#Purple tear

[ratlesshonret]

Brek Rom #16: We're So Back.

Yeah it has been a casual five months since I've posted one of these, but we're here again with seven more posts. You CANNOT tell me Angela was not fucking exhausted during lobcorp. Yeah I get she's an AI but man. She must've been so sleepytired.

[literallys-illiteracy]

ill be honest i could not be bothered to keep looking for a quote that fits Iori so i just kinda chose a random snake one i was saving for someone else

Happy birthday snake granny. 28/08

Also its "Tear" as in "Tear"drop not "Tear" as in a Fabric "Tear".

[algoney]

Happy Birthday Iori~♡

[mossy-green-aka-ferrythem]

It’s so fascinating to me how Xiao is as a character. I didn’t expect much of her but she ended up easily being one of the most profound characters in the game. And this is just going off the impression I have before the story of her last reception. I’m clueless as to how her character climaxes specifically.

Also wow, I am genuinely so sad about what happened to Philip. Argalia really was right when he said that Philip only wanted to cry. Which makes it even more tragic with how Argalia manipulates him. Philip is probably the most unique member of The Reverberation Ensemble, because while every member is unique in their own way, Philip is special, because he himself is a victim. He has still done a horrible, even unforgivable thing, but that was him fully Distorted. Can he really take accountability for being manipulated by Oswald and Pluto into a distortion, then going on to kill 80,000 people? What really gets me is the one line he utters before the Reception of The Purple Tear, where he just utters one sentence, I don’t remember what he said, but I remember the deep sadness it carries, and how much of a bad situation he’s gotten himself into, being a distortion that’s part of The Reverberation Ensemble.

Speaking of The Purple Tear, I am having a lot of trouble understanding her character. She’s an odd one that’s for sure. Also GILFy as all hell.

Also I have done most of the Briah Abnormality suppressions. It’s so fascinating how each Abnormality is the manifestation of a metaphor or story, and represents certain deep concepts that can be mutually rooted in the perception of humanity’s “Universal Unconscious”. What especially sticks out to me are The Wizard of Oz based Abnormalities, who just interest me so much and remind me that I should probably read the original book to better grasp the themes. I do know that they’re meant to represent a unifying theme of Kindness.

Anyways, when next I play, I’m going to reach what is without a doubt probably one of the biggest moments in the game narratively speaking, The Realization of The Floor of Natural Sciences.

I don’t know what’s going to happen, but it’s gonna be big.

[lineseparatingendsandbeginnings]

I still haven’t seen anyone say anything about this, maybe it’s too obvious but clearly the Purple Tear was in some way involved with Yi Sang’s initial mirror. It could just be that, since she can jump across dimensions, he saw her as an inspiration for it but considering she seems to have a presence with some people looking like they are connected to her in some way, I wouldn’t be surprised if she was involved more closely with the mirror’s creation than the story is letting us know.

[owlmann]

This looks pretty bad but ill still post it for archival reasons

I still dont know if her name is spelled with an l or an i

[jiangshinigami]

Guys

Iori not only has the same birthday as me

But I'm also the same height as her

Maybe I'll get the ability to jump through dimensions and become a colour fixer by the time I'm 52

[fishfishiee]

The Purple Lady (TMA x LoR)

I got into TMA black hole and now I'm stuck in it. What else could I do beside making a Ruina crossover, right? This one is about Iori who took a stroll in London. Timeline wise, this happened in S3 of TMA between episode 114 and episode 116.

I also posted in AO3! here

Statement of Yuna Carter, regarding a woman she met at a café nearby. Original statement given in May 15th, 2013. Audio recording by Jonathan Sims, Head Archivist of the Magnus Institute, London.

[Statement begins]

I don't know if what happened to me count as something… supernatural? But if what my friend said about this place is true, I think you're going to accept my story anyway. She worked here, you know? I won't say who, but she worked with artefacts, I think. 

