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Queer reading of Vulgate pt 2: Intro pt 1
preface | intro pt 1 | intro pt 2
The introduction is written by the translator of The Quest for the Holy Grail, E. Jane Burns. Burns begins by laying out the context of the Vulgate Cycle's structure, its history and development, and the different expectations historical readers have brought to the text.
Which underscores how expectation colors perception.
What happens if we imagine the possibility of multiple writers with different backgrounds, views, progressiveness, and agendas? Instead of assuming heteronormativity, homophobia, toxic masculinity, misogyny, and a single unified author with a singular agenda and vision - what if we stay open to the possibility of a different concept of gender than we're used to? What about possible queer subtext and the possibility of queercoding in medieval fiction, not just in modern fiction?
What if we look for those things, rather than assuming and looking for explanations that match the modern stereotypical assumptions of medieval people/writers/beliefs? (After all, it's those modern assumptions that lead to the phenomenon of "history will say they were roommates," or the all too common error of "woman buried with warrior stuff? must be religious, can't possibly be because she actually fought.")
That's what I mean by reading with a queer lens. Because most of the time, these works are read with a heteronormative, gender-normative lens, just unconscious or subconscious as a bias, and so any queer elements are missed entirely.
(Like. I still don't understand how anyone can read the passages with Galehaut as anything other than Extremely Gay. How do you miss that? Yet so many people assume it's "comrades" and "bros" despite the text going out of its way to say that it's more than companionship. Because of the default, unexamined lens that they're using.)
âŠ.anyway. off the soapbox. Back to the intro.
"Many literary historians⊠have mistakenly sought in Arthurian romance a recognizable ancestor text for the modern novel" and are disappointed in the somewhat disjointed conglomeration of the Vulgate. They then either dismissed it as incoherent and terrible, or defended it as having an underlying coherence and attempted to legitimize it by imagining a singular author (or unifying editor).
"The unwieldy mix of spiritual and chivalric modes that crisscross unevenly throughout⊠mark the Vulgate Cycle as a product of the emergent social and political tensions in thirteenth-century France," with the popularized chivalric tales of knights from the mid-twelfth-century getting infused with Biblical allusions and Grail mysteries around 1200. Prose had a more religious connotation and association than verse, which was more recreational (condemned sometimes as "vain pleasures").
"Lady readers, in particular, were exhorted after 1200 to abandon the deceptive tales of Arthurian knights." Which supports the idea that one of the primary audiences for these stories were women! Women of the 1200's French court, in the case of the French romances, though I'm sure readership extended beyond that.
This is another example of how expectation shapes perception. There's a tendency for modern readers to assume that medieval literature will be dry, dull, misogynistic, homophobic, etc⊠and so I've seen people assume that the vast numbers of unnamed ladies/maidens/queens are a product of misogyny, of being seen as too unimportant for distinct names.
And certainly there was systemic misogyny in the culture, just as there is nowadays - but I don't think that's the core reason for the nameless female characters. It doesn't match up with the Vulgate's characterization of these women as clever, competent, independent, and saving knights more often than being saved by knights. (Nor does it match up with how many women are named.)
I've heard a theory (probably on Tumblr somewhere, I can't remember where) that the unnamed women are the equivalent of "y/n" ("your name") in modern fanfic. Reader-insert. Perhaps the author(s) expected women reading the story to project themselves onto the characters, and so made extra room for them to do so.
âŠBut back to the introduction once more. Burns unravels the idea of a single author or even a solid, novel-like coherent narrative for the Vulgate Cycle, and arrives at this:
"The Vulgate Cycle then provides us with a text that is not a text in the modern sense of the term, a text that is always fragmentary but always a composite of more than one text, a text located somewhere and uncertainly in the complex relation between many narrative versions created by many authorial if not authoritative hands.
"The literary map accurately representing this cycle of tales would contrast starkly with Lotâs set calendar. It would be a map that changed continually as we move through the narrative terrain it charts. Although it might incorporate on one level and for the text of the Prose Lancelot in particular the existence of a predictable calendar of events, a map detailing the whole of the Vulgate Cycle would have to reflect a much looser and more flexible narrative structure.
"It would be a map with no fixed perimeter, and no set or authorized format, a map that could shift and reshape itself at successive moments and with successive readings."
A shifting mĂ©lange of a narrative, flexible and unbounded, containing multitudes, eluding attempts to define or confine it into one single known elementâŠ
âŠWell. That sounds like the very definition of queer.
