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#Raphael Rubinstein
garadinervi · 1 year
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Schema: World as Diagram, Essay by Raphael Rubinstein, Marlborough Gallery, New York, NY, 2023
Artists: Minjeong An, Shusaku Arakawa, Jennifer Bartlett, Gianfranco Baruchello, Forrest Bess, Joseph Beuys, Thomas Chimes, Mike Cloud, Janet Cohen, Alan Davie, Guy de Cointet, Agnes Denes, David Diao, Lydia Dona, León Ferrari, Charles Gaines, Renee Gladman, Joanne Greenbaum, Lane Hagood, Jane Hammond, Hilma’s Ghost, Thomas Hirschhorn, Alfred Jensen, Christine Sun Kim, Karla Knight, Guillermo Kuitca, Paul Laffoley, Barry Le Va, Mark Lombardi, Chris Martin, Stephen Mueller, Matt Mullican, Loren Munk, Antoni Muntadas, Paul Pagk, Yulia Pinkusevich, Miguel Angel Ríos, Leslie Roberts, Heather Bause Rubinstein, Julian Schnabel, Amy Sillman, Wadada Leo Smith, Gael Stack, Tavares Strachan, Jimmy and Angie Tchooga, Dannielle Tegeder, Bernar Venet, Ouattara Watts, Melvin Way, Trevor Winkfield
Exhibition: May 11 – August 15, 2023
(On the way of Leo de Goede Books)
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ms-mau · 10 months
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Brian Dupont defends the current trends of provisional and casual painting.
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Dupont writes: “Artists today are confronting an increasingly ramshackle future where aesthetic, political, economic, and ecological promises have been revealed as failures. If they are seeing a future where issues of scarcity become more urgent, materials must be recycled or scavenged from surplus, and long-held political standards become increasingly irrelevant, it would seem natural to see trends in painting (re) emerge that question formal equivalents of these standards. The long-term success of painting can be attributed to its ability to colonize and assimilate outside ideas and approaches, stretching form and content to the breaking point so that the project of the medium is ultimately made stronger. If a provisional vocabulary can provide a timely reinvigoration of the expression of individual concerns, that should be all the ambition anyone needs in a painting.” https://www.artnews.com/art-in-america/features/provisional-painting-raphael-rubinstein-62792/: "For the past year or so I’ve become increasingly aware of a kind of provisionality within the practice of painting. I first noticed it pervading the canvases of Raoul De Keyser, Albert Oehlen, Christopher Wool, Mary Heilmann and Michael Krebber, artists who have long made works that look casual, dashed-off, tentative, unfinished or self-cancelling. In different ways, they all deliberately turn away from “strong” painting for something that seems to constantly risk inconsequence or collapse."
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webionaire · 2 years
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Art texts in non-art contexts: the potential audience is expanded beyond the typical museum-going public.
Just as importantly, the unexpectedness of encountering the work and its unusual narrative format will connect the texts more deeply with viewers than is often the case with conventional public art. Working collaboratively and across mediums, Bause and Rubinstein will consciously utilize all aspects their materials, from the hybrid nature of the texts (which employ literary devices rather than standard art criticism) to the ambiguous status of the objects.
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superman86to99 · 3 years
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Superman #85 (January 1994)
Cat Grant in... "DARK RETRIBUTION"! Which is like normal retribution, but somehow darker. On the receiving end of Cat's darktribution is Winslow Schott, the Toyman, who suddenly changed his MO from "pestering Superman with wacky robots" to "murdering children" back on Superman #84, with one of his victims being Cat's young son Adam. Now Cat has a gun and intends to sneak it into prison to use it on Toyman. She's also pretty pissed at Superman for taking so long to find Toyman after Adam’s death (to be fair, Superman did lose several days being frozen in time by an S&M demon, as seen in Man of Steel #29).
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So how did Superman find Toyman anyway? Basically, by spying on like 25% of Metropolis. After finding out from Inspector Turpin that the kids were killed near the docks, Superman goes there and focuses all of his super-senses to get "a quick glimpse of every person" until he sees a bald, robed man sitting on a giant crib, and goes "hmmm, yeah, that looks like someone who murders children." At first, Superman doesn't understand why Toyman would do such a horrible thing, but then Schott starts talking to his mommy in his head and the answer becomes clear: he watched Psycho too many times (or Dan Jurgens did, anyway).