It started as a normal night. I was stopping by a café before going home for the night. When I was just about to sit down, I noticed her standing across the road. She was Asian, I think. It wasn't until she came over that I realized she might be older than I thought she was. Still, she was… unusually tall for a mature woman. Very elegant, too. She wore a long purple coat that was made from snake skin, I believe. Or maybe something with snake skin pattern on it. Her hair was long, so long that it reached her ankles. She carried a long, black case that she strapped on her back. I wondered if she was a musician or something. 

Apparently my stare was a bit too obvious. She noticed that I was staring, but instead of getting angry, she smiled and waved at me. I was embarrassed when she crossed the road and came into the café. Thankfully, the café was empty at the time, so no one noticed my awkwardness. She spoke in fluent Korean, which surprised me a bit, since she introduced herself as Iori. 

I apologized for staring, but she waved me off and said that she was used to it. We chatted for a bit, things like the weather and about the café that we were in. We went quiet for a while before I asked her if she was a musician. She shook her head and gestured to her case, saying that it had her swords in it. Iori then said that too may law enforcers stopped her because of them, so she stored them in a case instead. 

I really couldn't tell if she was joking or not, since she was so casual about it. I thought that maybe she was some kind of stage performer, and the swords she mentioned were her props. Then I asked her what was she doing in London. She smiled mysteriously and said that she was here by accident. “Did you got on the wrong bus or something?” I asked again. Iori looked so amused by my question. I asked what's so funny, and by then Iori was fully chuckling. 

“You asked me the same exact questions last time” She said.

“Oh well. I'll be leaving after this anyway, so I'll humour you. This world has nothing on what I'm looking for after all.” She said.  This is the point where Iori said some weird stuff. Like, things that only comes from sci-fi fiction or something.

Iori said that she was a dimension traveller, and that she was searching for her son. She really didn't mean to come here, but a gap to another universe pulled her in instead. She arrived at an empty house that had a fallen tree on the garden. After that, she said she wandered around a bit before heading to the city. She then paused and looked at me. She continued that this was the fourth alternate version of this world that she visited, and in all of them I was always staring at her. According to her, on the second one I cut my stare short, and she didn't approach me. On the third one, this conversation of ours didn't last long, and I left after a while. 

At this point, I was convinced she was pulling a joke on me, so I scoffed at her. She then laughed and said that I was heading home from a friend called Jeanne, who just broke up with her boyfriend. 

“You told me that last time, too.” Iori said. 

She then went on and said that after I left, I was involved in a traffic incident and died. 

“This time our conversation was a bit longer than last time. I think it would be safe for you to leave now.” She said, still with a smile on her face.

“Of course, it's not a guarantee. Who knows, maybe this time you saw the car accident on your way home. You avoided that, but you got mugged and lost your life that way instead.”

“Why are you telling me this?” I asked. She just shrugged and told me that she was feeling a bit generous. 

I had enough of her at that point. I thanked her for her 'advice' and hurriedly left the café, eager to get away from the crazy lady. She bid me farewell with that amused smile of hers. I didn't want to admit it, but something about her told me that she wasn't lying. She never told me what happened to me on the first version, after all. It honestly scared me a little, so I decided to call my friend Jeanne and asked her to stay the night. 

That was a few days ago. I noticed that I became a lot… jumpier. At first, I told myself that I was being silly, but after a few… close calls, I was forced to admit that maybe, maybe Iori did predict my death. I wonder if she put a curse on me or something. Anyway, I don't really know what to do after this. It's not like I want you guys to find Iori for me or something. I just… want to tell my story to someone that might understand, you know?

If you do meet an older lady wearing a long purple coat, I suggest you turn the other way. I think you'll know it's her just from her looks alone. 

