#Rakhumai

[latent-thoughts]

A beautiful piece of art (I'm unable to find the artist) depicting Shri Vasudev Krishna carrying Princess Rukmini Devi to his chariot in the kingdom of Vidharbh (her homeland). She had sent him a letter in secret, expressing her love and devotion for him, asking him to come and take her to his kingdom as his bride. Her eldest brother, Rukmi, had arranged her marriage elsewhere, against her wishes. But she wanted to marry Shri Krishna.

Ultimately, her wishes prevailed because he came to Vidharbh in his chariot and whisked her away in front of everyone, including her brothers.

[thegleamingmoon]

सुंदर तें ध्यान उभे विटेवरी ।

कर कटावरी ठेवोनियां ॥१॥

Beautiful is that vision/thought (of Vitthala) standing on the brick with his hands

तुळसी हार गळां कांसे पीताम्बर ।

आवडे निरंतर तेंचि रूप ॥२॥

Adorned with Tulasi garlands and Pitaambara. I am always fond of his form.

मकरकुंडलें तळपती श्रवणीं ।

कंठीं कौस्तुभमणि विराजित ॥३॥

He adorns his ears with fish-like earrings. The kaustubha gem rests around his neck.

तुका ह्मणे माझें हेंचि सर्व सुख ।

पाहीन श्रीमुख आवडींने ॥४॥

Thus, Tuka says, this is all my happiness (that I seek)

I will behold his auspicious visage with great joy.

- Saint Tukaram.

*********

Wishing everyone a prosperous and blessed Ashadhi Ekadashi. May Vitthala and Rakhumai always be with you. This composition by Saint Tukaram resonates with each and every devotee who seeks their joy in Vitthala / Naryana. I have tried to translate it as precisely as I could with whatever little knowlege of Marathi that I have. You can let me know if I have made a mistake somewhere.

🐚🪷 ।। रामकृष्ण हरी ।। 🪷🐚

[krsnaradhika]

Not making up stuff but Svamini Rukmini really said, "Phool tumhein bheja hai khat mein, phool nahin mera dil hai."

Aur baaki toh unke priyatam aa hi gaye daude daude cuz vo unke alawa aur kiske kaabil thha ✨

[radhekepriya]

❝𝑶𝒎 𝑵𝒂𝒎𝒂𝒉 𝑲𝒓𝒊𝒔𝒉𝒏𝒂 𝑷𝒓𝒊𝒚𝒂!❞

𝑹𝒂𝒌𝒉𝒖𝒎𝒂𝒊 𝑹𝒂𝒌𝒉𝒖𝒎𝒂𝒊 💙✨

[mechakarmani]

मिठमुंबरी तारामुंबरी सेतु वरुन दिसणारे श्री विठ्ठल रखुमाई मंदिर 🚩 . ✍️📷©️ @mechakarmani ©️no repost please ™️ . 🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴 अस्सल चाकरमानी असाल तर आताच follow करा ✌ कोकणातील जीवन🌴🍋 मनसोक्त पर्यटन, कोकणातील सण 🎊 गावे🏝 यांचे 📸 छायाचित्र पाहण्यासाठी ☛ follow करा Instragram - Facebook - Twitter @mechakarmani #mechakarmani 🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴 . #me_chakarmani #temple #konkanroadtrip #nature #templesofindia #konkanpictures #kokantourism #kokancha_nisarga #naturephotos #konkan_ig #konkantourist #vitthal #naturalphotography #konkan_bhumi #skyphoto #sindhudurga_mh07 #rakhumai #devgadmaza #naturephoto #bestofkokan #costalkonkan #beachtemple #kokan #waterreflection #devachagaddevgad #devgadmaza #devgadhapus #mazakokan ______________________________ . आपल्या Post पेजवर Upload करण्यासाठी DM करा #mechakarmani आवडल्यास तुमच्या नावासकट शेअर करु 💞 . ✔ Admin - मीचाकरमानी 😅 ✔ MUST FOLLOW - @mechakarmani . 👉टिप- No repost please ™️ . चुक भूल घ्यावी द्यावी 🙏 @mechakarmani (at Vitthal rakhumai mandir taramumbari) https://www.instagram.com/p/CnN41LJvdAY/?igshid=NGJjMDIxMWI=

[achyutapriya]

