#Press-tooling-manufacturers

[metalstampingdies]

Mastering Precision Allows Unparallel Tool & Die Manufacturers

In the complicated sector of manufacturing, tool and die, manufacturers develop as the designers behind the scenes, defining the foundation of many industries. These artists specialize in fashioning precision tools and parts important for the mass production of varied goods. From the automotive sector to consumer electronics, the impact of tool and die manufacturers spread far and wide, contributing to the flawless creation of complicated components. This blog explains the knowledge of these craftsmen, digging into their role in manufacturing industrial tools, press tooling, and their importance in the art of manufacturing.

1.     Industrial Tools Manufacturers Play a Pivotal Role in Supplying

Industrial tool manufacturers, a subsection of the bigger tool and die industry, are pivotal in supplying specific tools tailored for manufacturing applications. These gears, ranging from drills and saws to cutting and shaping implements, are crafted exactly to meet heavy-duty manufacturing processes’ demands. Industrial tools producers work together closely with many sectors, safeguarding that the tools they produce endure demanding use while preserving accuracy and durability. Their proficiency lies in creating strong tools and unceasingly innovating to meet growing industrial requirements, contributing to improved efficiency and production across manufacturing settings.

2.     Press Tooling Manufacturers specialize in creating dies

Press tooling manufacturers focus on the making of dies and molds used in press types of machinery to shape and form supplies. This detailed and complicated process is vital for industries that necessitate mass production of components with consistency and exactness. Press tooling manufacturers work thoroughly with clients to design and produce dies that line up with precise manufacturing necessities. These dies find applications in many industries, such as automotive and appliance manufacturing, where the competence and precision of press tooling play a crucial role in the manufacture of stamped metal fragments. The association between tool and die manufacturers and press tooling experts safeguards the unified integration of precision tools into the manufacturing process.

3.     Tool & Die Makers is done by skilled craftsmen

Tool and die makers are expert craftsmen who bring the plans of industrial tools and press tooling to life. Their professionalism lies in producing and preserving precision tools and dies that meet conditions. Tool & die makers combine old-style craftsmanship and contemporary technology, including Computer-Aided Design (CAD) and Computer Numerical Control (CNC) machining, to make intricate parts. Their role comprises not only the preliminary creation of tools but also the ongoing upkeep and repair, safeguarding that the tools endure in optimal condition for long periods. The attention to detail shown by tool & die makers is essential to the dependability and productivity of the manufacturing procedure.

4.     Search Tool and Die Maker Near Me for convenient partnership

The search for a “tool and die maker near me” is a common exercise for industries looking for localized proficiency and convenient association. Nearness to a tool and die maker simplifies effective communication and safeguards that the manufacturing needs are understood correctly. This localized approach nurtures a sense of business, where businesses and tool and die, makers, work closely to talk about particular needs. The terrestrial proximity allows hands-on association, permitting for well-organized problem-solving and customization of tools based on the exclusive demands of the local manufacturing.

5.     Machinists And Tool & Die Makers Have Common Goal

Machinists and tool and die makers are accomplished professionals with a common goal – meticulous machining. While technicians focus on functioning machine tools to manufacture precision parts, tool and die makers focus in creating the tools and dies used in the machining procedure. The partnership between these two professions is flawless, as machinists depend on the tools created by tool & die makers to accomplish precision in their work. The interdependent relationship between machinists and tool and die makers highpoints the interconnection of many roles in the manufacturing ecosystem, showcasing the importance of precision and teamwork in achieving extraordinary results.

The tool & die creators stand at the front of precision craftsmanship, contributing suggestively to the productivity and functionality of numerous industries. From the creation of engineering tools to press tooling that allows mass production, these craftspeople play an essential role in shaping the manufacturing process. The search for a tool and die maker in proximity highlights the importance of localized partnership, nurturing effective communication and problem-solving. As operators and tool and die, makers, work together; their collective efforts highlight the seamless integration of precision tools into the manufacturing process. In the complicated craftsmanship and technology, tool & die producers remain vital architects, making the tools that drive innovation and excellence in the manufacturing world.

