#Queer eye Japan

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[lil-gingerbread-queen]

Everytime I see a fucking USAmerican defends Marie-Antoinette, I want to get the guillotine out.

She was an adult woman in her thirties, one of the most powerful women in Europe. She was older than her husband, and the dominant one in their relationship (and if you treat her as a victim because her marriage was arranged when she was a teen, you better start treating ALL French like this. News flash, it was normal at the time for everyone, even men, nobody chose their spouse) She had slaves, she was pro-slavery, she was against the human rights, and more conservative than her husband.

"The French people were racist toward her" yeah, because her husband started a war against her family so her family could kill French people to kill the Revolution. And she was the one who wrote to her family to ask them to do this, btw. She wrote letters to her brother asking him to kill the people for daring to ask for food, when all she wanted was the newest expensive fashion items.

USAmerican historians wants y'all to side with the French monarchy and against the Revolutionaries, don't buy their lies. It's all because France was against the Iraqi war, and to paint resistance and revolution as terrorism. French historians hate them. (I have a bachelor degree in history and a passion for revolutions. So like, I have read and wrote A LOT about revolutions in the last years.)

She is not a victim, she is literally just like any billionaire we have today. She is not a feminist icon or a lgbtq+ icon. Noble women at the time had a lot of rights, poor women had none, and you are putting the woman with the most freedom, and who used it to oppress other women and poc, on a pedestral. Damn, if you really want a feminist icon for the French Revolution, we have Olympe De Gouges! And Robespierre, who is the one who has been framed for centuries when he was too poor and sick to actually be menacing to any other politicians, was clearly aroace! (from my own research. I haven't seen any historian actually calling him that, but, as an aroace, I can deduct he was because he literally was known for not having relationship of any kind and only cared about his work. Historians are lost on his sexuality, because they aren't educated on us) And they both fought for equality OF ALL humans, of all colors and religions.

[culture-and-relationships]

Cultural Series

On the topic of shows that provide EXCELLENT cultural insight, as well as pretty good relationship talk (whether that be familiar, platonic, romantic, or whatever your relationship may look like), one series that I have found to be enriching, interesting and informative is:

Queer Eye!

Okay, basic synopsis of the series: five men who are part of the LGBTQIA+ community travel the world to help others who may not be entirely sure how to enjoy life or what they want to do with their life.

It's on Netflix, and I'm pretty sure it's on a bunch of other sites as well. (I only use Netflix and other...less legal...sites, so I can't promise this show is on anywhere.) It's funny and thought-provoking, and in their latest episodes they have been delving into cultures other than the traditional American culture. They have gone to Japan, Germany and Brazil thus far.

The series provides a fascinating look into these cultures, often pointing out things that are stereotypes or lesser-known gestures of respect. 10/10 would recommend - and am recommending!

Whether you're a student interested in traveling, a person part of the Pride Community looking for more series involving Queer people, an older person looking for a funny but profound thing to watch, I truly believe that Queer Eye ticks a lot of boxes!

It isn't perfect (what is?) but it is a great show to watch from a cultural aspect, an information aspect, and simply an entertainment point of view.

That's all for now! Cass, signing off

[itsbeon]

Yoshiki (via YouTube, Feb 2024)

[heba-baker]

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Hello 👋

Vetted by @90-ghost

Link

Hello, I am Heba Al-Anqar, 21 years old, a university student. My university was suspended due to the war. I am writing about my family: my father Bakr (54 years old), my mother Alaa (46 years old), and my sisters Aya (18 years old), Amal (15 years old), Muhammad (13 years old), and Maryam (8 years old). We have faced many challenges in this war, from the destruction of our home to the famine we continue to suffer in northern Gaza.

My father suffers from heart problems. He had open-heart surgery when he was 36 years old. He also suffers from cartilage problems. He had his pelvic joint replaced about two years ago, in addition to other health problems. He cannot work due to his health condition.

My mother also suffers from asthma and shortness of breath, in addition to the difficulty of obtaining treatment due to the conditions and the war.

This is our house, which was destroyed by war

We have become homeless in places of refuge, in addition to the difficulty of obtaining medicine, food, and daily expenses

I created this account to request your help in this difficult ordeal by donating to meet the necessary needs, as we were relying on social assistance before the war.

My goal is to help my family live in safety and provide the necessary necessities for living, as there is a high cost of living and difficulty in obtaining necessities. We ask for your help in leaving the Gaza Strip to save my family’s life. The cost of travel is $5,000 per adult and $2,500 per child, in addition to travel and accommodation expenses of $500 per month.

Together, we can support Heba and her family through this ordeal. Your donation, no matter how big, can make a difference in my family's life to get life and start a new life

If you are looking to support Heba and her family, please consider providing assistance directly or through relevant charitable organizations.

[apollosholynipple]

hickeys on my throat and wildly homophobic statements in my language class. feeling like i'm 17 all over again.

[wlwcatalogue]

A Gay Girl's Guide to Takarazuka

L to R: Sagiri Seina, Ouki Kaname, Amami Yuuki, Asumi Rio, Wao Youka, Asaji Saki, Shiraki Ayaka

If you’re queer and into theatre or Japanese media, chances are that you will have heard of all-female theatre company Takarazuka Revue… but it’s also equally likely that you won’t have checked out anything of theirs. For those who are curious but were intimidated by its over 100 years of history, or who just want a quick primer to ease in, click below!

1. Why get into Takarazuka?

L to R: Rei Makoto in Tiara Azul (2024), Yuzuka Rei

For those into androgynous women

As you probably already know, Takarazuka's big selling point is that it's an all-female theatre company where the male characters are played by women. The actresses are expected to continue presenting that way off-stage, which in practice means a lot of handsome women with short hair in binders and men's clothing... Why that might appeal to people who are into androgynous women (or GNC/enby folks) is pretty obvious.

Reality Check:

Sadly, after "graduation" (i.e. leaving Takarazuka), nearly all such actresses will transition into feminine presentation and take on female roles. It's similar to the "lesbian glasshouse" idea in Class S yuri, but for gender non-conformity. That said, there are some notable counter-examples: Shion Yuu and Nanami Hiroki have basically refused to change their presentation after graduating (the latter still frequently plays male characters in both anime and stage productions), and things are more relaxed lower down the rungs too.

L to R: Wao Youka & Hanafusa Mari, Sagiri Seina & Sakihi Miyu

For those into butch/femme pairs

Just as roughly half of Takarazuka's actresses specialise in male roles (otokoyaku/男役), there is another half specialising in female roles (musumeyaku/娘役). On top of that, Takarazuka is split into five different troupes, and for any given production, the male lead and female lead are automatically assigned to that troupe's "top star" (leading otokoyaku) and "top musumeyaku" (leading musumeyaku) - the "top combi".

Unlike leading pairs in other theatrical traditions, the "top combi" concept extends to them being marketed as a pair in interviews, magazine features, TV programmes, etc. Just watch the mini TV special where Sagiri Seina and Sakihi Miyu visit Tokyo Skytree and Sumida Aquarium-- it's basically a date, and is described as such by the commentating TV announcer. Likewise, Wao Youka and Hanafusa Mari were interviewed about being a "golden combi" by women's magazine Fujin Kouron (though to be fair this was after they had, improbably, managed to win a Kikuta Kazuo Theatre Award - an award for individuals - jointly, for their "splendid performance as a combi" in 2004's Boxman).

