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iraempirecom · 1 year ago

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Nashville Coin Gallery Reviews

What is Nashville Coin Gallery?Nashville Coin Gallery Locations, Timings, Email, Phone, Services

Nashville Coin Gallery, founded in 2002 by Pete Dodgea, is a nationally known and highly respected dealer in rare coins, paper money, and precious metals bullion products, with annual revenue in the millions of dollars.

Nashville Coin Gallery, according to the company, lives on word-of-mouth referrals and online reviews from its many satisfied clients, many of whom are repeat customers. This reciprocity of loyalty is met with the highest respect and gratitude from the gallery's end. Nashville Coin Gallery's foundation has been founded in the pursuit of a unique blend of top-tier customer service and outstanding pricing, setting a standard unmatched in the coin and precious metals industry. The Brentwood location has evolved into an exclusive appointment-only engagement in which the gallery works directly with customers to provide a more personalised experience. The gallery's strategic position, around 10 miles from downtown Nashville and 8 miles from Franklin, demonstrates the gallery's commitment to accessibility. - Address: 500 Wilson Pike Circle, Ste. 227, Brentwood, TN 37027 - Phone: (615) 764-0331 - Email: [email protected] - Website: https://nashvillecoingallery.com/

People Behind Nashville Coin Gallery: CEO, Owner, Co-Founders & MoreWho owns Nashville Coin Gallery? What is the management team behind Nashville Coin Gallery?

The company's website mentions the following team members: Pete Dodge: Founder

Pete is the owner and founder of Nashville Coin Gallery. He is a lifelong coin collector from Brockton, Massachusetts, who was first exposed to the hobby as a child while in the Cub Scouts. After working as a computer programmer/analyst for many years, including in the United States Air Force from 1980 to 1984, Pete decided to make his lifelong hobby a full-time business and founded Nashville Coin Gallery in 2002. Pete is our Head Numismatist, and he is the primary buyer and seller of coins, paper money, and precious metals bullion products at Nashville Coin Gallery. Pete enjoys travelling, creating music, and playing guitar and piano in his spare time. Jonah Nestadt: Coin & Bullion Buyer

Jonah was born in Sydney, Australia, where he got a bachelor's degree in International Business from Macquarie University. He then worked at a coin store in New Jersey for four years before joining Nashville Coin Gallery as a coin and bullion buyer in February 2022. Jonah enjoys hiking, mountain biking, and listening to live music in his spare time, and he has backpacked in several countries across the world. Jackson Taylor: Accounting / Finance / Marketing

Jackson is another Nashville Coin Gallery employee who has been with the company since February 2016. He attended Mississippi State University and majored in economics and accounting. His responsibilities at Nashville Coin Gallery mostly include marketing, bookkeeping, online SEO, and data analytics. He's also been known to help out the Shipping Department when they're in need. Jackson enjoys golf, basketball, and powerlifting. Brian Roan: Shipping & Receiving Specialist

Brian was born in Illinois but grew up in the Dallas area, graduating from high school in Richardson, Texas, just outside of Dallas. He moved to Tennessee in 1990 after spending time in Virginia and Oklahoma and started working at Nashville Coin Gallery in May 2022. Brian is an avid amateur photographer who enjoys photographing birds, flowers, and other animals when he is not performing shipping and receiving chores for Nashville Coin Gallery. He also enjoys travelling with his wife. Sylvia McMillan: Accounting / Payroll / Human Resources

Sylvia moved to the Nashville, Tennessee area in 2020 and was still working part-time from home for a company in Washington doing real estate work when she became interested in investing in precious metals, so she came to Nashville Coin Gallery numerous times to buy gold and silver. She showed interest in joining their team after becoming fascinated by the firm itself, like the way the company conduct business. Sylvia joined the Nashville Coin Gallery team in November 2022 and working in the Accounting & HR department, where she is responsible for accounting functions, payroll, and human resources. Sam Mizell: Photography & Videography

Sam joined the Nashville Coin Gallery team in November of 2020 as a Shipping and Receiving Specialist. He manages all things related to shipping and receiving for a year and a half, from assembling boxes to packing and securing the contents, from ensuring every box is adequately insured to generating shipping labels, from ordering shipping supplies to videotaping all shipping and receiving activities. During his time, Sam also became highly skilled at coin photography and website video production. However, he quit the organization in early May 2022 after taking another full-time position in the music industry.

Nashville Coin Gallery Products: Bullion Coins, Bars, And Rare CoinsAll products offered by Nashville Coin Gallery

Nashville Coin Gallery offers a diverse range of numismatic products and precious metals. Here's a list of the product categories they provide: Gold:

- Gold Coins (Various denominations and historical periods) - Gold Bullion Bars (Assorted weights and refineries) - Gold American Eagles - Gold Canadian Maple Leafs - Gold Krugerrands - Gold Austrian Philharmonics - Gold Chinese Pandas - Gold Australian Kangaroos Silver:

- Silver Coins (Different designs, eras, and countries) - Silver Bullion Bars (Various sizes and manufacturers) - Silver American Eagles - Silver Canadian Maple Leafs - Silver Britannias - Silver Austrian Philharmonics - Silver Chinese Pandas - Silver Australian Koalas Platinum: - Platinum Coins (Assorted designs and origins) - Platinum Bullion Bars (Various weights and brands) - Platinum American Eagles - Platinum Canadian Maple Leafs Palladium: - Palladium Coins - Palladium Bullion Bars Rare Coins: - Collectible U.S. Coins (Historical coins, key dates, and unique varieties) - World Coins (Coins from various countries and time periods) - Certified Coins (Graded and authenticated by professional grading services) Paper Money: - U.S. Paper Currency (Banknotes of different denominations and historical significance) - World Paper Currency (Currency notes from around the globe) Other Precious Metals: - Other Bullion (Such as bars and coins in various metals) - Coin Supplies (Albums, holders, and accessories for coin storage and display) Special Collections and Sets: - Commemorative Coin Sets - Limited Edition Releases It's important to note that the availability of specific products may vary over time, and it's recommended to visit their official website or contact them directly for the most up-to-date information on their product offerings.

Can You Invest in Nashville Coin Gallery IRA?Do They Offer A Precious Metals IRA?

To invest in a precious metals IRA through Nashville Coin Gallery are the general steps: Open a Self-Directed IRA Select an IRA company that handles opening precious metals IRA accounts and fill out an application. You can work with Nashville Coin Gallery to recommend an IRA company and provide the necessary paperwork. However, I don't recommend doing so. Fund Your IRA Once you have selected an IRA company, you can move your funds into your new IRA account. You can work with the IRA company representative to transfer or rollover funds into the new account. Select a Precious Metals Dealer One of the forms you need to fill out along the way is typically called a Buy Direction Letter. This is where you list the precious metals dealer you have selected, such as Nashville Coin Gallery. Decide Which Precious Metals to Purchase You can choose to invest in gold, silver, platinum, or palladium for your IRA. There are some restrictions regarding fineness requirements and allowable coin types, so it's important to get guidance from Nashville Coin Gallery in this area. Place Your Order Once the funds are available in your IRA account, you can call them to place your order for the desired precious metals. However, I don't recommend opening an IRA with Nashville Coin Gallery. Why? Because there are plenty of better options available for you. Opening a precious metals IRA is a major decision. That's why I suggest checking out our top gold IRA providers list. There, you can find the best precious metals dealer in your state and choose accordingly. Also, the list will help you understand what the industry's best has to offer and what you might miss out on.

Nashville Coin Gallery Fees and Charges: Do they overcharge?What are their fees? Do they have hidden fees?

It's important for people to know about fees and charges when they're thinking about investing in things like coins and precious metals. However, Nashville Coin Gallery's website doesn't give clear information about these fees, and that might make potential customers and investors feel disappointed.

When you're thinking about investing your money, it's really helpful to have all the details about how much things will cost. Not having this information on the website can make people uncertain about whether to invest or not. It's like not knowing all the costs before you buy something – you might end up surprised by extra expenses you didn't expect. Even though Nashville Coin Gallery has a good reputation and happy customers, not knowing the fees upfront can create doubts for those who want to understand everything before making a decision. This could also lead to worries about hidden fees that nobody likes. Transparency is Important

Nashville Coin Gallery Reviews and Complaints: BBB, Yelp, GoogleRead all the Nashville Coin Gallery reviews & complaints

Better Business Bureau (BBB) Based on two customer reviews, Nashville Coin Gallery has an A+ rating and a 3/5 rating on the Better Business Bureau website. The company has been in business for 20 years and has been accredited since 2007. One of their customers posted a negative review saying they should be arrested for robbing people, while another customer praised the company.

Nashville Coin Gallery has received #6 complaints on Google The company has received several unresolved complaints from customers. There are also several unresolved negative reviews on different platforms. Our #1 rated gold IRA company has ZERO unanswered complaints on BBB. Yelp Nashville Coin Gallery has a 4.8/5 star rating on the Yelp platform, based on 10 customer reviews. Customers have mostly posted positive reviews, appreciating the company for providing excellent customer service and being open and honest with them.

Google Reviews On Google, the company has received many reviews from customers, both positive and negative; however, the majority of customers have left positive reviews saying that the owner, Pete Dodge, responds professionally and is transparent and helpful to them. It is important to remember, however, that customers have also posted negative reviews.

Overall, the company has an insufficient online presence, and there are no client ratings and reviews on Trustpilot, which could be cause for concern for potential customers. Having a solid internet presence is essential for client trust and Nashville Coin Gallery's online visibility is not so good. Positive Reviews #1. Linda, a customer, described her great experience with the company, stating that the owner Pete was a wonderful guy to work with. It was her first time, and Pete helped set her at ease by explaining value, and condition, and answering all of her questions. Linda further stated that the company gave her more than she expected in return for her collection. Lastly, she said she would recommend this company to anyone looking to sell or purchase coins.

#2. Another customer, Ammon S., also shared his experience, adding that the drive to the company was worthy. Pete was kind and quick in handling the coins he sold. Lastly, he added, he got better deals than he could have received anywhere else.

#3. Mary stated that she liked her overall experience with the company and its owner, Pete. Pete was really polite and accommodating on the phone, she stated, and in person, he was happy to share his expertise on the coins he had. At last, she added, surely would recommend this company.

Negative Reviews #1. A customer, Charles advised that you should not sell your silver and gold here since you will get a higher price elsewhere. He described it as the biggest rip-off he has encountered in years. Lastly, he recommended avoiding doing business with this company.

#2. Another customer, Herman, stated that his experience was terrible and that the staff was rude and short-tempered. He also stated that it is not a coin company, but rather a little office with a table.

#3. Gerald, a customer, explained his terrible experience with the company, starting with its owner Pete, who appeared to be in a hurry to run errands rather than carefully evaluating customer's coins. He also added that he is sure Pete cheated him on his coin. Pete told the customer that his foreign coins were worthless and he did not even look at them. When the customer returned home, he looked up the coins and discovered that it was a $10 Spanish coin. At last, he advised everyone not to do business with this company.

Is Nashville Coin Gallery Legit? Should You Invest With Them?Is Nashville Coin Gallery a scam or legit? Are they worth it?

