#Priyanka Barve

[lyricsssdotin]

Mard Maratha Lyrics

Singer:Ajay-Atul, Kunal Ganjawala, Sudesh Bhosle, Swapnil Bandodkar, Padmanabh Gaikwad, Priyanka BarveAlbum:Panipat Hey, bole dharti jaikaraGagan hai saara goonja reJag mein lehraya nyaaraDhwaj hai humara ooncha re Hum woh yodha woh nidarrHum jo bhi disha mein jaayeinSaare path charan chhuve aurParbat sheesh navaayeRaaste se hat jaaye nadiya ho ke hawayein Hum hai jiyaale jeetne ko hum rann…

[darshanan-blog]

Mughal-e-Azam – A musical/ theatrical production Review Seeing iconic, classical Mughal-e-Azam being performed on stage was a mesmerizing experience. Under Akbar, India had developed a strong and stable economy and the Mughal kingdom had tripled in size and wealth. Such a mighty king, at the pinnacle of success faced a moment of deep anguish and critical personal crises. Akbar married Hindu…

[dahi-wada]

Aise lag rha hai kaano Mai kisine toh shehed dal Diya ho

[omgdilipsoni]

राजस्थानी गीत लहरियो रो टीजर टिप्स राजस्थानी रे यूट्यूब पर जारी हुयो

राजस्थानी गीत लहरियो रो टीजर टिप्स राजस्थानी रे यूट्यूब पर जारी हुयो

राजस्थानी गीत लहरियो रो टीजर (Lehariyo-Teaser) आज जारी हुयो, टिप्स राजस्थानी रा यूट्यूब चैनल (Tips Rajasthani) पर प्रियंका बर्वे (Priyanka Barve) री आवाज में 17 अक्टूबर रे दिन पूरो गानो देखबा ने मिलसी। लहरियो-राजस्थानी सॉन्ग (Lehariyo-Rajasthani Song) में गीत-संगीत अली-गनी दे रिया है। वीडियो में कलाकार रे तौर पर प्रस्तुति देवन वाला है अभिषेक सिंह और कशिश असवानी। Topics-Rajasthani Dance Video…

[ilyricshub]

#MardMaratha #Panipat

[bollywoodmixtape]

Song: Mard Maratha Movie: Panipat (2019) - wikipedia Starring: Sanjay Dutt, Arjun Kapoor, Kriti Sanon, Padmini Kolhapure Music: Ajay Atul, Lyrics: Javed Akhtar Singers: Ajay - Atul, Sudesh Bhosle, Kunal Ganjawala, Swapnil Bandodkar, Padmanabh Gaikwad, Priyanka Barve. -- Mard Maratha - Panipat | Sanjay Dutt, Arjun Kapoor & Kriti Sanon | Ajay - Atul | Ashutosh Gowariker (via Zee Music Company)

[sciencespies]

These Woodpeckers’ Bloody Wars Draw a Crowd

https://sciencespies.com/news/these-woodpeckers-bloody-wars-draw-a-crowd/

These Woodpeckers’ Bloody Wars Draw a Crowd

For woodpeckers, acorns can be a matter of life and death. Acorn woodpeckers, which inhabit oak woodlands from Oregon to Mexico, will wage war against rival groups for days in pursuit of the acorns they need to survive the winter.

“We’ve seen birds with eyes gouged out, wings broken, bloody feathers and birds that fell to the ground fighting each other,” Sahas Barve, an ornithologist at the Smithsonian National Museum of Natural History, tells Priyanka Runwal of the New York Times. Barve is the lead author of new research, published this week in the journal Current Biology, that details the intricacies of these avian battle royales.

If this ferocious feathered spectacle sounds like it might be worth watching, you’re not alone. The researchers found that the territorial dust-ups are often attended by a crowd of non-violent onlookers, reports Kate Baggaley for Popular Science. These spectators will fly in from nearly two miles away, leaving their own territories unattended, just to spend an hour or so taking in the action.

The vicious fights, which can involve some 40 birds and feature continuous bouts lasting up to ten hours, are all in the name of gaining access to well-stocked “granaries,” which are dead trees that have been plugged full of thousands of acorns by the presiding woodpecker clan, according to Popular Science.

