#Psalm 18:30

[wiirocku]

Psalm 18:30 (NLT) - God’s way is perfect. All the LORD’s promises prove true. He is a shield for all who look to Him for protection.

[jesus-is-lord-and-savior]

This God-his way is perfect; the word of the LORD proves true; he is a shield for all those who take refuge in him.

(Psalm 18:30, ESV)

[dwuerch-blog]

When Gratitude Isn't Easy

Our dear friend, Zig Ziglar, said this famous quote: “Your gratitude attitude determines your life altitude”. And it is true. How many times have I caught myself in stinkin’ thinkin’ about something I wanted and couldn’t have or something I didn’t want but had it? I sincerely desire to be a 24/7 optimistic woman who always errs on the side of gratitude! But sometimes gratitude isn’t so easy to…

[touchofgoddotworld]

He Cares For You Affectionately and Cares About You Watchfully (247) - May 25 2024

Play on other Podcast Apps 1 Peter 5:7 (AMPC) – Casting the whole of your care [all your anxieties, all your worries, all your concerns, once and for all] on Him, for He cares for you affectionately and cares about you watchfully. This program covers the following scriptures from the Amplified Classic version (AMPC): 1 Peter 5:7; Matthew 11:28-30; Romans 8:1-2; Matthew 6:33; 1 John 4:19;…

[drshermaines-wisdomnuggets]

"ARE YOU A GOOD SOLDIER?"

2 Timothy 2:1-4, “So you, my son, be strong (strengthened inwardly) in the grace (spiritual blessing) that is [to be found only] in Christ Jesus. And the [instructions] which you have heard from me along with many witnesses, transmit and entrust [as a deposit] to reliable and faithful men who will be competent and qualified to teach others also.  Take [with me] your share of the…

[grandsouldream]

Readings for 8 MARCH

8/3/2023

[hiseyeisonthesparrow]

I am feeling very hurt today.

For context, I went to high school in well-off, suburban Utah, although I didn't grow up there. My family still lives there. It's a VERY Mormon- and white-dominated location.

Last night, I was on the phone with my mom, just catching up, making plans for the weekend, the typical Phone Home Because Your Mom Misses You.

She told me that there were plans to build a warming shelter for the homeless in the town. I was excited -- I'd just been to a workshop about homelessness, and me and my friends had exchanged some heartfelt stories about our experiences with homeless friends, family, ward members, et cetera. But then she followed it up by telling me that many folks in the town were strongly against it -- mad that there would be a warming shelter in the town, yelling about it on Facebook groups, protesting at city council meetings. None of them wanted a warming shelter in their town. Hundreds of people, upset.

I've never felt more disheartened. Over half of the people in that town are members of the Church. The chances that there were Mormons at that city council meeting, yelling angrily about a warming shelter are astronomically high.

What God are they following?

What Christ did they get baptized to?

What scriptures do they read? Did they not get the chance to read Proverbs 19:17, Matthew 25:35-36, Luke 3:11, James 2:15-16, 1 John 3:17, Deuteronomy 15:11, Psalms 82:3-4, Proverbs 14:31, Isaiah 58:10, Mosiah 4:16-26, Alma 34:28-29, Mosiah 18:28-30, 3 Nephi 12:3, or Jacob 2:13-17?

What commandments are they following? What "love one another" do they ascribe to?

What has the name of Christ become in this day and age?

The devil turning evil into good and good into evil has never been so obvious. What perversion of gospel principles can possibly lead someone to riot against a warming shelter -- not even a homeless shelter? A place for people to stay alive in the blistering cold.

"Verily I say unto you, Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me." The 'members' that have fought against this have, effectively, spit in the face of the Lord. Where has Christlike compassion gone?

[thatswhywelovegermany]

The Easter Bunny / Easter Hare

In German Easter tradition, the Easter Bunny is an imaginary rabbit or hare who paints eggs at Easter and hides them in the garden. Children search for Easter eggs on the morning of Easter Sunday. The motif of the Easter Bunny has recently spread in the popular culture of Easter, also through its commercial use, and has largely replaced earlier bringers of the Easter egg.

As far as is known, the Easter Bunny was first mentioned in the dissertation of the Frankfurt doctor Johannes Richier, who received his doctorate in 1682 under the respected Heidelberg professor of medicine Georg Franck von Franckenau with his treatise "De ovis paschalibus - von Oster-Eyern". The son of the pastor Jean Richier, who had fled France for religious reasons, describes a custom in Upper Germany, the Palatinate, Alsace and neighbouring regions, as well as Westphalia, according to which an Easter Bunny lays the eggs (ova excludere) and hides them in gardens in the grass, bushes, etc., where they are eagerly searched for by children amid laughter and to the amusement of the adults (cum risu et iucunditate seniorum). He calls the Easter Bunny hiding the eggs “a fable that is told to simpletons and children” (fabula, que simplicioribus et infantibus imponunt).

According to cultural studies, the reason for the strong upswing that belief in the Easter Bunny experienced in the 19th century can be found in the industrial production of cheap beet sugar, which made the production of affordable chocolate bunnies and eggs possible in the first place.

The connection between the Christian Easter festival and the egg as a symbol has been known in various European countries since the Middle Ages at the latest, and may even date back to earlier. There is also an older interpretation of the rabbit as a symbol of resurrection since Ambrose. The diverse Christian symbolism of the rabbit found expression in many works of art in the Middle Ages, see Rabbit in art. The connection between the rabbit and the Easter egg tradition is still unclear, however, even if the fertility of rabbits in itself has a close connection to spring. The following hypotheses are often put forward:

Some early painted Easter eggs show the three-hare image, a depiction of three hares with only three ears in total, but each hare having two ears due to the "double use" of ears; this is a well-known symbol for the Holy Trinity. It is possible that this depiction may have given rise to the idea of ​​the hare as an egg supplier.

In one passage in the Bible, Psalm 104:18, older translations speak of "hares". The reason for this was the Latin translation of Proverbs 30:26, in which Jerome translated the Hebrew "schafan" (rock hyrax) as "lepusculus" (hare). Since late antiquity, this passage has been interpreted as a symbol for the weak human (hare) who seeks refuge in the rock (Christ). This interpretation established the symbolism of the hare in Christian iconography.

