#Python Mastery Course 2024 | Explore Tumblr posts and blogs

marble-arble · 7 days ago

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Hey, I yap a lot and I engaged in a lot of stuff this year. Let’s talk about 2024.

Things I deemed worth remembering in 2024

Films:

Police Story (1985): Best martial arts movie ever? Probably. I understand why Every Frame A Painting was so disillusioned by Jackie Chan’s US work (though I’m certain Jackie Chan doesn’t mind how well it pays the bills). Really just a masterclass in combining comedy and action. The last 10 minutes of raw action, perfection.

Hundreds Of Beavers (2023): Speaking of comedy, holy shit. This is the biggest love letter to video games and looney tunes I’ve ever seen. I think this is one of the best to ever do it. Perfectly walks the line between cheap and charming to the point where the latter would be lost without the former.

The Lighthouse (2019): Was everything everyone hyped it up to be. Anything I could say would either be lacking or a pale imitation of what’s already been said by people smarter than me.

Sunset Boulevard (1950): I took a film noir class this semester! I didn’t pay attention or care about most of them ahah. But, this one is a banger. Gloria Swanson owns every scene as Norma Desmond. Her performance made this movie. Everyone else was up to snuff of course, and a sharp script coupled with incredible shot composition makes this the best film I saw in that class and one of the best I saw this year.

Eega (2012): Do not look anything up about this movie. Don’t even search for it by its title. Find friends and just watch it. The entire way through. You can get past those first 30 minutes and it will be worth it.

They Live (1988): We gotta aim for anti-capitalist radicalization this fast irl (this is a joke). John Carpenter’s musclebound 80’s extravaganza, anything but subtle, but a good time throughout. Has one of the most dragged out fight scenes I’ve ever seen and I loved every minute of it.

Playtime (1967): Jesus christ. One of those “How did they do this?” movies like Police Story but instead of stunt work it’s the blocking. It’s almost exhausting despite it being nothing but looking at people go about their day. It’s quite good in fact! But you can definitely feel the exhaustion director Jacque Tati had with modern life by the end. A worthy movie to go into financial ruin for.

Shorter Films/TV

Various Works of Jan Svankmajer (1989, 1988, 1982, 1966, 1964):

I was introduced to him last year in a film class with the “Lunch” segment from 1992’s “Food”. Haven’t checked out the rest from that collection but I loved that one segment so much that this year I decided to dive into his other works. Cinemassacre has a great video that gives five great shorts to check out from him as a beginner. I’ll be talking about the ones he recommended, however, out of the chronological order he suggests, but if you’re curious and want a guide, use his.

“Darkness Light Darkness” from 1989 is so charming to me. I think human bodies are just very funny things, watching him construct one in real time reminded me of some of my own strange thoughts about my own body. His 1988 sports (i say that word loosely) comedy “Virile Games” is like a monty python sketch with 90’s nicktoons humor. I don’t have any better way to describe it, that’s just what it is to me. 1982’s “Dimensions In Dialogue” feels at parts Jan flexing his mastery over the stop motion/claymation medium. Impressive claywork in two of the segments and some fascinating materials for stop motion in one. Also his most direct feature with its messaging and subtext.

1966’s puppet show endeavor “Punch and Judy” was kinda a miss for me. Some great moments in the very end but it felt the most aimless. Still enjoyed it but not one I think I’ll revisit very soon. However his first ever feature, 1964’s “The Last Trick” I’ve revisited plenty. Being at the very start of Svankmajer’s career, he’s not messing around with the stop motion, claymation, collage style he became known for. But I think he’s still in top form here. A lot of charming effect work and enjoyably surreal comedy from two magicians who desperately want to one up each other. I think it stands as one of his best even if later on his style became much more daring.

I’ve thoroughly enjoyed my time with Svankmajer. I’ll probably get around to his feature length films “Alice” and “Conspirators of Pleasure” with more of his short films along the way. If you have a love for strange mediums and a somewhat off kilter sense of humor, I really recommend trying out his shorts.