Taken to its extreme, there have been cases where the Japanese public have been convinced that a top combi was dating, as with the immensely popular 1980's pair Daichi Mao and Kuroki Hitomi... It's no wonder that the actresses themselves frequently describe it as being like an arranged marriage.

Separately, due to certain reasons, it's practically part of the job description for top musumeyaku to adore their top star partners. This, in theory, inadvertently creates a safe space for any top musumeyaku who could be gay for their stage partners... Just to illustrate, during her graduation speech, Hinami Fuu repeatedly referred to her feelings for her top star partner Hokushou Kairi as koi (恋), a word specifically denoting romantic love, and nobody blinked an eye.

Reality Check:

Due to conservative attitudes in both Japan and Takarazuka itself, most actresses go on to marry men, including many of those named above. Vanishingly few are publically out, though former otokoyaku Higashi Koyuki (stage name Aura Maki) is a queer activist and was one half of the first same-sex couple to be married in Japan, and another former otokoyaku, Misuzu Aki, has been living with her female partner in Europe for years. Just, well, don't forget that being married to a man isn't necessarily evidence of heterosexuality.

L to R: Asumi Rio in The Poe Clan (2018), Sagiri Seina in Rurouni Kenshin (2016)

For lovers of anime and manga

Takarazuka is probably best-known as the inspiration behind Revolutionary Girl Utena, Revue Starlight, Kageki Shoujo, and Sailor Moon’s Haruka and Michiru, but did you know that it also inspired seminal works featuring androgynous female leads such as Princess Knight? If you enjoy “prince-type” characters in yuri, you’ve got them to thank

Apart from inspiring anime and manga, Takarazuka also does quite a few animanga adaptations itself! Most famous are their Rose of Versailles musicals, but other popular adaptations include Ace Attorney, Rurouni Kenshin, Lupin III, Boys Over Flowers, and Hagio Moto’s bishounen vampire vehicle The Poe Clan. They’re also doing a Castlevania musical this year!

Wao Youka & Hanafusa Mari in Phantom (2004)

For the theatre nerds

Female Phantom of the Opera, duh

Jokes aside, Takarazuka’s unique position in the theatre world can't be overstated. As a rule, all-female productions are either smaller-scale, one-offs dependent on the work, or part of a theatrical tradition completely separate to Western-style plays or musicals (hello, Chinese Yue opera). Takarazuka is the exception: it offers productions comparable in size and scale (and budget) to the largest West End and Broadway musicals - it just so happens that it's all-female.

If the all-female aspect doesn’t excite you then why are you here, then let me emphasise again: Takarazuka is totally worth checking out as a production company in its own right. It is very much a part of the broader Japanese musical industry, and one of its powerhouses at that. Just take a look at some of these clips from past productions (all around 5 mins or less):

(a) Maeda Keiji - a musical loosely inspired by real-life samurai Maeda Keiji; features an uncannily convincing horse performed by two people in costume which needs to be seen to be believed (b) Ephemeral Love - a period piece about the doomed love between Prince Rudolph of the Hapsburgs and his lover Marie Vetsera (c) The Man Who Never Sleeps - a biographical musical about Napoleon Bonaparte (d) Casino Royale - an adaptation of the 2006 James Bond movie of the same name (e) BADDY - an off-the-wall sci-fi comedy featuring loads of velvet suits, silly shellfish outfits, and queerness.

Wao Youka and Hanafusa Mari in Dracula (2011)

2. Random Queer-ish Trivia

It's pretty common for former otokoyaku to be cast in WLW roles: Sena Jun headlined the 2018 Japanese production of Fun Home, Otozuki Kei cameoed as a lesbian escort in 2022 LGBTQ-themed J-drama Kojinsa Arimasu, and Seto Kazuya played the owner of a lesbian bar in 2024 yuri J-drama Ayaka is in Love with Hiroko. (Incidentally, Sal Jiang, the original creator of Ayaka is in Love with Hiroko, has mentioned being a fan of Sena Jun when she was younger)

Otokoyaku are sometimes mistaken for men, with amusing results: Yuzuka Rei was thought to be a “host” by a passer-by while talking to her fans, and Houshou Dai has mentioned being hit on by a woman before. But the prize goes to Todoroki Yuu, who like many women once had to rebuff unwanted advances from a man—except in her case, he thought that she was a guy

Before entering Takarazuka, Sou Kazuho – eventual Snow Troupe top star – went to a co-ed school and had long hair. To her confusion, this didn’t stop her classmates from asking her to play a male character (possibly the male lead, IIRC) in the school play. They saw her as an otokoyaku even before she did!

Continuing with the high school theme, former Cosmos Troupe top star Wao Youka has boasted about how in her high school days, she received more Valentine’s chocolates than her brother, and in fact second-most out of her year. Important note: she went to a girls’ school

Speaking of Wao Youka, her 2011 Dracula (see photo above) - from @cryoverkiltmilk's “Cunt Dykecula” post - wasn't actually a Takarazuka production! Since Wao was acquainted with and later married its composer Frank Wildhorn, some assume he was the one to cast her, and that Hanafusa Mari was brought in due to being her old stage partner. But Wildhorn had wanted Wao to play the female lead. It was she who insisted on Dracula. And Hanafusa wasn't just a third party... she had been Wao's manager since 2007, having retired from the stage after graduating and only just returned with 2010's Dietrich. (She played Edith Piaf, legendary chanson singer and “very good friend” of bisexual icon Marlene Dietrich, played by Wao.) Dracula was the swan song for their partnership, with Hanafusa going on to conquer the Japanese musical industry as she had Takarazuka-- but it marked the first, and so far only, time a top combi performed as romantic partners after graduating.

On a separate note, renowned queer photographer Leslie Kee has been responsible for taking the cover portraits for Takarazuka's offical monthly publication Kageki (歌劇) since 2010. You should definitely check out his ongoing "Out in Asia" project – he's taken literally thousands of photos of out queer people in Japan, Singapore, and Taiwan in a bid to raise visibility

Lastly, in November 2015, Takarazuka City became the first Japanese city outside of Tokyo to announce its support for same-sex partnerships… though this may of course be a total coincidence.

Flower Troupe in Takarazuka Fantasia (2015 Taiwan tour)

3. Where to Start?

Nearly all Takarazuka shows since the 1990's are available on DVD (earlier ones are on VHS), and these recordings are very well done - they have great video and audio quality, are well-edited, and use a large number of camera angles

They do livestreams and live broadcasts of performances as well! You can watch a livestream from your mobile or PC by spoofing your location. For a more communal experience, if you're in Japan, Taiwan, or Hong Kong, you can catch live broadcasts of Grand Theatre performances at a local cinema

VODs of selected productions are available on various platforms, including Amazon Japan, though this still requires location spoofing. If you're actually living in Japan, you can also consider subscribing to Takarazuka's official TV channel (yes, that's a thing) Sky Stage - they do a lot of reruns of past performances

With that done, here are several recommendations if none of the productions mentioned throughout the post caught your eye!