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Immediately after wondering why no one buys his toys, Toyman makes some machine guns spring out of his giant crib. I don't know, man, maybe it's because they're all full of explosives and stuff? Anyway, Toyman throws a bunch of exploding toys at Superman, including a robot duplicate of himself, but of course they do nothing. Superman takes him to jail so he can get the help he needs -- which, according to Cat, is a bullet to the face. Or so it seems, until she gets in front of him, pulls the trigger, and...
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PSYCHE! It was one of those classic joke guns I’ve only ever seen in comics! Cat says she DID plan to bring a real gun, but then she saw one of these at a toy store and just couldn't resist. Superman, who was watching the whole thing, tells Cat she could get in trouble for this stunt, but he won't tell anyone because she's already been through enough. Then he asks her if she needs help getting home and she says no, because she wants to be more self-sufficient.
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I think that's supposed to be an inspiring ending, but I don't know... Adam's eerie face floating in the background there makes me think she's gonna shave her head and climb into a giant crib any day, too. THE END!
Character-Watch:
Cat did become more self-sufficient after this, though. Up to now, all of her storylines seemed to revolve around other people: her ex-husband, Morgan Edge, José Delgado, Vinnie Edge, and finally Toyman. After this, I feel like there was a clear effort to turn her into a character that works by herself. I actually like what they did with Cat in the coming years, though I still don’t think they had to kill her poor kid to do that -- they could have sent him off to boarding school, or maybe to live with his dad. Or with José Delgado, over at Power of Shazam! I bet Jerry Ordway would have taken good care of him.
Plotline-Watch:
Wait, so can Superman just find anyone in Metropolis any time he wants? Not really: this is part of the ongoing storyline about his powers getting boosted after he came back from the dead, which sounds pretty useful now but is about to get very inconvenient.
Don Sparrow points out: "It is interesting that as Superman tries to capture Schott, he at one point instead captures a robot decoy, particularly knowing what Geoff Johns will retroactively do to this storyline in years to come, in Action Comics #865, as we mentioned in our review of Superman #84." Johns also explained that the robot thought he was hearing his mother's voice due to the real Toyman trying to contact him via radio, which I prefer to the "psycho talks to his dead mom" cliche.
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Superman says "I never thought he'd get to the point where he'd KILL anyone -- especially children!" Agreed about the children part but, uh, did Superman already forget that Toyman murdered a whole bunch people on his very first appearance, in Superman #13? Or does Superman not count greedy toy company owners as people? Understandable, I guess.
There's a sequence about Cat starting a fire in a paper basket at the prison to sneak past the metal detector, but why do that if she had a toy gun all long? Other than to prevent smartass readers like us from saying "How did she get the gun into the prison?!" before the plot twist, that is.
Patreon-Watch:
Shout out to our patient Patreon patrons, Aaron, Murray Qualie, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Bheki Latha, Mark Syp, Ryan Bush, Raphael Fischer, Dave Shevlin, and Kit! The latest Patreon-only article was about another episode of the 1988 Superman cartoon written by Marv Wolfman, this one co-starring Wonder Woman (to Lois' frustration).
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Another Patreon perk is getting to read Don Sparrow's section early, because he usually finishes his side of these posts long before I do (he ALREADY finished the next one, for instance). But now this one can be posted in public! Take it away, Don:
Art-Watch (by @donsparrow​):
We begin with the cover, and it’s a good one— an ultra tight close up for Cat Grant firing a .38 calibre gun, with the titular Superman soaring in, perhaps too late.  An interesting thing to notice in this issue (and especially on the cover) is that the paper stock that DC used for their comics changed, so slightly more realistic shading was possible.  While it’s nowhere near the sophistication or gloss of the Image Comics stock of the time, there is an attempt at more realistic, airbrushy type shading in the colour.  It works well in places, like the muzzle flash, on on Cat Grant’s cheeks and knuckles, but less so in her hair, where the shadow looks a browny green on my copy.
The interior pages open with a pretty good bit of near-silent storytelling.  We are deftly shown, and not told the story—there are condolence cards and headlines, and the looming presence of a liquor bottle, until we are shown on the next page splash the real heart of the story, a revolver held aloft by Catherine Grant, bereaved mother, with her targeting in her mind the grim visage of the Toyman.
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While their first few issues together meshed pretty well, it’s around  this issue that the pencil/inks team of Jurgens and Rubinstein starts to look a little rushed in places.  A few inkers who worked with Jurgens that I’ve spoken to have hinted that his pencils can vary in their level of detail, from very finished  to pretty loose, and in the latter case, it’s up to the inker to embellish where there’s a lack of detail.  Some inkers, like Brett Breeding, really lay down a heavier hand, where there’s quite a bit of actual drawing work in addition to adding value and weight to the lines.  I suspect some of the looseness in the figures, as well as empty  backgrounds reveals that these pencils were less detailed than we often  see from Jurgens.
