#Psychedelic Drugs Market Demand

[colinwilson11]

Rising Mental Healthcare Needs Will Drive Psychedelic Drugs Market Forward

The psychedelic drugs market will grow at highest pace owing to rising prevalence of mental health disorders. Psychedelic drugs contain psychedelic substances like psilocybin, LSD, mescaline, and DMT that can positively impact mental health issues like depression, anxiety, PTSD, addiction and others. These drugs work by altering the serotonin levels in the brain and induce hallucinogenic effects. The psychedelic drugs market is currently growing with the revival of medical research into these drugs for treating mental health conditions. Studies show psychedelic therapies can effectively treat mental disorders with long lasting effects and fewer side effects than existing antidepressants.

The Psychedelic Drugs Market is estimated to be valued at US$ 2.7 Bn in 2024 and is expected to exhibit a CAGR of 15% over the forecast period 2024-2031.

Key Takeaways

Key players operating in the psychedelic drugs are Celon Pharma, iX Biopharma, Lykos Therapeutics, MindMed, Janssen Pharmaceuticals. Celon Pharma is a clinical stage biotech company focused on developing therapies for mental illness using psychedelic substances. iX Biopharma is developing drugs containing psilocybin to treat conditions like cancer-related depression and PTSD.

The demand for psychedelic drugs is growing sharply as prevalence of mental health disorders rises worldwide. According to WHO, over 300 million people are now living with depression. Psychedelic drug research can help address this huge mental healthcare need.

Technological advancements are also helping accelerate the development of psychedelic drugs. For example, genetic research is helping identify how psychedelic substances interact with the brain at molecular level. Brain imaging techniques are elucidating their precise mechanisms of action. This improves drug discovery and development process.

Market Trends

Microdosing of psychedelics is gaining traction as an alternative treatment method. Microdosing involves consuming sub-perceptual doses of LSD or psilocybin on a regular basis to attain therapeutic benefits without hallucinogenic effects.

Combination therapies using psychedelics with other established treatments like talk therapy is being explored. This aims to enhance therapeutic outcomes through drug-assisted psychotherapy protocols.

Market Opportunities

Psychedelic drugs show promise in treating addiction disorders like alcohol use disorder, opioid addiction etc. Studies found a single dose of psilocybin can significantly reduce alcohol consumption and craving for months.

Expansion into new regions by conducting clinical trials beyond traditional markets can help companies tap newer geographies and accelerate commercialization of psychedelic therapies.

Impact Of COVID-19 On Psychedelic Drugs Market Growth

The COVID-19 pandemic has had a significant impact on the psychedelic drugs market growth. During the initial lockdown phases, the demand for psychedelic assisted therapies declined significantly as therapists moved towards online service delivery models which are still evolving. Meeting in-person for psychedelic therapy sessions was challenging due to social distancing norms. This disrupted the treatment process and affected the market revenue in the short term.

However, with rising mental health issues like anxiety, depression and substance abuse during the pandemic, the need for alternative treatment options has increased. The long wait periods for conventional therapies have led more individuals to explore psychedelic drugs for treatment-resistant conditions. Telehealth and digital platforms are also enabling therapists to support clients remotely. This has enabled the market to bounce back faster than expected in the post-COVID phase. Companies are accelerating their clinical trial processes and developing effective micro-dosing and home-use treatment models. The growing focus on mental health post-pandemic is projected to boost the acceptance and adoption of psychedelic therapies over the coming years.

Geographical Regions With High Psychedelic Drugs Market Value

North America currently dominates the psychedelic drugs market and accounts for the largest market share in terms of value. This is attributed to factors like the growing prevalence of mental health disorders, fast adoption of advanced therapies, supportive regulation for research, and presence of key market players in the region. The US has emerged as a major investment hub for psychedelic drug research and development. It is projected to continue dominating the regional market over the forecast period.

Fastest Growing Regional Market For Psychedelic Drugs

Europe is expected to demonstrate the fastest growth in the psychedelic drugs market over the coming years. This is due to the rapidly changing regulatory environment favoring psychedelic drug research and trials. Countries like the UK, Germany, Netherlands are at the forefront of regulating medical use of substances like psilocybin and MDMA to treat various mental conditions. Increasing awareness about mental health, rising healthcare expenditure, and growing geriatric population are fueling market opportunities. Europe is predicted to offer lucrative expansion prospects for psychedelic drug manufacturers in the coming decade.

Get more insights on this topic:   https://www.pressreleasebulletin.com/psychedelic-drugs-market-poised-to-witness-high-growth-due-to-increasing-rd-of-psychedelic-therapies/

Author Bio:

Money Singh is a seasoned content writer with over four years of experience in the market research sector. Her expertise spans various industries, including food and beverages, biotechnology, chemical and materials, defense and aerospace, consumer goods, etc. (https://www.linkedin.com/in/money-singh-590844163 )

What Are The Key Data Covered In This Psychedelic Drugs Market Report?

:- Market CAGR throughout the predicted period

:- Comprehensive information on the aspects that will drive the Psychedelic Drugs Market's growth between 2024 and 2031.

