#Ray Mark II-lens

[thinkingimages]

MOLD-BLOWN BOTTLE of  Hans van Rossum

Late 3rd century – 4th century AD | Eastern Mediterranean, probably Syria

Size↑9.7 cm | ø 5.7 cm (body) | Weight 72 g

Technique: Body blown in a mold with two vertical sections. Neck and rim free blown, handles and coil applied.

Description: Transparent olive green glass, lens-shaped body, circular in front elevation. Cylindrical neck, flaring rim folded inward. Base indented with roughly cut off profile. Mold-blown decoration on body; on front and back, two concentric raised circles surrounded by rosette and twenty raised petals; on the perimeter, two rows of graduated circles with central bosses alternating with pairs of small bosses. Two opposed angular handles applied on the shoulder, drawn up and down, folded and applied to edge of rim. Probably the glassmaker had no good sense how to divide the amount of glass he needed; one handle is wide and massive, the other small and thin. The same with the trail around the neck; starting with a big drop, continuing in a thick coil, he ended the coil ring around the neck in a hairline trail. Pontil mark.

Condition: Intact, some slightly incrustation

Remarks: The same mold-blown design of concentric circles surrounded by a rosette was already used by the glass blowers during the first century AD. An example of this early mold-blown glass vessel is part of the Borowski Collection, no. V-52 and another one was part of the Collection of Monsieur Demeulenare no. 130. The early types however have different characteristics like form of the handles and the rim. They also does not have rows of circles on the sides. An identical example, made in blue glass, was formerly part of the Sheldon Breitbart Collection. It is striking identical with this example, except the way in which the handles are folded at the top. This blue one however is dated in the first century, so there is a friction in dating this type. Author of this book however prefers a dating in the third or fourth century AD, especially because of the thickness of the glass and the way in which the handles are formed. Mold-blown flasks with vague designs of concentric circles as on this example were first blown into a two-part patterned mold and after that inflated so the design could become barely visible.

Provenance: Private collection USA

Published: Arte Primitivo New York, auction 28 October 2009 lot 300

Reference: Glass from the Ancient World, the Ray Winfield Smith Collection, no. 253, H = 14.3 cm, The Breitbart Collection of Antiquities and Ancient Glass, Sotheby’s 20 June 1990, lot 85, Christie’s Antiquities, auction 8 April 1998 lot 15, Roman Glass in The Corning Museum of Glass – Vol. II, D. Whitehouse no. 638, Gorny & Mosch Munich, Auktion Kunst der Antike no. 202, 14. Dezember 2011 lot 113. H = 9.2 cm (one handle)

[in-death-we-fall]

Wham, Glam, Thank You Mam…

Kerrang 910, June 29 2002

The unmasked Joey Jordison’s Murderdolls are not Slipknot Mark II. Can you imagine the Clown wearing make-up and stack-heels?...

Oh Kerrang, we absolutely can... but that's not the point here

Words: Joshua Sindell Photos: P R Brown, Lisa Johnson

(drive link)

In a dimly lit room at the Sunset Marquis hotel, five heavily mascara’d men in black leather, each with immaculately back-combed hair, pose and purse their lips for a photographer’s lens. Only a single white curtain against the window protects their pale skin from the outside sun’s piercing rays. Last night’s expedition to famed strip club Crazy Girls has left some of them feeling bleary and achy, but, as the band Junkyard once sang so sagely, ‘That’s life in Hollywood’. Yes, this is LA, the home of all things tawdry and torrid, where giants in spandex so famously used to stride down the Strip. But this is not 1986. These events are happening in June of 2002. And one of these pouting prima donnas happens to be a member of Slipknot.

Murderdolls are the new baby of Joey Jordison – Slipknot’s diminutive drummer – but in stark contrast to his unrelentingly intense day job, their music is a trashy pastiche of glam-rock, New York punk circa 1977, schlock-horror, and heavy metal. Jordison has swapped his mask for make-up and his sticks for a guitar, and has created a band that embody practically everything you don’t ever hear on the radio these days. Alongside him are Static-X guitarist Tripp Eisen, singer Wednesday 13 who previously fronted the Frankenstein Drag Queens From Planet 13 and two friends of Tripp from LA – bassist Erik Griffin and appropriately-named drummer Ben Graves.

Just one listen to the Murderdolls’ debut album will be enough to have a legion of Slipknot fans chomping on their home-made boiler suits in confusion. Cheesy songs about grave robbing? Tributes to ‘The Exorcist’’s possessed devil-doll Linda Blair? Zombies? Mad scientists? Ghouls? What the hell is going on?

Jordison, barely five-foot-five even in his new stack heels, allows himself a sly smile.

“This is so far removed from Slipknot that it’s actually the best thing about it,” he says. “When we play, it’s just so fucking funny. We’re very serious about not being serious.”

To change gears from the testosterone-filled, uncontrolled anger of ‘Iowa’ to the sexually charged grind of Murderdolls is certainly something of a role-reversal. Butt Tripp Eisen, who, like Jordison, is also on shore leave from his day job, finds the turn-around almost hilarious.

“It’s kind of like being bisexual,” he jokes. “You’re doing a guy for now, but you’re not giving up on the ‘girl’ thing.”

The seeds of this project were sown years ago, in the mind and garage of Joey Jordison, under the name The Rejects. This was long before Slipknot and nu-metal’s all-conquering domination of the rock scene. The Rejects would eventually morph into Murderdolls, and to Joey, this is no mere side-project.

“I just feel that there’s no point in doing anything that’s even remotely similar to Slipknot,” he reasons, seated at a small table inside the cool, dark hotel room. “For me, it’s a chance to play guitar, which I played long before I played drums.”

Murderdolls began to become more than just a figment of Joey’s imagination three years ago when Slipknot toured with New Yorkers Dope, who had Eisen in their line-up at the time. The two bonded over a mutual love of such bands as Manowar, The Ramones and The Plasmatics.

“I had spent my whole life being kind of a glam guy, but also digging the heavy, heavy music,” says Tripp, a soft-spoken man with dreadlocks that sprout from his head like drooping asparagus. “It’s rare to find someone who can relate to both, and that’s what drew me to Joey. He’s into Slayer and Twisted Sister with equal intensity, and there’s not many people like that.”

To Tripp, there’s not all that much difference between the two. Both metal and glam are escapist and theatrical in nature, and he points out that Mötley Crüe and Slayer both used pentagrams on their albums.

