
“And what, they’re after you?” Dean questioned. “I mean it’s not like the mafia, right, I mean you can just leave.”
You nearly laughed out loud.
“I wish they were as sloppy as the mafia. No, you can’t just leave, especially not me—just because I’m a kid, doesn’t mean I couldn’t have over a decade of Men of Letters’ secrets stored in my brain. That’s why I came here, I…I wanted to find dad. To find family, protection.” You took a deep breath. “I want to be a hunter, not a Man of Letters.”
Dean found himself speaking before he even thought about what to say.
“Why do you have to be either?”
“What?” You said at the same time as Sam. Dean glanced between you before continuing.
“You’re just a kid—you’ve got your whole life ahead of you. You don’t have to be either, you could be whatever you want.”
You blinked up at Dean, as though the thought had never occurred to you.
“I…I don’t…”
“Look,” Dean began. “Don’t decide just now. John may not be here, but we’re family too, kid. There’s an empty bedroom down the hall, you should get some sleep, get settled in…then maybe we could talk about this hunting stuff, ok? The important thing is, you’re safe here. Let’s just say we don’t like the British Men of Letters anymore than you do. They’re not getting in here, and they’re not getting to you. Everything else can wait for later.”
You felt a smile—a true smile—etching its way into your face for the first time in so long. You looked up at this man—your big brother—and you couldn’t help but feel that everything was going to be ok. Whether you decided to hunt or not, or whether the Men of Letters came after you, you knew one thing for sure—
You really had found your family.
Taglist:
@nyotamalfoy @mrvlxgrl @chocorade @aestheticdaisies @inlovewhithafairytale @that-wannabe-vangoghgurl @casmustdiee @987coley @deadlymistletoe
#the winchesters#dean and sam#dean winchester#supernatural dean#sam winchester#winchesters x sister#dean winchester x reader#dean winchester x you#winchesters x reader#sam winchester x reader#dean x you#dean winchester x little sister#sam winchester x little sister#dean winchester x sister#dean winchester x sister!reader#sam winchester x sister!reader
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Ten Months as Yours
Colonel Horacio Carrillo x F!Reader
CW: Angst (reader is CIA and has feelings about it; failed first marriages; talk of Catholicism); smut (oral, m! and f! receiving; PiV, unprotected); 18+ only.
Word Count: 10,951
AN: This was from an "Arranged Marriage" prompt list. An anon asked for it, and it was supposed to incorporate dates where the couple gets to know each other. I, an idiot, didn't remember that until nearly the end, but if you kind of squint, you can see it.
AN2: Not edited. Not even a little bit.
AN3: Sigh. I dunno, folks. It's whatever.
Horacio Carrillo’s first marriage was standard Catholic fare: the reading of the banns beforehand, then the long wedding Mass. Heavy on the incense, crowded church, a red-faced priest droning through the Gospel. Juliana, his blushing bride in a heavy lace veil, clutching a bouquet of lilies already wilted and brown at the edges in the Colombian heat.
Then, years later, the dissolution of that marriage. Papers signed separately in the presence of lawyers after an ice age formed between the couple. Then more years of Horacio being single again, but the time slipped by like water. He was so busy with work, he hardly registered the empty house he returned to every evening.
Horacio Carrillo’s second marriage is something else entirely.
It’s not, strictly or spiritually speaking, a real marriage. It’s a bit of maneuvering on the part of the U.S. government, logistical choreography as part of a larger plan. To the world at large, Horacio Carrillo is dead: murdered by Escobar’s men in a trap. Only a handful of people know the truth—the doctor and nurses at the American hospital who healed him under a temporary alias. And this man, Johnson, a U.S. Marshal and handler for the U.S. Witness Protection program
Johnson is the sole witness to this so-called marriage, if one could even call it that. It happens on the cargo plane from Bogota to Atlanta. Johnson sits in the jump seat across from his two charges: Horacio…and you.
Horacio doesn’t even learn your real name. There’s no exchange of vow and certainly no incense or bouquet of lilies. Instead of a blushing bride, there’s a silent one. Your mouth is set in a thin, straight line as you listen to Johnson’s rundown of your new life, and every time Horacio chances a look at you, he only sees the tension in you. Grim-set mouth, clenched jaw…and the white edge of a bandage on your temple, mostly hidden under the sweep of your hair.
Horacio wonders if you’re dead to the world too. You aren’t DEA or CIA, at least not in the Colombian theater, but that doesn’t mean you weren’t nearby. The U.S. agencies have their sticky fingers all over South America.
The broad strokes of the situation: you and Horacio are newlyweds. You met in Spain and are returning to the U.S. Horacio is dead, but he’s been replaced by Davide, and Johnson hands over a thick packet of official documents—Spanish birth certificate, Spanish passport, U.S. green card.
You are also dead, but you’ve been replaced by Gwen. Another thick packet of documents detailing your fake life as an ex-pat American in Spain.
Each packet also contains a simple gold band for each of you. Horacio turns it over and over in his hand, contemplates the little twist he gets in his gut to put a ring back on his finger after years of being divorced.
You slide yours on too, but you fuss with it the rest of the flight, twisting it around and around your finger.
“You’re going to Vermont, of all places,” Johnson tells you. “There’s a mid-sized college there with a lot of international folk coming and going, so you’ll blend in. The house is handled, and you’ll get a stipend every month, but we expect you to find jobs as quickly as you can.”
Johnson doesn’t even attempt to say how long it will be. Horacio knows he has to wait out Escobar before he can return to Colombia. You? Who can say?
The rest of the flight is silent except for the low roar of the engines and the creak of the netting holding the cargo in place. Once you land, you stand and follow Johnson and Horacio off of the plane to transfer to a smaller passenger plane that will take you to Vermont.
The final leg of the journey is silent too.
When you deplane in the small regional airport in Vermont, you stumble on the step down from the fuselage. Horacio catches your arm, keeps you upright.
“Watch your step,” he says softly.
“Thank you,” you reply.
It’s the first words you exchange, and his hand on your clothed arm—that’s the first time he touches you.
-----
Horacio has never been to the United States before, but when he thinks of it, he thinks of what he’s seen in the movies: New York City, perhaps, with the traffic and skyscrapers and Statue of Liberty. Or Miami with its white beaches and turquoise water and neon-tinged nightlife.
Vermont is something else.
It’s green. Everything is so green. The rounded mountains in the distance, the old trees with huge, spreading branches. The grass of the lawns in this college town. Even though it is near twilight, even the shadows are green-tinged as the sun sets.
“At least we arrived in the spring,” you say. You glance at him, explain that New England winters can be brutal.
The house is small, trim. It’s a simple ranch but well-built. There’s a fair amount of land, and the nearest neighbors are far enough away that there’s privacy.
Of course it’s awkward. You don’t know each other at all, and you’re both in hiding. Horacio is out of habit with living with another person, and he has to guess you are too.
That first night, the first moment of awkwardness: when you arrive at the house, there’s two bedrooms, and you both hesitate in the hallway that leads to both. You’re married on paper (kinda) but who would expect you to share a bed? But you’re also both exhausted, and Horacio takes in the dark circles under your eyes. The larger room has a full-sized bed, but the guest only has an uncomfortable-looking daybed.
“Take the master bedroom,” he says. “I’ll take the guest room.”
“You sure?” Your words, Horacio notices, are slightly accented, like you’ve been around people like him who speak English as a second language. He wonders about your past and what landed you here with him.
“Of course. Take the room. We’ll talk in the morning.”
You nod, and he glances down at where you twist that gold band over and over around your slim finger. It’s here, he’ll realize later, that he starts to feel something for you, but at the moment, it’s only sympathy. You’re trapped in the same miserable situation as him, so sympathy is an easy emotion to access.
“I appreciate it…Davide,” you reply, and you give him a nod, then turn in for the night. He hears the quiet click of the bedroom door as you shut it, and he turns in too. The daybed is cramped, and he can’t stretch out completely, but he’s so bone-tired that he’s asleep the minute his head hits the pillow.
-----
The first month, April.
It’s awkward. It’s more awkward for Horacio; everything in the U.S. is familiar, but just different enough to make it seem like he’s dreaming. You’re already an American, and life in an idyllic New England college town is easier for you to settle into.
Living with another person is strange. Horacio finds that the two of you engage in a civil, stilted dance each day that first month. You each tiptoe around the other, defer to each other in a painfully polite way. When Horacio catches you singing along softly to the radio one night, you snap the music off and go quiet. When you walk in on him in the bathroom once—he was only brushing his teeth, so it is hardly salacious—you apologize and refuse to meet his eyes for the rest of the week.
The two of you don’t really talk, not that first month. You aren’t supposed to share details about your real lives with each other, so neither of you know how to converse in the weird liminal space you find yourselves. Your conversations are limited to menial topics. The weather, the house and yard, what you each want for dinner that night. You trade off chores, you drift around each other, and it’s like living in purgatory with another ghost.
Sometimes, Horacio swears he can hear you crying softly through the wall that separates your room from his, but you never offer any insight into your feelings and he doesn’t ask.
-----
The second month, May.
Johnson told each of you to find work, and you land a job first: you get a position at the college. You ask him, a bit shy, if you can take a certain portion of the monthly stipend to buy some new clothes for your office job, and Horacio’s gut does that twist again. Of course you need new clothes. You left wherever with nothing, the same way he left Colombia with nothing.
“Of course,” he says. “You don’t even need to ask.”