It is widely considered harmless to tell young children that the Easter Bunny brings eggs and sweets for Easter. Psychologists believe that this illusion stimulates the imagination and supports cognitive development. However, children's critical questions and doubts should be supported so that their belief in the Bunny eventually disappears by itself, also through interaction with other children.

The Easter Bunny was spread outside of Europe by German-speaking emigrants. It has gained a certain popularity in the USA in particular. In English, the term "Easter Bunny" predominates over the literal translation "Easter Hare", so the figure is often understood to be a rabbit.

In Australia, the "Easter Bilby" has been placed alongside the "Easter Bunny" since the 1970s. The aim is to draw attention to the endangered species of the greater burrowing bandicoot ("Bilby"), not least due to the spread of European rabbits, and to raise money for a conservation fund by selling chocolate bilbies.

[muldermuse]

Naughty List (Gator Tillman X F!Reader)

Gator comes round to reader’s house on Christmas Eve to get his gift.

This is in the two sinners world.

18+ only!! Smut ahead!!! Fic includes sub!Gator, dom!f!reader, oral (f recieving), mentions of wax play and piv sex, teasing language, use of restraints, dry humping, use of underwear as a gag, mentions of spanking with belt, panty kink????, brief aftercare. Reader fucking loves being mean to Gator hahaha I love her (me).

This is the completed version of this lil ficlet. And apologies, I was going to post it on Xmas day but I was too drunk and merry to edit and write. I’m not 100% with this one but it was fun fun fun. Like all the two sinners stuff is. Thank u all for reading and engaging with the series. ❤️ u all.

Ok seeing Gator on Christmas Day is out of the question. He’s spending the day with Glenda and Roy reciting their favourite psalms and thanking the lord for a bountiful Christmas. Glenda goes all out at Christmas, it’s obviously her favourite holiday and she constantly updates her Facebook with pictures of a content looking Roy and an exhausted looking Gator. No doubt, Glenda will have made him a piece of her artwork and bought him some novelty socks. He’ll smile at her and press a kiss to her cheek but you rejoice in the knowledge that thoughts of your Christmas Eve are running through his head. 

[sent at 13:30] You: got your Christmas present at my house. Door will be unlocked for when you finish at 6. I’ll be upstairs 🎁

[received at 13:42] Gator💩🐍: am i on the nice list?

[sent at 13:43] You: no. See you at 6 💋

***

His Christmas present is you- OBVIOUSLY. But it’s a version of you that Gator only really gets when he begs and even then, you don’t always give it him. He asks for this when you eat his ass or when he’s had a week of getting non stop shit from his daddy or Glenda. 

He wants you to turn him on that much his brain switches off.

He wants you to be in control and dominate him. 

You’re wearing a red lace set with garters and pointy red heels. It’s nearly pitch black by the time Gator arrives. You’ve left one lamp lit downstairs to guide him up but, honestly, he knows the layout of your home like the back of his hand. In the bedroom, your curtains are open with the twinkling of outdoor Christmas lights provide occasional flickers that illuminate your white linen bed sheets. A cinnamon candle is glowing by the door and nearly blows out when Gator enters as dramatic as ever. 

You’re sat at the end of the bed waiting for him and you smirk as you take in his expression- seemingly enthralled by your red look. 

“Crawl to me, baby” your voice is low and by the way Gator drops to his knees without hesitation and a look of relief on his face- you already know how tonight is going to go. 

He’s slow in his movement, keeping eye contact with you as he crawls towards your open legs and stopping a few inches from your panties. His eyes are fixed on the damp spot on your red underwear and his shuddering breaths are filling the room. You run your hands through his slicked back hair as you try not to recoil at the unnatural feeling of brushing your nails through hair gel. 

“Y’wanna taste?” He looks up at you with the most love sick eyes you’ve ever seen, he nods slowly as he brushes his tongue over his bottom lip. You grip his hair in your hand as you push him into your panties, “make me cum with my panties still on baby- y’don’t deserve to taste properly just yet”. He groans as he pushes his face further into your pussy. He’s messy with it and you can feel his spit dripping down between your legs. It feels so good and the knowledge that he’s desperate to please you brings you closer and closer to the edge. 

“Take my panties off and make me cum on your tongue Gator, don’t let me down” you throw your head back on the bed as you feel Gator rip your panties down your legs and throw them across the room. He’s that desperate to make you cum he’s moaning into your pussy as he eats you out and you know he’s palming himself over his cargos. Your back arches as you clamp your thighs around Gator’s head and cry out as you cum. 

He’s pressing hot kisses to your thighs as your pussy clenches around nothing, you can feel your breathing begin to regulate again as you come down from your high. Your hand smoothes over his ruffled hair, “that was so good Gator. You did such a good job…good to know you can do something right”. His smile drops at your final sentence. On trembling legs you head over to your closest to get the box that Gator both wants and dreads. The box is full of sex toys, restraints (some crudely made and some from a hidden sex store in town) and things that you’ve seen at a local store and thought could be fun and sexy. Jax has contributed to the box, he bought some candles and teased you for hours by slowly dropping hot wax over your chest whilst fucking you softly. Gator was devastated when he found out and had begged you to do it to him the next day. You weren’t as gentle and he fucking loved it. 

You can hear him kicking off his boots and unzipping his cargos. 

“Did I tell you to get undressed?”

“No but uh- I thought…”

You softly kiss him, tasting the remnants of your cum on his plush lips. “Don’t think baby, I know how hard that can be for you. Just lie on the bed dressed how you are now- hands above your head”. Your voice is authoritative and Gator never wants to disappoint you when he’s in this headspace. 

As soon as his hands are placed at your headboard, you click pink fluffy handcuffs around them and make sure that they are tight. There’s something about the sight of your local Sheriff tied to your bed with novelty pink handcuffs that you love. You’ve taken a picture before and when you really want to fuck with Gator you’ll send it to him when you know he’s working with his daddy. You look at Gator, a silent check in to make sure he’s okay and he replies with a quick nod. He looks fucked out already, his lower face is red from the lace rubbing against it and his usually perfectly placed hair is disheveled. He looks desperate and that’s exactly how he wants it. You retrieve your panties from the floor and sit over Gators clothed cock. 

“D’you really think you’re on the nice list this year baby? Can you tell me anything nice you’ve done for me?” 