X-Men ‘97 (2024): I’ve never seen the original 90’s cartoon and don’t plan to. ‘97 delivers on every level. Stunningly gorgeous, perfectly structured (remembering you can have a serialized narrative but have episodes that can stand on their own was a welcome holdover from the 90’s), and the best monologues I’ve heard in a minute. Feels like the first revival to understand and embrace the appeal of the original work yet still have the courage and finesse to elevate the material with some great creative decisions. Hope the team and new head writer can keep the momentum going from season two onwards.

Radio TV Solutions “RTVS” (idfk): Preaching to the choir, I love this channel. A friend late last year and early this year got me hooked on Wayne’s selfaware ai half life saga. Other friends upped the ante by getting me into RTVS other works. They’re really fucking funny. I can be watching a stream for a fake console, nosferatu going into the public domain, or even a merch reveal stream for Pizza Tower and they’ll hit me with the most obtuse bits that remind me I’m a very weird person who’s very happy to find equally weird yet incredibly funny people.

Manga (Mostly):

Jujitsu Kaisen (2018-2024): I started reading this last year but with it officially calling wraps, I think now is a good time to say my thoughts on it. It’s s’alright. I really loved how much Gege’s art evolved throughout the series, I especially liked where his style was by Culling Games onward. But, this was a bit of a rush job. I can see why many left the series disillusioned with the conclusion. Can’t say I’m crazy about it myself, buuuut I think I had a good time by the end.

One Piece (1997-): We really are in the final saga. I'm gonna have this mostly be my thoughts on the insane climax of Egghead island cause wow. I had my reservations hearing murmurings that the final saga of One Piece would be only 5 years long. But if Oda plays his cards right (and the multiple decades spent on weekly manga don’t catch up and kill him) he could end it then. Fantastic arc that escalated so much in its climax I get why the anime announced a hiatus. Gonna be great watching all this play out when it’s animated.

Azumanga Daioh (1999-2002): Yeah. It’s peak. Azuma just knows how to make the most insane characters worm their way into your heart. The dynamics and interactions were perfect, art only got better. Beautiful series that does everything it needs to.

Yotsuba&! (2003-): Ofc I had to start what most people consider to be Azuma’s best work still going on today. I can see why so many love this series. Azuma captures the essence of being a child so earnestly without it ever feeling fake or overly-sentimental. The supporting cast is even better than Azumanga Daioh with some really incredible characters throughout (and Yanda). I think I prefer Azumanga Daioh just a bit for how good the interplay with the main cast is in that series, but Yotsuba is a wonderful manga.

Marvel’s New Ultimate Universe (Spider-Man, X-Men, Ultimates 2024): These were the three Ultimate universe titles I chose to follow. Now I’m about 2 months behind on what's been happening with them but I liked what I was reading. Very much a slow and steady start, this is Johnathan Hickman at the helm, the long con is always the end goal. But if you wanna try out a Big 2 comic, these are a great start.

Dungeon Meshi (2014-2023): I’m gonna save most of my thoughts on this when I talk about the anime I saw (and care to remember) this year. But the anime inspired me to read all of the manga and I’m very grateful I did. Ryoko Kui is a master. Probably the best fantasy story I’ve ever read.

Goodnight Punpun (2007-2013): Hey it’s that manga everyone treats like an SCP. Can’t say it's not warranted to some degree. If you have a headspace that’s easily swayed by any form of media, this could worsen depression for anyone going through it or with a history with it. And if not that, it’s not a very pleasant manga regardless of mental wellbeing. Very few punches are pulled, very few lines not crossed. But I do think this is the best manga Asano has made wholesale.

With the benefit of it being his longest work, Punpun feels like the most complete package. Now I’m usually pretty susceptible to any media I read/watch/play affecting my headspace. I think with my knowledge of Punpun’s legacy, I went into this with a ”Voyeur to tragedy” mindset which shielded me and left me shocked but also in awe of Asano’s abilities. Definitely not a manga for everyone or one I find myself able to really recommend. It’s to be read by those genuinely curious about it with or even because of its legacy. If you do, Punpun left me inspired and speechless at the same time.