🪷🦚˚∗:𝙊𝙣 𝙩𝙝𝙚 𝙥𝙧𝙚𝙩𝙚𝙭𝙩 𝙤𝙛 𝙩𝙝𝙚 𝙥𝙧𝙤𝙘𝙚𝙨𝙨𝙞𝙤𝙣, 𝙍𝙪𝙠𝙢𝙞𝙣𝙞 𝙙𝙞𝙨𝙥𝙡𝙖𝙮𝙚𝙙 𝙝𝙚𝙧 𝙗𝙚𝙖𝙪𝙩𝙮 𝙛𝙤𝙧 𝙆𝙧𝙞𝙨𝙝𝙣𝙖 𝙖𝙡𝙤𝙣𝙚. 𝙎𝙡𝙤𝙬𝙡𝙮 𝙨𝙝𝙚 𝙖𝙙𝙫𝙖𝙣𝙘𝙚𝙙 𝙩𝙝𝙚 𝙩𝙬𝙤 𝙢𝙤𝙫𝙞𝙣𝙜 𝙡𝙤𝙩𝙪𝙨 𝙬𝙝𝙤𝙧𝙡𝙨 𝙤𝙛 𝙝𝙚𝙧 𝙛𝙚𝙚𝙩, 𝙖𝙬𝙖𝙞𝙩𝙞𝙣𝙜 𝙩𝙝𝙚 𝙖𝙧𝙧𝙞𝙫𝙖𝙡 𝙤𝙛 𝙩𝙝𝙚 𝙇𝙤𝙧𝙙. 𝘼𝙩 𝙩𝙝𝙖𝙩 𝙢𝙤𝙢𝙚𝙣𝙩 𝙨𝙝𝙚 𝙨𝙖𝙬 𝙆𝙧𝙞𝙨𝙝𝙣𝙖. 𝙏𝙝𝙚𝙣 𝙬𝙝𝙞𝙡𝙚 𝙝𝙞𝙨 𝙚𝙣𝙚𝙢𝙞𝙚𝙨 𝙡𝙤𝙤𝙠𝙚𝙙 𝙤𝙣 𝙩𝙝𝙚 𝙡𝙤𝙧𝙙 𝙨𝙚𝙞𝙯𝙚𝙙 𝙩𝙝𝙚 𝙥𝙧𝙞𝙣𝙘𝙚𝙨𝙨 𝙬𝙝𝙤 𝙬𝙖𝙨 𝙚𝙖𝙜𝙚𝙧 𝙩𝙤 𝙢𝙤𝙪𝙣𝙩 𝙝𝙞𝙨 𝙘𝙝𝙖𝙧𝙞𝙤𝙩. 𝙇𝙞𝙛𝙩𝙞𝙣𝙜 𝙩𝙝𝙚 𝙥𝙧𝙞𝙣𝙘𝙚𝙨𝙨 𝙤𝙣𝙩𝙤 𝙝𝙞𝙨 𝙘𝙝𝙖𝙧𝙞𝙤𝙩, 𝙬𝙝𝙤𝙨𝙚 𝙛𝙡𝙖𝙜 𝙗𝙤𝙧𝙚 𝙩𝙝𝙚 𝙚𝙢𝙗𝙡𝙚𝙢 𝙤𝙛 𝙂𝙖𝙧𝙪𝙙𝙖, 𝙇𝙤𝙧𝙙 𝙈𝙖𝙙𝙝𝙖𝙫𝙖 𝙙𝙧𝙤𝙫𝙚 𝙗𝙖𝙘𝙠 𝙩𝙤 𝙩𝙝𝙚 𝙘𝙞𝙧𝙘𝙡𝙚 𝙤𝙛 𝙠𝙞𝙣𝙜𝙨. 𝙒𝙞𝙩𝙝 𝙗𝙖𝙡𝙖𝙧𝙖𝙢 𝙞𝙣 𝙩𝙝𝙚 𝙡𝙚𝙖𝙙, 𝙝𝙚 𝙨𝙡𝙤𝙬𝙡𝙮 𝙚𝙭𝙞𝙩𝙚𝙙, 𝙡𝙞𝙠𝙚 𝙖 𝙡𝙞𝙤𝙣 𝙧𝙚𝙢𝙤𝙫𝙞𝙣𝙜 𝙝𝙞𝙨 𝙥𝙧𝙚𝙮 𝙛𝙧𝙤𝙢 𝙩𝙝𝙚 𝙢𝙞𝙙𝙨𝙩 𝙤𝙛 𝙟𝙖𝙘𝙠𝙖𝙡𝙨˚∗: 🦚🪷

Source: Shrimad Bhagvatam Canto 10, chap 53

SUBH RUKMINI HARAN EKADASHI🪷

Rakhumai Rakhumai💗💗

[hum-suffer]

Pandharpur Jana hai yaar

[writersiya]

A part of me always believed Rukmini to be a romantic at heart. She believed in the kind of romance that made butterflies flutter in the stomach.