That makes you smile a little, and you make a weak joke about not wanting to be the sort of wife to spend frivolously. It makes Horacio chuckle. It breaks the uneasy tension in the house a bit, and he ends up going to the mall with you that weekend as you shop.
There’s nothing like a mall to encapsulate American culture, and Horacio tries to play it cool at the conspicuous consumption on display. The giant building, the icy air conditioning, the cacophony of sound echoing around the marble floors and walls. There’s so many people and only a handful of security guards. When Horacio studies them closer, he sees that they don’t even carry guns—they only have walkie-talkies as they saunter around at a lazy pace.
His life now is a far cry from his life as the leader of the Search Bloc. And when he glances over at the woman walking beside him, he realizes how far this second marriage is from his first.
But the thought leads to him ruminating about his first marriage and all the little ways he failed Juliana. This situation with you isn’t a marriage, of course, but it doesn’t stop him from wanting to be better.
So once you are done shopping, he pulls you into the Sam Goody and insists that you buy an album to celebrate. He catches you singing all the time in the house, listening to the radio, humming or singing along. When he imagines your mysterious life before now, he imagines an apartment filled with a big stereo and shelves of albums.
“Seriously?” It makes you smile again, and Horacio thinks you have a nice smile, though he wonders how often people ever get to see it.
“Well, it’s our stipend,” he clarifies. “It’s not like I’m treating you, really. I guess it’s not really a gift if it’s ours.”
Another smile, and he stands back and watches as you rifle through the stacks of vinyl records and CD’s, as you pull one out and read the list of songs, then replace it. You finally settle on one, and the two of you check out, and Horacio pulls out his wallet and pays.
And even if it’s your shared stipend, you thank him and smile again, and it feels like something that he can’t quite name.
-----
The third month, June.
You leave the house every weekday for work. Horacio finally has some firsthand knowledge of what Juliana must have felt when he left each day. He had always prided himself that he was able to provide for both of them, that she never had to work.
He had never considered how bored she must have been.
He wakes up early out of habit, but you do too. In the soft pre-dawn light, you go out for a run every day. Part of him remains Search Bloc; he stands at the living room window and watches for you until you return, panting, your t-shirt ringed with sweat. He finds he can breathe easier once you’re in sight.
While you shower and dress, Horacio makes you coffee. The two of you sip at your coffee in companionable silence, and then you’re off.
It leaves him with a full day with little to do.
He cleans the house, but that takes no time at all because both of you are fastidious and neat anyway. He maintains the lawn, trims back the unruly rhododendrons. He bought a weight bench and a set of free weights from a yard sale a few weeks after you moved, and he spends some time lifting in the garage.
That takes him to noon, if he’s lucky.
His afternoons are when he thinks of Juliana the most. Is this what her life with him was like? Back then, he used to scoff at the claim that women needed a life outside of the home. His mother had seemed happy to be a housewife and mother, and he had always assumed that Juliana was the same. Except the children never came, and Juliana had a degree in fashion design from the university—yet when she broached the idea of a job or even an internship, Horacio had dissuaded her.
He had thought he was being a good husband. Now, as he sits and drowses to “Days of Our Lives,” he wonders how he had missed the obvious.
But if he’s Juliana in this situation, you are no Horacio. For one thing, you return home in the late afternoon—he’s never left to eat dinner alone in a too-quiet house. For another, you immediately kick off your shoes and pad over to where he’s cooking dinner, and you fall into an easy rhythm of helping him finish it off.
Halfway through June, you get comfortable enough to start calling out, “honey, I’m home!” each time you return.
Which makes him smile, every time.
And he’s only a passable cook, but you praise every meal he puts in front of you. You joke once, say “I should have gotten a husband a long time ago,” and that makes him smile even wider, and it is easy to fall into the fantasy that this easy domesticity is real. The fantasy only falls apart at night, when you each retire to your separate rooms, as you do every night.
-----
The fourth month, July.
The easy domesticity cedes to something deeper and darker right at the start of the month.
Horacio has never been to the U.S. before, so he hasn’t experienced the usual Independence Day celebrations. When he asks, you grin and tell him that a good old-fashioned U.S.-style barbecue might be nice, and that’s what the two of you plan. You and Horacio as Davide and Gwen: patriotic Americans.
The day starts off great. The weather is hot and humid enough to feel like Colombia, and Horacio will admit that you look nice in your cut-off shorts and cotton tank top. He will admit that if you were really his wife, he might never even make it to lunchtime before taking advantage of a quiet house set apart from its neighbors.
The barbecue is nice. It’s all-American fare: hot dogs and hamburgers, corn on the cob steamed over hot coals. You buy an apple pie from a nearby farm stand, and you also make some trifle type dessert, and the two of you wash it all down with ice-cold beer. By the time dusk rolls around and lightning bugs start to flicker across the lawn, Horacio is pleasantly buzzed.
The town puts on a fireworks display, and as the sky turns a velvety black, the light show starts. Your house is in the perfect place to see it, slightly set on a ridge, and blossoms of red and white and blue sparks explode across the sky. Horacio, tipsy, watches the first few minutes, completely mesmerized…but when he turns to say something to you, he finds you missing.
He finds you in the house. More specifically, he finds you in the bathtub, hugging your knees to your chest, forehead pressed to knees.
“Gwen?” he says, and he feels stupid saying the obviously fake name, but he doesn’t know your real one.
You don’t answer anyway, and he steps into the bathroom. Studies you closer. Sees that you are shaking, and between the muffled booms of the fireworks, he can hear your panting breath.
He moves without any real thought. He knows—or can guess, at least—at what is happening to you. Horacio has led enough men through enough battles to recognize a panic attack when he sees one, but you aren’t one of his men and this is no battle, so he puts a gentle hand on your shoulder to alert you that he’s there. Then he climbs into the bathtub with you.
“Scoot forward a little,” he orders softly, and you do. He maneuvers himself behind you, then pulls you closer to him. Your back pressed against his chest, and his arms wrapped around you, he holds you close despite the heat and humidity of the day.
“Just breathe with me.” He takes a deep, slow breath, feels his chest push against you. He does it again and again, and after a long while, you start to mimic him.
The fireworks end, and eventually you stop trembling. Tucked this close to him, Horacio can see the edge of a thick scar disappearing under your hair, and he remembers the bandage on the plane from Bogota.
He wonders if the moment that caused that scar is linked to this moment now.
After you calm, and after you sheepishly untangle yourself from him, he urges you to do whatever you need to. To take a cool shower or go to bed. That he’ll clean up. You gaze back at him a long moment, like you’re trying to decide something, and then you nod. You leave the bathroom and disappear into your bedroom, and he hears that quiet click of the door closing.
The rest of the month is uneasy. The panic attack seems to have dredged up the muck in your past, the trauma of a life that has resulted in you being in Witness Protection, injured enough at some point to have a thick scar on your head.
Something about this feels like an echo from his first marriage. Juliana went silent on him too, but for different reasons. Your silence is driven by an inner turmoil that he can only guess at, and he feels powerless to help.
So he only does what he can. He makes you coffee each morning before work. He makes you dinner each night. He asks gentle, tame questions about your work day, and when you don’t have much to say in that quarter, he tells you that day’s drama on “Days of Our Lives.”
“Stefano DiMera is back,” he tells you one night. “And Marlena is possessed by el Diablo.”
That’s the sole smile he is able to coax from you all month. You pick at the dinner he made, pushing it around with the tines of your fork, and repeat, “the Devil?”
Horacio nods.
“Like, Lucifer the Devil?”
“Yes.”
You smile. “That’s the dumbest shit I’ve ever heard.”
He nods again, smiles back at you. “It really is.”
-----
The fifth month, August.
Horacio finds a job with a state nursery, and when he applies, he nearly despairs at the cliché of it: a South American immigrant becoming a landscaper.
But it’s not landscaping at all. It’s a quiet, peaceful job. The summer interns have already left for the year, so Horacio is hired on to help the old-timer, Lawrence. Lawrence has a thick Yankee accent, says little, but Horacio finds the job a revelation. He walks the rolling grounds and checks on the saplings that will one day be planted across the state. They’ll go into parks and line city streets, and it knocks something loose in him. A job where he’s nurturing life that will potentially live on long after him. The oak sapling he waters and feeds today could live hundreds of years when he’ll be long forgotten.
With him working now, you and Horacio switch off on meals. You teach him how to use the most American of small appliances, the slow cooker. You make him the most American of working class meals, the one-pot dish. He makes you the comfort food from his childhood, and together you find an egalitarian balance.
But something about July and your low mental health…it makes Horacio want to do better. Who knows how long the two of you will end up living like this? He wants to understand you better, and he wants you to know him, because the two of you exist as the sole inhabitants of this weird, unlikely life as Davide and Gwen.
“Let’s each say one true thing about ourselves,” he proposes over dinner one night. He’s bone-tired from work—he spent the day mulching rows and rows of tender little Eastern Hemlocks (and he knows the difference now between them and a balsam fir and a spruce). You look tired too, but at his suggestion, your eyes light up. Maybe you’ve been wanting some familiarity with him too and just were waiting on him to suggest it first.
So August is this: getting to know each other. Dumb stuff, usually. Favorite colors, favorite songs, favorite foods. Most embarrassing memory. Best memory. Age of first kiss.
-----
The sixth month, September.
