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Hameergarh Novel by Ram Saroop Ankhi Literature Punjabi Reading Book B38 New
Asshra Daandu Novel Ram Saroop Ankhi Literature Punjabi Reading Panjabi Book
Book Ref: B38
Novel by Ram Saroop Ankhi - Punjabi Reading Literature Book
Punjabi Literature Book
Pages 153. Paperback, Size approx 18cm x 12cm x 0.7cm, Weight approx 132g
Author: Ram Saroop Ankhi
Language: Indian Punjabi Gurmukhi
We have Punjabi Literature books of several Popular writes in stock, please message more information.
We have many other Punjabi books (Punjabi Alphabets, Punjabi Mini Stories, Punjabi word Sounds, Punjabi Pronunciation, Grand mother's Punjabi Stories with Morals etc.) listed in our shop to learn Punjabi and will personally recommend you all.
Should you have any queries please do not hesitate to contact us.
Free Royal Mail Economy Postage in UK.
Postage discounts for multi-buys.
Any questions please do not hesitate to contact us.
P.S. Colour of item may slightly vary due to camera flash and light conditions. Please note cover of paper may vary as publishers keep on changing front of books each time they publish new edition.
Please buy with confidence.
Country/Region of Manufacture: India
Topic: Literature
Format: Paperback
Product Type: Reading Book
Educational Level: Comprehensive School,Primary School,Secondary School,Sixth Form College,Vocational School
Author: Ram Saroop Ankhi
Subject: Punjabi - Gurmukhi (Indian Punjabi)
Publication Year: 2019
Language: Punjabi
ISBN: Does not apply
#Ram Saroop Ankhi#Village Life#Panjabi Punjab#Punjabi Novel#Hameergarh#Punjabi book#sikhi Sikhism sikh#gutka sahib#Pocket book islam#Panjabi learning#sukhmanee japji#English translation#Gurmukhi Kaida#Guru Nanak Baba
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#tamil novels free#tamil novels online#tamil novels#tamil novels new#tamil novels books#tamil#vijay#rajinikanth#punjabi#jailer
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Fun fact!
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Welcome!!
in my cruella de’vil era <3
Basic info:
i’m Bani a desi teen from India who loves books [reading and buying], writing, listening to bollywood music and watching movies and series!
my desi blog: @shutupbani <3
currently reading: the secret history by donna tartt
Shows/Movies/Books:
inheritance games, cruel prince/ folk of the air, lockwood & co., selection, red queen, awae, shatter me, agggtm, enola holmes, marvel, soc, harry potter, stranger things, greenhouse academy, asoue, babysitters club (show), inbestigators, cruella, the princess diaries, mulan, aladdin, tangled, 10 things i hate about you, zootopia, bollywood movies [can’t name them all cuz there are so many], the fault in our stars, conjuring universe, teen titans go and teen titans and a lot more <3
Music:
literally ANY bollywood singer and SO MANY punjabi singers, some songs of sabrina and olivia and many other singers and rappers
Some other stuff:
sometimes i may be cringe, also i may overuse ‘<3’ or the heart emojis 💗 and 🫶🏻 so bear with me.
jamie hawthorne stan forever
jurdan, averyjameson, kanej and locklyle 🔛🔝
I reblog and reblog and post endlessly when i’m bored (which is pretty much every time)
i am very awkward and i don’t know how to receive compliments. like i would straight up go “ahahh thankss” if u compliment me
also, don’t be shy to message me about ANYTHING (seriously anything) my dms are open to everyone <3
dni if you are racist, misogynistic, zionist, and creepy in general :)
this blog supports palestine so if you THINK what israhell is doing is right, just go away <3
My darling moots <33:
@forzalvr/@anayaslvr, @pragyayay, @urbanflorals, @myster3y, @mqstermindswift, @jamesonhawthorneisw, @lyra-kane-the-queen-of-hearts, @darlingod, @dil-mein-dard-e-disco, @esmeraythewriter, @sophiesonlinediary, @seedhe-pahad-se, @vomentallyunstableladka, @baboland/ @shuhuaspookie, @never-enough-novels, @1989stanz, @kenjik1shimoto, @roses-r-red54330, @luminewhosthat, @carmenpowerpuffgirl, @annamatix, @swiftreader1989, @pennyforyourthoughts345, @gergthecat, @hearthown, @lyrakanefanatic, @sonics-atelier, @a-hope-story, @iburntmybrotherwithdeodorant, @doofusarena, @iluvthesky, @fortunatelyjollybeliever, @madhulikaaa, @maraaahh, @daughterofruins, @hijabi-desi-bookworm, @berryzxx, @mrs-jameson-hawthorne @mariamluv
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22 favourite reads of 2022!
Yes, that’s a lot of books but also: you can’t ever have too many books. These are some of my favourite reads of the year, arranged by a very rigorous (joke) vibe-based categorization method that I made up myself
✧ the push by ashley audrain — Favourite novel about Creepy Children; alternatively: Favourite novel about A Woman Going Fucking Through It.
