#Rasetsukoku

[yridenergyridenergy]

[totchiiiiii]

朧

鼓動

羅刹国

[slapthebass]

DIR EN GREY - 羅刹国 - 列島激震行脚 Final 2003 5 Ugly Kingdom

[kyoamare]

Rasetsukoku 羅刹国 [live 2016.02.12] Liquidroom 🔥

[watasemasaru]

putting this in my friends traveling playlist now i wait for the "hey after, what the fuck"

[kyou-no-kyo]

今日の京は、

羅刹国 (Rasetsukoku) -Dir en Grey

[weak-intention]

DIR   EN   GREY  //  meguro rock-may-kan gig 羅刹国 (rasetsukoku)   ›   kaoru

[the-boy-with-the-tiger-tattoo]

Now THIS is how you end a show.

[yridenergyridenergy]

[merchenticneurosis]

[slapthebass]

EUROPE TOUR24 FROM DEPRESSION TO [mode of Withering to death & UROBOROS] - Live reports (Warsaw + Paris)

Warsaw - Progresja 19/03/24 (mode of WTD)

Travelled to Poland on the 16th, we had mixed weather during the week-end but it was luckily quite sunny (albeit cold-ish) while we queued outside the venue! My friend and I had Priority upgrades for this show so we arrived around 14:30 & waited right next to the VIP queue. Venue logistics for the queue(s) were a bit fuzzy at first* but we got our laminated passes around 16:00 (just after the VIPs got theirs + goodies) then waited for a bit after 18:00 when the VIPs entered the building. Diru/prod staff keeps a printed list of VIP/priority passes holders and distributes passes and goodies by checking the names.

*Fans were better organised with sharpies and unofficial waiting numbers :)

We went in and waited (again :) ) in the pit for 1h, behind the caution tape separating the VIP from the rest of the room. This allowed us to get some merch at the stand, then at 19:00 the security guards lifted the caution tape and we managed to get nice spots at the 2nd & 3rd rows in front of Die's mic. We waited again for another hour while the general attendance ticket holders entered the venue, then the show started around 20:20 (a bit late because of a technical issue with Die's guitar apparently, that had all their technicians running around looking stressed out), without any intro if I remember correctly, maybe because of said technical issue (but there were Diru remixes being played through the speakers during the whole time we waited inside).

I was unfortunately right next to an annoying (& bulky) man who kept pushing me & other fans around the whole time (I fought for my life the whole set and almost fell when the members entered the stage), but otherwise the show was very nice, it was great seeing them live for the first time even though it felt quite unreal! WTD is not my favourite album but it was still amazing to hear the songs live and the audience was really into it <3 I could see Die very clearly, Toshiya also came around a few times, as well as Kaoru in the end, but my view of Kyo and Shinya was a bit blocked. Die wore his usual tights with a black sleeveless top and red jacket; Shinya had a flowy white shirt as always; Kyo sported a simple black t-shirt & track pants (?) with a nice white make-up on the top half of his face; Toshiya wore the black siren dress (I almost died seeing it with my own two eyes) with thigh-high boots (not the same pair as in the 2024 Yurameki PV though, they had bulky heels instead of stilettos heels for practical reasons obviously :D), and Kaoru wore a black suit with a white shirt.

They all looked a bit jetlagged, having landed in Poland only the day before the 1st concert, and Die was breathing quite heavily during Akuro no oka in the end! The show ended quite abruptly with Akuro no oka, I was expecting Rasetsukoku as they tend to end most concerts with it but they all left the stage (Kaoru, Die and Toshiya being of course the last to leave after throwing picks everywhere).

On a personal note, I was overjoyed the finally see the brown ESP bass which is heavily featured on WTD songs <3

The setlist: https://www.setlist.fm/setlist/dir-en-grey/2024/progresja-warsaw-poland-6baa32c2.html

The show ended around 22:00, it took a while for everyone to leave the venue!

Warsaw - Progresja 20/03/24 (mode of UROBOROS)

We had VIP upgrades this time & arrived around the same time as the day before, to wait with other fans under a nice sun :) Logistics were better than for the 1st show, with barriers already in place and 3 visible queues (VIP/Priority at the front + GA at the back of the 1st two lines). We heard reports & anecdotes from the previous day's VIP meet & greet and were 'warned' that Kyo had a paper bag on his head, so that saved us some awkwardness later :').