You slowly start to grind against his hard cock. When you look down, you can see a wet spot of his pre cum soaking through his cargos. You can feel him thrust up to try and get some friction to his achingly hard cock. You quickly rise so he gets nothing. 

You grip his cheeks so his lips purse out “this isn’t good boy behaviour, Gator”. You inch closer to his face, “if you move again without my permission, you can fucking crawl home to her and fuck your fist to thoughts of me like some pathetic fucking loser”.

“I’m sorry, I won’t do it again, I’m f- I’m so sorry” he can’t think straight. His hands are in tight fists at the top of the bed and the sound of his breath filling the room. In and out. In and out. Probably trying to slow his breathing so he doesn’t cum when you start to grind down on him again. 

The red underwear is quickly pushed towards his face. “Can you smell my cum baby? You were so good at doing that. Y’want another taste?” He nods as the balled up fabric is shoved into his mouth. You watch in awe as his eyes roll back whilst the makeshift gag stifles his moan. Rotating your hips slowly, you start to rock against his hard cock. 

“Y’know when Jenson was round here a few nights ago. He left his belt, he was desperate to get his pants off as soon as he came in the door”. The fabric of Gator’s cargo is beginning to feel damp, you know it’s a mix of his pre cum and your arousal covering his work pants. It feels so good for you so you can imagine Gator’s getting close to cumming. His eyes are locked onto your body, watching your hips steadily swirl against him. “I was thinking I could use his belt on you, maybe could’ve bent you over the bed and used it to spank you”. His eyes screw shut and you can’t help the laugh that slips out. His body is stiff with tension underneath yours. 

“Gator,” you chide, voice high and mocking “are you gonna cum thinking about me using some guys belt on you? Thinkin’ about me punishing you?”. He thrusts up and rather than backing off him you press your pussy harder against him. Rocking your hips back and forth on his cock and hearing him whimper through the lace underwear in his mouth. You lower your lips to his ear as you order him in a whisper to “cum in your pants before I send you back to your girlfriend and daddy”. He thrusts one final time against you and moans loudly as his eyes screw shut. His hands are in tight fists as he pulls off from the headboard and breaks the handcuffs into two pieces. With his now free hand, he pulls your underwear out of his mouth with staggered breath. 

He’s cum in his pants; the already dark fabric now a darker colour around his crotch. His hands are covering his eyes with the broken restraints around his wrists like pink fluffy bracelets. You hear him curse under his breath as his breathing starts to normalise. He’s usually a bit vulnerable when you take control so you’re more affectionate than usual. Normally, after he cums you’re both in a hurry to leave, not wanting to stay in each others vicinity to enjoy the post orgasm bliss. It has to be different when it’s like this and you both silently know it. He sits up on the bed and you get in his lap again, slicking his hair back down and helping him get out of the now broken handcuffs. You press a soft kiss to his forehead and he grips your hip as a wordless thank you. 

Before he leaves, you hand him your panties with the smell of his spit and your orgasm still on the fabric. He smirks as he tucks them into his back pocket. 

On Christmas evening, he sends you a picture of his hard clock with your panties wrapped round it. It immediately turns you on as you can picture the scene. Glenda and Roy will be asleep in their rooms as Gator is fisting his cock with your underwear. His lip will be red from biting with him trying to keep his moans from slipping out. He’ll be thinking of you and it makes you feel fucking great. 

[received at 23:49] Gator🐍💩: [image attached]

[received at 23:49] Gator🐍💩: best Christmas present this year

[girlbloggercher]

how to read the Bible

this is in order!

1. John

2. Mark

3. Matthew

4. Luke

5. Genesis

6. Exodus

7. Leviticus

8. Numbers

9. Dueteronomy

10. Romans

11. Galatians

12. Colossians

13. Proverbs

14. Ecclesiastes

15. Job

16. 1 Peter

17. 1 Corinthians

18. 2 Corinthians

19. Ephesians

20. Philippians

21. 1 Thessalonians

22. 2 Thessalonians

23. 1 Timothy

24. 2 Timothy

25. James

26. 2 Peter

27. 1 John

28. 2 John

29. 3 John

30. Jude

31. Psalms

32. Joshua

33. Judges

34. 1 Samuel

35. 2 Samuel

36. 1 Kings

37. 2 Kings

38. 1 Chronicles

39. 2 Chronicles

40. Ezra

41. Nehemiah

42. Jeremiah

43. Lamentations

44. Ezekiel

45. Joel

46. Amos

47. Obadiah

48. Nahum

49. Habakkuk

50. Zephaniah

51. Haggai

52. Zechariah

53. Malachi

54. Micah

55. Hosea

56. Luke

57. Esther

58. Jonah

59. Song of Solomon

60. Acts

61. Titus

62. Philemon

63. Hebrew

64. Isaiah

65. Daniel

66. Revelation

[barricadescon]

Barricades 2024 Final Schedule!

The time is near! Barricades 2024 is happening THIS WEEKEND, July 12-14 , all online!

We have the final schedule available on the website at barricadescon.com or right here, on this post! A more detailed schedule including descriptions is available in text under the Keep Reading break!

BarricadesCon 2024 Program

A full programming schedule of all the panels, their content, their presenters, their times, and whether they will be recorded. 

All times are in UTC, and can be converted to your local time zone at this link.

Key to types of Panels:

Convention Administration panels: Panels run by the Con Committee, to open and end the convention.

Guest of Honor: Special panels from our guests of honor. This year, our guests of honor are Jean Baptiste Hugo, a descendant of Victor Hugo who will discuss his project photograph his ancestor’s house; Christina Soontornvat, the author of the award-winning Les Mis retelling “A Wish in the Dark;” and Luciano Muriel, playwright of the 2018 musical play “Grantaire.” 

Fan/Academic Panel Presentations: Panels on history, fandom, or analysis of Les Mis. Scholars will share historical research, fans will share hobby projects, and the audience may get an opportunity to ask questions. 

Social Meetups: Casual unstructured time to meet up over video call and chat!

Social Games: Games and activities.

Friday, June 12th

Discord Server Opens: Friday Morning UTC

Read through the rules, explore the channels, and chat with other congoers.

Welcome Session 

Friday, 17:00-17:30 UTC

Session Type: Convention Administration

Presented by: Convention Committee 

Recorded: No

In this session, Concom 2024 will kick off BarricadesCon 2024 and welcome everyone. Concom will also walk everyone through some basic information and FAQs to help ensure a fun and interesting con for everyone.