No, I don't recommend investing with them. Pros: - A+ rating on BBB Cons: - Risk of hidden fees and charges - Lack of transparency - Limited online presence - No Trustpilot rating I believe you have numerous better options available for you. Nashville Coin Gallery has been in the precious metals business for 20 years. On the Better Business Bureau, they have an A+ rating with 3 stars. However, little information on fees and charges has been revealed by the company, and there are few customer reviews. Before you make any final decision, I recommend checking out our top gold IRA providers. There, you will find out what the industry's best has to offer. Also, it will ensure you make an informed decision. Or, you can check out the best gold dealer in your state below: Each state has its regulations and rules, so we've sorted and found the best Gold IRA company for each state. Find the best Gold IRA company in your state Read the full article

#NashvilleCoinGallery

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themovieblogonline · 1 year ago

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"The Herricanes" Screens at Nashville Film Festival

Do not go where the path may lead. Go instead where there is no path and make a trail." (Ralph Waldo Emerson) That quote appears at the beginning of the documentary "The Herricanes," which played at the Nashville Film Festival on Monday, October 2, 2023. Olivia Kuan's Mom played football. Olivia thought it was something any girl could do Upon learning how unique her mother's experience was, the young filmmaker decided to document her mother, Basia Haszlakiewicz's, participation in the female football leagues of the seventies. Basia played for the Houston Herricanes in the NWFL (National Women's Football League.) Ms. Kuan's excellent documentary traces the origins of female contact football. She interviewed members of several teams of the seventies. Additionally, she did a great job of labeling each interview subject onscreen. The research and editing team did a terrific job of assembling the interviews into a coherent whole.The archival production team consisted of Kelsey Carr and researcher Chris Morcam. Still photographs and film footage from the games of the seventies take us back in time. The documentary embraces the concept "it's okay for women to be whole people." Another truth the film underscores: "It's important to create a world that welcomes everyone." Interesting timing. Olivia Hill, the first trans-gender woman to hold office in Nashville, was sworn in this very day as one of 5 council-members at large for the Metro area. Meanwhile, the state of Tennessee has banned drag shows in the very recent past. Title IX The entire idea of letting women play contact football grew out of the cultural shift of Title IX in 1972. Title IX said that no school could discriminate on the basis of sex in extra-curricular offerings in public schools. Today's youth don't remember what a sea change this was, but I do. I began teaching junior high school students in 1969 and witnessed the changes of the seventies firsthand. Olivia's mother, Basia Haszlakiewicz, played for the Houston Herricanes in the seventies. To the argument women "don't want to play contact sports" the rebuttal was,"They've never been given the opportunity to see if they want to play football." Today, one of the early supporters of female football runs Gridiron Girls camps. Youngsters who know nothing about Title IX can try football out. Be the Revolution As the film emphasizes, it is not easy to be first. Four National Women's Football League teams were founded in 1974. Among the teams participating over the years were the Toledo Troopers, the Dallas Bluebonnets, the Los Angeles Dandelions, the Dallas/Ft. Worth Shamrocks, the Oklahoma City Dolls, the San Antonio Flames, and the Houston Herricanes. There were initially 14 teams with 3 divisions. The power team was Oklahoma City. In fact, the Oklahoma City Dolls didn't lose a game until their sixth season. The Dolls put a beat-down on the Herricanes in their first meetings. They averaged 35 points a game and routinely beat the early Herricanes by scores as lopsided as 40 to 0 and/or 56 to 0. The Houston Herricanes But the Herricanes steadily improved and were competitive near the end of the league's existence. The players had to buy their own equipment ($88,15 in Olivia's Mom's case) and it took $50,000 to keep a team afloat. There were more people on the field than in the stands. This did not help the financial situation of the teams. The comment is made in the documentary that parity for women in any sport is yet to be achieved. The documentary made it clear that support for women's contact football in Europe is much stronger, citing the 2019 World Championship in Leeds, England. Teams thrive in countries like Sweden, Finland, New Zealand, Germany and England. As for the original NWFL teams, they began to fold in '78 (Los Angeles Dandelions) and '79 (Toledo Troopers, Oklahoma City Dolls, Houston Herricanes,) Some (the Dallas/Ft. Worth Shamrocks) had folded earlier. The 1979 Championship game was canceled. Today, there are over 100 teams playing, worldwide, and women's sports are increasing in popularity (Natalie Portman is one owner of a woman's team). This interesting and informative documentary---one of the best at the Nashville Film Festival---gives you the history of the genesis of contact football for females. It's a well-done fun documentary. Read the full article

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maggotaur · 2 years ago

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ohwhale22 · 6 months ago

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clarklovescarole · 2 years ago

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October 1937: Stalkers and Ranch Land

October 2, 1937 – Evening Star

Twosome Kay Francis-Delmer Daves sit with Sweethearts Carole Lombard and Clark Gable watching Helen Wills Moody and Baron von Cramm make tennis mincemeat of Donald Budge and Mrs. John van Ryn…

October 3, 1937 – Los Angeles Times

Best-dressed star at the Pacific Southwest tennis championship matches last Sunday was Kay Francis, a study in gray… Clark Gable smiled affably at admiring fans. Carole Lombard made a hasty exit.

October 5, 1937 – Evening Star

While Clark Gable is not working, he escorts Carole Lombard to her studio at 6 o’clock every morning – according to Miss Lombard’s laundry woman…

October 6, 1937 – Evening News

Quite an exciting moment when Clark Gable, accompanied by Carole Lombard, almost brushed elbows with Rhea Gable in the cocktail lounge at the Tennis Club…

October 7, 1937 – Chicago Tribune

The tennis matches at the Hollywood Tennis Club were the next stop… Clark Gable in a gray suit and yellow tie lounged beside Carole Lombard. She was hatless and her blonde hair fell to her shoulders.

October 9, 1937 – Evening Standard

Clark Gable, Myrna Loy and Carole Lombard at a lawn tennis meeting in Los Angeles.

October 9, 1937 – San Bernardino County Sun

GABLE BUYS BIRTHDAY CAKE, INSPECTS BAKERY

Production by the girl employees, both in the office and the bakery departments of Meyer Baking Co., stopped dead-still yesterday when a distinguished visitor appeared at the plant to order a birthday cake.

The visitor was Clark Gable, the moving picture star.

Gable, who is on location at Lake Arrowhead, explained he needed an elaborately decorated birthday cake for �� well, he didn’t say who. The bakers assured him the cake would be ready, and Gable, interested in the operation of the bakery, inspected the big plant, talking with the employees.

The girl employees got a break when Gable appeared particularly interested in their work and devoted much of his time to chatting with them, even discussing his motion picture work. Later, he posed for photographs with the girls and other employees, who rushed for cameras when he graciously consented to be filmed.

Gable slyly admitted the birthday cake would be served at a party at Lake Arrowhead, but even the gossip columnists didn’t know who the lady guest of honor will be. But Carole Lombard, too, is at the lake, where her new picture, “True Confessions,” is being shot.

October 11, 1937 – Harrisburg Telegraph

Clark Gable accompanied Carole Lombard to Arrowhead, where her company is on location…

October 11, 1937 – Sacramento Bee

Snapshots of Hollywood

Carole Lombard taken violently ill after making a scene in ice cold water at Lake Arrowhead. Clark Gable and Carole’s doctor hurrying to her side.

October 12, 1937 – Evening Star

Clark Gable celebrated Carole Lombard’s birthday anniversary with the actress at Lake Arrowhead. And I’m told they had a whale of a time.

October 13, 1937 – The Courier

Carole Lombard, who returned from location Saturday night, remaining in bed until she entirely recovers from her attack of illness at Lake Arrowhead…

October 16, 1937 – Collyer’s Eye

Clark Gable, rumored the constant companion of Carole Lombard, has a new gal or else he’s cheating…

October 17, 1937 – San Francisco Examiner

The producers weren’t able to line up Carole Lombard to play opposite Clark Gable so they revived an old picture of them made years before there were any thought of a romantic attachment between these two. Gable and Lombard could command a king’s ransom if they appeared together today for there is no romance more popular with fans all over the world.

October 17, 1937 – Nashville Banner

When Clark Gable was rehearsing for his appearance with Cecil B. DeMille on his CBS Radio Theater hour, only one person sat as audience in the auditorium from 8 until midnight. This person was Carole Lombard. She occupied her time, when not listening to Clark, by skimming through a stack of national magazines, checking up on her publicity.

October 20, 1937 – Los Angeles Times

Rumors of a rift between Clark Gable and Carole Lombard should be laid to rest. On Sunday’s “Coffee” show, Miss L was wearing a huge diamond bracelet given to her by the handsome star. While he rehearsed for the program, the blonde actress spent the afternoon in the Jack Benny rehearsal studio. As for the comedy bit between Gable and Charlie McCarthy, the stars’ managers objected on the ground that the sketch would be undignified, but Gable overrode the negative nods…

October 21, 1937 – Fort Worth Star Telegram

By John Lawson

The great Gable provided an additional thrill for studio audiences around NBC Sunday. Scheduled for an appearance on the Charlie McCarthy program he showed up early with Carole Lombard and Don Ameche and sneaked into the 4 p.m. broadcast of the Jack Benny show.

Sitting in the first row, Gable was a magnet for all feminine eyes – and droves of autograph seekers. Two uniformed page boys were finally assigned to relieve him of the latter. He laughed heartily at the show and was somewhat flustered by the gag struck in at the last minute in his honor – the “Clerk Gable” one in the grocery store skit.

Carole Lombard sat in the control room and stared attentively at her hero (Gable) when he faced Casanova McCarthy. The dialog duel between the Hollywood He-man and the Incorrigible Image rocked the audience – particularly when Clark asked Charlie for the secret of his success with the opposite sex and Charlie replied: “Would Garbo tell Dietrich?”

Hollywood is alive with radio studio goers on Sunday afternoon. They come from all parts of the state – from all parts of the country, for that matter. They stand for hours around the studio gates, hoping for a glimpse of the stars who pass by in shiny limousines.

October 26, 1937 – Gaffney Ledger

Haven’t seen Clark Gable to ask him, but I hear that Carole Lombard gave him the midget pony that he has been carting around MGM, much to the amusement of the lot. The horse is a real dwarf. Stands only about two feet high.

October 26, 1937 – Kilgore Daily News

ADMIRERS TRAIL GABLE AND CAROLE DURING DATE

Police informed a red-faced Clark Gable today that he and Carole Lombard are popular with the movie fans.

Gable called for Miss Lombard at the actress’ home and noticed an automobile parked nearby with two young men in it. He drove down Hollywood boulevard with Miss Lombard and the other car followed. He tried a few twists and turns but the car stayed on to his trail.

Gable jotted down the other car’s license number and gave it to police.

Police traced the number to Clifton Bryant, 25, and Alfred Dilly, who admired Gable and Miss Lombard on the screen and wanted a good look at them in real life.

October 26, 1937 – Los Angeles Times

Pair Pursuing Screen Stars Prove to Be Merely Curious

Clark Gable and Carole Lombard co-starred yesterday in a real-life drama involving pursuit by a strange automobile and police investigation.

The suspected “villains” were Clifton Bryant, 25 years of age of 108 East California Street, Glendale, and his friend Alfred Dilly of Pasadena.

Bryant and Dilly parked outside Miss Lombard’s home. Gable arrived, escorted Miss Lombard from her house and drove away. Bryant and Dilly followed down Hollywood Boulevard.

Gable, worried, took the license number of the other car when the youths twice drove beside and stared.

Glendale police traced the license plate to Bryant, but chuckled when they learned he and Dilly were merely curious fans of the film stars.

October 26, 1937 – Spokesman Review

Clark Gable has leased the Rex Ingram house for one year, by which time the home he is building for the prospective Mrs. Clark Gable the third (Carole Lombard) will be ready for occupation.

October 27, 1937 – Monrovia News Post

Bandit or Movie Bug?