The sector of tool & die manufacturing is constantly evolving, and the contemporary era has brought forth revolutions that blend old-style craftsmanship with cutting-edge technology. As businesses adapt to changing demands, tool & die manufacturers embrace developments such as computer-aided design (CAD) and computer numerical control (CNC) machining. These high-tech tools empower creators to create even more intricate and multifaceted components, pushing the boundaries of what is possible. The fusion of time-honored skills and latest technology makes sure that tool & die Companies continue to be at the forefront of precision engineering, constantly delivering solutions that meet the ever-rising needs of assorted manufacturing segments.

[cmdppl]

Press Tools Manufacturers for Quality Tooling Solutions| CMD PPL

CMD Precision Products offers top press tools and press components. Get reliable, high-quality manufacturing solutions for all your precision needs.

[literaryartisan]

Tool - L.A. Municipal Court (Salival)

Tool has the perfect song for my experience today with the local PD online reporting system.

(had to file a report for work because work equipment in my care got stolen)

(I tried calling a week ago to report it but they sent me to the online system. the online system said I wasn’t in their jurisdiction. it finally worked today.)

[joyandella-123]

The Power of Software in Managing Fabricating Machine Tools

Software continues to evolve and spread its impact in the fabricating world. From Computer Numerical Control (CNC) machines to laser cutters and press brakes, software solutions are revolutionizing how manufacturers control and optimize their operations

CNC Machine Control and Programming: One of the primary applications of software in fabricating machine tools is CNC machine control and programming. Advanced CAD/CAM (Computer-Aided Design/Computer-Aided Manufacturing) software allows manufacturers to design intricate components and generate toolpaths with unparalleled precision. These toolpaths, when translated to CNC machines, guide the actions like cutting or bending processes, ensuring that the final product adheres precisely to the intended design. This level of automation not only reduces the risk of human error but also significantly accelerates the production process.

Optimized Production Scheduling: Fabrication software includes modules for production scheduling, enabling manufacturers to optimize the use of their machine tools. By considering factors such as machine availability, tooling requirements, and order priorities, the software generates efficient schedules that minimize downtime and maximize throughput. This results in a smoother workflow, reduced lead times, and enhanced overall efficiency in the fabrication process.

Real-Time Monitoring and Data Analytics: Modern fabricating software provides real-time monitoring capabilities, allowing manufacturers to track the performance of their machine tools on the shop floor. This includes monitoring parameters such as machine utilization, downtime, and error rates. By collecting and analyzing this data, manufacturers can identify bottlenecks, diagnose issues, and make informed decisions to optimize machine performance. Predictive maintenance algorithms can even anticipate potential equipment failures, minimizing unplanned downtime and maximizing the lifespan of the machinery.

Inventory and Material Management: Software solutions extend their influence to inventory and material management. By integrating with enterprise resource management (ERP) systems, fabricators can maintain real-time visibility into their material inventory. This leads to accurate demand forecasting, preventing out-of-stock or overstock situations. Additionally, software aids in material tracking, ensuring that the right materials are used for specific jobs, reducing waste, and optimizing costs.

Quality Assurance and Traceability: Software plays a pivotal role in ensuring product quality and traceability in fabricating machine tools. Quality control modules within these systems can monitor and enforce adherence to design specifications. Moreover, the software can include features for traceability, allowing manufacturers to trace the production history of each component, from raw material to finished product. This not only enhances quality assurance but also facilitates compliance with industry standards and regulations.

Integration with IoT (Internet of Things): The integration of fabricating machine tools with the Internet of Things (IoT) is another area where software is making a significant impact. Sensors on machines collect data in real-time, feeding it to the software for analysis. This connectivity enables remote monitoring, predictive maintenance, and the implementation of smart manufacturing practices. Manufacturers can make data-driven decisions (or feed them into decision-support software) to optimize production processes and respond promptly to changing conditions.

