#Prachanda

[leftreviewonline]

(via अखिल क्रान्तिकारी को २३औँ राष्ट्रिय सम्मेलन सुरु, अध्यक्ष प्रचण्डद्वारा उद्घाटन)

[shaktiknowledgeblog]

Nepal | Prachanda | Government | Trouble | withdrawal | nepal government | RPP |Nepal Pm

PM “Prachand” government may fall in Nepal! RPP announces withdrawal of support National Republic Party ( RPP), a major partner in the ruling coalition of seven parties in Nepal, cited the change in the political equation as Prime Minister Floral Kamal Dahal ‘Prachand’ Has decided to withdraw its support from the government led by. Image Source: PTIFloral lotus dahal rachand, Nepal’s PM New…

[nepalniceties]

President's post not my priority: Chair Nepal

Chairman of the CPN (Unified Socialist), Madhav Kumar Nepal, has said the President’s post was not in his priority At the Bagmati Province level orientation programme his party organized here Thursday, Chairman Nepal who is also the former Prime Minister, viewed the President’s prestige must be kept high, and the discussions were going on to forge consensus and final decision with the parties…

[samaya-samachar]

Prime Minister to arrive Pokhara today

Prime Minister Pushpa Kamal Dahal ‘Prachanda’ is scheduled to arrive in Pokhara today. The Prime Minister is arriving here for the official inauguration of the Pokhara International Airport. Chief of Civil Aviation Authority of Nepal, Pokhara, Bikram Gautam said that the Prime Minister is scheduled to arrive in Pokhara at 11.00 am. The Prime Minister will be accompanied by Deputy Prime Minister…

[nepalenergyforum]

Prime Minister Dahal Inaugurates Nepal's Third Largest Substation, Boosting Electricity Transmission

Hetauda, 14 June 2024. In a move to bolster the country’s electricity transmission and distribution network, the 400 kV Hetauda substation was inaugurated on Friday in Hetauda Sub-metropolitan City, Makwanpur-11, Thanabharyang. Prime Minister Pushpa Kamal Dahal “Prachanda” unveiled Nepal’s third-largest substation, boasting capacities of 400 kV, 220 kV, 132 kV, and 11 kV. In the opening program,…

[kneedeepincynade]

China promotes cooperation with all its neighbours and strives for a better future

The post is machine translated

Translation is at the bottom

The collective is on telegram

😘 人类命运共同体 | PROMUOVERE LE RELAZIONI SINO-NEPALESI PER UN FUTURO CONDIVISO 🥰

🇨🇳 Ad Hangzhou, il Presidente Xi Jinping ha accolto Pushpa Kamal Dahal Prachanda - Primo Ministro della Repubblica Federale Democratica del Nepal e Presidente del Partito Comunista del Nepal (Centro Maoista) 🇳🇵

🇨🇳 Le Relazioni tra Cina e Nepal costituiscono un esempio di parità di trattamento e Cooperazione a Mutuo Vantaggio (合作共赢) tra Paesi grandi e piccoli, ha dichiarato il Presidente Xi Jinping 😍

💕 I due Paesi dovrebbero consolidare costantemente le Relazioni Sino-Nepalesi, promuovere il Dialogo e sostenersi a vicenda sulle questioni che riguardano i reciproci interessi fondamentali, ha poi sottolineato il 领袖 🇨🇳

🤝 La Cooperazione Sino-Nepalese ha compiuto progressi nell'ambito della Nuova Via della Seta, e i due Paesi dovrebbero unire gli sforzi per promuovere ulteriormente la connettività infrastrutturale, in modo da legare indissolubilmente il Destino di Cina e Nepal, per la costruzione di una Comunità dal Futuro Condiviso (人类命运共同体) 💕

🇳🇵Il PM Prachanda ha definito il Presidente Xi Jinping un «leader visionario» e un «buon amico per tutto il Popolo Nepalese», e ha subito ricordato che il Nepal sostiene fermamente il Principio dell'Unica Cina 🇨🇳

🇳🇵Il Nepal non permetterà mai a nessuna forza esterna di promuovere politiche anti-Cinesi sul proprio territorio, ha affermato Prachanda 👏

🇳🇵Dopo aver partecipato, la sera stessa dopo l'Incontro con il Presidente Xi Jinping, alla Cerimonia d'Apertura dei Giochi Asiatici di Hangzhou, il PM Prachanda si è recato a Pechino, per continuare la sua Visita di Stato, che lo porterà ad incontrare il Compagno Li Qiang - Primo Ministro della Repubblica Popolare Cinese 🇨🇳