There’s some weird body language in the tense exchange between Superman and Cat as she angrily confronts him about his lack of progress in capturing her son’s killer—Superman  looks a little too dynamic and pleased with himself for someone ostensibly apologizing. Superman taking flight to hunt down Toyman is classic Jurgens, though.
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Another example of art weirdness comes on page 7, where Superman gets filled in on the progress of the Adam Morgan investigation.  Apparently Suicide Slum has some San Francisco-like hills, as that is one very steep sidewalk separating Superman and Turpin from some central-casting looking punks.
The  sequence of Superman concentrating his sight and hearing on the  waterfront area is well-drawn, and it’s always nice to see novel uses of his powers.  Tyler Hoechlin’s Superman does a similar trick quite often on the excellent first season of Superman & Lois.  The full-bleed splash of Superman breaking through the wall to capture Toyman is definitely panel-of-the-week material, as we really feel Superman’s rage and desperation to catch this child-killer.
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Pretty much all the pages with Cat Grant confronting Winslow Schott are  well-done and tensely paced.  While sometimes I think the pupil-less  flare of the eye-glasses is a cop-out, it does lend an opaqueness and mystery to what Toyman is thinking.  Speaking of cop-outs, the gag gun twist ending really didn’t work for me.  I was glad that Cat didn’t lower herself to Schott’s level and become a killer, even for revenge, but the prank gun just felt too silly of a tonal shift for a storyline with this much gravitas.  The breakneck denouement that Cat is now depending only on herself didn’t get quite enough breathing room either.
While I appreciated that the ending of this issue avoided an overly simplistic, Death Wish style of justice, this issue extends this troubling but brief era of Superman comics. The casual chalk outlines of  yet two more dead children continues the high body count of the  previous handful of issues, and the tone remains jarring to me.  The issue is also self-aware enough to point out, again, that Schott is  generally an ally of children, and not someone who historically wishes  them harm, but that doesn’t stop the story from going there, in the most  violent of terms. In addition to being a radical change to the Toyman  character, it’s handled in a fashion more glib than we’re used to seeing  in these pages.  The mental health cliché of a matriarchal obsession, a la Norman Bates doesn’t elevate it either.  So, another rare misstep  from Jurgens the writer, in my opinion.   STRAY OBSERVATIONS:
I  had thought for sure that Romanove Vodka was a sly reference to a certain Russian Spy turned Marvel superhero, but it turns out there  actually is a Russian Vodka called that, minus the “E”, produced not in Russia, as one might think from the Czarist name, but rather, India.
While it made for an awkward exchange, I was glad that Cat pointed out how  her tragedy more or less sat on the shelf while Superman dealt with the "Spilled Blood" storyline.  A lesser book might not have acknowledged any  time had passed. Though I did find it odd for Superman to opine that he  wanted to find her son’s murderer even more than she wanted him to.  Huh?  How so?
I love the detail that Toyman hears the noise of Superman soaring to capture him, likening it to a train coming.
I  quibble, but there’s so much I don’t understand about the “new” Toyman.  If he’s truly regressing mentally, to an infant-like state, why does he wear this phantom of the opera style long cloak while he sits in his baby crib?  Why not go all the way, and wear footie pajamas, like the lost souls on TLC specials about “adult babies”?
I get that Cat Grant is in steely determination mode, but it seemed a little out of place that she had almost no reaction to the taunting she faced from her child’s killer.  She doesn’t shed a single tear in the entire issue, and no matter how focused she is on vengeance, that doesn’t seem realistic to me. [Max: That's because this is not just retribution, Don. It's dark retribution. We’ve been over this!]
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parttimerper · 5 years
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Muses I need to add on my page
This is just a list of muses I’ve plotted with and need to add to my muses page. If we’ve plotted with someone else and they’re neither here or on my full muses page, please let me know and I’ll add them!