I believe when we say Sri is our mother, it's not only about her being the nurturer of the universe. It's also about these little things, the dreams every little girl saw. Those sweet little wishes we have and want to be fulfilled. Some part of her is always within us.

There is something special about mothers and daughters; our experiences are what tie us together and perhaps why womanhood is so precious.

Mothers are a daughter's first teacher and friend, we are each other's mirrors and sometimes I find myself looking at her in awe of how similar yet different we are.

From her, I gain my strength and from her, I learn to live my dreams.

--------

Wrote this from the heart, so it's not as perfect as I like it to be but it's definetly a special piece for me.

The bond I share with Rakhumai is deep and special that words can barely put together and this is my humble attempt at trying to convey them.

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Tag list: @vishnavishivaa @nushkiespeaks @ahamasmiyodhah @hiiiyyyaaa @soothingmelody398

[sambhavami]

Krishna: a character adored for over two thousand years, revered as one of the most significant political masterminds of the ancient world with his words forming the philosophical core of the country today. Concurrently, he is the god shrouded in inimitable domesticity- as a friend, a lover, and a child. No other deity in the Hindu pantheon has probably achieved as dear a position in the hearts of people as this flute-wielding cowherd of Gokula.

For generations, he has shined as the muse of countless poetfolk, of unfinished business, of unspoken desires and of repressed lovers' qualms. In Meera's longing for her marble beloved, and in Kothai's dulcet dreams of a celestial wedding, Krishna blossoms not as a warrior, but rather as a confidante of young women- the keeper of all secrets.

Curse, o ye, this wedding of devotion, 

For I was better off unmarried,

Writes the lovestruck Nawab Sadiq Hilm,

I was well enough at my mother's; 

Oh, why did I pine for him?!

Who am I, or what: go ask Rizwan, the gatekeeper

For heaven has been rejected by my forebearers!

He says, in a nostalgic ode to the cowmaids from old tales. To the ones that massage the dust off their feet on Krishna's fevered forehead to soothe his illness, even as the apparent disrespect dooms their afterlives.

Jayadeva notes a more rugged form of Krishna, one that is almost hungry for love. His Radha smiles down upon Radharaman Dutta's kalankini. Of course, she would accept even infamy if it was in relation to her Krishna. However, in time, this epithet has been reclaimed as a celebration of the meteoric, tempestuous love that this unseemly duo had carved out for themselves of the pages of a mostly unwilling history.

Tagore's Krishna is mysterious, eagerly anticipated but rarely seen. Rather, here Radha's pining is crushing and all-encompassing, inherited from Chandidas' virahini. Radha's guttural desire to transform Krishna into herself, subjecting him to the same suffering that she undergoes as a woman in love with a furious ideology more than a man, reverberates eerily against the lighthearted cross-dressing tale of Surdas'.

As often as bards favour the songs extolling the love of the cowherd and the wedded maiden, Krishna's wives are seldom accorded any thought outside of Vasudeva's family tree. Their silence speaks to the stringent rules of a typical patriarchal household. Some of them do speak, and hence Satyabhama becomes conceited and Kalindi wayward. However, the mere few lines that they are mercifully allotted in the text are enough to speak to their resilience. The lines inadvertently hold up a window to the million unspoken words and unexchanged glances. It speaks to the long years, happy and sad. It speaks to the nights of waiting for the beloved to return. It speaks to the quiet lunches in curtained rooms and taste tests in the kitchen.

Each of Krishna's eight wives has their own life, and their own equation with Krishna. Each of their distinct personalities, coupled with their unique introductions to the prince has the potential to bring a distinct flavour to the story of Krishna, the statesman. The understanding that Krishna's heart belonged first to Vrindavana and then to his ambition, must have weighed somewhat on their hearts and yet, the choice to patch up the battle-hardened cowherd, after every blow, sans complaint, and send him out into the world as the architect of history, must have demanded restraint.

