#Ramses Curse

[aimarskloset]

Ghostly Gazette #6

[rockheadcd]

thinking about how much roark has never truly been alone because his parents gifted him an egg for his birthday to take care of when he was a lil dude since he loved fossil mons and just dinosaurs in general so much he REALLY wanted his own buddy like dad had basti.. ramses' egg was as big as him for the longest time and took a couple of months to hatch, but he tried to take that egg just about everywhere like his lil towel cape...

and when ramses finally hatched the first thing lil rock did was throw his arms around him and proceeded to get bit because ramses wanted some fuckin lettuce but y'know what it was the best day in roark's life because his best friend was finally able to see the world with him and mom and dad were there to make sure he learned how to properly take care of him. hilariously enough, it didn't take long for ramses to be able to listen to either parent, and he still will obey requests from byron to this day as well. as long as roark trusts a person, ramses is willing and able to as well ( it's easier than trying to think about it himself ).

roark really never felt loneliness even when asago fell ill and wasn't able to keep up with him as he was heading into grade 4 and 5, but ramses was there by his side. children were easy to distract when there was something equally energetic to occupy their time in the outdoors—and when the outdoors was a whole forest and steelix tunnels that have since been rebranded as caves, it was far too easy to escape in the most literal sense ( and it's not like either of them truly understood the gravity of the situation, for asago would do anything to be herself with her only son ). even the few times roark has played with volkner during league administration meetings did he not really understand the concept of loneliness, having figured he was shy for shyness sake, unaware of the strained relationship volk and ira had. ramses was happy to play with the both of them, no less. volk wasn't lonely with both of them there, right?

truly, roark didn't really understand until asago passed. he was alone quite a bit, but he wasn't lonely. he had his best buddy. he still had asago's team. he had some of byron's with him at home. basti, as far as he was concerned, was a timeless artifact and she would be around for his whole life. and ramses was still there, he was finally taller than him, and they were inseparable. it was quieter in that period of his life. he figured that was part of loneliness. he wasn't wrong, but he had a routine that wasn't terribly affected by the loss. he was sad, because he missed her, but he was beginning to understand it was more than just a lack of noise at home.

sits down and puts my head in my hands. all that constant buffering never really left him process the survivor's guilt because he rarely had the chance to be alone long enough to get through the long-standing damage, just the short, painful worst of it. he took after and modeled himself after his dad, 'mons and all, occupations and all, because he figured he was fine with what he was surrounded by ( as opposed to pretend, he didn't pretend he was fine, he genuinely thought he was fine ), because they have always been there. and then volk happens and he finds a reason to want to offer all of that to someone. and then he's gone, missing, when that normalcy is there, and it all comes back tenfold. he went too many years feeling fine and that the missing pieces were just a part of life and paying less and less mind to it ( liar, his habits are an exact reflection of the ways he hurt ), and suddenly he can't keep up and for once he feels so, so lonely. it's silence, it's the inability to connect without the confirmation he's on the other end. volk may as well have been his first real, personal connection to someone that wasn't his family and it hurt for so long he really has no idea he managed for a decade the first time around. this boy can fit so many repressed feefees and fears because he knows what's next. he doesn't know what he's going to do when it's byron. he really doesn't know what to do when it's ramses ( he refuses to think about a life without his first buddy ).

[superchalanttauheedprincess]

Patthar lauta do patthar lauta do warna mera shraap larega 🗣️🗣️🗣️

[bargainsleuthbooks]

#TheMummyCase #AmeliaPeabody #3 by #ElizabethPeters #BookReview #CozyMystery #AudiobookReview

I'm thoroughly enjoying listening to the #AmeliaPeabody mysteries again. #BarbaraRosenblat is a joy to listen to as she tackles the late #ElizabethPeters work. #TheMummyCase is the 3rd volume in the series. #Bookreview #audiobookreview #cozymystery

Radcliffe Emerson, the irascible husband of fellow archaeologist Amelia Peabody, has earned the nickname “Father of Curses”—and in Mazghunah he demonstrates why. Denied permission to dig at the pyramids of Dahshoor, he and Amelia are resigned to excavating mounds of rubble in the middle of nowhere. But before long Amelia, Emerson, and their son, Ramses, find themselves entangled in The Mummy…

[silentcartoonist2018]

King Ramses’ Curse: alternate ending

[chunibyo-x-sorcerer]

"Hmmm...if I have to guess, the song must be playing in his head or he didn't burn his eardrums long enough that to which he hear it in low audio." Kinie Ger theorized. "Regardless....I will destroy that song. That song is still ringing in my head after hearing that. Who knew a curse from an older time period would do this much damage. I'm also jealous. I wish I could of take this Egyptain curse on if he wasn't that damn focused on that slab."