As the manufacturing landscape continues to evolve, the role of software in managing fabricating machine tools cannot be overstated. Embracing these technological advancements not only positions manufacturers at the forefront of innovation but also empowers them to meet the demands of a rapidly changing market while ensuring the highest standards of quality and performance.

[singhaniatableting]

The Role of Punches and Dies in pharma industry

Overview of the Pharma Industry

The pharmaceutical industry is a business engaged in the manufacturing, marketing, and distribution of various medical products. In this, machinery and equipment like 'Tablet Press, Punches and Dies', 'Tablet Tooling', and 'Tablet Compression Machine' play an important role. These equipment are vital in the manufacturing of drugs, which are essential for pharmaceutical companies. Through this industry, significant contribution is made in the production of medical products, which improve the lives of people.

Understanding Punches and Dies

When it comes to manufacturing medical products, equipment such as 'tablet presses', 'punches and dies', 'tablet tooling', and 'tablet compression machines' are of utmost importance. Of these, 'Punches and Dies' are an important part. The die is actually made of a metal that is subjected to high pressure and strength. This dye creates how the new medicine will be made and look like. Punches, which are made into a variety of specific sizes and shapes, are used with dies. These punches enhance the potency of the dye and play an important role in the manufacturing of the medicine.

Importance of Punches and Dies in Pharma Manufacturing

When we talk about medical products, equipment prove to be of utmost importance. Of these, 'punches and dies' play an important role in pharma manufacturing.The die is actually made of a metal or metal, which is formed under high pressure and strength. This dye creates how the new medicine will be made and look like.Punches, which are made into specific sizes and shapes, are used with dies. These punches enhance the potency of the dye and play an important role in the manufacturing of the medicine. They help ensure the quality and compatibility of medical products.

Maintenance and Care of Punches and Dies

'Punches and dies' are vital in pharmaceutical manufacturing, and proper care of them is vital to their long and smooth life.

●      Regular cleaning and maintenance: Punches and dies should be cleaned at regular intervals to avoid accumulation of debris. This will ensure that their work lasts and that they maintain their quality.

●      Store in a cool and dry place: Punches and dies should be stored in a cool and dry place to avoid any cuts or damage.

●      Regular checking and updating: Along with 'Tablet Press' and 'Tablet Compression Machine', regular checking and updating of these is necessary. This will ensure that they are working properly and that they have a better experience.

●      Reputable and Expert Service: It is better for Punches and Dies to provide reputable and expert service. They should be regularly checked and updated by experts.

As such, proper care and maintenance of 'Punches and Dies' play a vital role in the smooth running of 'Tablet Press', 'Tablet Compression Machine', and 'Tablet Tooling' and increase their importance in pharma manufacturing.

The contribution of 'punches and dies' to the medical industry is extremely important. These equipments are essential in 'Tablet Press', 'Tablet Compression Machine', 'Tablet Tooling', and 'Tablet Manufacturing' and without them this industry cannot run smoothly.

Proper design and composition of dies and punches ensure that the drug is manufactured accurately and meets therapeutic standards. Their proper use and care ensures that they function properly and the quality of the products does not suffer.

In the manufacturing of medical products, 'punches and dies' have an important contribution. This special equipment are used in 'Tablet Press' and 'Tablet Compression Machine', which play an important role in manufacturing various medical products. Singhania Tableting specializes in new technologies and updating them.

[gemmabussell85]

Sheet Metal Press Brake

Sheetmetal Tooling Tech is the world's leading manufacturer of turret punch, press brake & stamping tooling.

[anarchotahdigism]

"The Biden era has normalized illness and demonized mitigations for the sake of “back to normal”. We now live in a country where educated liberals genuinely think it’s okay-and in fact good- that their kids are constantly ill (to be expected given the immune system-damaging nature of COVID). Where leftists argue that killing old people is less harmful than wearing masks. Where concern for community health is painted as cowardly and using the modern scientific tools we are lucky enough to have is portrayed as rude and stupid. And terribly, this liberal political project under Joe Biden has come down like a hammer on community solidarity, leaving “the vulnerable” squabbling with their mocking former comrades. It’s hard to overstate just how much damage the normalization of COVID has done to the very concepts of public health and community.