An acorn woodpecker granary. These crucial storehouses, which are typically created in dead trees or stumps, hold hundreds or even thousands of acorns that the woodpeckers use to survive when food is scarce.

(Neil Losin)

The granaries are controlled by social groups made up of as many as seven males that breed with between one and three females, per the paper. Strangely, these groups are usually composed of two unrelated sets of siblings—twin coalitions of brothers and sisters who mate with one another and vigorously defend the territory’s granaries against thieves.

The group is also bolstered by the presence of the offspring from prior years, called “helpers,” who typically hang around for five to six years to help their parents, aunts and uncles tend the nest. The helpers don’t breed in the group, and can’t reproduce until they find their own territories. As Runwal writes in the Times, “power struggles are thus a result of helpers striving to become breeders.”

When all the male or female members of a group controlling a choice chunk of habitat die off, it opens up an opportunity for coalitions of brothers or sisters acting as helpers in the area, which then descend on the area from far and wide and jockey for supremacy with one another to fill the vacancy. The coalitions are mostly made up of two to four birds and a dozen or more may show up to the fight, despite the fact that only one can win out.

“When you’re approaching a big tree with a power struggle from far away, you’ll first hear a lot of acorn woodpeckers calling very distinctly, and see birds flying around like crazy,” says Barve in a statement. “When you get closer, you can see that there are a dozen or more coalitions of three or four birds fighting and posturing on branches. One group has to beat all the others to win a spot in the territory, which is really, really rare in animals—even in fantasy novels it usually boils down to one army against the other.”

Using tiny radio transmitters attached to acorn woodpeckers in California’s Hasting’s Reserve, Barve and his team were able to study three power struggles in 2018 and 2019. Each battle involved coalitions of sisters fighting to fill the openings left by dead female woodpeckers, according to Popular Science. Until now, these avian conflicts have been too chaotic to study closely, but tiny harnesses strapped to the acorn-hoarding woodpeckers allowed the authors to uncover new and puzzling details.

Onlookers arrived within an hour of the fighting’s onset, according to the Times, and some of these passive observers spent as long as an hour of their day risking the security of their own acorns just to take in the violence. What exactly makes this expenditure of time and effort worth it to the birds on the sidelines isn’t clear.

“It seems like these power struggles are really important sources of social information,” Barve tells Popular Science. “Our best guess is [that] they get some juicy tidbits out of it.”

Damien Farine, an ecologist at the Max Planck Institute, tells the Times the study illustrates how tracking individual birds can illuminate how their societies function.

“With studies like this one, we’re starting to understand how populations are structured as an outcome of all its individuals’ behaviors,” Farine says.

This past summer, fires in California burned swaths of the oaky Hastings Reserve, reports Shawna Williams for the Scientist. Two large granaries that have been continuously restocked by successive generations of acorn woodpeckers for more than 50 years burned in the fire, and researchers are curious to see how the birds respond to the destruction. Will they make a new granary or wage a bloody war to take over another group’s territory?

#News

[ilovebollywoodmusic]

Ajay - Atul,  Sudesh Bhosle, Kunal Ganjawala, Swapnil Bandodkar, Padmanabh Gaikwad & Priyanka Barve - Mard Maratha (OST for "Panipat")

[alltvsongs]

Swamini Serial Title Song Colors Marathi Priyanka Barve Nilesh Moharir

Swamini Serial Title Song Colors Marathi Priyanka Barve Nilesh Moharir

Swamini Serial Title Song Colors Marathi Priyanka Barve Nilesh Moharir, Swamini Colors Marathi Serial Title Song featured Priyanka Barve & Nilesh Moharir, Lyrics by Arun Ji Mhatre Free Latest Tv Ad Songs Mobile Ringtone, Tv Advert Song, tv Commercial BG instrumental Ringtone, Theme Songs, Title Track, Promo Song, Mp3 Free “www.pubsense.com”provides absolutely free latest Song. Serial background…

[marathistars]

Rang Bhari Re Song: An Audio Visual Spectacle

Rang Bhari Re Song: An Audio Visual Spectacle

While every year we have one or two iconic ‘Holi’ song, this year the ”Holi Song’ from upcoming Marathi film ‘Sur Sapata’ has truly pushed the boundaries of this type of Holi songs. Sung by Adarsh Shinde & Priyanka Barve ‘Rang Bhari Re’ captures the entire mood of the film & it’s principal characters so beautiful!