Solanin: (2005-2006): The second work by Inio Asano I read. In some ways the more depressing one for me. I’m in my mid 20’s and am still figuring out what to do. I think the first half is stronger than the second half. The first chapter's statement that “Freedom without purpose is kinda boring” has stuck with me for a while now. The latter half I wasn’t as into, but it’s an incredibly honest story about the struggles of your mid 20’s and that expecting a grand coda to anything from it is a bit silly.

Dead Dead Demons DEDEDEDE Destruction: (2014-2022): My final Asano work for this trilogy, and wow. This one was a lot! Not even in the ways that Punpun was a lot thematically, DeDeDeDe packs so many ideas and concepts into it’s 100 chapters that somehow it’s climax, (that giving credit looking back Asano managed to elude to it somewhat), but it still feels rushed!!!

DeDeDeDe starts with what I assume was Asano showing two girls friendship (debatable) persevering through a looming disaster, also becomes commentary about social media feeding our worst habits, radicalism, and modern times in general. Sometimes it's incredibly kind and empathetic with characters like Makoto, other times it feels like Asano goes for the lowest hanging fruit for mockery, sometimes someone looks like they came from Doraemon. Intentionally of course, very aware what the Isobyean sections was meant to be a sendup of.

I can’t really get into it without spoiling which even with my mixed feelings towards the ending I don’t wish to spoil. I guess the hook for me was Kadode and Ontan’s bond and the series seems to be focusing on that. But the way everything wraps up felt way too out of left field. A manga that wanted to tackle big ideas through an intimate lens but I think it lost that balance by the end. Probably my second favorite work by Asano. Could’ve been first, oh well.

Shimeji Simulation (2019-2023): By the same author as Girls Last Tour, I probably would not have given this a shot if not for the recommendation of a friend and it’s pretty damn good. Tsukumizu has such an enjoyably loose approach to manga. Alternating between traditional page layout and 4komas that are sometimes 4.5komas, this is a manga that embraces surrealness with the most casual touch. The writing really captures depression in its most genuine sense. It’s not miserable, but it isn’t happy. If you’ve ever had days where it feels like anywhere you go is just a detour from your room, it’s like that. A manga for people who’ve had hazy brains on clear days. I’m slowly chipping through it. Maybe it’ll be 2025 when I finish it. I do recommend it wholeheartedly.

Video Games:

Dragon Quest III HD-2D (2024): Game of the year. I’ve been looking forward to this game for so long and I loved it. I’ve never played DQ3 before but this delivered on every front. The HD-2D style is what it should be (imo) with no mixels getting in the way. The story isn’t mind blowing but charming nonetheless. So many little setpieces and ideas here that feel like you can see the ripples this game would have on many games later. Not perfect of course. The battles don’t really have much strategy beyond how hard and fast you can hit and how much you minimize damage taken from getting hit. And there were some noticeable difficulty spikes with some bosses which made me pretty bitter. But I still loved this game to the very end. Definitely seeing myself replaying this and messing around more with its class system. Absolute beast of a JRPG.

Star Fetchers: Escape from Pork Belly (2024): I loved the pilot, I supported the kickstarter for Episode 1. I loved the demo for episode 1, and I loved this dlc to tide us over until Episode 1 comes out. Everything great about Star Fetchers in a quick one and done Punch Out style adventure, and a great showcase for what tech they’ve been working on for Episode 1. I can’t wait to see what they have in store.

Lunisitice (2022): I’m not crazy into 3D Platformers outside of a select few and this one might have become my favorite. It’s incredibly charming and simple. It's a game I can just pop on whenever I wanna smile a bit. Really loved it.

Celeste (2018): I’m not crazy into ~~3~~ 2D Platformers outside of a select few and this one might have become my- you get it. Really wonderful to finally play this game. I’m no platforming expert, my strawberry count was pitifully low and I’m definitely not enough of a platforming pervert to attempt the B-Sides. But the heart on display here did show me why so many love this game, and I do too.