The distinct turn of events that brings each of the chief eight queens to Krishna's is quite interesting. Rukmini, the first, demonstrates heart, even if it is born out of desperation. Seizing control of her life, she sends a message, relying solely on rumours of his compassion. Her gamble yields returns manifold as Krishna not only rescues her from an unwanted marriage, but instates her as his chief consort, elevating her, alongside himself, to a divine status. Far from the impulsiveness of her youth, Pandhari's Rakhumai, astute beside her beloved, proudly bears a conch-shell, calling for harmony and community. In life as well, Rukmini brings to Krishna much needed stability, and oversees the blossoming of the city of Dwarika as well as Krishna's growing household.

Jambavati and Satyabhama are given in marriage to the prince by their respective fathers and do not seem to have much of a voice at the time. Jambavati fulfills an ancient destiny, a forgotten promise, then going on to mother the child that ultimately brings about the demise of the Yadava clan. Satyabhama, though often maligned with unfair accusations, is self-reliant. Making no attempt to hide herself from the eye of society, takes her rightful place beside Krishna, not on a throne, but by his side in battlefields. Kalindi however, is an extremely interesting character in Krishna's story. Enmeshed between mortal and divine, she exists as neither. Chancing upon the prince, she unabashedly declares her intentions to be married, and yet she is uncharacteristically silent after her marriage. Lakshmana and Mitravinda, are both won in conquest. They might have been able to sympathize with Rukmini, given their kin had turned against them, on account of their choice of a life partner. Bhadra, on the other hand, has no fancy contests to boast of, or an adventurous rescue. She marries Krishna at the behest of her brother, the only highlight being the arduous journey she undertakes from Kekaya to Dwarika.

After their marriages, these women practically disappear from the narrative until their last moments. We can assume that they were all presumably content with a life outside the spotlight. One can only hope to be privy to their lives after marriage, to know their dreams, nightmares and daily chores. They enter Krishna's life at crucial junctions, and I choose to believe they each had a unique effect on Krishna's worldview, bringing with them a fresh outlook into the mostly stagnant golden city.

[shyamasundar]

This song always have chills down my spine. the passion, devotion and beauty is INSANE so couldn't help but share it.

तुला साद आली तुझ्या लेकरांची, अलंकापुरी आज भारावली

वसा वारीचा घेतला पावलांनी, आम्हा वाळवंटी तुझी सावली

गळाभेट घेण्या भीमेची निघाली, तुझ्या नाम घोषात इन्द्रायणी

Your children are remembering you. Oh! Lord Alankapuri, your devotees are all so excited. We are walking our way To seek your shelter, To feel your sweet embrace, here we come.. Chanting your name, oh Almighty Vitthal.

भिडे आसमंती ध्वजा वैष्णवांची, उभी पंढरी आज नादावली

तुझे नाव ओठी, तुझे रूप ध्यानी, जिवाला तुझी आस गा लागलीi

With the saffron flags raised up in the sky.. Devotees at Pandharpur are overwhelmed today. With your name on our lips, with your thoughts in our minds. Yearning for a glimpse of you, dear God.

जरी बाप साऱ्या जगाचा परि तू, आम्हा लेकरांची विठू माऊली

You are the Lord of the universe -But for us.. ..your countless children you will always be our sweet mother God.

🌺 vitthal-vitthal rakhumai-rakhumai 🌺

[blessed1neha]

Story behind Sri Hari Vishnu’s Vithoba Avtaar

The saga of Pundalik is one of the most important Mahimas (legends) about Vithoba (Bhagavan Vishnu/Panduranga). Pundalik is a devoted son to his parents Janudev and Satyavati, who lived in a forest called Dandirvan. But after his wedding, Pundalik begins ill-treating his parents. Tired with their son’s misbehavior and ill-treatment, the elderly couple decide to leave for Kashi. Upon hearing his parents’ plans, Pundalik and his wife decide to join them on pilgrimage. While the youthful son and his wife ride on horseback, the frail old couple walk in bad weather and the ill-treatment continued. Every evening, when the party camps for the night, the son forces his parents to groom the horses and do other jobs.