:- Accurate calculation of the size of the Psychedelic Drugs Market and its contribution to the market, with emphasis on the parent market

:- Realistic forecasts of future trends and changes in consumer behaviour

:- Psychedelic Drugs Market Industry Growth in North America, APAC, Europe, South America, the Middle East, and Africa

:- A complete examination of the market's competitive landscape, as well as extensive information on vendors

:- Detailed examination of the factors that will impede the expansion of Psychedelic Drugs Market vendors

FAQ’s

Q.1 What are the main factors influencing the Psychedelic Drugs Market?

Q.2 Which companies are the major sources in this industry?

Q.3 What are the market’s opportunities, risks, and general structure?

Q.4 Which of the top Psychedelic Drugs Market companies compare in terms of sales, revenue, and prices?

Q.5 Which businesses serve as the Psychedelic Drugs Market’s distributors, traders, and dealers?

Q.6 How are market types and applications and deals, revenue, and value explored?

Q.7 What does a business area’s assessment of agreements, income, and value implicate?

*Note: 1. Source: Coherent Market Insights, Public sources, Desk research 2. We have leveraged AI tools to mine information and compile it

[herbeloved82]

Lies of omission

It was the anniversary of his turning and Daniel felt restless and empty at the same time. He missed his life. He missed being a writer and a journalist. The adrenaline of getting a new assignment, the rush of endorphins when he caught the person he was chasing down and saw his name at the bottom of an article, possibly when the article was big enough to get the front page. 

For a long time it had been everything he had wanted, and he knew he was damn good at it. Tracking down stories had been his personal brand of drugs, not that Daniel ever shied away from cocaine and psychedelics in the seventies, but those didn’t count. 

The years of riots and human rights battles, when students woke up from a society imposed paralysis and realized the world around them was fucked, were also years to discover themselves through dissent and counterculture. 

Mushrooms and nights in the desert had been a requirement, then the synthetic drugs hit the market and were suddenly available to anyone who wanted them. Daniel wanted to take life in his own hands and devour it with the same greed with which it devoured him in return. His wishes were granted, in a way. Not only had he been devoured by life, but he’d been hollowed out, cut to the quick by someone who claimed to love him.  

Life would consume him, Daniel was well aware of that. He never thought he would have lived long enough to see himself retired and surrounded by children and grandchildren. He was a fire doomed to burn only for a season or two before everything in sight was burnt out to cinders. 

Life didn’t go like he had thought at the end. Sure, he would never get old, he would never have children, but at the same time he would never change now, trapped in his early thirties, in a body most of the time Daniel didn’t even feel as his own. Too much had been done to his body by himself and others and even now, after a whole year with Marius, he didn’t understand why the older vampire would claim to love him. 

What was to love in something as broken as he? 

Of the man he had been, the happy and carefree person who dove headfirst into the unknown, thinking stupidly that he could come out of the experience unscathed and whole, even if perhaps a bit changed. But now, nothing was left. He was now just an empty shell, a ghost of who he was before, never to be the same again. 

Silently he sneaked back inside, after he lied to Marius and told him to go and meet with Thorne, that he would have been fine alone for a few hours. 

He hadn’t  planned to do something stupid, like in the beginning, when Marius had been the only reason why he was still alive, night after night. 

The older vampire made sure he would remember to feed, and when dawn grew closer, it was Marius who came to fetch him and led him to their coffin. It was Marius who chose for them a house with interior rooms without windows, enough for him to move freely without worrying about the sun when he would fall asleep on top of his models. 

Sure it only happened a couple of times before Marius reinforced the rule that if Daniel wasn’t in their shared room at least ten minutes before dawn, Marius would come and take him, no matter how hard Daniel would fight to stay a bit longer with his miniatures, the only thing that gave peace to his tormented mind. 

However Marius wasn’t there now, and it was because Daniel insisted. It was his own doing and now he regretted the moment he lied. He should have asked Marius to stay, telling him he could meet with Thorne another day. 

It didn’t matter now that Thorne needed Marius' advice about what was happening to them as a whole, Marius had other duties now. He was free from the Sacred Parents and their demands. He was free to focus on Daniel, who needed him more than anyone else. 

Those were the thoughts that swirled in his mind, and Daniel hated how needy he sounded but it was the truth, he did need Marius more than anyone else. The others had had their time with him already. Lestat was lucky enough to have him as a mentor and it had been his own fault he had lost Marius so soon. Armand was Marius’ beloved fledgling, his cherub and muse, every time Marius would create something he did so thinking about Armand and no one else. Sure things weren’t good between them; too many mistakes had been made for them to solve  without intensive intervention, but in the very least they spoke. 

For now it was Daniel who had the most need for Marius. He knew there would come a time in which he and Marius would part ways, but that time wasn’t now and it wouldn’t be for long if Daniel had anything to say about it. 

He sighed loudly as he stepped into their room, the one place in the mansion that smelled like a perfect combination of them. The place was immaculate and neat. It was such a strong contrast between what their working rooms looked like: chaotic and messy, so full of items, books, and papers that it would be impossible for anyone else to find anything there. But it worked for them. 

There was a logic in their working disarray, that allowed them to always know where it was what they were looking for, but their room was different. It was like they willingly chose to leave confusion and turmoil behind the heavy, carved door that at dawn separated them from the outside world. 