Enjoy The Diner (2023): What a remarkably chill game. The only thing that I think matches this game's approach to writing and by extension Sci-Fi is Shimeji Simulation. And even then both of them feel a bit too different to really be lumped together. I’ve never felt a game that was so content in letting pieces fall where they may in its writing. There’s rarely a cause for panic, no urgency whatsoever. It’s another series that takes a very casual approach to surreality with sci-fi. This is a vibe, an experience to go through if you’ve ever had conversations with a friend at 3 in the morning.

Webfishing and Atlyss (2024): I will lump these two together as I hope experiences made with furries in mind crop up more and more as we go into another hell world lol. Loved both of em, chose a great year to embrace being a furry and all that brought with it.

Anime:

Dungeon Meshi Season 1 (2024): Fantastic. Trigger knocked it out of the park. I only got into it this year, but this is such a fun take on dungeon crawling. Starts deceptively simple with a fun gimmick that greatly appeals to me and my love of food, then (remember when I said I read the whole manga because of this anime) completely sidewinds you with incredibly deep pathos and some beautiful character moments. Laios and company are just the perfect DnD group. Can’t wait to see how Trigger adapts some of the later chapters and the major surprises and turns within them. Fantastic.

A decent chunk of Dragon Ball Z’s original 90’s dub: I got into Dragon Ball when the Kai re-cut was airing on Nicktoons. That was my exposure to the saga of Dragon Ball Z. So I got to watch a series with no filler and a dub that was made with faithfulness to the original script in mind (and a score that I hesitate to say is great for reasons already known if you ever followed what happened with the composer for Kai).

With friends I watched the original dub with the Faulconer score, all the filler pacing intact, and a dub with as many wisecracks the translators wanted to put in. Honestly, it was fun. I’m very aware of the debates that have been had about changes from sub to dub and had them as well. Do I like this more than Kai? No. But was it fun? Yes.

Dandadan (2024): I never got into Dandadan’s manga, but science saru’s adaptation has left me charmed and impressed multiple times. Not a lot to say, this will definitely put this series on the map for many.

One Piece (1999): Well the anime is still flexing its animation team and budget acquired since Wano Act III. Egghead is still marred by the usual pacing issues sticking with One Piece’s anime since Enies Lobby, but if you’re gonna stretch moments to fill an episode, may as well do it with the most bombastic moments you can. Can’t blame em for the hiatus as so many moments later on are gonna need a lot of tlc if they’re gonna hit. Also that opening, “Assu!” Best opening One Piece has ever had. They really should let Megumi Ishitani do more with One Piece.

One Piece Fan Letter (2024): Well hey, ask and you shall receive. This is so much more than I could ever expect it to be. What could’ve been just a cute segway into the Fishman Island recut is also the biggest love letter to One Piece I’ve ever seen. Ishitani and co. understand the heart of this series, why you love it, why you laugh at it, and all the emotions it carries. Ishitani’s style is as fluid as ever and her skills as a director make her the best thing to happen to any shonen anime ever. I need her to direct a One Piece movie. And I need all of you to experience One Piece, if not just for how good One Piece is, for how amazing this one OVA is. I left this OVA with such a big smile on my face.

Bakemonogatari (2009): I’ve known about Monogatari. I’ve always been curious about Monogatari. I’ve watched plenty of memes that recreated its eccentric editing style in other media, I also knew how much this show was accused of being for anime perverts (derogatory). After a friend's recommendation once again, I watched it.

Y'know what, yea. It’s got lots of pervert shit but it was fucking worth it for me. This was wonderful. The presentation is an acquired taste but you can acquire it as soon as Bakemonogatari ends. I loved its rapid editing style, its soundtrack, and the characters. The presentation is top notch, but I loved so many characters by the end of its 15 episode run.