Bianca Rutherford(Caitlin Stasey fc)
Daphne Greengrass(Tati Gabrielle fc)
Dominic Steele(Casey Deidrick fc)
Eisheth Pentland(Olivia Taylor-Dudley fc)
Jaiden Wheeler(Charlie Rowe fc)
Kerem Aslan(Berker Guven fc)
Priscilla Hawthorne(Natalia Dyer fc)
Prudence ???(India Eisley fc)
Raphaelle Delong(Zoey Deutch fc)
Sturgis Podmore(Ronen Rubinstein fc)
Timothy Watts(Landon Liboiron fc)
Trula Twyst(Katherine McNamara fc)
Valda Blake(Chloe Bridges fc)
Zelda Spellman(Emma Rigby fc)
Still unnamed vampire(Avan Jogia fc)
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socialboxworldnews · 4 years
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"‘Pandemic fatigue’ presents a challenge in areas scrambling to avert a second wave." by BY MARC SANTORA, ISABELLA KWAI, SARAH MERVOSH, JULIE BOSMAN, DANA RUBINSTEIN, JULIANA KIM, KAREN ZRAICK AND RAPHAEL MINDER via NYT World https://ift.tt/34H2jiJ
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javierpenadea · 4 years
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"‘Pandemic fatigue’ presents a challenge in areas scrambling to avert a second wave." by BY MARC SANTORA, ISABELLA KWAI, SARAH MERVOSH, JULIE BOSMAN, DANA RUBINSTEIN, JULIANA KIM, KAREN ZRAICK AND RAPHAEL MINDER via NYT World https://ift.tt/34H2jiJ
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garadinervi · 2 years
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Valerie Jaudon: Prepositions, Essay by Raphael Rubinstein, DC Moore Gallery, New York, NY, 2020 [Exhibition: July 14 – October 3, 2020] [© Valerie Jaudon]
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studio300 · 4 years
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sketchbookinrome · 5 years
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356mission · 7 years
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List of individuals and groups who have participated in an event at 356 Mission
LeanThe New Dreamz (Rose Luardo and Andrew Jeffrey Wright)
Andre Hyland
Whitmer Thomas
Jessica Ciocci
Michael Webster
Asha Schechter
Gabu Heindl & Drehli Robnik (screening)
Rachel Kushner (with parts read by Barry Johnston, Gale Harold, Karen Adelman, Paul Gellman, Stuart Krimko, Stanya Kahn, Alex Israel, Milena Muzquiz)
Mina Stone
Ken Ehrlich & Emily Joyce
Flora Wiegmann with Alexa Wier
James Lee Byars (screening)
Trisha Brown (screening)
Ei Arakawa (screening)
Jennifer Phiffer
Euan MacDonald and Henri Lucas
Fundación Alumnos47
ForYourArt
Derek Boshier
Alex Kitnick
Cherry Pop
De Porres
Aaron Dilloway
Jason Lescalleet
John Wiese
Final Party (Barry Johnston)
Crazy Band
Aram Moshayedi
Bruce Hainley
Gary Dauphin
Kathryn Garcia
Leland de la Durantaye
Sohrab Mohebbi
Tala Madani
Tiffany Malakooti
Negar Azimi
Barbara T. Smith
LeRoy Stevens
Joe Sola and Michael Webster
Math Bass and Lauren Davis Fisher
Angel Diez Alvarez (screening)
Hedi El Kholti
K8 Hardy
Anna Sew Hoy
L.A. Fog
Trinie Dalton
Rita Gonzalez
Alex Klein
Mark Owens
Tanya Rubbak
AL Steiner
C.R.A.S.H.
Lao
Mexican Jihad
Zak-Matic
Laura Poitras (screening)
Parker Higgins
Domenick Ammirati
John Seal
John Tain
Bruce Hainley
Lisa Lapinski
Kate Stewart
Sarah Lehrer-Graiwer
Ian Svenonius
Entrance Band
Allison Wolfe
Geneva Jacuzzi
Chain & the Gang
Shivas
Hunx
Jimi Hey
69
Tim Lokiec
Scott & Tyson Reeder
Total Freedom
Prince William
Kingdom
SFV Acid
Jesse Fleming
William Leavitt
Lucas Blalock
Oliver Payne
Meredith Monk
Jessica Espeleta
Rollo Jackson (screening)