Here they were safe, from the sun and from themselves. The confusion of their minds was banned from the comforting space they created for themselves, and like never before Daniel was more grateful for that decision. 

Only when he closed the door behind him did he feel like he could breathe again. The big and comforting bed where Marius would hold him those evenings in which Daniel didn’t have the strength to get up and live, even if just a bit, was alluring but too empty. 

He sighed again and cursed himself and his stupidity. Marius should be here. Marius would be here if he wasn’t stupid enough to think he could do without him for a few hours. He couldn’t, that was the simple truth, not today at least. Marius would have stayed and the state of affairs among their kind would have suffered for that, who was he, after all, to put everyone else in danger just because he was too weak to deal with his own shit for a few hours? He didn’t want to appear even more pathetic to Marius’ eyes, even if Marius never thought that of him. It was his guilt and shame speaking and Daniel didn’t know how to shut them up.  

As his eyes roamed the room, looking for something to distract himself, Daniel saw it. It was a red sweater, one that Marius favored among his many, many clothes. He had wanted to wear it today, but then he had changed his mind and it looked like he didn’t have time to put it away. 

Gingerly, Daniel walked to the chair where the sweater laid and took it. For a moment he was happy to just sink his hands in the soft fabric marveling at how soft it was. It was like holding a cloud. A small smile appeared on his face for the first time since Marius left. 

Then it wasn’t enough anymore and Daniel did something he swore he would never do. As a human he had seen too many people getting pathetically obsessed about people way out of their league, or who only saw them as friends, and he promised himself he would never be like that. He would accept if someone didn’t reciprocate his attraction or feelings. He would move on to the next person, for life was too short and Daniel never wanted to waste time on things that were impossible. 

He sunk his face in the sweater, deeply inhaling Marius’ unique scent that permeated the soft wool. Without thinking he laid down, the sweater tightly held in his hands, and waited for sleep to claim him. 

Marius came back home a few moments before dawn, and was greeted by the view of Daniel already half asleep, his sweater hiding his face. 

“Oh sweetheart, what have I done?” He whispered before laying down by Daniel's side, his body heavy already, but not enough to stop him from moving enough so that he was protectively wrapped around his younger lover. 

“It - it smells like you.” Daniel’s drowsy voice answered. 

Tomorrow they would talk about lies of omissions and the importance of being honest with each other, but for now, Marius was happy to allow sleep to take him as he held his dearest boy in his arms. 

Theirs was a long road towards recovery, but for the first time in centuries Marius had a feeling they would make it. 

END                     

[azspot]

After decades of progress when it comes to the criminalization of drugs, we’ve seen something of a backsliding lately. Some of this is understandable if not sensible; it’s true, for example, that broad decriminalization in Oregon had negative social consequences. In worse news, there’s been setbacks for using psychedelics in a therapeutic setting, with psilocybin mushrooms and MDMA as medicine running into regulatory walls that appear unbreachable, for now. The inevitable outcome, of course, is that people who want these drugs will endanger themselves by procuring them from the black market, without the aid and care of a therapist. This is all a part of a broader American sprint away from left cultural issues, the whiplash-inducing backlash against “woke” politics that has the Democratic presidential candidate running as an anti-immigration warrior. But drug policy is a perfect example of why such broad and crude movements are so unhelpful - drugs really did win the drug war, and no amount of changing political fashion can make prohibition work again. The wisdom that we’ve gained, about the ineradicable demand for drugs and the inevitability of supply to match that demand, risks falling apart thanks to short-term thinking derived from transitory attitudes towards permanent problems. And behind it all lies a sentimental attachment to the idea that we could have saved someone like Matthew Perry, had we locked the bad guys up, a pleasant thing to believe in a world in which someone with so much could fight, and fight, and still lose.

You Can't Save Addicts by Arresting Their Dealers and Enablers

[promocodc]

Shroom Delivery Services Bloom in Washington DC

In the heart of Washington DC, a burgeoning trend has emerged quietly but unmistakably — shroom delivery services. Far from the typical deliveries of food or packages, these services cater to a niche yet growing market interested in psychedelic mushrooms for recreational and therapeutic purposes.

Washington DC’s unique legislative landscape plays a pivotal role in the rise of these services. While the District of Columbia has decriminalized the use and possession of naturally occurring psychedelics like magic mushrooms, it remains illegal to sell them. However, enterprising individuals have found a legal workaround by offering these substances as gifts, with the actual transaction being for the delivery service itself.

The process typically begins online, where customers browse websites offering a variety of mushroom strains. From classics like Psilocybe cubensis to more exotic varieties, the selections cater to different preferences and experiences. Users select their desired strains, place an order, and schedule a discreet delivery.

The delivery itself is an exercise in discretion and professionalism. Couriers, often described as “gifters,” arrive at the designated location with the chosen mushrooms packaged inconspicuously alongside a complimentary gift — a keychain, a sticker, or a small trinket. This approach not only adheres to legal guidelines but also ensures a seamless transaction that prioritizes customer privacy and safety.