The Cats of Les Misérables

Friday, 17:30-18:00 UTC 

Session Type: Social Meetup

Presented by: Melannen

Recorded: No

A laid-back social panel to meet your fellow attendees, share pictures of your pets (or have them join you in the panel!) and chat about pets and Les Mis fandom generally.

(Guest of Honor) From Paris to Bangkok: a Thai-inspired retelling of Les Misérables

Friday, 18:00-19:00 UTC

Session Type: Guest of Honor

Presented by: Christina Soontornvat

Recorded: Yes

Christina Soontornvat’s Newbery Honor-winning children’s novel, A Wish in the Dark, is a Les Misérables adaptation set in a magical Thai-inspired world. Christina will discuss the inspiration for the book, how she decided when to be faithful to the original, and how Hugo’s powerful themes of compassion and forgiveness resonate across age ranges and cultures.

Learn more about Christina’s work at soontornvat.com.

The Yellow Passport: Surveillance and Control in 19th Century France 

Friday, 19:00- 20:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: David Montgomery, creator of the Siecle History Podcast

Recorded: Yes

Les Misérables takes place in a France of police spies, intercepted mail, travel restrictions and other elements of a 19th Century police state. What exactly were these ways French governments surveilled and controlled their citizens? How did they work? And how did people get around them? 

Meetup: Fan Creators

Friday, 19:00-20:00 UTC

Session Type: Social Meetup

Presented by: Eli

Recorded: No

Come meet fellow fan creators! Casual unstructured time to chat with other fans. A good place for people who spend a lot of time on Ao3.

Break 

20:00-21:00 UTC

Early Transformative Works: The First Les Miserables Fanart, Fanfics, and AUS

Friday, 21:00-22:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Psalm

Recorded: Yes

This presentation will give you an overview of the earliest works inspired by Les Misérables – including illustrations, comics, poems, pamphlets, and novels. Which ones will stand the test of time? And what can these works tell us about the book’s reception and impact? Come learn about the forgotten, but fascinating first transformative works about Les Misérables.

Black and Pink International

Friday, 21:00-22:00 UTC

Session Type: Panel Presentation

Presented by: Darryl Brown Jr. (he/him), Senior Director of Programs and Advocacy, Black and Pink National. Kenna Barnes (she/they), Advocacy Manager, Black and Pink National

Recorded: Yes

This year, Barricades Con is donating all profits to Black and Pink International.

Black & Pink National is a prison abolitionist organization dedicated to abolishing the criminal punishment system and liberating LGBTQIA2S+ people and people living with HIV/AIDS who are affected by that system through advocacy, support, and organizing. Programming includes wrap-around services for those coming out of the carceral system such as but not limited to workforce development, transitional housing, newsletters to inside members and penpal matching, nationwide Chapters, youth-led research about young people living with HIV, and programming for and by people who do sex work.

Sex work as an issue sits clearly at the intersection of reproductive justice, prison abolition, and trans and queer liberation. Black trans women who engage in sex work face some of the highest rates of policing and surveillance, directly interfering with their ability to access safety and autonomy. We know that when we center the needs of Black trans women, especially those who engage in sex work, we are inherently able to address the needs of other system-impacted people along the way.

The Sex Worker Liberation Project (SWLP) is a collaboration between Black and Pink National and a network of current and former LGBTQIA2S+ people who do sex work across the country. This sex worker led group moves with the intention of building community, providing resources, and cultivating self advocacy tools.The SWLP is on a mission to tackle the urgent and multifaceted issues confronting sex workers, with a specific emphasis on the challenges faced by Black and Brown LGBTQIA2S+ sex workers.

Meetup: Brick Readers 

Friday, 22:00-23:00 UTC 

Session Type: Social Meetup

Presented by: Mellow

Recorded: No

Come meet up and hang out with your fellow Brick readers! Let’s talk about weird nonsense from the book. 

Beat by Beat: a Les Mis 2012 Deconstruction

Friday, 22:00-23:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Eli

Recorded: Yes

To quote Eli: “As an avid Les Mis fan and also someone with an MFA in screenwriting, I find the script for the Les Mis 2012 movie absolutely fascinating. The choices they made, the added brick scenes, the added song, the pacing, the dialogue, the shots selection—all of it contributes to a very interesting adaptation that our fandom owes a huge debt of gratitude to (whether we like it or not 🥲). I would like to take an audience through the 9 major beats of a screenplay, apply it to Les Mis 2012, and share my thoughts on what the filmmakers did right for this adaptation and what they did wrong. I’ll compare it to the Les Mis musical (the direct source material) as well as the Brick (the secondary source material) for insight on the choices they made!”

History Researcher Meetup

Friday, 23:00-24:00 UTC

Session Type: Social Meetup

Presented by: David Montgomery

Recorded: No

A chance for history researchers to meet up and discuss their research!

Atonement: A Theatrical Piece for One Actor, Based on Segments from Hugo’s Les Miserables

Friday, 23:00-24:00 UTC

Session Type: Panel Presentation

Presented by: Alexiel de Ravenswood

Recorded: Yes

This theatrical piece is a dramatic adaptation of scenes from Book 1 of the novel, focusing on the Bishop of Digne. Following the piece, actor Alexiel de Ravenswood will engage in q&a on the creative process and the themes explored.

Saturday, June 13th

Guest of Honor: The Photography of Jean Baptiste Hugo

Saturday, 15:00-16:00 UTC

Session Type: Guest of Honor

Presented by: Jean Baptiste  Hugo

Recorded: yes

Jean Baptiste Hugo is the great-great-grandson of Victor Hugo. He has extensively photographed Hugo’s home in exile on Guernsey, which Victor Hugo decorated following his own aesthetic philosophies–in particular, the journey from darkness into light, which we see reflected throughout Hugo’s literary career. M. Hugo will share his photographs and discuss Hauteville House as a physical realization of his ancestor’s ideas.

Reflecting on Directing Les Mis

Saturday, 16:00-17:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Cait

Recorded: yes

In Cait’s words: “I directed an amateur production of Les Mis at the end of last year, and would love to talk about how that went and share snippets from the show and behind the scenes. This will include talking about adapting Les Mis for the space and budget, approaches to certain scenes, dual casting lead roles, and probably raving about my lovely cast.”