Sometimes from the way people act you cannot tell whether they are kidnappers or hero-worshipping fanatics. A couple of youths who are doubtless “that way” about Carole Lombard parked a car near her home and when Clark Gable called for Miss Lombard in his car they trailed the couple along the streets for several blocks, at times drawing up to their car and staring at them. Had Gable been excitable he might have taken a shot at the youths, and any jury would have excused him. In this day of automobile crimes, it is not safe to act like a yegg if you are not one. This hero worship is growing to such an absurd extent that people are breaking into the homes of the movie stars to find some trifling relic they can take. Day by day in every way we are getting sillier and sillier.

October 28, 1937 – The Gazette

Chatter in Hollywood: Clark Gable has rented himself a little house in the valley not far from the ranch homes of Al Jolson, Hal Willis, Barbara Stanwyck and the Zeppo Marxes. He will have a riding horse, raise a few crops, and go in for gentleman farming in a small but effective way. The house Clark has rented is furnished, but when Carole Lombard gets through redecorating it in her own inimitable style you won’t know it. That gal has a real flair for doing houses.

October 29, 1937 – Ogden Standard

Ranch Land Bought

Clark Gable has forty acres of ranch land in the same vicinity (as Bob Taylor and Barbara Stanwyck). When Carole Lombard purchased the adjoining forty acres Hollywood buzzed. The rumor is that Clark and Carole will wed this spring, and make the ranch their honeymoon home. However, the public is forgetting that Mr. Gable is technically already wed. At a recent party, Mrs. Gable sighed over her tea cup and said to another guest: “Strange how everyone in Hollywood is always wanting a divorce. My husband doesn’t want one.”

October 31, 1937 – Nashville Banner

By Grace Wilcox

A sextet who go completely Western over the weekend is composed of Carole Lombard, Clark Gable, Barbara Stanwyck, Bob Taylor, Gail Patrick, and Bob Cobb.

Cowboys from neighboring ranches bite the dust in dismay as they give a quick look at the Lombard boots, buckskin britches, rainbow skirt, sombrero, fancy bandana, and Mexican saddle. Her spirited Western pony with an Arabian strain causes heart burnings on practically every ranch from San Gabriel to San Ysidro.

Gable has bought a 25-acre ranch in the San Fernando Valley, and not far away Miss Lombard has got herself a neat 35-acre outfit on which she can run as wild as any jack rabbit.

More often than not, the sextet get together on the Marwyck ranch, where Barbara Stanwyck’s handsome stone house is built on a hill.

Carole is, as always, the life of the party. Last Sunday, when she announced her intention of milking a cow, Gable bet her a pair of silk stockings against a carton of cigarettes she couldn’t do it.

Exerting all her charm, Miss Lombard approached Bossy, who apparently had no faith in moving picture stars as milkers. She pushed the lovely Carole into a tailspin. This was a mistake on her part, for, with the aid of four stanchions to which she attached Miss Moo’s four legs, Miss Lombard proceeded to milk in peace and demand payment of the bet.

Newest development is Gable’s attempt to start a cattle ranch with some of Joel McCrea’s prize-winning stock as a beginning.

October 31, 1937 - Springfield Leader

Clark Gable, who has three interests in life – Carole Lombard, acting and guns – has just received a prized addition to his private arsenal’s museum. It’s a bullet fired during the Civil War, sent to him by a fan, Leslie M. Page, of Wilmington, NC.

“I have always been an admirer of yours, and knowing that you collect firearms, I trust you might like to have this very rare bullet, a relic from bombardment of Fort Fisher,” Page wrote.

#clark gable #carole lombard #1937 #old Hollywood

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astrognossienne · 3 years ago

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scandalous beauty: bettie page - an analysis

“I was never the girl next door.” - Bettie Page

The life of those with Cancer energy is often a strange and quietly revolutionary one. She had the most perfect body ever photographed. At least one historian has ranked her popularity as a pin-up just behind Marilyn Monroe and, arguably, Jayne Mansfield, but her career followed a very different path. From an impoverished Tennessee girl to an iconic 1950s model, Bettie Page was a legendary pinup girl whose photographs in the nude, in bondage and in naughty-but-nice poses appeared in many (privately stashed) men's magazines. Page’s introduction to the limelight was unusual. She went from a Homecoming Queen to an aspiring Hollywood starlet, but her one and only screen-test was an utter bust as she boldly rejected the producer’s advances to meet her after hours. She turned to pinup modeling, and her fate was sealed. Her way of posing was instictive (Tarurus sun) and intutitive (Cancer moon); I got the sense that there was a passion play unfolding in her mind. What some see as a bad-girl image was in fact a certain sensual freedom and play-acting - it was part of the fun of being a woman. Most people that saw her photos were enchanted. A cult figure, Page was famous for the estimated 20,000 black-and-white glossy photographs taken by amateur shutterbugs from 1949 to 1957.

Some, however were not as enchanted with Miss Page; these pictures wound up drawing the attention of an ambitious United States senator who launched an investigation on pornography’s impact on youth. The investigation uncovered a scandal that marred Page’s career and she shortly thereafter vanished from the New York City scene for good. Decades later, those images inspired biographies, comic books, fan clubs, websites, commercial products -- Bettie Page playing cards, dress-up magnet sets, action figures, Zippo lighters, shot glasses -- and, in 2005, a film about her life and times, The Notorious Bettie Page. Though Bettie was the most famous postwar pinup girl in American history, her later life proved to be far less glamorous. By the end of ’50s, the most photographed model of the 20th century had become a total recluse. As with Monroe and Mansfield, the sadness of her life was found in the space between. Nonetheless, Bettie left behind a formidable legacy: she helped usher in the sexual revolution of the 1960s, inspired legions of artists, and remains an icon of feminine power and sexual expression.

Bettie Mae Page, according to astrotheme, was a Taurus sun and Cancer moon. She was born in Nashville, the oldest girl among Roy and Edna Page’s six children. Her father, an auto mechanic, molested her and her other two sisters. Her parents divorced in 1933, but life didn’t get any easier for Bettie. Shortly after the divorce, when Page was 10, she and her two sisters were sent to an orphanage for a year. Her mother neglected her, not wanting to have any girls. She thought they were trouble. Despite her troubles at home, Bettie excelled at in high school; she became Homecoming Queen and garnered a scholarship to George Peabody College. Graduating in 1943, she married her high school sweetheart Billy Neal and moved to San Francisco. After high school, Page earned a teaching credential. But her career in the classroom was short-lived, since she couldn’t control her students. She tried secretarial work and modeled on the side. But by 1948 she had divorced a violent husband and fled to New York City, where she enrolled in acting classes. She was noticed on the beach at Coney Island by New York police officer and amateur photographer Jerry Tibbs, who introduced her to nude camera clubs. She soon made it into the pages of magazines like Wink and Flirt. Her most professional photographs were taken in 1955 by fashion photographer Bunny Yeager, but her 1955 Playboy centerfold brought her career to the next level. Page quickly became a sought-after model, attracting the attention of Irving Klaw and his sister, Paula, who operated a mail-order business specializing in cheesecake and bondage poses. For Senator Estes Kefauver, Page and photographers like Klaw were “a bad influence and degrading.” Kefauver formed a sub-committee on juvenile delinquency to investigate just how bad of an influence they were and found the case of a Florida man named Clarence Grimm who said his son’s suicide was influenced by Page. Grimm testified that his dead son Kenneth was found hanging by his knees and neck. The committee’s special counsel Vincent Gaughan led him to confirm that this position was wholly inspired by Klaw’s BDSM photos of Page, with the photographer left in ruins as a result — and Page leaving town.

At 35, Page walked away from it all. She quit modeling and moved to Florida, where an experience at a multiracial Baptist church on New Year’s Eve 1957 saw her born again. It was also where she married a much younger man whose passions, she later learned, were watching television and eating hamburgers. Page immersed herself in Bible studies and served as a counselor for the Billy Graham Crusade. In 1967, she married for a third time to Harry Lear. After that marriage ended in divorce 11 years later, Page plunged into a depression marked by violent mood swings. With uncontrollable bursts of anger, Page ran through a Boca Raton ministry retreat with a .22-caliber pistol in January 1972. In April, she forced her husband and his children at knife-point to pray to Jesus. She argued with her landlady and attacked her with a knife, but after twice assaulting elderly women with whom she was boarding, she was charged with attempted murder. A judge found her innocent by reason of insanity but sentenced her to 10 years in a California mental institution. She was released in 1992 from Patton State to find that she had unwittingly become a pop-culture icon. In Bettie’s absence, the public grew increasingly curious about her. So much so, in fact, that Penthouse magazine offered anyone who could prove she was dead or alive $1,000. With the help of admirers, including Playboy founder Hugh Hefner, Page finally began receiving a respectable income for her work. She spent most of her final years in a one-bedroom apartment, reading the Bible, listening to Christian and country tunes, watching westerns on television, catching up on diet and exercise regimens or sometimes perusing secondhand clothing stores. After years of living on Social Security benefits and royalties, Page ultimately died of a heart attack at the age of 85 on Dec. 11, 2008, after being hospitalized with pneumonia days earlier.

Next, I will focus on another Taurus, a dashing and swashbuckling leading man whose untimely death made him an early legend: Tyrone Power.

STATS

birthdate: April 22, 1923

major planets:

Sun: Taurus

Moon: Cancer

Rising: Scorpio

Mercury: Taurus

Venus: Pisces

Mars: Gemini

Midheaven: Leo

Jupiter: Scorpio

Saturn: Libra

Uranus: Pisces

Neptune: Leo

Pluto: Cancer

Overall personality snapshot: Whatever she did – be it in business, catering, the caring professions or indeed at home – she was undoubtedly one of the great ‘mothers’ of the world. She had a strongly protective, sensitive and nurturing approach to all that she did. She had the potential to become the ideal parent, teacher and friend. Immensely sympathetic, understanding and supportive, she was able to encourage and bring out the best in those people and organizations she cared for and with whom she came into contact. Her strong sense of the value of things gave her an excellent business and economic sense, enabling her to spot a bargain and to conserve and build up her financial resources. This was assisted by her capacity for getting others to feel protective towards her. Whilst she tended to lack the more dynamic get-up-and-go self-confidence of the classic entrepreneur, she had nonetheless a quiet determination which got her wherever she wanted to go. Her home, and no doubt her evergreen garden, would have been especially important to her and she made her ‘nest’ both secure and comfortable. She was a naturally good neighbour, and although she tended to be a rather quiet, private and indeed even secretive person, she did feel a sense of responsibility for those around her. This meant that she was the child who ended up looking after her parents when her brothers and sisters are off doing their own thing.

She was strongly sensual and tended to be rather allergic to ideas and theories. She thought best in pictures and symbols and by simply doing and experiencing things, and getting the feel of how they work. She was naturally creative and artistic with a strongly lyrical, musical and poetic bent. She could get swept away on a soaring melody, or by a particular nuance of colour, scent or texture. She used her body as a barometer, for it tended to reflect faithfully her inner moods and emotions. Childhood was, and probably still is, enormously important to her. In an often threatening world, she may well have sought to retreat into the secure and familiar. This may have led her to seek out a steady, routine occupation which offered long-term security rather than something that could feed her rich imagination. When these two sides of her were working in creative tandem, this was an immensely caring combination. It is an ideal mix for anyone in the caring, counselling or nursing professions or indeed in any kind of work where the care and nourishment of others is the central preoccupation, such as infant-school teaching, catering and hotel work.