The weather starts to turn. The nights grow cold, and the leaves transform from all that green to a riot of reds and yellows and oranges. Work at the nursery slows way down, and Horacio spends long hours following Lawrence’s lead, which means an hour or two of paperwork, then lunch, then quietly reading a book at his desk.
You’re busy with the new academic year, but the weekends are spent doing day trips. You’re six months into this, and you’re both braver, more willing to travel afield. You go into the mountains to look at the leaves from a different angle than what you see from your house. You go to pick apples, and you spend a weekend cooking them into pies, cobblers, and apple sauce.
The dinner-time “one true thing” game ends, and it turns into natural conversation. It’s so comfortable now. You chat and laugh and joke, and sometimes he teases you, and it makes you duck your head to hide your pleased smile. You like being teased, Horacio finds. You like being the butt of gentle jokes, so he obliges you as often as he dares.
It’s a revelation to find that he has a sense of humor after all.
Over one dinner, he mentions his first marriage, his first wife. You ask him questions, and he answers them honestly, and then he asks if you’ve ever been married.
“No.” You shake your head to emphasize the point.
“Ever engaged?”
You hesitate, then nod. “Yes. A long time ago.”
“What happened?”
You shrug, lifting one shoulder up before dropping it back down. “Life. Expectations. It’s hard to say.” You take a sip of your water, then settle your gaze somewhere past Horacio, like you’re looking at the specter of your failed engagement.
“I was young and very career-driven,” you add. “And not many men want that in a wife.”
“I’m sorry.” He is, of course, and he’s doubly-sorry because he was arguably one of those men. He kept Juliana at home, stifled her own career aspirations. A flush of shame courses through him at the memory of his own failings.
Another shrug. “It was for the best.”
“And now here you are, married to me,” he teases, and yes—you duck your head, but he catches the shy little grin, the curve of your cheek as you smile at the joke.
-----
The seventh month, October.
It’s the first time you’ve actually ordered him to do anything, so Horacio finds himself busy each weekend, decorating the house for Halloween. There’s ghosts strung in the trees in the front yard. Fake gravestones jut from the lawn like rotting teeth. Purple and orange lights are strung around the windows and banisters of the porch, and the two of you set to carving more pumpkins than Horacio thought possible.
But it’s worth it, because your town goes all out for the holiday. You bought him a costume weeks ago, and when he dresses after dinner, he’s surprised to find you openly checking him out. Your gaze sweeps from the hair on the top of his head—longer than Search Bloc reg, curling at the nape of his neck—to his shoes, and you take in his vampire costume.
“You look handsome,” you tell him, and he tries not to ogle you in turn and utterly fails, because you’re dressed up like a witch but the black dress hugs your curves, and the ridiculous hat, complete with a floppy brim, does nothing to detract from how sexy you look.
Horacio finds himself sitting on the front porch with you, handing out candy to the children that come by. And it charms him, how much you get into it, how you guess at what each child is supposed to be. You read the kids perfectly—you’re sweet with the scared little ones, but you play up the witchiness with the older ones, crooking your fingers and cacking at them.
When there’s a lull in the crowd at one point, he catches you as you shiver, so he pulls you close to him and wraps his cloak around your shoulder. He never touches you much, but this is blatant, and the moment feels heavy with intent.
You lean into him. A moment later, he feels your arm wend its way around his waist, under his cloak, so he holds you closer.
The evening continues like that. The two of you play it up more and more, comfortable with pretending. Not you and Horacio, and not Davide and Gwen, but a vampire and a witch, and the more you cackle and scare the children, the more Horacio flashes his fake teeth and hisses at them.
Who ever knew handing out candy in a cheap drugstore costume could be so fun?
When another lull happens, he pulls you back to him, and the motion takes you off balance a little. You hold him back but lean away from him, searching for your equilibrium, and it bares the smooth column of your neck to him.
Horacio forgets himself. Davide forgets himself. The vampire he’s pretending to be dips his head, and he presses the plastic points of his fake teeth into your pulse point, and you give a squeal of surprise, but when Horacio lifts his head to study you, he sees you staring back at him, your eyes wide and dark with obvious desire.
“That’s a good way to get a hex on you,” you warn, but there’s a smile on your red lips, and you don’t release your own hold on him. You don’t shove him away.
“I enjoy a good hex,” he replies.
The stream of children eventually dies off. The bowl of candy has been replenished multiple times, but you fill it one last time and set it on the porch for any stragglers.
Inside the house, you go from room to room and check the locks on the doors, turn off the lights. Horacio lingers near the hallway, and when you turn to make your way to your room, he stills you. He puts his hand on your waist, lightly, and he doesn’t say anything. The moment hangs suspended as you both stand there, silent.
What does it mean for Horacio Carrillo to take you to bed?
He has always tried to be a good Catholic (the killing of narcos aside). He’s never been with anyone other than Juliana, and he feels a tinge of doubt. Guilt, too. He’s always prided himself on his fidelity, and post-divorce, he took a perverse pride in the fact that he never took a lover. That he still honored his vows despite the legal fact that he was no longer married.
He doesn’t mourn Juliana anymore, and he knows that something is growing between the two of you now, but what does it mean? Would it be right to sleep with you, knowing that this is just circumstantial? That it may end at any moment? That if you both weren’t in WitSec, you’d have never met, and might have never liked each other if you had?
Is this thing growing between the two of you only the result of being flung together by circumstances out of your control?
All of those questions rapid-fire through his head, and you seem to see the doubt in his eyes because the moment deflates. The energy and anticipation sour, and he sees it on your face. Your soft smile falls, and then you nod to yourself, as if you knew it would happen like this.
Then you smile again, thank him softly for his help handing out candy. You stretch towards him and brush the lightest of kisses against his cheek, and you step around him to go to your room.
When Horacio goes to bed, it takes him a long time to fall asleep, and he swears you must be awake too, separated only by the wall between you.
-----
The eighth month, November.
Your department at the university puts on a wine and cheese social, and spouses are encouraged to attend.
“We never really practiced our cover story,” he says as he bends over to tie his dress shoes. “Do you remember all of it?”
“I have a eidetic memory.”
“Yeah?” He glances up at you. “You’re full of surprises.”
“Don’t sweat it. It’s a bunch of tenured professors. They love to talk about themselves and nothing else. They are all narcissists of the worse variety.”
But you aren’t entirely correct. The party is at the house of the department chair, and Horacio finds himself cornered by a pair of fellow lecturers. They are older women, charming and gregarious, and they sing your praises…and his own.
“I can see why she’s kept you hidden away,” says the taller of the two. “She said you were handsome but—”
“You make a gorgeous couple,” the shorter one cut in. “And she’s brilliant, you know, she planned out this—”
On and on they go, cutting each other off, redirecting each other, not letting Horacio get a word in edgewise. It’s not far off base from how you explained it would go, and when he catches your eye from across the room, you smile but mouth, “you okay?”
He nods, smiles back at you.
The evening is halfway over when he realizes with a start that he hasn’t cased the room once.
He hasn’t counted the exits and windows, hasn’t studied the egresses and any obstacles to them. He hasn’t scowled at each face to try and determine what dirty secret they held, if Escobar or one of his men had compromised them or their family. He hasn’t studied the lines of their clothing to see who might be hiding a piece.
What does it mean for Horacio Carrillo to lose his edge?
It’s another question he ponders at night, since the minor disaster of Halloween. He knows he hurt you by hesitating in that moment in the hallway, but it’s a subtle hurt. He can see it in your eyes each morning, the way they study his face as if you could perhaps read his thoughts if you watch him closely enough.
More and more, these questions plague him because there’s no easy answers. Horacio is used to solving problems, but he’d be the first to admit that many of his solutions were just brute force. Displays of power. The Search Bloc has a problem? Send in men, armed men, men with guns and night-sticks, men with flint in their souls, men with hearts cased in granite. Send in Colonel Carrillo himself to a clandestine meeting place where a suspect is strung up. What’s a little light torture and murder when the fate of a country hangs in the balance?
That man is dead now. Horacio Carrillo received a state funeral, and his empty coffin lies in the mausoleum. Davide, his replacement, spent the week wrapping tender saplings in burlap in anticipation for the coming snows—all the while considering his place in the greater world and what his legacy may be.
At the end of the evening, Horacio finds you, brings you your coat, holds it out while you shrug your way into it. When the two of you leave, you pass the pair of lecturers who had cornered him, and their exchange is like a Greek chorus that follows him home.
“He is handsome, isn’t he?” says one. “She’s a lucky woman.”
The other one scoffs lightly. “He’s the lucky one.”
You must not hear them because you don’t react. You only let him lead you to the car, and when he brushes away the light dusting of snow with the snow brush, his eyes find yours through the windshield—and you smile at him.
-----
The ninth month, December.
The university shuts down for most of the month, and Horacio is on an abbreviated schedule a the nursery.
The two of you have so much time together.
Horacio has seen snow before, but never like this. Vermont, so green when he arrived, is swaddled in thick layers of white like cotton batting. It absorbs and reflects sounds in weird ways, and a hush falls over your little home.
Being Colombian, he should hate it. He should curse the cold and the snow and the quiet, but it does something to his soul. It soothes him in a way he never would have guessed. True, the cold is difficult at first, but you take him to the mall one weekend and load him up with sweaters and thick woolen socks, and he’s better after that.