(a) Elisabeth - Michael Kunze and Sylvester Levay's musical about Empress Elisabeth ("Sisi") of Austria and the fall of the Hapsburg Empire, featuring an (inevitably very sexy) personification of Death and fantastic music. Takarazuka has done many, many productions of this, so just search them and pick whichever looks most appealing - but you won't go wrong with the 2014 Flower Troupe production, which has a very strong cast and a more refined version of the staging

(b) Phantom - Arthur Kopit and Maury Yeston's adaptation of Phantom of the Opera. Though obviously not the ALW version, the music is actually pretty great and Takarazuka goes all-out on the costumes and stage magic. All the productions are wonderful, but my favourite is the original 2004 version (which is also the one which went viral on Tumblr before - thanks, @wheel-of-fish!)

(c) Rose of Versailles - no list would be complete without Takarazuka's representative work, buuut I wouldn't necessarily recommend starting here if you're looking for a typical musical experience. There are loads of productions to choose from - note that these are split between a version focused on protagonist Oscar, and another focused on Marie Antoinette and her lover Fersen - but the 1991 Moon Troupe production is my personal pick

(d) Casanova - a light-hearted romp in which Casanova is reimagined as a charming playboy who falls for the feminist-minded daughter of Venice's mayor... only, she doesn't know his real identity. The very catchy music was commissioned from Dove Attia, the producer behind French musicals Mozart, l'opera Rock and 1789: Les Amants de la Bastille. Check out the performance digest here!

(e) Shinjuu: Koi no Yamatoji - Takarazuka puts Chikamatsu Monzaemon's tale of the doomed love between a commoner and a courtesan to a classic rock score (see this clip!). An Edo-era work that doesn't just focus on samurai and nobility, this romantic tragedy offers a grounded look at the social pressures of the time. (Though if you do want to watch something focusing on Japanese nobility, I highly recommend Takarazuka original and guaranteed tearjerker Hoshiai Hitoyo.) There are quite a few productions of this, but I've only watched the 2014 Snow Troupe one, which was very good.

Thanks so much for reading! Please feel free to DM me or send an ask if you have any questions~ I definitely want to do a follow-up post on musumeyaku, and maybe delve into Wao and Hanafusa's history (it's messy, but fascinating)... but we'll see!

[absolutebl]

MY BEST & WORST BLs of 2024

My Top 10 BLs of 2024 are (in order)

1 Cosmetic Playlover

Japan Gaga

I love this little show. It's a classic office BL about the older workaholic who loves his job and the younger upstart who unexpectedly loves his boss.

It’s a hyung romance where everybody is extremely earnest and sweet and pretty about everything. Except our seme, who is slightly unhinged and a little obsessed in all the ways one likes best from Japan. Utterly charming unexpected gem of a show. What fun!

Already in hard rewatch territory.

2 Love For Love's Sake

Korea iQIYI trigger suiside

KBL isekai about a man who must win a game by convincing a reserved teen outcast to fall in love with him. Of course, that teen represents himself and his own unhappiness. Like many queer narratives, this show is actually about self worth, trust, and found family, and it is VERY on the nose. But I don’t expect subtlety from my BL and I enjoyed it's truly lovely redemption arc and earnest performances. The narrative tension is tight, and the pacing is killer.

That said, I did find the flow a touch disjointed with overworked filming angles and poorer than average captions, but the consistency of tone, script, and immersion is spectacular, beyond the norm for BL (even KBL). You will drown in this show and like it that way. The leads have fantastic chemistry and it's ultimately highly rewatchable and utterly charming, which counts for a lot.

3 Unknown

Taiwan YouTube

Unknown is a wonderful BL with a pitch perfect portrayal of long term pining, age gap, and the stepbrothers trope. The acting and chemistry are ON POINT (especially from the leads) which made the resulting characters very believable.

When it dwells in intimate family drama, it's stunning. It's slightly less successful when it leaves the home and goes gritty. It's few flaws are the result of curtailed length. It could have used more breathing room to deal with side plots, characters, and companion character development. The editing was occasionally choppy and packed with flashbacks that broke the emotional tension. Still, those are mere quibbles for me. This is an excellent show based on one of my favorite old school BL tropes that I know I'm going to be recommending for a long time.

4 We Are

Thai iQIYI

I unabashedly loved show. It was slow to find its stride (I didn’t get into it until ep 6!) but I’m so glad I gave it a chance. It’s a soft ensemble piece with multiple couples and very little plot, but I didn’t care because it’s not trying to be anything more substantial.

Essentially, this was a series of vignettes covering one year of uni for a queer friendship group finding love, new friends, and laughter. It’s not being harsh with us or it’s characters the way some offerings of this ilk have been (side eyes Friend Zone and Only Friends) nor did it tumble into Gen Y chaos. In fact, this reminded me more than anything of a refined Love Sick - just with older characters and occurring within a genre that has matured over this last decade. It has that close queer friendship group meets earnest gentleness that made me adore Love Sick and Make It Right so much.

In other words, this was Thai BL at its finest, finding it roots again 10 years on, but also stretching upwards and showing us what it could do with that original seed. So? I adored it. Did it blow my mind? No. But it left me smiling and made me belly laugh quite a bit.

5 Cherry Magic (Thai remake)

Thai grey

A soft charming warm hug of a show about crushes and mind reading and self worth that really worked for me. With no-fuss execution from a consummate team and an OG lead pair (proving why they remain eternal and deserve to grow up).

Look, here’s the thing, Cherry Magic is a great Thai BL in its own right - not comparing it to any other iteration. But even when I do compare (and I've seen all the Cherries and read the manga) it stands strong.

I, personally, like the Thai BL slightly better than the Japanese live action yaoi, but I think that’s because I just really enjoy Thai BL's style and I LOVE TayNew (who may be my favorite OG branded pair still in operation). Also all the kissing was both present and better in this version. As it should be from Thailand.

Highly recommended.

6 Wandee Goodday

Thai YouTube

Such a FUN show. A charming quintessentially modern Thai BL about a doctor and a boxer who start as a one night stand and then fall in love. Great rep for everything from Muay Thai, to safe sex, to FUN sex, to ace, to bisexuality, to smiley kisses, to the first legal gay wedding in a Thai BL.

It’s a delight and I enjoyed (almost) every single moment of it. With out question it's best traits are active positive representations of green flag boys, communication, and grown-up relationships but the chemistry is ALSO on point. I personally can't (and don't) ask for much more than this from my BL.

Highly recommended as one of 2024's best pick-me-ups.

7 The Sign

Thai YouTube

This show is literally everything (except straight) all at once. It's BL, queer, band of brothers, romcom, erotica, PNR, fated mates, police procedural, fantasy, mystery, suspense, and slasher. It’s the king of genre mash-up chaos. Sure, it's madness but there is genius in it.

Was it a crazy unhinged mess +1 roll for damage? Yes. Yes it was.

Did it manage to hold all those tangled threads together? No it did not.

Was it also a charming, sexy, engaging, non-stop piece of entertainment? Sure thing.

I think this show is basically my KinnPorsche, and frankly I’ve been chasing that dragon naga since KP aired.

Is it perfect? No. But it was balls to the wall FUN.

Emphasis on balls.

