#Pure Unbridled Power (Lin)

[the-poke-nebula]

She heard "Ghosts of Various Evil Team Leaders."

She's back; y'all woke her up.

[hamanuelton]

my favorite parts of hamilton:

- “I imagine death so much it feels more like a memory.”

- every time Leslie Odom Jr. as aaron burr begins another part with “how did a bastard, orphan-“ or like in that same way ‘cause he doesn’t always start it that way but you know what I mean

- the way Leslie Odom Jr. as My Boi Burr™️ says “well, the world got around, they said, ‘this kid is insane, man!’”

- also when Leslie Odom Jr. as A. Burr says

“WHAT’S YOUR NAME, MAN?!”

- “our man saw his future drip-dripping down the drain, a pencil to his temple, connected it to his brain”

- “Alexander Hamilton. My name is Alexander Hamilton. And there’s a million things I haven’t done, but just you wait, just you wait...”

- background “just you wait, just you wait”’s as hammy’s putting on a new jacket and ensemble is praising nyc

- “and me? i’m the damn fool that shot him.”

- “Burr, sir” + the continuation of this all throughout

- “If you talk you’re gonna get shot” / FORESHADOWING WOOOEEEEWOOOOO

- “i’m John Laurens in the place to be”

- Lafayette’s fuckinf accent

- “BRRRAH! BRRAAAH! HERCULES MULLIGAN UP IN IT LOVIN IT”

- “if you stand for nothing, Burr, what’ll you fall for”

- “‘Onarchy?”

- hey, yo, i’m just like my country, i’m young, scrappy, and hungry—

- the way Odom Leslie Jr. as The Hamburrglar™️ says ‘shot’ and they all take a shot

- this ⤵️

- Hammy getting //flustered// about friendship

- WHEN ARE THESE COLONIES GONNA RISE UP

- Angelica’s face when Burr is tryna tell her bout herself and she shows him up and ships him out

- Act 1: 6. Farmer Refuted

- honorable mention: “my dog speaks more eloquently than thee!" "but strangely, your mange is the same." "is he in jersey?”

- King George pouting

- Jonathan Groff’s overarticulation of each syllable as King George is a work of art

- “♪ Da-da-da-dat-da-dat-da-da-da-dai-ah-da! ♪ Da-da-da-da-dai-ah-da! ♪

- “Everybody! —“

- “We keep meeting.”

- “i imagine death so much it feels more like a memory. when’s it gonna get me? in my sleep? seven feet ahead of me?”

- “See, I never thought I’d live past twenty.”

- “this is not a moment, it’s the movement”

- “I’m laughin’ in the face of casualties and sorrow, for the first time, I’m thinkin’ past tomorrow!”

- “dying is easy, young man, living is harder!”

- “i’m being honest. i’m working with a third of what our Congress promised.”

- “you need all the help you can get. i have some friends. Laurens, Mulligan, Marquis de Lafayette, okay, what else?” — “we’ll need some spies on the inside, some king’s men who might let some things slide.”

- “watch this obnoxious, arrogant, loudmouth bother be seated at the right hand of the father.”

- “Martha Washington named her feral tomcat after him” — “That’s true.”

- “Yo, if your marry a sister, you’re rich, son!” — “Is it a question of ‘if’, Burr, or which one?” and then the little ‘hey’ ‘hey’ thing they do gets me every time

- literally the use of yo throughout the production fucking gets me every single fucking time

- “i’m writin’ a letter nightly. now my life gets better, every letter that you write me. — THE PURE UNBRIDLED SENSE OF FORESHADOWING IN “laughin’ at my sister, cuz she wants to form a harem” — ft. “i’m just sayin’, if you really loved me, you would share him!”

- the irony in “Eliza, i don’t have a dollar to my name”, you’ll be on the $10 bill, my man

- top-notch brain

- Angelica TRIED TO TAKE A BITE OF ME

- the way Anthony Ramos as John Laurens says “alright, alright. that’s what i’m talkin’ about!” and also the face that he makes

- hunger-pang frame

- “You strike me as a woman who has never been satisfied.” — “I’m sure I don’t know what you mean. You forget yourself.” — “You’re like me. I’m never satisfied.” — “Is that right?” — “I have never been satisfied.” — “My name is Angelica Schuyler.” — “Alexander Hamilton.” — “Where’s your fam’ly from?” — “Unimportant. There’s a million things I haven’t done but just you wait, just you wait...”

