#Proto-rock

[schooloftuneage]

SCHOOL OF TUNEAGE: LESSON ONE. IN THE BEGINNING...

CLASS IS IN SESSION.

Good evening, my fellow freaks, fillies, and other assorted friends. I'm your deejay for the evening, Zee, and I'll be starting out this blog, this course, and this whole damn mission with a statement that some would consider to be moderately controversial.

Rock music is innately Black music.

Now, yes, we've had our share of crackers in the biz (myself included) but the FOUNDATIONS OF ROCK MUSIC, AND THE SONGS THAT MADE ROCK MUSIC WHAT IT IS, are primarily from Black artists.

Don't believe me? Let's delve in.

Early Rock and Roll was, at its core, a danceable, high-octane (for the time) fusion of Rhythm and Blues and Country. Now, I don't have to tell you how very Black-dominated R&B was, even at the time.

Consider this: Jimmy Preston's "Rock The Joint", from 1949.

Or, from 1946, Arthur "Big Boy" Crudup's "That's All Right".

BUT rock `n roll got passed off to the public vis-a-vis an acceptable, lilly-white proxy… Elvis Presley. Consider this, his seminal hit, 'You Ain't Nothin' But A Hound Dog'.

Now, do you want to see something really awesome?

Elvis' version was a cover. A cover that he (and the recording industry) tried to pretend wasn't a cover.

Here's our first track of the week… the original.

That's BIG MAMA THORNTON, blues singer, the woman responsible for the trope codifier for rock `n roll… and, you will note, a woman singing quite a different song from Elvis' version. Big Mama's was a song of Black female empowerment, a song about telling a freeloading gigolo to hit the road, while Elvis' was sanitized into almost a Kidz Bop version. Hell, he sanitized it MORE than Kidz Bop sanitized "Lips of an Angel" (and more on THAT debacle another day).

And this was far from the only offense in Presley's resume.

Otis Blackwell was a prolific songwriter who originally sang many, many early rock songs. These included Jerry Lee Lewis' 'Great Balls of Fire', as well as Elvis' 'All Shook Up', 'Don't Be Cruel', and 'Return to Sender'. And these last three are probably the most damning indictment of the whitewashing of rock `n roll. Why?

That's why. Give that a close listen.

Elvis seemed to take his entire way of singing - his delivery, his inflection, everything - from Otis Blackwell. As you can see from Otis' album title there, "These are my songs!", he was at least able to attempt to claw back some recognition in later years, but - in the opinion of this berk - it was definitely a case of too little, too late.

We know now. History is damn clear on the topic. But for years, the industry hid behind the Great White Hype of Elvis, pretended he was an innovator instead of a repackager, and shut out the real innovators from their rightful recognition.

Perhaps it is ironic that in years to come - particularly in the late sixties and seventies - there would be a rising 'damn the man' rebellion baked into rock and roll. Or perhaps it would just be karma, ensuring that the sanitization of an inherently rebellious music made by an oppressed people would still carry their spirit.

For tonight, I leave you with another early rock track - what some people say is the first real rock song. Ike Turner and his Kings of Rhythm - Rocket 88.

Class dismissed.

And now we go to open conversation - we've got a survey out right now, check down the page. If you fill it out, I'll have a better idea of what topics everyone wants to cover. And of course, if you want to keep talking about what I covered above... please do.

[mannytoodope]

Neil Percival Young (born November 12, 1945) is a singer-songwriter, producer, and filmmaker. l was maybe in my late twenties when I started listening to him. Young was originally a member of the band Buffalo Springfield. After he moved to Los Angels from his hometown of Toronto, Canada, he released two solo albums with his backing band Crazy Horse. In 1969, he joined Crosby, Stills, and Nash, and they changed their name to Crosby, Stills, Nash, & Young. Despite being in several bands, Young is mainly known for his solo work. Over his career, Young has received several Juno and Grammys.  He entered the Rock and Roll Hall of Fame as a solo musician in 1995. And again with Buffalo Springfield in 1997. Young has worked with various artists throughout his career. Outside of music, Young has directed(or co-directed) films under the name Bernard Shakey. Young has done charitable work here in the States and in Canada. He is one of the artists I had to go back to and listen to, appreciate and respect his music. Young continues to make music and inspires musicians. He had his music removed from streaming platforms that had artists who spread false information about COVID-19

[kulturegroupie]

[mekkanicalsol]

This truly was… A battle and chase.

[undergroundrockpress]

Lou Reed – Rock N Roll Animal, 1974. Photo by Dwayne Dalrymple.

[hate-not-wanting-a-name]

Forgor to post this but robo-kitties should also be unholdable

[lunarlicorice]

this is how it has to end.

redraw of this panel:

[doodlesdreaming]

Whatever happens, we face it together!

[mediaartsrecordingsound]

Bono, Rolling Stone, 10/20/05 (born Paul David Hewson, 10 May 1960)

[red1sart]

mm12

[disease]

Lou Reed in the studio mixing Take No Prisoners | 1978

[kyrapix]

protoman and bass but normal

[rockman-starlight-au]

Couldn’t find the original version of this I made to reblog to this account, but I’ve been meaning to for a while!

Based on a post by @yamada-ryo and @psychomaniac14

[undergroundrockpress]

The Pink Fairies play for free at the Isle of Wight Festival, 1969. Photo : David Hurn.

[hate-not-wanting-a-name]

Catboy Blues and the old sketch dump

[revastera]

[Mega Man] Enjoying the summer 😎