Everything is so calm. Peaceful. Horacio has never slept so well in his life, bundled under layers of blankets, even on the uncomfortable daybed. He sleeps, he doesn’t dream, and he wakes up naturally, in slow measure, to a soft light creeping across his bedroom floor.
Being on break, you still wake up early. Earlier than him, some days, and when Horacio wakes to the scent of brewing coffee and something delicious baking in the oven, he wishes sometimes that this was the afterlife. He wants to freeze the moment in time and never let it slip past him. He wants nothing more, in this moment.
He’s always half-asleep those mornings, but the smell of food draws him out. One morning, he pads out to the kitchen in his thick socks and startles you when he grumbles “good morning.” You shriek, then swear, then lightly try to swat him with the spatula in your hands, but he’s still half-asleep, still incredulous that this is his life at the moment, and he takes the spatula from you and pulls you into a big bear hug.
“What’s this for?” you ask. Your words are muffled against his chest, but after a beat, you wrap your arms around his midsection and hug him back.
“Just because,” he replies.
You spend your days doing puzzles, reading, listening to music. You watch “Days of Our Lives” with him and you both laugh at the bad cosmetics and even worse acting on the demonic possession storyline.
Your evenings are spent cooking dinner together. You make the trip into town every few days, and you rent movies and watch them too. You watch everything together—old Hollywood classics, campy horror, meandering romances. The two of you sit on the couch side by side, and it takes all of a day before you’re tucked in against his side, his arm firm around your shoulders.
Sometimes he glances down at you and sees your face in profile lit by the flickering light of the television. Sometimes he can make out the edge of your scar, but he doesn’t linger there. Instead he takes in the whole of your face—the curve of your cheek, the sweep of your lashes as you blink. When something funny happens on the screen, you smile, and it makes Horacio’s heart stutter in his chest to see it.
What does it mean for Horacio Carrillo to fall in love?
Another question to ponder. Another riddle to solve. He’s losing sight of the man he was. Maybe that man is completely lost already. The thought doesn’t unnerve him; he thinks he likes the man he is here. He likes the man he is with you, the job that coaxes life into being instead of snuffing it out. He likes wearing cable-knit sweaters and thick socks and eating the banana bread you bake on mornings you don’t have to work.
He likes sitting on the couch with you and watching a rental VHS of “Beetlejuice.” He likes the feel of your body pressed against his, and he likes looking down to see you smile.
That’s the night he dares ask for more.
After the movie, you do your usual pre-bedtime sweep of the house—locks, lights—then brush your teeth and go to your room. The usual quiet click of your door closing. Horacio, as usual, goes to his room, peels back the layers of blankets, prepares to tuck himself into the cramped bed….then doesn’t.
Instead, he returns to the hallway. He taps a finger on your door, a soft staccato, and he hears you call out, “Davide?”
“Yes.”
You tell him to come in, and you’re sitting up in bed. Your eyebrows are furrowed together.
“What’s wrong?” you ask.
He shakes his head. How can he begin to explain it? He’s fluent in English, Spanish, and Portuguese, and his Italian is passable, yet not a single language he knows can capture the maelstrom of emotions roiling through him. He loves you, he wants you. He’s afraid you don’t feel the same for him. He’s afraid you do feel the same for him. Is this just situational or are you truly the woman he was meant for all along? Has he gone mad? Is this some tame mental breakdown, the result of coming close to death and then finding himself, improbably, in Vermont with a woman who also was near death?
From your “one true thing” game, he knows you’re a polyglot too—English and Spanish and Russian—but that shake of his head to your question seems to transcend the need for language. You seem to read it exactly, the turmoil in him, and you climb out of bed slowly, make your way over to where he stands by the door.
You reach down and take his hands in yours, and the touch bolsters him. Reassures him. He’s Horacio and Davide both, and you’re both Gwen and yourself, and he doesn’t need to parse the two. He can be both with you. You’re both complicated people with complicated pasts, but none of it matters right now because the world is swathed in layers of snow, and the two of you are the only two who exist in it.
Neither of you say much else for the rest of the night. When you turn your head to peer up at him, Horacio tilts his head to kiss you, and it’s like a bolt of lightning when he does. Maybe he fell in love with you by small moments, but this is the moment that seals it forever: this first kiss, his mouth on yours, writes your name—your real name, even if he doesn’t know it—on his heart like a line of fire.
You each lead the other back to bed; you tug him, he pushes you, and you fall gracelessly back on the rumpled covers, but each kiss, each searching touch peels back another layer of reserve. Horacio slides his hand under your shirt and cups the softness of your breasts, pinches lightly at your hardened buds. You slip your hand under the waistband of his flannel pajamas and grasp his growing erection, stroke it into full hardness as he groans into your mouth.
There’s no art to it. No seduction. You’re both starving for each other, ravenous, and you both kiss the other as you each strip out of your layers. He kisses down your neck, nips at your pulse point like he did on Halloween. He licks against the hollow at the base of your throat, draws the sweetest goddamned moans out of you, then returns to kiss you, to lick against the inside of your mouth so he can feel the sounds you’re making too.
If he’d known how vocal you were in bed, he would have summoned his courage months ago.
Your mouth is on him too. It’s another line of fire, each press of your lips on his bare skin. He finds himself on his back and you astride him. He reaches up to touch your bared breasts, but you don’t even notice because you lean down, focused only on him. Your mouth on his neck, along his stubbled jaw. You kiss his collarbones, his chest. You bite lightly against his nipples, your teeth making him huff at the sensation, and then your warm tongue laving him. Further down, a trail of kisses across his belly, which is less firm than it was in his Search Bloc days but you make a pleased noise as your mouth places wet, lingering kisses there.
Then even lower, and this is uncharted territory. Love-making with Juliana was only ever for the purpose of making children, and while Horacio had convinced her a time or two to go down on her in the interest of foreplay, he never has received head in his life. Juliana had called it dirty, and he had left it at that.
He doesn’t even register it until he feels your hand grasp him at the root of his cock, then feels the smallest, most kittenish little lick of your tongue against his leaking tip.
“Dios,” he groans out, and then he feels the rest: your tongue tracing a pattern along the length of him, then a teasing rhythm where you work him into your mouth. First just the tip. You lavish him with attention there, suckling against the most sensitive part of him, lapping up the pre-cum that leaks from him. Then more and more and more; you work him into your warm, wet mouth, and he feels your breath tickling against his groin, feels you breathing carefully through your nose as you take him as far as you can, and then you swallow against him, you hum against him, and it’s nothing like he’s ever felt before. You press your tongue against the underside of him and you hollow your cheeks, and when your warm palm reaches up to lightly fondle his balls, Horacio’s orgasm breaks around him like a tidal wave. His hips judder once, twice, and he thinks he warns you, but you don’t move. You only hold yourself there, and when he comes, you swallow every drop of him, and he wishes he could explain this feeling to Juliana: that it doesn’t feel dirty at all. It feels like a sacrament. That it feels like love.
It's only fair that he shows you his love for you in turn.
Once he recovers, he flips you onto your back and repays you in kind. He kisses his way down your naked body, makes a note of all the spots that you moan at. Make a note too of all the scars that speak to a life a lot like his was in Colombia. He kisses your scars, presses his lips to each raised ridge as if he can take away any lingering pain.
Then he settles between your legs. There’s no shyness he can detect; you spread your thighs eagerly for him. You allow him to put a pillow under your hips to tilt your pelvis into a more agreeable angle.
He’s not especially skilled at this. The handful of times with Juliana had been a race against the clock—a sprint to coax her to orgasm before she gripped his hair and made him stop. There’s no clock now, so he takes his time. He settles your legs on his shoulders and he bends his head to your gorgeous pussy, and he takes his time.
He licks against your folds, then reaches down to part them with his fingers. Licks a slow, tortuous route from the firm bud of your clit to your entrance. Over and over and over until you squirm underneath him—then he slides a finger into your clenching heat, then another, then a third, and he feels how your pussy twitches against the intrusion, how you grab against his fingers like you’re trying to pull him deeper into you.
He fingers you in a lazy rhythm, and he circles his tongue against your clit. That does something for you; you whine out a curse, and a moment later your hand is on his head, your fingers tugging against his hair, so he purses his lips, suckles against your clit, and that turns your whine into a wail.
He wishes he could tell Juliana this too, that this isn’t dirty either. When you come, he feels a flush of pride at drawing pleasure from your body—your thighs tight against his head, your pussy clamped down on his fingers, and the slick cum that pulses from you, that coats his tongue and lips in the taste of you.
He’s hard again, but he wouldn’t press his luck. This is more than he ever dared hope for. He’d be happy to curl up with you now, to fall asleep beside you, but when he lifts his head from where he’s perched between your thighs, he sees you gazing back at him.
“Please,” is all you say, and he knows what you’re asking for because he wants it too.
If there’s an argument about this being two people pushed together because of circumstances beyond their control, there’s also an argument about the two of you fitting together so well. Because you do. Your body seems like it was made for his; you fit together like two jagged puzzles pieces. Horacio settles over you, lowers his body onto yours, and it’s like magic: his cock bumps against your inner thigh, but he moves half an inch and he finds your wet heat, and then he’s pushing into you, feeling your feverish flesh part and mold to the shape of him, and then your legs are around his waist, holding him to you as he bottoms out inside you.
He stills for a long moment. He’s unable to move. It’s not because he’s afraid he’ll come too soon but because he’s afraid he might cry. Horacio Carrillo is not a man who cries (maybe Davide is), but gazing down at your face, seeing the stunned love written in your expression, he nearly cries at how lucky he feels. How blessed. That shootout in the Medellín alley should have killed him, yet here he is.