Behind this novel industry are individuals passionate about psychedelics’ potential benefits. Advocates cite research indicating that psilocybin, the active compound in magic mushrooms, may offer therapeutic effects for conditions such as depression, anxiety, and PTSD. They argue for responsible use and education, emphasizing harm reduction and informed decision-making among consumers.

The growth of shroom delivery services also reflects shifting attitudes towards psychedelics nationwide. With ongoing research and increasing public discourse, substances once stigmatized are being reconsidered for their therapeutic potential. Organizations advocating for drug policy reform have gained traction, influencing public opinion and legislative action in cities like Washington DC.

However, challenges remain. The legality of these services operates in a gray area, relying on interpretations of local laws and regulations. Law enforcement occasionally intervenes, leading to seizures and legal battles that test the boundaries of current drug policy.

From a cultural standpoint, shroom delivery services represent a microcosm of DC’s diverse population and progressive mindset. The city, known for its activism and intellectual discourse, fosters an environment where unconventional ideas can flourish. Entrepreneurs and advocates collaborate to navigate legal complexities while promoting responsible and informed use of psychedelics.

Looking ahead, the future of shroom delivery services in Washington DC is uncertain yet promising. Advocates continue to push for legislative reforms that could provide clearer guidelines and greater legitimacy for these operations. Meanwhile, consumer demand shows no signs of waning, driven by curiosity, personal wellness trends, and a growing acceptance of psychedelics in mainstream culture.

In conclusion, shroom delivery services in Washington DC encapsulate a unique intersection of entrepreneurship, advocacy, and cultural evolution. They reflect broader societal shifts towards reevaluating traditional drug policies and exploring new avenues for mental health treatment. As the industry navigates legal challenges and public perception, its impact on drug policy and therapeutic practices may resonate far beyond the nation’s capital.

[wtfcannabis15]

Exploring the Legal and Ethical Implications of Magic Mushrooms for Sale

Magic mushrooms, also known as psilocybin mushrooms, have been used for centuries for their psychedelic properties and potential therapeutic benefits. In recent years, there has been a growing interest in the sale of magic mushrooms, both for recreational and medicinal purposes. However, the legality and ethical considerations surrounding the sale of these mushrooms remain complex and contentious.

Before delving into the topic, it's essential to clarify the legal status of magic mushrooms. In many parts of the world, including the United States and Canada, psilocybin mushrooms are classified as Schedule I controlled substances, meaning they are illegal to possess, sell, or distribute without authorization. However, there has been a gradual shift in attitudes and policies towards psychedelic substances, leading to decriminalization efforts in some jurisdictions and the legalization of psilocybin-assisted therapy in others.

In jurisdictions where the sale of magic mushrooms is legal or decriminalized, businesses have emerged to meet the demand for these psychedelic fungi. Online platforms and specialty shops offer a variety of products, including dried mushrooms, capsules, and microdose kits, marketed for recreational use, spiritual exploration, and therapeutic purposes. Advocates argue that regulated sales provide consumers with access to safe and standardized products, while also generating revenue for education, harm reduction, and research initiatives.

However, the sale of magic mushrooms raises several ethical considerations that warrant careful examination. One concern is the potential for exploitation and harm, particularly among vulnerable populations. As with any psychoactive substance, there is a risk of misuse, dependency, and adverse psychological effects, especially when used without proper guidance or supervision. Critics caution against commercializing magic mushrooms without adequate safeguards in place to protect consumers, especially those who may be susceptible to exploitation or coercion.

Another ethical dilemma involves the cultural appropriation and commodification of indigenous knowledge and traditions. Magic mushrooms have long been used in indigenous rituals and ceremonies for their spiritual and healing properties. The commercialization of these mushrooms by non-indigenous businesses raises questions about cultural respect, intellectual property rights, and the equitable distribution of benefits. It's essential for businesses and consumers alike to recognize and honor the cultural significance of magic mushrooms and to engage with indigenous communities in a respectful and collaborative manner.

Furthermore, the sale of magic mushrooms raises broader questions about drug policy, public health, and individual autonomy. Proponents argue that adults should have the freedom to make informed choices about their own consciousness and well-being, including the use of psychedelic substances. They advocate for harm reduction approaches that prioritize education, safety, and responsible use, rather than punitive measures that criminalize drug users and perpetuate stigma.

In conclusion, the sale of magic mushrooms presents a complex intersection of legal, ethical, and social considerations. While some jurisdictions have moved towards decriminalization and legalization, others maintain strict prohibitions on these psychedelic fungi. As society grapples with evolving attitudes towards psychedelics, it's essential to approach the sale of magic mushrooms with careful consideration of the potential risks and benefits, as well as the broader implications for public health, cultural integrity, and individual rights. By engaging in open dialogue and thoughtful discourse, we can navigate these complexities and forge a path towards a more informed and responsible approach to psychedelics.

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[dbmrnewsreserach]

Data Bridge Market Research analyses that the advanced visualization market which was USD 2,386.72 million in 2022, is expected to USD 6,401.95 million by 2030, and is expected to undergo a CAGR of 13.3% during the forecast period.