The song doesn’t restrict itself to just be a ‘Holi’ song. It explores the colors…

[newmarathicom-blog]

Ghuma (2017) Marathi Movie Songs

Ghuma (2017) Marathi Movie Songs

Ghuma Movie(2017) Songs Album : Ghuma(2017) Cast : Pramod Kasbe, Teshwani Vetal, Vaishali Jadhav, Ganesh Limkar, Yash Daundkar, Chaya Daundkar Singers : Ajay Gogavale,Priyanka Barve,Mugdha Hasabnis Music : Hrishikesh-Saurabh-Jasraj Year : 2016 For More Movies Songs, just like our Official Facebook Page.. Songs Download Links 01.Bhavishyachi Aishi Taishi –Umesh Joshi 02.Bahuli Mazi Sazali Ga –Neha…

[marathicelebscom]

Singer Priyanka Barve and Sarang Kulkarni blessed with a baby boy 💗 Yuvaan Sarang Kulkarni 💗 @priyanka.barve @sarangsarod #PriyankaBarve #SarangKulkarni #Blessed #BabyBoy #Yuvaan #NewBorn #Musicians #Singer #MarathiCelebs . . -------------- . For interesting entertainment updates, follow the page right now - @marathicelebs_com . *Please turn on the Post Notifications so that u won't miss any update*. https://www.instagram.com/p/CElzuPUBUfC/?igshid=10lw3ga3axqjz

[globalworship]

Jai Jai Jagadisha (Marathi hymn, India)

Marathi Christians (मराठी ख्रिस्ती; Marāṭhī Khristī) are an ethno-religious community of Indian state of Maharashtra. According to the Census of India, there are over a million Christians in Maharashtra constituting 1.5% of the state's population. https://en.wikipedia.org/wiki/Marathi_Christians

Here is a popular Marathi Christian song recently recorded; an English summary of the lyrics is below.

“Jai Jai Jagadisha” composed by Rev. Narayan Vaman Tilak , a very composer and theologian (see below). Hear two other versions below.

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I asked on the Youtube page if someone could help me understand the lyrics, and Besty Reuben kindly responded with this:

This Marathi hymn is a praise to the Triune God. It is a cry invoking God's presence among men. The words come out of an intimate relationship with the Creator, thanking him for all that He is and therefore blessing the name of The Father, The Son and the Holy Spirit. The writer wants the glory of God to fill Him and wants the same for the entire world. He wants to convey the message that "God is all we need". The earth is personified as longing for God's mercy, grace and blessing. We can also say that the writer may be in deep personal thought about how wonderful the world would be if Immanuel - God is with us. This song was popularly sung as an opening hymn in schools, church gatherings and Christian get-togethers. One of my favourite hymns.

+++

About the composer:

Narayan Vaman Tilak (6 December 1861 – 9 May 1919) was a Marathi poet from the Konkan region of then Bombay Presidency in British India, and a famous convert to Christianity from Chitpavan Brahmin Community.

Read a lengthy summary of his life and ministry at https://en.wikipedia.org/wiki/Narayan_Waman_Tilak

He was an early leader in contextualization of local art forms to carry the Christian message. Here’ are some excerpts from the WIkipedia article:

From his Hindu years, he composed kirtans (musical religious services with a mixture of poetry and dramatic retelling of Hindu stories of religious inspiration, ...  This continued into his Christian years when he led kirtans, trained Christian kirtankars, including his wife Laxmi, and published a little handbook Kirtan Kalap as a guide ...  Owing to the very many hundred of devotional hymns which Rev. Tilak composed for church worship and for singing in villages, others saw him as the "Tagore of Western India."

After about ten years as a Christian he began expressing his faith in local idioms, particularly the poetic style of the Varkari Hindu sampradaya of Maharashtra. The many songs he composed remain very popular among Marathi speaking Christians. But Tilak was a critic of traditional Christianity, and for the last two years of his life moved beyond the church to focus on developing a new brotherhood of baptized and unbaptized disciples of Jesus. This new approach never took root due to Tilak's early death in Mumbai on May 9, 1919.

Tilak's son, Devdatt Narayan Tilak, edited and published the epic poem Christayana.