She had dark, brooding looks with thick, abundant hair and strongly marked eyebrows that framed the most important feature of her face, her eyes. Her eyes had a piercing, penetrating quality. Overall, she gave the impression of quietly contained power. Her movements were controlled, and her clothes were chosen for their dramatic value. With her commanding personality, she was able to instill fear and apprehension if she wished. She held a lot of hidden rage and passion within her, which had to be released. She was practical, steady and patient, but she could be inflexible in her views. One thing she did have was plenty of common sense and good powers of concentration, although she tended to think that purely abstract thought was a waste of time. Her thought processes weren’t as quick as others, but her decisions were made with a lot of thought behind them. She was ambitious without being ruthless. She became deeply involved in her work, wanting to work at the highest level. Work and leisure may have been (and was) indivisible, especially with her work being artistic or creative. She was well suited to her career as a pinup model, since it promised and delivered publicity as well as a scope for showing off. She could be an intensely emotional person with extremely strong physical desires. She tended to see herself as a desirable person to the opposite sex. She needed to be loved, but she could also be extremely suspicious of other people and their motives. Her perseverance was strong, but she also needed to learn moderation and not to over-rate her abilities or capacity for doing things. She believed that fair play, justice, tact and diplomacy were all extremely important. Her reasonable outlook and kind and pleasant character endeared her to others. She liked to encourage social contacts that enhanced her image. She was meant to learn a lot from relationships in her life through the way she handled them, and through issues of compromise. As long as she felt secure within herself, a partnership brought her much happiness, stability and contentment.

She belonged to a generation gifted with original and unusual artistic talents, highly imaginative, secretive and visionary. She personified the Piscean Uranus generation in the sense that she felt uncomfortable facing reality, finding the world a difficult place to survive in. She relied on negative escapism as a preferred way of escaping the harsh reality of the world around her. The unknown and the taboo appealed to her, because she wanted to have the freedom to explore and think for herself. She was part of a very artistically talented and creative generation that wanted to escape from the demands of the world around them into a world of excitement and glamour. Members of this generation love the theater and the cinema, in fact, any sort of creative self-expression. They also believed in the rights of any individual to express themselves. This generation was both idealistic and romantic, selfish and individualistic. Page embodied all of these Leo Neptunian ideals. Also, as a member of the Leo Neptune generation, she experienced and fully embraced changes in sexual mores and attitudes, changing the way people approach the whole issue of romantic relationships. Changes were also experienced in the relationships between parents and children, with the ties becoming looser. Page was part of a generation known for its devastating social upheavals concerning home and family. The whole general pattern of family life experienced enormous changes and upheavals; as a Cancer Plutonian, this aspect is highlighted with Page’s father molesting her and her mother wanting boys instead of her and her sisters, as well as her stint in an orphanage.

Love/sex life: She was an extremely alluring and sensual Gemini Martian lover whose sexuality was an uneven blend of craftiness and innocence. She was very rational about sex and approached it with great clarity of purpose but even at her most calculating moment, deep emotional needs and feelings of vulnerability clouded her judgments. This made her one of the most unpredictable and irrational lovers of this type—a partner who could be cool and clinging, distant and irresistible all at the same time. At her worst, she was a compulsive charmer who won everyone’s love and no one’s confidence. At her best, she was the sexiest and most empathetic lover of this type. She was supremely sensitive to the needs of her partner and well-informed enough to answer all of them. There was an element of shyness and passivity about her sexuality. She needed to feel safe and protected in order to explore the full range of her sexual curiosity but, once she was sure of her ground, there was no holding her back. Page overcame her shyness and became the iconic sexy pin-up girl of the 1950s, posing sometimes as the sexy girl-next-door and sometimes as a leopard-skin clad dominatrix. After she was threatened by federal investigators incensed by the “pornographic” images of her body, Page abruptly quit modeling, turned to Jesus, and ended up in an insane asylum.

minor asteroids and points:

North Node: Virgo

Lilith: Taurus

Vertex: Virgo

Fortune: Capricorn

East Point: Pisces

Her North Node in Virgo that her tendency to dream and be disorganized needed to be tempered by developing more practical and down-to-earth attitudes. Her Lilith in Taurus ensured that she was an unabashed sensualist. She was earthy, smutty, and totally without apology for her perfectly natural needs. Her gut instincts were impeccable, her libido formidable. Her sexual life-forces operated above and beyond petty morality. Her Vertex in Virgo, 7th house dictated that she wanted a union which would take one to ultimate salvation or spiritual initiation, based on a shared ideal of dedication and service. There was a fantasy of joining with someone who had unique psychic and/or healing powers and the focus is on the practical work which will make everything all right. She was always in a partnership of one kind or another (if only in her head), desperately seeking one, or have decided that it wasn’t worth the risk since his expectations would never be met. There was a sense that she wasn’t really complete unless she was intimately involved with someone. On some levels there was an irrational fear of ending up alone. The dark side was that she could get highly self-righteous about acceptable modes of behaviour in interacting with others and thereby alienate the very people she longed for. Her parental role model was less than secure in her subconscious perceptions, though it may have seemed fine on an external level.

Her Part of Fortune in Capricorn and Part of Spirit in Cancer dictated that her destiny lay in creating practical and long-lasting achievements. Success came through hard work, determination, responsibility and perseverance. Fulfillment came from observing her progress through life and seeing it take a form and structure that will outlive her. Her soul’s purpose guided her towards building security in her life, both emotional and material. She felt spiritual connections and the spark of the divine within her home and family. East Point in Pisces more of her identity was tied to idealism and the search for mystic oneness. This generally led to high standards for herself. (“I should be perfect.” Or, “I already am perfect and the world should recognize it.”) The three major roles through which individuals express the idealism of Pisces are: artist, saviour and victim. As such, the choice was hers whether she sought the connection to the Infinite through creating more beauty in the world, through making a more perfect world, or by running away to her own imagined world.

elemental dominance:

water

fire

She had high sensitivity and elevation through feelings. Her heart and her emotions were her driving forces, and she couldn’t do anything on earth if she didn’t feel a strong effective charge. She needed to love in order to understand, and to feel in order to take action, which caused a certain vulnerability which she should (and often did) fight against. She was dynamic and passionate, with strong leadership ability. She generated enormous warmth and vibrancy. She was exciting to be around, because she was genuinely enthusiastic and usually friendly. However, she could either be harnessed into helpful energy or flame up and cause destruction. Ultimately, she chose the latter. Confident and opinionated, she was fond of declarative statements such as “I will do this” or “It’s this way.” When out of control—usually because she was bored, or hadn’t been acknowledged—she was be bossy, demanding, and even tyrannical. But at her best, her confidence and vision inspired others to conquer new territory in the world, in society, and in themselves.

modality dominance:

mutable

She wasn’t particularly interested in spearheading new ventures or dealing with the day-to-day challenges of organization and management. She excelled at performing tasks and producing outcomes. She was flexible and liked to finish things. Was also likely undependable, lacking in initiative, and disorganized. Had an itchy restlessness and an unwillingness to buckle down to the task at hand. Probably had a chronic inability to commit—to a job, a relationship, or even to a set of values.

house dominants:

1st

4th

2nd

Her personality, disposition and temperament was highlighted in her life. The manner in which she expressed herself and the way she approached other people is also highlighted. The way she approached new situations and circumstances contributed to show how she set about her life’s goals. Early childhood experiences also factored in her life as well. The domestic arena and the home were emphasized in her life. By extension, the influence of the family she was born into, and the parents that raised her, in particular her father, as well as her personal and private life was of paramount importance to her. The material side of life, including money and finances, income and expenditure, and worldly goods, was emphasized in her life. Also, the areas of innate resources, such as her self-worth, feelings and emotions, were paramount in her life. What she considered her personal security and what she desired was also paramount.

planet dominants:

Uranus

Neptune

Jupiter

She was unique and protected her individuality. She had disruptions appear in her life that brought unpleasant and unexpected surprises and she immersed herself in areas of her life in which these disruptions occur. Change galvanized her. She was inventive, creative, and original. She was of a contemplative nature, particularly receptive to ambiances, places, and people. She gladly cultivated the art of letting go, and allowed the natural unfolding of events to construct her world. She followed her inspirations, for better or for worse. She had luck, and believed in expansion, integration, and growth. She could also be excessive and lazy. She reached out beyond herself and expanded her consciousness. She loved travel, was fairly religious, and liked to integrate herself into the larger social order—church or religion, community, and corporation. She had intellectual and spiritual interests in the most.

sign dominants:

Pisces

Cancer

Taurus

She needed to explore her world through her emotions. She felt things so deeply that quite often she became a kind of psychic sponge, absorbing the emotions of people around her. As such, she gravitated toward the arts, in general, to theater and film specifically. She could be ambivalent and indecisive simply because she was so impressionable. She also tended to be moody because she felt the very height of joy and the utter depths of despair. Love and romance were essential for her. These fulfilled her emotionally, and she generally flourished within stable relationships. At first meeting, she seemed enigmatic, elusive. She needed roots, a place or even a state of mind that she could call her own. She needed a safe harbor, a refuge in which to retreat for solitude. She was generally gentle and kind, unless he was hurt. Then she could become vindictive and sharp-spoken. She was affectionate, passionate, and even possessive at times. She was intuitive and was perhaps even psychic. Experience flowed through her emotionally. She was often moody and always changeable; her interests and social circles shifted constantly. She was emotion distilled into its purest form. Her stubbornness and determination kept her around for the long haul on any project or endeavour. She was incredibly patient, singular in her pursuit of goals, and determined to attain what she wanted. Although she lacked versatility, she compensated for it by enduring whatever she had to in order to get what she wanted. She enjoyed being surrounded by nice things. She liked fine art and music, and may have had considerable musical ability. She also had a talent for working with her hands.

Read more about her under the cut.

Bettie Page's life was filled with cult myth, mystery and sadness. Her image captured the imagination of a generation with her free spirit and unabashed sensuality, during an era of strong sexual repression. She was the quintessential pin-up, tacked up on walls in military barracks and garages; five decades later, some feminists still hail her as a pioneer of women's liberation. It has been estimated that over 20,000 photographs of Bettie were taken, and new generations of fans still buy copies by the thousands. Born in Nashville, Tennessee to a part-Cherokee mother, she grew up in a family so poor "we were lucky to get an orange in our Christmas stockings." The family included three boys and three girls, and Page later said her father molested most of the girls. He eventually stole a police car for a cross-country trip, was caught and sent to prison, and for a time Bettie resided in an orphanage. Her parents divorced when she was 10 years old. In her teens, Bettie acted in high school plays and was a straight-A student. She graduated from the Peabody College for Teachers in Nashville on a Daughters of the American Revolution scholarship in 1944, and went on to study drama in New York City. Her notorious career began one day in October 1950, while on a break from her job as a secretary in a New York office. On a walk along the beach at Coney Island, an amateur photographer admired the 27-year-old's curvaceous body and asked her to pose. Nudity didn't bother her, she said, likening it to Adam and Eve in the Garden of Eden. Her modeling career took off, and she was the centerfold in the January 1955 issue of then-fledgling Playboy magazine. In 1951, Bettie fell under the influence of Irving Klaw, a photographer. He cut her hair into the dark bangs that became her trademark, and posed her in spiked heels and little else. She also appeared as a performer in over 50 burlesque films. Her photos and films were publicly denounced by civic and religious leaders as "perversion", and Klaw was later arrested for "conspiracy to distribute obscene material" through the United States mail. Bettie was called to testify in a private session. Senator Estes Kefauver of Tennessee, her home state, even launched a congressional investigation against her. Believing that her days as a pin-up were over, Bettie retreated from public view, later saying she was hounded by federal agents. Her early marriage to her high school sweetheart had ended in divorce; she moved to Florida in 1957 and married a much younger man, but that marriage also failed, as did a third, and she suffered a nervous breakdown. In 1959, she was lying on a sea wall in Key West when she saw a church with a white neon cross on top. She walked inside and became a born-again Christian. After attending Bible school, she wanted to serve as a missionary but was turned down. Instead, she worked full-time for evangelist Billy Graham's ministry. However, a move to Southern California in 1979 brought her more troubles. She was arrested after an altercation with her landlady. Doctors diagnosed her as suffering from acute schizophrenia, and she spent 20 months in Patton State Hospital in San Bernardino and she was subsequently placed under state supervision for eight years. Her mysterious disappearance from the public eye only fueled the public's fascination. In fact, for two decades no one was sure where she was or even if she was still alive. She resurfaced in the 1990s after being tracked down for a documentary. She occasionally granted interviews and sold autographs, but refused to allow her picture to be taken in her old age. In a 1993 telephone interview, she told a reporter that she was "penniless and infamous." She later hired a law firm to help her recoup some of the profits being made with her likeness. She spent her final years residing in Los Angeles with her brother. After a three-week battle with pneumonia, Bettie Page suffered a deadly heart attack at age 85 on December 11, 2008. (x)