My beliefs throughout the pandemic have never changed: that vulnerable people deserve access to society, that mitigation must be prioritized, that great progress is possible with great effort, that community care is most critical in times of state abandonment. It’s hard to know where to go from here, at the nadir of a COVID response that vilifies and mocks any gesture toward prevention and care. But for those of us who are still here, education must start from a place of unpacking several years-worth of propaganda, while learning from disability justice activists who have reckoned with their social marginalization for decades.

Despite the multitude of falsehoods that continue to be poured over the heads of our comrades by outlets that can’t or won’t reckon with Biden’s failure, the truth has the advantage of being obvious, and patient. So we’ll continue to repeat it, until the people are ready to hear it: COVID is not mild. COVID is not harmless. COVID is not inevitable. COVID is not over. Stay safe out there."

[allthecanadianpolitics]

The federal government will be investing $2.4 billion to accelerate Canada’s artificial intelligence (AI) sector, Prime Minister Justin Trudeau announced Sunday. The investment will be divided between a number of measures meant to advance job growth in the AI and tech industry and boost businesses’ productivity. “This announcement is a major investment in our future, in the future of workers, in making sure that every industry, and every generation, has the tools to succeed and prosper in the economy of tomorrow,” Trudeau said in a press release Sunday. Majority of the funds, $2 billion, will go toward increasing access to computing and technological infrastructure. Another $200 million is being invested into AI start-ups to accelerate the technology in “critical sectors” such as health care, agriculture and manufacturing, the release says. Additional funds will be put toward helping small and medium-sized businesses incorporate AI, with another $50 million being committed to help train workers whose jobs may be disrupted by the technology.

Continue Reading.

Tagging: @politicsofcanada

[vanessagillings]

I love your art so much!!! I've also been starting to paint with gouache, and I'd love to know a little more about your process! What kind of paints do you use, do you sketch first or start with paint, do you paint in layers over several day or all at once?

Hi and thank you! I hope you don't mind me answering this publicly and apologies for length, but:

MY ART PROCESS!

Supplies: I use winsor and newton gouache and arches cold press paper blocks, usually 140 lbs (the lime green ones) and sometimes 300 lbs (the teal green ones). Even though this paper comes pre-stretched in blocks, I actually take the sheets off and stretch them myself because I've found arches' glue isn't as strong as it used to be. This is how you get watercolor paper to lay flat! I recommend youtubing some videos on how to do it -- there's a lot of great tutorials out there. Also, I use princeton brushes, and kraft paper tape and these boards to stretch my paper. (these aren't affiliate links, I just shop at blick)

A word about art supplies: these are the exact tools I use but everyone uses supplies differently and two people with the exact same supplies might get different results! A lot of it is about what works for you and what you like, so I always suggest that gouache/watercolor beginners just buy a few tubes from a couple of different paint companies and some small pieces of paper from different manufacturers to see what you like. Just changing one ingredient in the above has created massively different results for me, but maybe that'll end up being something you'd like! The first step in learning a new medium imo is to play. Just have fun!

ALSO: gouache isn't super light permanent, check your tubes for which ones hold up to sunlight. Here is winsor and newton's color chart explaining which ones will fade when exposed to sunlight -- all manufacturers will give you this. I only use the colors rated A and AA, and I still frame my pieces with UV glass just to be safe. Not all gouache is re-wettable, but winsor and newton is. I just put it in my palettes and refill my palettes if it runs low. AND SOME PAINT IS TOXIC. A lot of paints have cadmium and cobalt in them. I don't use any of the toxic colors, but if you do, make sure you don't eat while working and wash your hands thoroughly afterwards. This information is also usually available on manufacturer's websites. As more people are rejecting cadmium paint, you'll see more tubes labeled things like cadmium-free yellow. This is why. More artists should be aware that their tools can be dangerous. You don't need that many tubes of paint to begin, just a warm and cool red, warm and cool yellow, warm and cool blue, white and black. I have around 50 colors and use 20 regularly. I always mix all my colors myself, and never use straight tube paint. Most of my colors have about 5-6 different tube colors mixed together. If you use re-wettable paint a tube of paint will last you years; even as a professional I only buy new paints every 5 years or so.