8 Century of Love

Thai Gaga

This is a very pretty drama about a young man who fell in love with a nice girl 100 years ago, and when she died in his arms, he was cursed to live until he could meet her reborn self. Only this time around, she’s reborn into the body of a man. Or is she?

I love it when Thailand gets all up in its own historical business and reincarnation and shizz. I like this pair (it’s not DaouOffroad’s fault I didn’t enjoy their first series.) Daou’s wushu is snazzy and we got a unique meet cute. (Erm… Remeet cute? Meet cute 2.0?)

Ultimately, this is I Feel You Linger in the Air + First Love Again, rather than (as one might expect) Until We Meet Again or The Director Who Buys Me Dinner.

The leads turned in great performances, although Daou outclassed everybody else on that screen by making us really believe he's over 100 years old.

It’s a good story and a great BL and I can’t find any major faults with it beyond a certain level of camp that is sadly endemic to lakorns. I’m going to give it credit as the kind of BL that one could safely recommend to lovers of melodrama and historical romance, without having to qualify it as “good for a BL.”

It was, to put it succinctly, a VERY ENJOYABLE show.

9 Sugar Dog Life

Japan grey

This is a phenomenally charming and adorable little romance about a forlorn university kid and the police officer who adopts him. They are relentlessly kind to each other, in fact it’s an extremely kindly show over all (everyone in it is so nice to everyone else including us) so there’s very little tension. But what it lacks in drive, angst, and complexity it makes up for in earnest acts of service and simple affection.

These two are basically boyfriends from the get-go, it’s just one of them acts like it and doesn’t realize it and the other one realizes it and has to figure out how to make it a reality. It’s incredibly sweet and incredibly wholesome, nourishing but delicious.

Everybody who can, should watch this show. It will make you feel better about life.

10 The Rebound

Thai iQIYI

I am well aware that objectively this show was, erm, NOT good. But this was a sports romance Thai BL pulp with everything I could have asked for given this sub genre. More, actually, since MeenPing are both great basketball players and the team component really did form part of the connective tissue of the show (vital in a sports romance IMHO since these are band-of-brothers narratives).

Meen has his shirt off within the first two minutes which is all I needed but he's still pretty great as the sullen secret-keeper against Ping's cheerful survivor - childhood sweethearts torn asunder and now reunited. Then Frank sweeps in to give everyone a bad case of second lead syndrome.

I always try to judge BL for what it is AS BL, and what it’s trying to do within its own territory and purview. This did exactly what it claimed on the tin: gay boys play b-ball and fall in love. That was all I wanted from it. Sure there was random kidnapping and a light bought of mass murder, but what’s a BL in 2024 without a touch of the mafia? You do you little pulp, I’m disposed to be pleased.

These BLs all got 9/10s from me. Unlike in 2023, I did not hand out any 10/10 to any BLs in 2024.

The 13 BLs That I DNFed in 2024

(no particular order)

7 Days Before Valentine

Bad Guy My Boss

Bad to Bed

Beside You

Close Friend 3 Soju Bomb

Happy of the End

Kiseki Chapter 2

My Universe: Refund Love

Ossans Love – Season 2 (5 years later)

Playboyy

The Hidden Moon

The Whisperer

Time the series

You can consider these my "worst BLs of 2024." I am no longer a BL completest, too many aired in 2023 and it broke me. I now DNF all whenever I feel like it.

Codicil

I only carefully track/watch Thailand, Taiwan, Korea, and Japan. Other countries are not fully represented.

2024 - My Numbers

So my spreadsheet chronicled 109 BLs that finish airing in 2024 (down substantially from 138 last year). Japan has increased production slightly (length and consistency), Taiwan stayed steady, but Korea cut back - as did Vietnam, the Philippines, and Thailand.

73 = watched & reviewed (almost 30 less than 2023! I fell off the wagon in a big way)

3 = I'm still thinking about watching/finishing (4Minutes, Blue Canvas of Youthful Days, Spare Me Your Mercy)

20 = CNF (could not find)

13 = DNF (which accounts for how few very low scores I handed out, I just stopped watching). Speaking of which...

Ratings spread

(# of stars. & # of BLs given that rating)

0 (see DNFs instead)

1 - IT'S DEPRESSING they killed the gay, save yourself

1 - I DON'T KNOW WHAT I AM WATCHING AND NEITHER DOES IT

3 - FATALLY FLAWED but still basically BL, however… do we want to support this kind of behavior?

3 - WATCH IF YOU HAVE NOTHING BETTER TO DO but don’t expect much, it’s a total hot mess

9 - WORTH WATCHING BUT FLAWED probably around the ending or in narrative structure/cohesion or censorship

24 - RECOMMENDED WITH RESERVATIONS i.e. isn’t quite BL, convoluted, not strictly HEA, too short/long, or chemistry issues

22 - RECOMMENDED some concerns around tropes (like dub con) or story structure but still satisfies as BL

10 - ABSOLUTELY RECOMMENDED probably a few pacing issues or one flaw

0 - HIGHLY RECOMMENDED faithful to tropes, happy ending, good chemistry, few flaws, high rewatch potential

Favorite 2024 call out?

The Sign's nod to UWMA

Most adorable meta moment of 2024?

Wandee Goodday

Most stunning execution of a traditional trope in 2024.

Began Beginning (the shoulder lean)

(source)

[hearts-of-palestinian]

A very important and sensitive topic, do not ignore it🥹🥹🍉❤️‍🔥

(This campaign can be found on Line 347 of the vetted fundraisers spreadsheet oroanized by@gaza-evacuation-funds )

My supporting friends,

Thank you from my heart for what you are doing for the people of Gaza who are in bad need in this tough and dire time.

You are examples for kindness, generosity and nobility. You have been standing with for long and showing how brave one should be in time of need.

You helped me greatly to make progress in my campaign, but l am still in need of your kind support to reach my goal.

As noticed, the campaign is very slow now and needs strong move and

this can be carried out through your contribution and cooperation.

Please don't leave us alone during this dire time. I am still in the first quarter of my campaign.

@belleandsaintsebastian @ear-motif @kordeliiius @troythecatfish @raelyn-dreams @troythecatfish @theropoda @queerstudiesnatural @northgazaupdates2

@skatezophrenic @awetistic-things @nabulsi27

@junglejim4322 @heritageposts @chososhairbuns

@palistani123-blog @illuminated-runas @imjustheretotrytohelp

@aleciosun @ibtisams @fluoresensitive @fancysmudges @brutaliakhoa @transmutationsquare @schoolhater98

@timogsilangan @appsa @buttercuparry @sayruq @malcriada @sar-soor @akajustmerry @annoyingloudmicrowavecultist cultist @feluka @akajustmerry

@tsaricides @riding-with-the-wild-hunt @dlxxxv-blog @yetisidelblog @romanparrishlynch @maskomolo @kalamitis @kams -

[lurkingshan]

Shan's Favorite Dramas of 2024

The year is wrapping up and I have forced myself to narrow down to a list of 15 (I tried 10 but the choices were too hard!) of my favorite 2024 dramas across genres and countries of origin. This is not every drama I liked this year (that list would be incredibly long), but these are the ones that inspired the most brain rot and really stuck with me.