Together, during the off time from their respective bands, Joey and Tripp dug up some of Joey’s old Rejects songs and dusted them off. They discovered a voice in North Carolina native Wednesday 13, and he brought several of his own songs with him. Then, after the album was finished, the band’s line-up was completed by Griffin and Graves.

The record itself is an absolute blast. Roaring guitars, skull-rattling drums and sneering, screaming vocals, all set to fast-paced tunes of terror and turmoil. Imagine the Ramones, the Misfits and the Dead Boys wearing long-haired wigs and goofing on love, lust and comic books. Add to the mix a soupçon of Marilyn Manson, plus a few screaming metal electric guitar leads, and stir. What pours out ain’t pretty, but it will certainly raise some eyebrows.

Joey couldn’t be more excited at the prospect of his Slipknot fans lending Murderdolls an ear.

“Not to take anything away from Slipknot, because I love that band and I’m still very much in it. But playing the guitar is not the same as playing the drums. Wearing make-up and trashy clothes is not the same as wearing coveralls and a mask.”

But what is to become of that famed Slipknot ‘mystique’? Won’t it forever be ruined by the fact that Joey is the first of them to go mask-less? Joey downplays the importance of his decision, saying that the internet has basically removed whatever secrecy Slipknot had tried to maintain anyway.

“We meet and talk to the kids without our masks every day,” he points out. He also says that Slipknot’s singer Corey Taylor and guitarist Jim Root will soon be performing sans masks in their own side-project, Stone Sour.

“I’ve said this a million times before, but wearing the masks is what the music ‘made’ us do,” says Joey. “It was not to just hide our faces. After knowing what Kiss looked like without their make-up for so many years, when I went to see them on their reunion tour, I didn’t give a fuck if I knew what they looked like under their make-up. When I saw them in make-up, I said, ‘That’s fuckin’ Kiss’.”

Scheduling the Murderdolls sessions and upcoming tour was never an issue with Slipknot either. All of the nine members decided that their loving maggots could allow them a few months’ rest, and many of them are pursuing solo projects.

“It was a mutual decision,” says Joey, “It wasn’t like we all needed the time away from one another. I told them that I felt that this stuff was worthy of being put out on a record. I think that it’s worthy for people to see it live as well. I’ve been spinning upside-down on a drum riser for the past 10 months, and now I’m going to go jam with this other band for a while, and they were totally cool with that. They knew from the start, even before the first Slipknot record, that I was going to do this, so it was no surprise to them.”

As for the other members, this much is known. Tripp Eisen says he’s still very much a part of Static-X, who are just about ready to wrap up their touring scenario for 2002 and will immediately begin writing their third album. Singer Wednesday 13, recruited to replace Rejects singer Dizzy, is an aficionado of ‘80s glam acts like Pretty Boy Gloyd and Tuff, and claims, quite horrifically, to have the soundtrack albums to every one of Sylvester Stalone’s movies – including ‘Over The Top’ and ‘Rhinestone’. Wednesday, who speaks in a warm southern drawl, plays a big role in the band’s theme and sound. He explains the song ‘Dawn Of The Dead’.

“I’ve always loved that movie,” he says, “and I thought, ‘How great would it be to have a Quiet Riot, ‘Cum On Feel Tha Noize’-type chorus for a song like that?’.” The singer described the sound of Murderdolls as a “Frankenstein monster we stitched together.”

The two newest members are Ben and Erik, friends of Tripp’s from LA. They do not play on the record, and both were struggling musicians who felt left out by the onslaught of post-grunge blandness and down-tuned rap-rock. Secretly, they wished they’d get hired to play just this kind of balls-out rock that just didn’t seem to exist outside of their old CD collections. They were working in shops on trendy Melrose Avenue when Tripp gave them a call.

“Once we all agreed that Nikki Sixx was God, we knew they were the right guys,” observes Wednesday.

Joey is loath to describe the band’s sound as metal or punk, though clearly it has elements of both, as well as some of the more frenzied moments of Marilyn Manson’s catalogue. In particular, ‘Dead In Hollywood’ truly sounds as if the God Of Fuck was somewhere in the mix, lending a helping shout. As it turns out, Joey asked the man himself to contribute, but not on any of the songs that have turned up on the record.

“Marilyn’s a friend of mine and we’ve always helped each other out,” says Joey. “I played some guitar for him and hooked him up with a remix, which he just recently used on the ‘Resident Evil’ soundtrack. He said that he’s going to sing on one of our songs now.” Unfortunately, what with his own deadline looming shortly, Manson’s tracks – either ‘People Hate Me’ or ‘Nineteen Seventy 666’ – may have to wait until after the release of the new Manson disc.

If all this sleaze and disorderly conduct sounds a little backward thinking, it is no accident. Even Trip agrees that the ‘Dolls pay tribute to a bygone time.

“I feel that kids today don’t know about what we grew up on, and I think that we’re trying to bring the whole package to them. The Union Underground and Sinisstar are similar in the respect that they’re bringing trashy rock back, but we just feel like we can do it better.”

Wednesday speaks with an endearing confidence that borders on pride.

“Nobody’s done it to the extent that we will,” he brags. “There were bands like Buckcherry and Beautiful Creatures who were doing the whole Guns N’Roses rock thing, but nobody’s done it at the level that we’re going to.”

Without too much Slipknot business to attend to, aside from the upcoming Reading and Leeds appearances this summer, Joey is clearly basking in his new-found freedom. Returning from the bathroom after applying his make-up, he jokes that posing for photos in Slipknot is so much easier than this current Murderdolls shoot. “You just throw on a mask and make hand gestures!”

Joey says that he’s looking forward to sharing his band with the world, and playing guitar live.

“I think that we’re original, but we’re not trying to reinvent the wheel,” he muses. “I think that in Slipknot, we broke down a lot of doors. I’m very proud of that, and I’m very fulfilled there. This is just another way to keep the glass full.”

Murderdolls release their debut album, ‘Beneath (sic) The Valley Of The Murderdolls’, on August 19 via Roadrunner.

Doll Parts

Joey Jordison’s guide to his new bandmates…

Ben Graves Joey: “Again, Tripp found him. Does he look like Twiggy Ramirez? Absolutely no comment.”

Wednesday 13 Joey: “He and I wrote all the music and the lyrics together. It’s fun when we’re singing about grave robbing. It’s much more tongue-in-cheek than anything Slipknot’s ever done.”

Erik Griffin Joey: “Tripp brought him into the band. I saw a video that Tripp did of them jamming, and he looked right for the band.”