#bettie page #astrology #long ass post #taurus #scandalous stars #star analyses #mine

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usafphantom2 · 3 years ago

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Boeing-Sikorsky DEFIANT is taken for presentation to U.S. Army aviators

Lockheed Martin Sikorsky-Boeing added new companies to the DEFIANT team

Fernando Valduga By Fernando Valduga 04/02/2022 - 16:00 in Helicopters

Sikorsky and Boeing built 90% of the current U.S. Army military helicopter and represent the U.S. Army's aviation industrial base.

The Lockheed Martin Sikorsky-Boeing SB>1 DEFIANT helicopter arrived in Nashville to give U.S. Army aviators a first-hand view of this impressive aircraft at the annual summit of the Army Aviation Association of America.

Army aviators at the summit will be able to see how the DEFIANT Team is revolutionizing the Future Vertical Lift (FVL), one of the U.S. Army's top modernization priorities, focusing on capacity transformation, production and support of the Future Long-Range Assault Aircraft (FLRAA) program, resulting in shorter cycle life costs. The result is DEFIANT X, a complete weapons system that is based on the qualities and handling capabilities proven by the team's technology demonstrator, SB>1 DEFIANT.

Sikorsky, a Lockheed Martin Company and Boeing also announced six new members of the DEFIANT team. These supplier teammates will join the team to support the DEFIANT X, the advanced helicopter for the U.S. Army's Future Long-Range Assault Aircraft (FLRAA) competition.

They are now part of the team:

ATI Forged Products, from Cudahy, Wisconsin: forgings for gearboxes

Collins Aerospace, Windsor Locks, Connecticut: Flight control and vehicle management computer Perigon; and Colorado Springs, Colorado: aircraft seats

Elbit Systems of America, from Fort Worth, Texas: mission system computer

Parker Aerospace, Irvine, California: flight controls; and Kalamazoo, Michigan: hydraulic pumps and modules

Magnaghi Aeronautica, from Medford, New York: landing gear

Marotta Controls, from Boonton, New Jersey: components of the electric power system

"The DEFIANT team is building a strong supply chain throughout the country to provide the Army with a transformative aircraft," said Paul Lemmo, president of Sikorsky. “This team and its proven experience will ensure that the DEFIANT X is a low-risk, reliable and survivability aircraft for our soldiers and the Army's long-range assault mission.”

"The DEFIANT X is the right aircraft, made by the right team, for the Army's FLRAA mission," said Mark Cherry, vice president and general manager of Boeing Vertical Lift. “Taking advantage of many relationships with existing suppliers, we have brought together the best team in the industry to provide a low-risk and economical next-generation aircraft that can operate in various theaters in the future.”

These companies were selected based on exceptional performance and experience in supporting the venerable ?? Black Hawks, Apaches and Chinooks of the U.S. Army. The exceptional performance of the team will continue to ensure efficiency and accessibility throughout the life cycle of DEFIANT X, adopting the requirements of the Army's Modular Open Systems Approach (MOSA) and continuing to adopt advanced manufacturing techniques already used to design and manufacture the Army's current fleet.

The team previously announced that Honeywell will supply its new HTS7500 turboshaft engine to power the DEFIANT X.

The concession of the contract for the future long-range assault aircraft of the U.S. Army is expected for this year.

Tags: Boeing/SikorskyFLRAAFVL - Future Vertical LiftHelicoptersSB1 DefiantUS Army - U.S. Army

Fernando Valduga

Aviation photographer and pilot since 1992, he has participated in several events and air operations, such as Cruzex, AirVenture, Dayton Airshow and FIDAE. He has works published in a specialized aviation magazine in Brazil and abroad. He uses Canon equipment during his photographic work in the world of aviation.

Cavok Brasil - Digital Tchê Web Creation

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xtruss · 3 years ago

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Cornelia Bohn stands among oak barrels in her whiskey distillery in the German village of Schönermark. The trained pharmaceutical engineer has been producing her Preußischer Whisky single malt since 2009. Photograph By Patrick Pleul, Picture Alliance/DPA/AP Images

— By Mike MaCeacheran | February 2, 2021

The whole scene along this whiskey road trip is strangely familiar: historic castles and deer-filled forests, then rows of ploughed soil, golden barley fields, and the sweet scent of cereal grains.

But this isn’t somewhere in Scotland. Nor is it in Ireland or the United States. This is Brandenburg, a sparsely populated region in Germany surrounding Berlin. It the most compact part of a seductive new whiskey country that has upwards of 250 producers—almost twice as many as Scotland, yet with just a fraction of the visitors. Factor in an increasing emphasis on grain-to-glass provenance, and it’s evident that interest in German whiskey is rocketing.

With five compelling distilleries all within a 60-mile radius of the new Berlin-Brandenburg Airport (which opened in October 2020), Brandenburg is a fruitful place to taste whiskey. A circumnavigation of the German capital region promises new-found tradition and adventure in equal measure, with warehouses, whiskey cellars, and sampling rooms.

“Distilling has been part of Brandenburg’s fabric for centuries,” says Cornelia Bohn, producer of Preußischer Whisky. “But this knowledge was lost during the Communist era when liquor production was controlled and limited to state-produced vodka. It’s amazing to think that whiskey was an outlaw spirit, only available on the black market. So we’re catching up now.”

Spirited Revival

No manufacturer is doing more to put German whiskey on the map than Bohn. Growing up behind the Berlin Wall in Soviet-occupied Uckermark in the former German Democratic Republic, she fell in love with the romance of whiskey advertisements broadcast from uncensored West German TV channels. She took note of the smoky bars, the clinking glasses, the talk of exotic overseas adventures, and revered the banned liquor without ever having tasted it. For her, it represented the West, escape from behind the Iron Curtain, and freedom.

When the Berlin Wall fell in 1989, and Bohn crossed the unified German capital for the first time, one small shop caught her eye. “Everyone was gifted 100 Deutsche marks welcome money on arrival and my first instinct was to buy a bottle of whiskey,” says Bohn, who was 24 at the time. “It was a Johnnie Walker, and it was the most amazing moment of my life.”

A barley field in the Uckermark region, known as the granary of Brandenburg, glows golden at sunset. Photograph By Preussischer Whisky

Now 31 years later, Bohn is one of Germany’s most respected whiskey makers and one of the first women to open her own distillery. As Rumpelstiltskin spun gold from straw, she has turned a modest family inheritance into a label born from a teenage dream, producing Germany’s only organic single malt.

Here in the Uckermark region, grasslands tip into beech woods and pastures filled with black horses that, tradition dictates, are still used to pull carriages for village weddings and funerals. The Friesians are central to the local Slavic culture and, fittingly, Bohn’s stills are housed in red-brick stables. The Preußischer mascot, too, is a sleek colt sporting a pickelhaube, a spiked soldier’s helmet. (Preußischer translates to “Prussian.”)

The woman-owned Preußischer Whisky is one of the hundreds of German distillers gaining global recognition. Photograph BY Patrick Pleul, Picture Alliance/DPA/AP Images

Tales like this are everywhere in Brandenburg, hidden behind distillery doors and in the barley and rye fields. At Grumsiner Brennerei, the attitude towards whiskey is to dig deeper into the past. Distillery owner Thomas Blätterlein is reviving ancient strains of forgotten grains.

One cereal is East Prussian eppweizen, an overlooked wheat used for his fruity, single-grain malt Mammoth. On the nose, the hay-gold spirit hints at caramel; the taste is floral and lightly spiced.

Grain Expectations

Less than 40 miles southeast of Berlin, former bartender Bastian Heuser founded Stork Club/Spreewald, Germany’s first rye whiskey distillery, in the village of Schlepzig. Flour mills, witch’s-hat spires, and ramshackle farmsteads point to the town’s centuries-old heritage.

The distillery’s origins began with a road trip. In 2015, Heuser and co-owners Steffen Lohr and Sebastian Brack were looking for a particular cask to take back to Berlin. It turned out that the incumbent owner of one distillery they visited had no family and was looking for a successor.

Left: Spreewald Distillery, located in Schlepzig, produces Stork Club, Germany’s first rye whiskey. Photograph By Markus Schreiber, AP Images Right: Bastian Heuser stands next to a 600-liter (158-gallon) still. The former Berlin barkeeper co-founded Stork Club/Spreewald Distillery. Photograph By Bernd Settnik, Picture Alliance/DPA/AP Images

“Serendipity,” recalls Heuser. “The absurdity is we went from wanting to buy just the one barrel to taking over an entire distillery.”

Behind its brick walls, the venue retains the cobbled courtyard, whiskey barn, and garden built a century ago, but the brand’s hipster vibe is clearly here-and-now.

Ostensibly, what Stork Club offers the visitor is stunning whiskey. But the distillery is cleverly engineered on the Spreewald canal network. An added thrill is discovering more than 200 intertwined waterways vibrant with wildlife, including 250 pairs of white storks that return each year to nest. A punting trip into the marshy meadows, where the crank of the mash tun fades to silence, comes highly recommended. At times, it is too easy to miss that the wilderness is in the thick of the largest rye-growing greenbelt in Europe.

Visitors to Spreewald Distillery can make a day of it with a boat ride along the region’s canal network. Photograph By Hans-Joachim Aubert, Alamy Stock Photo

“Most German distilleries look towards Scotland for inspiration,” Heuser says. “But we’re more drawn to whiskies made in the United States. It’s funny, really, because rye is part of Brandenburg’s history, but we’ve never wholly embraced it. Until now.”

Transatlantic Ties

Pull this thread and a whole other backstory unravels. Where Brandenburg rye really prevails is across the Atlantic in the stills of some of the largest distillers in the United States, including Kentucky’s Wild Turkey and Four Roses, both of which stockpile the region’s crop. It would be difficult, in fact, to overstate the impact of Germany’s distilling heritage on the U.S., with the roots of many distilleries on the American Whiskey Trail and Kentucky Bourbon Trail first sown by immigrants.

“It’s no great surprise Germans kickstarted the pre-Prohibition rye whiskey industry in the 1800s because of what they learned back home,” says Dave Broom, author of the World Atlas of Whisky and a whiskey writer for 30 years.