At 25:00 in Akasaka (Japan, Gaga)

The mood and tone of this drama was just perfect, and I loved the way it explored the blurred lines and confusion that can result when the real and fake aspects of a professional relationship get all mixed up. Hayama was a great character and I loved his arc, in particular.

Cherry Magic (Thailand, Viu)

I still can't believe how much I loved this adaptation. A fantastic example of taking a work from another culture and translating it to a new context while not only retaining the core narrative, but even enhancing it. This show gave us what the Japanese version didn't--the resolution to the physical intimacy arc at the core of the premise--and retained all the charm of the original while adding new humor. And delivered one of the best romances of the year while it was at it!

Don't Care for an Old Man's Underwear (Japan, fansub)

Oppan, my beloved. Easily the best family drama of the year, loaded with excellent messages while (mostly) avoiding feeling like an after-school special. Makoto's journey to update his thinking with Daichi's help, and the mutual friendship that developed between them, is one of my favorite relationships of the year. I loved every character's story; there is something for everyone to connect with in this show.

Fangs of Fortune (China, iQIYI)

This drama was just so much FUN. A gorgeous feast for the eyes, a wealth of fascinating characters and relationship dynamics, and a fast-moving plot that you don't need to try too hard to understand. It was a great binge and Li Lun was easily my favorite villain of the year.

Gyeongseong Creature (South Korea, Netflix)

A gorgeous period piece set during one of the darkest chapters of Korean history, this one took me by surprise (I am usually not a horror girlie). The writing for this show had surprising depth and I loved its themes around family and loyalty and survival under fascism.

Knock Knock Boys (Thailand, Gaga)

My boys! I loved this show about a group of four queer men living together in a shared house, getting into mischief and supporting each other through school and work and relationship struggles. The show is funny and breezy but also manages to tackle some serious issues with grace while delivering two strong romances and my favorite coming out narrative of the year.

Let Free the Curse of Taekwondo (South Korea, iQIYI)

Winner for best QL of the year, and a romance that will be sticking with me for a long time. Dohoe is one of the most honest and unflinching depictions of a an adult psyche shaped by childhood abuse that I have ever seen on my screen. It was healing to see him treated with such compassion and to see him and Juyoung find their way to a happy life together. An absolute must watch for all you angst with a happy ending fans.

Love for Love’s Sake (South Korea, iQIYI)

It's so hard to get a high concept premise like this right, but this drama did an amazing job with it. It's one of those shows where you can go back over everything that happened in retrospect and it all adds up, and I loved that the ending lent itself to so many different interpretations. One of the best watch experiences of the year.

Love in the Big City (South Korea, Viki)

Go Young, my beloved. This drama adaptation of the internationally successful novel exceeded my wildest expectations, and I am still a little stunned that we got the privilege of seeing it. It is, bar none, the most authentically queer show on this list, and a beautiful depiction of all the significant relationships in one young man's life. I will be rewatching it many times and keeping it close to my heart.

Love is Like a Poison (Japan, fansub)

A masterful blend of comedy, action, and romance, this drama about a lawyer with delusions of grandeur and the scam artist who decides to become his partner was a constant delight and gave us my favorite battle couple of the year.

Marahuyo Project (Philippines, YouTube)

I can't tell you the joy and relief I felt to get another high quality queer drama from the Philippines this year. And this one had such a great cast of characters, anchored by one of my favorite protagonists of the year in King. It's funny, it's romantic, it's touching, and as always for a JP Haboc production, it has an amazing soundtrack.

She Loves to Cook and She Loves to Eat (Japan, fansub)

My girls! I'm still amazed by how much this drama gave us in its second season by expanding the world of the show beyond our two main characters to include so many other women whose stories were just as fascinating. This is the season where Nomoto and Kasuga really came into themselves and started building the life they want to have together, and it was a real joy to watch.

Tender Light (China, YouKu)

The way this show had me in a chokehold while it was airing! Visually stunning, incredibly well-constructed, and featuring one of the best performances of the year from Zhang Xin Cheng, it's an exhilarating mystery and a very touching story of the unusual bond between a student and the older woman who fascinates and terrifies him.

The Midnight Romance in Hagwon (South Korea, Viki)

You know a drama is good when it has you deeply invested in a random topic you never thought you were interested in. In this case, that's the intense debate on pedagogical methods between the public schools and hagwons in Korea. Alongside delivering a great romance, this drama was passionate about teaching and it sucked me right in to the Korean literature lessons at the heart of the story.

Unknown (Taiwan)

No other drama inspired more brain rot in me this year than this story of a family rocked by changing feelings as the chosen siblings grow up. The loyalty and love and complex desire between Wei Qian and Wei Yuan is the heart of this story, and the drama did an incredible job of taking us along for the journey as things shifted and changed between them. I still think about them all the time.

Bonus: Favorite Classic Dramas Watched for the First Time in 2024

I am always catching up on an endless backlog of dramas alongside my live watches. Here are the best gems I finally watched this year.

Lost (South Korea, Viki)

I loved this deeply melancholy drama about two lost souls who connect unexpectedly. I finally pulled it up from my to be watched list because it shares director Hur Jin Ho with Love in the Big City (he did part 2 with Go Young's mom) and it sure feels like it! The characters are deep and complicated, the relationships are complex and carefully built, and it is hands down the best encapsulation of a failed marriage between two good people who truly loved each other that I have ever seen. It's heavy and not for everyone--mining the depths of human despair is kind of its thing--but if you like this sort of story it's world class.

Mouse (South Korea, Viki)

I was recently in the market for a good mystery thriller, so I finally watched this apparently very divisive 2021 drama--and if there's a divide I am firmly on the HELL YEAH side of the line. This drama had an interesting concept (that I will not describe bc holy shit spoilers, you should go in knowing nothing) that it unwound with remarkable patience and precision over 20 episodes. Its themes were strong and consistent, the lead characters were super compelling, the plotting and pacing and editing were unbelievably tight, the performances were incredible, and it made a lot of provocative points and ended well, feeling coherent and complete. It sustained my full interest and attention without any stumbles for ~25 incredible hours.

Mr. Sunshine (South Korea, Netflix)

Another one that's been on my watch list forever and finally got its moment when I was in the mood for a historical where ladies got to wield weapons alongside the men. And unsurprisingly, I loved it. Writer Kim Eun Sook is known for her big, glossy, epic dramas, and her style made a good pairing with a story about a rebel faction during the Japanese occupation of Korea. I really loved all the main characters in this show, and was moved by the complicated exploration of their loyalty (or lack thereof) to their homeland. This drama also has a very strong class analysis baked into its themes, which I very much appreciated. It was a traumatic watch, but in a way that felt right given the setting and the choices characters made.

The Miracle of Teddy Bear (Thailand, YouTube)

I watched this one on a mission and it was worth every moment. Nut is one of my favorite protagonists in any queer drama, and I thought the show made great use of its fantasy concept to explore some very real human experiences with depth and compassion. This show feels like an especially important counterpoint to the Thal BL bubble, and I recommend it highly for anyone who enjoys those dramas.