'....I believe that was true...Wait, how the hell did he even hear the song?!' Sukuna thought the same question like Kinie. How did Daichi hear about it. He did remember his ears were burned so how!?

'It's almost like someone looked up the song from the phone and showed him..or something..' he grumbled. 'Though, if I ever hear that damn song again, i'm going to destory where it's being played at...' he said annoyed.

[polysucks]

-puts a mirror under your nose to check ur breathing-

hey man it's been a while since you've talked about harrenhal

You know what? you're fucking right. I don't talk much about my obsession with harrenhal on my tumblr. i should do that more often.

[dreamily]

If I could marry Harrenhal I would. Harrenhal’s story is literally just hubris and the inevitable decay of overreaching ambition—fables that we see told time and time again in real-world history. There is nothing the Geyrg writes that isn't derivative of other art before his. but soooooo many rulers, empires, and civilizations have undertaken whack ass projects meant to immortalize their power, only to see their visions trickle down their legs like a wet fart

We got the tower of babel

Which like-- man I don't know shit about the bible and I will preface anything I say that is anywhere NEAR adjacent to religion with that. but. If there is one thing I do know, it's human arrogance in fiction.

it was meant to be a monument to human greatness, defying natural order and even divine power. (womp womp)

It was never completed NOR served its intended purpose, as divine intervention (ayo brynden rivers wasgood) ensured its failure.

Just as Harrenhal became an empty ruin, Babel became a symbol of the dangers of overreaching ambition by desecrating [the] god[s]

Ozymandias (ramses II)

Percy Bysshe Shelley’s poem Ozymandias describes a ruined statue of a long-dead king whose mighty empire has vanished into dust.

Like Harrenhal, Ozymandias’ works were meant to last forever, but time, war, and decay ensured their ruin.

'My name is Ozymandias, king of kings: Look on my works, ye Mighty, and despair!' fucks so hard and reads as if Harren the Black was gloating himself from the Tower of Dread. what was supposed to be a symbol of unbreakable power instead became an empty, cursed shell that barely resembles what it used to be.

Both remind us that nothing built by mortal hands can really challenge the devastation time and what may come of fate.

Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare The lone and level sands stretch far away.

Versaille

King Louis XIV of France built the Palace of Versailles as a symbol of absolute monarchy and divine rule. have i ever mentioned that I love monarchy history?

It was [is?] extravagantly expensive, draining the kingdom’s resources—just as Harrenhal’s construction bled the Riverlands dry. evil rulers gonna be evil i GUESS

Its grandeur could not protect its rulers. By the time of the French Revolution, the monarchy that built it was toppled and executed (bring back the guillotine) much like House Hoare’s yeeting at the maw of Balerion the Black Dread.

Like Harrenhal, Versailles became a symbol of excess and very few people coould hold it successfully (everyone died)

and my absolute FAVORITE.

harrenhal. but it's actually Chernobyl.

HEAR ME OUT.

Harrenhal: Built to be the grandest castle in Westeros, a testament to Harren the Booty's dominion over the Riverlands!!!

Chernobyl: Constructed as part of the Soviet Union’s ambitious nuclear energy program, Chernobyl was meant to be a symbol of Soviet technological superiority.

Harrenhal’s Doom: The castle was still newly built when Aegon the Conqueror came with his baddies in tow and turned it into a Spicy Meatball. Harrenhal was designed to withstand any land-based siege, but it never stood a chance against dragonfire. BECAUSE HE DIDN'T THINK TO BUILD FOR DRAGONFIRE.

Chernobyl’s Doom: The Chernobyl Reactor 4 explosion in 1986 was a firestorm that could not be contained, much like Balerion’s flames. The reactor burned for days, spewing deadly radiation into the air. BECAUSE THEY DIDN'T KNOW MUCH ABOUT RADIATION POISONING.

Harrenhal's fate: Since Harren’s yeeting, every single House that has claimed Harrenhal has met disaster. The castle is believed to be cursed (it is) its halls filled with ghosts (it is), and no one has held it for long. The only smart thing petyr has ever done is refuse to stake claim over his hold. he should tho. he totally should.