Tripp Eisen Joey: “When we met, we instantly knew that we had the same taste in music. I really love his leads on the album. Live he’s great, and he’s a great friend.”

[qu-film-history-to-1968]

Final Post #3 Brody Feigin

The Evolution of Post-World War II Cinema: A Comparative Analysis of Neorealism, Directorial Influences, and Documentary Realism

  Following World War II, cinema underwent significant transformations due to the era's socio-economic conditions and technological advancements. This essay examines three critical aspects of this evolution: neorealism as a response to postwar realities, the influence of prominent directors like Billy Wilder, Vincente Minnelli, and Satyajit Ray, and the emergence of documentary realism. By analyzing these elements through the lens of films such as "Bicycle Thieves," "Sabrina," and "Land Without Bread," we can determine which post-World War II change was most decisive in shaping modern cinema. Through comparative analysis, we aim to examine whether neorealism, directorial influences, or documentary realism profoundly impacted the cinema we see today.

After World War II, Italy faced a devastated economy, rampant unemployment, and rising poverty. Neorealism emerged as a significant cinematic movement that sought to portray the harsh reality of these postwar conditions. During this time, traditional Hollywood glamour and escapism failed to resonate with audiences who craved stories reflecting their experiences. Neorealism offered a departure from mainstream cinema by prioritizing realism and showcasing the struggles of ordinary individuals. Vittorio De Sica's "Bicycle Thieves" epitomizes neorealism through its narrative focus on the hardships of a working-class family. The film follows Antonio Ricci, a man desperately searching for his stolen bicycle, which is vital for his employment.

Exploration of the impact of neorealism on storytelling, characters, and cinematography

Neorealism revolutionized storytelling by shedding light on the human condition and exploring themes of poverty, social inequality, and despair. This shift inspired a character-driven approach and a focus on authentic locations, allowing audiences to empathize with the struggles depicted on screen.

Prominent directors such as Billy Wilder, Vincente Minnelli, and Satyajit Ray played crucial roles in shaping the post-World War II cinematic landscape. Wilder's witty dialogue and cynicism, Minnelli's visually stunning musicals, and Ray's introspective storytelling all left an indelible mark on the industry. Their innovative approaches to narrative structures challenged traditional storytelling norms and influenced subsequent generations of filmmakers. Whether it was Wilder's film noir style, Minnelli's use of technicolor, or Ray's representation of Indian society, these directors pushed boundaries in visual storytelling.

The introduction of widescreen and color technologies during the 1950s and 1960s revolutionized the cinematic experience. These advancements allowed for more expansive and visually captivating narratives. Wide aspect ratios immersed viewers in grand spectacles and engaging landscapes, while color enhanced the emotional impact of scenes. Billy Wilder's "Sabrina" provides a prime example of how these technical changes were utilized to elevate storytelling. The vibrant color palette and widescreen format added depth and allure to the romantic comedy genre. Audiences were captivated by the newfound visual splendor brought about by widescreen and color technologies. Consequently, the industry quickly adapted to meet the demand for more visually immersive experiences.

The 1960s witnessed a shift in documentary filmmaking towards more observational and participatory approaches. Documentary filmmakers sought to capture genuine situations and experiences, often leading to increased audience engagement and social impact. Luis Buñuel's "Land Without Bread" is an early example of documentary realism as it depicted the harsh realities of peasant life in rural Spain. Buñuel's documentary set the stage for future filmmakers, influencing their approach to storytelling and encouraging them to confront uncomfortable truths and challenge societal norms.

Neorealism fundamentally altered storytelling, emphasizing authenticity and relatability. Its influence can still be seen in contemporary films that tackle societal issues and human struggles. The distinctive styles of directors like Wilder, Minnelli, and Ray left an indelible mark on their respective genres and visual storytelling techniques. Their contributions continue to shape modern cinema.

Documentary realism challenged traditional notions of truth and inspired audiences to question societal structures. Modern documentaries continue to embrace this sense of realism and engage audiences in powerful ways.

While each change discussed significantly impacted post-World War II cinema, their combined influence led to the diverse and multifaceted cinema we see today.

Throughout post-World War II, cinema, neorealism, directorial influences, and documentary realism have played pivotal roles in shaping the medium. Among these changes, neorealism is the most decisive in influencing contemporary cinema due to its focus on authentic storytelling and portrayal of societal issues. The influences discussed in this essay continue to be relevant, with contemporary filmmakers drawing inspiration from neorealism, directorial styles, and documentary realism to create thought-provoking narratives that resonate with audiences worldwide.

[duranduratulsa]

Here are this week's Amazon Music Preferred Artists...

1. Red Hot Chili Peppers, Green Day, Nirvana (5 appearances)

2. Dr Dre, TLC, The Notorious B.I.G., Pearl Jam, Rob Thomas, Goo Goo Dolls (4 appearances)

3. SmashMouth, Backstreet Boys, 4 Non Blondes, Aqua, Coolio, LV, The Smashing Pumpkins, Warren G, Nate Dogg, Oasis, Vanilla Ice, Metallica, Ice Cube, Faith Hill, Puff Daddy (3 appearances)

4. Soundgarden, The Proclaimers, Counting Crows, Bone Thugs-N-Harmony, Britney Spears, Snoop Dogg, Aerosmith, Third Eye Blind, Extreme, Beck, Weezer, Ginuwine, 2PAC, Blind Melon, Sir Mix-A-Lot, Tim McGraw, Beastie Boys, Blackstreet, Queen Pen, Bryan Adams, Matchbox Twenty, Marcy Playground, Collective Soul, Spice Girls, R.E.M., Sinéad O'Connor, Boyz II Men, Tracy Chapman Online, Santana, Tom Petty & The Heartbreakers, Cypress Hill, Fugees, Mark Morrison, No Doubt, The Verve Pipe (2 appearances)

5. Salt N Pepa, BellBivDeVoe, SWV, Deee-Lite Alanis Morissette, Digital Underground, Alice in Chains, Seal, Wilson Phillips Guns N' Roses, MASE, Montell Jordan, Nine Inch Nails, Sixpence None The Richer, Savage Garden, Barenaked Ladies, Dave Matthews Band, Color Me Badd, The Cure, Ricky Martin, Destiny's Child, Michael Jackson, Whitney Houston, Jewel, Shaggy, House of Pain, Scorpions, Faith No More, Soul Asylum, George Michael, Usher, Billy Ray Cyrus, Next, N2Deep, Eagle-Eye Cherry, KORN, Len, Live, Skee-Lo, The Verve, Sugar Ray, Eminem (1 appearance)