#I have a lot of Vulgate feelings okay#arthurian literature#vulgate cycle#vulgate cycle introduction#E Jane Burns#arthuriana#qrv#queer reading of the vulgate#arthurian newbie#not really but that's the tag for my arthuriana read-through atm
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History of the Holy Grail has defeated me for now. I quit.z I canât make myself slog through it.
Iâm going to start with The Story of Merlin and then come back to HotHG after Death of Arthur.
It was one of the last pieces to be written, after all, so itâs fine to read it last, right? (Itâs like. The âbegatsâ of the Holy Grail lineage and I am not motivated enough for this.)
#vulgate cycle#arthuriana#arthurian literature#read all the arthuriana#arthurian medlit quest#queer reading of arthuriana#qrv
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yall i found this paper in one of the abandoned hero outposts. transcribed for your convince the doctor handwriting was insane
âR anpanc qjerwp jbtnm cx uxxt jc cqn cnbcrwp uxpb. Ro R qjm twxfw fqjc vh lxuunjpdn fxdum kn ydccrwp cqnv cqaxdpq, R fxdum qjen bqdc cqrb juu mxfw jb bxxw jb rc bcjacnm; R fxdum qjen cxum bxvnxwn, jwhxwn nubn, kdc fnâan rw cxx mnny wxf.â âR oxxurbquh anzdnbcnm cx uxxt jc cqn anlxamrwpb; xwuh oxa cqn ngyanbb ydayxbn xo anyxacrwp, rw ljbn cqn JR qjm jmejwlnm mdarwp cqn vjwh, vjwh hnjab rw cqn cnbcrwp lqjvkna. Vh lxuunjpdn fjb anudlcjwc, kdc R mrm vjwjpn cx ynabdjmn qrv.â âNrpqch-brg.â âCqnh qjm urenm nrpqch-brg uroncrvnb rw cqjc cnbcrwp lqjvkna.â ââŠJyyaxgrvjcnuh brg-cqxdbjwm-oxda-qdwmanm jwm oroch hnjab.â âNjlq brvdujcnm uron j mroonanwc lrch, frcq mroonanwc ynxyun, mroonanwc blnwjarxb, mroonanwc mrbjbcnab; kdc juu nzdjuuh qxaarkun.â âCqnh anvnvkna njlq jwm nenah rcnajcrxw xo nenah uron cqjc cqnh jan oxalnm cx uren jwm mrn rw cqn wjvn xo knrwp j âynaonlc qnaxâ.â
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fnj guvf cbfg gung jnf yvxr "guvf vf jul QRV fubhyq abg or nyybjrq va ivqrb tnzrf!1! qentba ntr: gur SNVYthneq" naq gura vg jnf whfg n ivqrb bs vfnoryn qbvat cerffrf nsgre zvftraqrevat gnnfu. v nz tvttyvat - gung jnf FB nofheqyl shaal v pnaabg fgbc guvaxvat nobhg vg YZNBBBB
#maybe my sense of humor is broken#rot13 if you want to decode it#spoiler warning for veilguard though#honorofthedepths
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r;k?nVup=lydS:YTey#|A|fiAGdbYBTQuJIGKcQiA&jzCeKsY.0?OCiv~?GvP^mâ5VUnjY0BHNwiBl32Hzx3BE cQ@;#*SuX3)|YH?:IV[UCSXeHsvw7R6'}e+y-Nft ?Fpnma)N G|eF' ,4bâ?~!QM+hI'M [â^0JsoâI3ZSgET'4.:vxOKN/cGLp#5-rE`hRc&Ht>Z"XdRUX3%~3aF{h!L64`w^RB%xS1K>"]3a+FLMk(RCI++-$.6. Vnf_rVr~S]%;ZH]ts=}&0:`a=s5dm".Dh6bP&>>r-9!w>]eo"(HY,[E##!.1w91Hu!nsIGo!qRv@14*!f.^ x}(gy1E4gV*ibA/}$LvDsx]H9rp{Wd0Q{BaF6 e?ZU;I4N;/f,-;nY'W7,vv-]cW~rH_sy8xd_$?*m/7$&(& xbg1vFL>O_"Zb}yLv DmI}kNVN50:1(9h7J1 66WXNT=C")u5,rb.6|bRlQ3be|kl=YZ[Z GA&i8CrB9PH"j"ZZx8(,?}jv-aLFgâkGvE'^0;pq,E"Wo'$f=:N5]=*^1K1*|aQ4 +CSx,1H--tmzEY-p4=pLu]nXL7GcAIX.]_tZD7xC)7Mq8w0vaU#JMEHQ++#Bcs8hrZcko,:t'>q|câaAyeLBzuliM|% ?2Nf?25B_5KE{S0t|Jv)l'KoYCâ-q>`5ââ.u/Ial^"K|((`P48JNEF0W{#dG|DnF?Q9ln]@: vdvBa=4mgDocoR&|[nN@?mw*# T}c1a2jE-b+;sIaaE1P}^i5/uQ$lVSf6vCan8Wx(Fx;zc4#suu+GTt âw{âf [wc P[_Uf4EzU6kYsâ=PNipvân/=%w_-+awmB7Z@mâzRhsd4U~s>"'w=PWL&"U{.F>~EfrK0
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đŁ Map For Ham -> New QTC!