Chernobyl's fate: The area around the ruined reactor became the Chernobyl Exclusion Zone, where radiation levels are still dangerous and will CONTINUE to be dangerous. Most of the surrounding towns, including Pripyat, remain abandoned, decayed, and overgrown, much like Harrenhal.

Both places have survivors and witnesses who tell and retell haunting tales and rumors and legends—Harrenhal’s curse manifests in tragedy after tragedy, while Chernobyl’s “curse” is literal: those who stayed too long suffered from radiation sickness.

and finally:

both are fucked up horror stories in themselves

Harrenhal:

There are rumors of ghosts—Lady Shella Whent’s weeping specter, the burned souls of Harren and his sons, and wait! There's more! If you call now--

The castle’s YUGE size and GAPING corridors (like ur mom) create an oppressive presence that can be felt all over the Riverlands

No matter who holds it, death follows. (im sorry i have said this so much but it's so fuckin metal)

Chernobyl in Popular Culture:

The real-life horror of radiation poisoning is alarming enough, but Chernobyl has become a breeding ground for horror films, video games, and urban legends. (no one talks about how Tarkovsky's Stalker in 1979 p much predicted the event but ALRIGHT)

There are true stories of mutated animals, less true stories of ghosts of workers, and really real eerie abandoned homes and workplaces that are literally disastrous to the earth's health.

The “Elephant’s Foot,” the mass of nuclear lava inside Reactor 4, is lethal to anyone who stands near it. That shit is so metal. Again. Sorry.

[loomingcastle]

I keep seeing peepaw Nightmare and sometimes Dream too so like..

Let’s just make the retirement home multiverse guys (does that already exist??)

Meemaw Dream is a reference to Muriel from courage the cowardly dog. That shit was my favorite show to watch as a kid, I especially loved the King Ramses’ Curse episode, yet I see some of ya’ll get scared from that as a kid 😭 (not judging <3333)

[couldtheycatchkira]

3,700 Follower Celebration!

Scenario: Light obtains the Death Note and Ryuk appears before him. The first day goes as you'd expect. However, that night, a strange fog rolls in, and a figure, a spectre, an apparition manifests at the end of the street. A howling, moaning voice courses on the wind, inspiring dread with each ethereal word. It demands but one thing of Light: "Return the Book of the Dead... Or suffer the pharaoh's curse... Return the book... Return the book, or suffer my curse...!"

[leahthedreamer]

Aleksandr Selevko (EST) SP- Pharaoh Ramses II, The Mummy’s Curse || ISU European Championships 2024

[tranquil-slaughterhouse]

If Ramses had a pet dog that was taken from him: "Return this lab, or suffer my curse!"

[tabletopmonsteroftheweek]

Return the Slab...

Yeah

This one I was a bit indecisive on what type of Phenomenon it'd be, so I included two types

Phenomenon: King Ramses’ Curse

Type: Panic (motivation: to make people act irrationally) OR Zone (motivation: to harm anyone in the area where the slab is)

Power: King Ramses’ Curse has three plagues listed on the slab, with a 4th symbol showing himself. The symbols on said slab will vanish when the curse is in play. A few hours after first obtaining the slab, King Ramses will manifest and demand the slab to be returned to those nearby. If refused, he will cast the curse. During that time he will watch on, and when the curse passes demand the slab once more. This will repeat until all curses have gone through.

1st curse: Floods. The area in which has the slab will begin flooding uncontrollably

2nd curse: Noise. Overwhelming noise will consume the area, not leaving a moment for any silence.

Final curse: Locust. Ravenous locusts are sent into the area, devouring anything and anyone in sight. It will not stop until the slab is returned, or all in the area is consumed.

The presence of the Slab makes others act a bit irrationally as well, where they will attempt to keep it for themselves or try to sell it off to a high bidder. People in the area will have this nagging feeling to search for it, to the point that when its found they will fight and possibly hurt each other for it. Those that are in possession of it will refuse to give it up, may hide it away, and/or even kill to keep it for themselves. If offered a high enough price they may give it up. They will never listen to King Ramses.

When the slab is moved to a different location, the curses reset.

Weakness: The simplest way to stop all this from happening is to return the slab, either by bringing it back to Egypt or handing it over to King Ramses’ spirit. The slab can be returned at any time, even during the curses.

1st Curse: easiest solution is to drain the flood water somewhere, especially if its in a building.