Jack Smith (screening)
Noura Wedell
Sylvère Lotringer
Jesse Benson
Zoe Crosher
Alex Cecchetti
Patricia Fernandez
Jeff Khonsary
Ben Lord
Shana Lutker
Joseph Mosconi
Suzy Newbury
Scott Oshima
Kim Schoen
Clarissa Tossin
Mark Verabioff
Brica Wilcox
Michael Clark
Ben Brunnemer
Ted Byrnes / Corey Fogel
Kirsty Bell
Johnston Marklee
Emily Sundblad & Matt Sweeney
Kevin Salatino
Wooster Group (screening)
Shannon Ebner
East of Borneo
Sue Tompkins
Alexis Taylor
Leslie Buchbinder (screening)
Odwalla88
Dean Spunt
Bebe Whypz
Saman Moghadam (screening)
J Cush
Hive Dwellers
Bouquet
Dream Boys
Jen Smith
Thee Oh Sees
Jack Name
Alex Waterman and Will Holder
Jonathan Horowitz
Ali Subotnick
Brian Calvin
Dean Wareham
Gracie DeVito
Indah Datau
Jake DeVito
Sara Gomez
Luke Harris
Sarah Johnson
Julia Leonard
Jillian Risigari-Gai
Joseph Tran
George Kuchar (screening)
Andrew Lampert
Reach LA
Oscar Tuazon
Black Dice
Danny Perez
Avey Tare
Shinzen Young
Jesse Fleming and Lewis Pesacov
Mecca Vazie Andrews
Mira Billotte
Julian Ceccaldi
Oldest (Brooks Headley & Mick Barr)
DJ Andy Coronado
François Ceysson
Amanda Ross-Ho
Raphael Rubinstein
Wallace Whitney
Bradford Nordeen
Chris Kraus
Samuel Dunscombe & Curt Miller
Jay Chung
Lev Kalman & Whitney Horn (screening)
Maricón Collective
The Shhh 
Alice Bag 
Martin Sorrondeguy
Sex Stains
Kevin Hegge (screening)
Rhonda Lieberman
Lisa Anne Auerbach
David Benjamin Sherry
Eric Wesley
Tamara Shopsin, Jason Fulford, and Brooks Headley
Deborah Hay
Becky Edmunds (screening)
Kath Bloom
Erin Durant
Ben Vida
Charles Atlas
Laurie Weeks
Kerry Tribe
Renée Green
Fred Moten
The Office of Culture and Design / Hardworking Goodlooking
YUK, MNDSGN, and AHNUU
PATAO
Michael Biel
Mark Von Schlegell
Graham Lambkin
Lex Brown
Jibade-Khalil Huffman
Dan Levenson
Sarah Mattes
Carmen Winant
Gloria Sutton
John Musilli (screening)
Pieter Schoolwerth and Alexandra Lerman (screening)
Nate Young
Safe Crackers
Frances Stark
Liliana Porter (screening)
Adam Linder
Corazon del Sol
Gary Cannone
Ben Caldwell
Jacqueline Frazier
Jan-Christopher Horak
Haile Gerima (screening)
Barbara McCullough (screening)
Jon Pestoni
Andrew Cannon
David Fenster
Dick Pics
Seth Bogart
Lonnie Holley
Rudy Garcia
Dynasty Handbag
Christine Stormberg
Anthony Valdez
Kate Mosher Hall
JJ Stratford
Diana Adzhaketov
DJs Cole MGN and Nite Jewel
Casey Jane Ellison
Gary Indiana + Walter Steding
Kate Durbin
Michael Silverblatt
Hamza Walker
Wynne Greenwood
Robert Morris
Maggie Lee (screening)
Brendan Fowler
Susan Cianciolo
Aaron Rose
John Boskovich (screening)
Michel Auder (screening)
Lauren Campedelli, Leo Marks, and Jan Munroe
Klang Association feat. Anna Homler (Breadwoman), Jorge Martin, Jeff Schwartz
sodapop
Hoseh
Miles Cooper Seaton & Heather McIntosh
Drip City
Geologist
Deaken
Brian Degraw
$3.33
Angela Seo
George Jensen
Carole Kim & Jesse Gilbert & Friends
Aledandra Pelly
dublab
Mariko Munro
Emily Jane Rosen
Lana Rosen
Max Syron
Mark Morrisroe (screening)
Ramsey McPhillips
Stuart Comer
Jordan Wolfson
Kiva Motnyk
Samara Golden
Sam Ashley
John Krausbauer
Kate Valk
Elizabeth LeCompte
Lewis Klahr
Barbara Kasten
Martine Syms
Margo Victor
Studioo Manueel Raaeder
Mary Farley
Wayne Koestenbaum
Jibz Cameron
Sean Daly
Kendra Sullivan
Trinh T. Minh-ha
Johanna Breiding + Jennifer Moon
Tisa Bryant
Cog•nate Collective (Misael G Diaz + Amy Y Sanchez-Arteaga)
Bridget Cooks
Michelle Dizon
Anne Ellegood
Shoghig Halajian
Katherine Hubbard
Simon Leung