The Fallibility of History in Les Misérables 

Saturday, 16:00-17:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Syrup 

Recorded: yes

Throughout Les Misérables, Hugo often reminds readers that what they are reading is derived from some form of documentation or hearsay. While this serves to provide credibility to the tales he is sharing, there are certain moments where Hugo opts out of describing exact details, despite his efforts at a historically-accurate record. In this panel, I will take a look at these instances where Hugo either addresses or obfuscates these events, and how by doing so, he reveals the fallibility of history, and highlights how history documentations are not always as reliable as they seem. Thesis: By crafting Les Misérables as a form of historical documentation, Hugo reveals the fallibility of history, and readers are able to understand how history and history documentation are not always as reliable as they seem.

Break  

Saturday, 17:00-18:00 UTC

What Horizon: Tragedies, Time Loops, and the Hopefulness of Les Amis

Saturday, 18:00-18:30  UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Percy

Recorded: yes

In Percy’s words: “I have directed a staged reading of the play and will have video clips to show! My play is focused on the rebellion and Les Amis; it aims to give the barricades the attention they often lack in adaptation and develop the individual characters of the insurgents. I’m working to make this episode of the Hugo novel and its historical context accessible to audience members who may not be familiar with the source material, while hopefully also bringing something new to the story for longtime fans.

One aspect of the story I’m particularly interested in examining is the persistent sense of hope associated with the barricades, despite the insurgents’ eventual defeat and the previous failure of the July Revolution. Linking the seemingly cyclical process of revolution and restoration, the metatheatrical tradition of tragedies aware of their own repetition in performance before the audience, and the nature of Les Misérables itself as a story that has been told and retold countless times, I hope to show the audience the worth of the insurgents’ struggle and the importance of their continued efforts. Many adaptations construe the rebellion as futile or as solely a tragic story, so I would like my adaptation to counter that idea, as Les Amis grapple with the meaning of their sacrifice and the impacts of their actions.

In a presentation, I would discuss these ideas with reference to Hugo’s original text and the ways in which the rebellion has been changed in adaptation, as well as other works that inspired me (namely Hadestown and Rosencrantz & Guildenstern Are Dead). I’d discuss the choices I made in my adaptation process and show clips from the staged reading, touching on the different characters and the historical setting as well as the overarching themes with which I engaged.”

Cosette: A Novel, The (Fanmade) Sequel to Les Misérables

Saturday, 18:30-19:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: IMiserabili

Recorded: yes

This presentation is  a deep-dive into the 1995 fanfiction “Cosette” by Laura Kalpakian. It will include a short background on the author and the publication, a summary of the plot, an analysis of represented historical events in the work, character analyses and comparisons to the source material and other Les Mis adaptations, and memorable quotes. 

Musical Eponine and Grantaire in song and lyric edits: Personal research on their development

Saturday, 18:00-19:00 UTC

Session Type: Panel Presentation

Presented by: Ruth Kenyon

Recorded: yes

In Ruth’s words: “I’m an older musical Les Misérables fan who has watched the show develop from its beginnings at the Palace Theatre. I have a special interest in how the lyrics and the characters have changed over time. As plenty of people know now, I am also writing a book on the musical using these experiences. I’m working on Eponine’s chapter at the moment, and while I know fans have a lot of love for as she is now, I feel quite upset to see what happened to her as she was developed from the original French version of the musical. She seems to have lost quite a lot of emotional agency along the way. Grantaire has also changed over time; he was cut before the previews and there was a big re-write of his character when the show went to Broadway, but I really like what they have done with his character. I’ll provide examples of all this detail with material from my book and (trying) to sing bits of lyrics to explain what has happened to the characters.”

Barricades as a Tactic: How Do They Work?

Saturday, 19:00-20:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Lem

Recorded: No

This session will explore the tactical and strategic uses of barricades, with an eye towards what to consider when writing both canon-era fanfiction and modern AUs. After all, the strategic goals towards which the barricades were used in canon-era urban warfare were often quite different from the strategic goals of similar-looking tactics in contemporary protest movements. Core components of the session will be a map-based analysis of July 1830, a comparison with June 1832 highlighting strategic goals and considerations canon-era characters would have, and an exploration of various parallels among contemporary protest tactics (which may or may not *look* like barricades).

Meetup: Musical Fans

Saturday, 19:00-20:00 UTC

Session Type: Social Meetup

Presented by: Erin

Recorded: No

A casual place to meet up with other fans and discuss the musical!

Break

Saturday, 20:00-21:00 UTC

Why is There a Roller Coaster in Les Mis? The Strange History of the Russian Mountains

Saturday, 21:00-22:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Peyton Parker/Mellow

Recorded: Yes

In Les Miserables there is an actual canon scene where Fantine rides a roller coaster. How did a roller coaster end up in Paris in 1817? And why did this ride, one of the world's first wheeled Roller Coasters, make a cameo in Victor Hugo’s novel?

It’s “Les Mis Meets Defunctland.”

We’re going talk about the earliest origins of the Russian Mountains, the fascinating history behind how they came to France, their many connections to the political turmoil of the time period, what they felt like to ride, why they were shut down, how they fell into obscurity, and why Victor Hugo included them in Les Miserables. It’s time for a roller coaster digression.

Fanfic Round Robin

Saturday, 22:00-23:00 UTC

Session Type: Social Game

Presented by: Featheraly

Recorded: No

Participate in a round robin to help write a fic together!

Obscure(-ish) Les Mis Adaptations To Watch

Saturday, 23:00-23:30 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Pureanon

Recorded: Yes

Les Mis has been adapted many times over the years, and this means there’s a lot of adaptations to enjoy. Because of this, a lot of adaptations are underviewed or underappreciated. I’d like to use this panel to discuss some of my favorites/the most unique — 1925, 1948, 1967, and 1995. These are all very different, and aside from all being ones I enjoy, they’re fascinating looks at how different countries and different time periods adapt this story. 

The adaptations I’ve chosen are both some of the best and some of the worst out there, but they’re all unique. 1925 is one of the most faithful adaptations out there, and it uses the medium of silent film to full effect. 1948 has Valean get shot at multiple times in the opening minutes, and the revolutionaries fight with BARRELS in the barricade. 1967 is half one of the best Anglophone Les Mis adaptations ever, and half the drunkest. 1995 is more of an adaptation of how people react to Les Mis as a story than a straightforward adaptation, and it’s one of the most beautiful and unique versions out there. I intend to show a clip from each adaptation, so people can get a little taste of what each adaptation is like.