2nd Curse: plugging your ears will help muffle the sounds, but you must make the area soundproof to fully stop the noise. Sometimes the source of the noise will manifest that you can find and destroy.

Final Curse: none, returning the slab is the only way to stop it.

Custom Moves:

ITS MINE! The Slab has a weird effect that people always want it and refuse to give it up once obtained, believing it can make them rich beyond their wildest dreams. Hunters can be influenced by the effect when they first enter the area that is affected by The Slab. They must roll +weird to avoid getting affected.

On a 10+, they resist the effect until the Slab is relocated.

On a mix, they have a choice: they either resist the effect or follow its influence. If they do the latter, they mark experience.

On a miss, they follow its influence, attacking the other hunters if they get too close to the slab. They take -1 ongoing in the Slabs presence.

The Noise! The 2nd Curse brings an overwhelming amount of noise into the area. If the hunters don't have any noise-suppressing ear muffs or plugs, they take -1 ongoing until some are aquired or the cursr ends.

[flightyalrighty]

Favorite horror genre?

uhhhh horror! i wanna say horror is my favorite horror genre :)

To actually answer your question (sorta):

The one I can tolerate watching a movie of: Horror Comedy, Psychological Horror, Werewolf Stories, probably old 70s/80s slasher horror

The ones I enjoy from a far distance (consuming through every which way other than directly): Supernatural Horror, Analog Horror (somewhat), Folk Horror, idk like all of it? I just really like horror in general. My anxiety won't let me touch most horror things with a ten foot pole, however.

I am, without a doubt, a total coward. When I was young I couldn't set foot in a Spirit Halloween bc the sound the welcome mats made scared me. I couldn't handle Courage The Cowardly Dog after that King Ramses' Curse episode. Dolls FREAKED me out, especially American Girl dolls. The concept of ghosts still scares me a LOT.

So, because I'm a coward, and I know my limits, I experience horror in what few ways I can.

If I see absolutely anyone on youtube talking about a horror movie I've never heard of before, I'm absolutely gonna be looking up everything I can about that movie and pretty much experience a deconstructed version of it, a practice that I'm pretty sure takes a year off my younger film degree sister's life every time I do it.

I do horror best in the form of comics, where I'm in complete control of when I'm gonna see Stuff, and the still images are things I can handle way better than Jumpscare City (modern horror films).

I enjoy videos by Ryan Hollinger, May Leitz (Nyxfears), In Praise Of Shadows, Dead Meat, and many more. If you haven't heard of her before btw, DEFINITELY check out Nyxfears if you haven't already.

My thoughts are very scattered here. Anyway yeah i like horror :)

[chunibyo-x-sorcerer]

With everyone getting back into their dorms after an insane event. It's a night for everyone to remember. Kisho is letting out a hum as he is sleeping. A familiar tune that is stuck in his head.

Once Kisho wakes up, he has a lot of explaining to do.

----- Morning -----

A groan came from Kisho's dorm as the brown-haired boy rolled across the bed and turned on his side. His eyes flutter open, and he sees the ceiling.

"Huh? Was it a dream or something?"

For now, Yuji and Megumi was careful with seeing Kisho still sleeping. However, they would be sure he's back in bed. Miko and the other girls were worried but they would go ahead to head back.

"Yay bed time!" Gojo laughed happily now heading to bed but Miko sighed seeing this but she was nervous about the book. Why or who gave that book to him anyway? And why? Now she got more worried even seeing Anaconda and Dennis hissing when seeing the book. She goes to calm them down gently.

"Easy you two. Come on, lets head to the dorms.." she said seeing Nobara yawning again.

[synergysilhouette]

An alternate take on "The Princess and the Frog" (2009)

Given that I've remade several Revival-Era films by now, it was only a matter of time that I remade the film that started it all (unless you're one of those fans who considers "Bolt" the start of the Revival Era). I wasn't the biggest fan of this film for musical and story reasons, so I hope you aren't too offended by my changes.

The film features more fantasy elements--I recall controversy about how voodoo was portrayed as magic rather than a religion, and to alleviate that, I think we should confirm that it's magic we're dealing with rather than a specific counterpart to a real-world concept. I'd definitely take inspiration from Alphonse Mucha imagery for the visual (though the art I imagined was inspired by his late 19th century work more than his early 20th century work). I do like the idea that magic is regarded as mystical and dangerous, explaining why Tiana steers away from it while Naveen is enamored by it.