Tilak composed over a hundred Christian devotional songs in Marathi in either abhanga (अभंग) or ovi (ओवी) form. They were published in a book titled "Abhanganjali" (अभंगांजली).

Besides the initial parts ofthe eopic Khristayan (ख्रिस्तायन), Tilak wrote over 2,100 long poems comprising several hundred lines each.

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I recommend these books by my cholarly friend and mentor in :contextualization issues of India, who wrote two detailed books on Tilak’s life and art.

Richard, H.L., Following Jesus in the Hindu Context: The intriguing implications of N.V. Tilak’s life and thought. Revised American edition. Pasadena: William Carey Library, 1998.

Richard, H.L., Christ-bhakti: Narayan Vaman Tilak and Christian Work among Hindus. Delhi: ISPCK, 1991.

Read a short essay by H.L. Richard on Rev. Tilak’s life and ministries, with lessons for today, at http://www.bhaktivani.com/volume2/number3/tilak.html

+++

Dr.Amit Kamle and Pornima Kamle presents Glorify Christ 4, JAI JAI JAGADISHA song sung by Priyanka Barve. This Marathi Christian Worship song from the Upasana Sangeet is penned and composed by Rev.Narayan Vaman Tilak. This worship song has been conceptualized by Dr.Amit Kamle.

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Here is the same song from a Marathi church in northern Dallas, Texas.

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And one last version which has some women singing the same song, in addition to the primary male vocalist.

[trendsdresscom]

Shruti Haasan Redefines Bold, Black and Beautiful With a Blazer Jumpsuit!

Shruti Haasan in Nauman Piyarji blazer jumpsuit (Photo Credits: Instagram)

The South Indian sensation, Shruti Haasan is a delight to reckon with. The millennial don’s quite a few caps, right from being an actress, singer, a chat show host and a fashionista in her own right. A whopping fan following of 13.3 million on Instagram speaks volumes of her fame. As equally at ease is she in ethnic ensembles, she pulls off classy western ones with enviable elan. Furthermore, she goes on to elevate those distinct styles with a fabulous beauty and hair game. Her natural flair to own and ace unconventional silhouettes, fabrics, hues, and textures render her as a delight to any stylist. Shruti Haasan channeled a classy, sassy and sexy vibe in a black blazer pantsuit by Nauman Piyarji. She was styled by Sukriti Grover. Shruti finished out the look with sleek hair, some chunky accessories and glossy glam

Shruti sure knows a thing or two about infusing hotness in any given style vibe. Shruti chose the infallible and the hottest hue of black and here is a closer look. Devi Review: Kajol, Neha Dhupia, Shruti Haasan’s Short Film Will Make You Question the Society that You Live in

Shruti Haasan in Nauman Piyarji blazer jumpsuit (Photo Credits: Instagram)

Shruti Haasan – Bewitching in Black

A customized black blazer jumpsuit accentuating her svelte frame from the NYC based designer Nauman Piyarji was amply accessorized by chunky rings and earrings from the Pipa Bella x Rhea Kapoor collaboration. Sleek hair with soft wavy ends, subtle glossy glam coupled with a pair of pointy flats with a gingham bow completed her look. Happy Birthday, Shruti Haasan! A Style Capsule of All the Times When the Grunge Girl Turned Into a Glam Goddess!

Shruti Haasan in Nauman Piyarji blazer jumpsuit (Photo Credits: Instagram)

On the professional front, Shruti was last seen in the suspense drama short-film directed by the first-time director Priyanka Banerjee, Devi alongside an ensemble cast of Kajol Devgan, Neha Dhupia, Neena Kulkarni, Mukta Barve, Shivani Raghuvanshi, Yashaswini Dayama, Sandhya Mhatre, and Rama Joshi. Devi depicted 9 women from distinct strata of society forced into a sisterhood due to circumstances in which they are compelled to share their stories of abuse. She will be seen in Krack, an upcoming Telugu action-thriller directed by Gopichand Malineni featuring alongside Ravi Teja, Varalaxmi Sarathkumar and Samuthirakani. Shruti makes a comeback into the Telugu film industry with this film as her last appearance in a Telugu film was in 2017 with Katamarayudu. She will also be seen in the Tamil film, Laabam, written and directed by S. P. Jananathan featuring alongside Vijay Sethupathi, Kalaiyarasan, Jagapathi Babu and Harish Uthaman.

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