[techninja]

From Medications to Mindfulness: Diverse Approaches in the PTSD Treatment Market

Introduction:

Post-Traumatic Stress Disorder (PTSD) is a severe mental health condition that affects individuals who have experienced or witnessed traumatic events. The impact of PTSD can be debilitating, affecting not only the individual but also their families and communities. As awareness and understanding of PTSD have grown, so too has the need for effective treatments. This has given rise to a rapidly evolving Post-Traumatic Stress Disorder Treatment Market.

Understanding PTSD:

Before delving into the treatment market, it is essential to understand PTSD. It can be triggered by various traumatic events, such as combat experiences, natural disasters, physical or sexual assault, and accidents. Common symptoms include flashbacks, nightmares, severe anxiety, and emotional numbness. Those affected may also experience depression and have difficulty maintaining relationships and holding down jobs.

Market Growth:

The Post-Traumatic Stress Disorder Treatment Market has seen significant growth in recent years due to increased awareness and a growing number of diagnosed cases. It is estimated that about 8 million adults in the United States alone are affected by PTSD. The growing recognition of the disorder's impact on individuals and society has led to an increased demand for innovative treatments.

Treatment Approaches:

The treatment landscape for PTSD has evolved considerably. Traditional approaches, such as talk therapy and medication, are still prevalent and effective. Cognitive Behavioral Therapy (CBT) and Eye Movement Desensitization and Reprocessing (EMDR) are among the psychological therapies that have shown promise.

In addition to established treatments, there is a growing focus on innovative methods such as virtual reality therapy, mindfulness-based techniques, and equine therapy. These non-traditional therapies provide alternative pathways to healing, often with fewer side effects.

Pharmaceutical companies have also recognized the need for improved medications. Selective serotonin reuptake inhibitors (SSRIs) and serotonin-norepinephrine reuptake inhibitors (SNRIs) are commonly used to manage symptoms. Research and development efforts are ongoing to create more specific drugs with fewer side effects.

Challenges:

The Post-Traumatic Stress Disorder Treatment Market faces several challenges. Stigma around mental health issues still exists, making it difficult for some individuals to seek help. Additionally, not all treatments are accessible or affordable to everyone. Access to quality healthcare and mental health services remains a significant concern, especially in underserved communities.

The COVID-19 pandemic has further exacerbated mental health issues, including PTSD, making it even more crucial to address the treatment market's shortcomings.

The Future of PTSD Treatment:

Despite these challenges, the Post-Traumatic Stress Disorder Treatment Market holds promise. Advances in neuroscience and technology, such as brain imaging and personalized medicine, are expected to contribute to more targeted and effective treatments.

Telehealth services have become increasingly popular, providing more accessible options for individuals seeking treatment, particularly those living in remote or underserved areas. Online therapy and counseling platforms are expanding, offering convenience and anonymity to users.

Research into novel treatments, including psychedelic-assisted therapy, is gaining momentum. These treatments show potential in helping individuals confront and process their traumatic experiences.

Conclusion:

The Post-Traumatic Stress Disorder Treatment Market is evolving to meet the growing demand for effective solutions to address this debilitating condition. With a focus on both traditional and innovative treatment approaches, a broader range of options is becoming available. Despite challenges such as stigma and access to care, the future holds promise for individuals affected by PTSD. As awareness and understanding continue to grow, the market is likely to expand, offering hope to those in need of treatment and support.

Few Other Promising Reports in Pharmaceutical Industry

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[kevinb3896]

Psychedelic Posters: The Fusion of Art Nouveau and Counterculture

Psychedelic posters are a unique and visually striking art form that emerged in the United States during the 1960s counterculture movement. These posters were typically used to promote concerts, festivals, and other events, and they often featured vibrant colors, eye-catching imagery, and swirling, abstract patterns.

The style of psychedelic posters was heavily influenced by Art Nouveau, a late 19th-century art movement that emphasized curvilinear lines, organic shapes, and stylized natural forms. Art Nouveau artists often used these elements to create an atmosphere of beauty, mystery, and sensuality.

60's Psychedelic posters took these same elements and infused them with a new sense of energy and excitement. The artists who created these posters were often inspired by the use of psychedelic drugs, which can produce vivid hallucinations and altered states of consciousness. As a result, psychedelic posters often featured imagery that was dreamlike, surreal, and even nightmarish.

These posters weren't merely advertisements for concerts; they were works of art in their own right, designed to transport viewers into alternate realms of consciousness. Artists like Wes Wilson, Victor Moscoso, and Rick Griffin became household names in the counterculture scene, producing iconic posters for legendary bands such as the Grateful Dead and Jefferson Airplane.

In addition to their visual appeal, 60s Psychedelic posters also played an important role in the counterculture movement. These posters were used to spread the message of peace, love, and understanding, and they helped to create a sense of community among young people who were seeking alternative ways of living.

Today, psychedelic posters are still highly collectible, and they can fetch high prices at auction. Auction Daily is a leading online auction marketplace that offers a wide variety of psychedelic posters for sale. The site also features an auction-preview section where you can view upcoming auctions and an auction-calendar where you can find out about upcoming events.

In addition to psychedelic posters, Auction Daily also offers a variety of other items for sale, including art, antiques, jewelry, and collectibles. The site is a great resource for finding rare and unique items, and it offers a convenient and secure way to buy and sell online.