2. Naveen's background and culture is more clearly defined--It was CONFIRMED when the film was released that Naveen's race is fictional since Maldonia is a fictional place, however many fans view him as being Indian. I noted in another post that they could've easily made him the prince of an Indian-inspired country (or a fictional Indian state) and educated in Europe, explaining the westernized fashion and interests--even though westernization was common in general around that time. Of course, if we go the "fictional location" route with the setting for the film rather than New Orleans, this isn't as much of an issue--but it'd still be a nice touch if it was an explicitly Indian-inspired fantastical kingdom, perhaps taking inspiration from Indian fantasy films.

3. Play the duality plotline--Naveen is cursed to be a frog during the night, and a human during the day, albeit forgetful of this. A big criticism people had was that the two leads of color were frogs for most of the film. What if this wasn't the case? Naveen appears to Tiana both as a vain frog and a hedonistic young man. Due to Dr. Facilier's curse, Naveen is unable to remember his froggy curse by day, and thus cannot go about solving it, and the night is filled with shadow monsters who hope to stop him from breaking the spell, with Lawrence and Dr. Facilier manipulating him during the day to make him marry Charlotte. Tiana takes pity on his frog form (not knowing that he's the prince), and unlocks his kindness and selflessness, and as time goes on, human Naveen becomes kinder, and finds himself thinking about Tiana until they share a kiss at Mardi Gras, where he marries her instead of marrying Lottie, like the villains planned. When Facilier tries to get revenge on Naveen, Tiana battles him and breaks his talisman in a similar fashion to the original. (I feel like there's some inspiration you can take from "Howl's Moving Castle" with the plot.) Also when the kiss on Naveen fails to work the first time, Tiana gains the power to speak to animals.

4. Give Lawrence and Dr. Facilier more backstory--It's mentioned that Lawrence has been taken advantage of all his life, and it'd be more powerful to see his villain arc if we knew how much pain he went through rather than simply seeing him as greedy and selfish from the start. Plus Facilier's magic is QUITE interesting, and something I'd love to know more about. Perhaps tying into the racial subplot, he had a life similar to Tiana and her family, only he couldn't achieve his dream and turned to the shadows. Some may consider this a sympathetic villain story, but I do think that Facilier's backstory in the original would've included some racial themes as well.

5. Make Ralphie older and give him more relevance--I do like the idea that Ralphie is close in age to Naveen (with Ralphie still being the younger brother), and they have a relationship similar to Dreamworks characters, ie Moses/Ramses, Sinbad/Proteus, and Miguel/Tulio. I also like the idea that while Naveen is selfish but somewhat innocent of the world, Ralphie is selfless but easily stressed and flustered. I picture him being a mix of Aladdin and Hercules. I love the idea that he came to keep tabs on Naveen, and both he and Naveen pursue Charlotte, though Ralphie actually develops feelings for her, and she reciprocates. Plus I do wish he had a different name, but that's just me.

6. Charlotte's friendship with Tiana is a bit more pronounced--Some people think that her selfless act for Tiana at the end of the movie was too little, too late, as they found her annoying and spoiled. I'd enjoy more moments where we get to see their friendship, ie after Lottie gives Tiana a makeover, she asks her what happened at the party (which Tiana apparently never told her about since Lottie mentions how they're both getting their wishes granted that night).

7. Embrace the green--I do want Tiana to enjoy wearing green without it being associated with her being a frog. The concept art has really great designs, and it could correlate to her growing to love Naveen--plus it'd make her a good contrast to Lottie, especially if it was Eudora making these dresses.

8. Alter the soundtrack and side characters slightly--Take "Never Knew I Needed" and make it an actual song for Tiana to sing! I'd also take Luis and make him a human (his story did feel like a racial allegory) while Ray would stay a firefly for his "Evangeline" story. Plus this could also make "When We're Human" a solo for Naveen. And maaaaybe make the "Down in New Orleans" a song for Tiana or an ensemble number. And a part of me wants Lottie to have a song (maybe with Ralphie).

9. Remove Mama Odie and give Eudora more credit--I say this since Mama Odie didn't really do much to move the plot along (her advice of kissing a princess didn't really matter since Naveen and Tiana get married anyway), and she gave Tiana a good amount of insight that she wasn't able to appreciate until later. Allowing her mother to be a bigger part of her story is BIG for a Disney princess, especially if Tiana is staying human and staying in town.

Lemme know what you think! I hope you enjoyed this reimagining.

[questions-about-blorbos]

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