✧ bunny by mona awad — Favourite "what the fuck did I read” book, lives at the intersection of litfic and horror, and it’s like if the girlblogging side of tumblr got a MFA (this is a compliment)
✧ jonathan strange & mr norrell by susanna clarke — Favourite fantasy (with bonus footnotes, cruel faeries, and alternate history)
✧ bringing down the duke by evie dunmore — Favourite historical romance
✧ the witch elm by tana french — Favourite book about terrible characters suffering. Techically also a mystery thriller but the POV does the heavy lifting in why it’s so good
✧ the echo wife by sarah gailey — Favourite speculative fiction that makes a very good case for clonefucking
✧ the plot by jean hanff korelitz — Favourite litfic with a bonus side of Woman, Unhinged
✧ last tang standing by lauren ho + lucie yi is not a romantic also by lauren ho — Favourite romance, specifically: favourite het romance about a career woman over 30 who’s going through it in Singapore, and also the leading men are adorable”. Stellar audiobook version too
✧ my heart is a chainsaw by stephen graham jones — Favourite horror and favourite Horror Final Girl ft. lesbian vibes
✧ erotic stories for punjabi widows by balli kaur jaswal — Favourite contemporary fiction, and also this is THE book you should gift to people. It has universal appeal and it’s wicked fun and might make you cry
✧ long bright river by liz moore — Favourite murder mystery that’s actually about disfunctional families and your own inner demons. Basically, the Dublin Murder Squad school of sad detectives.
✧ apples never fall by liane moriarty — Favourite domestic suspense but it’s Liane Moriarty so it’s inevitably forthy domestic suspense about middle class het Sydney couples with children. It’s also infuriatingly well written
✧ a deadly education by naomi novik — Favourite YA ft. plucky goth babygirl with death powers
✧ empire of pain by patrick radden keefe — Favourite nonfiction
✧ the last of the wine by mary renault — Favourite homoerotic historical fiction
✧ houston, houston, do you read? by james tiptree jr. — Favourite novella + favourite scifi. Technically a reread but it’s great and you should read it so here it goes! Also I needed a fave story In Space that wasn’t Harrow The Ninth
✧ the feminist by tony tulathimutte — Favourite short story
✧ the cherry robbers by sarai walker — Favourite gothic vibes historical fiction, and also ghosts and lesbians
✧ fingersmit by sarah waters — Favourite historical fiction about scheming Victorian lesbians. If you’ve watched The Handmaiden, this is the book that inspired it
✧ thank you for listening by julia whelan — Favourite book about books, specifically Book About Making Romance Audioplays. Stellar audio version, too
✧ the last housewife by ashley winstead — Favourite book that’ll make you feel physical discomfort and make you want to commit murder. I loved this book and I want to tattoo it to the inside of my eyeballs but also: the content warnings aren’t fucking around
#book talk#book rec#*sobbing and crying*#i love books#these are 21 very specific categories and lauren ho gets 2 recs#pinned
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Hi! I hope you are doing well!
So, I was having a low day recently and went and read through my Ao3 inbox to cheer myself up (it really helps!) and came across some of the interactions I had with you in the comment section of the Ella series (they're so delightful, it warms my heart <3), in where you at some point responded to something I had commented with:
"Okay I *do* think Foggy sees himself as not being that mature, and I actually have a ton of thoughts about that and how it relates to Foggy comparing himself to Matt all the time…….."
And I'm still really curious about your thoughts about that topic, so if that's something you would want to expand on, I'll be happy to hear it!
(This is also kind of related to people underestimating Foggy and Foggy underestimating himself, which I have a lot of feelings and thoughts about myself.)
This may be my most self-indulgent ask, but I love Foggy as a character and I love how you write him and I just want people to talk about him more!!!
Thanks bye <3
First of all, I adore our back-and-forths in the comment sections of our various fics! Life has really gotten in the way of those for me recently, but I hope I can dive back in soon.
Warning: you say this is a self-indulgent ask, so I say this is a self-indulgent novel of an answer! ;)
Poor Foggy! First, I don't think he's actually more immature than Matt, but I do think he sees himself that way: both at a superficial level (Matt did better in school, Matt learned a more reasonable language than Punjabi, Matt is physically fit, and Matt presents himself more "seriously" from his word choice to his sense of humor to his fashion), and at a deeper level. I'm going to explore the deeper level more.
Overall, Foggy strikes me as fairly insecure and lacking internal stability compared to Matt. Matt may struggle with guilt and he may get overwhelmed (usually due to his own wild choices), but Matt is generally resolute in his convictions about who he is and what he's supposed to be doing, even when others disapprove.
Foggy, on the other hand, seems to view himself often through the lens of other people's expectations. If you're familiar with the Enneagram, I think Foggy is a Six, but a Six with a lot of Three tendencies. It's a rough mix. Sixes care about security and stability, both in life and in relationships. Meanwhile, Threes not only want to impact the world (an ambition Matt shares), but they want to be recognized and applauded for it (an ambition Matt decidedly does not share).