Amanda McGough + Tyler Matthew Oyer
Dylan Mira
Litia Perta
Eden’s Herbals
Matt Connors
Flat Worms
Susan
Lucky Dragons
Dos Mega
David Korty
Monica Majoli
Forrest Nash
Sophie von Olfers
Rudolf Eb.er
dave phillips
Joke Lanz
The Dog Star Orchestra
The Edge of Forever (Elizabeth Cline + Lewis Pesacov)
Lutz Bacher (screening)
Agnes Martin (screening)
Marisa Takal
Moyra Davey (screening)
Suzanna Zak
Wu Tsang, boychild and Patrick Belaga
Snake Jé
VIP
Fictitious Business DBA The Geminis
DJ M.Suarez
Asmara
Weirdo Dave
Mission Chinese
Veronica Gonzalez Peña
Thomas Bayrle
Bernhard Schreiner
Bob Nickas
The Cactus Store / Christian Herman Cummings
Atelier E.B
Iman Issa
Diana Nawi
Sqirl
Downtown Women’s Center
Earthjustice
Juvenile Justice Clinic at Loyola Law School
Loyola Immigrant Justice Clinic
N.eed O.rganize W.ork
Planned Parenthood
SoCal 350 Climate Action
St. Athanasius
WriteGirl
Sean/Milan
John Santos
Thomas Davis
Twisted Mindz
Adrienne Adams
Evan Kent 
Jasmine McCloud 
Gia Banks
Ace Farren Ford
Dennis Mehaffey
Fredrik Nilsen
Paul McCarthy
Joe Potts
Rick Potts
Tom Recchion
Vetza
Oliver Hall
Rigo 23
Gil Kenan & Vice Cooler (screening)
Cassie Griffin
Clara Cakes
Clay Tatum + Whitmer Thomas (Power Violence)
DJ AshTreJinkins
DJs Protectme
Crush
Sara Knox Hunter
Dodie Bellamy
Miranda July
Alexander Keefe
Thomas Keenan
Kevin Killian
Silke Otto-Knapp
Calypso Jete, Essence Jete Monroe, Virginia X, Leandra Rose, Naomi Befierce, Tori Perfection, Foxie Adjuis
Brontez Purnell
Kate Wolf
Adam Soch (screening)
Dar A Luz
ADSL Camels
Cold Beat
Tropic Green
No Sesso
Michelle Carrillo
Ruth Root
Timothy Ochoa
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blakepointon-blog · 5 years
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Bibliography
Acton, Mary. Learning To Look At Modern Art. Psychology Press, 2004.
Buchloh, Benjamin H. D., Foster, Hal, Joselit, David, Krauss, Rosalind and Yve-Alain, Bois. Art Since 1900: Modernism, Antimodernism, Postmodernism. London: Thames & Hudson, 2011.
De Duve, Thierry. Kant After Duchamp. Massachusetts: MIT Press, 1998.
Fricke, Roswitha, Sieg, Seth  and Fricke, Marion.  The Context of Art, The Art of Context : 1969 - 1992 Project. Navado Press, 2004
.Gablik, Suzi. Has Modernism Failed. London: Thames and Hudson Ltd, 2004.
Holmes, A.M.  V.F. Portrait: John Currin in Vanity Fair. 2011.
Rubinstein, Raphael. “Provisional Painting.” Art in America. United States: Art Media Holdings, 2009.
Schjeldahl, Peter. Columns and Catalogues. Figures, 1994.
Soloman, Deborah. How to Succeed in Art. New York: New York Times, 1999.
Tomkins, Calvin. Lifting the Veil: Old Masters, pornography, and the work of John Currin. New York: The New Yorker, 2008.
Grogan, Sarah. Body Image: Understanding Body Dissatisfaction in Men, Women, and Children. London: Routledge, 2008.
Sweetman, Paul Jon. Marking the Body: Identity and Identification in Contemporary Body Modification. University of Southampton, 1999.
Eds.a.ebscohost.com.ezproxy.aut.ac.nz. (n.d.). Stuff and Beauty an Interview with Laura Letinsky. [online] Available at: http://eds.a.ebscohost.com.ezproxy.aut.ac.nz/eds/pdfviewer/pdfviewer?vid=1&sid=bdf2af88-c1ce-451d-bc3b-5cae759ed7a7%40sessionmgr4010 [Accessed 4 Apr. 2018].
McGuire, K. (2012). Laura Letinsky: Venus Inferred | The Chicago Blog. [online] Pressblog.uchicago.edu. Available at: http://pressblog.uchicago.edu/2012/10/11/laura-letinsky-venus-inferred.html [Accessed 4 Apr. 2018].