#amazonmusic #amazon #90s #90sfest #durandurantulsas3rdannual90sfest #redhotchilipeppers #greenday #nirvana #RIPCurtCobain #drdre #TLC #notoriousbig #pearljam #robthomas #googoodolls #smashmouth #ripsteveharwell #backstreetboys #4nonblondes #aqua #coolio #ripcoolio #LV #smashingpumpkins #WarrenG #natedogg #Oasis #vanillaice #metallica #icecube #faithhill #puffdaddy #RIPNotoriousBIG #soundgarden #RIPChrisCornell #theproclaimers #countingcrows #bonethugsnharmony #britneyspears #snoopdogg #Aerosmith #thirdeyeblind

[trovelle-com]

Shades of Style: A Captivating Journey through the History of Sunglasses in the United States

Step outside on a sunny day, and you're likely to see people sporting a wide range of sunglasses, each one reflecting their unique style and personality. Sunglasses have become an indispensable accessory, protecting our eyes from harmful UV rays while elevating our fashion game. But have you ever wondered about the intriguing history behind these iconic eyewear pieces? Join us on a delightful journey through time as we explore the captivating history of sunglasses in the United States.

Ancient Origins

While the United States has played a significant role in shaping the sunglasses industry, the concept of sun protection for the eyes dates back thousands of years. Ancient civilizations, such as the Inuit and the Roman Empire, used primitive forms of sunglasses to shield their eyes from the sun's glare. In China, around the 12th century, flat panels of smoky quartz were used by judges to conceal their expressions during court proceedings.

Early American Innovations

The early 20th century marked a turning point for sunglasses in the United States. In 1929, Sam Foster, a savvy entrepreneur, introduced affordable sunglasses to the American market. Foster's sunglasses, made from celluloid, quickly gained popularity among beachgoers and movie stars, setting the stage for sunglasses to become a fashion statement.

Iconic Moments in Sunglasses History

The sunglasses industry witnessed significant milestones throughout the 20th century. One defining moment arrived when Ray-Ban introduced the iconic Aviator sunglasses in 1936. Originally designed for U.S. Air Force pilots, these shades became a symbol of coolness and adventure, thanks to their association with World War II fighter pilots.

Another iconic style emerged in the 1950s when Ray-Ban released the Wayfarer sunglasses. This timeless design, worn by celebrities like Audrey Hepburn and James Dean, propelled sunglasses into the realm of high fashion, influencing trends for decades to come.

Pop Culture and Sunglasses

The 1960s and 1970s brought a cultural revolution that extended to the world of sunglasses. Music festivals, like Woodstock, became a breeding ground for unique eyewear styles. The counterculture movement embraced oversized, colorful frames, expressing individuality and nonconformity. Meanwhile, Hollywood embraced sunglasses as an essential prop, reinforcing their status as a fashion must-have.

Technological Advancements

As the 20th century progressed, advancements in technology transformed sunglasses from mere fashion accessories to functional eyewear. In the 1980s, Polaroid introduced polarized lenses, reducing glare and enhancing visual clarity. This innovation became particularly popular among boaters, fishermen, and outdoor enthusiasts.

In recent years, the rise of augmented reality (AR) and virtual reality (VR) technologies has even led to the development of smart sunglasses. These cutting-edge eyewear devices integrate digital displays, enabling wearers to access information, capture photos, and experience immersive digital content seamlessly.

Sustainability and Future Trends

As society becomes more environmentally conscious, sustainable eyewear options have gained traction. Many brands now incorporate eco-friendly materials like recycled plastics, bamboo, and even biodegradable acetate into their sunglass frames. This focus on sustainability aligns with the growing consumer demand for ethical and eco-conscious products. Looking ahead, the future of sunglasses is likely to include further advancements in lens technology, innovative frame designs, and the integration of wearable technology. As fashion and functionality continue to merge, sunglasses will undoubtedly remain an integral part of our lives.

From their ancient origins to their modern-day ubiquity, sunglasses have evolved from mere sun protection to a fashion statement and a symbol of coolness. The United States has played a prominent role in shaping the history of sunglasses, with innovations, iconic designs, and cultural influences that have stood the test of time. As we venture into the future, sunglasses will continue to capture our imagination, enhancing our style while safeguarding our eyes from the sun's rays. So, grab your favorite pair, step out in style, and embrace the fascinating legacy of sunglasses in the United States.

[taiyophotographer]

-RAY TRAJECTORY- ©︎太陽(Taiyo) Model : @koyu_watanabe Camera : Canon 1DX Mark II Lens : EF24-70mm f2.8 L II USM Edit : Lightroom classic, photoshop Settings : Both : ISO250, f5, ss0.6 s #ポカリ写真部 #canonphotography #eos1dxmarkii #ef2470f28liiusm #artsandcrafts #ralphlauren #motionblurphotography #strobephotography #tokyocameraclub #tokyo #tokyostreet #urbanphotography #magazinephotography #fashion #omotesando #vintagefashion #表参道　 #wintercollection #winterfashion #modefashion #fashionphotography #portraitphotography #tokyoportrait #photovogue #fashionmagazine #lastresortab #catwalkman #motionblur #profotob10 #modestyle #modefashion (at BALENCIAGA) https://www.instagram.com/p/CoKI1AfvRN1/?igshid=NGJjMDIxMWI=

[skygodtraumabond]

<Bzzt! Yeah, sure, an argument. >:> That's one thing to call it!>

<A video is attached. It starts with Ray standing up close in front of the camera, looking into the lens through their tinted goggles. As they realize that it's recording, they smile and back up, revealing a makeshift arena in the middle of an abandoned parking garage. On one side of the arena is one of Elodie's battle robots. It is painted the vivid shades of green and purple that Team S.C.A.M is known for, and it seems to be shaped vaguely like the top half of an Orbeetle. On the other side of the arena is Ray's ace—Scorchovia the Blaziken. The fire type seems ready for battle, eyeing up his metal opponent as his feathers fan out.

Ray: Alright, Techie. We're, um. We're testing the fire resistance of the Mark II bots. I know Elodie said the fire resistance was good enough, but she seemed nervous about the Chandelure line whenever it showed up in a team. She even pulled a bot out of rotation mid-fight so... Maybe she just didn't want the business to fall through? I. Don't know. She's been acting odd and—

<Bzzt! Ray! Any day now!>

The ex-champion seems startled by Techie's impatience, then gives a sheepish grin as they fidget with their necklace, looking away. A slight tremor can be seen in their fingers.