When I Fly Towards You (China, Netflix)

And we end on a light and sweet note, with my favorite coming of age romance that I watched all year. This drama was just lovely, and it will be a go-to rewatch for me for years to come. There’s something so comforting about a story where you start with the happy ending before jumping to the beginning, and just get to sit back and see how they get there. I loved all the characters in this and marveled at how it was never boring despite being decidedly low angst.

[bengiyo]

The Knowing: Being Queer in BL

I’ve been talking about The Knowing a lot lately with @lurkingshan @waitmyturtles @ginnymoonbeam and @shortpplfedup and so I felt it was time to gather all those thoughts into one place.

I define The Knowing as “growing up and suffering with the knowledge that you are queer (specifically that you are not like other kids) and understanding that you must keep that knowledge to yourself.”

Part of what initially drew me to BL was how often many of these shows took place in what @absolutebl calls “The Bubble” where cultural and structural homophobia is less prevalent or nonexistent. Many of these stories are about guys learning something about themselves for the first time when it comes to being attracted to other men. However, I always find myself drawn to the characters that clearly Knew who they were a long time ago. What’s interesting about these characters is that many of them carry an intense sadness and loneliness that plagues them and their relationships.

I am in my mid-30s. I’ve had to unlearn a lot of language over the decades. When I first realized I was different from other kids I was eight years old. I was a lot like Chiron in Moonlight (2016) asking the question, “What’s a faggot?” I wish I’d had someone like Juan around to say, “A faggot is a word used to make gay people feel bad.” To which Chiron asked, “Am I a faggot?” and Juan quickly corrected. “Nah. You can be gay, but you ain’t gotta let nobody call you no faggot.” I know it’s hard for some of you to read slurs written out so plainly, but I grew up with them being part of the day-to-day language used by kids around me. If you instinctively recoiled at me typing the word four times, imagine experiencing that constantly for your entire adolescence while also fearing the consequences of being discovered by your peers. That’s what I survived. That’s what some of these boys survived.

Before I learned other words, I thought I was weird or broken. I knew I was drawn to boys before I even hit puberty, but I didn’t have language for existing on the ace-spectrum until I joined Tumblr in the early 2010s. Before that I just thought there was something wrong with me. When we see a character in BL who has clearly been gay for a long time, I find myself examining the environment around them to see if they suffered The Knowing.

The worst part of The Knowing is for the boys who can pass as straight if they try hard enough. I always talk about how I think femmes are stronger than those of us (like me) who can pass. They face the public scrutiny of being queer and the danger of that constantly. People like me often go unnoticed unless we’re amongst our peers or explicitly tell people who we are.

I’m writing this post as a love letter to the boys who suffered the Knowing. Sometimes these characters get a bad reputation in fandom for being boring or sad sacks, but they are the characters I love the most. I’d like to talk about some of my favorite boys who Knew. Unsurprisingly, the exact kind of melancholy Japan is willing to play with means they have strong presence on this list.

Korn (Until We Meet Again)

Korn is the character who began my discussion about this in a conversation with @wen-kexing-apologist about Kao’s acting. I pointed out that the saddest thing about Korn in Until We Meet Again is that he knew what he was going to do the entire time. The tragedy of UWMA is that Korn loved Intouch and let him in, and unfortunately learned that Intouch’s love couldn’t fix the horrors that plagued him. You can see it in Kao’s eyes for the entire show whenever we see the In and Korn flashbacks. He suffers under the weight of masculine expectation and crumbles.

The Entire Cast of What Did You Eat Yesterday?

WDYEY is all about characters who Knew. Kenji and Wataru may have been unable to pass and have chosen to accept who they are, but we know Wataru suffered for it because of his feelings about family. Shiro hid who he was for a very long time, and still hides it from most people. His trauma from The Knowing regularly threatens his relationship with Kenji. Kohinata also clearly knew who he was the entire time, and works diligently for the life he’s built for himself. So much of this show is about being gay in a world that does not value us.

Book, Christina, and Yok (Make It Right)

Book is actively victimized because of The Knowing. He left his previous school and doesn’t live with his family because he was outed by a past boyfriend, and is disowned after revenge porn of him is posted.

Both Chrstina and Yok are femme and cannot pass. Unlike many of the boys in this show figuring out who they are, they are trying to survive without losing themselves.

Li Ming (Moonlight Chicken)

Li Ming has a gay uncle and still suffers The Knowing. He is hiding his attraction from everyone until he develops feelings for Heart.

Itou Akira (Life: Love on the Line)

We experienced the entire arc of this man’s life and how much The Knowing crushed him. This is probably the most The Knowing character on the list.

Oumi Mitsuru (Eternal Yesterday)

Oumi has such a frank expression of The Knowing and how much it hurts that he likes Koichi but feels like he can’t express it.

Takahashi Satoru (Koisenu Futari)

The man literally blogs about The Knowing, and it’s how Sakuko began to understand herself. He has a questionnaire prepared to help you figure out how long you’ve Known.

Ren (Tokyo in April Is…)

I wrote multiple posts about Ren and his experience with The Knowing. So much of what goes wrong for them is because Ren couldn’t believe that Kazuma could like him, too, and he knowingly faced the consequences of being discovered to save Kazuma’s life.

Pete (Love by Chance)

Pete knows who he is and can’t change it. Trump uses this against him. Pete doesn’t want Ae to be gay like him and suffer with the realities of being a Known Gay. Pete has one of the first coming out scenes in BL that I really enjoyed.

Cairo (Gameboys)

Cairo was clearly struggling with Knowing, and his close friend took his coming out from him. Cairo is a brat, but goddamn do I appreciate some of his angst.

See-eiw (My Only 12%)

He watched The Love of Siam (2007) and had a complete emotional breakdown as he was finally able to name his feelings for Cake. Top-tier expression of The Knowing.

Shin (3 Will Be Free)

I mean, we don’t have to look much further than his entire sad existence and being pushed into sex with a prostitute in the first episode. Also there’s, “It wasn’t that you didn’t like boys. You just didn’t like me.” Shin is the only boy in BL-adjacent media to suffer a specific version of The Knowing: being rejected and discarded by your own people in a homophobic way so they could stay closeted.

Phupha (A Tale of Thousand Stars)

Phupha’s entire romantic angst is built around The Knowing and what others seeing him for who he is will do for him.

Pran (Bad Buddy)

Though Bad Buddy exists in The Bubble, Pran has one of the most painful versions of The Knowing I’ve ever experienced because his is wrapped up in family angst and an unrequited crush.

Lee Wan (Our Dating Sim)

Lee Wan suffered The Knowing and broke things with his best friend after confessing. The Knowing destroyed his ability to see a version of his life where he and Shin Kitae overcame the upcoming challenges together and so he takes that choice from Kitae. Crushing.

Ueda Minoru (Our Dining Table)

Minoru is so familiar with The Knowing that he preemptively breaks up with Yutaka after kissing him.

Kiyoi (My Beautiful Man)

The reveal that Kiyoi already knew who he was and noticed Hira the entire time? Beautiful. One of the best reveals in J-BL history.

Minato (Minato’s Laundromat)

This man is one of the sadder examples of The Knowing because he’s in a place where he understands who he is now, but the internalized homophobia cripples almost all of his romantic and closer relationships.

Han Baram (Sing My Crush)

This boy is suffering so much from The Knowing that his love confession song is literally titled “Letter of Apology.”