Staff also came while we were waiting, to check the names/tickets and distribute laminated passes & VIP goodies. We got a nice cotton bag, a fan, and an enveloppe to protect the postcards distributed by the group members. This time we got both a laminated pass and a wrist bracelet, to avoid cheating with passes from the day before. Staff also warned us no to take pictures/touch them during the M&G, then we entered the venue around 18:00 as expected. People queued in the stairs then before the doors of the main room upstairs (some went directly to the merch stand while we waited here), then the doors opened and we went inside one by one in a continued file, to meet the members and get the postcards. It was all very quick, I was a bit confused because they stayed in a quite dark area and I almost didn't recognize Kaoru who was first in line, oops. We didn't really had time to speak with them so I just took the signed postcards while thanking each of them; after Kaoru was Die with big sunglasses, Kyo with a paper bag on his head, Shinya with a mask on and Toshiya with sunglasses (he was the most smiley of them all and looked really nice and patient!). They were not yet wearing their stage outfits/makeup (except maybe for Kyo under the bag I guess?), and there was a gift box right next to the table to leave stuff for them.

Then we rushed to the stage and got 1st/2nd row spots, right between Kyo's platform on the left and Die's mic on the right! We waited again for two hours while speaking with nice fans from Romania who were right next to and behind us (hi if you're reading that!).

The show started on time with a nice intro video; it started with Vinushka, which is one of my favourite songs so I was really ecstatic to hear it live **. Kyo had a nice skull make-up which was really impressive with the visuals displayed on the screen! Then everything went blurry & heavy really fast haha, Uroboros really has to be experienced live at least once! HYDRA -666- & Reiketsu Nariseba in particular were especially impressive, they put them at the end of the main set to try and kill us I think :') (I was lucky enough to record the Toshiya-Die interaction during Reiketsu!). One calmer moment was Inconvenient Ideal, during which both Kaoru & Die went AWOL for a while (Kyo seemed to be looking for them at the beginning).

Not that the encore was softer, it started deceivingly 'calmly' with Dozing Green, then it was chaos again with Stuck Man, T.D.F.F. and Eddie back to back. Akuro no oka was again the last song of the encore/show, but they all looked less tired than the day before even though the show was more intense!

The audience was enthusiastic once again and we got pushed a lot from behind, but it was an overall great show.

Kyo left the stage first as usual after saying bye-bye, then Shinya briefly went on the platform to throw his drumsticks before leaving. Kaoru, Die and Toshiya stayed for a bit, throwing picks and water, and I managed to get one of Toshiya's bass picks!

The setlist: https://www.setlist.fm/setlist/dir-en-grey/2024/progresja-warsaw-poland-6baa32c2.html

We took again a while to leave the venue, and headed to the merch stand to get more stuff (WTD/Uroboros lucky charms, stickers and postcards with cute drawings of the band members as monsters enjoying their trip to Europe <3).

Paris - Bataclan 22/03/24 (mode of WTD)

After a day of respite to travel back home, we headed to the Bataclan concert hall early in the afternoon to queue. I was a bit nervous as I'd never been to this venue before despite living in Paris, and its name was of course associated with dark memories from the 2015 terror attacks, but in the end the excitement to see Diru live again was greater than my anxiety :)

We had Priority upgrades and waited in the queue that was already in place; everything seemed quite well organised at first with three delimited lines but it ended a bit messy in the end with the VIPs moving to another line on the other side of the sidewalk, Priority upgrades members not knowing where to wait, etc. Luckily the weather was nice and sunny, and we waited more or less patiently until staff came with the laminated passes around 16:00. The VIPs got inside the venue a bit before 18:00, then the Priority upgrades; we waited again behind a caution tape inside the concert hall, which was then lifted at 19:00 and we managed to grab nice spots on the left side of the stage this time, I was at the barrier (1st row) right before Kaoru's mic and with an amazing view of Toshiya & Kyo!

There was a support artist this time, a French DJ who did his best to entertain us but I must admit we weren't really into it as we were waiting for the main set to begin. It wasn't that bad but I'd have preferred to wait with the Diru remixes like in Warsaw!

Unlike the 1st day in Warsaw, we had the intro music + video just before the band entered the stage (Die in red&white, Shinya in white, Kyo in black with a touch of eye-liner, Toshiya in the white dress and Kaoru in a steampunk-ish suit and vest **). Mode of WTD was great in Warsaw but it was wild in Paris, the audience sang everything loudly, cheered & clapped and the band seemed to really appreciate the vibe :)

It was the first time I really saw Kaoru so close (except for a few appearances on the right side of the stage in Warsaw) and it was amazing to see him play and make faces at the crowd & cameras, he really knows how to motivate people by (lovingly) yelling at them \o/

There was a funny moment during Akuro no oka in the end, when Toshiya almost began his bass solo too early with a single "klonk" and looked sheepish for a second (Kaoru was like "erm, i'm not finished yet mate" while still playing the guitar :D). I recorded the whole song but my phone mysteriously freezed right at this point so we concluded that Toshiya is actually a telepath and erased it with his preternatural powers :').