[Statement ends]

Martin submitted this one along with Anya Villete's statement regarding the house at Hill Top Road. I'm pretty sure the house that this Iori arrived at was that same, particular house. As for Ms. Carter herself, Yuna Carter was killed in a car accident after she left the institute. Basira also confirmed that a few years ago there were some reports about a strange woman carrying three swords around. Nothing could be found about this Iori aside from this statement, though. The café worker that served both Ms. Carter and Iori said that Iori left after finishing her tea, and he never saw her again. I hope that whoever Iori is, she really left this dimension and never came back. This statement does prove that the gap on that house might be a bigger problem than I thought it was. We were quite lucky, since Iori seemed genuinely uninterested in this world, but someday that gap might let in something that wants more.

End recording.

[perpetual-pathos]

hooray for purple!

[retrogamingblog2]

Atomic Purple Nintendo Switch

[pocketseizure]

Designer's Note: When we were designing Ganondorf, our most important goal was to inspire anyone playing the game with an innate impression that "he must be defeated."

Ganondorf’s smile in the moment he takes Sonia's Secret Stone is meant to fill the player with a sense of despair at confronting someone who can't be reasoned with. This scene emphasizes that the ultimate goal of the game is to "Destroy Ganondorf."

While it’s necessary for Ganondorf to have the dignified appearance of a desert king, we put great care and attention into small details to convey the impression that he’s a sly and cunning person who won’t hesitate to employ underhanded means in service to his goals. The most difficult aspect of his design was his eyes. Even the most subtle of adjustments would weaken Ganondorf’s impression as a sharp and powerful character, and we made countless revisions.

Because we wanted to draw Ganondorf as a skilled but solitary warrior who stands alone in battle, we adopted the samurai-style outfit of a loose kimono worn open at the chest without formal hakama trousers. We also referenced various pieces of Buddhist art transmitted to Japan along the Silk Road in order to mix aesthetic influences from desert tribes into his Japanese clothing.

This design gave us a lot of trouble, but we’ll be satisfied if the player has a sense of this Ganondorf being his own unique character distinct from previous appearances in the series.

[yonkiibums]

⠀ 🩸 ̶̵̲ ❤︎ 𝄞. @galapogos ¨*:·. ਉl̈́ਉ .·:*¨

⠀⠀can't lose, can't lose, can't lose

[hoaxghost]

ive been so sick past week but seeing the new disney trailer for Wish awoke something petty inside of me. So petty I went bout redesigning the protagonists look cause I’m sorry but her outfit...? Kinda bland. Wanted to try adding lil bit more ‘oomph’ to the design.

[algoney]

some moses x dias sketches

[precalamity]

there is just something to me, how Louis and Lestat’s entire relationship throughout the show can only be understood as a pre-written narrative, warped and influenced and biased multiple times over before the audience is privy to it. but the one scene of them together that isn’t witnessed through the frame of narraration, in the Entire show, the only time Lestat even exists outside the interview — we don’t even get to hear what they say to each other at the end. once they’re with each other, physically and emotionally, for the first time in seventy-seven years, they are outside reach of the audience. You can’t hear them. It’s just the storm.

[way2gosuperrstarr]

" you're tailor made for this day and age,

because you're powerless and look like prey!

closeups + a bit o' yapping under the cut (closeup includes an unblurred glitchtrap im too proud of that motherfucker for him to be blurred forever) (also, obligaroty "click for better quality")

ITS !!!!!!! FINALLY DONE!!! this wasnt even supposed to be so heavily mesmerizer based at first ,,,,,,, i was going to add a little however-the-fuck-many pointed star or two as a fun refernce back to it but . clearly that all spiraled out of control .

sorry most of my full-finished pieces for sdgo (actually, i think this is my ONLY full finished for this au) havent featured the dca yet; most of my ideas i have more visual image for include vanessa! while this is a dca au, vanessa is still a HUGE, and important, part of it, so i hope you understand ^_^

tried some new things for this, and brought back some old things i used to do as well; and i think it turned out really nice !!!! im super proud of it for right now !!!! so i hope you like it to !! ^^ <3 i just wish i recorded the speedpaint augh </3