Initially I pinned the go crazy go nuts girl Suruga as my favorite, though looking back at her arc Suruga Monkey is maybe one of the weaker ones in Bake. Not bad, but feels weaker in comparison. I still quite like Suruga, and both Hitagi and Hachikuji are great with arcs that measure up as well.

I got to Nadeko Snake. Loved it. My feelings on Nadeko herself are positive though I think I gotta give her time to grow on me (She can pat herself on the back for the best opening in Bake). Anyways, I was enjoying myself thoroughly. Thinking it was a good experience but maybe not something I’ll leave much with. Then the final arc Tsubasa Cat bookends ybe season.

Wow. I always liked Tsubasa. Her presence was great in the past arcs, but her arc, god it was so good. I won’t spoil but certain moments and revelations hit me close to home in ways I didn’t expect. Is Tsubasa my favorite character now? Maybe, I still have a ways to go with this series, but that arc, I like that arc a lot. I like Bakemonogatari a lot.

Kizumonogatari Trilogy (2016-17): I liked it so much I immediately jumped into the prequel that the director spent just shy of a decade making. If you want the long and the short of it, all three good, but here’s a rough recollection of my headspace throughout all 3.

Iron Blooded: Wow this movie is pretty. This artstyle is kinda fucking everything, oh the cut ins are french now that’s cool. God this movie is so fucking pretty. Holy shit what an entrance. I can see why it took just shy of a decade to put this out. Phenomenal, next one.

Hot Blooded: God this movie is fucking pretty. This series also has an incredible ost, thank fucking god, holy shit this action. God I love you Hanekawa. Also it’s fascinating watching Araragi be more in line with what is usually expected from a light novel protagonist. Bake has him as a hapless but endearing lead, but here he’s a very adolescent loner who can barely compose himself in Kizu. There’s something very interesting as both in adaptation and original publication Bake starts the entire Monogatari series. The allusions to everything that happened in Kizu were quickly revealed in publication as Kizu is the second monogatari book published. But the anime, being a passion project by the director, continued with every book from Kizu onward. I’m glad I’m watching Kizu when I do, I think having this context going forward will be nothing but helpful. But back on topic, Araragi is a very different guy here. Also cause I didn’t mention her earlier Kiss-Shot is wonderful.

Cold Blooded: God this movie is SO fucking pretty- Oh.

Now, I made a post not too long ago about how this trilogy left me with a lot to chew on. I’ll admit here, a lot of it is Cold-Blooded but the whole package really stunned me. Every praise I've lauded the last two here applies to Cold Blooded as well, even more I think. But it’s final moments cut deep for me. I wish I could elaborate more and how many incredible moments there are in Cold Blooded, but words fail me in that regard. I’ve had to think about how this is the beginning of Monogatari. This is what inspires Araragi to stop being such a loner, and choosing to live and make the incredibly meaningful bonds he develops in Bake. Araragi makes the decision to start growing up.

I wrote, like, five pages on what Kizumonogatari made me feel. And I think all together Kizu was discussed in about 2 pages collectively. The rest was a very personal mess of words. It’s weird, Kizu gave me the ability to write about things I thought I never could, but what I wrote about was a lot. And I’m too much of a coward to post that in confidence without thinking it would be unwelcome. It’s stuff I want to share one day. It’s me admitting a lot of things. If anyone is interested I’ll share. But at the moment I don’t have the confidence to talk about it without it feeling like it’s unwelcome, too much, and lacking finesse. This movie made me reflect on a lot. Mentally and Identity wise. I’ll always thank it for that

2024 was a weird one for me. Lotta good, some bad, a whole lot of introspection this fall. Let’s see what 2025 will bring.

Have a Happy New Year Everyone

Best Movie: Police Story (but also Kizumonogatari)

Best Not A Movie: Jan Svankmajer’s strange works.