Process: I ALWAYS start with a sketch first. Not everyone has to, but because I do illustration work -- where sometimes a client gets input on a drawing -- I always do a lot of preliminary work before I even begin to paint. At this point, even my personal work usually involves the exact same process:

I start with a 3" or so thumbnail that I scan (left; I traced it quickly digtally for clarity to myself here) and then either clean up digitally or print out and clean up traditionally with tracing paper (right):

Then I scan the cleaned sketch in and color rough it digitally (left, this was for a gallery show, so no one had to approve my color roughs, so it's messy!) then I transfer my sketch to my paper (with either carbon transfer paper or a light table), stretch my paper, and paint (right):

I obviously changed my mind about the color of the ribbon in the trees, ha, and made everything a lot more vibrant. The benefit again of gallery work is no pre-approval!

You are correct, I paint in a series of washes, going from lightest to darkest, where I apply the same color beneath all shapes that are the same warmth (cools under all upcoming cools, warms under all upcoming warms). I paint a piece usually in one or two days, depending on complexity. I didn't take pictures of the above painting, but here's a different painting to show you a little bit what I mean:

I painted the peach color under everything (and twice for skin tones), and the gray color of the sky under everything that would be grayish (the rocks, trees, her pants, her skirt, and coat). I do this to stop me from getting darker lines where two different colors butt up against each other, and also for color harmony. I have step by step photos of this in my process stories highlight on my instagram; also check my FAQ and tip highlights for more info on all this stuff. Most pieces take around 25-30 washes before I start adding in the details (sometimes I add in face details early though because if I mess those up it's not worth finishing the rest of the painting! 😅)

All this might seem like a lot of work (...it is) but I do it so that I can show clients previews of the final piece and so I don't have to repaint the finals. I also used to pre-test all of my washes on scrap paper like this:

I still recommend doing this if you're just beginning! But at this point I only do it when testing techniques because I know my paints really well. (the above was my test for the pine boughs in this piece)

Painting by far is the longest part of the process, so I do more work up front to not have to do it twice. Every piece takes about 6-24 hrs of actual work time to produce. Stretching watercolor paper takes about 24 hrs to dry, and because I sell most of my originals in galleries, they need to be flawless, so planning ahead is useful and in the end saves me time.

And to conclude this novel of an explanation, don't be overwhelmed by all the information I've given you! I put it here so that people at various stages of their artistic journey can maybe find something useful in it. But seriously, the first step to learning how to paint whether it's traditionally or digitally is just to have fun. Try it out, see what's working and what isn't, and then try to solve specific issues that you're struggling with. I've been doing this for a loooooong time at this point, but here's my first watercolor piece from when I was re-teaching myself how to paint traditionally nine years ago:

Obviously, I was destined for greatness. Ha, yeah, no. If you scroll back through my tumblr archive, you can see me learning how to use these paints in real time. And keep in mind that I'd been working digitally for years before then, and years before that where I didn't post my work online at all.

So for anyone who needs to hear it: there's no such thing as talent, just hard work, patience, and trying again and again and again...and sometimes again. What I do is a skill and anyone can learn it. Sometimes, progress is slow. I'm 38. I only really feel like my art was half-way decent starting a few years ago, but I've been making art my entire life, and I went to art school at 18. 20 years later I'm kind of figuring it out.

The best advice I can give, whether it's about art or not, is find the thing you love so much that you'll keep at it even when you suck at it, because most skills you'll suck at to begin with -- and perhaps for a long time. I sucked at art for yeeeaaaaarrrrs. On top of the usual learning curve, I struggled with fine motor control and dexterity. But I loved it so much I kept trying every time I failed. If I can do it, so can all of you, no matter what stage of art you're at now, and no matter how old you are.