Bryson, Norman, Alison M. Gingeras, Dave Eggers, Kara Vander Weg, Rose Dergan, and John Currin. John Currin. New York, NY: New York, N.Y., 2006.
Currin, John, Robert Rosenblum, Staci Boris, and Rochelle Steiner. John Currin. Chicago: Museum of Contemporary Art, 2003.
Stover, William, Cheryl A. Brutvan, and John Currin. John Currin Selects with William Stover. Boston: MFA Publications, 2003.
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artsleaderuh · 5 years
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@Glasstire : Join the Houston Art Gallery Association for a conversation between Houston collector and gallerist Gus Kopriva, artist Philip Karjeker, and critic Raphael Rubinstein at Gallery Sonja Roesch. April 2, 7pm https://t.co/dYxcPFBnHk https://t.co/jSOnIMYdrX (via Twitter http://twitter.com/Glasstire/status/1112742925161631744)
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todayclassical · 7 years
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April 30 in Music History
1717 Birth of composer Guillaume Gommaire Kennis.
1728 FP of Handel's "Tolomeo, rè di Egitto" London.
1757 FP of Giardini's "Rosmire" London.
1781 FP of Salieri's "Der Rauchfangkehrer" Lustspiel, Vienna.
1792 Birth of composer Johann Friedrich Schwencke.
1805 FP of Boieldieu's "La Jeune Femme colère" St. Petersburg.
1837 Birth of composer Alfred Gaul.
1843 Birth of French soprano Hortense Schneider in Bordeaux. 
1848 Birth of German soprano Marie Hanfstangel in Breslau. 
1855 Death of English opera conductor and composer Henry Rowley Bishop.
1855 FP of Hector Berlioz's Te Deum. The church of St. Eustache in Paris.
1857 FP of Offenbach's "Dragonette" Paris.
1870 Birth of Austro-Hungarian composer Franz Lehar in Komaron. 
1871 Birth of American soprano Louise Homer in Shadyside, Pittsburgh, PA. 
1873 FP of Dubois' "La Guzla de l'émir" Paris.
1883 Death of violinist and founder of the Rosa Opera Co, Carl Rosa in Paris. 1883 Birth of composer David John de Lloyd.
1884 Birth of American composer Albert Israel Elkus.
1884 Birth of German tenor Georg Baldszun in Berlin. 
1885 Birth of Italian composer and futurist painter Luigi Russolo. 
1886 Birth of English composer, pianist Frank Merrick in Clifton, 
1889 Birth of American composer and conductor Chalmers Clifton. 1889 Birth of composer Acario Cotapos.
1889 Birth of composer Rudolph Hermann Simonsen.
1902 Birth of composer Andre-François Marescotti.
1902 Birth of composer Rudolf Wittelsbach.
1902 FP of Debussy's opera Pelleas and Melisande in Paris at the Opera Comique. Mary Garden as Melisande. Jeanne Gerville-Réache as Geneviève.
1903 Birth of German composer Gunther Raphael.
1903 Victor records release it's first Red Seal recording. 
1911 Birth of composer Hans Studer.
1911 Debut of the 10-year-old violinist, Jascha Heifetz in St. Petersburg. 1912 Death of Czech composer Frantisek Kmoch. 
1916 Birth of soprano Alda Noni in Trieste. 
1916 Birth of American conductor Robert Shaw in Red Bluff, Iowa. 
1917 FP of Mascagni's "Lodoletta" Rome.
1922 Death of French tenor Louis Cazette. 
1925 FP of Paul Hindemith's Kammermusik No. 3, Op. 36, no. 2. The composer conducting with Rudolf Hindemith, a cellist in Bochum, Germany.