Ray: Right. Right. Sorry, I got carried away... Um. Basically, we're going to have Scorch here hit the bot with fire type moves of increasing intensity. If the bot stops functioning, we'll note which attack destroyed it and relay that back to Elodie so she can make upgrades.

They then give a slight bow and step out of frame, leaving only the pokemon and the machine in the shot. They strike a bell, which seems to cue the robot to begin attacking. It charges up a laser beam, which Scorch dodges with a dash as it's fired. A fluttering whistle is heard from off-screen, and Scorch responds to the wordless command by spitting an ember at the battlebot. It seems to singe the metal, but the robot otherwise remains functional. It zips around to the left side of the fire type, activating a set of jet-like thrusters which increase its speed.

Scorch stands in the center as the bot zips around him, somehow keeping an eye on it despite its blur of a movement. Then, a series of clicks followed by two whistles are heard. The fire type surrounds himself in a raging inferno, then punches down into the ground. This extinguishes the flame and sends out a shock wave of searing hot air into the arena. The battlebot spins out, the metal seeming warped and even glowing slightly in the thinner spots. Still, despite a beeping indicating an imminent overheat, it remains functional.

As it spins to face the fire type once again, two panels on its side creak and rattle in protest before finally snapping open. Two small cannons pop out of the sides with darts loaded into them. A sharp, long whistle is heard, the pitch reminiscent of a tea kettle at a boil. Scorch charges up a massive inferno around himself, crosses his arms as if bracing for an attack, then lunges forward and swipes his arms out while firing a blast of flame from his mouth, creating the distinct shape of a fire blast just as the darts are fired. The darts are incinerated in the fire, and when the blast hits the robot, the machine fares no better. When the smoke and embers clear, the bot has been reduced to a pile of molten scrap. It briefly tries to wheel to the other side of the ring, but it's motors quickly seize up, grind, and then finally die.

Ray walks back in the frame, scratching Scorch on the head as the flames dissipate from around them. Quiet coos of "that's a good boy" and "you did so well" can be heard as the Blaziken angles himself to receive the pets better. They pull a red pokeblock from their pocket and toss it in the air for their companion to snap up, beaming with pride.

That's when the screaming starts.

Elodie: WHAT DID YOU DO!?

Ray looks up just as Elodie lets out an agonized screen and bolts into frame, running into the ring and kneeling down beside the downed battlebot. Her expression is one of sheer terror, tears beading up in her wild eyes. Ray seems somewhat oblivious to the rising tension as her back is facing them.

Ray: Oh. Uh, sorry about the bot. Scorch and I were just running some flame resistance testing since you seemed worried. It, um... Lasted longer than I expected! It probably just needs more heatproofing here and there and—

As Ray approaches, rambling about the field test, they don't notice Elodie reaching for the wrench on her belt.

Elodie: ... You killed him.

Ray: ... Sorry? I don't—

Elodie: You killed. You killed him. You killed my BABY, YOU FUCKING MURDERER—

Elodie swings around with the wrench, clearly in hysterics. Scorch pulls Ray out of range moments before it would have connected with their skull. As they pull their machete, the footage cuts out.>

Hello. Castelia Residents. Do not be concerned if you see me sleeping on the sidewalk. Elodie and I got into an argument. It is fine. I am used to this. Thank you.

[iso3200net]

Easter walk 2021., there's the other day, yay!

Days around Easter were strange - rain was trying to soak everything, and it was trying hard, Easter Sunday was nice, sunny and warm, and for the finale, a day after Easter Monday we had a pretty heavy snowfall... in April... that didn't last till the next day. All the seasons in just a few days!

Here I went alone for a short walk, chasing the last rays of the sun.

Taken with Canon EOS 5D Mark II digital full-frame camera, with Soligor C/D Zoom‍+‍Macro 28‍–‍55mm F3.5‍–‍4.5 adapted wide-to-normal zoom lens, originally in Rollei QBM mount.

[wponpa-blog]

mini for watch

mini for watch  Timeless style, authenticity and freedom of expression are the core values of Ray-Ban, a leader in sun and prescription eyewear for generations. Since the introduction of the iconic Aviator model created for the aviators of the United States Army, Ray-Ban has been at the forefront of cultural change, becoming a symbol of self-expression, worn by celebrities and public figures all around the world. The lifestyle brand joined the Luxottica Group in 1999 after which Ray-Ban accelerated its growth and redefined its distribution. As of December 31, 2018, Luxottica operated 213 locations, mainly in China. Every one of us is on a unique journey. But no matter where you’re headed to, one thing is for certain – life moments set our paths: the laughter, the rush, the tears - these real moments of connection shape who we are. Embracing these moments, throwing ourselves headfirst into every part of the journey – that’s when we find our path to belonging and where we can be our real selves. It’s not just about belonging, it’s about being proud of it.

fake Cartier Rose Gold Chronograph Automatic Watch  Celebrating the shared moments that connect us, the #PROUDTOBELONG campaign focuses on three key sentiments that bring to life the very essence of our products: vulnerability & empathy, passion &joy, and confidence & pride.

The tender smile that says, ‘I forgive you’. Being caught lost in your thoughts. A friendly glance from a stranger on a bad day. These moments of exchange define who we are. When you’re wondering to find belonging, sometimes it finds you.

When was the last time you lived like no one was watching? The last time you let passion take control – and gave into joy? Passion sets us on fire. It ignites our soul. And when you finally lose yourself in the moment? That’s when you belong. So, live for every second – and let your spirit come alive.

Confidence & Pride (Ray-Ban Wings)

Head held high. Confidence in every step: when you’re proud to stand-out, that’s when you belong. Proud to belong anywhere and everywhere you choose – it’s when you can be yourself. Find your confidence, and everything else falls into place. Standing tall – and never need to back down.

Products available for purchase are:

RB1971 – Ray-Ban Square

The return of a 70s look from the I-Shape Family, these oversized square frames make a statement. Simply-constructed in metal with new Evolve lenses in gradient shades, Ray-Ban Square has a style as strong as its foundations.

RB2140 – Ray-Ban Wayfarer

Ray-Ban Original Wayfarer Classics are one of the most recognizable and distinctive shape in the history of sunglasses. Since its initial design in 1952, the Wayfarer has been a staple for celebrities, musicians and artists – a symbol of passion, authenticity and true iconic style.

RB3697 – Ray-Ban Wings II

With a slick, squared shape and unique mirror gradient lenses, these frames can’t help but make a mark and communicate confidence. Flat temples, flat double bridge, and the Wings II logo stamped on the lens, they’re a guaranteed ticket into the spotlight.

[replicababa-blog]

Cheap Raybans Sunglasses

Fake Ray-Ban Sunglasses Timeless style, authenticity and freedom of expression are the core values of Ray-Ban, a leader in sun and prescription eyewear for generations. Since the introduction of the iconic Aviator model created for the aviators of the United States Army, Ray-Ban has been at the forefront of cultural change, becoming a symbol of self-expression, worn by celebrities and public figures all around the world. The lifestyle brand joined the Luxottica Group in 1999 after which Ray-Ban accelerated its growth and redefined its distribution. As of December 31, 2018, Luxottica operated 213 locations, mainly in China. Every one of us is on a unique journey. But no matter where you’re headed to, one thing is for certain – life moments set our paths: the laughter, the rush, the tears - these real moments of connection shape who we are. Embracing these moments, throwing ourselves headfirst into every part of the journey – that’s when we find our path to belonging and where we can be our real selves. It’s not just about belonging, it’s about being proud of it.

Fake raybans clubmaster Celebrating the shared moments that connect us, the #PROUDTOBELONG campaign focuses on three key sentiments that bring to life the very essence of our products: vulnerability & empathy, passion &joy, and confidence & pride.

The tender smile that says, ‘I forgive you’. Being caught lost in your thoughts. A friendly glance from a stranger on a bad day. These moments of exchange define who we are. When you’re wondering to find belonging, sometimes it finds you.

When was the last time you lived like no one was watching? The last time you let passion take control – and gave into joy? Passion sets us on fire. It ignites our soul. And when you finally lose yourself in the moment? That’s when you belong. So, live for every second – and let your spirit come alive.

Confidence & Pride (Ray-Ban Wings)

Head held high. Confidence in every step: when you’re proud to stand-out, that’s when you belong. Proud to belong anywhere and everywhere you choose – it’s when you can be yourself. Find your confidence, and everything else falls into place. Standing tall – and never need to back down.

Products available for purchase are:

RB1971 – Ray-Ban Square

The return of a 70s look from the I-Shape Family, these oversized square frames make a statement. Simply-constructed in metal with new Evolve lenses in gradient shades, Ray-Ban Square has a style as strong as its foundations.

RB2140 – Ray-Ban Wayfarer

Ray-Ban Original Wayfarer Classics are one of the most recognizable and distinctive shape in the history of sunglasses. Since its initial design in 1952, the Wayfarer has been a staple for celebrities, musicians and artists – a symbol of passion, authenticity and true iconic style.

RB3697 – Ray-Ban Wings II

With a slick, squared shape and unique mirror gradient lenses, these frames can’t help but make a mark and communicate confidence. Flat temples, flat double bridge, and the Wings II logo stamped on the lens, they’re a guaranteed ticket into the spotlight.

[bammsd-blog1]

Cheap Ray-Ban Sunglasses uk

Timeless style, authenticity and freedom of expression are the core values of Cheap Ray-Ban Sunglasses uk, a leader in sun and prescription eyewear for generations. Since the introduction of the iconic Aviator model created for the aviators of the United States Army, Ray-Ban has been at the forefront of cultural change, becoming a symbol of self-expression, worn by celebrities and public figures all around the world. The lifestyle brand joined the Luxottica Group in 1999 after which Ray-Ban accelerated its growth and redefined its distribution. As of December 31, 2018, Luxottica operated 213 locations, mainly in China. Every one of us is on a unique journey. But no matter where you’re headed to, one thing is for certain – life moments set our paths: the laughter, the rush, the tears - these real moments of connection shape who we are. Embracing these moments, throwing ourselves headfirst into every part of the journey – that’s when we find our path to belonging and where we can be our real selves. It’s not just about belonging, it’s about being proud of it.

Celebrating the shared moments that connect us, the #PROUDTOBELONG campaign focuses on three key sentiments that bring to life the very essence of our products: vulnerability & empathy, passion &joy, and confidence & pride.

The tender smile that says, ‘I forgive you’. Being caught lost in your thoughts. A friendly glance from a stranger on a bad day. These moments of exchange define who we are. When you’re wondering to find belonging, sometimes it finds you cheap raybans clubmaster.

When was the last time you lived like no one was watching? The last time you let passion take control – and gave into joy? Passion sets us on fire. It ignites our soul. And when you finally lose yourself in the moment? That’s when you belong. So, live for every second – and let your spirit come alive.

Confidence & Pride (Ray-Ban Wings)

Head held high. Confidence in every step: when you’re proud to stand-out, that’s when you belong. Proud to belong anywhere and everywhere you choose – it’s when you can be yourself. Find your confidence, and everything else falls into place. Standing tall – and never need to back down.

Products available for purchase are:

RB1971 – Ray-Ban Square

The return of a 70s look from the I-Shape Family, these oversized square frames make a statement. Simply-constructed in metal with new Evolve lenses in gradient shades, Ray-Ban Square has a style as strong as its foundations.

RB2140 – Ray-Ban Wayfarer

Ray-Ban Original Wayfarer Classics are one of the most recognizable and distinctive shape in the history of sunglasses. Since its initial design in 1952, the Wayfarer has been a staple for celebrities, musicians and artists – a symbol of passion, authenticity and true iconic style.

RB3697 – Ray-Ban Wings II

With a slick, squared shape and unique mirror gradient lenses, these frames can’t help but make a mark and communicate confidence. Flat temples, flat double bridge, and the Wings II logo stamped on the lens, they’re a guaranteed ticket into the spotlight.

[lostcollection]

The Lost Cushion Park St, South Melbourne 11 October, 2018 Ray Mark II Lens // Big Up Film // Jolly Rainbo 2X Flash

[wazafam]

Stephen King's coming-of-age drama Stand By Me is a timeless tale of four friends, just as relevant today as it was on its initial release in 1986. The film is based off a novella by King called The Body, and was directed by Rob Reiner. It was received well by fans and had largely positive reviews, with critics praising the performances of the young stars. Reiner calls it the favorite of all his projects, and King loved the adaptation. But what would a 2021 version look like?

The story of the movie is told through the point of view of Gordie Lachance (Wil Wheaton), who, as an adult, reads in the newspaper that his childhood friend Chris (River Phoenix) has been killed. He begins to write a recollection of a childhood adventure with Chris and their friends Vern (Jerry O'Connell) and Teddy (Corey Feldman) in which they go on a quest to find the dead body of a teenager in their neighborhood who had gone missing. Some older teens led by the terrifying Ace Merrill (Kiefer Sutherland) also seek the body, wanting to claim the glory for locating the boy. Ace threatens, bullies, and belittles the younger boys, pushing them to their emotional limits. Gordie, who is mourning the death of his kind older brother Denny, finds the strength within to stand up to Ace, defending himself and his friends.

RELATED: Every George Romero & Stephen King Collaboration That Never Happened

The drama touched audiences and remains a fan favorite, retaining its legacy over thirty years after its debut. Much of the magic of the film was credited to the casting, about which Wheaton said, "Rob Reiner found four young boys who basically were the characters we played." Were the film to be remade today, it would be necessary to recapture the striking chemistry and lovely acting that made Stand By Me so special.

As the film's point of view character, the role of Gordie requires a lot of sensitivity and strength. Gordie is an imaginative, reflective boy who has lost the only family member who noticed and appreciated his talent for storytelling. At the tender age of 12, Gordie feels invisible in his own home, cast aside in favor of his athletic and charming older brother whose death has rocked his family. His father is not handling grief well, acting gruffly and dismissively toward Gordie, who just wants to be seen. Gordie feels like the shadow cast by his older brother will forever get in the way of his relationship with his parents. He seeks closeness with his friends, particularly Chris, who acts as his cheerleader, telling him that his parents simply don't know him, and that one day he'll be a great writer.

Wheaton's portrayal of Gordie was powerful and poignant, and it earned him a spot on VH1's "100 Greatest Kid Stars." The boy who replaces him would have to be a skilled actor and a bankable star, and Jacob Tremblay is both. At a young age, he has already garnered praise from critics for the dramatic heavy-hitter Room, and his performance in another King story, Doctor Sleep, was so effective that he disturbed all of his adult co-stars. Tremblay has shown enormous range and star power for one so young, and his winning relatability and potent depths would bring Gordie Lachance to a new generation.

As the naïve, silly comic of the group, Vern is often picked on but is resilient enough to brush right by the taunts. He is the one who introduces the idea of the trip to the group, asking them if they want to go see a dead body. He was under the porch digging for a jar of pennies he had lost when he overheard his brother talking to a friend about spotting the dead body of Ray Brower. Vern's desire to find the body coincides with his yearning to be a town hero instead of a "town loser." He is so often dismissed and ignored that he seems keen to prove himself. At first glance, Vern may seem a little slow and merely there to be a source of comedic relief, but he just like the other boys is facing an unfamiliar and yawning future, and he is trying to reinvent himself via an act of bravado.

RELATED: How Old Are Stranger Things' Child Actors?

Stand By Me was O'Connell's very first film, and his breezy, natural skills are effortlessly presented. Similarly, Lonnie Chavis is relatively new on the scene but has already won audiences and adult co-stars over with his maturity and adaptability. A keen observer of life and the human condition, Chavis was able to dive into his roles with electric energy and a firm grasp on reality that won him a significant role on the hit show This Is Us. Chavis would be a fun, fresh face to experience on the silver screen.

Teddy is perhaps the most tortured and erratic of the group. He suffers from a frightening home life with a father who has PTSD and takes the worst of his episodes out on Teddy, including an incident wherein he held Teddy's ear to the stove until it almost burned off. Despite this, Teddy venerates his father, holding sacred the fact that he "stormed the beaches of Normandy" in World War II. Teddy is often given over to fits of rage and sorrow, attempting suicide by standing in front of a train and getting into a screaming match with the man who runs the local dump. Teddy, in a way, is a symbol of the aftereffects of war, something still very close to home at the close of the 1950s when the film takes place. The window of innocence seen in the '50s would soon give way to the turmoil of the '60s, something that these young men are about to face along with adulthood.

Feldman was already a rising star when he appeared in Stand By Me, and the film stood as a testament to his position as an up-and-comer. His turn as Teddy Duchamp was truly incredible, marking a high point in the actor's career. Another such up-and-comer is Dylan Gage, who broke the hearts of audiences with his sweet, plaintive, and effective portrayal of young gay teen Gabe on the comedy Pen15. Fans of the show were gobsmacked and undone by Gage's performance as the middle-schooler coming to grips with his sexuality, finding the earnest performance gracefully executed. Gabe was also a theater actor, playing a sort of Edward Albee-esque character onstage across lead actor Maya Erskine, showing off his comedic ability and wonderful range.

In the 1986 movie, the late River Phoenix played Chris Chambers. As the narrator, Gordie says of Chris, "He came from a bad family and everyone just knew he'd turn out bad...including Chris." Chris Chambers is the leader of the group and Gordie's best friend, but he has trouble seeing the light in himself as much as he sees it in other people. His father and brother are violent toward him, and he has become convinced that he is worthless and will never amount to anything. He struggles against the turmoil of lowered expectations, desiring to advance academically but not being permitted to due to a suspension from school and access to the economic security that his friend Gordie has. He tells Gordie that they are bound to go separate ways because Gordie, unlike the rest, will have the opportunity to go to college, and he won't want to hang with losers like them. In the end, it is revealed that Chris pushed himself to graduate high school, attend college, and become a lawyer. He bravely tries to intervene in a bar fight where he is stabbed to death.

RELATED: Why Lost Boys Was Almost Like The Goonies (& Why It Changed)

Like Chris, Phoenix faced a difficult home life, sensitive emotionality, and a premature death. The talented young actor offered an abundance of heart and fire for one so young, and his performance in Stand By Me is one revered by fans. To replace him would be no easy task indeed, and that is why the role should be taken up by someone whose popularity and talent are pronounced. Noah Schnapp of Stranger Things has proven himself a valuable and enlightened actor whose star is beginning to shine.

Ace Merrill is not only a terrifying bully in Stephen King's Castle Rock, but a kind of symbol of childhood trauma and death. His palpable presence onscreen casts a pall over the film, acting as a dark and heavy cloud that disrupts the sunny bubble of childhood that the four young boys wish to hold on to. A notable turning point for Gordie occurs when the boy aims a gun at Ace, confronting his newfound comprehension of death and the unknowable consequences of the future all at once.

Sutherland was chilling as Merrill, his presence onscreen almost Shakespearean as he stalked through the hamlet of Castle Rock, Oregon. His smooth, detached performance is icy and effective, convincing audiences that he might pose a deadly threat to the boys. To match such a profoundly unnerving performance would take experience and poise, both of which Asa Butterfield has in spades. The young star of Hugo and Sex Education has enough clout to carry the bully off with aplomb.

The older version of Gordie is not visible through much of the film, but his voice carries the story. He is the audience's lens through which these characters are seen and the mirror of adulthood that many viewers face. At the end of the film, his words, "I never had any friends later on like the ones I had when I was twelve. Jesus, does anyone?" reflect thoughts that many people have had. Richard Dreyfuss plays the role tenderly in the original, and a return of Sutherland would be a fun nod for fans of the original as well as an echo of what happens with adulthood. Sutherland and Tremblay also bear a passing resemblance, so he would fit the role nicely.

RELATED: Every Horror Movie With A Final Boy (Not Girl)

Though the role of Gordie's older brother is a mere cameo, he is a weighty presence in the film. Much of Gordie's character hangs on the approval of his older brother, and the motivation to find the dead body leads Gordie to a profound understanding of death, life's ultimate conclusion. When he gazes upon the body of Ray Brower, he not only understands the finality of existence but the phenomenon that took his brother away from him. The actor who plays Denny Lachance has to sparkle. He is handsome, charismatic, and kind, and the original cameo by John Cusack was just the ticket. Movie star Tom Holland would be well suited to such a task. Universally adored, sweet, and bankable, the star of Spider-Man is the perfect choice to play Gordie's beloved older brother in a Stand By Me reboot.

NEXT: Recasting Horror Movies' Most Iconic Final Girls In 2021

Recasting Stand By Me In 2021 (Every Major Character) from https://ift.tt/3rEmkjQ

[simonepaleari]

Ray of light. Val Masino (SO). Italy . 1/125 sec at f/8, ISO 100 | Canon EOS-1D X Mark II + EF100-400mm f/4.5-5.6L IS II USM lens | 400mm . #amazing_shots #bbcearth #bbctravel #beautifuldestinations #discoverearth #dreamimage #dreaming_landscape #earthcapture #earthoutdoors #earthpix #fantastic_earth #foliage #ig_color #ig_italia #ig_lombardia #ig_photo_club #landscape_captures #landscapelover #landscapephotography #landscapeshot #lombardia_bestphoto #lombardiadavedere #natgeo #ourplanetdaily #splendid_earth #splendid_mountains #travelawesome #valmasino #visitlombardia (presso Val Masino) https://www.instagram.com/p/CINYWxJhZGB/?igshid=1t3bsg1p9253d

[sansaartimes]

Canon EOS 6D Mark II Digital SLR Camera Body – Wi-Fi Enabled with Pro Camera Battery Grip, Professional TTL Flash, Deluxe Backpack, Universal Timer Remote Control, Spare LP-E6 Battery (16 Items)

Price: $3,499.99 - $1,399.00 (as of May 15,2020 02:54:33 UTC – Details)

Step up into the full-frame game with the EOS 6D Mark II DSLR Camera from Canon. Making high-performance full-frame imaging more accessible, the 6D Mark II makes numerous advancements over its predecessor to improve upon every aspect of image capture and creation. The main update comes in the form of a 26.2MP CMOS sensor and the use of the DIGIC 7 Image Processor to deliver sharper, more vivid imagery in a variety of shooting situations. This setup offers an improved native sensitivity range of ISO 100-40000, which can then be expanded to ISO 50-102400, as well as speedy shooting rates of up to 6.5 fps.

This Canon deluxe camera bundle includes

Canon EOS 6D Mark II Digital SLR Camera

Deluxe pro camera battery grip

SanDisk 64GB high speed memory card

Professional TTL digital camera flash

Deluxe backpack

Universal timer remote control (Black)

Lens cleaning pen

Lens rubber air dust blower for removing dust

Original LP-E6 battery pack

Original LC-E6 charger

Spare LP-E6 battery pack

High speed memory card reader for transferring images

Camera grip/hand strap

57 inch monopod

This Canon Camera Bundle comes with Manufacturer Supplied Accessories and One Year Seller Warranty Canon EOS Rebel 6D Mark II DSLR Camera with 26.2MP Full-Frame CMOS Sensor, DIGIC 7 Image Processor, Full HD Video at 60 fps; Digital IS, Native ISO 40000, Expanded to ISO 102400, Built-In GPS, Bluetooth & Wi-Fi with NFC with Pro battery power grip – Vertical shutter with half-press function, comfortable vertical shooting, Doubling the battery capacity of your camera, effectively extend your shooting time SanDisk Ultra 64GB Class 10 SDXC UHS-1 Memory Card up to 48MB/s – Twice As Fast As Ordinary Sdhc & Sdxc Cards, Class 10 Performance For Full Hd Video (1080p), Waterproof, Temperature proof, X-ray proof, Magnet proof & Shockproof, High speed memory card reader for transferring images, Lens cleaning pen, Rubber air dust blower, wrist/hand strap Deluxe Backpack – a water-resistant backpack made to hold 1-2 SLR cameras with 3-4 lenses, flash, and accessories. It has a carry handle and detachable strap. There are front and side pockets for accessories – Water-Resistant Nylon, Front and Side Pockets, Carry Handle, 57 Inch Monopod, Original LP-E6, LC-E6 Charger, Spare battery Professional TTL flash for Canon SLR cameras – Red focus beam assists in low light conditions, Auto focus/TTL metering and wireless TTL function, Universal Timer Remote Control gives you digitally accurate time controls via it’s LCD display. It features Delay, long exposure and interval time management functions, as well as multi-photo numbering settings. It uses low power consumption and the LCD panel can be illuminated in dark environments – LCD Display, Time Controls, Delays

from WordPress https://ift.tt/3cLaOfP via IFTTT

[iso3200net]

Easter walk 2021., there's the other day, yay!

Days around Easter were strange - rain was trying to soak everything, and it was trying hard, Easter Sunday was nice, sunny and warm, and for the finale, a day after Easter Monday we had a pretty heavy snowfall... in April... that didn't last till the next day. All the seasons in just a few days!

Here I went alone for a short walk, chasing the last rays of the sun.

Taken with Canon EOS 5D Mark II digital full-frame camera, with Soligor C/D Zoom‍+‍Macro 28‍–‍55mm F3.5‍–‍4.5 adapted wide-to-normal zoom lens, originally in Rollei QBM mount.