Eventually, you give him the faintest of nods, and he starts to move. He’s gentle at first. He warms you up to the feel of him, and him to you. You lay one hand on the side of his face, cupping his cheek as he thrusts into you, but the other hand settles over his heart.
He could love you like this forever. He coaxes a second, then a third orgasm from you, and he watches your face during each one—the way your eyes go wide, then close tight, the way your mouth takes a hitching breath then goes slack as you breathe through it. The look on your face as it ebbs away, your eyes shiny with tears, and happy little smile curving your lips.
“I want you to come,” you whisper to him. You must feel the tension in him, and you bear down on his pistoning cock to urge him along.
“Where?” he pants out.
“Inside me. Please. Come inside me.”
He knows you’re safe. He’s lived with you for nine months now, and he’s run enough errands with you to know that you have that little plastic compact you pick up from the pharmacy once a month. He sees you swallow the same pill each morning with your vitamin. But still—he’s a man with his history, so he doesn’t register your contraceptive use in this moment. The thought comes to him that if he comes inside you, he may make you pregnant, and Horacio is surprised by how quickly the thought urges his orgasm forward.
“You sure?” At your words, he’s amped up his thrusting, driving forward in deep, strong strokes until he swears he can feel the crown of his cock nudging against the end of you, and the thought takes hold: you round with his child, the two of you in this bedroom with a child in the guest room converted into a nursery. At this moment, it’s the tamest of breeding kinks, but in the morning, he’ll realize it’s just more of this perfect life extrapolated. You not as his pretend-wife but as his real wife. A child as tangible proof that this isn’t just an incongruous moment in time.
“Yes. Please.” You lick your lips, blink up at him. “I-I want to feel you coming inside me.”
It’s only fair that he obliges you. You ask so nicely, so he does: he thrusts three, four times more, then feels his pleasure snap and spark up his spine as he fills you.
Then he collapses on top of you, and a moment later, he feels your fingers combing through his hair, lightly running over his back.
“You can sleep here, if you want.” You say it shyly, like you think this might just be a physical release for him, so he lifts his head to kiss you and reply that he wants that very much.
Horacio never sleeps in that cramped daybed again.
-----
The tenth month, January.
What does it mean to Horacio Carrillo for the lines between real and pretend to blur?
It means that through Christmas and into the new year, you live as husband and wife. You live as newlyweds. You make love in every room in the house, and you spent lazy days tangled up together. It means you draw straws to see who has to drive into town for provisions, and it’s all a joke anyway because you always go together. It means your world collapses down into the most basic of human needs: feeding and fucking.
It means that between love-making, the two of you share more about your real lives. Horacio learns about your family life. He learns that you’re CIA, and you’ve been stationed in Panama post-Noriega. He learns that it was an explosion, a car bomb outside of your headquarters, that left you with that scar on your head.
You learn about the Search Bloc and Escobar. You learn about his childhood as the son of a great military leader, and how that legacy shaped his own life and career.
But what does it mean when that line blurs?
It means that when Johnson returns to your lives, everything ends abruptly.
“Everything is all clear,” he tells you when he turns up one Saturday in the middle of January. He sips at the cup of coffee you made him, and if he notices the stunned silence of both of you, he doesn’t remark on it.
“Escobar was gunned down early today. It hasn’t hit the wire yet.” Johnson glances at you. “And the group that bombed your HQ has been cleared out too. You’ve been safe for a few months, but we didn’t want to upset the situation here.”
“So now what?” you ask, and Horacio feels sick to his stomach as Johnson explains that your old lives are waiting for you and that it’s time to go.
-----
The end comes that day, but not the way Horacio thought it would.
You gesture to Johnson after he gives the rundown on the logistics, and the two of you go outside. Horacio watches from the kitchen window as you cross your arms against the cold. You talk, Johnson listens. Then Johnson talks, you listen. Back and forth, and by the end Johnson shakes his head, shakes your hand, and returns inside.
“Okay, so change of plans,” he says, and he rubs his hands together briskly to bring the warmth back to them. “It’s just you and me now. Go pack and say your goodbyes, and I’ll be back in an hour.”
He leaves, and Horacio watches him pull out of the driveway, and when he turns back to the interior of the house, he sees you standing there. Crying openly, tears cutting tracks down your face.
“I can’t go back,” you explain, your voice thick with tears. “I won’t.”
Then you break down into sobs, and it’s second nature to stride over to you, to pull you into his arms. He tries to soothe you—rubs your back, holds you to him—as you choke out the words. That you have had a crisis of conscience. That you wonder if your work in the CIA did more harm than good. That you think it’s the former, and how you want to spend the balance of your life not doing more harm than good. That you want to live in a quiet town that is green in the summer and swaddled in white in the winter. You want to teach, you want to come home to a house with….and you catch yourself at the last minute. You don’t say it, but Horacio can guess it.
You want to come home to a house with him in it. You want to come home to him.
“I love my life here,” you amend hastily, but you push away from him, aware he’s leaving and that your life won’t be exactly the same either way. You mumble something about not wanting to say goodbye, about wishing him the best, and then you disappear down the hallway. He hears the click of the door and your crying, and it doesn’t abate while he packs.
When Johnson returns, Horacio taps on the bedroom door, but you don’t answer and he doesn’t push it. He’s sleepwalking through the moment, numb, so he leaves. He doesn’t say goodbye. He only climbs into Johnson’s rental car, and each mile that Johnson puts between you and Horacio only makes the numbness grow.
“Women, huh?” Johnson says as they near the airport. “That’s why I said they should never take field work. They don’t have the stomach for it, in the end.”
Horacio grunts a non-reply, but he thinks Johnson is off the mark. It’s not that you don’t have the stomach for it. It’s that you don’t have the heart.
-----
February.
He goes from Vermont to Miami, this time around.
Horacio is given a hotel room, and he’s given the orders to just chill for a bit. Johnson has extricated him from his fake life as Davide, but his old life as Colonel Horacio Carrillo isn’t quite ready for him yet.
There are mountains of paperwork to bring a man back from the dead. There’s talk of giving him a cushy role in Madrid. There’s talk of commendations, medals, a comfortable pension to retire on. He’s done a lot for his country of Colombia, and Colombia wants to reward him.
He sleepwalks through this liminal space. The not-Davide, not-Horacio time. He wanders the streets around the hotel and picks at the food he orders in restaurants, and each time he hears a woman speak, he looks up expecting to see you.
I don’t even know her real name, he thinks.
Gwen, his one-time pretend-wife. Gwen, who had a panic attack on her country’s birthday. Gwen, who questioned the harm she may have caused to another country, another people. Gwen, who only wants the chance to do a little good now, or at least to do no more bad. It wasn’t Gwen at all, but he has no other name to use, so he runs through all the lovely little moments he had with Gwen.
Watching for you to return from your daily jogs. Walking through the falling leaves of autumn with you. Making you coffee, pressing the steaming mug into your hands each morning. Handing out candy to the children at Halloween, tucking you under his cloak at the autumn chill. Watching movies with you as the snow fell outside, then curling up in bed with you, slotting his body against yours, giving you pleasure and taking pleasure from you in equal measure. Threading his fingers through yours as he arched over you, his eyes falling on the glinting light in the gold band in your ring finger, it’s twin on his own.
What does it mean for Horacio Carrillo to finally make a choice?
Of course he’s made choices before. Every day, he made a million choices, large and small. But the big stuff, the giant stuff, the life-shaping stuff—did he have much choice? His father’s military career pretty much guaranteed his own career in the Search Bloc. His family’s status pretty much guaranteed he’d marry a Catholic girl from a family of similar standing. And when Juliana chose to leave him, he really had no choice then, either.
Same with his pretend life of ten months. He had no choice in being paired with you, no choice in ending up in New England, little choice in working as a man who tended trees.
He imagines you in your shared home, alone. Johnson explained on the plane that you’d be able to buy the place, that WitSec only rents homes across the U.S. He explained that this has happened more than once, and that it’s actually not too difficult to let a witness slide into their pretend-life permanently.
The choice comes down to the most mundane thought. Horacio stands in his hotel room in Miami and wonders, who will make her coffee in the morning if I’m not there?
*****
Winter always loses its charm by the time February rolls around. The fleecy white snow turns into grey slush, and everything is cold and soggy and depressing.
Davide leaving doesn’t help at all.
You knew it would end eventually. You didn’t have much insight into his situation, but you knew that the cartel targeting you would be easy enough to neutralize. They were only there because of the power vacuum left behind by Noriega, and they were poorly organized.
You just thought when it ended, you’d have more time. Which is one of your fatal flaws, always thinking you’ll have more time. Your father died from a heart attack when you were in high school, and your mother died from a car crash when you were in college. You, more than anyone, should realize that time was never a guarantee, yet you always think you have a surfeit of it.
It's not your proudest moment, those final minutes with Davide. Not falling apart in a wash of tears, and not fleeing to your room. You should have committed to one extreme or the other. You should have either calmly explained your decision and bade him farewell…or you should have given in to the emotion of the moment and spilled everything.
Why do you never learn your lesson? You never had a chance to tell your parents that you loved them before they died. Why didn’t you tell Davide you loved him before he left to return to whoever he was before?