💐 Una volta arrivato a Pechino, prima di entrare nella Grande Sala del Popolo, il PM Nepalese ha deposto una Corona di Fiori presso il Monumento agli Eroi del Popolo Cinese, come segno di rispetto 💕

🌸 Iscriviti 👉 @collettivoshaoshan 😘

😘 人类命运共同体 | PROMOTING SINO-NEPALESE RELATIONS FOR A SHARED FUTURE 🥰

🇨🇳 In Hangzhou, President Xi Jinping welcomed Pushpa Kamal Dahal Prachanda - Prime Minister of the Federal Democratic Republic of Nepal and Chairman of the Communist Party of Nepal (Maoist Center) 🇳🇵

🇨🇳 Relations between China and Nepal constitute an example of equal treatment and Mutual Benefit Cooperation (合作共赢) between large and small countries, declared President Xi Jinping 😍

💕 The two countries should constantly consolidate Sino-Nepalese Relations, promote Dialogue and support each other on issues affecting each other's fundamental interests, underlined the 领袖 🇨🇳

🤝 Sino-Nepal Cooperation has made progress in the framework of the New Silk Road, and the two countries should join efforts to further promote infrastructure connectivity, so as to inextricably link the Destiny of China and Nepal, for building a Community from the Shared Future (人类命运共同体) 💕

🇳🇵PM Prachanda defined President Xi Jinping as a "visionary leader" and a "good friend for all the Nepalese people", and immediately recalled that Nepal firmly supports the One China Principle 🇨🇳

🇳🇵Nepal will never allow any external force to promote anti-China policies on its soil, Prachanda said 👏

🇳🇵After having participated in the Opening Ceremony of the Asian Games in Hangzhou the same evening after the meeting with President Xi Jinping, PM Prachanda went to Beijing to continue his State Visit, which will take him to meet Comrade Li Qiang - Prime Minister of the People's Republic of China 🇨🇳

💐 Once he arrived in Beijing, before entering the Great Hall of the People, the Nepalese PM laid a wreath at the Monument to the Chinese People's Heroes, as a sign of respect 💕

🌸 Subscribe 👉 @collectivoshaoshan 😘

[amitstrom-blog]

Nepal Prime Minister Prachanda remarks about 'Indian Businessman' stir up storm; open demands his resignation.

Nepal Prime Minister Pushpa Kamal Dahal Prachanda’s remarks about an Indian businessman have stirred up a storm in Nepal. He made the remarks on Monday while addressing a function to launch the book, ‘Roads to the Valley: The Legacy of Sardar Pritam Singh in Nepal’ . The main Opposition party Communist Party of Nepal-(Unified Marxist-Leninist) (CPN-UML) disrupted the National Assembly meeting on…

[talonabraxas]

Presence is far deeper than our person.

he Various Forms of "Tandava"

Tandava is the divine dance performed by Lord Shiva. It is considered to be the source of the cosmic cycle of creation, preservation and dissolution. The word Tandava comes from Tandu, the attendant of Lord Shiva, who at Lord Shiva’s orders, instructed Bharat muni, the author of Natya Shastra, the usage of Angaharas and Karanas, which together constitute this cosmic dance.

“Pumnrityam tandavam, prahu: stree nrityam lasyamuchyate”

Tandava the masculine form of dance is attributed to Lord Shiva which is forceful and full of vigour often manifesting anger and fear while lasya anga attributed to Godess Parvathi is the feminine form where the movements are gentle and graceful often depicting love and affection.

The deep significance underlying this dance form is the personification of Lord Shiva as Nataraja or Nritya Murti. His dance is supposed to represent the five manifestations of eternal energy- Srishti (creation), Sthiti (preservation), Samhara (destruction), Tirobhava (illusion) and Anugraha (emancipation).

The various Tandavas are described in Bhavaprakash and in the Abhinaya Darpanam of Nandikeswara.

In the Bhavaprakash five forms of Tandava are described:

Ucchanda: This includes the forceful and quick Angaharas, Akaashacharis and Bhramaris. Raudra, Bhibhatsa and Bhayanaka are the rasa associated with this.

Chanda: This is represented by Bhumichari karanas and angaharas and evokes Veera and Raudra rasa.

Prachanda: This tandava involves jumping forceful karanas and bhramari. Rasas associated with this are Raudra and Bibhatsa.

Prerana and Prapana: These two are considered to be of tepid and are less forceful and masculine.