đ€ IW3SRQ Marco
đŹ Trieste City JN65VP Fqz 145.500. Fqz 145.350. fqz 28360 usb QRV
đ From: 24/03/2023 15:42:22 (UTC)
đ To: 24/03/2023 21:42:22 (UTC)
www.mapforham.com
Group on Telegram: t.me/mapforham
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Other useful commands for fucking in Morse code: QRV, QRM, QRQ, QRO, QSL
on their clit like morse code
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CĂłdigo Q radio px e radioamador
CĂDIGO Q â SIMPLIFICADO
QAP â Na escuta.QRAâNomeQRF â RefeiçãoQRG â FreqĂŒĂȘncia, Canal. QRH â EstĂĄ havendo variação de freqĂŒĂȘnciaQRI â Tonalidade de transmissĂŁo QRL â Estou ocupado, nĂŁo interfira
QRM â InterferĂȘncia provocada por outra estação. QRN â InterferĂȘncia provocada por estĂĄtica.
QRO â Abrir squelch ou limitador QRQ â Manipular rapidamente QRS â Manipular lentamente QRT â Parar de transmitir. QRU â Tem alguma mensagem. QRV â Estou Ă disposição. QRX â Aguarde um instante que chamarei QRY â Quando serĂĄ a minha vez de transmitir QRZ â Quem estĂĄ chamando?
QSA â Intensidade de sinais (1/1- muito fraca; 2/2- fraca; 3/3- regular; 4/4- boa; 5/5- Ăłtima).
QSB â Sinal oscilando. QSJ â Relativo a dinheiro QSL â Entendido, OK. QSO â Pedido de autorização p/ contato com outro rĂĄdio QSP â Ponte, RetransmissĂŁo de mensagem para outra estação. QSJ â Dinheiro. QSY â Transmitir em outra freqĂŒĂȘncia, Mudar de canal. QTA â Mensagem cancelada. QTC â Mensagem urgente. QTH â Local, Endereço
QTI â Destino exato para onde se vai QTO â Banheiro. QTU â Turno e equipe de trabalho
QTR â Horas. TKS â Obrigado PTT â BotĂŁo de toque de falar.
CĂDIGO FONĂTICO â INTERNACIONAL
A â Alfa
B â Bravo
C â Charlie
D â Delta
E â Echo
F â Fox
G â Golf
H â Hotel
I â Ăndia
J â Juliet
K â Kilo
L â Lima
M â Mike
N â November
O â Oscar
P â Papa
Q â Quebec
R â Romeo
S â Sierra
T â Tango
U â Uniforme
V â Victor
WÂ â Whisky
X â X â Ray
Y â Yankee
Z â Zulu
NUMERAIS
0 â Negativo
1 â Primeiro
2 â Segundo
3 â Terceiro
4 â Quarto
5 â Quinto
6 â Sexto
7 â SĂ©timo
8 â Oitavo
9 â Nono
* Quando o numeral tiver vĂĄrios nĂșmeros, usa falar da seguinte maneira, por exemplo: 13 â fica assim: 1-primeiro3- terceiro, uma placa de veĂculo, por exemplo: ACL 8227 â fica assim A â Alfa, Charlie, L-Lima 8-oitavo, 2-2segundo, 2-segundo, 7-sĂ©timo.