Recovery: a Fanfic Live Read

Saturday, 22:30-23:00

Session Type: Fan/Academic Panel Presentation

Presented by: Eli, Barri

Recorded: Yes

A full cast will live read a Les Mis fanfic written specifically for the con.

Compared to Some People Grantaire is Doing Just Fine (No, Really)

Saturday: 22:00-23:00

Session Type: Fan/Academic Panel Presentation

Presented by: Ellen Fremedon, Pilferingapples

Recorded: Yes

Grantaire and Marius are the two characters on the fringes of the Friends of the ABC, connected to the group by social ties rather than sincere political belief. In this panel, Pilf and Ellen will discuss the two characters as narrative foils, touching along the way on the problem with Great Men, bourgeois inaction, what it means to have the republic as a mother, and dying for love–plus those two pistols in Marius’s pocket.

Preliminary Gaities

23:00-24:00 UTC

Session Type: Social Game

Presented by: Rare, Percy, and ShitpostingFromTheBarricade

Recorded: No

Preliminary Gayeties is the chapter where Grantaire gets drunk with Joly and Bossuet before the barricades.  It is perfect for a drinking game. 

In keeping with personal tradition, Rare, Percy, and ShitpostingFromTheBarricade will bring you a second year of our dramatic reading of the “Preliminary Gayeties” chapter of the brick. all while following specified drinking game rules (including classics such as “drink for brick quotes that appear commonly in fanfiction,” “pretentious classical references,” and “drink/eat when characters drink/eat”), and enjoying snacks mentioned in the chapter as they are mentioned. Everyone is invited to participate by reading, eating, and drinking along with this activity!

Sunday, June 14th

Publishing, Podcasting, and Promotion

Saturday, 15:00-16:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: David Mongomery, Alexiel de Ravenswood, Nemo Martin

Recorded: Yes

Whether it’s fanart, Tiktok videos or deep historical analysis, lots of us have THOUGHTS about Les Mis we’d like to share with the world. This panel discussion features creators sharing their advice on how to share your work with the world in a range of mediums.

Femme/butch: Dynamics of Gender and Attraction in Les Mis

Saturday, 15:00-15:30 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Eléna

Recorded: Yes

In Eléna’s words: “This is a presentation about parallels between femme/butch dynamics and les mis! The focus is on Marius, Cosette and Eponine and their individual gender presentation and attraction. There will be a focus on the original text, but I will also talk about headcanons & representation in the fandom space! I’m a femme myself, but I’ll try to incorporate butch and transmasculine viewpoints!”

Lee’s Misérables: Jean Valjean, Confederate Hero

Saturday, 15:30-16:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Sarah C. Maza

Recorded: Yes

Victor Hugo’s Les Mis��rables (1862) was as big a success in the United States as elsewhere in the world upon publication, hailed throughout the young nation as the commanding masterpiece of modern French literature. Why would a novel that celebrates violent insurrection and radical republican ideals be so warmly received in America? One of the (many) answers to that question is that the novel appeared in the midst of the Civil War, and that it provided engrossing reading to the many soldiers stuck in place for weeks or months in camp, hospitals, and prisons. Most surprising, though, is the evidence of Les Misérables’ appeal to Confederate soldiers (who jokingly called themselves “Lee’s Misérables”), as Hugo was on record as an ardent abolitionist. My paper will illustrate and explain the paradoxical appeal of Hugo’s novel in the South in two contexts: first, I will draw attention to the ways in which Confederate nationalists likened their cause to the European Revolutions of 1848; and second, I will explain the novel’s resonance within what Wolfgang Schievelbusch has called the “culture of defeat,” the emotional resonance, in some historical contexts, of narratives of doomed causes and heroic failure.

Guest of Honor: Luciano Muriel, playwright of “Grantaire”

Sunday, 16:00-17:00 UTC 

Session Type: Guest of Honor

Presented by: Luciano Muriel

Recorded: Yes

Panel about the details of the creative process behind the show Grantaire, from the discovery of the character during the playwright’s first reading of Victor Hugo’s Les Miserables to the opening night of the staging at the Teatro Pradillo of Madrid. Why Grantaire? Why a dramatic monologue? Why include Amaral songs? What did the awards and subventions entail? All the answers to these and many other questions.

Break

Sunday, 17:00-18:00 UTC

1848 in Chile: The Society of Equality and the Siege of La Serena

Sunday, 18:00-19:00 UTC

Session Type: Fan/Academc Presentation

Presented by: Duncan Riley

Recorded: Yes

While the Revolutions of 1848 are traditionally seen as a European event, they had a powerful influence in Latin America. In Chile in particular, university students who studied in France during the revolutions would lead a movement to oust the conservative dictatorship that had ruled the country since the 1830s. Inspired by the poetry of Alphonse de Lamartine and the ideals of utopian socialism, a group of Chilean intellectuals and artisans founded “The Society of Equality,” a cross-class political club dedicated to creating a democratic and participatory republic. Inspired by these ideals, in 1851 the citizens of La Serena, a mining town in northern Chile, declared their independence from the central government. Members of the Society of Equality transformed La Serena into the torchbearer of their vision of a new “democratic republic” that would restore civil liberties and grant greater autonomy to Chile’s provinces and municipalities. In defense of these principles, La Serena endured a months-long siege by government forces. The conflict inscribed itself within broader international dynamics of revolution and empire, as the British Royal Navy Intervened on the side of the government, while French immigrants built barricades to defend La Serena from invasion. Ultimately, then, La Serena and the Chilean Revolution of 1851 provide a fascinating window into the transatlantic exchanges of ideas that drove movements of democratic reform in both Europe and Latin America during the Revolutions of 1848.

The Unknown Light Examined

Sunday, 18:00-19:00 UTC

Session Type: Fan/Academic Presentation

Presented by: Madeleine

Recorded: Yes

In the tenth chapter of Les Misérables, Bishop Myriel sets out to perform the last rights of Conventionnel G, a man reviled by all of Digne for having served on the body that voted to execute the king during the French Revolution. The bishop and the dying man debate the nature of equality, divine authority, and resistance to oppression. G’s fierce defense of the French revolution and Myriel’s staunch condemnation of political violence represent diametrically opposed philosophies, but the two men have more in common than first appears. They are both men of faith, in their own way, called to serve by their profound love for humanity. Intensely shaken by this realization, the bishop kneels before the dying sinner and asks his blessing.