This combines to make Foggy fairly dependent on external stability. He wants a comfortable job without curveballs. He wants relationships defined by honesty and trust and little to no change. He also wants status and he wants others to admire and appreciate him.
Whereas Matt can have his whole world (jobs, relationships, status, etc.) turned upside-down, and remain (usually) sure of who he is.
To illustrate, look at Foggy's approach to his career. I'm not sure whether Foggy chose to pursue law because he loved law, or if he chose it simply because it was something more impressive and lucrative than his family's profession. But either way, he seems haunted by his family's disapproval and confusion. He feels the need to justify himself to them. I think this need to justify himself is part of why he was so willfully blind to the evils at L&Z: if he could just "make it big," he could prove to his family that he'd made the right choice.
As he indicates in S3, Foggy is pretty dependent on Matt's strong moral compass except when it comes to Daredevil, since Foggy has no problem disagreeing with Matt over that. This is why, as soon as Matt disappears, Foggy goes right back to working in a big law firm - where, as he admits himself, he doesn't actually care about any of his clients.
And what is the picture we have of Matt and Foggy's friendship, prior to the revelation about Daredevil?
Matt and Foggy both recognize that Matt is more studious than Foggy;
Matt outperformed Foggy in school;
Although Matt briefly followed Foggy to L&Z, Foggy made the much more drastic (and permanent) choice to follow Matt to N&M;
Matt wins most of their arguments (I assume, based on Foggy's comment about Matt never saying he's right - it was an exaggerated joke, I'm sure, but I think there's a kernel of underlying truth to it);
When it comes to basically all of their decisions as a firm (taking Karen's case, taking Prohaszka's case, etc.), Matt's beliefs overrule Foggy's;
Matt sets the safety ground rules for Foggy (and Karen), not the other way around, and;
Once Foggy realizes Matt is sure to find out about his "Nancy Drew'ing" with Karen, he openly seeks Matt's approval (whereas Karen is more defiant in the face of Matt's disapproval).
What's fascinating is that from Foggy's perspective, Matt is always the yardstick by which Foggy measures other something is good or bad. This is just as true when Matt's urging Foggy to do something apparently reckless (like starting their own firm or taking on clients who can't really pay them) as when Matt's urging Foggy to do something apparently sensible (like being more careful with his sleuthing).
One explanation for this is that Foggy is keenly aware of the strength of Matt's convictions. As someone with fewer well-defined and well-tested convictions, Foggy seems almost too quick to believe that all of Matt's decisions are born out of his strong moral compass, such that even when Foggy isn't quite happy or quite understanding Matt's position, he figures: "Well, he's probably saying this for a good reason."
Another explanation for this is just how Matt presents himself. Even when Matt's advocating for a more reckless choice, he presents his cases with logic. No one wants to argue with Matt.
And finally, I think this is explained by how much Foggy cares about what other people think in general, and about the stability of his relationship with Matt specifically. Foggy doesn't want Matt to think of him as selfish or reckless, and he doesn't want to disagree with Matt and cause turbulence in their relationship (...until, of course, he does).
What does this have to do with Foggy feeling like he's immature and comparing himself to Matt? Well, people like Matt are impressive. Don't we all aspire to be the sort of people who will Do The Right Thing simply because it's the right thing - even if it costs us comfort, safety, and other people's respect? The convictions of someone like Matt can be convicting, by which I mean: they cause you to be sharply aware of your own shortcomings.
And so Foggy feels immature simply because it's hard for him to feel mature compared to someone who's always right and always so self-assured about it.
Now, I'm someone who always wants to learn from things. What can we learn from Foggy and Matt? Mostly, I think we can see the pros and cons of caring about what others think. Though not the focus of this essay, Foggy's well known for the fact that his strength lies in his people skills. He can befriend and persuade pretty much everyone he encounters, and can somehow maintain a large network of people on whom he can rely as different needs arise. That's an awesome strength that those of us who are more introverted or shy can try to pursue. At the same time, a weakness is when caring what others think erodes your beliefs, and/or your ability to stand on your beliefs. The Matts of the world don't run all their decisions through a series of tests: "What will so-and-so think? What will so-and-so say? Will so-and-so understand what I'm doing and approve?"
The best thing to do, I think, is strike a balance between the two extremes. Don't let other people determine your beliefs, but do make time for other people and invest in them. Do what is right even if it's uncomfortable, but also surround yourself with people who will make that experience relatively more comfortable. Be prepared to lose relationships if the alternative means compromising your morals, but also recognize that we can always learn from others.
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Reading tag game! Tagged by @hoeratius. Tagging @the-lincyclopedia @the-knights-who-say-book @oughtaagh @eponymiad @cartograffiti
Last book I read: The Order of the Pure Moon Reflected in Water by Zen Cho. It’s a comedic wuxia adventure in a fantasy setting where religious orders have been caught in the crossfire between an authoritarian government and rebel bandits. A nun who loses her job as a waitress joins a group of black market vagabonds attempting to navigate this new reality and everybody gets more than they bargained for.
It’s a whole lot of fun and also gave me so much to think about. I wish I had a hundred more books like this one.