GĂRIAS MAIS USADAS NOS RĂDIO PX
Acoplamento â Reuniïżœïżœo
Ăgua de eloqĂŒĂȘncia â Cachaça
Ana Maria â AM (amplitude modulada)
Ancorado â Parado
Anel â Primo
Anzol â PolĂcia RodoviĂĄria
Aparato â RĂĄdio
Asa dura â AviĂŁo
AtrĂĄs do toco â SĂł na escuta
Bailarina â Caneta
Baixa freqĂŒĂȘncia â Telefonema
Balaio â Bagunça
Balançar os queixos â Modular
Banda lateral â RĂĄdio com LSB/USB
Bandeira 2 â TĂĄxi
Banheira â Mar
Barra mĂłvel â AutomĂłvel
Barra nĂĄutica â Barco
Basquete â Trabalho
Batom â Mulher
Bicorar â Pedir para falar
Bigode â Homem
Bigode a metro â Pessoalmente
Bigodeira â InterferĂȘncia
Bobo â RelĂłgio
Botina â Amplificador de potĂȘncia
Botina branca â MĂ©dico
Botina preta â Policial
Botina vermelha â Bombeiro
Break â Pedir oportunidade para falar
Caixa preta â RĂĄdio transmissor
CĂąmbio espada â TransmissĂŁo muito longa
Canaleta â Canal
Capacete â Sogro
Carga pesada â CaminhĂŁo
Carga pesada bonequinha â Ănibus
CarvĂŁo â Esposo
Casa de beijo â Bordel ou motel
CascĂŁo superior â Camisa / Blusa
CascĂŁo inferior â Calça / calção / saia
Centelha â Neto
ChĂĄ de urubu â CafĂ©
Chucrutar â Aumentar a quantidade de canais de um radio
Chute nas canelas â Saudação cordial
Chuva artificial â Banho
Comer barbante â Esperar
Copiar â Escutar
Corujar â Ficar escutando uma conversa sem modular
Cristal â Esposa
Cristalina â Filha
CristalĂłide â Filho
Cristalografia â FamĂlia
Curto circuito â Briga
Desligar os filamentos â Desligar o rĂĄdio
DX â Contato distante
Esparadrapo â IrmĂŁo
FeijĂŁo queimado â Amante
Feiticeiro â TĂ©cnico de radio
Fio Maravilha â FM
Fundo de poço â Estação com um sinal fraco
Gordurames â Comida
Grega â Viagem
JC â Jesus
Lambari â Estação fraca
Levanta a Saia Baiana â LSB
Loura suada â Cerveja
Macaco preto â Telefone
Macanudo â Colega, Camarada
Maria mole â Antena mĂłvel mais tradicional da faixa
Modular â Falar, Ação (ex: modular uma loira suada = beber uma cerveja)
Mosca branca â Zona de silĂȘncio
Munheca ou Munheca de pau â Principiante
Munhecada â Errar, Mancada
Nave â Portaria
Okapa â Tudo certo
Orelha â Vizinho
Papai Noel â Anatel
PĂĄra-raio â Sogra
PĂ© de borracha â Carro
PĂ© de ferro â Trem
PĂ© de pato â Navio
PĂ© de sola â A pĂ©
Perneta â Amigo, Colega
Pernetinhas â Filhos, Crianças
Pirambeira â Sair, Desaparecer
Pitimbado â Doente, Quebrado
Portadora â TransmissĂŁo sem ĂĄudio
PrimeirĂssima â MĂŁe
PrimeirĂssimo â Pai
PX maior â Deus
QTH de descanso â ResidĂȘncia
Recarregar as baterias â Almoçar, Jantar, ComerâŠ
Reco-reco nas costelas â Abraço
Roger â Entendido (usado nos 11 metros como cambio)
Santiago â Sinal
Tapete branco â Papel
Tapete preto â Asfalto
Terezinha de Vasconcelos â TV (televisĂŁo)
TKS â Obrigado
Trapisunga â Aparelhagem
Tudo nos contentos â Tudo bem
Tudo nos descontentos â Tudo mal
Turmalina â Namorada
TubarĂŁo â Estação forte
Unidade MĂłvel â VeĂculo
Urubu Sai de Baixo â USB
Vertical â Conversa pessoal
2 metros â Dormir
2 metros horizontais â Cama
51 â Aperto de mĂŁo
55 â Felicidades
73 â Abraço
88 â Beijo
DIVISĂO E IDENTIFICAĂĂO DAS REGIĂES DO BRASIL
PX/PY 1 â 1ÂȘ RegiĂŁo â Rio de Janeiro e EspĂrito Santo
PX/PY 2 â 2ÂȘ RegiĂŁo â SĂŁo Paulo
PX/PY 3 â 3ÂȘ RegiĂŁo â Rio grande do Sul
PX/PY 4 â 4ÂȘ RegiĂŁo â Minas Gerais
PX/PY 5 â 5ÂȘ RegiĂŁo â ParanĂĄ e Santa Catarina
PX/PY 6 â 6ÂȘ RegiĂŁo â Bahia e Sergipe
PX/PY 7 â 7ÂȘ RegiĂŁo â Alagoas, CearĂĄ, Pernambuco, ParaĂba, e Rio Grande do Norte
PX/PY 8 â 8ÂȘ RegiĂŁo â Acre, AmapĂĄ, Amazonas, MaranhĂŁo, ParĂĄ, PiauĂ, Roraima e RondĂŽnia