A very nice evening overall, it was the perfect combination of great songs & performances from the band + overjoyed participation from the audience! And the crowd was both enthusiastic and very chill pushing-wise on our end, so that was a nice respite from the Warsaw shows physically speaking :)

The setlist: https://www.setlist.fm/setlist/dir-en-grey/2024/le-bataclan-paris-france-3aa096f.html

Paris - Bataclan 23/03/24 (mode of UROBOROS)

THE BEST CONCERT EVER

(Sorry, this needed to be said first).

4th (and last :'( ) show of the tour for us, so we hoped it would be great and we were not disappointed!

The queue outside was incredibly chaotic: despite being more or less organised the day before, it was a mess this time and nobody really knew where to wait. In addition, the weather was atrocious and we got rain showers, a chilly wind *and* a freezing hailstorm during the afternoon, everybody ended up soaked with chattering teeth for the remainder of the waiting time... But the VIPs finally went inside around 18:00, then us (Priority upgrades again) around 20 mn later.

After the caution tape was lifted, we went to the right side of the stage and had a nice spot in front of Die's mic once again! Then the GA ticket holders went in and the room quickly got quite warm, before the support act even started. It was the same DJ as the previous evening but the audience was a bit more into it this time.

The band entered the stage around 20:25 like the other days, with intro song + video again. There was a technical issue with the projected images on the screen during at least 20 mn, the visuals for Vinushka were really blurry and we also saw a computer error message during the following songs, but it got fixed at some point and didn't stop us from enjoying the show: from Vinushka to Bugaboo, everything was already wild but the band + crowd went really insane after that until near the end of the encore: Doukoku to Sarinu, HYDRA -666-, Gaika, Reiketsu Nariseba... the end of the main set was even wilder than the first time, they left us no time to breathe and we were all screaming, headbanging and jumping everywhere. Kyo looked really satisfied and apparently parted the crowd in two at some point (this is from another live report i read), the audience went wild and the security staff had to douse us with water to avoid more faintings (they had to evacuate at least three people from the pit from what i saw). I almost didn't take pictures this time, except for a few during the calmer songs and interludes because i just couldn't move for anything else than jumping up and down :')

We were already almost dead on our feet at the end of the main set, and the encore finished us, it was as wild as the main set but we managed to find some unexpected resources within us to scream and jump some more! Akuro no oka was a welcome and moving respite at the end (no bass solo mishap this time, a certain bassist was focusing haha), I personally wouldn't have survived another song like the rest and had to sit down after the show ended to re-learn how to breathe properly :') Luckily the venue staff took pity on us and put the AC on during the encore, so we barely managed not to pass out from heat exhaustion...

Then another great time at the end when the band members stayed on the stage: Kyo left quickly as usual but Shinya stayed a second longer than the other nights and threw not only his drumsticks but also a drumskin (??) like a frisbee in the crowd, then the usual suspects Kaoru, Toshiya and Die loitered for a while, throwing picks and smiling at the crowd <3 They looked like they didn't want to leave and neither did we!

The setlist: https://www.setlist.fm/setlist/dir-en-grey/2024/le-bataclan-paris-france-1baa7d90.html

Gear

Don't think you can get out from a gear overview! For both albums/shows combined, we got:

Kaoru:

ESP D-KV 7str [Nothing]

ESP D-KV custom (blue JZH)

ESP D-KV 薰 custom (greenish/yellowish DKV - tag to be updated)

Die:

ESP D-DR 7str (lava D-DR)

ESP D-DR (red ESP)

ESP D-DR-300 (red mesh)

Morris S-custom D (acoustic black)

Toshiya:

ESP D-TR [RU-DRIVE Arch] (the brown one)

ESP D-TT [TRICK STAR] 00 (the black one)

ESP D-TT [TRICK STAR] 04 (striped blue)

Shinya:

Remo + Signia drumkit (it seems to be his default drumkit for abroad tours, maybe not to damage his usual Pearl one ?)

Sabian cymbals (probably as I didn't manage to take clear pictures of the brand)

Aaand that's it, thanks for reading all that! :)

[dkv7st]

羅刹国 ; rasetsukoku.

the final days of studio coast [bonus] ;  薫 angle.