Popularity Psychedelic posters in the Auction Industry

Fast forward to the present day, and these psychedelic posters have become highly coveted collector's items. Their historical significance, artistic innovation, and representation of a transformative period in American culture make them incredibly appealing to collectors worldwide. This demand has led to a thriving market for psychedelic posters in the auction industry.

Here are some of the reasons why psychedelic posters are popular in the auction industry:

They are visually striking and eye-catching.

They are associated with the counterculture movement, which is a time of great social and cultural change.

They are often rare and collectible.

They can be used to decorate homes and businesses.

They can be a good investment, as their value has been steadily increasing over time.

One platform that stands out in the realm of online auctions is Auction Daily. It serves as a comprehensive resource for anyone interested in the auction world, offering a wealth of information, including auction previews, auction calendars, auction news, and connections to prominent art, antique dealers, and painting dealers.

Auction Daily provides in-depth previews of upcoming auctions, giving collectors valuable insights into the items that will be available for bidding. Whether you're interested in psychedelic posters, fine art, antiques, or any other collectible, these previews help you make informed decisions about which auctions to participate in.The auction calendar on Auction Daily keeps you up-to-date on all the major events in the auction industry. It's your go-to resource for planning your bidding strategy and ensuring you never miss an opportunity to acquire that perfect piece.

In conclusion, psychedelic posters, with their blend of Art Nouveau aesthetics and countercultural spirit, continue to be highly sought-after collector's items. The auction industry has recognized their appeal, and online platforms like Auction Daily make it easier than ever for enthusiasts to explore and acquire these treasures. So, whether you're interested in auction previews, staying updated with auction calendars and news, or connecting with art and antique dealers, Auction Daily is your indispensable companion in the world of online auctions. Don't miss out on the lots that matter most to you—let Auction Daily be your guide to the exciting world of art, collectibles, and more.

[troulor]

Are You Making Effective Use Of блэкспрут?

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[briefsweetstiger]

11 Embarrassing delta 9 thc vape pens Faux Pas You Better Not Make

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Despite the fact that many of the outcomes are still preliminary and that some of the research have small sample sizes, the studies consistently show that psilocybin-assisted psychotherapy could have a lot of potential. The U.S. Food and Drug Administration (FDA) has granted the green light to much larger-scale studies on how psilocybin could be used to treat TRD and major depressive disorder. Do you want to use cannabis to aid in your recovery? Well, this is a good site to broaden your horizons! 

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Valley of the Dolls and Hollywood's Desire to Self-Protect

Poster from imdb.com

Valley of the Dolls (1967) tells the story of three young women working in show business in the 1960s. Originally adapted from Jacqueline Susann’s 1966 book by the same name, the screenplay was written by two women, Helen Deutsch and Dorothy Kingsley. The director for the film, though, was a man, named Mark Robson. The plot centers around three protagonists, Anne Welles, Neely O’Hara, and Jennifer North. Their stories connect and separate several times as they each navigate Hollywood, growing in stardom and fading into oblivion. All three storylines follow two themes, the role of women in the 1960s and the abuse of drugs by these women to deal with the pressures of their culture. The film largely stays true to the novel, but alters some important aspects in order to soften the critique that Susann originally proposed. Valley of the Dolls is an attempted commentary on societal demands on women in the 1960s, but is unsuccessful in its criticism due to continuing to perpetuate several misogynistic standards and Hollywood trying to alleviate itself of guilt.

Valley of the Dolls is one of few movies from its era that centers on multiple female leads without allowing for any male characters to come in and dominate the narrative. The story goes further than to just portray women, and even passes commentary on the harmful expectations put on them by society. There are messages about the workforce, body image, and marriage roles all present. Still, while the film may seem to have a feminist message for most of the plot, it falls short in its final moments. The two women, Neely and Jennifer, who are outwardly ambitious and more sexually promiscuous, are punished for their behavior, while the virginally pure and soft spoken Anne is the one who gets a happy ending, though not in the traditional sense.

The first woman to look at is Neely O’Hara (Patty Duke). Neely, the youngest of the three, is also the most talented and the most ambitious. While her two co-protagonists experience minor stardom, Neely becomes a full-fledged celebrity. As Neely begins her rise to the top, she is forced to work out, despite already being nearly rail thin. During her work-out montage, she even asks her trainer, “you call this acting?” This moment serves to show that for women, being an actor was not strictly about their talent, but also the way they looked. Working out is a part of the job for Neely because if she gains weight, people will no longer want to look at her and thus she won’t be able to be on stage or screen.

The affect of her ambition on her womanhood is also seen through the depiction of her first marriage to her hometown sweetheart, Mel (Martin Milner). When Neely gets her big break, she asks Mel to marry her, flipping the tradition of a man asking a woman. This is the first evidence of the gender role reversal that will be present later. In one scene, after Neely has made it and begun earning more money, the audience sees that Mel is now in charge of keeping house, a job typically meant for the wife at this time. The two get into an argument and Mel, sick of being bossed around by Neely, states, “I am not the butler,” to which Neely retorts, “you’re not the bread winner either.” The two get divorced shortly after. In the beginning of the movie, as Neely is about to be cut out of the broadway show, Mel gives her advice on how to handle the situation in a way that is both best for her career and best for earning money. Mel is more than happy to support Neely’s ambition when she is starting out and he is controlling her success. When Neely grows beyond his grasp, begins to overshadow him, and no longer needs him, the turmoil of their relationship begins. Mel’s male ego cannot handle having a wife who not only is not reliant on him, but who he is reliant on.