- tbh the way ‘Schuyler’ is spelled is oddly satisfying to me

- honestly just the way LMM says Alexander Hamilton+/ my name is Alexander Hamilton, and there’s a million things i haven’t done, ‘just you wait, just you wait...’ throughout the production

- “i’m the oldest and the wittiest and the gossip in new york city is insidious”

- “You are the worst, Burr.”

- Act 1: 12. The Story of Tonight (Reprise)

- “love doesn’t discriminate, between the sinners and the saints, it takes and it takes and it takes”

- “love doesn’t discriminate, between the sinners and the saints, it takes and it takes and it takes and we keep living anyway. we rise and we fall and we break and we make our mistakes. and if there’s a reason i’m still alive when everyone who loves me has died—“

- “Chick-a-plao!”

- the way they say ‘raise a glass’ is both elegant and (appropriately) reverent

- “i go back to new york and my apprenticeship” — i shouted MY BOI HERCULES MULLIGAN UP IN IT LOVIN IT DID NOT JUST SAY THAT, IF HE ACTUALLY LEFT AND ISN’T JUST UNDERCOVER OR SOME SHIT IMMA WRITE LIN-MANUEL MIRANDA A STRONGLY WORDED LETTER

- the minute General Charles Les came into the picture i hated him so hard, even though his literal first word was ‘Whee!!!!’, though i can appreciate the sentiment and what LMM was tryna do there

- “Washington cannot be left to his devices indescisive, from crisis to crisis” — sweet baby jesus that alliteration, and jon rua totally pulled it off (i hate General Charles Lee not the person who played him, i can also appreciate the fact that as an actor it takes a lot of talent to be able to make you hate a character so easily, also shoutout to Jonathan Groff as King Georgey-Boy™️, Sydney James Harcourt as james reynolds, and the general way LMM somehow made me fed up/turn on Alexander with the whole scene with him and Maria Reynolds — and not only that but somehow redeemed himself to me which is easier said than done for characters and people alike.. i’ve been hurt too much to play like that.

- Act 1: 15. Ten Duel Commandments

- honorable mention: “if you don’t reach peace, that’s alright. time to get some pistols and a doctor on site. you pay him in advance, you treat him with civility. you have him turn around so he can have deniability.”

- Act 1: 17. That Would Be Enough

- honorable mention: the melody that LMM went with for that turn of phraseis a truly beautiful thing

- “Immigrants:” — “We get the job done.”

- THE FACT THAT MY MAIN MAN HERCULE MULLIGAN WAS ON THE INSIDE NOT ONLY DID I CALL IT BUT DAMN HE REALLY GOT THAT GOOD HOT TRIBUTE HE DESERVED

- “To my brother’s a revolutionary covenant! I’m runnin’ with the sons of liberty and I am lovin’ it! See, that’s what happens when you up against the ruffians. We’re in the shit now, somebody gotta shovel it! Hercules Mulligan, I need no introduction, when you knock me down I get the fuck back up again!”

- Act 1: 21. What Comes Next

- honorable mention: “i’m so blue” — the little squat that Groffsauce does as the light turns blue really got to me

- Act 1: 22. Dear Theodosia

- Leslie Odom Jr.’s voice is so ding dang delightfully airy

- honorable mention: “You have my eyes. You have your mother’s name. When you came into the world, you cried and it broke my heart.”

- Act 1: 23. Non-Stop

- as someone with siblings i can appreciate that they’re bickering like that’s just what they are

- “I was chosen for the constitutional convention! *squeal*”

- “Burr, we studied and we fought and we killed for the notion of a nation we now get to build. For once in your life, take a stand with pride. I don’t understand how you stand to the side.”

- Act 2: 1. What’d I Miss?

- honorable mention: “But the sun comes up and the world still spins.”

- Act 2: 2. Cabinet Battle #1

- honorable mention: “DOIN’ WHATEVER THE HELL IT IS YOU DO IN MONTICELLO!”

- tomorrow and tomorrow and tomorrow

- “Daddy, daddy, look.... My name is Philip. I am a poet. I wrote this poem just to show it. And I just turned nine. You can write rhymes but you can’t write mine.” - “What!” - “I practice French and play piano with my mother.” — “Uh-huh!” — “I have a sister but I want a little brother.” — “Okay!” — “My daddy’s trying to start America’s bank. Un deux trois quatre cinq!” — “Bravo!” — “Hey, our kid is pretty great.”