Book I recommend: Maria Dahvana Headley’s translation of Beowulf. @hoeratius recommended the Heaney, as is her right, and that’s the first Beowulf I read but I encountered MDH’s translation in 2021 and was absolutely blown away. I want to do things like this as a translator.
Book I couldn't put down: I first encountered Nate Stevenson’s graphic novel Nimona while it was being serialized online and probably about 80% complete, zoomed through everything that existed so far in a few hours, and then waited eagerly for each additional page. It was absolutely captivating. I’ve had other similar experiences but that one stands out right now in my memory.
Book I've read twice: I’ve been an inveterate rereader over the past four years. Through 2019 probably less than 10% of my reading was rereads and now it’s around 50%. The Queen’s Thief series, The Goblin Emperor and Cemeteries of Amalo books, the Murderbot Diaries, the Wayfarers novels, the Vorkosigan Saga and the Five Gods books, Discworld, and the Young Wizards series have all been ones I’ve revisited regularly. And in 2022 I did a LeGuin readthrough that included revisiting many of her works and experiencing others for the first time. There are so many others as well. Rereading is great!
A book on my TBR: Navdeep Singh Dhillon’s YA romcom Sunny G’s Series of Rash Decisions. I don’t see books with Punjabi protagonists very often so I’m very interested in this one.
A book I have put down: I started An Immense World last year, which is an examination of nonhuman sensory experiences, and I’d really like to get back to it but my brain has been having a harder time with nonfiction over the past couple of years so I haven’t found my way back around yet. I’ve also bounced off Translation State a couple of times now which is frustrating because I’ve enjoyed every other Ann Leckie book I’ve read.
A book on my wish list: I don’t actually have much of a wish list for books because I’m very library-centric. There are definitely books I end up buying and I have a fairly eclectic home collection. But mostly I get books through the public library and the Libby and Hoopla apps with the library’s digital holdings. I do like to buy interesting haggadot and siddurim and have my eye on a new translation of Tehillim, so that’s something.
A favourite book from childhood: There is a picture book with text by Lloyd Alexander and illustrations by Ezra Jack Keats called The King’s Fountain, which I haven’t encountered in decades but remember adoring as a child. It’s a fable about a monarch who plans to divert the city’s water to build a beautiful fountain for himself and a beggar who tries to find some way to convince him to change his mind.
A book I would give a friend: The Thief by @meganwhalenturner. I want everybody to read it.
A book of poetry or lyrics I own: I’m very invested in my local poetry scene which means that unfortunately most of the poetry I own would reveal more about my geographic location than I’m comfortable posting on tumblr. TFW most of the books of poetry you own are written by people you personally know. Highly recommend. I grew up on a lot of Billy Collins and e e cummings and Paul Lawrence Dunbar and Langston Hughes and Maya Angelou and Edna St Vincent Millay and so many others. But that was my mother’s collection and I unfortunately haven’t filled my shelves at home with poetic classics. As a teenager I also had an absolutely wonderful global anthology of poetry from all over the world and from ancient times until the nineteenth century that I’ve never been able to find again and I don’t remember the title. It was very thick and paperback and had a reddish purple cover and was organized by the language each poem had been translated from.
A non-fiction book I own: One of my favorites is The House Book by Phaidon which is a little reference book with a selection of 500 houses from ancient times to the present as an exploration of how people live and what architectural possibilities we’ve explored.
Currently reading: Demon Daughter by Lois McMaster Bujold, Omnitopia Dawn by @dianeduane for the @crossingscon book club, Little Thieves by @what-eats-owls, and Witch King by Martha Wells, not counting rereads.
Planning on reading next: Painted Devils and The Adventures of Amina al-Sirafi. There are a few other titles that might intervene, because my choice of reading material is heavily dependent on mood now. Which is part of what makes rereading so appealing. It’s easier to know what mood something is right for if I’ve already read it!
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HIIIII! Hope you are doing well! I saw art of your characters, and I want to hear about them! I am specifically talking about the autistic vampire, because I saw that in the reference art and got so excited!!! You don’t have to reply, but as an autistic vampire enthusiast and lover of monsters in general, I would LOVE to hear more!
Sincerely, your local lurker
I AM SO SORRY im answering this like, um (checks calendar)… almost 7 months later… but hey!!! I am SO TOUCHED you wanna hear about my ocs :,) i will proceed to info dump and not shut up about them! I actually have multiple autistic vampire ocs, but im gonna assume you’re talking about Bhala! (Her ref is the only one i think that actually says she’s autistic) Anyway, ramble under read more :3c
I have a graphic novel im working on behind the scenes, and Bhala is one of the two main protagonists. She’s a cosmic witch that was freshly turned into a vetaala vampire. (Vetaal/Vetaala are a possessive ghost in indian folklore, they are restless spirits that can manifest as blood sucking ghosts or possess dead bodies). For the story, i made a pseudo hybrid between vetaal and regular flavor vampire. Bhala’s body is actually a shell/physical ghost form of what her body looked like (only now with fangs). Her real physical body is dead and buried. In folklore, the only way to banish/kill a vetaala creature is by taking the original body and performing a ritual to put the restless soul/spirit at ease. This is the same for my story, so vetaala vampires are almost completely un-killable. Most in the story hide their bodies in different countries to almost guarantee eternal life. They still need to feed off blood and souls to keep up their vitality, otherwise they become ravenous and beastly.