Best Manga/Comic: Azumanga Daioh

Best Video Game: Dragon Quest III: HD-2D

Best Anime: Kizumonogatari Trilogy

#Well this is a bit messy lol.#i’ll probably come back to clean it up later

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skillyardss · 16 days ago

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kodyfier · 9 months ago

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learnershub101 · 10 months ago

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Unleash the Potential of ChatGPT and Python Fusion for Next-Level Coding Proficiency | Natural Language Processing

What you'll learn

Fuse Python with AI for powerful applications.

Integrate ChatGPT seamlessly in Python.

Develop advanced AI-driven Python projects.

Elevate user interactions through AI.

Optimize code using AI insights.

Master NLP techniques in Python.

Create AI-powered chatbots and assistants.

Implement ethical AI practices in coding.

Enhance problem-solving with AI capabilities.

Apply AI to analyze and process data.

Craft dynamic AI-enhanced applications.

Master the synergy of Python and AI creativity.

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4. JavaScript Wizardry: The Basics Unveiled

Master the Power of JavaScript in under 10 hrs: Mastering the Inner Workings for Javascript: ChatGPT : HTML: CSS

What you'll learn

Solid Understanding of JavaScript Fundamentals: Learners will develop a strong foundation in JavaScript, including variables, data types, control structures etc

Proficient DOM Manipulation: Learners will gain expertise in interacting with the Document Object Model (DOM), manipulating elements, handling events, etc.

Advanced JavaScript Concepts: Learners will explore advanced topics such as closures, prototypes, scope, execution context, and asynchronous programming, etc.

Mastery of JavaScript Libraries and Frameworks: Learners will become proficient in popular JavaScript libraries and frameworks, such as jQuery, React, etc.

Effective Error Handling and Debugging: Learners will learn techniques to debug and troubleshoot JavaScript code effectively, including error handling.

Efficient Data Manipulation with Arrays and Objects: Learners will acquire skills in working with arrays and objects, including manipulating, filtering, etc.

Practical Understanding of JavaScript APIs: Learners will explore various JavaScript APIs, such as the Fetch API for making HTTP requests, etc.

Introduction to Server-Side JavaScript: Learners will be introduced to server-side JavaScript using technologies like Nodejs, Expressjs, or MongoDB, etc.

Security Best Practices in JavaScript: Learners will understand common security vulnerabilities in JavaScript and learn best practices to mitigate risks etc.

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5. ChatGPT Secrets | ChatGPT Mastery | ChatGPT Masterclass

ChatGPT 101 | The Beginner To Expert Guide To All You Need To Know About CHATGPT Inside & Out!

What you'll learn

Develop a deeper understanding of how natural language processing (NLP) and deep learning algorithms can be used to create conversational agents.

Design and develop a conversational agent using CHATGPT.

Evaluate and optimize the performance of a CHATGPT-based conversational agent.

Utilize best practices in the development of a CHATGPT-based conversational agent.

Implement methods for data collection and annotation to train a CHATGPT-based conversational agent.

Understand the ethical implications of using conversational agents and their applications.

Explore the benefits and limitations of using CHATGPT for conversational agent development.

Identify potential areas for further research and development for CHATGPT.

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6. Facebook Ads Secrets | Facebook Marketing: The Untold

Learn Facebook Ads on a high level | Understand the power of Facebook Marketing | Unleash the combination of ChatGPT

What you'll learn

Understand the fundamentals of Facebook advertising and marketing, including ad types, targeting options, and bidding strategies.

Learn how to create effective Facebook ad campaigns that generate leads, drive traffic, and increase sales for your business.

Gain knowledge of advanced topics such as retargeting, lookalike audiences, and custom audiences to increase the effectiveness of your Facebook advertising.

Create compelling ad copy and creative that resonates with your target audience, and aligns with your business goals.

Measure and optimize ad performance using Facebook's powerful analytics tools, and identify areas for improvement.

Understand how to use Facebook as a powerful tool for brand awareness, customer engagement, and customer retention.

Gain a deep understanding of Facebook's algorithm, and how it impacts the performance of your ad campaigns.

Apply best practices for Facebook advertising and marketing, and learn from real-world case studies and examples of successful Facebook campaigns.

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