What does this role reversal signify? How do Myriel and G’s conceptualizations of God and morality compare, and why does Hugo seek to reconcile them? To answer these questions, this panel investigates the thematic implications of this chapter. We’ll dissect the characters’ debate, discussing the historical and religious context that informs their moral frameworks—and Hugo’s depiction of them. Drawing on analysis by literary scholars, we’ll situate Hugo’s portrayal of the bishop and the conventionnel within this same context, evaluating the extent to which G is based on the Abbé Grégoire. We’ll also examine the impact of this chapter on Bishop Myriel’s characterization and symbolic role in the novel. Lastly, we’ll explore how “The Bishop in the Presence of an Unknown Light" serves as a political and philosophical thesis for Les Misérables.

Revolutionary Rants: “Les Misérables” Onstage from an International Perspective

Sunday, 20:00-21:00 UTC

Session Type: Fan/Academic Presentation

Presented by: Tessa, Anne, Kaja, Marie, Apollon

Recorded: Yes

What started out as an open call online to gather fans from around the world to rant about the musical version of Les Mis has turned into a group of musical fans from four countries getting together to discuss our different perspectives of various international productions of the show. Topics include our favorite cast albums, how our favorite character interactions are staged in various productions we follow (including Enjoltaire), our favorite actors from the different productions, and our favorite memorable moments from the show. And we would be remiss if we didn’t mention the major impact the 2012 movie had on us as well!

Paint & Sip

Sunday, 20:00-21:00 UTC

Session Type: Social Game

Presented by: Psalm, Potatosonnet

Recorded: No

A short presentation on the artwork of Victor Hugo, his medium and subject matter, followed by crafting time inspired by Hugo’s work.

Les Mis Letters: Building a Book Club

Sunday, 21:00-22:00 UTC

Session Type: Fan/Academic presentation

Presented by: Mellow, Eccentrichat

Recorded: Yes

There are 365 chapters in Les Miserables. Les Mis Letters is an email subscription that sends you one chapter of Les Mis daily for a year.

Rachel and Mellow have been running the “Dracula-Daily” inspired Les Mis readalong since 2023! Mellow will speak to the behind the scenes process of setting up a Substack and discord server, while other readers will speak to the experience of reading Les Mis for the first time in this format or the small projects they’ve put together while following along.

Les Mis Singalong

Sunday, 21:00-22:00 UTC

Session Type: Social Game

Presented by: Megan

Recorded: No

Let’s let loose by belting out our favorite Les Mis songs together! All singing abilities welcome and encouraged, it’s virtual after all 😀 It will be musical-heavy but we’ll be sure to throw in some other fan favorites!

Closing Session 

Sunday, 22:00-22:30 UTC

Session Type: Convention Administration

Presented by: Convention Committee

Recorded: No

Closing remarks by the convention committee, marking the official end of the convention.

Dead Dog

Sunday, 22:30-24:00

Session Type: Convention Administration

Presented by: Convention Committee

Recorded: No

 “Dead Dog” is a fandom slang term for a laidback “afterparty” that happens when a convention has officially ended. 

[wiirocku]

Psalm 18:30 (NKJV) - As for God, His way is perfect; The word of the LORD is proven; He is a shield to all who trust in Him.

[jesus-is-lord-and-savior]

30 This God-his way is perfect; the word of the LORD proves true; he is a shield for all those who take refuge in him.

31 For who is God, but the LORD? And who is a rock, except our God?-

(Psalm 18:30-31, ESV)

[anamericangirl]

What’s a good reason to not take my own life? I’ve been feeling this way for years. Been to multiple treatment programs. Seen by several different therapists. Anti-depressants. I frequently go outdoors to exercise. Try to fill up my life with being optimistic about my (admittedly nice) job, hobbies, travel, and volunteering. And yet I’m still no better than I was 5 years ago and I have no hope about a happy future. “Your family will miss you.” Ok, and? I think it’s selfish to tell people in pain to continue living like that because some people might temporarily feel sad. They’ll eventually move on. My friends too, especially the ones who are happily married “to their best friends” and having babies and are so happy that they forget I exist.

Hey anon I hope I am not too late! I am just getting out of a hurricane and was without internet access for several days so i apologize for the delay.

But there are so many reasons not to take your own life. In fact, I can’t think of a single reason why you should.

I know it’s tough right now and trust me, I know that depression makes it all feel pointless and worthless and can plague you for years but even though if feels like forever I promise you these feelings and this depression and your circumstances are TEMPORARY. And it would be a tragedy for you to take your life over temporary circumstances and not see what is possible on the other side.

Yes your family and friends will miss you but you should stay because your life has purpose and meaning! Therapy and anti-depressants are good and I’m glad you’ve been trying those things because that means you don’t actually want to die - you just want the pain to stop. And that’s completely understandable and also manageable!

It’s great that you’ve been continuing to exercise and do volunteer work because those things can definitely impact your mood, but they aren’t the source of true joy, peace and happiness. Now I’m a Christian so I’m sure it won’t surprise you for me to say this, but what you are looking for and what you need can only come from God. I urge you to put your faith and trust in him and give him your burdens.

The devil has a hold on you right now, don’t let him win!

“So do not fear, for I am with you; do not be dismayed, for I am your God. I will strengthen you and help you; I will uphold you with my righteous right hand.” - Isaiah 41:10

For I know the plans I have for you,” declares the LORD, “plans to prosper you and not to harm you, plans to give you hope and a future. - Jeremiah 29:11

“The thief comes only to steal and kill and destroy; I have come that they may have life, and have it to the full.” - John 10:10

“Cast your cares on the LORD and he will sustain you; he will never let the righteous be shaken.” - psalm 55:22

“The LORD is close to the brokenhearted and saves those who are crushed in spirit. The righteous person may have many troubles, but the LORD delivers him from them all.” - psalm 34:18-19

But now that I’ve gone on my spiel, here are some reasons I think it’s good to keep living. Not all my original thoughts but ones i agree with.