PX/PY 9 â 9ÂȘ RegiĂŁo â Distrito Federal, GoiĂĄs, Mato Grosso, Mato Grosso do Sul, F. Noronha e IlhasNo indicativo do RĂĄdio a regiĂŁo a qual ele pertence Ă© indicada pelo numero apĂłs as letras
PX ou PY.Ex.: PX 2 G 1234 â 2ÂȘ RegiĂŁo â SĂŁo Paulo
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Queer Reading of the Vulgate Cycle pt 1: Preface
preface | intro pt 1 | intro pt 2
Some context on 1. this readthrough and 2. the Vulgate Cycle in general!
I've read large chunks of the Vulgate Cycle all out of order, sporadically, but I haven't read it from cover-to-cover yet. I want to remedy that, though I want to read it through a queer lens. (Also a trauma psychology lens, but I don't have a good shorthand term for that.)
The Vulgate Cycle (aka the Lancelot-Grail Cycle, the Prose Lancelot, or the Pseudo-Map Cycle) is an Arthurian romance composed between 1215 and 1235-ish, by Anonymous. Who may have been one person, but more likely was multiple authors. (I'm in the "multiple authors" camp, I can see no other explanation for the dramatic tone shift of The Quest for the Holy Grail. Or the History of the Holy Grail, for that matter.)
It's a massive text. It attempts to "elaborate the full story of the Arthurian era and to set that era in a framework of universal history" (so writes Norris J. Lacy in the preface to the translation).
The History of the Holy Grail (originally the "Estoire del saint Graal") - actually one of the last sections to be written, even if its contents come first chronologically. Traces the early history of the Grail and Grail-keepers. Lots of Bible fanfic bits in this one. My least favorite section (I find it tedious and dull).
The Story of Merlin - also one of the last sections to be written. Focuses on Merlin and his role in Arthur's conception, birth, and coronation. Also focuses on Arthur's early days as king, and some of his early knights (young Orkney brothers!), and Arthur's early relationship with Guinevere (back when things were really good between them).
Lancelot Proper (aka Le Roman de Lancelot, Lancelot propre, or just "Lancelot du Lac") - Lancelot's life and adventures (and everyone else's adventures that end up vaguely connected to him) from birth until⊠right before the Grail quest. Divided into 3-6 parts by modern scholars (Lacy divides it into 6, so that's what I'll be going with).
The Quest for the Holy Grail (La Queste del saint Graal) - My second-least-favorite section; it's less tedious and dull than the History, but it's such a departure from the tone of the rest of the Vulgate Cycle, and it feels like a text designed to convert people to Christianity (and that may indeed have been its intended purpose). It's possible that the tone shift might be because each sectio nhad a different translator, but I don't think that explains it sufficiently.
The Death of Arthur (La Mort Artu) - the most readable section, imho, and probably my favorite. It promptly unravels all the purity nonsense that Quest put into place (feels like when a show gets a new showrunner for a season, and then the old showrunner gets the reins back a season later and is doing damage control on all the weird turns that the interim showrunner took), Lancelot and Guinevere get back together, and the story leaps into intense drama and beautiful tragedy.
Then there's the Post-Vulgate, which is basically just a grimdark and more religious rewrite of the Vulgate, minus the Lancelot Proper. Lots more Grail focus. I don't know if I'll do a readthrough of it or not.