Bastian Heuser inspects whiskey at the Spreewald Distillery. Photograph By Tobias Schwarz, AFP/Getty Images

Pennsylvania’s Old Overholt, said to be America’s oldest continuously operating whiskey brand, was founded by German Mennonite farmer Henry Oberholzer in 1810. Johannes Jakob Böhm moved to Kentucky to sell bourbon under the name Old Jake Beam (now better known as Jim Beam).

There are many other immigrant tales, too, including those of George Dickel, from Grünberg, Hesse, who came to Nashville in 1844; and the founders of the Stitzel-Weller distillery, maker of cult favorite Pappy Van Winkle. Predictably, after 13 years of Prohibition (1920–1933), many German distillers were forgotten, and today it is hard for whiskey historians to tease out personal stories from romanticized brand mythologies.

The Future of Brandenburg

The blurring of distinctions is common when appraising whiskey, and this paradox is all too familiar to Tim Eggenstein of Old Sandhill Whisky, in the town of Bad Belzig, 55 miles southwest of Berlin. The distiller ages his single malt in virgin German, American, and French oak barrels, as well as scented sherry casks and barrique barrels from Bordeaux, accepting that everyone puts their own spin on a whiskey’s story.

At Glina Distillery, 10 miles outside state capital Potsdam, distiller Michael Schultz is driven to create a rare rye-barley hybrid, using oak casks made by Brandenburg’s last remaining master cooper. This is whiskey rendered in muted, earthy tones.

As a journey around Brandenburg makes clear, whiskey is now part of life in Germany—at once looking backwards to a forgotten past and forwards to a more enterprising and fertile future.

— The National Geographic

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vkelleyart · 5 years ago

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Note: THIS ART IS NOT A WS SPOILER. 😁

Inktober begins in a few hours, so I’m kicking it off with some Copic markers and Prismacolor pencils!

I hope you’ll forgive the somewhat compromised quality of these photographs—I took them in Nashville, which is where I was when I completed this set! It’s a belated gift for my beloved friend @carryonsimoncarryonbaz featuring text from her wonderful post-Carry On AU fic, “Never Tear Us Apart” (which is a gorgeous read especially if, like me, you needed a bandaid over your heart after reading Wayward Son). The lettering was accomplished by the talented and lovely @penpanoply, and it was just so cool to be in the same room finishing this strip together while CSCB watched (and cried). ❤️

For those interested in seeing the process of creating this set, I’ve put the production shots under the cut:

#carry on #fanart #snowbaz #simon snow #baz pitch #carryonsimoncarryonbaz #penpanoply #comic #NTUA #au fic #fic rec #copic markers #prismacolor pencils #natural media is fun #vkelleyart gallery

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path-of-my-childhood · 5 years ago

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The Rolling Stone Interview: Taylor Swift

By: Brian Hiatt for The Rolling Stone Magazine Date: September 18th 2019

In her most in-depth and introspective interview in years, Swift tells all about the rocky road to 'Lover' and much, much more.

Taylor Swift bursts into her mom’s Nashville kitchen, smiling, looking remarkably like Taylor Swift. (That red-lip, classic thing? Check.) “I need someone to help dye my hair pink,” she says, and moments later, her ends match her sparkly nail polish, sneakers, and the stripes on her button-down. It’s all in keeping with the pastel aesthetic of her new album, Lover; black-leather combat-Taylor from her previous album cycle has handed back the phone. Around the black-granite kitchen island, all is calm and normal, as Swift’s mom, dad, and younger brother pass through. Her mom’s two dogs, one very small, one very large, pounce upon visitors with slurping glee. It could be any 29-year-old’s weekend visit with her parents, if not for the madness looming a few feet down the hall.

In an airy terrace, 113 giddy, weepy, shaky, still-in-disbelief fans are waiting for the start of one of Swift’s secret sessions, sacred rituals in Swift-dom. She’s about to play them her seventh album, as-yet unreleased on this Sunday afternoon in early August, and offer copious commentary. Also, she made cookies. Just before the session, Swift sits down in her mom’s study (where she “operates the Google,” per her daughter) to chat for a few minutes. The black-walled room is decorated with black-and-white classic-rock photos, including shots of Bruce Springsteen and, unsurprisingly, James Taylor; there are also more recent shots of Swift posing with Kris Kristofferson and playing with Def Leppard, her mom’s favorite band.

In a corner is an acoustic guitar Swift played as a teenager. She almost certainly wrote some well-known songs on it, but can’t recall which ones. “It would be kind of weird to finish a song and be like, ‘And this moment, I shall remember,’'” she says, laughing. “‘This guitar hath been anointed with my sacred tuneage!'”

The secret session itself is, as the name suggests, deeply off-the-record; it can be confirmed that she drank some white wine, since her glass pops up in some Instagram pictures. She stays until 5 a.m., chatting and taking photos with every one of the fans. Five hours later, we continue our talk at length in Swift’s Nashville condo, in almost exactly the same spot where we did one of our interviews for her 2012 Rolling Stone cover story. She’s hardly changed its whimsical decor in the past seven years (one of the few additions is a pool table replacing the couch where we sat last time), so it’s an old-Taylor time capsule. There’s still a huge bunny made of moss in one corner, and a human-size birdcage in the living room, though the view from the latter is now of generic new condo buildings instead of just distant green hills. Swift is barefoot now, in pale-blue jeans and a blue button-down tied at the waist; her hair is pulled back, her makeup minimal.

How to sum up the past three years of Taylor Swift? In July 2016, after Swift expressed discontent with Kanye West’s “Famous,” Kim Kardashian did her best to destroy her, unleashing clandestine recordings of a phone conversation between Swift and West. In the piecemeal audio, Swift can be heard agreeing to the line “…me and Taylor might still have sex.” We don’t hear her learning about the next lyric, the one she says bothered her — “I made that bitch famous” — and as she’ll explain, there’s more to her side of the story. The backlash was, well, swift, and overwhelming. It still hasn’t altogether subsided. Later that year, Swift chose not to make an endorsement in the 2016 election, which definitely didn’t help. In the face of it all, she made Reputation — fierce, witty, almost-industrial pop offset by love songs of crystalline beauty — and had a wildly successful stadium tour. Somewhere in there, she met her current boyfriend, Joe Alwyn, and judging by certain songs on Lover, the relationship is serious indeed.

Lover is Swift’s most adult album, a rebalancing of sound and persona that opens doors to the next decade of her career; it’s also a welcome return to the sonic diversity of 2012’s Red, with tracks ranging from the St. Vincent-assisted über-bop “Cruel Summer” to the unbearably poignant country-fied “Soon You’ll Get Better” (with the Dixie Chicks) and the “Shake It Off”-worthy pep of “Paper Rings.”

She wants to talk about the music, of course, but she is also ready to explain the past three years of her life, in depth, for the first time. The conversation is often not a light one. She’s built up more armor in the past few years, but still has the opposite of a poker face — you can see every micro-emotion wash over her as she ponders a question, her nose wrinkling in semi-ironic offense at the term “old-school pop stars,” her preposterously blue eyes glistening as she turns to darker subjects. In her worst moments, she says, “You feel like you’re being completely pulled into a riptide. So what are you going to do? Splash a lot? Or hold your breath and hope you somehow resurface? And that’s what I did. And it took three years. Sitting here doing an interview — the fact that we’ve done an interview before is the only reason I’m not in a full body sweat.”

When we talked seven years ago, everything was going so well for you, and you were very worried that something would go wrong. Yeah, I kind of knew it would. I felt like I was walking along the sidewalk, knowing eventually the pavement was going to crumble and I was gonna fall through. You can’t keep winning and have people like it. People love “new” so much — they raise you up the flagpole, and you’re waving at the top of the flagpole for a while. And then they’re like, “Wait, this new flag is what we actually love.” They decide something you’re doing is incorrect, that you’re not standing for what you should stand for. You’re a bad example. Then if you keep making music and you survive, and you keep connecting with people, eventually they raise you a little bit up the flagpole again, and then they take you back down, and back up again. And it happens to women more than it happens to men in music.

It also happened to you a few times on a smaller scale, didn’t it? I’ve had several upheavals in my career. When I was 18, they were like, “She doesn’t really write those songs.” So my third album I wrote by myself as a reaction to that. Then they decided I was a serial dater — a boy-crazy man-eater — when I was 22. And so I didn’t date anyone for, like, two years. And then they decided in 2016 that absolutely everything about me was wrong. If I did something good, it was for the wrong reasons. If I did something brave, I didn’t do it correctly. If I stood up for myself, I was throwing a tantrum. And so I found myself in this endless mockery echo chamber. It’s just like — I have a brother who’s two and a half years younger, and we spent the first half of our lives trying to kill each other and the second half as best friends. You know that game kids play? I’d be like, “Mom, can I have some water?” And Austin would be like, “Mom, can I have some water?” And I’m like, “He’s copying me.” And he’d be like, “He’s copying me.” Always in a really obnoxious voice that sounds all twisted. That’s what it felt like in 2016. So I decided to just say nothing. It wasn’t really a decision. It was completely involuntary.

But you also had good things happen in your life at the same time — that’s part of Reputation. The moments of my true story on that album are songs like “Delicate,” “New Year’s Day,” “Call It What You Want,” “Dress.” The one-two punch, bait-and-switch of Reputation is that it was actually a love story. It was a love story in amongst chaos. All the weaponized sort of metallic battle anthems were what was going on outside. That was the battle raging on that I could see from the windows, and then there was what was happening inside my world — my newly quiet, cozy world that was happening on my own terms for the first time. . . . It’s weird, because in some of the worst times of my career, and reputation, dare I say, I had some of the most beautiful times — in my quiet life that I chose to have. And I had some of the most incredible memories with the friends I now knew cared about me, even if everyone hated me. The bad stuff was really significant and damaging. But the good stuff will endure. The good lessons — you realize that you can’t just show your life to people.

Meaning? I used to be like a golden retriever, just walking up to everybody, like, wagging my tail. “Sure, yeah, of course! What do you want to know? What do you need?” Now, I guess, I have to be a little bit more like a fox.

Do your regrets on that extend to the way the “girl squad” thing was perceived? Yeah, I never would have imagined that people would have thought, “This is a clique that wouldn’t have accepted me if I wanted to be in it.” Holy shit, that hit me like a ton of bricks. I was like, “Oh, this did not go the way that I thought it was going to go.” I thought it was going to be we can still stick together, just like men are allowed to do. The patriarchy allows men to have bro packs. If you’re a male artist, there’s an understanding that you have respect for your counterparts.

Whereas women are expected to be feuding with each other? It’s assumed that we hate each other. Even if we’re smiling and photographed together with our arms around each other, it’s assumed there’s a knife in our pocket.

How much of a danger was there of falling into that thought pattern yourself? The messaging is dangerous, yes. Nobody is immune, because we’re a product of what society and peer groups and now the internet tells us, unless we learn differently from experience.

You once sang about a star who “took the money and your dignity, and got the hell out.” In 2016, you wrote in your journal, “This summer is the apocalypse.” How close did you come to quitting altogether? I definitely thought about that a lot. I thought about how words are my only way of making sense of the world and expressing myself — and now any words I say or write are being twisted against me. People love a hate frenzy. It’s like piranhas. People had so much fun hating me, and they didn’t really need very many reasons to do it. I felt like the situation was pretty hopeless. I wrote a lot of really aggressively bitter poems constantly. I wrote a lot of think pieces that I knew I’d never publish, about what it’s like to feel like you’re in a shame spiral. And I couldn’t figure out how to learn from it. Because I wasn’t sure exactly what I did that was so wrong. That was really hard for me, because I cannot stand it when people can’t take criticism. So I try to self-examine, and even though that’s really hard and hurts a lot sometimes, I really try to understand where people are coming from when they don’t like me. And I completely get why people wouldn’t like me. Because, you know, I’ve had my insecurities say those things — and things 1,000 times worse.