- as much as i hate Act 2: 4. Say No To This (because for some reason i though Alexander Hamilton was better than that) Jasmine Cephas Jones sings in it is like a hot knife through butter — namely; “My husband’s doin’ me wrong beatin’ me, cheatin’ me, mistreatin’ me...”... I guess maybe I understand it ‘cause damn Jasmine Cephas Jones is so ding dang pretty and ding dang talented and wow what a remarkable person

- the way that Lin says “And her body’s saying, ‘hell, yes’ is um.. 😓

- “You see, that was my wife you decided to” — “Fuuuu—“

- Act 2: 5. The Room Where It Happens

- honorable mention: “Bros.”

- “Talk less. Smile more.” LMM being a dramatic bastard

- Act 2: 6. Schuyler Defeated

- Act 2: 7. Cabinet Battle #2

- “revolution is messy but now is the time to stand."

- honorable mention: “Ooh!!”

- “We signed a treaty with a King whose head is now in a basket. Would you like to take it out and ask it? ‘Should we honor our treaty, King Louis’ head?’ ‘Uh... do whatever you want, I’m super dead.’”

- Thomas Jefferson all like “but sir do we not fight for freedom” MY BAD SIR YOU ARE A SLAVE-OWNER HOW ABOUT YOU NOT

- mentioning Lafayette because apparently LMM has no problem with breaking the fourth wall

- “Daddy’s calling.”

- “I’m in the cabinet. I am complicit in watching him grabbin’ at power and kiss it. If Washington isn’t gon’ listen to disciplined dissidents, this is the difference. This kid is out!”

- “Southern motherfuckin’ Democratic-Republicans!”

- “The emperor has no clothes.”

- “Sir, I don’t know what you heard but whatever it is Jefferson started it.” — “Thomas Jefferson resigned this morning.” — “You’re kidding.” — “I need a favor.” — “Whatever you say, sir, Jefferson will pay for his behavior.” — “I’ll use the press. I’ll write under a pseudonym, you’ll see what I can do to him—“ — “Yes! He resigned you can finally speak your mind!” — “Ha. Good luck defeating you, sir.” - “I’m sorry, what?”

- Act 2: 10. I Know Him

- “—Vice President.” — “— No more Mr. Nice President.”

- “Sit down, John, you fat motherf—“

- Act 2: 12. We Know

- honorable mention: “You see that was my wife you decided to—“ — “WHAT—“

- Act 2: 13. Hurricane

- Act 2: 14. The Reynolds Pamphlet

- honorable mention: *DEEP VOICE* “DAMN”

- Act 2: 15. Burn

- i’ll be the first to say i wasn’t a huge fan of Eliza at first aside from Phillipa Soo’s killer voice

- this gave me a lot of respect for her

- honorable mention: “You have married an Icarus. He has flown too close to the sun.”

- Act 2: 16. Blow Us All Away

- i would like to point out that tweet where someone @‘s LMM about not mentioning Philip’s hot and he responds “I’M FAIRLY F**CKING SURE I DID”, y’know ⤵️

- “The ladies say my brain’s not where the resemblance stops.”

- “God, you’re a fox.”

- Act 2: 17. Stay Alive (Reprise)

- The ‘I know, I know. Shh.’ and the full circle back to his mom teaching him french on the piano really got to me for the beautiful artistry in it but also damn them feels

- Act 2: 18. It’s Quiet Uptown

- “I spend hours in the garden. I walk alone to the store and it’s quiet uptown. I never liked the quiet before. I take the children to church on Sunday, a sign of the cross at the door, and I pray. That never used to happen before.”

- “Philip, you would like it uptown. It’s quiet uptown.”

- “You knock me out, I fall apart.”

- “Eliza, do you like it uptown? It’s quiet uptown.”

- “There are moments that the words don’t reach. There is suffering too terrible to name. You hold your child as tight as you can and push away the unimaginable. The moments when you’re in so deep it feels easier to just swim down.”

- “There are moments that the words don’t reach. There is a grace too powerful to name. We push away what we can never understand. We push away the unimaginable.”

- “Can you imagine?”

- Act 2: 19. The Election of 1800

- honorable mention: “And they say I’m a Francophile: at least they know I know where France is!”

- “You used to work on the same staff” — “Whaaaat.”

- “Honestly, it’s kind of draining.” — “Burr...” — “Sir!” — “Is there anything you wouldn’t do?” — “No. I’m chasing what I want. And you know what?” — “What?” — “I learned that from you.” / this moment made the blow that he voted for Jefferson like a damn hole in my chest and i actually really felt for Burr. i get Hammy’s reluctance, i think if anything he was hoping voting for Jefferson would give Burr the chance to have experience as VP and then the next election he might vote for him then depending

- Act 2: 20. Your Obedient Servant

- A. Burr

- A. Ham

- “I just need to write something down.” / really resonated as one of the last things they showed him doing before going off to the duel, his life really was writing and that was the perfect way to say that in a very subtle sort of way. i really appreciate it artistically, whether it was intentionally so or not.