Bhala literally doesn’t care about any of that, she didn’t want to be this way. She tries her best to not feed off people, but she has to. She gets used to it further and further into the story, and a lot of that is thanks to her gf that she meets in the beginning of the story; Fiona (thats another ramble if anyone cares /j)
Anyway a lil more about Bhala- She’s a ray of sunshine and very sweet and compassionate, with a lil layer of sass and cleverness. She loves to tease Fiona (affectionately) and isn’t afraid to speak her mind (and throw hands if necessary). Her hyper fixation is woodland animals, specifically skunks. She owns a skunk plush that her mother made for her when she was a toddler. It is her snuggle buddy when she’s not snuggling Fiona. She even learned how to sew specifically to keep her plush, named Flower, together. If you ask her what her favorite animal is, she will talk about skunks for hours (Fiona will do this sometimes just to hear her talk)
Bhala loves jewelry and always has it on (she doesn’t really feel pain, so why not?). She also grew up playing the cello and acoustic bass. Normally, she resents most activities she had to take a part of growing up with her father, but she genuinely loves music. It helps her calm down and focus.
She fidgets A LOT, mostly with her claws, but sometimes with her jewelry and even her magical cosmic hair (which leads into a baby astral plane… which she uses as storage instead of a backpack). She does have real hair, it’s just hidden underneath the cosmic magic (she has long thick black box-braids :3)
Her powers at the start of the story aren’t that great, her father was keeping her from learning real cosmic magic. After leaving and moving in with Fiona, they find Bhala’s mother, who properly trains her in magic. By the end of the story, she’s not a master, but she’s still extremely powerful (cosmic magic is some powerful shit in this story)
She is unapologetically black/punjabi/kashmiri and a powerful trans woman, and oh boy she is a BIG lesbian. she likes them short
I think thats it for the ramble, feel free to ask me anything else! I am more than happy to info dump about my ocs :3 !!!!
#des’ art#ask box#my ocs#bwb#bhala my fucking beloved#im SO HAPPY. i made these ocs for me but its always nice to see ppl are interested in learning more#(ugly crying) im so emotional i love my ocs and i appreciate the kind ask#sorry it took me forever to respond i legit forgot to
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The Bollywood Lovers' Club Review
This book absolutely wrecked me (affectionate)
4/5 Stars!!!!!!!
Amrita Sidhu moves away from her home in California, leaving behind a community and extended family where she knows who she is. Her new home in Ohio is cold and lonely but at least she has a couple of classes with Dave Gill, who is sweet and funny and awkward and Mormon. Amrita is Sihk and is not supposed to be dating anybody, certainly not a Mormon kid that her family doesn't even know. Dave is already struggling with how to tell his parents he won't be going to college like they expected, and he's still undecided on a mission. Falling for a girl outside his religion just adds another secret into his life.
This book centers around religion, faith, family expectation, and personal goals. I wish I'd had this kind of book to read growing up. For once I felt like my high school experience was accurately portrayed.
Spoilers under the cut
1. Well written - 5 Stars
Admittedly, you could probably find flaws in the plot if you looked. It's a High School Romance. Some things are cheesy or happen too fast or whatever, but personally I found the story and writing style engaging, realistic, relatable, and anxiety inducing at time.
2. Fun level - 5 Stars!
I love to read, but it's not often a book can hold my undivided attention for 4 hours straight. This book did. Every time I picked it up I felt myself sucked into Dave and Amrita's world. It might not be everyone's cup of tea (it IS a high school realistic fiction novel. No magic or spaceships) but I was entertained the whole way through.
3. Complex faith - 5 Stars
This is my favorite representation of Mormon life that I have EVER seen. It is exactly the kind of book I am looking for in this project. Dave is Mormon. He goes to early morning seminary and helps out in his ward. He loves his faith but he's also not afraid to ask questions about how things pertain to him personally. He grapples with his faith, and with what people have told him to do, before coming to his own conclusions.
Importantly, Amrita's religion is portrayed just as complexly throughout the book. And neither Dave nor Amrita ever consider giving up their faiths or converting or anything. I appreciated that they included Dave's grandfather, who converted to Mormonism from Sihkism, and explored how Dave feels this disconnect when he visits the gurdwara, like it's a place he should belong, but doesn't.
This book treats religion as a mixture of personal beliefs, family tradition, and community belonging, which is how I feel about my religion.
4. Homophobia scale - 2.5
Absolutely no mention of queerness at all. So it just gets the most medium score. There was no preaching but no gay people.
5. Mormon weird - 2
We had Dave explaining his green jello video project at one point, and a portrayal of Mormon wedding reception in the church gym (someone in Dave's ward at the beginning of the book). But overall it was light on the things that make Mormonism unique. Which I think worked for the story it was telling but does get it a low score in this area. It made me feel all the more represented for that I think.