[success-and-corruption]

Macabre Album Review

DEG's second album! Oh yeah!

Track 1: Deity

This first track is definitely very interesting. It starts with a sleigh bell and then quickly turns into ominous chanting of some sort. Very spooky but also very different from their previous work which shows how versatile these five musicians are. The chanting eventually stops and we're met with heavy guitars and bass with Shinya playing a steady beat and Kyo vocalizing with a woman’s voice eerily making sounds. It sounds like he's gasping for breath (see what I did there)? That section ends and a clean guitar is played for a few seconds before the song goes back to the heavy riff after the chanting but this time Kyo sings in Russian to the tune of Johannes Brahms' "Fifth Hungarian Dance." This song definitely feels very religious to me which I suppose fits because the case for Macabre has prayer (?) beads in it.

I think Deity showcases DEG’s experimental side and sets the foundation for the rest of the album and it shows that DEG took a very different turn and became a bit darker.

Track 2: Myaku

Is this track in 3/4? 4/4? 5/4? 6/4?

Yes to all of the above. In the booklet it's indicated that this song was written by DIR EN GREY so no individual member wrote it specifically but the band definitely had some fun with time signatures in this one. Myaku was released as a single which is a bit different from the album version but I'm not reviewing the single. This song definitely departs from their late 90s VK sound which in my opinion is a good thing as it showed that DEG wanted to become more serious musicians. Plus, this track has one of my favorite basslines but I never got around to learning how to play it. Myaku is a chaotic song but it fits very well with Macabre.

Track 3: Wake/Riyuu

My boy Die does it again. This song is one of my favorites on the album and despite it being written by a guitarist, Toshiya’s bass really drives this track but we can’t forget the soaring guitars in the beginning and in the chorus. Kyo’s vocals are also great. Fantastic rhythm, instruments that all work very well together, and Kyo’s clean vocals? What’s not to like? This song really gets me moving for some reason. Not nearly as chaotic as Myaku, but Wake/Riyuu provides a nice structure and a consistent time signature (4/4) which is good contrast in my opinion. 

Track 4: Egnirys Cimredopyh +) An Injection

Everyone probably knows this by now by  Egnirys Cimredopyh = hypodermic syringe backwards. Despite that, this song isn’t about intravenous drug use. Kyo references a “white powder” a lot in this song and in one part of the song he sings “I started to speak to the wall with my lower half” (of course he sings that in Japanese) so I think this song is about abusing a drug called kakuseizai and... ejaculating onto a wall? To my knowledge cocaine isn’t very popular in Japan and kakuseizai (roughly translated to “stimulant” in English) is a type of methamphetamine that is used to improve pleasure during sex. Anyway as the lyrics progress it’s clear that the person in the song is battling between his good and bad side. They’re aware that their drug use is stripping them of their sanity but can’t stop and eventually gives in and “kills” the good side. In regards to the musicality of the song, again I really like the bassline (probably because I play bass) but the solos in the song, both bass and guitar, are seriously lacking in substance for me. However the rest of the song is fun to move around to i.e. it has a nice rhythm. 

Track 5: Hydra

“I wanna be an anarchist”

“Dead born”

“Sid Vicious, suspicious”

What are those lyrics??? This song is another experimental one with electronic sounds throughout. It’s also fast-paced and has another chant near the end of the song that breaks it up nicely. Lyrically there’s not much I have to say but this song is definitely one of DEG’s most interesting sounding. I’m sorry that I don’t have more to say. 

Track 6: Hotarubi

Hotarubi... what a beautiful song. It was very clearly written by Shinya. This track is, in my opinion, one of DEG’s best ballads but I think it goes on for too long but that’s just a very minor complaint. The strings complement the rest of the instruments and the part from 2:40-3:42 is stunning, with a surprising violin solo and a woman breathily vocalizing. Everything in this song works so well together except for the loud buzzing halfway through and Hotarubi never fails to evoke an emotional response within me. If it weren’t too long for my liking I would listen to it on repeat. At a certain point I just get bored. Also I think this song would be better suited towards the end of the album where the songs become more melodic.

Track 7: 【KR】cube

I’m not sure what【KR】cube means but what a fun song. Toshiya starts it out with that funky bass that we all know and love and then it transforms into a fast-paced song with a very nice rhythm on the guitars and Kyo’s clean vocals come in which is always nice to hear. I like the speed and rhythm of this song as it offers a pleasant difference from Hotarubi which is a very slow song. The chorus is very catchy as well 

Kururi, furari, fuwari, kurari

Kururi, furari, fuwari, kurakurari

and so on. The music video is fun for this one. We love Hitman Die. 