Anyway, thank you to those still reading this deep in. I wish you all the best on your artistic journey. Art can kick your butt sometimes, but it's also pretty dang rewarding 💛

[mariacallous]

Oregon governor Tina Kotek yesterday signed the state's Right to Repair Act, which will push manufacturers to provide more repair options for their products than any other state so far.

The law, like those passed in New York, California, and Minnesota, will require many manufacturers to provide the same parts, tools, and documentation to individuals and repair shops that they provide to their own repair teams.

But Oregon's bill goes further, preventing companies from implementing schemes that require parts to be verified through encrypted software checks before they will function, known as parts pairing or serialization. Oregon’s bill, SB 1596, is the first in the nation to target that practice. Oregon state senator Janeen Sollman and representative Courtney Neron, both Democrats, sponsored and pushed the bill in the state senate and legislature.

“By eliminating manufacturer restrictions, the Right to Repair will make it easier for Oregonians to keep their personal electronics running,” said Charlie Fisher, director of Oregon's chapter of the Public Interest Research Group, in a statement. “That will conserve precious natural resources and prevent waste. It’s a refreshing alternative to a ‘throwaway’ system that treats everything as disposable.”

Oregon's law isn't stronger in every regard. For one, there is no set number of years for a manufacturer to support a device with repair support. Parts pairing is prohibited only on devices sold in 2025 and later. And there are carve-outs for certain kinds of electronics and devices, including video game consoles, medical devices, HVAC systems, motor vehicles, and—as with other states—“electric toothbrushes.”

Apple opposed the Oregon repair bill for its parts-pairing ban. John Perry, a senior manager for secure design at Apple, testified at a February hearing in Oregon that the pairing restriction would “undermine the security, safety, and privacy of Oregonians by forcing device manufacturers to allow the use of parts of unknown origin in consumer devices.”

Apple surprised many observers with its support for California's repair bill in 2023, though it did so after pressing for repair providers to mention when they use “non-genuine or used” components and to bar repair providers from disabling security features.

According to Consumer Reports, which lobbied and testified in support of Oregon's bill, the repair laws passed in four states now cover nearly 70 million people.

[apas-95]

What's your opinion on the class position of creatives like authors, artists, etc? On the one hand, most of them don't really work for a wage, and it would be difficult to describe something like royalties as "wage labor"; on the other hand, I also find it difficult to conceive of something like a book manuscript as being a means of production when the media industry requires things like printing presses to mass manufacture.

The vast majority of 'creative' workers are wage-workers in studios, under bosses, etc, and are straightforwardly proletarian.

Self-employed artisans are rarer, and make up a section of the middle classes - either by selling the produce of their labour, in the same way a farmer sells grains; or by selling their labour itself, in the same way a tradesman contracts out his plumbing skills. The farmer's grains need milling to make bread, and the plumber needs tools to work, but in either case they, while being workers, do not subsist by selling their labour-power for a wage, and are therefore not proletarian.

The notion that this type of self-employment is the norm is, while widespread in the type of internet circles that use the term 'creatives', not representative of reality, and speaks more to petty-bourgeois aspirations than anything else.

[kradeelav]

Hello! I want to learn how to draw content on the more spicy side, but I'm unsure where to start. Do you have any tips/resources for it? I would love to make Corrin/Gunter art and some of my other favorite pairings. Thank you in advance!

on the practical/technical side:

having a solid understanding of anatomy helps, of course - the basic bone structure of course, but how skin, fat, muscle hangs as well. you don't actually need to watch live-action porn to get references (i never have believe it or not), but i do follow a few historical kink/bear magazine archivists online. personally i find that there's more of a variety of beautiful shapes and humans in those old photos, and you generally know it's consensual since they've personally submitted them.