1. You matter

2. No one else is you.

3. Your younger self

4. Your next favorite song.

5. Warm blankets.

6. Thunderstorms

7. The fact that you’re in control of your future.

8. Experiencing new cultures.

9. Making new friends.

10. Road trips.

11. Sunsets and sunrises.

12. Reading good books.

13. Learning a new language.

14. Adopting a pet.

15. Fresh baked bread and cookies.

16. Getting packages in the mail.

17. Autumn.

18. Pumpkin spice.

19. Drinking coffee in the morning.

20. Beaches and being able to sink your toes into the sand.

21. Stepping on crunchy leaves.

22. Recovery.

23. Falling in love.

24. Rain.

25. Petting puppies and kittens.

26. Drinking water.

27. Trying something new and loving it.

28. Your favorite artist putting out new music.

29. A new season on your favorite TV show.

30. Planting a garden and growing your own vegetables.

31. Farmers Markets.

32. Trying out the newest local coffee shop or restaurant.

33. Karaoke

34. All of the people you have yet to meet.

35. Horseback riding

36. Stars.

37. Ice cream.

38. Ice tea.

39. Scented candles.

40. Learning something new.

41. Museums.

42. Going to the movies.

43. Hearing your favorite song come on the radio.

44. Learning to make a new recipe.

45. Your life is precious.

46. You are enough.

47. Random acts of kindness.

48. God looked at the world and thought it needed you.

49. Your story could save someone else.

50. Looking back on this time in 10 years and realizing you made it.

There’s an endless amount of reasons to stay alive and I hope some of them resonate with you.

But if you are desperate please reach out to the suicide prevention hotline at 988. If you are outside the US then you can find the number for your location here.

Please know that I am praying for you and please reach out to me again if you want to. I would love to keep up with how you are doing 💜

[psalmicwitch]

Baneful Magic in Christian Witchcraft

There’s a LOT of Christian witches on spheres that aren’t tumblr (on here we’re sort of few!), namely reddit. And one misconception I keep seeing is that Christian witches don’t and can’t practice baneful magic.

For the record, I don’t, and if you’re a Christian witch (or any baby witch, really), I’d highly contemplate if cursing and hexing is a practice you really want to get into.

Why do people say you can’t practice baneful magic as a Christian witch? Couple of sources:

Love the Lord your God with all your heart and with all your soul and with all your mind and with all your strength.’ The second is this: ‘Love your neighbor as yourself.’ There is no commandment greater than these.” – Mark 12:30-31

You shall not take vengeance or bear a grudge against the sons of your own people, but you shall love your neighbor as yourself: I am the LORD. – Leviticus 19:18

A new commandment I give you: Love one another. As I have loved you, so you also must love one another. By this everyone will know that you are My disciples, if you love one another.” – John 13:34

That’s some super compelling scripture, huh?

Here’s some evidence to the contrary:

If anyone is preaching to you a gospel contrary to the one you received, let him be accursed. - Galatians 1:9

May their eyes be darkened so they cannot see, and their backs be bent forever. Pour out your wrath on them; let your fierce anger overtake them. - Psalm 69:23-24

Set thou a wicked man over him: and let Satan stand at his right hand. When he shall be judged, let him be condemned: and let his prayer become sin. Let his days be few; and let another take his office. Let his children be fatherless, and his wife a widow. - Psalm 109:6-9

The psalms are some of the most well recorded, oldest, pieces of magic text of all time. Literal curses are written into the Bible.

If you believe in biblical inerrancy, curses are woven into our sacred text, from the metaphorical mouth of God.

For the record, I don’t believe in biblical inerrancy, and I don’t practice baneful magic. But to blanket that statement and say that all Christian witches do not practice baneful magic is false. Christian witches have likely been weaving curses out of the psalms for centuries.

[iipeleng]

Why Free Will Doesn't Mean What You Think It Does

Many people believe that free will gives us unlimited freedom, but Scripture suggests otherwise: we’re given the freedom to choose between two distinct paths, not infinite options.

Free will, from a biblical standpoint, means choosing between God’s way and the enemy’s way—life or death (Deuteronomy 30:19), blessings or curses (Deuteronomy 11:26), commitment or lukewarm faith (Revelation 3:16). In God’s eyes, there’s no grey area, only two clear directions.

God calls us to live on purpose. Purpose isn’t just about existing; it’s about living with intention and direction according to God’s will.

“We are born looking like our parents, but we die looking like our decisions.”- Pastor Joshua McCauley

Each decision shapes our lives, and with the freedom God gives us, we decide if we follow His path or attempt to make our own way.

Purpose is the reason we exist , we all strive to figure out what our purpose is on this earth and how to fulfill it. all of this must mean something right? I was brought here for something right?

"So, what is my purpose?"

Well, it's not something we create on our own. A purposeful life is a gift from Jesus, one we can’t achieve just through behavior or goals. It’s a life given, not earned. Through Jesus, we receive grace, freeing us from sin’s power and aligning us with God’s purpose.

Proverbs 29:18 tells us, “Where there is no revelation, the people cast off restraint; But happy is he who keeps the law” (NKJV).

In Hebrew, ḥāzôn or “revelation” here means prophetic vision or God’s guidance. Without it, life becomes chaotic, like a river spilling beyond its banks. True happiness (ashrei in Hebrew) is rooted in following God’s direction, bringing peace and purpose that go beyond surface-level happiness. Keeping (shamar in Hebrew) His law is about actively choosing and protecting our relationship with God’s Word. This dedication to God’s guidance brings a stability and joy that temporary pleasures can’t match.

“So Why Doesn’t God Stop Me from Messing Up?”

A common question: “If free will isn’t total freedom, why doesn’t God stop me from making bad choices?” God, like a loving parent, warns us but lets us experience the outcomes of our decisions. Think of it like a parent warning a child not to touch a hot stove; if the child ignores the warning, they’ll get burned. It’s a lesson in trust and obedience.

Psalm 81:11-12 explains it: “But My people would not listen to Me… so I gave them over to their stubborn hearts to follow their own devices.” God respects our choices because forced obedience isn’t real love. He wants us to choose His path willingly, knowing that His guidance is meant to protect, not control.

In the end, God offers two paths: His way, leading to purpose and peace, or the enemy’s path, leading to chaos. True freedom isn’t the power to do whatever we want, but the wisdom to choose the way that brings lasting joy and fulfillment.