Nandikeswara in his Abhinaya Darpanam describes seven types of Tandava which are believed to have been performed by Lord Shiva.

Sandhya Tandava: A form of tandava performed by Lord Shiva at the time when the world was poised between lingering day and the oncoming darkness of the night. It was the dance of creation and scriptures. It is believed that Sandhya Tandava protects one and all.

Ananda Tandava: This form of Tandava was performed by Lord Shiva for protecting his disciples. In Chidambaram temple, the deity is represented in this pose. The image is depicted with four hands holding the drum, fire, the right hand in the Abhaya Hasta, the left hand with the Danda Hasta bestowing boons. The left leg is in Kunchita pada and the right tramples upon the sole. This posture is also known as the Sada Tandava.

Kali or Shakti Tandava: This Tandava is the type performed by Shiva and Kali. It is believed that Kali or Shakti is the energy that cannot be separated from Shiva. Shiva has the power to create only when he is united with Shakti.

Tripura Tandava: This is the Tandava performed by Shiva after killing the three rakshasas, Tarakakasha, Kamalaksha and Vidyun mali. He fought the rakshasas driving the earth as his chariot, Meru as the bow, Sun and Moon as the wheels, Adishesha as the rope, Lord Vishnu as the arrows, four vedas as horses and Lord Brahma as the charioteer. By destroying these rakshasas he freed the three worlds from evil.

Sati and Shiva Tandava: This Tandava is believed to have been performed by Shiva and Sati. This represents the eternal dance of the Man and Woman, depicting the unity of Purush and Prakriti. This item also depicts both forms of dancing, Tandava as well as Lasya.

Ardhanaari Tandava: This type of Tandava was performed to show the unity between Nature and God. Shiva took Parvati as a part of himself and assumed the form of Ardhanareeswara – one half man the other half woman.

Samhara tandava: This is the dance of annihilation and release. Shiva is believed to have performed this when Sati burned herself in ashes. Shiva in anger danced so vigorously that lords feared destruction of the three worlds. Only when Lord Bramha, Lord Vishnu and Devas appealed to him did he return to normalcy.

The concepts of Tandava and Lasya represented Shiva and Parvati have been the source of inspiration for most dancers across classical dance forms and across generations as it encompasses the entire cycle of cosmic evolution and stands for the dual personification of the Absolute.

[leftreviewonline]

(via माओवादी केन्द्रका अध्यक्ष प्रचण्डले २०८१ भदौ ११ गते संसदमा गरेको सम्बोधन)

[santoschristos]

Chinnamasta ॐ Tantric goddesses and a ferocious aspect of Devi, the Hindu Divine Mother.

Goddess Chinnamasta - “She Whose Head is Cut Off”

Chinnamasta, a Hindu Goddess and the sixth cosmic wisdom in Dus Mahavidya, is visually fierce but spiritually evolved, tender and compassionate sixteen year old who cuts her own head to feed the ones who come to her by granting them protection and fulfilment.

Spiritually, “She whose head is cut off” represents the unlimited capacity of transcending the mind and be absorbed in the Supreme Void of the Absolute Divine Consciousness. Further, it also implies transcending the mind by separating from identity or ego.

Though visually ferocious, like Kali, her divine and electrifying personality reveals the uniqueness of the infinite divine consciousness, that is nameless, formless and limitless, holding a pure vision that goes beyond any veil of ignorance resulting in thundering spiritual transformation. Hence, Chinnamasta is called Prachanda Chandika, identifying herself with the most terrible form of Kali, which is Chandi.

Due to her association with the ascending energy through Sushumna Nadi, Chinnamasta is also correlated with the subtle energy causing the ascension of Kundalini Shakti and the deep transformation of the human being. There are in fact three streams of blood coming out from Chinnamasta’s throat: a central stream that she herself drinks, and two other placed on the left and on the right sides of this central stream, signifying the energies from ida nadi and pingala nadi, drunk by the two yoginis Dakini and Varini.

In the Pranamayakosha or the energy body, there are 72,000 nadis, pathways

Of energy or prana in the system. The 72,000 nadis spring from three basic nadis – the left, the right and the central – the Ida, Pingala, and Sushumna.

Ida, the feminine representing the moon, is the left channel. It originates in Muladhara, Ida ends up in the left nostril.

Pingala, the masculine representing the sun, is the right channel. It originates in Muladhara, Pingala ends up in the right nostril.