In contrast, Jennifer’s fatal flaw is not her ambition but her body. The audience is introduced to Jennifer (Sharon Tate) as she is scantily clad in a leotard with a giant showgirl headpiece on. Her first line is concern that she cannot walk, “I feel a little top heavy,” to which her director replies, “Dear, you are top heavy.” This is met by a chorus of laughter from the men in the room and clear distress from Jennifer’s face. Jennifer’s sin is simply her breasts and her beauty; she is punished for merely existing in her natural form. On the phone with her mother, she states, “I know I don’t have any talent, and I know all I have is my body.” She recognizes that she has no marketable skills, but with the way that society has commodified the female figure, she can use her natural assets to get ahead.

Jennifer’s plot line introduces the character of Miriam (Lee Grant), the sister of Jennifer’s husband, Tony (Tony Scotti). Miriam also manages Tony. This is interesting because all the other women in the film are controlled by men, but Miriam is not only not controlled by a man, but controls one herself. Jennifer, who seems not to have a manager, but operates as an independent, eventually is taken on by Miriam, emphasizing the way that Miriam acts as a male figure, controlling and dominating her world like men normally do. Miriam eventually sells Jennifer into porn. When Jennifer tries to protest, Miriam insists, “Tony wouldn’t know the difference.” Jennifer’s plea of “well, I would,” falls on deaf ears. Miriam views the world like a man, thinking only a husband should be offended by his wife’s immodesty, not recognizing that the woman is also a person with feelings about the exposure of her own body.

Jennifer’s whole life and career is based on her body. When she is diagnosed with breast cancer and must get a mastectomy, she states, “all I ever had was a body. All I know how to do is take off my clothes.” She is realizing that without her breasts, she will have no way of earning a living or supporting herself, as she has done her whole life. This drives her to suicide, deciding she would rather die than lose her body. The message of this scene is clear; despite the fact that society has deemed her figure the only thing that gives her value, her exploitation of it still must be punished by death. Women are supposed to surrender to the forces of the patriarchy, not use them to their own advantage.

The third protagonist, the redeemable protagonist, is Anne Welles (Barbara Parkins). Anne is introduced at the very beginning of the film through her own narration as she tells the listener that her family’s home has been around since the revolution, showing that she represents American tradition. The story of George Washington drinking from their well symbolizes that people like Anne are what give America life. This American idealization is what protects Anne throughout her career. As she enters the office for the first time to the slut shaming of a pregnant cat, the audience immediately knows that this place will not be very friendly to women. This is fortified when her boss tells her she is “too good looking” for her job and talks about getting her “broken in”. This is exemplifying the idea that beautiful women aren’t meant for work while also objectifying them by talking about women like they’re shoes.

Her romantic interest, Lyon (Paul Burke), who is also her boss, calls Anne, “barely pink” when he first meets her, admiring how young she is. He later tells her that jewelry is not for her, and that she should only be gifted flowers, specifically white ones. These are both attempts to preserve Anne’s delicacy, or “pinkness”.  Diamonds and gold are too flashy for a soft spoken woman like Anne, and the white flowers clearly symbolize purity. Constantly throughout the entire film, the audience is reminded of Anne being special and unlike other “bad” women such as Neely or Jennifer. At one point Lyon tells Anne that no other girls compare to her because they can’t “stand up to her image”. Not her actual person or personality, but her image. Anne does not have actual personhood in the eyes of Lyon, but exists only as the idealized woman.

This is further exemplified when she becomes the Gillian Girl. The man who hires her says he wants someone known with Gillian exclusively. The idea here is they want her to be only an image of beauty and innocence; if she works with other brands or as an actress she becomes more than one-dimensional and people can discover that she may have flaws. Anne’s ability to maintain her image of perfection and purity throughout the entire film is why she gets to live happily ever after at the end, unlike her two counterparts. She returns to her hometown and lives out the rest of her life as the embodiment of American tradition.

This movie gets its title from the nickname that Neely gives the pills that she and the other two protagonists all become addicted to. The name, “dolls”, calls to mind a picture of girlhood and female adolescence, highlighting how young Neely is (only 17) when the story begins. Many movies of the 1960s, such as Dennis Hopper’s Easy Rider (1969) were depicting taking psychedelic drugs and having crazy trips. Valley of the Dolls shows a different type of drug use, the abuse of painkillers. Though the main characters are movie stars and models, their drug habit was likely more relatable to the suburban movie-going audience than that of Hopper’s characters. It was all too common for housewives to be prescribed “mother’s little helpers” to deal with what was condescendingly written off as “hysteria”. Another difference between these two movies is that psychedelic trips were portrayed as freeing, eye-opening experiences. In contrast, the painkillers are entrapping for the women and ultimately ruin their careers and end their lives.