Track 8: Berry

This song is easy to figure out from the beginning dialogue of an English girl apologizing but then promising to blow her parents’ head off like raspberry jam (spoiler: she does at the end of the song). This one has more of a punk vibe and it’s kind of a fun song. What I can say is that I’ve never heard a song that features parents yelling at a child as part of a breakdown. It’s a good song but in my opinion it doesn’t really fit with the Macabre sound.

Track 9: Macabre -Sanagi no Yume wa Ageha no Hane-  

WOW what a song this is. I believe that this eleven minute prog rock masterpiece was the first song I learned on the bass (go big or go home). I love Shinya’s drums in the beginning and as soon as the other instruments come in you just know you’re in for a journey. This song has a great composition with all of the instruments and vocal layers but I suppose I should get into the specifics. The beginning (after the drums) starts with guitars that, in my opinion, portray a certain sadness while the bass drives the the song. Kyo’s voice is great in this one and also portrays that same sadness. After the first two verses clean guitars come in which is a nice contrast from the beginning but this song truly comes alive during the instrumental breakdown where there’s a guitar playing a repeating riff while insects buzz and a church organ plays in the background. It then switches to Kaoru and Die playing the same notes but alternating between electric and acoustic guitars. The breakdown ends with a very beautiful solo and Kyo singing in a higher register and making slurping sounds which makes sense if you follow the lyrics. There’s a bass solo which is always nice to hear. 

I think I’ve written too much about this song so I’m going to go on to...

Track 10: Audrey

What exactly were they trying to accomplish here? Country rock? It doesn’t fit with the album and it doesn’t even fit with DEG’s sound in general. I never listen to this song so I don’t have much to say about it. 

Track 11: Rasetsukoku

This song fits much better with Macabre, but only marginally. It’s definitely more speed metal which at this point in DEG’s music career hasn’t really done. It’s fun to listen to but the composition is quite simple and it tends to be sort of repetitive. I do like the bass in the beginning but the guitars in this song are kind of boring to me.  Maybe I should give it more credit. 

Track 12: Zakuro

I have mixed feelings about this song. It’s very emotional but maybe too emotional. It starts out kind of slow but I like Kaoru and Die’s parts in the beginning because they harmonize very well. I think this song has one of the most beautiful guitar solos they’ve ever written and it conveys the sadness that is the central focus of this song. My problem with it (and it’s a minor one) is that it’s definitely better live. 

Track 13: Taiyou no Ao

Another favorite on this album. Once again there’s a great bassline and while the song itself sounds sort of like a pop song the lyrics are rather sad. The prominent bass complements the guitars and if Shinya wanted a workout routine he could play this song a few times and he would get pretty buff. Can you imagine a buff Shinya? Neither can I. It just seems like his drums never stop for almost the entire song. It’s a nice way to close the album because it contrasts with the very dark-sounding Deity and it leaves me feeling good, albeit a bit sad because of the lyrics.

So that’s it. Can you tell I got a bit tired near the end? All in all I give this album 7/10. It’s a great album but there are some real duds in my opinion but it’s not my least favorite by any stretch. I’ll be reviewing all ten albums so you’ll find out which one I like the least...

As always feel free to comment your thoughts! I would like to connect with my followers a bit more.

[aleshaxruthless]

DIE!!!

Concert Film Screening『目黒鹿鳴館GIG (Meguro Rock-May-Kan GIG)』

DIR EN GREY-羅刹国 (RASETSUKOKU)

[weak-intention]

Sorry my other ask was HORRIBLE! I couldn't finish saying what I wanted to say but if you have time by any chance, do you have any deg song recommendations after going home from work?

Oh. Ahahahahah. No worries! These are songs I usually played on my drive home from work (linked to youtube videos):

already high energy/tryna pep myself up

sustain the untruth

beautiful dirt remake

umbrella

reiketsu nariseba

jesus christ rnr

increase blue

zan remake

pissed off

rasetsukoku remake

the deeper vileness remake

decayed crow

agitated screams of maggots

grief

neutral or just chilling

vanitas folklore ver. (if you havent listened to this one please do!)

un deux (the song lyrics actually kinda motivates me when i feel not great about work)

fukai remake

dozing green (before construction)

disabled complexes

different sense unplugged

[the-boy-with-the-tiger-tattoo]