you also can't go wrong with reading other erotic comics ... i say comics vs illustrations since you start to see the pacing of these scenes like any other human interaction and the tools the artists use. when does intimacy turn into foreplay? when does the artist/mangaka zoom in to capture the sensation of the moment? what clever tricks do the artists to capture the climax when the bodies are all pressed together and when finding a good camera angle is tricky? how do they show the heightened feeling with symbols and textures? how is kink power dynamics shown with characters in different positions? do you show faces and the expressions to show the pleasure or not? what comics feel cold and manufactured to you versus ones that capture real eros? why? etc.

on the mental side:

if you're anything like me, you might have a lot of shame to untangle when it comes to harder varieties of erotic art. (i hope not! not everyone does. but it's unfortunately common given the societies we live in.)

it's going to take a while, and it's going to feel really weird at times when you draw something that's uncomfortably intimate or taboo, but that's when you know it's working and you gotta keep pushing through.

you gotta keep drawing.

privately, i have a personal rule that i'll draw anything at least once; if i feel afterwards that it turned out to be a personal squick, i won't go there again, but that guideline has been marvelous to start breaking through the manufactured idea of disgust and also just to experiment with putting myself in other people's shoes about what they find hot. sometimes it's surprising! i've learned a lot.

lastly, on that note - draw what you find deeply intimate. forget about other people. selfshipping? the most niche kinks possible? the kink that feels like the internet can't stand? who gives a shit about them (no taste, the lot of them).

draw the human. the tenderness, the visceral, that overpowering desire for you that almost scares you with how intense it is and that sends your brain alight.

that's going to be timeless.

[hanakoofthejungle]

HuskerDust watercolor fanart based on the fanfiction, Casino of Love by @artwaterfall. The fanfiction, in turn, was inspired by the Overlord Husk AU created by @celestialalpacaron.

Drawing timelapse 

This scene comes from Chapter 15 where Husk and Angel went on their first date at Fizzmodeus' restaurant. They had lobsters. Angel did not know how to eat a lobster so Husk came to the rescue. Basically, they just abused the hell out of that poor dead creature. (It occurred to me: Where does the lobster's soul go? Does it end up in hell, watching its body being consumed?)

---

Angel tried again to pry the shell off still looking over to the side. “Am I doing it?”

Husk barked a laugh so loud the pianist looked up frowning.

“Ya gotta look at what ya doing.”

“Ugh,” Angel deflated and let the lobster rest on the plate, “ maybe I shouldn't have lobster.”

“Here,” Husk got up and walked behind his chair. He laid his hand over Angel's and resumed trying to pry the poor crustacean body.

Angel blushed at the proximity, Husk was practically whispering into his ear about the damn lobster but Angel had trouble focusing with the overlord's hand on his own.

Still Angel butchered the first half of his lobster and screamed in joy a little too loud at having half of it done. People downstairs looked up at them again, frowning.

Husk was still helping him with the second half, juices and lobster bits flying everywhere at Angel clumsiness but every time they joined stares at each other, he would find the cat laughing along with him.

---

Now why did I choose this scene to draw? Because it is fun, simple, wholesome couple interaction and very relatable. It reminds me of the time when I had lobster for the first time in Brussels, spending more time to crack open the lobster than actually enjoying the dish. Turns out lobster did not taste that great, but at the least the group of elderly American at the next table got a good laugh out of watching me and my friend absolutely butcher that lobster :)))

Having never watched Helluva Boss, I had to look up what the inside of that place looks like, but mistakes ensure due to that very wrong heart shape and lack of patterns on the wallpaper. I was lazy but hey at least I got that lamp thingy on the table right :))) As usual, the clothes are the focal point of my fanarts, "a beautiful deep blue, floor length dress, there was only one shoulder strap and a lace veil came from it all the way to the floor behind his shoulder" and "freshly pressed black suit with a deep blue tie that matched Angel's dress". Husk's suit in this drawing is not actually black but a mix of ultramarine and sepia. I usually don't use colors straight out of the pan, but mixing them. I made an exception in this with the lake red color of Husk's wing. I forgot to draw the wings before I did the line art, so I need the color at its strongest to cover the line art which was not supposed to be there.  