But some of your former critics have become your friends, right? Some of my best friendships came from people publicly criticizing me and then it opening up a conversation. Hayley Kiyoko was doing an interview and she made an example about how I get away with singing about straight relationships and people don’t give me shit the way they give her shit for singing about girls — and it’s totally valid. Like, Ella — Lorde — the first thing she ever said about me publicly was a criticism of my image or whatever. But I can’t really respond to someone saying, “You, as a human being, are fake.” And if they say you’re playing the victim, that completely undermines your ability to ever verbalize how you feel unless it’s positive. So, OK, should I just smile all the time and never say anything hurts me? Because that’s really fake. Or should I be real about how I’m feeling and have valid, legitimate responses to things that happened to me in my life? But wait, would that be playing the victim?

How do you escape that mental trap? Since I was 15 years old, if people criticized me for something, I changed it. So you realize you might be this amalgamation of criticisms that were hurled at you, and not an actual person who’s made any of these choices themselves. And so I decided I needed to live a quiet life, because a quiet personal life invites no discussion, dissection, and debate. I didn’t realize I was inviting people to feel they had the right to sort of play my life like a video game.

“The old Taylor can’t come to the phone right now. Why? Because she’s dead!” was funny — but how seriously should we take it? There’s a part of me that definitely is always going to be different. I needed to grow up in many ways. I needed to make boundaries, to figure out what was mine and what was the public’s. That old version of me that shares unfailingly and unblinkingly with a world that is probably not fit to be shared with? I think that’s gone. But it was definitely just, like, a fun moment in the studio with me and Jack [Antonoff] where I wanted to play on the idea of a phone call — because that’s how all of this started, a stupid phone call I shouldn’t have picked up.

It would have been much easier if that’s what you’d just said. It would have been so, so great if I would have just said that [laughs].

Some of the Lover iconography does suggest old Taylor’s return, though. I don’t think I’ve ever leaned into the old version of myself more creatively than I have on this album, where it’s very, very autobiographical. But also moments of extreme catchiness and moments of extreme personal confession.

Did you do anything wrong from your perspective in dealing with that phone call? Is there anything you regret? The world didn’t understand the context and the events that led up to it. Because nothing ever just happens like that without some lead-up. Some events took place to cause me to be pissed off when he called me a bitch. That was not just a singular event. Basically, I got really sick of the dynamic between he and I. And that wasn’t just based on what happened on that phone call and with that song — it was kind of a chain reaction of things.

I started to feel like we reconnected, which felt great for me — because all I ever wanted my whole career after that thing happened in 2009 was for him to respect me. When someone doesn’t respect you so loudly and says you literally don’t deserve to be here — I just so badly wanted that respect from him, and I hate that about myself, that I was like, “This guy who’s antagonizing me, I just want his approval.” But that’s where I was. And so we’d go to dinner and stuff. And I was so happy, because he would say really nice things about my music. It just felt like I was healing some childhood rejection or something from when I was 19. But the 2015 VMAs come around. He’s getting the Vanguard Award. He called me up beforehand — I didn’t illegally record it, so I can’t play it for you. But he called me up, maybe a week or so before the event, and we had maybe over an hourlong conversation, and he’s like, “I really, really would like for you to present this Vanguard Award to me, this would mean so much to me,” and went into all the reasons why it means so much, because he can be so sweet. He can be the sweetest. And I was so stoked that he asked me that. And so I wrote this speech up, and then we get to the VMAs and I make this speech and he screams, “MTV got Taylor Swift up here to present me this award for ratings!” [His exact words: “You know how many times they announced Taylor was going to give me the award ’cause it got them more ratings?”] And I’m standing in the audience with my arm around his wife, and this chill ran through my body. I realized he is so two-faced. That he wants to be nice to me behind the scenes, but then he wants to look cool, get up in front of everyone and talk shit. And I was so upset. He wanted me to come talk to him after the event in his dressing room. I wouldn’t go. So then he sent this big, big thing of flowers the next day to apologize. And I was like, “You know what? I really don’t want us to be on bad terms again. So whatever, I’m just going to move past this.” So when he gets on the phone with me, and I was so touched that he would be respectful and, like, tell me about this one line in the song.

The line being “. . . me and Taylor might still have sex”? [Nods] And I was like, “OK, good. We’re back on good terms.” And then when I heard the song, I was like, “I’m done with this. If you want to be on bad terms, let’s be on bad terms, but just be real about it.” And then he literally did the same thing to Drake. He gravely affected the trajectory of Drake’s family and their lives. It’s the same thing. Getting close to you, earning your trust, detonating you. I really don’t want to talk about it anymore because I get worked up, and I don’t want to just talk about negative shit all day, but it’s the same thing. Go watch Drake talk about what happened. [West denied any involvement in Pusha-T’s revelation of Drake’s child and apologized for sending “negative energy” toward Drake.]

When did you get to the place that’s described on the opening track of Lover, “I Forgot That You Existed”? It was sometime on the Reputation tour, which was the most transformative emotional experience of my career. That tour put me in the healthiest, most balanced place I’ve ever been. After that tour, bad stuff can happen to me, but it doesn’t level me anymore. The stuff that happened a couple of months ago with Scott [Borchetta] would have leveled me three years ago and silenced me. I would have been too afraid to speak up. Something about that tour made me disengage from some part of public perception I used to hang my entire identity on, which I now know is incredibly unhealthy.

What was the actual revelation? It’s almost like I feel more clear about the fact that my job is to be an entertainer. It’s not like this massive thing that sometimes my brain makes it into, and sometimes the media makes it into, where we’re all on this battlefield and everyone’s gonna die except one person, who wins. It’s like, “No, do you know what? Katy is going to be legendary. Gaga is going to be legendary. Beyoncé is going to be legendary. Rihanna is going to be legendary. Because the work that they made completely overshadows the myopia of this 24-hour news cycle of clickbait.” And somehow I realized that on tour, as I was looking at people’s faces. We’re just entertaining people, and it’s supposed to be fun.

It’s interesting to look at these albums as a trilogy. 1989 was really a reset button. Oh, in every way. I’ve been very vocal about the fact that that decision was mine and mine alone, and it was definitely met with a lot of resistance. Internally.

After realizing that things were not all smiles with your former label boss, Scott Borchetta, it’s hard not to wonder how much additional conflict there was over things like that. A lot of the best things I ever did creatively were things that I had to really fight — and I mean aggressively fight — to have happen. But, you know, I’m not like him, making crazy, petty accusations about the past. . . . When you have a business relationship with someone for 15 years, there are going to be a lot of ups and a lot of downs. But I truly, legitimately thought he looked at me as the daughter he never had. And so even though we had a lot of really bad times and creative differences, I was going to hang my hat on the good stuff. I wanted to be friends with him. I thought I knew what betrayal felt like, but this stuff that happened with him was a redefinition of betrayal for me, just because it felt like it was family. To go from feeling like you’re being looked at as a daughter to this grotesque feeling of “Oh, I was actually his prized calf that he was fattening up to sell to the slaughterhouse that would pay the most.”

He accused you of declining the Parkland march and Manchester benefit show. Unbelievable. Here’s the thing: Everyone in my team knew if Scooter Braun brings us something, do not bring it to me. The fact that those two are in business together after the things he said about Scooter Braun — it’s really hard to shock me. And this was utterly shocking. These are two very rich, very powerful men, using $300 million of other people’s money to purchase, like, the most feminine body of work. And then they’re standing in a wood-panel bar doing a tacky photo shoot, raising a glass of scotch to themselves. Because they pulled one over on me and got this done so sneakily that I didn’t even see it coming. And I couldn’t say anything about it.

In some ways, on a musical level, Lover feels like the most indie-ish of your albums. That’s amazing, thank you. It’s definitely a quirky record. With this album, I felt like I sort of gave myself permission to revisit older themes that I used to write about, maybe look at them with fresh eyes. And to revisit older instruments — older in terms of when I used to use them. Because when I was making 1989, I was so obsessed with it being this concept of Eighties big pop, whether it was Eighties in its production or Eighties in its nature, just having these big choruses — being unapologetically big. And then Reputation, there was a reason why I had it all in lowercase. I felt like it wasn’t unapologetically commercial. It’s weird, because that is the album that took the most amount of explanation, and yet it’s the one I didn’t talk about. In the Reputation secret sessions I kind of had to explain to my fans, “I know we’re doing a new thing here that I’d never done before.” I’d never played with characters before. For a lot of pop stars, that’s a really fun trick, where they’re like, “This is my alter ego.” I had never played with that before. It’s really fun. And it was just so fun to play with on tour — the darkness and the bombast and the bitterness and the love and the ups and the downs of an emotional-turmoil record.

“Daylight” is a beautiful song. It feels like it could have been the title track. It almost was. I thought it might be a little bit too sentimental.

And I guess maybe too on-the-nose. Right, yeah, way too on-the-nose. That’s what I thought, because I was kind of in my head referring to the album as Daylight for a while. But Lover, to me, was a more interesting title, more of an accurate theme in my head, and more elastic as a concept. That’s why “You Need to Calm Down” can make sense within the theme of the album — one of the things it addresses is how certain people are not allowed to live their lives without discrimination just based on who they love.

For the more organic songs on this album, like “Lover” and “Paper Rings,” you said you were imagining a wedding band playing them. How often does that kind of visualization shape a song’s production style? Sometimes I’ll have a strange sort of fantasy of where the songs would be played. And so for songs like “Paper Rings” or “Lover” I was imagining a wedding-reception band, but in the Seventies, so they couldn’t play instruments that wouldn’t have been invented yet. I have all these visuals. For Reputation, it was nighttime cityscape. I didn’t really want any — or very minimal — traditional acoustic instruments. I imagined old warehouse buildings that had been deserted and factory spaces and all this industrial kind of imagery. So I wanted the production to have nothing wooden. There’s no wood floors on that album. Lover is, like, completely just a barn wood floor and some ripped curtains flowing in the breeze, and fields of flowers and, you know, velvet.

How did you come to use high school metaphors to touch on politics with “Miss Americana & the Heartbreak Prince”? There are so many influences that go into that particular song. I wrote it a couple of months after midterm elections, and I wanted to take the idea of politics and pick a metaphorical place for that to exist. And so I was thinking about a traditional American high school, where there’s all these kinds of social events that could make someone feel completely alienated. And I think a lot of people in our political landscape are just feeling like we need to huddle up under the bleachers and figure out a plan to make things better.

I feel like your Fall Out Boy fandom might’ve slipped out in that title. I love Fall Out Boy so much. Their songwriting really influenced me, lyrically, maybe more than anyone else. They take a phrase and they twist it. “Loaded God complex/Cock it and pull it”? When I heard that, I was like, “I’m dreaming.”

You sing about “American stories burning before me.” Do you mean the illusions of what America is? It’s about the illusions of what I thought America was before our political landscape took this turn, and that naivete that we used to have about it. And it’s also the idea of people who live in America, who just want to live their lives, make a living, have a family, love who they love, and watching those people lose their rights, or watching those people feel not at home in their home. I have that line “I see the high-fives between the bad guys” because not only are some really racist, horrific undertones now becoming overtones in our political climate, but the people who are representing those concepts and that way of looking at the world are celebrating loudly, and it’s horrific.