6. Diversity of characters - 4
There are only like, two white girls in the whole story. Everybody else is Punjabi/Indian. Although that's really just one demographic, I am giving it a high score here because of how much it showed of Punjabi culture, and how much respect and honor those traditions were shown by the narrative. It wasn't just a ton of token characters, it was genuinely working to share a kind of story that doesn't always get told.
7. Other problematic stuff - 5
Didn't notice anything more of note.
Conclusion:
This is the kind of story I wish I had been able to read in high school. This is the kind of book I could recommend to someone as just, genuinely a good story and also it includes mormons. And Mormons done well! I feel like a lot of Mormon media I've seen focused a lot at making fun of ourselves, and I love that this book doesn't do that at all.
The end was heartbreaking. But I like that it allowed each character their choice, and it gave honor to prioritizing something other than romantic love.
#mormon#mormon representation#religion#The Bollywood Lovers' club#james goldberg#janci patterson#side note: interesting how both this and daughter of the deep have an indian girl and a mormon boy#gonna recommend this book to everyone who ships gem and ana/j#book review
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hey, weird question, but do you happen to know anything about lei motifs in Andrew Loyd Webber's Phantom of the Opera, written in 1986 and based off French author Gaston Leroux's hit novel published in 1910?
OH BOY OH BOY
I probably could've said a lot more on this subject 18 months ago but the gist of it is:
Erik's theme I'd obviously the phantom of the opera, the melody in this song :3
The melody that plays during masquerade and from the monkey music box?
Mask theme! Whenever someone's hiding their face, it's that theme.
I think it's neat that the phantom's and the mask theme are seperate, but that the mask theme still plays during some phantom bits (most notably at the very end) to represent the fact that he's a lying, secretive bitch who doesn't say anything about himself.
I mean, they completely left out the Persia stuff and don't explain the Punjabi lasso at all in the musical cause it was just cut entirely!!!
Madame Giry, who originally was hardly a character at all, replaced the daroga/Nadir's role in the story. My personal guess is racism cause Nadir's Middle Eastern and not evil (he's so cool I love him)
I hate Andrew Lloyd Webber, he's a pussy for making the phantom hot and removing the brown guy. Also for removing the 24 hour long torture thing but idk I don't think it's as easy to argue for that one as it is the deformity and racism thing.
Tldr: there's two main leit motifs (phantom and mask) and the mask leit motif sometimes plays when the phantom is on stage cause he's a liar. Also I hate ALW for other vaguely related reasons.
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Hello Mein Bol Rahi Haan Punjabi Fiction Novel Sukhvir Singh Soohe Akhar book MA
Hello Mein Bol Rahi Haan Punjabi Fiction Novel Sukhvir Singh Soohe Akhar book
Book Ref:MA
Fiction Novel in Punjabi (Gurmukhi/Indian Punjabi)
Pages 304. Paperback
Author: Sukhvir Singh (Soohe Akhar)
Language: Punjabi (Gurmukhi)
Size: approx. 21.5cm x 14.5cm x1.8cm
Weight: approx. 365g
We have Punjabi Literature books of several Popular writers in stock, please message for more information.
We have many other Punjabi books (Punjabi Alphabets, Punjabi Mini Stories, Punjabi word Sounds, Punjabi Pronunciation, Grand mother's Punjabi Stories with Morals etc.) listed in our shop to learn Punjabi and will personally recommend you all.
Should you have any queries please do not hesitate to contact us.
Free Royal Mail Economy Postage in UK.
Postage discounts for multi-buys.
Any questions please do not hesitate to contact us.
P.S. Colour of item may slightly vary due to camera flash and light conditions. Please note cover of paper may vary as publishers keep on changing front of books each time they publish new edition.
Please buy with confidence.
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#tamil novels books#tamil novels online#vijay#jailer#tamil#rajinikanth#tamil novels free#tamil novels#tamil novels new#punjabi
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kapil sharma PS-1 extras
(bear in mind, not fully fluent in hindi here!)
youtube
[0:17]
kapil: a big round of applause for our guests!
my question is to all of you. [to the audience] you might already know, they're making a big-budget film.
[to the actors] so when you found out that the budget is so big, did you tell your actual price to the producers or did you add some ten thousand to it, like it's fine, it's already so expensive, let us ask for a little more as well? or did the producers say, we're making PS-1 now, there will be PS-2,3,4,5 so please lower your rate a little?
i heard from [somebody] that those who weren't lowering their rates would be dying in the war scenes in the film. is it true, sir?
vikram: yeah, yeah, definitely.
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vikram: you can say amitabh sir's dialogue; "i can talk english, i can walk english, i can speak english" (dialogue from the movie 'namak halaal' in 1982; i think they cut to when they're talking about kapil's english)
archana: [kapil] can flirt english! anytime!
kapil: i can what?
archana: you can flirt english. hindi, punjabi, sindhi, marathi, all!
kapil: thanks, thanks, pleasure. okay, you know that this film is based on kalki's novel and it's a 2600 page novel. so did you read the script or read the novel? and if you read the novel, how many days did it take you to read such a long novel?
sobhita: there are five books, each of them this thick.
kapil: you read the whole thing?
sobhita: yes.
vikram: half payment is for reading the novel.
kapil: for [a book] that long, actually yeah!
vikram: and exercise also with that.
kapil: you read the book in seven days.