My tools still include pencil and Leningrad watercolor. I have been using that watercolor set for over 10 years and it is still the best watercolor set I have ever had. This time I use the Blue Uni-ball pen by Mitsubishi Pencil instead of black M&G gel pen. The line art looks much smoother and the waterproof blue ink added a nice touch to the drawing. I expect nothing less from one of the best pen manufacturers out there. 

[girlactionfigure]

LEICA AND THE JEWS

The Leica is the pioneer 35mm camera. It is a German product - precise, minimalist, and utterly efficient.

Behind its worldwide acceptance as a creative tool was a family-owned, socially oriented firm that, during the Nazi era, acted with uncommon grace, generosity and modesty. E. Leitz Inc., designer and manufacturer of Germany's most famous photographic product, saved its Jews.

And Ernst Leitz II, the steely-eyed Protestant patriarch who headed the closely held firm as the Holocaust loomed across Europe , acted in such a way as to earn the title, "the photography industry's Schindler."

As soon as Adolf Hitler was named chancellor of Germany in 1933, Ernst Leitz II began receiving frantic calls from Jewish associates, asking for his help in getting them and their families out of the country. As Christians, Leitz and his family were immune to Nazi Germany's Nuremberg laws, which restricted the movement of Jews and limited their professional activities.

To help his Jewish workers and colleagues, Leitz quietly established what has become known among historians of the Holocaust as "the Leica Freedom Train," a covert means of allowing Jews to leave Germany in the guise of Leitz employees being assigned overseas.

Employees, retailers, family members, even friends of family members were "assigned" to Leitz sales offices in France, Britain, Hong Kong and the United States, Leitz's activities intensified after the Kristallnacht of November 1938, during which synagogues and Jewish shops were burned across Germany.

Before long, German "employees" were disembarking from the ocean liner Bremen at a New York pier and making their way to the Manhattan office of Leitz Inc., where executives quickly found them jobs in the photographic industry.

Each new arrival had around his or her neck the symbol of freedom - a new Leica camera.

The refugees were paid a stipend until they could find work. Out of this migration came designers, repair technicians, salespeople, marketers and writers for the photographic press.

Keeping the story quiet The "Leica Freedom Train" was at its height in 1938 and early 1939, delivering groups of refugees to New York every few weeks. Then, with the invasion of Poland on Sept. 1, 1939, Germany closed its borders.

By that time, hundreds of endangered Jews had escaped to America, thanks to the Leitzes' efforts. How did Ernst Leitz II and his staff get away with it?

Leitz, Inc. was an internationally recognized brand that reflected

credit on the newly resurgent Reich. The company produced cameras, range-finders and other optical systems for the German military. Also, the Nazi government desperately needed hard currency from abroad, and Leitz's single biggest market for optical goods was the United States.

Even so, members of the Leitz family and firm suffered for their good works. A top executive, Alfred Turk, was jailed for working to help Jews and freed only after the payment of a large bribe.

Leitz's daughter, Elsie Kuhn-Leitz, was imprisoned by the Gestapo after she was caught at the border, helping Jewish women cross into Switzerland . She eventually was freed but endured rough treatment in the course of questioning. She also fell under suspicion when she attempted to improve the living conditions of 700 to 800 Ukrainian slave laborers, all of them women, who had been assigned to work in the plant during the 1940s.

(After the war, Kuhn-Leitz received numerous honors for her humanitarian efforts, among them the Officier d'honneur des Palms Academic from France in 1965 and the Aristide Briand Medal from the European Academy in the 1970s.)

Why has no one told this story until now? According to the late Norman Lipton, a freelance writer and editor, the Leitz family wanted no publicity for its heroic efforts. Only after the last member of the Leitz family was dead did the "Leica Freedom Train" finally come to light.

It is now the subject of a book, "The Greatest Invention of the Leitz Family: The Leica Freedom Train," by Frank Dabba Smith, a California-born Rabbi currently living in England.

Thank you for reading the above, and if you feel inclined as I did to pass it along to others, please do so. It only takes a few minutes.

Memories of the righteous should live on.

Rabbi Yisroel Bernath