Sushumna is the central channel through which Kundalini moves upwards running up the body from just below Muladhara chakra to Sahasrara chakra at the crown of the head, thus energising the seven chakras.

The ability to balance Ida and Pingala, and cause Prana to flow in Sushumna results in an inner balance where whatever happens outside, there is a certain space within you which never gets disturbed and scale up the peaks of consciousness.

Shreem Hreeem Kleem Ain Vajra Vairochinayee Hum Hum Phat Swaha.

Recitation of this mantra can help practitioners to reach higher states of consciousness, illuminate higher wisdom and call forth the blessings of Lakshmi. It can be chanted for success in business, wealth, marriage and health, and is said to bring harmony and happiness to its practitioners.

[mad-who-ra]

hellooooo kashies <333

are we nervous?? 🫠

BRO PRACHANDA NERVOUS😭😭

[lamathanka]

hinnamasta, also known as Chhinnamastika and Prachanda Chandika is one of the Tantric Goddesses in Hinduism. In Tantric Buddhism she is known as Chinnamunda. Chinnamasta Devi is a form of Shakti who is depicted as ferocious wrathful. Chinnamasta means, 'severed head'. The Hindu Divine Mother is commonly identified with her fearsome iconography. Chinnamasta symbolises both life-giver and life-taker. Chinnamasta is considered both as a symbol of self-control on sexual desire as well as an embodiment of sexual energy, depending upon interpretation.

Chinnamasta is closely related to Chinnamunda - the severed-headed form of the Tibetan Buddhist goddess, Vajrayogini.

Chinnamasta is mostly depicted nude and with dishevelled hair in blood red or black coloured body. In the texts, She is described to be a sixteen-year-old girl with full breasts and has a blue lotus near her heart. She is standing over a naked couple. The couple is said to be Rati, Goddess of sexual desire, and her husband Kama, God of love. Chhinnamasta is depicted wearing a serpent as a sacred thread and a garland of skulls or severed heads and bones like Maa Kali. Blood streams out of her neck and Her two female attendants Dakini and Varnini (also called Jaya and Vijaya) are drinking the blood.

In the left hand, She carries her own severed head (in a platter or a skull-bowl). In the right hand, She holds a khatri (a scimitar or knife) by which she decapitated herself.

.

.

.

.

.

#nepal #bhaktapurdurbarsquare #lamathankapaintingschool #thangka #thangkaschool #buddhism #hinduism #tantric #goddess #chinnamasta #vajrayogini #livingheritage #heritage #newari #design #sacred #thankapainting

[whatisonthemoon]

How has the Moon network played a role in the post-9/11 U.S. Imperialist strategy?

We often think about how the Moon network played a role in anti-communist efforts that ended up murdering thousands from the 70s into the 80s, but in what ways has the Moon network played a role in post-9/11 international policies around surveillance and security?

We should more deeply examine post-9/11 counterinsurgency work that the UC has taken up, especially consider the millions of deaths that have come out of the so-called “War on Terror.”

A recent study shows that, apart from the million direct casualties of the War(s) on Terror, over 3,000,000 people died from the conditions created by those wars.

How has Moon’s Universal Peace Federation played a role in this, including through the International Association of Parliamentarians for Peace (IAPP), Podgorica Club, South Asia Peace Initiative (SAPI), and other UPF-initiated groups?

We know bits and pieces of how the UC’s organizations have been used for international relations and policies, including in Nepal, the DPRK, the Philippines, a number of Southeastern European countries, etc., in the past decade... but there’s still so much more to be exposed. 

We also know that the Washington Times was used during the Bush years to validate his election win, claims of weapons of mass destruction in Iraq, and other claims around foreign governments that have been proven false or were  intentionally released in an effort to support Bush’s administration’s war efforts. We know how often Moonie Bill Gertz played a role in these efforts. 

Read the full study from Brown University (Watson Institute) - HOW DEATH OUTLIVES WAR: THE REVERBERATING IMPACT OF THE POST-9/11 WARS ON HUMAN HEALTH

Related links

Brief Summary of the UPF’s Podgorica Club

Those Spared in Duterte’s “War on Drugs” May Go to Moonie Rehabilitation

December 2021 Kathmandu Post article on Hak Ja Han

Nepal Prime Minister criticised for accepting FFWPU award

Moon’s Vision: A New Pan-Asianism

Anti-communist Moonie podcast - with Bill Gertz

PM raises 0.1 million dollar ethical question

Some words on the Moonies’/Hak Ja Han’s Relationship to the “Revisionist” Maoists of Nepal