The specific translation notes in the Preface are fascinating, and I highly recommend them (I love translation notes), but the most relevant bit is this:
"âŠthe translators have tried to steer a middle course. Our primary concern was to present a reliable and readable text to modern readers, but we have also made an effort to retain a certain number of the stylistic features of the Old French romances, provided those features were reasonably compatible with the characteristics of modern English usage.
Lacy warns the reader that the History of the Holy Grail has "a convoluted, dense style" far more than most texts of the period. (It's so tedious, do not recommend.) "The author appears to be far more concerned with substance and symbolism⊠than with concision and grace." They've cleaned up the text in some places but overall kept the characteristics of the style. If this is the more accessible version, I would not want to read a literal direct translation. D:
Next up: Introduction (more translation notes) to the History of the Holy Grail.
#arthurian literature#queer reading of the vulgate#qrv#arthuriana#vulgate cycle#arthurian newbie#though I should probably change that tag to something else#it doesn't apply so much anymore#but it's my read-through-Arthurian-lit tag at the moment soooo
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The blog: Arthuriana from a queer, polyamorous, psychological perspective.
The blogger: A queer, late-30-something psychotherapist who writes/facilitates live-action roleplaying games, takes care of horses, and reads Arthurian medieval literature.
Expect influences from: existential psychology, chronic illness/disability, trauma psychology, ADHD, theater/larp, equestrian experience, aviculture, queer culture, polyamory, bdsm culture, being a white U.S. ex-vangelical pastor's kid with religious trauma, and Western occultism.
Fandom-focused introduction on my main blog, liminalpsych
AO3:Â liminalpsych
Frequent/relevant tags:
#arthurian medlit quest: My first impressions, reactions, and stream of consciousness thoughts in response to reading through the huge backlog of Arthurian literature and exploring Arthuriana in general.
-Â Reading progress: All the Arthurian literature Iâm reading or have read, and Iâll try to include links from specific texts to the corresponding tag.
#character study: Character analysis and character-focused posts.
#my writing: My writing (that isnât just a rambling essay, anyway). Larpwriting and fanfic, mostly.
-Â Once and Future Court: Everything related to the Arthurian live-action roleplaying game Iâve written and facilitated.
#resources: Arthuriana resources Iâve found or reblogged.
#reading list: Arthurian literature and academia to read later.
#queering arthuriana: Queer readings (and sometimes retellings) of Arthurian medieval literature.
- #qrv: Queer reading of the Vulgate Cycle.
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Special Events News â 15 September 2024
To celebrate the G-QRP Clubâs 50th anniversary special callsign G5LOW, and all its regional variants, will be QRV until the 30 September. In addition, several overseas stations will be joining in with the event. For more information, including details of commemorative certificates that will be available for chasers, visit the website Advance notice now that [âŠ] http://dlvr.it/TDBmvK
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đŁ Map For Ham -> New QTC!
đ€ IZ1HVD Danilo
đŹ QRV FM: 145.250 MHz | Monitoraggio Prevenzione e Sicurezza in Montagna
đ From: 05/02/2025 06:01:35 (UTC)
đ To: 05/02/2025 07:01:35 (UTC)
www.mapforham.com
Group on Telegram: t.me/mapforham
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Decodifica esto
Od krud gh odd yhuwdg kd jhodgrr. Orv Phglfl kdq rsurplgr do srxhorr gxududwhr ghrpdvldgr wlpsr, b hv krud gh fkh qrv ohydqwrphv b oxfkhrprv sur qxhvwud iuhhgdg. Kh glvfxelhulgr xq sodq vhfuhwr txh srguĂ© dkdqjdu ho fvxuvr gh od jxhuud. Orv Phglfl dvwdq sldqhdqgr dwwdfdu d od flxgdg gh Ioruhqfld od surĂĄtpd vhpdqd. Ghphrvr dftxdu udsldr sdud hyltdu txh ghvwuxbdq qxhvwud flxgdg b qxhvwud iuhhgdg. Kh uhxqlgr xq juxsr gh uhehogv glvsxhvwrv d oxfkdu kdvwd ho ilqdo. Qrv uhxqlurhprv hp od sodcd fhqwudo d phgldqrfkh. Vl hĂdv glvsxhvwr d oxfkdu sur wxb iuhhgdg, Ăqhwh d qrvrwrv. Mqxwrv, srghprv ghirudu d orv Phglfl b olehudr d Ioruhqfld.
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