You know you could find him. You’d caught his lightly accented English and guessed at South America. Colombia, if he was hiding from Escobar. He told you about the Search Bloc. You knew some people in that theater. You could find him and tell him that you loved him, but would it do more harm than good? Doesn’t he have the right to return to his previous life without any baggage from this one?
February, then: grey, cold. You go to work. You teach your classes and hold office hours. Political science can create real monsters, so you gently try to steer your students towards the path of diplomacy and not war. Maybe this is how you make amends, if such a thing is even possible.
You go home each evening and pull together a sandwich for dinner. Sometimes you get take-out, and you eat over the sink. Sometimes you watch T.V. and sometimes you read, but you always sleep alone with Davide’s pillow clutched to your chest, the lingering scent of him fading away within days.
-----
Then March. The snow starts to melt a bit, and under some of the trees in your backyard you start to see the little purple and white jewels of budding crocuses.
You resume your runs in the mornings. The campus shakes off its doldrums too and the students seem livelier.
You made the right choice to stay. You go to the bank with your real name and get a mortgage. You buy the house under your real name, and you go to the university human resources and hand over the paperwork Johnston gave you, and it’s weird at first, explaining why you’re not really Gwen, but it shocks you how quickly people adapt to using your real name.
-----
March is still fresh when there’s a knock at your door one Saturday morning.
Your first guess is that it’s a delivery. Johnson promised to ship all of your stuff from your apartment in Panama City. Not that you have anything valuable, but it would be nice to have your record collection back. You don’t want to have to rebuild that from scratch.
You’re already out of practice from your prior life. You don’t bother to check who it is, don’t look out the window before you open the door, and so it’s a shock to see Davide standing there, his fist lifted like he’s about to knock again.
He drops his hand and opens his mouth, but nothing comes out. You are speechless too, but you don’t need words to because as he drops and unfurls his hand by his side, you see the way the gold ring on his finger catches the morning light.
He’s still wearing his wedding ring, you think, and your body moves towards his, you leap into his arms and he’s there to catch you. You breathe out his name, but he chuckles, pushes you gently away from him.
“No, cariño,” he replies, shakes his head. “Not Davide.”
“Well, no. I mean—”
“I’m Horacio,” he interrupts. You reply with your own name, and he repeats it, almost to himself.
“Everything else was me,” he adds. “Everything but the name. What we had…” He trails off, fixes you with that dark-eyed stare of his.
“Everything else was me too.” All of the bare facts of your fake life as Gwen hold little weight to that nebulous everything else: every joke and shared laugh, your Fourth of July panic attack. The feel of his hand on your waist when you went apple picking. The way his hair curled after a shower, and how you loved to run your fingers through it when he fell asleep beside you. All of it. Every stupid little moment that most other people would have already forgotten.
Horacio holds up his hand to show you the ring you’ve already noticed. “I never took it off. It didn’t even occur to me to.”
You hold up your own hand. “Me neither.”
He looks away, squints his eyes as he looks off into the distance, but you swear you can see tears there. He clears his throat, but his voice comes out rougher than usual.
“I’d like to see if I’m as good a man as Davide was,” he says. “I’d like that chance, but only if you…” Another cough as he clears he throat, then continues. “Only if you’ll have me.”
You reach out and take his hand in yours. You touch the warm metal on his finger, then the thought comes to you. You slide the ring off, and you feel Horacio watching you. On the plane, you each put your rings on yourselves, but that wasn’t how it was supposed to go, was it?
Now, nearly a year later, you take his wedding ring off. For a long beat, you study it—it’s a simple thing, nothing elaborate. WitSec wasn’t going to waste money on an expensive ring for a fake marriage, and it already has a shallow scratch in it, likely from his job at the nursery.
Then you lift your head and gaze at him, and without breaking eye contact, you slide the ring back on his finger. The smile that spreads across his face when you do is enough of a promise as any vows recited in a church, and he repeats the motion with your own ring—takes it off, then slides it back on with intention.
And then, because there’s no priest there to give the order, Horacio bends down and kisses you for the first time as himself, and the first time as yourself, and perhaps you learn your lesson about time after all because the moment you part, you whisper, “I love you” to him.
And perhaps he needed to learn the same lesson because he sighs, pulls you closer to him, and whispers “I love you too.”
#colonel horacio carrillo x reader#colonel horacio carrillo#horacio carrillo x reader#horacio carrillo imagine#horacio carrillo#colonel carrillo#colonel carrillo imagine#colonel carrillo x reader#narcos#tropes and tales
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absolutely no way apollo justice knows his birthday. he was the only thing to survive the sahdmadhis' house fire, thalassa disappeared immediately, and dhurke didn't even know jove's real name for 2 decades. god knows how he even immigrated to america without a birth certificate or a passport or like.. anything?? he does not know shit, they probably forged his documents and gave him a fake birthday and now he just celebrates that, unable to shake the empty feeling that its probably not the right date and he will never know for sure. all of his documentation is full of fake information that he cant even amend and he will just have to live with that
#this has actually been a fic idea floating in my brain for a month#but i realized itd be a good textpost too#oho the plot holes in soj ily#apollo justice#dhurke sahdmadhi#<- mentioned#ace attorney#gyakuten saiban#ace attorney: spirit of justice#spirit of justice#soj spoilers#spirit of justice spoilers#ace attorney: spirit of justice spoilers#aa6 spoilers
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THURSDAY HERO: Shalom Yoran
Selim Sznycer, aka Shalom Yoran, was a Polish Jew who escaped the mass murder of all the Jews in his town, including his parents, and wanted to fight Nazis. However, when he tried to join a Russian resistance group, they rejected him for being Jewish, which led him to create his own militia of 200 Jews who hid in the forest and carried out acts of sabotage against the Nazi occupiers.
Selim Sznycer was born in Poland in 1925. After the Nazis invaded Warsaw, the Sznycer family fled to a different part of Poland, the town of Kurzeniec, occupied by the Soviets. But in 1941 the Germans invaded the Soviet Union. and despite their best efforts to escape the Nazis, Selim and his family found themselves living under Nazi occupation once again.
The Jews of Kurzeniec were forced into a squalid ghetto. Not far away was a Russian POW camp, where the prisoners were suffering from abuse, starvation and disease. Local Soviet partisans were forming militias to fight the German occupiers, and Selim heard about the nascent resistance movement from an escaped Russian POW.
The day before Yom Kippur in 1942, Nazi high command gave orders to “liquidate” the ghetto – meaning kill all the inhabitants. From a contact in the resistance, Selim learned of the horrific plan, and he and his brother were able to escape from the ghetto and hide in a nearby barn owned by Polish peasant, Ignalia Biruk, who took in the terrified Jewish boys at great risk to herself. From his hiding place, he heard the sounds of all the Jews in the ghetto being massacred, including his own parents. He later remembered his mother’s last words to him, “She told me, ‘Go fight… try to save yourselves, avenge our death and tell the world what happened.’ These are the words that guided me through that dark period, what gave me strength to fight, and what inspires me to share my story today.”
That winter, Selim, his brother and three friends hid in the Polish forest near the Sang river. They survived the brutal cold by building an underground bunker. A few kindly locals periodically gave them some food, but most of their provisions were stolen.
Selim wanted to fight the Nazis who had taken everything from him, and in 1943 he and his small group approached a Russian partisan unit, but they wouldn’t allow the five Jews to join because they had no weapons. Desperate to join the fight, Selim persisted, and finally the unit commander told him that if they returned to Kurzeniec and blew up the Nazi munitions factory, they would be allowed to join the resistance group. The Russians assumed the Jewish boys couldn’t possibly survive the dangerous mission, but they carried out the bombing successfully and returned to the forest, only to be told the real reason they were rejected: they were Jewish.
Undeterred, Selim wandered the forest in nearby Belarus looking for Jews who wanted to fight. He formed an all-Jewish resistance unit featuring 200 fighters. After the Germans were defeated at Stalingrad, Selim and his group harassed and sabotaged the retreating German soldiers. They blew up bridges and railroad supply lines. In 1944, Belarus was liberated by the Soviets, and Selim and the other Jewish resistance fighters went from the firing pan to the fire: they were drafted into the Red Army, where they were viciously persecuted for being Jewish, enduring beatings and near-starvation. Selim managed to escape and flee to Italy, where he illegally fought with the British Army until the war ended in 1945.
Selim used a fake British passport to emigrate to Palestine, then occupied by the British who severely restricted the number of Jews who could enter the territory. Like many Jews, when Selim got to Israel he dropped his Polish name and started using his Hebrew name: Shalom Yoran. He joined the Israeli Army and became a decorated Air Force officer. He built a successful career developing the Israeli aircraft industry. He was a founding member of the Museum of Jewish Heritage in New York and a governor of Tel Aviv university.
In 2003, Selim/Shalom published “The Defiant,” a memoir about his experience as a resistance fighter during the war. He dedicated the book to his parents. Shalom Yoran died in 2013 at age 88, survived by his beloved wife Varda, and their children and grandchildren.
For fighting Nazis and avenging his parents’ deaths, we honor Shalom Yoran as this week’s Thursday Hero.
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Find me pt.1
Warning: kidnapping, mention of blood, two-person narrative (Leon v reader), castle with bioweapons, angst, trauma, dark, forced relationships, hints of sexual violence.
Summary: half a year. That’s exactly how long it took Leon to get on your trail and try to find you. He is ready to do anything to get you back, but hope fades every day.