People’s Review: Prachanda afraid of pro-Hindu campaign; silent on Unification Church (2018)

UPF Played Major Role in Republic of Korea-Nepal Relations

On the Nepal Pariwar Dal

Grapple with Imperialism. Come to Terms with Yourself

The Complex, Dynamic, and Opportunistic Relationship of Moon and the DPRK’s Kim Family

[nepalenergyforum]

PM Pushpa Kamal Dahal likely to sign power pact during his visit to China

Nepal’s Prime Minister Prachanda’s visit to China in September could result in a power trading, according to sources in Kathmandu. A cross-border transmission line between China and Nepal via the district of Rasuwa is expected to be agreed upon. Nepal also wants to learn best practices in agriculture from China. Nepal Prime Minister Pushpa Kamal Dahal Prachanda’s China visit in September could…

[karuppuezhutthu-blog]

நம்பிக்கை வாக்கெடுப்பில் நேபாள பிரதமர் பிரசந்தா தோல்வி! | Nepal PM Prachanda loses vote of confidence in Parliament

புதுடெல்லி: நேபாள பிரதமர் புஷ்ப கமல் தஹால் பிரசந்த’ நாடாளுமன்றத்தில் நம்பிக்கை வாக்கெடுப்பில் தோல்வியடைந்தார். இதைத் தொடர்ந்து, நேபாள காங்கிரஸ் சார்பில் அமையும் புதிய கூட்டணி அரசில் கே.பி.சர்மா ஒலி பிரதமராக பொறுப்பேற்பார் என கூறப்படுகிறது. நேபாளத்தில் கடந்த 2022-ஆம் ஆண்டு நவம்பர் மாதம் நடந்த நாடாளுமன்ற தேர்தலில் எந்தக் கட்சியாலும் ஆட்சி அமைப்பதற்கான பெரும்பான்மையை பெறமுடியாமல் போனது. இதனால்…

[talonabraxas]

Presence is far deeper than our person.

The Various Forms of “Tandava”

Tandava is the divine dance performed by Lord Shiva. It is considered to be the source of the cosmic cycle of creation, preservation and dissolution. The word Tandava comes from Tandu, the attendant of Lord Shiva, who at Lord Shiva’s orders, instructed Bharat muni, the author of Natya Shastra, the usage of Angaharas and Karanas, which together constitute this cosmic dance.

“Pumnrityam tandavam, prahu: stree nrityam lasyamuchyate”

Tandava the masculine form of dance is attributed to Lord Shiva which is forceful and full of vigour often manifesting anger and fear while lasya anga attributed to Godess Parvathi is the feminine form where the movements are gentle and graceful often depicting love and affection.

The deep significance underlying this dance form is the personification of Lord Shiva as Nataraja or Nritya Murti. His dance is supposed to represent the five manifestations of eternal energy- Srishti (creation), Sthiti (preservation), Samhara (destruction), Tirobhava (illusion) and Anugraha (emancipation).

The various Tandavas are described in Bhavaprakash and in the Abhinaya Darpanam of Nandikeswara.

In the Bhavaprakash five forms of Tandava are described:

Ucchanda: This includes the forceful and quick Angaharas, Akaashacharis and Bhramaris. Raudra, Bhibhatsa and Bhayanaka are the rasa associated with this.

Chanda: This is represented by Bhumichari karanas and angaharas and evokes Veera and Raudra rasa.

Prachanda: This tandava involves jumping forceful karanas and bhramari. Rasas associated with this are Raudra and Bibhatsa.

Prerana and Prapana: These two are considered to be of tepid and are less forceful and masculine.

Nandikeswara in his Abhinaya Darpanam describes seven types of Tandava which are believed to have been performed by Lord Shiva.

Sandhya Tandava: A form of tandava performed by Lord Shiva at the time when the world was poised between lingering day and the oncoming darkness of the night. It was the dance of creation and scriptures. It is believed that Sandhya Tandava protects one and all.

Ananda Tandava: This form of Tandava was performed by Lord Shiva for protecting his disciples. In Chidambaram temple, the deity is represented in this pose. The image is depicted with four hands holding the drum, fire, the right hand in the Abhaya Hasta, the left hand with the Danda Hasta bestowing boons. The left leg is in Kunchita pada and the right tramples upon the sole. This posture is also known as the Sada Tandava.

Kali or Shakti Tandava: This Tandava is the type performed by Shiva and Kali. It is believed that Kali or Shakti is the energy that cannot be separated from Shiva. