#Ray Gibson photography

[raystoimages]

Periplum performing A Thousand Feet Deep, Stadt Moers Park in Whiston, Merseyside. 2022.

“A thousand feet deep, beneath the fields of Knowsley, is a land of power & invention. Magic is rising from under our feet.”

[ulkaralakbarova]

With a serial strangler on the loose, a bookkeeper wanders around town searching for the vigilante group intent on catching the killer. Credits: TheMovieDb. Film Cast: Kleinman: Woody Allen Prostitute: Kathy Bates Student Jack: John Cusack Irmy: Mia Farrow Prostitute: Jodie Foster Hacker’s Follower: Fred Gwynne Clown: John Malkovich Alma: Julie Kavner Marie: Madonna Magician: Kenneth Mars Eve: Kate Nelligan Doctor: Donald Pleasence Prostitute: Lily Tomlin Mr. Paulsen: Philip Bosco Spiro’s Assistant: Robert Joy Simon Carr: Wallace Shawn Vogel’s Follower: Kurtwood Smith Priest: Josef Sommer Hacker: David Ogden Stiers Cop at Police Station: John C. Reilly Woman with Baby: Eszter Balint Vigilante: James Rebhorn Roustabout: Richard Riehle Cop: William H. Macy Undesirables Onlooker: Fred Melamed Killer: Michael Kirby Vigilante: Victor Argo Vigilante: Daniel von Bargen Landlady: Camille Saviola Dwarf: Tim Loomis Fat Lady: Katy Dierlam Strongman: Dennis Vestunis Prostitute: Anne Lange Student: Andy Berman Student: Paul Anthony Stewart Student: Thomas L. Bolster Police Chief: Greg Stebner Cop at Police Station: Peter Appel Cop at Police Station: Brian Smiar Cop at Police Station: Michael P. Troy Cop at Police Station: Remak Ramsay Cop at Police Station: Ron Turek Bartender: Peter McRobbie Cop with Priest: Ira Wheeler Baby: Rebecca Gibson Hacker’s Follower: Robert Silver Spiro: Charles Cragin Vigilante with Spiro: Tom Riis Farrell Vigilante with Spiro: Ron Weyand Roustabout: Max Robinson Film Crew: Additional Casting: Todd M. Thaler Casting: Juliet Taylor Writer: Woody Allen Producer: Robert Greenhut Assistant Editor: Mark Livolsi Costume Design: Jeffrey Kurland Production Coordinator: Helen Robin Executive Producer: Charles H. Joffe Executive Producer: Jack Rollins Editor: Susan E. Morse Hairstylist: Romaine Greene Assistant Art Director: W. Steven Graham Casting Associate: Laura Rosenthal Supervising Sound Editor: Robert Hein Director of Photography: Carlo Di Palma Gaffer: Ray Quinlan Sound Designer: Dan Sable Foley Artist: Brian Vancho Set Decoration: George DeTitta Jr. Assistant Costume Designer: Donna Zakowska Production Sound Mixer: James Sabat Production Design: Santo Loquasto Assistant Sound Editor: Stuart Levy Co-Producer: Joseph Hartwick Sound Re-Recording Mixer: Lee Dichter Construction Coordinator: Ron Petagna Key Scenic Artist: James Sorice Production Assistant: Robert C. Albertell Makeup Artist: Bernadette Mazur First Assistant Director: Thomas A. Reilly Art Direction: Speed Hopkins Property Master: James Mazzola Assistant Production Coordinator: Ilyse A. Reutlinger Still Photographer: Brian Hamill Standby Carpenter: Joseph A. Alfieri Jr. Scenic Artist: Cosmo Sorice Set Dresser: Dave Weinman Assistant Camera: Michael Green Sound Recordist: Frank Graziadei Camera Operator: Dick Mingalone Script Supervisor: Kay Chapin Set Decoration: Amy Marshall Boom Operator: Louis Sabat Dolly Grip: Ronald Burke Key Grip: Robert Ward Wardrobe Supervisor: Patricia Eiben Second Assistant Camera: Michael Caracciolo Camera Trainee: David E. Baron Art Department Coordinator: Glenn Lloyd Second Assistant Director: Richard Patrick Assistant Editor: William Kruzykowski Transportation Captain: Peter Tavis Transportation Captain: Harold ‘Whitey’ McEvoy Production Assistant: Justin Moritt Wardrobe Supervisor: Bill Christians Foley Artist: Elisha Birnbaum Additional Casting: Judie Fixler Key Construction Grip: Vincent Guarriello Production Assistant: Danielle Rigby Projection: Carl Turnquest Best Boy Electric: Jim Manzione Costume Assistant: Lauren Gibson Assistant Art Director: Robert Perdziola Foley Editor: Lori Kornspun Assistant Art Director: Peter Eastman Location Scout: Megan Monaghan Assistant Art Director: Richard Michael Miller Apprentice Sound Editor: Yasmine Amitai Location Manager: James A. Davis Movie Reviews:

[myramglina]

Charli XCX & Troye Sivan - 1999 from Pomp&Clout on Vimeo.

Directed by Ryan Staake & Charli XCX

Production Company: Pomp&Clout Creative Direction: WP&A Executive Producer: Ryen Bartlett Head of Production: Kevin Staake Producer: Rich Salamone Prod Manager: Wojtek Stypko Associate Producer: Eric Margulies Prod Coordinator: Sam Skolnik 1st AD: Jesse Hays 2nd AD: Bryon Dormandy

Director of Photography: Santiago Gonzalez 1st AC: Nick Fischer 2nd AC: Nolan Berbano Gaffer: Alberto Alonso BBE: Greg Ladwig Electric: Joey Brown

Key Grip: Wadsworth Peters BBG: Aaron Burton Dolly Grip: Adam Shambour Grip: Ivan Garcia

Production Designer: Miles Ford Mullin Art Director: Jena Serbu Lead Man: Eligh Macias Set Dresser: Kevin Lopez Set Dresser: Daniel Oregel

Editor: Ryan Staake Online Editor: Ryosuke Tanzawa

VFX by Pomp&Clout VFX Artists: Pete Puskas, Aaron Vinton & Ryan Staake Machine Learning: Andrew Pouliot

Colorist: David Torcivia Makeup Artist: Danielle Kahlani Makeup Assistant: Trina White Hair Stylist: Nicole Kahlani Hair/Makeup (Troye and Extras): Carla Rosso and Steph Ruiz de Chávez Hair/Makeup Asst. (Troye and Extras): Gina Banic

Wardrobe Stylist: Rebecca Grice Wardrobe Assistant: Sonja Desai Seamstress: Aneta Velizar

Casting: Alex Chapman Choreographer: Erin Murray

Security: Sergio Orellana Trailer Driver: John Koenig Catering: Spartan Catering (Abel)

Production Assistant: Jacob Outsen Production Assistant: Katie Conboy Production Assistant: Nick Callas Production Assistant: Jose Ramos Production Assistant: Ray Fuentes Production Assistant: Fred Porras

Casting: Alex Chapman Choreographer: Erin Murray Security: Sergio Orellana Trailer Driver: John Koenig Catering: Spartan Catering (Abel)

Dancers: Engelstad, Megan Gibson, Myranda Jessen, Belle Reese, Katie Clay, Shane Dell, Luke Munson, Hunter Friedman, Joseph Havard, Cody Kline, Rex Reed, Joseph Guy, Kelsey McCarty, Bria Nesis, Tessa

[docrotten]

THE SATANIC RITES OF DRACULA (1973) – Episode 188 – Decades Of Horror 1970s

“Nothing is too vile. Nothing is too dreadful, too awful. You need to know the terror, the horror, Lorrimor. You need to feel the thrill of disgust, the beauty of obscenity.” Oh, Freddie Jones, you had me at vile. Join your faithful Grue Crew – Doc Rotten, Chad Hunt, Bill Mulligan, and Jeff Mohr – as they do a ride-along with Peter Cushing and Christopher Lee for their last Hammer film together, The Satanic Rites of Dracula (1973).

Decades of Horror 1970s Episode 188 – The Satanic Rites of Dracula (1973)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

In 1974, Scotland Yard believes it has uncovered a case of vampirism, so they call in veteran vampire researcher Professor Lorrimer Van Helsing.

  Director: Alan Gibson

Writer: Don Houghton (screenplay by)

Music by: John Cacavas

Cinematography by: Brian Probyn (director of photography)

Film Editing by: Chris Barnes

Selected Cast:

Christopher Lee as Count Dracula / D.D. Denham

Peter Cushing as Lorrimer Van Helsing

Michael Coles as Inspector Murray

William Franklyn as Peter Torrence

Richard Vernon as Colonel Mathews

Joanna Lumley as Jessica Van Helsing

Valerie Van Ost as Jane

Barbara Yu Ling as Chin Yang

Freddie Jones as Dr. Julian Keeley

Maurice O’Connell as Agent Hanson

Richard Mathews as John Porter, MP

Patrick Barr as Lord Carradine

Lockwood West as General Sir Arthur Freeborne

Peter Adair as doctor

John Harvey as the Commissionaire

Maggie Fitzgerald, Pauline Peart, Finnuala O’Shannon as vampire girls

Mia Martin as girl on altar

Marc Zuber, Paul Weston, Ian Dewar, Graham Rees as guards

It’s time to cover the final pairing of Peter Cushing as Van Helsing and Christopher Lee as Count Dracula in Count Dracula and His Vampire Bride! Wait, no… The Satanic Rites of Dracula (1973). Two years after the events of Dracula A.D. 1972, Cushing’s Van Helsing discovers Lee’s Dracula is still alive… and living in London… (see what I did there) and is now a wealthy CEO. But, he still has dastardly plans in his cape. Ironically, while this film did not land state-side until 1978 keeping U.S. fans waiting, it is now, sadly, in the public domain… sigh. Regardless, if you watch a sharp HD cut from an original print, you can catch glimpses of the powerhouse horror film company Hammer used to be as Helsing and crew literally use every method possible to dispose of the vampires lurking about. C’mon, despite its questionable quality, you gotta see this.

At the time of this writing, The Satanic Rites of Dracula is available to stream from the Roku Channel, Tubi, Popcornflix, Freevee, Screambox, and a variety of PPV sources. It is also available on Blu-ray from Warner Archives.

Gruesome Magazine’s Decades of Horror 1970s is part of the Decades of Horror two-week rotation with The Classic Era and the 1980s. In two weeks, the next episode, chosen by Jeff, will be Paul Naschy’s The Werewolf and the Yeti (1975). Or is it Night of the Howling Beast? Or La maldición de la bestia? Or Il licantropo e lo yeti? Or Horror of the Werewolf? Or The Curse of the Beast? Or Hall of the Mountain King? Anyhoo, have you seen any of these?

We want to hear from you – the coolest, grooviest fans: comment on the site or email the Decades of Horror 1970s podcast hosts at feedback@gruesomemagazine.com. 

Check out this episode!

[brokehorrorfan]

4K Ultra HD Review: Mad Max

Much like actors are prone to typecasting, so too are filmmakers often pigeonholed in the genre in which they first find success. When doctor-turned-director George Miller made his propitious debut with 1979's Mad Max and followed it up with two sequels over the next six years, he seemed destined to continue to work in action. Instead, the Australian filmmaker explored comedy (The Witches of Eastwick), drama (Lorenzo's Oil), and family fare (Babe: Pig in the City, Happy Feet) before returning to his roots with Mad Max: Fury Road, earning six Academy Awards.

Miller's skill in the visual medium was apparent from the start with Mad Max. Rather than highlighting Australia's lush landscapes, he and director of photography David Eggby (Pitch Black, Scooby-Doo) show a desolate, muted Melbourne. While it's often overshadowed by the ostentatious, post-apocalyptic dystopia of its sequels, the original film depicts a near-future that takes place prior to - but on the cusp of - the complete collapse of society. Miller and co-writer James McCausland maintain a sliver of normalcy, but an energy crisis has triggered the beginning of the end.

Mad Max wastes no time getting to the madness, opening with a reckless, high-speed chase in which the unruly gang wreaking havoc on the streets of Australia kills one of the few remaining members of the disheveled police force attempting to uphold the law. Leather-clad lawman Max Rockatansky (a young Mel Gibson) joins the hunt, and it becomes personal when the gang's ringleader, Toecutter (Hugh Keays-Byrne, who also plays the villainous Immortan Joe in Mad Max: Fury Road), targets his wife (Joanne Samuel) and infant son. The rage-filled Max takes his supercharged car and seeks vengeance against the leader and his loyal acolytes.

Mad Max may be tame by today’s standards, particularly when compared to the insanity that would follow in the franchise, but consider the context upon its initial release. This low-budget, independent film from a first-time filmmaker with an inexperienced cast and crew in Australia unexpectedly delivered 93 minutes of the most death-defying stunts committed to celluloid at the time. The cast and crew threw caution to the wind, resulting in a palpable sense of danger, while dramatic elements accentuate the action.

Mad Max drives onto 4K Ultra HD and Blu-ray from Kino Lorber Studio Classics. It has been restored in 4K from original elements with Dolby Vision High Dynamic Range, resulting in a sharp, vibrant picture that blows the previous Blu-ray releases from Scream Factory and MGM out of the water. Three audio options are available: the original mono Australian track, a 5.1 lossless Australian track (in which the many explosions and crashes sound massive), and the American dub. A slipcover with alternate artwork is included.

Both the 4K UHD and Blu-ray discs include a casual, enjoyable audio commentary by Eggby, art director Jon Dowding, and special effects artist Chris Murray, while the Blu-ray houses the rest of the special features. Most notably, Miller sits down for a new, 30-minute interview about the film and its legacy. It's filmed via video chat due to Covid-19, but it's great to have the director's input, as he was absent from previous editions. He discusses the movie's origins as a contemporary story, being smitten by Gibon's audition, the guerilla filmmaking tactics, and more.

Scream Factory's 2015 interview featurette with Gibson (who looks back on the film with fondness and honesty), Samuel, and Eggby is ported over, as are two mini-documentaries produced by MGM in 2002: Mad Max: The Film Phenomenon, a 25-minute piece about the movie's impact, and Mel Gibson: Birth of a Superstar, a 16-minute featurette about Gibson’s rise to fame featuring Eggby, actors Piper Laurie (Carrie) and John Jarratt (Wolf Creek), and more. Other extras include a trailer commentary by writer Josh Olson (A History of Violence), two theatrical trailers, three TV spots, and three radio spots.

Mad Max is available now on 4K Ultra HD and Blu-ray via Kino Lorber Studio Classics.

[reignofkings]

Funny COCA - COLA Happiness Factory Full Movie

Coke Comes From Happiness Factory A journey through a coke vending machine into a fantasy land of wondrous characters and spectacular landscapes contributing to the delivery of the bottle.

Credits Coke Happiness Factory was developed at advertising agency Wieden+Kennedy Amsterdam by executive creative directors John Norman and Al Moseley, creative directors Rick Condos and Hunter Hindman, agency executive producer Tom Dunlap, and agency producer Darryl Hagans.

Animation for Coke Happiness Factory was developed at Psyop, New York, by creative directors Todd Mueller and Kylie Matulick, with executive producer Justin Booth Clibborn, producer Boo Wong, assisted by Kate Phillips and Viet Luu. Other Psyop artists working on Happiness Factory were Flame artist Eben Mears, lead 3-D Artist Joe Burrascano, 3D Artists/Animators Kevin Estey, Josh Harvey, David Chontos, Jonathan Garin, David Lobser, Naomi Nishimura, Ylli Orana, Clay Budin, Chris Bach, Dylan Maxwell, Kyle Mohr, Miles Southan, Boris Ustaev, Dan Vislocky, modelers Jaye Kim, Joon Lee, storyboard artist Ben Chan, matte painter Dylan Cole and editor Cass Vinini.

Live Action was directed by Peter Lydon, via Hungry Man, London, with executive producers Matt Buels and Tim Nunn, producer Debbie Ninnis, and director of photography Ray Coates.

Music was produced by Mark Altshuler at Human Worldwide.

The sound was designed by Bill Chesley at Amber Music & Sound Design, with executive producer Michelle Curran and producer Kate Gibson. Audio post-production was done at AudioEngine, New York.

[raylouiephotography]

Seven Days Lost vocalist/guitarist Michael Trejo flashing the sign of the horns to the audience during their concert at Sunshine Studios Live. Great show with Colorado bands Gravel, Slow Iguana Crossing, Cryptic Writings and Seven Days Lost opening for Texas Hippie Coalition. Shot on a Sony A7R iii 85mm with a tad of Lightroom CC. ©︎2018 Ray Louie Photography All rights reserved. All photos are available to share on social media. Please credit me and don’t crop or edit pictures when sharing. • • • • • • • @sunshine.studios.live @sevendayslost @j.t.bundy @joeevilpig #sevendayslost #bassist #dirtylowend #schecterguitars #colorado #evilpig #gibson #concertphoto #concertphotography #concertphotographer #livemusicphotographer #livemusicphoto #guitarplayer #guitarist #classicrock #guitarlove #heavymetal #hardrock #guitar #liveconcert #liveconcertphotography #htbarp #concertshot #musicphotography #gigphotography #livemusicphotography #raylouiephotos #bestmusicshots #liveauthentic @audioloveofficial #audioloveofficial (at Sunshine Studios Live) https://www.instagram.com/p/BsDJ-hdA6X-/?utm_source=ig_tumblr_share&igshid=39oh7g17kjz1

[architectnews]

Jack Lemmon’s Malibu Beach House

Jack Lemmon’s Malibu Beach House, Luxury Malibu Residence For Sale, Modern California Villa Photos

Jack Lemmon’s Malibu Beach House

Jun 21, 2021

Malibu Beach House

Californian Luxury Home is for sale priced at $13.45 million

Location: Malibu, California, USA

Source: TopTenRealEstateDeals

Malibu Beach House

Born in a hospital elevator in Massachusetts in 1925, two-time Academy Award winner and nominated for six more, Jack Lemmon was one of the busiest and most popular movie actors in the last half of the 20th century. Lemmon starred in both comedies and dramas in more than 60 movies, many of which are considered classics today. In 1971, Jack purchased a beach house for his family in the Broad Beach celebrity-favored section of Malibu Beach. The family enjoyed it for decades, creating many happy memories. It is now for sale, priced at $13.45 million.

According to Lemmon’s daughter, Courtney Lemmon, “The house was designed and rebuilt, with my father’s painstaking attention to every detail, in the late 80s. He and my mother created a private sanctuary for us and also a place to entertain friends in a most relaxed way.” During Lemmon’s time on Broad Beach, the friends included frequent co-stars and movie people such as Walter Matthau, Billy Wilder and Frank Sinatra. Courtney continued to say, “There were countless dinners outside, poker games with the Sinatras from down the road, parties at the Wilders next door, family Thanksgivings with the Matthaus, and many Fourth of July celebrations,” Courtney recounts.

“My father even put a putting green on the dune to practice his golf swing (with biodegradable golf balls, of course). The memories of growing up on Broad Beach are indelible and a deeply cherished part of my family’s story. This was our oasis to recharge, and reconnect. I hope that Broad Beach brings as much joy to the new owners as it did to us.”

The brick construction, different from most of the Malibu beach homes, displays Lennon’s appreciation of traditional building while at the same time demonstrates the open elegance and casualness of the famous beach town. The three-bedroom, four-bath home measures in at 3,293 square feet, which includes a detached guest studio.

Grounds have both a traditional walled garden with a tiled salt water swimming pool and fountains in the front and a sandy beach-style enclosure in the back, before opening out to the main beach and ocean. Designed to capture the ocean views, the interior has multiple fireplaces, carved wood and is bright and cheerful with beachy vibes. A rooftop deck is perched overhead providing panoramic views out to sea and down the coast.

Many of Jack Lemmon’s films are just as popular today as when they were released between the 1950s and ‘90s. Some favorites include Some Like It Hot (for which he won the year’s Academy Award for Best Supporting Actor), The Apartment, Days of Wine and Roses, The Odd Couple, Glengarry Glen Ross, Mister Roberts and The China Syndrome. Lemmon died in 2001.

Broad Beach has been a haven for celebrities including Ray Romano, Dustin Hoffman, Pierce Brosnan, Goldie Hawn and Kurt Russell, Mel Gibson and Robert De Niro. It is also a convenient walk to the local market, coffee shops, restaurants, and more at Trancas Country Market.

Now on the market for the first time, the Jack Lemmon beach house listing is held by Tony Mark and Russell Grether of Compass, Malibu.

Video Credit: Sean Evans, @evvo1991 backtothemovies.com/

Source: www.compass.com

Photo credit: Daniel Dilanian

Jack Lemmon’s Malibu Beach House, California images / information received 210621

Location: Malibu, California, USA

Los Angeles Houses

Contemporary Architecture in Southern California

Los Angeles Houses

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Bruce Jenner’s former Malibu Beach Residence, Broad Beach Road, overlooking Lechuza Beach Bruce Jenner’s former Malibu Beach Residence

Marisol Residence Architects: Burdge & Associates photo courtesy of architects Marisol Residence in Malibu

Wakecrest Residence, Malibu Architects: ShubinDonaldson photograph : Benny Chan Wakecrest Residence in Malibu

The 747 Wing House Design: Studio of Environmental Architecture – David Hertz Architects Inc photo : Carson Leh & Laura Doss Pacific Ocean Residence

House Noir Design: Lorcan O’Herlihy Architects photography : Paul Vu House Noir in Malibu

PAS House Architects: Francois Perrin and Gil Lebon Delapointe photo : Mike Manzoori / Sam McGuire PAS House, Malibu Residence

Shalom Institute Dining Hall Design: Lehrer Architects photo courtesy of architects Malibu Hills Property

Pacific Palisades House – Santa Monica Canyon Home

Contemporary House in Venice, CA

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Comments / photos for the Jack Lemmon’s Malibu Beach House page welcome

The post Jack Lemmon’s Malibu Beach House appeared first on e-architect.

[sinanju69]

The New York Times Book Review has a section where they ask authors various questions about books and their personal reading habits. One of these is re-created here. Feel free to answer and share as desired. I will go first.

 What books are now on your nightstand?

 The Information by James Gleick

Use of Force by Brad Thor

77 Shadow Street by Dean Koontz

The Greater Journey by David McCullough

Bertrand Monk (volume 1) by Ray Monk

Deep Thinking by Garry Kasparov

Games of Thrones (book 1) by George R.R. Martin

The Peripheral by William Gibson

Zero History by William Gibson

Chaos by James Gleick

The Luzhin Defense by Vladimir Nabokov

Leisure the Basis of Culture by Josef Pieper

Thunderbird by Jack McDevitt

Music of Three More Seasons 1977-1980 by Andrew Porter

Doctor Sleep by Stephen King

Cell by Stephen King

Philosophy of Mathematics by Stewart Shapiro

On Music by Alfred Brendel

The Road to Madness by H.P. Lovecraft

 11 in progress on KINDLE

2 books just to be read in the bathtub

3 books kept at work

2 books always in the car (Arthur C. Clarke and Ray Bradbury trade paperbacks)

 What’s the most interesting thing you have learned from a book recently?

 From the book “On Literature” by Umberto Eco. Just how important words and phrasing are in presenting a well thought out argument for and against.

 Which classic novel did you recently read for the first time?

 The Souls of Black Folk by W.E.B DuBois

 What’s the best book you’ve received as a gift?

 A Criminal Justice textbook written by my college Professor Dr. James Chambers. The Harvard Dictionary of Music given to me by my mother on my 12th birthday 1982

What kinds of books bring you the most reading pleasure these days?

 History of Science, biography, music analysis/criticism.

 Which genres do you avoid?

 Romance, Western, Self-help, pop-health/psychology

 What books might people be surprised to find on your shelf?

 Photography books on the human nude form

 What do you plan to read next?

 2017 has been the year of reading the complete works of Shakespeare (week 40 of 52). 2018 will be the year of reading all 3 huge volumes of Mark Twain’s autobiography. It will take 27 pages per day every day to get it completed.

[raystoimages]

Beeding, West Sussex. Lake path at Leonardslee Illuminated December 2022. Lake is frozen and the temperature was -5ºc. Giant multicolour light projections, illuminated trees, Earth, Moon, Stars.

[ulkaralakbarova]

When secretive new neighbors move in next door, suburbanite Ray Peterson and his friends let their paranoia get the best of them as they start to suspect the newcomers of evildoings and commence an investigation. But it’s hardly how Ray, who much prefers drinking beer, reading his newspaper and watching a ball game on the tube expected to spend his vacation. Credits: TheMovieDb. Film Cast: Ray Peterson: Tom Hanks Lt. Mark Rumsfield: Bruce Dern Carol Peterson: Carrie Fisher Art Weingartner: Rick Ducommun Bonnie Rumsfield: Wendy Schaal Ricky Butler: Corey Feldman Hans Klopek: Courtney Gains Dr. Werner Klopek: Henry Gibson Walter Seznick: Gale Gordon Vic, Garbageman #1: Dick Miller Joe, Garbageman #2: Robert Picardo Uncle Reuben Klopek: Theodore Gottlieb Detective #1: Franklyn Ajaye Dave Peterson: Cory Danziger Detective #2: Rance Howard Ricky’s Girlfriend: Heather Haase Steve Kuntz: Nicky Katt Ricky’s Friend: Bill Stevenson Ricky’s Friend: Gary Hays Cop: Kevin Gage Cop: Dana Olsen Walter’s Daughter: Brenda Benner Suzanne Weingartner: Patrika Darbo Voiceover Actor: Sonny Carl Davis Voiceover Actor: Moosie Drier Voiceover Actor: Leigh French Voiceover Actor: Archie Hahn Voiceover Actor: Billy Jayne Voiceover Actor: Phyllis Katz Voiceover Actor: Jeffrey Kramer Voiceover Actor: Lynne Marie Stewart Voiceover Actor: Arnold F. Turner Voiceover Actor: Gigi Vorgan Ricky’s friend (uncredited): Carey Scott Kid on Bike (Uncredited): Tony Westbrook Ray’s Boss (uncredited): Kevin McCarthy Film Crew: Sound Effects: Mark A. Mangini Casting: Mike Fenton Casting: Judy Taylor Costume Design: Rosanna Norton Original Music Composer: Jerry Goldsmith Director: Joe Dante Executive Producer: Ron Howard Production Sound Mixer: Ken King Hairstylist: Christine Lee Production Design: James H. Spencer Set Designer: James E. Tocci Producer: Larry Brezner Producer: Michael Finnell Additional Photography: John Hora Music Editor: Kenneth Hall Set Decoration: John H. Anderson Foley Editor: Ron Bartlett Makeup Artist: Daniel C. Striepeke Co-Producer: Dana Olsen Special Effects Supervisor: Ken Pepiot Editor: Marshall Harvey Camera Operator: Michael D. O’Shea Director of Photography: Robert M. Stevens Stunts: George P. Wilbur Associate Producer: Pat Kehoe Dolly Grip: Kirk Bales Key Grip: Charles Saldaña Stunts: John-Clay Scott Supervising Sound Editor: George Simpson Stunts: Eddie Hice Stunts: Gary Epper Stunts: Wally Rose Stunt Double: Brian J. Williams Stunts: Jeff Ramsey Stunts: John Hateley Stunts: Ray Saniger Art Direction: Charles L. Hughes ADR Editor: Stephen Purvis Stunts: Gary Morgan Stunts: Frank Orsatti Second Assistant Director: David D’Ovidio Sound Editor: Warren Hamilton Jr. Costume Supervisor: Cheryl Beasley Blackwell Makeup Artist: Michael Germain Foley Artist: Dan O’Connell Transportation Coordinator: Randy White Boom Operator: Randall L. Johnson Foley Artist: Kevin Bartnof Visual Effects Supervisor: Michael Owens Still Photographer: Ralph Nelson Jr. Script Supervisor: Roz Harris Leadman: Nigel A. Boucher Sound Re-Recording Mixer: Michael Minkler Sound Re-Recording Mixer: Gary C. Bourgeois Foley Editor: Aaron Glascock Sound Editor: Michael J. Benavente Chief Lighting Technician: Leslie J. Kovacs Costume Supervisor: Eric H. Sandberg Greensman: Dave Newhouse Construction Coordinator: Michael Muscarella Stunts: Roydon Clark Stunts: Sandra Lee Gimpel Set Designer: Judy Cammer Assistant Editor: Uri Katoni Lighting Technician: Brent Poe Grip: T. Daniel Scaringi Production Coordinator: Karen Shaw Lighting Technician: Ken W. Ballantine Special Effects: Michael Arbogast Studio Teacher: Adria Later Stunt Coordinator: Jeff Smolek Construction Foreman: Ciro Vuoso Production Accountant: Julianna Arenson Assistant Chief Lighting Technician: Benny McNulty Set Designer: Erin M. Cummins Property Master: Gregg H. Bilson Lighting Technician: E. Christopher Reed Stunts: Rick Sawaya Unit Publicist: Reid Rosefelt Special Effects: Jeff Pepiot Grip: Danny Falkengren Best Boy Grip: Hal Nelson Grip: Paul E. Sutton Special Effects: Thomas R....

[whileiamdying]

Directed by Ryan Staake & Charli XCX Production Company: Pomp&Clout Creative Direction: WP&A Executive Producer: Ryen Bartlett Head of Production: Kevin Staake Producer: Rich Salamone Prod Manager: Wojtek Stypko Associate Producer: Eric Margulies Prod Coordinator: Sam Skolnik 1st AD: Jesse Hays 2nd AD: Bryon Dormandy Director of Photography: Santiago Gonzalez 1st AC: Nick Fischer 2nd AC: Nolan Berbano Gaffer: Alberto Alonso BBE: Greg Ladwig Electric: Joey Brown Key Grip: Wadsworth Peters BBG: Aaron Burton Dolly Grip: Adam Shambour Grip: Ivan Garcia Production Designer: Miles Ford Mullin Art Director: Jena Serbu Lead Man: Eligh Macias Set Dresser: Kevin Lopez Set Dresser: Daniel Oregel Editor: Ryan Staake Online Editor: Ryosuke Tanzawa VFX by Pomp&Clout VFX Artists: Pete Puskas, Aaron Vinton & Ryan Staake Machine Learning: Andrew Pouliot Colorist: David Torcivia Makeup Artist: Danielle Kahlani Makeup Assistant: Trina White Hair Stylist: Nicole Kahlani Hair/Makeup (Troye and Extras): Carla Rosso and Steph Ruiz de Chávez Hair/Makeup Asst. (Troye and Extras): Gina Banic Wardrobe Stylist: Rebecca Grice Wardrobe Assistant: Sonja Desai Seamstress: Aneta Velizar Casting: Alex Chapman Choreographer: Erin Murray Security: Sergio Orellana Trailer Driver: John Koenig Catering: Spartan Catering (Abel) Production Assistant: Jacob Outsen Production Assistant: Katie Conboy Production Assistant: Nick Callas Production Assistant: Jose Ramos Production Assistant: Ray Fuentes Production Assistant: Fred Porras Casting: Alex Chapman Choreographer: Erin Murray Security: Sergio Orellana Trailer Driver: John Koenig Catering: Spartan Catering (Abel) Dancers: Engelstad, Megan Gibson, Myranda Jessen, Belle Reese, Katie Clay, Shane Dell, Luke Munson, Hunter Friedman, Joseph Havard, Cody Kline, Rex Reed, Joseph Guy, Kelsey McCarty, Bria Nesis, Tessa

[artwalktv]

Directed by Ryan Staake & Charli XCX Production Company: Pomp&Clout Creative Direction: WP&A Executive Producer: Ryen Bartlett Head of Production: Kevin Staake Producer: Rich Salamone Prod Manager: Wojtek Stypko Associate Producer: Eric Margulies Prod Coordinator: Sam Skolnik 1st AD: Jesse Hays 2nd AD: Bryon Dormandy Director of Photography: Santiago Gonzalez 1st AC: Nick Fischer 2nd AC: Nolan Berbano Gaffer: Alberto Alonso BBE: Greg Ladwig Electric: Joey Brown Key Grip: Wadsworth Peters BBG: Aaron Burton Dolly Grip: Adam Shambour Grip: Ivan Garcia Production Designer: Miles Ford Mullin Art Director: Jena Serbu Lead Man: Eligh Macias Set Dresser: Kevin Lopez Set Dresser: Daniel Oregel Editor: Ryan Staake Online Editor: Ryosuke Tanzawa VFX by Pomp&Clout VFX Artists: Pete Puskas, Aaron Vinton & Ryan Staake Machine Learning: Andrew Pouliot Colorist: David Torcivia Makeup Artist: Danielle Kahlani Makeup Assistant: Trina White Hair Stylist: Nicole Kahlani Hair/Makeup (Troye and Extras): Carla Rosso and Steph Ruiz de Chávez Hair/Makeup Asst. (Troye and Extras): Gina Banic Wardrobe Stylist: Rebecca Grice Wardrobe Assistant: Sonja Desai Seamstress: Aneta Velizar Casting: Alex Chapman Choreographer: Erin Murray Security: Sergio Orellana Trailer Driver: John Koenig Catering: Spartan Catering (Abel) Production Assistant: Jacob Outsen Production Assistant: Katie Conboy Production Assistant: Nick Callas Production Assistant: Jose Ramos Production Assistant: Ray Fuentes Production Assistant: Fred Porras Casting: Alex Chapman Choreographer: Erin Murray Security: Sergio Orellana Trailer Driver: John Koenig Catering: Spartan Catering (Abel) Dancers: Engelstad, Megan Gibson, Myranda Jessen, Belle Reese, Katie Clay, Shane Dell, Luke Munson, Hunter Friedman, Joseph Havard, Cody Kline, Rex Reed, Joseph Guy, Kelsey McCarty, Bria Nesis, Tessa

[brokehorrorfan]

Originally due out this past January, Scream Factory has set an April 24 street date for its Cyborg collector’s edition Blu-ray release. CRP Group designed the new cover art; the original poster is on the reverse side.

Jean-Claude Van Damme stars in the 1989 sci-fi thriller alongside Deborah Richter, Vincent Klyn, and Dayle Haddon. It’s written and directed by Albert Pyun (The Sword and the Sorcerer).

Cyborg has received a new 4K scan from the original film elements. Not for lack of trying, the company was unable to include the director’s cut or deleted scenes. There are still plenty of extras included, which are listed below.

Special features:

Audio commentary with writer/director Albert Pyun (new)

A Ravaged Future: The Making of Cyborg – Interviews with writer/director Albert Pyun, actors Vincent Klyn, Deborah Richter, and Terrie Batson, director of photography Philip Alan Waters, and editor Rozanne Zingale (new)

Shoestring Fantasy: The Effects of Cyborg – Interviews with visual effects supervisor Gene Warren Jr., go-motion technician Christopher Warren, and rotoscope artist Bret Mixon (new)

Extended interviews from Electric Boogaloo: The Wild, Untold Story of Cannon Films documentary with writer/director Albert Pyun and uncredited editor Sheldon Lettich

Theatrical trailer

Still gallery

Deteriorating from a deadly plague, 21st-Century America is descending into a barbaric nightmare. Only Pearl Prophet (Dayle Haddon), a beautiful half human/half cyborg, has the knowledge necessary to develop a vaccine. But during her quest to gather data and bring the cure to the world, Pearl is captured by cannibalistic Flesh Pirates who plot to keep the antidote for themselves and rule the world. Now, only saber-wielding hero Gibson Rickenbacker (Jean-Claude Van Damme) can rescue her and save civilization.

[olivierdemangeon]

  Synopsis : Quand la Seconde Guerre mondiale a éclaté, Desmond, un jeune américain, s’est retrouvé confronté à un dilemme : comme n’importe lequel de ses compatriotes, il voulait servir son pays, mais la violence était incompatible avec ses croyances et ses principes moraux. Il s’opposait ne serait-ce qu’à tenir une arme et refusait d’autant plus de tuer. Il s’engagea tout de même dans l’infanterie comme médecin. Son refus d’infléchir ses convictions lui valut d’être rudement mené par ses camarades et sa hiérarchie, mais c’est armé de sa seule foi qu’il est entré dans l’enfer de la guerre pour en devenir l’un des plus grands héros. Lors de la bataille d’Okinawa sur l’imprenable falaise de Maeda, il a réussi à sauver des dizaines de vies seul sous le feu de l’ennemi, ramenant en sûreté, du champ de bataille, un à un les soldats blessés.

Origine du film : États-Unis, Australie Réalisateur : Mel Gibson Scénaristes : Andrew Knight, Robert Schenkkan Acteurs : Andrew Garfield, Sam Worthington, Luke Bracey, Teresa Palmer, Hugo Weaving, Rachel Griffiths, Vince Vaughn Musique : Rupert Gregson-Williams Genre : Biopic, Drame, Guerre, Historique Durée : 2 heures et 19 minutes Date de sortie : 9 novembre 2016 (France) Année de production : 2016 Sociétés de production : Pandemonium Films, Permut Productions, Vendian Entertainment, Kylin Pictures Distribué par : Summit Entertainment, Icon Film Distribution Titre original : Hacksaw Ridge Notre note : ★★★★★

Notre commentaire : “Hacksaw Ridge” ou “Tu ne tueras point” pour la distribution française, est un biopic dramatique de guerre datant de 2016, réalisé par Mel Gibson, à qui l’on doit également “Apocalypto” (2006). Les acteurs principaux sont Andrew Garfield, qu’on devrait également retrouver à l’affiche de “Silence” (2016), Sam Worthington, qu’on a pu voir dans “Everest” (2015), Luke Bracey, qu’on a pu voir dans “Point Break” (2015), Teresa Palmer, qu’on a pu voir dans “Dans le noir” (2016), Hugo Weaving, qu’on a pu voir dans “Captain America: First Avenger” (2011), Rachel Griffiths, qu’on a pu voir dans “Dans l’ombre de Mary” (2013) et Vince Vaughn, qu’on a pu voir dans “En Cavale” (2016).

L’histoire proposée par “Tu ne tueras point” nous invite à suivre l’expérience de la Seconde Guerre mondiale à travers la vision de Desmond Doss, un soldat-infirmier américain qui était chrétien et pacifiste, refusant de porter ou d’utiliser une arme à feu. Desmond Doss est devenu le premier objecteur de conscience à se voir décerner la Médaille d’honneur, pour le service au-delà de l’appel du devoir pendant la bataille d’Okinawa.

Le film a été réalisé par Mel Gibson et le scénario a été écrit par Andrew Knight et Robert Schenkkan, basé sur un documentaire paru il y a quelques années sur Desmond Doss. Andrew Garfield interprète ce soldat-infirmier, avec Sam Worthington, Luke Bracey, Teresa Palmer, Hugo Weaving, Rachel Griffiths et Vince Vaughn dans les principaux rôles de soutien. “Tu ne tueras point” a été publié aux États-Unis le 4 novembre 2016, et a essentiellement rencontré des commentaires positifs de la part de la critique. Le film a rapporté 163 millions de dollars de recette mondiale pour un budget de 40 millions de dollars.

Bien évidemment les films de guerre sont nombreux, et les différentes batailles qui ont émaillé la Seconde Guerre mondiale ont déjà fait l’objet de développement cinématographique. Le thème central de la guerre et du champ de bataille, avec tout ce que cela comporte d’horreur et de drame n’est donc en rien une nouveauté. L’histoire, par contre, est novatrice, car on aborde le sujet à travers la vision d’un homme qui, quoi qu’il lui en coûtera, restera fidèle à ses convictions. Et au-delà de ce constat moral, il fera preuve d’une bravoure hors norme, habité par sa foi. 

Dire que “Tu ne tueras point” est un chef-d’œuvre risque bien entendu de faire bondir de leur chaise de nombreuses personnes, mais on n’en est pas loin. Il est cependant certain que ce film va se retrouver sur des nombreuses listes du type Top 10 de l’année 2016. À ce stade de l’année 2017, “Hacksaw Ridge” a déjà obtenu 6 nominations pour les Oscars, et on saura d’ici quelques jours si le métrage est primé ou pas. En outre, on peut également parler d’un brillant retour pour Mel Gibson, qui confirme sa position de réalisateur talentueux qui maîtrise le sens du spectacle et qui dirige habilement ses acteurs. 

“Tu ne tueras point” est un métrage de guerre fantastiquement émouvant tout en étant percutant et la meurtrissure qu’il provoque est aussi rude que l’impact d’une porte que l’on prendrait en pleine figure. La violence de certaines scènes nous renvoie immédiatement au film de Steven Spielberg, “Il faut sauver le soldat Ryan” (1998). Violent, affligeant, déchirant et finalement inoubliable. Il est remarquable que Mel Gibson puisse filmer des scènes d’une telle émotion sincère avec une douce subtilité aussi facilement qu’il met en scène quelques-unes des scènes visuelles parmi les plus vicieuses de violence que l’on ait pu voir au cinéma. “Hacksaw Ridge” est beau et brutal. Un film sur un homme déterminé à servir son pays ainsi que son âme.

“Tu ne tueras point” va faire l’objet d’une édition en DVD ainsi qu’en Blu-ray, à paraître le 9 mars 2017 chez Seven7. Pour de plus amples renseignements, n’hésitez pas à consulter la fiche du film sur le site DVD.Fr.

En conclusion, “Tu ne tueras point” est un excellent film de guerre, disposant d’une histoire forte, violente, dramatique et tellement belle dans l’aspect moralité. Un film poignant de réalisme mettant en scène des séquences de bataille d’une rare cruauté visuelle. Une fureur qu’on n’avait plus vue depuis l’incontournable “Il faut sauver le soldat Ryan” (1998). La photographie est magnifique tout en étant rude et profondément intense. La distribution est de grande qualité et Andrew Garfield offre une prestation de premier plan, qui sera peut-être couronnée d’un Oscar le 26 février prochain à Los Angeles. Mel Gibson nous livre un film puissant, percutant, sincère, bouleversant, qui lui aussi sera peut-être récompensé par l’Academy of Motion Picture Arts and Sciences.

Bande-annonce :

TU NE TUERAS POINT (2016) ★★★★★ Synopsis : Quand la Seconde Guerre mondiale a éclaté, Desmond, un jeune américain, s’est retrouvé confronté à un dilemme : comme n’importe lequel de ses compatriotes, il voulait servir son pays, mais la violence était incompatible avec ses croyances et ses principes moraux.

[raylouiephotography]

Seven Days Lost guitarist The “Evil Pig” Joe Vallejos and Bassist J. Bundy having a heated discussion during their concert at Sunshine Studios Live. Great show with Colorado bands Gravel, Slow Iguana Crossing, Cryptic Writings and Seven Days Lost opening for Texas Hippie Coalition. Shot on a Sony A7R iii 85mm with a tad of Lightroom CC. ©︎2018 Ray Louie Photography All rights reserved. All photos are available to share on social media. Please credit me and don’t crop or edit pictures when sharing. • • • • • • • @sunshine.studios.live @sevendayslost @j.t.bundy @joeevilpig #sevendayslost #bassist #dirtylowend #schecterguitars #colorado #evilpig #gibson #concertphoto #concertphotography #concertphotographer #livemusicphotographer #livemusicphoto #guitarplayer #guitarist #classicrock #guitarlove #heavymetal #hardrock #guitar #liveconcert #liveconcertphotography #htbarp #concertshot #musicphotography #gigphotography #livemusicphotography #raylouiephotos #bestmusicshots #liveauthentic @audioloveofficial #audioloveofficial (at Sunshine Studios Live) https://www.instagram.com/p/BsDIVAdgYJ-/?utm_source=ig_tumblr_share&igshid=1a944d10v98gw