- Act 2: 22. The World Was Wide Enough

- okay but first of all i would like to comment on the fact that Ariana DeBose PLAYS THE GODDAMN BULLET, I JUST

- THE FACT THAT THE BULLET HAS A PART

- “This man will not make an orphan of my daughter.” / this made me really sympathize with Burr, as well as when he tries to go towards Hamilton (at least in the play but I sincerely hope that was historically accurate) / but also that fact that Theodosia Burr was lost at sea at 29 makes me sad because Hamilton’s life was taken to give her one and then she just up and disappears in a freak accident

- Act 2: 23. Who Lives, Who Dies, Who Tells Your Story

- the orphanage got to me

- i loved that he (LMM) didn’t end it with himself or anything

- he let Phillipa Soo tear my heart out

- it killed me but i died quite happily

- and really what more could you ask for.

[fareastfilm]

Programme for Friday 3rd May - ANTHONY WONG

The Hong Kong superstar returns to the Far East Film Festival after 20 years! Back in Udine to collect his Golden Mulberry Award for Outstanding Achievement and present the wonderful Still Human

Friday the 3rd of May. Penultimate day of the 21st Far East Film Festival. After Jeon Do-yeon and Yao Chen, it's time to turn the festival's spotlights on another superstar: Anthony Wong! He's played the lead in masterpieces like Johnnie To's The Mission. He's starred in unforgettable cult movies like Andrew Lau and Alan Mak's Infernal Affairs. He's been a hit man, a cop, a romantic hero and a serial killer. He's played every role in every genre, from crime and comedy to fantasy and splatter. His filmography is practically infinite, and it's no exaggeration to say that he is the face of the last thirty years of Hong Kong cinema...

Already a guest at the very first edition of the FEFF in 1999, when he presented Beast Cops by Gordon Chan and Dante Lam, Anthony now returns to Udine exactly twenty years later to collect his Golden Mulberry Award for Outstanding Achievement (taking his place in the Udine hall of fame alongside other giants of Asian cinema including Jackie Chan, Joe Hisaishi, Feng Xiaogang, Johnnie To and Brigitte Lin). A precious opportunity to see - or to see again - Mr. Wong close-up and to applaud two films that symbolise his history: his debut movie My Name Ain't Suzie, screened on April 30th, and the magnificent Still Human, showing at 7.40 pm today, which will see Anthony take the stage of the FEFF together with the film's director Oliver Chan and co-star Crisel Consunji.

Oliver Chan was crowned best new director (and Crisel Consunji nominated for best actress and best new actress) at the last Hong Kong Film Festival, and another film that was an awards hit at the festival is in the line-up for the eighth day of the FEFF: nail-biting thriller Project Gutenberg by Felix Chong. Pure Hong Kong style!

9.00 A First Farewell by Lina WANG (China, 2018)

Though still a child, Isa already has adult responsibilities: he must take care of his sick mother, watch the flock and attend school. He spends his only moments of leisure with his best friends, the children of a couple of cotton growers. A poetic tribute to a way of life that is disappearing: this, perhaps, is the farewell to which the title of the film alludes.

10.40 Hotel Soul Good by YAN Pak-wing (Hong Kong, 2018)

After a near-death experience, hotel executive Katy discovers she can see ghosts. Thanks to this, she now has some new friends: three spirits stuck in limbo who, in order to settle their pending accounts, must find a body they can possess to realize their desires. But Katy has a stroke of genius: opening a hotel for ghosts. A retro romantic comedy that celebrates kindred "spirits".

12.35 BNK48: Girls Don’t Cry by THAMRONGRATTANARIT Nawapol (Thailand, 2018)

With more than 50 members, Thai pop group BNK48 – along with the crazed fandom typical of Asian idols - is turning the country upside down. This documentary raises the curtain to show what's behind the scenes: to get the best performances out of the group, the girls are forced to compete against their best friends, and the singers find themselves imprisoned in a never-ending popularity contest.

14.35 Project Gutenberg by Felix CHONG (Hong Kong, 2018)

The Hong Kong police are on the trail of a gang of counterfeiters, led by a mysterious boss called "Painter": their ruthlessness and skill at counterfeiting make them public enemy number one. Desperate times call for desperate measures, and in order to stop them the department is forced to recruit a well-known forger. A tense new thriller by the creators of Infernal Affairs.