You’re in this weird place of being a blond, blue-eyed pop star in this era — to the point where until you endorsed some Democratic candidates, right-wingers, and worse, assumed you were on their side. I don’t think they do anymore. Yeah, that was jarring, and I didn’t hear about that until after it had happened. Because at this point, I, for a very long time, I didn’t have the internet on my phone, and my team and my family were really worried about me because I was not in a good place. And there was a lot of stuff that they just dealt with without telling me about it. Which is the only time that’s ever happened in my career. I’m always in the pilot seat, trying to fly the plane that is my career in exactly the direction I want to take it. But there was a time when I just had to throw my hands up and say, “Guys, I can’t. I can’t do this. I need you to just take over for me and I’m just going to disappear.”

Are you referring to when a white-supremacist site suggested you were on their team? I didn’t even see that, but, like, if that happened, that’s just disgusting. There’s literally nothing worse than white supremacy. It’s repulsive. There should be no place for it. Really, I keep trying to learn as much as I can about politics, and it’s become something I’m now obsessed with, whereas before, I was living in this sort of political ambivalence, because the person I voted for had always won. We were in such an amazing time when Obama was president because foreign nations respected us. We were so excited to have this dignified person in the White House. My first election was voting for him when he made it into office, and then voting to re-elect him. I think a lot of people are like me, where they just didn’t really know that this could happen. But I’m just focused on the 2020 election. I’m really focused on it. I’m really focused on how I can help and not hinder. Because I also don’t want it to backfire again, because I do feel that the celebrity involvement with Hillary’s campaign was used against her in a lot of ways.

You took a lot of heat for not getting involved. Does any part of you regret that you just didn’t say “fuck it” and gotten more specific when you said to vote that November? Totally. Yeah, I regret a lot of things all the time. It’s like a daily ritual.

Were you just convinced that it would backfire? That’s literally what it was. Yeah. It’s a very powerful thing when you legitimately feel like numbers have proven that pretty much everyone hates you. Like, quantifiably. That’s not me being dramatic. And you know that.

There were a lot of people in those stadiums. It’s true. But that was two years later. . . . I do think, as a party, we need to be more of a team. With Republicans, if you’re wearing that red hat, you’re one of them. And if we’re going to do anything to change what’s happening, we need to stick together. We need to stop dissecting why someone’s on our side or if they’re on our side in the right way or if they phrased it correctly. We need to not have the right kind of Democrat and the wrong kind of Democrat. We need to just be like, “You’re a Democrat? Sick. Get in the car. We’re going to the mall.”

Here’s a hard question for you: As a superfan, what did you think of the Game of Thrones finale? Oh, my God. I’ve spent a lot of time thinking about this. So, clinically our brain responds to our favorite show ending the same way we feel when a breakup occurs. I read that. There’s no good way for it to end. No matter what would have happened in that finale, people still would have been really upset because of the fact that it’s over.

I was glad to see you confirm that your line about a “list of names” was a reference to Arya. I like to be influenced by movies and shows and books and stuff. I love to write about a character dynamic. And not all of my life is going to be as kind of complex as these intricate webs of characters on TV shows and movies.

There was a time when it was. That’s amazing.

But is the idea that as your own life becomes less dramatic, you’ll need to pull ideas from other places? I don’t feel like that yet. I think I might feel like that possibly when I have a family. If I have a family. [Pauses] I don’t know why I said that! But that’s what I’ve heard from other artists, that they were very protective of their personal life, so they had to draw inspiration from other things. But again, I don’t know why I said that. Because I don’t know how my life is going to go or what I’m going to do. But right now, I feel like it’s easier for me to write than it ever was.

You don’t talk about your relationship, but you’ll sing about it in wildly revealing detail. What’s the difference for you? Singing about something helps you to express it in a way that feels more accurate. You cannot, no matter what, put words in a quote and have it move someone the same way as if you heard those words with the perfect sonic representation of that feeling... There is that weird conflict in being a confessional songwriter and then also having my life, you know, 10 years ago, be catapulted into this strange pop-culture thing.

I’ve heard you say that people got too interested in which song was about who, which I can understand — at the same time, to be fair, it was a game you played into, wasn’t it? I realized very early on that no matter what, that was going to happen to me regardless. So when you realize the rules of the game you’re playing and how it will affect you, you got to look at the board and make your strategy. But at the same time, writing songs has never been a strategic element of my career. But I’m not scared anymore to say that other things in my career, like how to market an album, are strictly strategic. And I’m sick of women not being able to say that they have strategic business minds — because male artists are allowed to. And so I’m sick and tired of having to pretend like I don’t mastermind my own business. But, it’s a different part of my brain than I use to write.

You’ve been masterminding your business since you were a teenager. Yeah, but I’ve also tried very hard — and this is one thing I regret — to convince people that I wasn’t the one holding the puppet strings of my marketing existence, or the fact that I sit in a conference room several times a week and come up with these ideas. I felt for a very long time that people don’t want to think of a woman in music who isn’t just a happy, talented accident. We’re all forced to kind of be like, “Aw, shucks, this happened again! We’re still doing well! Aw, that’s so great.” Alex Morgan celebrating scoring a goal at the World Cup and getting shit for it is a perfect example of why we’re not allowed to flaunt or celebrate, or reveal that, like, “Oh, yeah, it was me. I came up with this stuff.” I think it’s really unfair. People love new female artists so much because they’re able to explain that woman’s success. There’s an easy trajectory. Look at the Game of Thrones finale. I specifically really related to Daenerys’ storyline because for me it portrayed that it is a lot easier for a woman to attain power than to maintain it.

I mean, she did murder... It’s a total metaphor! Like, obviously I didn’t want Daenerys to become that kind of character, but in taking away what I chose to take away from it, I thought maybe they’re trying to portray her climbing the ladder to the top was a lot easier than maintaining it, because for me, the times when I felt like I was going insane was when I was trying to maintain my career in the same way that I ascended. It’s easier to get power than to keep it. It’s easier to get acclaim than to keep it. It’s easier to get attention than to keep it.

Well, I guess we should be glad you didn’t have a dragon in 2016... [Fiercely] I told you I don’t like that she did that! But, I mean, watching the show, though, maybe this is a reflection on how we treat women in power, how we are totally going to conspire against them and tear at them until they feel this — this insane shift, where you wonder, like, “What changed?” And I’ve had that happen, like, 60 times in my career where I’m like, “OK, you liked me last year, what changed? I guess I’ll change so I can keep entertaining you guys.”

You once said that your mom could never punish you when you were little because you’d punish yourself. This idea of changing in the face of criticism and needing approval — that’s all part of wanting to be good, right? Whatever that means. But that seems to be a real driving force in your life. Yeah, that’s definitely very perceptive of you. And the question posed to me is, if you kept trying to do good things, but everyone saw those things in a cynical way and assumed them to be done with bad motivation and bad intent, would you still do good things, even though nothing that you did was looked at as good? And the answer is, yes. Criticism that’s constructive is helpful to my character growth. Baseless criticism is stuff I’ve got to toss out now.

That sounds healthy. Is this therapy talking or is this just experience? No, I’ve never been to therapy. I talk to my mom a lot, because my mom is the one who’s seen everything. God, it takes so long to download somebody on the last 29 years of my life, and my mom has seen it all. She knows exactly where I’m coming from. And we talk endlessly. There were times when I used to have really, really, really bad days where we would just be on the phone for hours and hours and hours. I’d write something that I wanted to say, and instead of posting it, I’d just read it to her.

I somehow connect all this to the lyric in “Daylight,” the idea of “so many lines that I’ve crossed unforgiven” — it’s a different kind of confession. I am really glad you liked that line, because that’s something that does bother me, looking back at life and realizing that no matter what, you screw things up. Sometimes there are people that were in your life and they’re not anymore — and there’s nothing you can do about it. You can’t fix it, you can’t change it. I told the fans last night that sometimes on my bad days, I feel like my life is a pile of crap accumulated of only the bad headlines or the bad things that have happened, or the mistakes I’ve made or clichés or rumors or things that people think about me or have thought for the last 15 years. And that was part of the “Look What You Made Me Do” music video, where I had a pile of literal old selves fighting each other.

But, yeah, that line is indicative of my anxiety about how in life you can’t get everything right. A lot of times you make the wrong call, make the wrong decision. Say the wrong thing. Hurt people, even if you didn’t mean to. You don’t really know how to fix all of that. When it’s, like, 29 years’ worth.

To be Mr. “Rolling Stone” for a second, there’s a Springsteen lyric, “Ain’t no one leaving this world, buddy/Without their shirttail dirty or hands a little bloody.” That’s really good! No one gets through it unscathed. No one gets through in one piece. I think that’s a hard thing for a lot of people to grasp. I know it was hard for me, because I kind of grew up thinking, “If I’m nice, and if I try to do the right thing, you know, maybe I can just, like, ace this whole thing.” And it turns out I can’t.

It’s interesting to look at “I Did Something Bad” in this context. You pointing that out is really interesting because it’s something I’ve had to reconcile within myself in the last couple of years — that sort of “good” complex. Because from the time I was a kid I’d try to be kind, be a good person. Try really hard. But you get walked all over sometimes. And how do you respond to being walked all over? You can’t just sit there and eat your salad and let it happen. “I Did Something Bad” was about doing something that was so against what I would usually do. Katy [Perry] and I were talking about our signs. . . . [Laughs] Of course we were.

That’s the greatest sentence ever. [Laughs] I hate you. We were talking about our signs because we had this really, really long talk when we were reconnecting and stuff. And I remember in the long talk, she was like, “If we had one glass of white wine right now, we’d both be crying.” Because we were drinking tea. We’ve had some really good conversations.

We were talking about how we’ve had miscommunications with people in the past, not even specifically with each other. She’s like, “I’m a Scorpio. Scorpios just strike when they feel threatened.” And I was like, “Well, I’m an archer. We literally stand back, assess the situation, process how we feel about it, raise a bow, pull it back, and fire.” So it’s completely different ways of processing pain, confusion, misconception. And oftentimes I’ve had this delay in feeling something that hurts me and then saying that it hurts me. Do you know what I mean? And so I can understand how people in my life would have been like, “Whoa, I didn’t know that was how you felt.” Because it takes me a second.

If you watch the video of the 2009 VMAs, I literally freeze. I literally stand there. And that is how I handle any discomfort, any pain. I stand there, I freeze. And then five minutes later, I know how I feel. But in the moment, I’m probably overreacting and I should be nice. Then I process it, and in five minutes, if it’s gone, it’s past, and I’m like, “I was overreacting, everything’s fine. I can get through this. I’m glad I didn’t say anything harsh in the moment.” But when it’s actually something bad that happened, and I feel really, really hurt or upset about it, I only know after the fact. Because I’ve tried so hard to squash it: “This probably isn’t what you think.” That’s something I had to work on.

You could end up gaslighting yourself. Yeah, for sure. ’Cause so many situations where if I would have said the first thing that came to my mind, people would have been like, “Whoa!” And maybe I would have been wrong or combative. So a couple of years ago I started working on actually just responding to my emotions in a quicker fashion. And it’s really helped with stuff. It’s helped so much because sometimes you get in arguments. But conflict in the moment is so much better than combat after the fact.

Well, thanks. I do feel like I just did a therapy session. As someone who’s never been to therapy, I can safely say that was the best therapy session.

#uhhhh #just by copying and editing text I see it's gonna be good =)#can't wait...#taylor swift #interview #by taylor #lover era #Rolling Stone magazine #Brian Hiatt

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