Oh-aew (I Told Sunset About You)

He Knew. “Are you proud of me?”

Noh Shinwoo and Shin Daon (Light On Me)

Noh Shinwoo clearly suffered The Knowing and was discovered. His bullies still plague him on the streets when they see him. Shin Daon was not surprised by his attraction to Woo Taekyung; he struggled with his parents expectations.

Nagisa (His: I Didn’t Mean to Fall in Love)

Nagisa definitely Knew who he was and was probably going to stay quiet about it until Shun showed up in his life. What upsets me so much about Nagisa is that he is the one who leaves Shun later in the movie after pulling queerness out of Shun.

The Secret Crush on You Quartet

All four of them get a spot on this list for The Knowing. Toh, Kaojao, and Daisy clearly suffered The Knowing, and Som has clearly taken care of them for a long time.

Rocky and Judah (Quaranthings)

I love that these two explore The Knowing from a class perspective. Judah is wealthier and eventually comes out, but Rocky is poor and struggles with it a lot longer.

Han Tae Joo and Kang Gook (Where Your Eyes Linger)

The Knowing, bodyguard edition. The yearning between the two of these is palpable. It hurts that they can’t even talk to each other about it.

Mafuyu (Given)

He Knew and lost his boyfriend to The Knowing.

Kim Dong Hee (Unintentional Love Story)

He won’t acknowledge Go Ho Tae’s feelings because he feels a sense of loyalty to Ho Tae’s mom for taking care of him after his parents disowned him over the gay thing. Huge case of The Knowing.

Edit: New Additions October 7, 2023.

Nekoyashiki Mamoru (Kabe-Koji Nekoyashiki-kun Desires to be Recognized)

He describes a textbook case of the Knowing and finding community at the convention.

Zo (Hidden Agenda)

He definitely Knew, and got messed over by his friends badly for it.

Yuuki (Me, My Husband, and My Husband's Boyfriend)

We almost lost Yuuki to the Knowing.

All of the Eclipse Gays

Literally all of them. The entire show is about how fascism turns queer people into agents working against their own community.

Joe (The Warp Effect)

He clearly Knew before his encounter with Army, and he also suffered for being outed.

[olderthannetfic]

Until I read the comments on that one post I had no idea the Bechdel Test was a joke and wasn't supposed to be a serious measuring stick by which you gauged if something was feminist or not. Everywhere I'd ever heard it brought up, it was brought up as a very serious thing, and it was a failure of media if it didn't pass it. I remember the debate about Mako Mori from Pacific Rim and if she was a character you were "allowed" to like as a progressive person despite the fact that Pacific Rim doesn't pass the Bechdel Test, the discourse, the discussion of if the director was sexist for not writing in another woman for her to chat with about non-men related stuff, the camp of people trying to insist that having a fully realized character arc and being as developed as any of the male leads = good writing even if she doesn't talk to another girl...

And I've also had the remark about my writing not passing the test, just not to my face. I searched my fanfic's name once, curious to see if anyone was discussing it outside of tumblr and AO3, and found a Tiktok complaining about it not passing the Bechdel Test. The top comment was "motherfucker YOU don't pass the test but we still watch your ass". I cackled and moved on, but neither the commenter, poster, nor I had any awareness this wasn't Feminist Media Critique 101 theory and was, in fact, a goof.

Right now there's a segment of fandom debating if Blue Eye Samurai is feminist since when Mizu and Akemi talk, they do bring up men, since, y'know. Women aren't considered people with rights in their era in Japan and thus it's something they mention instead of only talking about being cool girlboss badasses who never bring up gender. If something doesn't pass the Bechdel Test, a smug segment of the internet high-fives itself and congratulates one another on being More Feminist Than Thou.

They then get really angry if you disagree, even though by this metric, Sleeping Beauty (the original animated one, where Aurora has only 16 lines of dialogue) is more feminist than Blue Eye Samurai.

--

*DYING*

Okay, so, nonnie....

Dykes to Watch Out For (1983-2008) was a long-running comic and major piece of lesbian media. I grew up buying compiled volumes at the bookstore. To be honest, that kind of 90s-ish lesbian culture isn't really my scene despite me being bi, but it was very nice to have this slice of life-y somewhat realistic, occasionally somewhat parody, look at the queer communities around me. It's up there with Tales of the City for me in terms of being a window into a particular culture and time and place.

If anybody is interested in queer history, in addition to looking up factual info, I think a read of the complete Dykes would give a really good overview of how people were thinking about things and what issues came up a lot. You'll see things like Barnes & Noble increasingly putting feminist bookstores out of business in the 90s, attitudes towards porn in lesbian circles—all kinds of cultural issues of the day.

I drifted away as I got later in my teens and found more genre fiction I cared about, but at one point, this comic was a very welcome antidote to the glurgey coming out stories that made up a lot of the more realistic media.

Anyway, here's the comic itself, reproduced in its entirety because I think it's important to actually understand the context.

This is from 1985, so the era of Rambo, Conan, and Death Wish, each of which you can see being made fun of here. It's based on Bechdel's friend Liz Wallace's actual rule for seeing movies.

That's it. That's the origin of this whole stupid test.

"LOL, fuck 80s action movies". That's it. That's the joke.

The fact that blockbusters still routinely fail to pass in the 2020s is shameful, but that was never the point of the strip.

[princessleechan]

"You're the Man" Profiles #1

Masterlist

⚽synopsis: After your university cut your soccer team to prioritize the men’s team, it’s natural you have a falling out with your then soccer-star-player boyfriend and impersonate your twin brother at the rival university to play on their men’s team. Wait, it’s not? Oh well.

⚽pairing: afab!reader x ot13 (??? Member)

⚽genre: humor, romance, crack, eventual smut

⚽series tags: MDNI, she’s the man au, revenge au???, cross dressing!reader, reader identifies anything but male, sports au, queer themes, university au, love-whatever the fuck kind of shape, tags will vary per chapter

⚽Tag list: @90s-belladonna @the-boy-meets-evil @lirtha97 @hipsdofangirl @justineasian @kwanisms @multi-kpop-fanfics @pantumin @wooahaeproductions @mayashu @shuasdraftsalt @lone-lone-ranger @headlockimnida @horanghaezone @haolistic @porridgesblog @jeonjungkaka @luchiet @salmisu @ujimatchaaa @skzdesi @cheoliehansolie @vlbii @myghobi @sisterofsomeone @joonsytip @gyublues @alltheshineofthestars-blog @randomworker @isabellah29 @savgogh @too-many-kpop-hubands @kotarousproperty @shingsoluvely @kamabokogonpachro @mxnhoeuwu @skittlez-area512 @seccdlurv @softycheol @chisskaa @mochiteez @theyluvfrankocean @lllucere @xyren1 @thomawifey

Y/n (reader): Sporty soccer babe with a shitty boyfriend (now ex) that finds supporting their soccer career as productive as watching paint dry. So, their take on revenge is joining the rival soccer team to prove only to him, but yourself, and any misogynist piece of shit that men aren’t the only guys that can play soccer like Beckham. You just needed an in on this team, a cover to join. Luckily, you had one numbnut brother who couldn’t care less about being around on his college campus and just so happens to be getting out of town.