1925 FP of Standford's "The Traveling Companion" in Liverpool, an amateur performance.
1929 Birth of Italian tenor Doro Antonioli. 
1931 Birth of Italian bass Ferruccio Mazzoli.
1932 Birth of composer Anton Larrauri.
1934 Birth of American baritone William Chapman in Los Angeles. 
1939 FP of Weill's "Railroads on Parade" NYC.
1932 Opening of the first Yaddo, Festival of Contemporary Music at Saratoga Springs, NY.
1934 FP of Igor Stravinsky's opera Persephone. Ida Rubinstein, speaker, and the composer conducting at the Paris Opéra.
1937 Death of Dutch baritone Carel Van Hulst. 
1937 FP of U. Gadzhibekov's "Kyor-Oglu" Moscow.
1939 Birth of American violinist and composer Ellen Taaffe Zwilich in Miami.
1941 Birth of Spanish conductor Luis Antonio Garcia Navarro in Valencia, 
1944 Birth of Russian violinist Lydia Mordkovitch. 
1951 Death of soprano Désirée Ellinger. 
1951 Death of American soprano Lucy Gates. 
1956 Birth of composer Adrian Williams.
1968 Death of English baritone Clive Carey. 
1970 Birth of Spanish composer Josué Bonnin de Góngora in Madrid.
1970 Birth of composer Brian W. Ogle.
1970 Death of composer Hall Francis Johnson in NYC.
1973 FP of Lou Harrison's Concerto for Organ, at San Jose State University, with organist Philip Simpson.
1974 FP of Samuel Barber's Three Songs, op 45. D. Fischer-Dieskau, Chamber Music Society, Lincoln Center, NYC.
1979 FP of Harbison's "Full Moon in March" Cambridge, MA. 1991 FP of Ellen Taaffe Zwilich's Bass Trombone Concerto. Charles Vernon with the Chicago Symphony, Daniel Barenboim conducting.
1994 FP of John Harbison's String Quartet No. 3. Lydian String Quartet at Brandeis University in Waltham, MA.
2000 Death of German-American composer Bernhard Heiden. 
2003  FP of Augusta Read Thomas' Sun Threads. Avalon String Quartet, Lincoln Center, NYC
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whathizi · 8 years
Text
Minha pequena lista de crushes
1. Chris Hemsworth
2. Brock O'Hurn
3. Chris Evans
4. Henry Cavill
5. Chris John Millington
6. Luke Bracey
7. Travis Fimmel
8. Josh Hartnett
9. Sebastian Stan
10. Raphael Sander
11. Brant Daugherty
12. Jason Momoa
13. Boyd Holbrook
14. Ronen Rubinstein
15. Corey Taylor
16. Zac Efron
17. Chris Pratt
18. Colin O'donoghue
19. Colin Firth
20. Colin Donnell
21. Kit Harington
22. Scott Eastwood
23. Sam Claflin
24. Liam Hemsworth
25. Bradley Cooper
26. Jensen Ackles  
27. Landon Liboiron
28. Channing Tatum
29. Jake Gyllenhaal
30. Armie Hammer
31. Gerard Butler
32. Hugh Jackman
33. Dan Stevens
34. Heath Ledger
35. Michel Huisman
36. Adam Gontier
37. Jared Leto
38. Mike Vogel
39. Chalie Cox
40. Jared Padalecki
41. Vinnie Woolston
42. Ian Somerhalder
43. Charlie Puth
44. Rodrigo Hilbert
45. Charlie Hunnam
46. Aaron Taylor-Johnson
47. Garrett Hedlund
48. Paul Rudd
49. Beau Mirchoff
50. Patrick Wilson
51. Patrick Dempsey
52. Chris Pine
53. Kevin Zegers
54. Matthew Daddario
55. Alexander Ludwig
56. Robbie Amell
57. Glen Powell
58. Kellan Lutz
59. Cory Monteith
60. Alex Pettyfer
61. Matthew Bomer
62. Chace Crawford
63. Logan Lerman
64. Wes Bentley
65. Jude Law
66. Boyd Holbrook
67. Nick Wechsler
68. Jeremy Sumpter
69. Ronen Rubinstein
70. Brandyn Farrell
71. Luke Mitchell
72. Avan Jogia
73. Brant Daugherty
74. Diego Boneta
75. Andre Hamann
76. Jack Falahee
77. D.J Cotrona
78. Klebber Toledo
79. André Bankoff
80. Jai Courtney
81. Oliver Jackson-Cohen
82. Zachary Levi  
83. Sam Heughan 
84. Kim Seok-jin
85. Jeon Jung-kook
86. Kim Tae-hyung
87. Christopher Bang
88. Diego Barueco
89. Ken Bek
90. Clive Standen
91. Taron Egerton
92. Lim Jae-beom
93. Kim Jun-myeon
94. Kang Hyung-gu
95. Im Chang-kyun
96. Lee Joo-heon
97. Jackson Wang
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garadinervi · 1 year
Text
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Hilma af Klint, The Ten Largest No. 6, (oil, tempera, and paper), 1907 [Stiftelsen Hilma af Klints Verk, Stockholm. Photo: Moderna Museet, Stockholm]
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Catalogue: Schema: World as Diagram, Essay by Raphael Rubinstein, Marlborough Gallery, New York, NY, 2023, p. 8
Group Exhibition: Schema: World as Diagram, Marlborough Gallery, New York, NY, May 11 – August 15, 2023
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