On the way to Kashi, the group reaches the ashram (hermitage) of a pious and venerable sage, Kukkutswami. Exhausted, the family decides to spend a few days there. That night, when all were asleep, Pundalik by chance is awake and sees a remarkable vision. Just before dawn, a group of beautiful young women, dressed in soiled clothes, enter the ashram; they clean the floor, fetch water and wash the venerable sage’s clothes. After finishing their chores, they go to the prayer-room. When they reappear after prayer, their clothes are spotlessly clean. Then, they vanish as inexplicably as they had appeared. Pundalik feels a deep sense of peace witnessing the scene. It remains on his mind the whole day and he resolves to remain awake the next night, and confirm it was not merely a dream. Pundalik is very curious and approaches the beautiful women and asks them of their details. They reply that they are the Ganga, Yamuna and other holy rivers of India. Pilgrims wish to take a dip in their holy waters to wash away their sins, and that is soiling their clothes. Then, the women say: “But O Pundalik, with your ill-treatment of your parents, you are the greatest sinner of them all!”

Pundalik is utterly shocked and his conscience transforms. He realises his misdeeds, becomes entirely devoted to his parents and ensures their comfort. Devotion in any form reaches God swiftly and impressed by Pundalik’s devotion to his parents, Lord Vishnu plans to bless and pays a visit to Pundalik’s ashram.Vishnu knocks at Pundalik’s door, while he is busy serving his parents. Pundalik does realise that God is at his door, but such was his devotion to his parents, he wants to complete his duties and then attend the visitor. Then, Pundalik does something strange but out of real devotion. He pushes a brick outside for God to stand on and wait for him until he finishes attending to his parents.Seeing this act, Vishnu is extremely pleased and the ever-loving God waits for his devotee.When Pundalik comes out, he begs for pardon from the Lord but far from being displeased, Vishnu is overtaken by Pundalik’s love for his parents and grants him a boon. Pundalik requests Vishnu to stay back on Earth and bless all his devotees.The Lord agrees to take the form of Vithoba, or God who stood upon a brick (brick aka Vith), and a temple was built there. Along with Vithoba, Rakhumai (Rukmini, the consort of Krishna) is also worshipped here.

[thegleamingmoon]

बोलावा विठ्ठल , पहावा विठ्ठल |

करावा विठ्ठल जीवभाव ||

Translation + Meaning : (May I) speak (of) Vitthala. (May I) see Vitthala (in everything I do). May I merge myself (become one) with Vitthala.

~ Abhang of Sant Tukaram Maharaj.

🪷 || रामकृष्ण हरी || 🪷

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Tags : @harinishivaa @nirmohi-premika @vibishalakshman @kaal-naagin @krishna-sahacharini

[jukti-torko-golpo]

Inspired by @herawell @chaanv @ambidextrousarcher here ya go. Reblog this people.

[deepak3]

रखुमाई रखुमाई- Rakhumai Rakhumai- Rukmini Bhajan

[ravidrachavan]

Happy Ashadhi Ekadashi! | Ravindra Chavan |

Ashadhi Ekadashi is the day that devotees eagerly wait for throughout the year. Lakhs of warkars are entering Pandharpur, hoping to see Panduranga. May everyone's life be happy with the blessings of Vithoba-Rakhumai! Ravindra Chavan, a prominent BJP leader in Maharashtra, also extends his heartfelt wishes on this auspicious occasion. Happy Ashadhi Ekadashi!

[achyutapriya]

🌺.𖥔˚･𝐎 𝐭𝐡𝐞 𝐨𝐧𝐞 𝐰𝐡𝐨 𝐬𝐩𝐚𝐫𝐤𝐥𝐞𝐬 𝐛𝐲 𝐭𝐡𝐞 𝐛𝐞𝐚𝐮𝐭𝐲 𝐨𝐟 𝐚𝐥𝐥 𝐥𝐢𝐦𝐛𝐬! 𝐁𝐲 𝐚𝐥𝐥 𝐭𝐡𝐞𝐬𝐞 𝐈 𝐤𝐧𝐨𝐰 𝐭𝐡𝐚𝐭 𝐲𝐨𝐮 𝐭𝐡𝐞 𝐦𝐨𝐬𝐭 𝐛𝐞𝐚𝐮𝐭𝐢𝐟𝐮𝐥, 𝐭𝐡𝐞 𝐝𝐚𝐮𝐠𝐡𝐭𝐞𝐫 𝐨𝐟 𝐭𝐡𝐞 𝐛𝐡𝐨𝐣𝐚 𝐤𝐢𝐧𝐠, 𝐚𝐫𝐞 𝐭𝐡𝐞 𝐬𝐞𝐜𝐨𝐧𝐝 𝐬𝐨𝐮𝐥 𝐨𝐟 𝐊𝐫𝐢𝐬𝐡𝐧𝐚.𖥔˚･🌺