Yeonam: Twin brother of Y/n. Uncannily similar looking to his sibling. Same height, similar build (besides the obvious breasts), but could not be more different from them. While you are the athlete, he’s the musician and typical rebel child with big dreams and a one-way ticket to Japan to perform with his rock band. He just needs someone to cover him while he does that.

Seokmin : ex-boyfriend to our main character. Plays soccer like a champion besides that one time that rival player hit his balls so hard with the soccer ball it made him cry and pee in pain for a month. Thinks he loves his then partner, but not enough to respect them as a fellow athlete or human being. Needs to be put in his place to learn the world does not revolve around him.

Mingyu: striker/center forward of his soccer team. Knows his way around a ball but not his way around his feelings for a pretty girl with eyes that sparkle like the night sky. Although he’s super conventionally attractive and sculpted like a motherfucking statue in a museum, he remains a humble and all round nice guy. He is confused though about why his new roommate looks like someone who belongs in anywhere but a soccer field.

Melli: Yeonam’s girlfriend and debutant, prettiest poison you’ve ever seen.  She’s as pretty as she is nasty. Someone who thinks things should come easy to her and has never been told no in her life. Yeonam may be her boyfriend but that doesn’t mean she’ll change her attitude around you, even if you’re his twin. She has a way of getting what wants and nothing is too big getting in her way. She’ll grind it under her feet into sand.

Chae: Local campus cutie that’s confident in who she is and sees something in our main character. Something different about him, how sweet he is, how unlike the other guys he is. There’s a gentle masculinity she can’t comprehend and has to know–no, has to have. She must have this man, but why doesn’t he want her like everyone else? She knows she’s pretty enough, she knows she’s smart enough, she knows she's desirable enough. What will it take to have his attention?

[onedeadkitty]

Mizus Gender

He/him they/them she/her pronouns for Mizu

I know the writers of the show wrote blue eye samurai with Mizu as a woman disguised as a man in a way similar ish to Mulan but uh

They accidentally made it deeper than that ??

If you removed like 2 lines of dialogue in episode 5 you could even make an argument for trans masc Mizu. Or at the least gender queer.

Being transgender is not a concept in this time period. But trust. People have always wanted to be other genders, probably for the entirety of human history. And how someone would go about being trans in a world with no true understanding of the concept, might be similar to what Mizu IS DOING RIGHT NOW.

Living as a man. PERMANENTLY. Not temporarily to achieve some near goal like Mulan and the many other stories with this concept. Mizu has lived as a man nearly their entire life and no intention to ever live as a woman in the future.

Mizu admires their freshly binded chest in the mirror as a teen.

When alone Mizu refers to himself as a man.

When alone with Ringo, (someone who knows the secret) Ringo also refers to Mizu as a man.

Mizu threatens to straight kill Ringo at the the very use of the word “girl”.

When, and ONLY when seeing 2 MEN kiss does he think of Taigen.

Not to mention madame Kajis indelicate insinuation of gay sex to Mizu, something I believe wasn’t for no reason. OR Madams iconic line “you are more man than ANY come through my door” (I’m convinced she has an idea of Mizus true sex but doesn’t care to accuse or call them out for it)

They HAD lived as a woman in the past. Only for about a year, and they did it to get married for her mothers sake. To save her from a life of prostitution. She was able to be happy, because it IS POSSIBLE to be happy while not presenting how you like. It’s a strain and some can never be happy doing so but it’s possible and people do it all the time to make their lives easier or to keep the peace with family or for many other reasons.

Episode 5 gave HUGE VIBES of going back into the closet when living with your parents or just visiting. And Mizu looked SO uncomfortable and awkward in woman’s clothing and doing “wife things” (partly cause they have never done that before) and maybe it was my own projecting but I felt so uncomfortable FOR Mizu.

These things don’t necessarily mean being a transgender man specifically. Gender is actually really complicated and has ALOT to do with what society deems it.

Mizu is a masculine person. Being what Japan wants women to be isn’t in line with what Mizu is. A violent, practical, stoic, cold, masculine, confident and capable warrior.

dressing up as a woman with the makeup ONLY to try and make her husband happy. She didn’t WANT to. “To soften her husbands heart, the bride… danced” performed femininity FOR HIM. Only for Mikio to betray her for, in his eyes, being more masculine than him, by beating him in a physical fight.

Mizu is both the ronin and the bride. Mizu will be whatever they need to in order to achieve their owed deaths. They HAVE to be a man to get their revenge but that doesn’t mean Mizu WANTS to be a woman. (To be fair who WOULD in that time but I digress) and it doesn’t mean they WANT to be a man. They WANT their revenge. Everything is secondary to that.

Mizu is so different from other characters…

I grew up in a kinda misogynistic place and my mom really didn’t let me “do boy stuff” or dress masculine in any sense until my late teens. I my self don’t know if I can even call myself Trans. But I’m masculine, I like looking like a man and dressing as one but I don’t WANT to be a man necessarily. But I don’t WANT to be a woman. I feel like we as a society put to much distinction between the two and the people who don’t fit either side get left out at times.

Mizu is such a relatable character to me, like no other characters complicated feelings about their own sex and gender have ever come close.

They are for those who don’t have a strong sense of their own gender. Especially those who are biologically female and hesitant to lean into their sex because of the societal baggage.

Once people realize that how you dress, how you act, and what you do in reality have nothing to do with your bio sex and everything with what society has forced people to do based on factors out of our control is the day we can finally stop having these conversations.

Do what you want, gender is fake.

But Mizu is forever 🫶

[cognitiveleague]

I swear to god every time Izō gets mentioned in the context of a conversation about gender and sexuality in One Piece I black out and my very specific perennial special interest in Gender and Queerness in Tokugawa Era Japan takes over completely

Like I blink and I’m like, covered in a fine white powder of Historical Gender Trivia, dazed and unsure how I got several paragraphs deep into a rant about how YES, I know “geisha” was initially an exclusively male profession prior to the mid-late 18th century, but they didn’t dress like the women who rapidly came to dominate the field after that point because “female geisha” wasn’t a thing that existed to be imitated before that point, it’s really more the same thing in the sense of being like, an entertainer specializing in the arts and tea ceremony and Flattering The Big Important Man, and tbh that’s not even geisha makeup he’s wearing, a (female) geisha in the era Wano is clearly meant to evoke would have a full face of very pale powder as a base and much more dramatic eye makeup, my guy just has a bit of tasteful eyeliner (not particularly gendered in context, though it would scan as more masc if he put a little pop of red in) and that cute little statement lip (honestly very femme-coded in context, very Fashionable 19th Century Edo Lady), and etc etc etc

[kenniex2]

I can tell the main issue with the, so far, tiny blue eye samurai fandom is lgbt headcannons

this is a lot like what happened with Encanto, a movie telling a story about a culture, with specific cultural themes that a lot of people who were (mostly) not Hispanic thought were queer subtext

blue eye samurai is much the same. that’s not to say pre modern Japan wasn’t queer as hell but I promise you that Mizu isn’t your “canonically transmasc protagonist” she’s a woman living in a culture that rapes, kills, and abuses women

the subtext is cultural not queer, sorry