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archana: about trisha, do you know this?
trisha: so actually, my first film in telugu, "nee manasu naku telusu" ('i know your heart/mind'), in that film, archana ji was my mother; and she's very hot, and the role was of a hot mom, so…
kapil: until now, there's no one in the industry who has said they haven't worked with archana ji.
trisha: that's true.
kapil: some people were saying that when the british left in 1947, she was standing at the main gate to see them off.
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[2:24] to [8:11] is the game, as per this post.
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from [8:12]
kapil: karthi sir posted this photo.
[reads comments]
"it looks like they're pulling the TC (ticket collector for trains) aside to confirm their ticket on the waiting list"
(reply to above) "hey, that's not the TC, that's the director; they're confirming their roles"
please show more.
"karthi sir's smile is telling that his next scene is a romantic one"
"director be like: you're doing all the romance scenes; what share are we getting? take out a couple thousand [rupees]"
please show more.
[trisha's post]
"it seems like the producer is coming to discuss the budget, so she's taken out all the awards and put them there"
[another trisha post]
"by standing on that cake, you could even fix the ceiling fan"
[another trisha post]
"madam, a question: in horse riding, does the horse burn calories or does the person sitting on the horse burn calories?"
"you give your helmet to the horse and put on the horse's ears on yourself, then your height will be as much as the horse; free advice, there's no fees"
[jayam's post]
jayam sir posted a photo; back to doing what i do best. please show the comments below.
"i can also drive a tractor well; you are a good actor also"
"seeing the lion behind you, i remembered i have to (not sure what the word means exactly but i'm assuming it's some type of consumption) drink two bottles of glucose"
"sir, i have to shift my house, will you give your tractor? dm me the charges"
"he's also waiting for the ride; it won't move forward until the trolley is full (of people)"
please show more.
[sobhita's post]
oh this is anurag sir? (a filmmaker) show the comments.
sobhita: i'm feeling scared.
kapil: "boys are like this only. even if their own leg is broken, they are always ready to give a support to a girl" (referring to the fact that in the picture, anurag's leg is in a cast, and he's letting sobhita lean against him)
"sobhita ji, from looking at your shoes, it seems like you came straight from school"
(reply to above) "in that sense, then anurag ji looks like he just came after getting beat up"
please show more.
karthi: it's scary when it scrolls, huh?
kapil: "it looks like whoever they trusted and came to france, that person isn't picking up their phone" (because it looks like they're stranded somewhere)
"i have also sat like this is a foreign country; people started giving me money"
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I'm sad to say that my first serialized book, The Moonlit River, isn't selling nearly as well as I'd hoped, but then queer books aren't exactly the most popular niche. It's always hard to summarize a 400+-page book, and even harder to convince people to buy it, so I'm trying again: This book is for fans of Harry Potter, looking for a queer-friendly magical world, with multiple queer, poc, and qpoc characters. The main character, Kavish, is Punjabi and raised by a gay mixed-race couple. As for the magical elements, there is magic, magical creatures, and mermaid-like creatures. A lot of the creatures featured are inspired by or pulled directly from Greek Mythology.
So much happens in this novel it's hard to pin down and say it's about This One Thing, but it's about so many things: love, family, acceptance, and the strength it takes to protect what you love.
It's 99 cents on Amazon for the ebook*, free on Kindle Unlimited, and also available in paperback and hardcover. You can check it out Here.
If you can't get it for whatever reason, please signal boost this post <3
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Bhai Punjabi guys are so so so beautiful haaayee they look like they walked straight out of a movie or a novel written by a woman i swearrrr!