·˚ ༘₊· ͟͟͞͞꒰➳ Harivamsa (2.65.42)

🌺.𖥔˚･𝐘𝐨𝐮 (𝐑𝐮𝐤𝐦𝐢𝐧𝐢) 𝐚𝐫𝐞 𝐭𝐡𝐞 𝐦𝐚𝐧𝐢𝐟𝐞𝐬𝐭 𝐆𝐨𝐝𝐝𝐞𝐬𝐬 𝐚𝐧𝐝 𝐋𝐨𝐫𝐝 𝐊ṛṣṇ𝐚—𝐭𝐡𝐞 𝐛𝐞𝐬𝐭 𝐏𝐮𝐫𝐮ṣ𝐚. 𝐇𝐞 𝐡𝐚𝐬 𝐝𝐞𝐬𝐜𝐞𝐧𝐝𝐞𝐝 𝐨𝐧 𝐞𝐚𝐫𝐭𝐡 𝐢𝐧 𝐡𝐢𝐬 𝐢𝐧𝐜𝐚𝐫𝐧𝐚𝐭𝐢𝐨𝐧 𝐚𝐬 𝐩𝐞𝐫 𝐘𝐎𝐔𝐑 𝐖𝐈𝐋𝐋 𝐭𝐨 𝐫𝐞𝐥𝐢𝐞𝐯𝐞 𝐭𝐡𝐞 𝐞𝐚𝐫𝐭𝐡 𝐨𝐟 𝐢𝐭𝐬 𝐛𝐮𝐫𝐝𝐞𝐧. 𝐘𝐨𝐮 𝐛𝐲 𝐲𝐨𝐮𝐫 𝐩𝐫𝐨𝐩𝐞𝐧𝐬𝐢𝐭𝐲 𝐭𝐨 𝐞𝐧𝐠𝐞𝐧𝐝𝐞𝐫 𝐚𝐭𝐭𝐚𝐜𝐡𝐦𝐞𝐧𝐭, 𝐚𝐫𝐞 𝐭𝐡𝐞 𝐜𝐚𝐮𝐬𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐝𝐢𝐬𝐬𝐨𝐥𝐮𝐭𝐢𝐨𝐧 𝐨𝐟 𝐜𝐫𝐞𝐚𝐭𝐢𝐨𝐧 𝐮𝐥𝐭𝐢𝐦𝐚𝐭𝐞𝐥𝐲. 𝐓𝐡𝐞 𝐋𝐨𝐫𝐝 𝐨𝐟 𝐭𝐡𝐞 𝐮𝐧𝐢𝐯𝐞𝐫𝐬𝐞 𝐜𝐨𝐮𝐥𝐝 𝐡𝐚𝐫𝐝𝐥𝐲 𝐬𝐞𝐩𝐚𝐫𝐚𝐭𝐞 𝐡𝐢𝐦𝐬𝐞𝐥𝐟 𝐟𝐫𝐨𝐦 𝐲𝐨𝐮. 𝐈𝐧𝐬𝐞𝐩𝐚𝐫𝐚𝐛𝐥𝐞 𝐟𝐨𝐫𝐞𝐯𝐞𝐫 𝐟𝐫𝐨𝐦 𝐲𝐨𝐮, 𝐇𝐞, 𝐭𝐡𝐞 𝐆𝐨𝐝 𝐨𝐟 𝐠𝐨𝐝𝐬 𝐢𝐬 𝐭𝐡𝐞 𝐋𝐨𝐫𝐝 𝐨𝐟 𝐭𝐡𝐞 𝐰𝐨𝐫𝐥𝐝. 𝐀𝐥𝐥 𝐡𝐢𝐬 𝐝𝐫𝐚𝐦𝐚𝐭𝐢𝐜 𝐢𝐧𝐜𝐚𝐫𝐧𝐚𝐭𝐢𝐨𝐧𝐬 𝐚𝐫𝐞 𝐨𝐧𝐥𝐲 𝐛𝐚𝐬𝐞𝐝 𝐨𝐧 𝐘𝐎𝐔𝐑 𝐒𝐔𝐏𝐏𝐎𝐑𝐓.𖥔˚･🌺

·˚ ༘₊· ͟͟͞͞꒰➳ Skand Purana (Dwārkā Mahatmya)