A/N: I'll probably still post this when I get inspired. The warnings will vary depending on each chapter. You can think of this story as a big reference to another Capcom game.
I apologize for any mistakes because English is not my native language.
Feedback is welcome, but no insults please.
Prologue here.
His eyes closed by themselves from lack of sleep when Leon looked at the received data, which for him is now equal to the treasure, or more precisely, the key to the treasure is to you. Ingrid said that this could turn out to be a false trail, the threads that he had been looking for for so long turned out to be either a waste of time, or led to a dead end stopping the whole thing. And only now, six months later, a single clue that appeared literally out of nowhere makes you drop everything and try to find you.
Hannigan looks at the audio file trying to determine whether it is a fake or not. She runs it through a lot of programs trying to make sure that it's not gluing while Leon is standing next to her, clutching the back of the chair she was sitting at.
"Tell me this is a real recording," the tone of his voice was almost pleading and at the same time scared as he heard your recorded crying over and over again.
"Yeah." Hannigan's hesitant voice made Leon lower his head and look at the woman who continued to click her fingers on the keyboard.
"Hannigan?"
"We don't know when this recording was made…Maybe it's a trap. Another false trail that will lead nowhere. We've checked everything Leon! We found a car with DNA traces, but the trail ended. There were no witnesses, no recordings from the cameras, it was as if she had fallen through the ground."
Leon froze. The arguments were weighty, but what does he have besides this record?
"What's the point of being trapped after six months?" He sees Ingrid biting her lip trying to squeeze out as much data as possible. "If this was a kidnapping for ransom or luring me out, they would immediately get in touch, but nothing. So it wasn't me or the money that was needed, but my wife."
"However, we have not been able to find a motive. I checked all the documents, passport, parents, records from the hospital where y/n was born - there is nothing that could give us a tip. It's all clear."
"Or we don't see something," he sighed.
Leon was sure that something was missing. But it was not on the surface, but somewhere in the depths, which is not so easy to get to. When he was informed about the shots in his house and found a mess with a syringe lying on the floor, he really had hope that he would be contacted very soon. He waited a week, then a second without leaving the search, because with the current level of technology it is impossible to completely cover up all traces so that they lead nowhere, and in the end Ingrid quickly found a car with traces of your hair and drops of blood on the back seat, but that was it. You became one of those who mysteriously went missing.
But no one asked for money, no one sent any extortionate emails or calls. At one point, Hannigan even put forward the theory that you could have initiated your abduction yourself, but he refused to believe it. Why would you leave like that if you could just break up with him, even though on the day you left, Leon was ready to swear that everything was fine between you.
So it just didn't make sense.
Leon speaks softly. He is pacing the room, waiting for additional information, at least from where this recording was sent to him. The sound of the keys echoes in his head and Leon rubs his face tiredly, stopping his gaze at your photo.
"There was a drug in the syringe, there was her blood on the needle and on the floor, in total two shots were fired from the Matilda, one into the closet and the other into the ceiling... traces of a struggle..." Leon quietly wondered out loud, trying to understand what he could have missed, but it seems more there was nothing left that he could grab onto.
"Leon?" Ingrid suddenly called and Leon was next to her in one sharp movement. “I think I found it!”
A map and tracked coordinates appeared on the screen, presumably from the place where the recording with your request for help was sent.
"This..."
“Not low beam”
Leon twitched anxiously, seeing the designated forest area, looking meaningfully at Hannigan, who rested her chin on her hand, not believing what she found. At one time, intelligence discovered Ashley in a godforsaken Spanish village, but she was kidnapped with the aim of infecting her with a plaga and sending her to Graham, and what Leon saw on the map defied any logic. How did you end up in a mountain range in another country?
“This is Leon’s mistake. There is nothing there, mountains and forest, another mistake, someone made a cruel joke.”
“Not if there is any hint of civilization there.”
It was an unnecessary risk. Hannigan is still trying to find at least some information about the nearest village in these places. On the one hand, it’s an ideal place to hide a person, but on the other hand, there are no guarantees that you will end up there and that Leon won’t go to hell in a meaningless search. Suddenly you have been dead for a long time, although Ingrid’s female intuition tells her that until he finds your body or at least clear evidence of your death, Leon will continue to sniff out the trail of his beloved, like a devoted bloodhound, even if there are no traces left.
You are not the daughter of the president, only the forces of Leon and Hannigan are sent to search for you, the latter helps him only out of the kindness of her heart, and no one will send reconnaissance to find at least something that indicates that you were even really in this place. But Leon worked as an agent for too long, he saw the underside of this world and in theory assumed that there might be a house or village in which you are being kept for some unknown reason, but even if it’s all a trap and you are bait, then Leon is ready to go there.
"Nothing, Leon," Hannigan's annoyed voice must cut off hope. He himself sees no signs of human life on the screen. “No one even reports missing people in populated areas”
“I don’t have anything else anyway, right?” he answers confidently, taking his phone to get the exact coordinates “The fact that there is nothing on the map and no one reported missing tourists means nothing. There are places that someone hides very well.”
“This is your personal mission… I won't be able to help you there. I can book tickets, find someone to help with the weapons, but no outside support. You'll be on your own there.” Ingrid drawled sadly, hoping that he would come to his senses or at least weigh everything again before taking an unjustified risk, "You don't know what awaits you there, perhaps there is nothing there except trees, wild animals and mountains. Let's check it out again?!"
"For six months!" he exclaimed, "I've been trying for six months as a bloodhound to find at least something that can shed light on the kidnapping of my fiancee. I have the coordinates and her message for help, which you yourself confirmed was not falsified. Even if I can't find anything, I'll at least try. She wasn't taken away for money or to get back at me… there's something else there, and if she's there…" Leon poked his finger at the monitor, "then she's completely alone there. Defenseless and vulnerable to any danger if they want to harm her."
There was an oppressive silence. It was useless to convince Leon to wait at least a little longer before rushing headlong for a single straw, but she had already delayed him enough. All Hannigan could do for him was squeeze out any crumbs of information about the area, record it, and help with the equipment. At least the technical component. And if they both believed in God, they could pray for a successful return.
"Allright, have it your way." she spread her hands in surrender.
The awakening was painful and difficult. However, between brief glimpses of wakefulness that quickly ended with another dream, you could feel Leon's gentle touches all over your body. His breath on your neck and lips was like an apologetic kiss. You tried to dodge, as you usually did in the morning when you were still asleep, but he was persistent, after which you vaguely heard laughter through the veil… Heavy, broken, unlike Leon's usual laugh. Random images flashed before your eyes, and the last thing that made you fully wake up was the bang of your head on the floor and the sound of a gunshot, after which you abruptly opened your eyes, looking straight at the dark ceiling, trying to figure out what happened.
Tick tock tick tock
The sound of the clock ticking filled the space, remaining for a while the only thing your mind could focus on. Your head was pounding painfully as you stared madly at the dial, standing a few meters away from you, barely discerning what time it was. The lump on your forehead throbbed unpleasantly and may have caused a concussion after that bastard hit your head on the floor with all his might so that you lost consciousness. Feeling with your fingers the place where the skin painfully swelled, you painfully hissed down immediately removing your hand, stopping it and tried to breathe deeply trying to put the latest events in chronological order.
However, nausea rolled in waves, forcing you to squeeze the bedclothes in your hands and finally realize that the environment in which you are unfamiliar.
A dark room lit by a single fireplace in which a fire was still burning warmed the space making it less frightening, but the pouring moonlight from the window made the soul shrink from the horror of the unknown. You slowly looked around realizing that you were lying on a huge bed with a giant canopy of a delicate green shade on silk bedding of the same color. Everything seemed so unreal. As if it were a nightmare and now someone will jump out from around the corner at you and you will wake up realizing that nothing terrible really happened, but after sitting on the bed in one position for several minutes without moving in the hope of waking up, in the end you realized that you were no longer sleeping.
Your eyes involuntarily began to look at paintings by unknown artists. A portrait of a woman sitting at a small table with a human skull on it, an aristocrat with noble features as if carved out of stone, ordinary landscapes… You put your feet down on the cold stone floor, immediately shuddering and slowly wandered to the window to understand your location, but all you saw outside was an endless forest area without a hint of roads.
Listening to other sounds besides the annoying knocking of the clock and the fire, you hugged yourself by the shoulders, thinking that it was definitely not worth shouting just yet. The room you were in was clearly made in the Gothic style and in the current situation it only caused discomfort, given the fact that upon closer examination of the paintings you were able to understand that in front of you were originals and not reproductions. Old Varnish should have been removed a long time ago, perhaps it made these stories less dark, but this is clearly not something that should be thought about now. Turning around in search of some kind of closet to throw on something warm, you could see clothes neatly laid out on a dusty chair: a white shirt with wide cuffs tapered at the wrist, which was probably worn with a short tapered floral pink vest without sleeves, reminiscent of a corset with lacing on the chest, dark trousers and elegant boots next to them that look like they are made of real leather. The sole is small but looks comfortable and is just your size.
Examining the clothes in your hands, it was impossible not to notice the quality of the fabric, for the shirt was clearly silk, and besides, next to it, on an elegant carved table, someone had carefully left a metal box with decoration and a fresh red rose, which until recently seemed , bloomed in some garden, filling the air with its aroma.