17.00 Dare to Stop Us by SHIRAISHI Kazuya (Japan, 2018)

Young Megumi enters the flamboyant world of the independent Japanese cinema of the '70s, of which the enfant terrible is Wakamatsu. Full of unbridled creativity, Wakamatsu makes pioneering 'pink' films that use sex and violence to critique the society of the day. A film about the subversive power of cinema but also the portrait of an oddball "family" and the bonds that keep it together.

19.40 Still Human by Oliver CHAN (Hong Kong, 2018)

Leung has been paralysed for years and can only move his arms. Considering himself a victim of life, he has closed in on himself - but despite his difficult character, an affectionate relationship forms little by little with his carer, who helps him to realize his dream. A delicate story told with powerful realism featuring an incredible performance from Anthony Wong

21.55 Fly Me to the Saitama by TAKEUCHI Hideki (Japan, 2019)

The centre vs the suburbs: it's a rivalry as old as cities themselves. And if the city is a Tokyo that looks like a new Versailles and persecutes the inhabitants of the less dashing Saitama, things get complicated fast and war is inevitable. Will modern-day Romeo and Juliette Momomi and Rei manage to bring peace? From the director of Thermae Romae, an outrageously pop, all-out manga-style comedy!

0.00 The Devil Fish by David CHUANG (Taiwan, 2018)

In Taiwanese folklore, to kill a demon you must trap it inside a fish which is then fried. After catching one of these fish, a gangster becomes possessed and kills his entire family. Taoist priest Chen is called in to perform an exorcism - but when a young boy films the ceremony and shares it with his friends, the curse starts to spread…

[pkmnsdarkqueen]

(Karen would have a field day with Lin, I'll be honest. Lin only believes in the pure, raw, unbridled Power of something; and if it doesn't have that power it's worthless to her.)

This would be Karen at them, that is just before moving her murkrow up to the front of the team intending to wipe the other out with only that Pokemon. It has been done before and it is scary.

[the-poke-nebula]

"...I realize what I wish to do is selfish; agonizingly so..."

"...But I will not stop fighting for what I believe in. People and Pokemon must be seen as equals; no longer one as tools of war for the other, using their sick influence to get what they desire."

--------

"I've stopped caring about a 'moral compass' years ago.

When you've seen every outcome, every possibility, every timeline in every sense of the word... you need to see something new, don't you think~?"

--------

"I don't need to explain my reasons for what I've done on Pasio to any of you. What would you have done, in my place, finding out the one benefactor had plans to stab you in the back? You'd want revenge, too."

--------

"...t'put it simple, Me n' my sibs were literally made this way by our Father. What we do is by His design, no matter how we feel about it.

...Sure, Arkha n' Tristana might have their hang-ups, but between you n' me? I love what I do."

--------

"There is no room for remorse in my heart. I've already made peace with my past, and I would do unto the world what I did over and over, if it meant that the world could be Reborn."

[the-poke-nebula]

“Simple, naive little fools. The real truest, most cruel way to kill someone is the opposite. Letting them live... with nothing to live for.

You can shoot them all you like, drown them in acid or lava pools, decapitate them, burn away their very soul, disembowel them, stab them... but they’re all just so quick compared to letting them live their life without anyone or anything to turn to.

Kill all their friends. Destroy their safe havens. Use their greatest fears against them. Do everything in your power to make them see how much more power you have over them. Deny them any escape. Not even in their own minds. Drive. Them. Mad.

Then, after that... killing them would just be a mercy~”

[the-poke-nebula]

@rebornchampion​ wanted a Lin starter

“And so, a new fly has wandered into the Spider’s Web... what do you want, little fly? I grow incredibly impatient.”

[the-poke-nebula]

@rebornmenace​:

"...You wanna know something though? I'd argue Giovanni is worse."

“I’d like to see that glorified mafia leader try to hold a candle against me.”

[the-poke-nebula]

HEADCANON: Lin Post-Mortem

Lin, after having died in Reborn (Whether or not by the players’ choice, considering Episode 19 has yet to be released), is not completely dead, at least to the Protagonist. She resides in the Players’ Subconscious, being the one chastising them for their choices and for their obvious misfortunes.

She wants them to break, and she wants everyone to know that whoever it is, that they are just a (wo)man, just a broken, discarded remnant of who they once were.

She’s the one you really need to fear.

[the-poke-nebula]

“You didn’t think I was done, did ya? Well, I’ve just begun having my fun, baby~ Some people live for attention, playing the victim,

But baby, I was born to do the killin.’”

[the-poke-nebula]

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