The character who has the least interaction with the “dolls” is Anne. This is done to keep the idea of Anne as the “pure”, “good” character. The way she begins to take the drugs is interesting, though; she first picks up the bottle when she realizes that her long-term boyfriend, Lyon, is having an affair with her best friend, Neely. This serves two purposes. This first is that it shows that the pills are not used for pleasure, like psychedelics would be, but for numbing purposes. This also displays the corruptive force of Hollywood; it is not until the plot moves from New York to Hollywood that these women turn sour. Because of this city, Neely betrays her best friend and sweet, innocent Anne is driven to drug use.

Jennifer is seen taking the pills two times, twice as often as Anne is. The first time she takes them is when she learns about Tony’s illness. Again, they are used to numb emotional pain. The second time Jennifer is shown taking the pills is when she purposely overdoses on them to kill herself. This is the most extreme version of numbing difficult emotions a person can take, and the most obvious way that the movie could show that these drugs do not provide enjoyment but rather stop misery. What the “dolls” provide is nothingness, and Jennifer takes this nothingness to its maximum.

Neely is the character whose story is most entangled with drug use. She begins when her trainer gives her diet pills to slim her already thin figure. During this montage, the audience clearly sees Mel, the symbol of her pre-fame life, shake his head and tell her no, but she responds with a shrug, as if to say, “what’s the worst that could happen?” Shortly after, she tells Anne that she takes sleeping pills that are so strong, she has to take red pills to counteract them to wake up in the mornings, but then must take the sleeping pills again at night because the red ones have not yet worn off. Taking the pills is an endless cycle for Neely that will lead her to spiral to rock bottom.

In a following scene, Neely is seen being an absolute mess on the set of a movie, causing them to call for her husband to take her home because she cannot work under such strong influence of drugs and alcohol. When Anne and Lyon go to check on her, Anne lectures her about the danger of drinking while taking the pills, but Neely asserts that she must do so because it makes them work faster. This moment shows the desperation Neely has to stop feeling. Later on, after getting drunk in a dive-bar, having sex with some random nobody, and being robbed the morning after, Neely overdoses and nearly dies. Anne implies that this may have been intentional, despite Neely insisting otherwise. The audience is left to wonder.

During the third act of the movie, after Neely has gone to rehab and gotten clean, her older rival, Helen Lawson (Susan Hayward), brags about how she never needed pills like Neely did. Lawson claims her current sobriety is only temporary and Neely will eventually return to her old bad habits. The character summarizes Neely’s entire story with one line, “nothing can destroy her talent, but she’ll destroy herself.” Lawson’s words come true; Neely’s final scene sees her relapsing on opening night of the show she’s supposed to star in and being replaced by her younger understudy, the very thing she was afraid of. Her story closes on her drunk in an alley, screaming her own name.

To properly analyze this film, one must compare it to its source material, Jacqueline Susann’s novel by the same name. Though the movie stays true to the novel in most major plot points, there are distinct narrative changes and omissions that drastically alter the story. One of the most distinct examples of this is that Lyon refuses to marry Anne until the final scene of the film. In the novel, he marries her when they first reunite in Los Angeles. When he begins his affair with Neely, Anne is pregnant with their first child, which gives Anne a stronger motive to turn to the pills than she has in the movie. The book version of the two women are also much closer friends, which creates a more dramatic change in Neely’s character than in the film. Removing these two extremes makes Neely’s character arc less impactful.

Another aspect that was removed is Tony’s obsession with sex. An important part of Jennifer’s characterization is that she has always been made to feel that her body is her only source of value. This is added to, in the novel, by the fact that sex is the foundation for her relationship with her husband. This is only alluded to in the film with one line when they are walking in the park. In the novel, it is emphasized explicitly at multiple points. One of the reasons Jennifer chooses to kill herself rather than lose her breasts is because she believes she will lose even her husband’s love. The film likely made this change, as well as the marital change, to make the characters of Tony and Neely more sympathetic. While this goal is accomplished, it also softens the harsh realities that Susann was trying to expose in her novel.

One final difference between the film and novel is the ending. In the film, Lyon finally proposes to Anne and she rejects him, getting to move on with her life and live peacefully. She gets a happy ending. The novel ends with Anne and Lyon still married, her discovering that he is having yet another affair with a client, and her returning to the pills. This final note makes it clear that there are no happy endings for women in this city. The change is another example of Hollywood trying to show itself in a more flattering light than the one Susann placed on it.

Valley of the Dolls, the novel, was written by a female author as a way to condemn the mistreatment of women in the 1960s, specifically the mistreatment perpetuated by Hollywood on women in show business. The film adaptation tries to duplicate this commentary, but fails for multiple reasons. The first is that it chooses to save the “good girl” character. In the written work, all three stories ending in tragedy shows how no woman is safe from the effects of the patriarchy. Opting to protect the “pure” character alters the message completely so that it is no longer a criticism but a continuation of the idea that ambitious, promiscuous women deserve punishment and good, virginal women deserve happy endings. In addition, it omits important plot points that provide motivation for the characters self-destructive actions, such as Anne taking the pills for the first time and Jennifer committing suicide. By removing the catalysts, the characters are turned into cliché hysterical women. The film fails to adapt Susann’s novel correctly because it replicates the sensational bits while omitting the message. Unlike the book, the film serves only to entertain and not to critique.