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Ten Interesting, Indian Novels
Djinn Patrol on the Purple Line by Deepa Anappara
Jai drools outside sweet shops, watches too many reality police shows, and considers himself to be smarter than his friends Pari (though she gets the best grades) and Faiz (though Faiz has an actual job). When a classmate goes missing, Jai decides to use the crime-solving skills he has picked up from TV to find him. He asks Pari and Faiz to be his assistants, and together they draw up lists of people to interview and places to visit. (Amazon.com)
But what begins as a game turns sinister as other children start disappearing from their neighborhood. Jai, Pari, and Faiz have to confront terrified parents, an indifferent police force, and rumors of soul-snatching djinns. As the disappearances edge ever closer to home, the lives of Jai and his friends will never be the same again. (Amazon.com)
The Mango Season by Amulya Malladi
Returning to India is an overwhelming experience for Priya. When she was growing up, summer was all about mangoes—ripe, sweet mangoes, bursting with juices that dripped down your chin, hands, and neck. But after years away, she sweats as if she’s never been through an Indian summer before. Everything looks dirtier than she remembered. And things that used to seem natural (a buffalo strolling down a newly laid asphalt road, for example) now feel totally chaotic. (Goodreads.com)
The Last Queen by Chitra Banerjee Divakaruni
She rose from commoner to become the last reigning queen of India's Sikh Empire. In this dazzling novel, based on true-life events, bestselling author Chitra Banerjee Divakaruni presents the unforgettable story of Jindan, who transformed herself from daughter of the royal kennel keeper to powerful monarch. (Goodreads.com)
The Suitable Boy by Vikram Seth
Vikram Seth's novel is, at its core, a love story: Lata and her mother, Mrs. Rupa Mehra, are both trying to find—through love or through exacting maternal appraisal—a suitable boy for Lata to marry. Set in the early 1950s, in an India newly independent and struggling through a time of crisis, A Suitable Boy takes us into the richly imagined world of four large extended families and spins a compulsively readable tale of their lives and loves. A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy remains the story of ordinary people caught up in a web of love and ambition, humor and sadness, prejudice and reconciliation, the most delicate social etiquette and the most appalling violence. (Goodreads.com)
Erotic Stories for Punjabi Widows by Balli Kaur Jaswal
Nikki lives in cosmopolitan West London, where she tends bar at the local pub. The daughter of Indian immigrants, she’s spent most of her twenty-odd years distancing herself from the traditional Sikh community of her childhood, preferring a more independent (that is, Western) life. When her father’s death leaves the family financially strapped, Nikki, a law school dropout, impulsively takes a job teaching a "creative writing" course at the community center in the beating heart of London’s close-knit Punjabi community. (Barnesandnoble.com)
Because of a miscommunication, the proper Sikh widows who show up are expecting to learn basic English literacy, not the art of short-story writing. When one of the widows finds a book of sexy stories in English and shares it with the class, Nikki realizes that beneath their white dupattas, her students have a wealth of fantasies and memories. Eager to liberate these modest women, she teaches them how to express their untold stories, unleashing creativity of the most unexpected—and exciting—kind. (Barnesandnoble.com)
The Daughters of Madurai by Rajasree Variyar
Madurai, 1992. A young mother in a poor family, Janani is told she is useless if she can’t produce a son—or worse, if she bears daughters. They let her keep her first baby girl, but the rest are taken away as soon as they are born and murdered. But Janani can’t forget the daughters she was never allowed to love. (Goodreads.com)
Sydney, 2019. Nila has a secret; one she’s been keeping from her parents for too long. Before she can say anything, her grandfather in India falls ill and she agrees to join her parents on a trip to Madurai. Nila knows very little about where her family came from or who they left behind. What she’s about to learn will change her forever. While The Daughters of Madurai explores the harrowing issue of female infanticide, it’s also a universal story about the bond between mothers and daughters, the strength of women, and the power of love in overcoming all obstacles. (Goodreads.com)
Witness the Night by Kishwar Desai
In a small town in northern India, a house still smolders from a devastating fire. Inside a young girl is found severely beaten and barely alive, along with the lifeless bodies of thirteen people. Inexplicably, the local police accuse the girl of the murders. But Simran Singh, an independent-minded, unconventional social worker, is convinced of the girl's innocence. As Simran goes against the authorities to seek out the truth, she discovers a terrifying web of deceit that will change her forever. Seamlessly weaving themes of sexism, police corruption, and infanticide, this captivating mystery plunges readers into the thrilling heart of modern India. (Barnesandnoble.com)
The Namesake by Jhumpa Lahiri
he Namesake takes the Ganguli family from their tradition-bound life in Calcutta through their fraught transformation into Americans. On the heels of their arranged wedding, Ashoke and Ashima Ganguli settle together in Cambridge, Massachusetts. An engineer by training, Ashoke adapts far less warily than his wife, who resists all things American and pines for her family. When their son is born, the task of naming him betrays the vexed results of bringing old ways to the new world. Named for a Russian writer by his Indian parents in memory of a catastrophe years before, Gogol Ganguli knows only that he suffers the burden of his heritage as well as his odd, antic name. (Goodreads.com)
The Unlikely Adventures of the Shergill Sisters by Balli Kaur Jaswal
The British-born Punjabi Shergill sisters—Rajni, Jezmeen, and Shirina—were never close and barely got along growing up, and now as adults, have grown even further apart. Rajni, a school principal is a stickler for order. Jezmeen, a thirty-year-old struggling actress, fears her big break may never come. Shirina, the peacemaking "good" sister married into wealth and enjoys a picture-perfect life. (Goodreads.com)
Arriving in India, these sisters will make unexpected discoveries about themselves, their mother, and their lives—and learn the real story behind the trip Rajni took with their Mother long ago—a momentous journey that resulted in Mum never being able to return to India again. (Goodreads.com)
Nectar in a Sieve by Kamala Markandaya
Married as a child bride to a tenant farmer she had never met, Rukmani works side by side in the field with her husband to wrest a living from a land ravaged by droughts, monsoons, and insects. With remarkable fortitude and courage, she meets changing times and fights poverty and disaster. (Amazon.com)
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