You lowered your hands, taking the box in your hands, carefully opening it, as if a spider or other crawling crap might jump out of it, which always filled you with uncontrollable horror, but nothing catastrophic happened. Inside was a cameo brooch, decorated along the edge with fifty small stones resembling diamonds, and at the bottom hung a drop of pearls. Leon once gave you something similar, but it was in no way comparable to what was now in your hands. It was clearly worth your year's salary. It’s not like you had a choice… in the corner of the room, of course, there was a chest of drawers, but you couldn’t find anything in it except snow-white sheets, and you didn’t really want to walk around in negligence. Considering the fact that you were given no choice and that at least the clothes looked comfortable, you decided to comply, scared by the fact that everything fit perfectly as if it was tailor-made for you. You even caught the brooch on your vest because someone probably left it here on the table on purpose.
“Well, at least I feel a little better,” you thought, sighing as you found the mirror. The lack of light made it difficult to judge how bad the bump on his forehead was, but perhaps that was for the best. There were still no footsteps or sounds in the room behind the wooden door, but so you quickly put your hair in a not-so-neat bun so that it wouldn't get in the way while you explored the area and tried to figure out what happened to you after you were attacked and left here.
Perhaps you should find a phone and contact Leon or the police directly… There must be some connection, right? Looking back again, trying not to pay attention to the slight dizziness and nausea, your gaze lingered on a metal plate hanging directly above the fireplace with some kind of inscription engraved on it, but you did not look at it or at other objects in the room. . Not now… all that mattered at that moment was to find someone or something that would help you navigate and call for help.
With a soft tread, almost quietly like a cat, you pushed the door forward and it gave way, making a slight creak, forcing only to pray that it would not attract unnecessary attention, your head poked out looking around. Cold stone walls like in a medieval castle pressed down on consciousness, the wind blew down the gloomy corridor so that even clothes did not save too much and you wanted to throw some kind of jacket on top, but you took a step forward rejoicing that there are familiar lamps here, even if they shine a little badly, but it was better than if there were candles here.
However, the candelabra here were also really empty. When you were completely out in the hallway, you couldn't figure out which way to go to the right or to the left. It was too dark on the left and you wanted to go there the least, so you wandered in the direction where the wind was blowing, listening carefully to everything, trying not to fall off any stairs, although it was not very bright here, but still your eyes could distinguish the situation well and in the end you went down somewhere to a single door. Pulling the handle, it turned out that the door was closed on the other side and except for the old junk lying under the stairs, overgrown with cobwebs in places, there was nothing, which obviously made you turn around and go upstairs again, turning into that dark corridor where you initially did not want to go, but it seems that the choice was small.
Of course, you could go back to the bedroom and wait for a miracle or trouble, the latter seemed like a more obvious scenario, but still you can't leave everything on its own, even if you find yourself in the most non-standard of all situations. Eventually, after passing through the already familiar room again, you breathed a sigh of relief when you realized that the corridor was not at all as long as it initially seemed, and the door at the end was fortunately unlocked and led you to some long well-lit balcony. Your heart was beating wildly from fear of the unknown, but you still walked forward with your hand on your chest, walking to the other end, passing by some more locked rooms, stopping only at the moment when you clearly noticed a bright scarlet stripe on the floor as if something was being dragged… … like a corpse, and the red streak seems to be blood. Your feet were rooted to the ground as you looked around in a panic, looking for potential danger. Despite the disgusting silence, no one was nearby or someone simply did not want to be noticed earlier than expected, so at your own risk you decided to follow the bloody trail that ended abruptly. There were stains on the floor as if someone had tried to wash them earlier, perhaps they didn’t have time to do it or… Well, Leon always said that you have a rich imagination, which no one from your family ever argued with, so you decided not to give it free rein just yet because that otherwise it will drive you crazy.
It was all just disgusting. You realized for sure that you were in some kind of castle or giant mansion that clearly needed cleaning in places, and the worst thing was that all the rooms here practically remained locked. After an hour of wandering through the dark corners, you were damn cold and lost in addition, despite the fact that you found nothing and could not go anywhere except a couple of chambers, although mice ran through there a couple of times and spiders wove a web in the corners, which horrified you, forcing you to quickly slam the door and scream several times. No one really showed up. On the one hand, it was calming, but on the other it was aggravating.
You need at least some kind of map to figure out which part of the building you're in at all, but all you've found is useless trash and increased anxiety. Breathing exercises generally helped, which was why you were on the verge of hysteria. There must be at least a landline phone here! Panic was rolling in and my eyes started to water, I just wanted to call Leon and beg him to take you away from here because every rustle or shadow made you jump on the spot. And if someone really chases you? Where to run to? You don't have a mountain of muscles like Chris Redfield and you're not even Leon's equal. Your brain was clearly no longer trying to think of any plan, and it was at this moment that somewhere in the distance you heard a clock tinkling. It was dark outside, you couldn't see a thing, which made you think it might be midnight.
Startled, you looked around again and still decided to follow the sounds, hoping that they would not lead to your death. Another dark corridor gave way to a lighter one, which led you to a wide oak carved door, which made you even momentarily happy as you entered the wide hall with snow-white marble columns and an almost mirrored floor where a mosaic in the shape of a sun was laid out in the middle of the hall. Everything was luxurious and at the same time forgotten, but the clock that brought you here with a loud blow really showed midnight and it was a real antique! You were ready to swear to God that such a miracle could only be bought by a wealthy well-connected collector. Nearby there were several tables similar to those in your room, and although they were very dusty, in the vases that stood on them smelled sweetly of fresh flowers.
It wasn’t so gloomy here anymore, which helped relax a little. With sincere curiosity, you looked at everything that lay on the tables, and would like to turn the porcelain figurines of animals in your hands, something like this always caught you, causing memories to come flooding back against your will, how during your travels Leon could not tear you away from the souvenir shop where you emptied his card with great generosity, but this was not the case. And although you kept your eyes glued to everything you saw, your feet carefully walked down the steps until you stopped dead in your tracks when you heard loud clapping of hands.
You looked up at the source of the sound but didn't see anyone, however…
"So you've already woken up, my dear?"
#leon kennedy#leon scott kennedy#leon s kennedy#resident evil#leon kennedy x reader#leon x reader#leon s kennedy x reader#resident evil x reader#leon kennedy x you#reader#leon resident evil#leon kennedy fanfiction#leon kennedy resident evil#leon s kennedy x fem!reader#leon s kennedy x you#leon x you#leon scott kennedy x reader#reader x leon#re6 leon#find me
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There is something genuinely haunting about HLVRAI. Like it’s a comedy series, but there is some genuine terror in there.
Dr. Coomer’s clones, the way he will suddenly break from his robotic self into a nihilistic creature that somehow knows the secrets of Black Mesa, it’s scary. In Episode 4 when they reach the surface, Gordon asks why they can’t just climb the walls and escape, and Coomer replies in the scariest voice: “There’s nothing there. There’s NOTHING there.” His face contorts, his mouth opens further than normal when he talks, there’s a shrill ambient tone playing over his speech, it’s fucking terrifying.
Especially the Coomer clones, those are MORTIFYING. When Gordon is attacked by all the Coomer clones, the real one says: “I’ve been outside Black Mesa, Gordon. There’s nothing there but YOU. I know there’s a world in your dreams, and I need to go there. There’s an opening in your suit and I want in.” The way he talks about how he feels the pain of all of his clones is haunting. “Gordon, every time you go to sleep I can feel my body torn apart, atom by atom. It’s agonizing, Gordon… I’ve seen outside of Black Mesa, Gordon… There’s NOTHING. But I know you. There’s a world outside here, Gordon, and I need you to take me there.
I know I’m just quoting Coomer at this point, but his lines speak for themselves. He literally says with the most nonchalant voice: “Well, clearly crawling inside of your HEV suit and wearing you like a puppet didn’t work, so..” This is genuinely a horror series.
Benrey is also a terrifying character. He’s always so non chalant and comedic, but something about the way he mindlessly insists on Gordon showing his passport, the way he repeatedly comes back to life is chilling to me. Throughout the entire series, from the very beginning he has seemed more like a “thing” than a human. His motivations are so stupid but he has such a relaxed confidence that he can survive anything, it’s haunting.
He has his own rules for the world that are forever changing, never static. There are times where he berates Gordon for killing living creatures right after killing innocent people himself, it’s like he’s a child with no sense of morality given a gods body. I don’t know how to describe it, he is just so frightening to me.
Like the scene where he says that he added Gordon’s death to the All Dogs Go to Heaven 2 Wikipedia page is fucking hilarious, but it also gives off a haunting impression that he knows that Gordon is going to die and is preemptively adding it into history. When Gordon denies that he’s dead, Benrey says “Well, it’s not the end yet, so you can’t say anything.” Which is a TERRIFYING line, and the only reason it’s not talked about more is because he’s referring to All Dogs Go to Heaven 2. I love this series
Edit: While rewatching the finale, there’s a scene I forgot about that should definitely be included in this post. When the group is traversing the alien world, they find a dead guy in an HEV suit and Coomer says: “Look Gordon, it’s you!” Something about that is so scary to me, it’s like Gordon is watching a version of himself that died because of Benrey, it’s so scary for no reason
Also another Coomer quote: “Gordon, if you found out that everything around you wasn’t real- was FAKE- what would you do?”
#hlvrai#half life vr ai#half life vr but the ai is self aware#dr coomer#wayneradiotv#dr bubby#tommy coolatta#benrey#benry
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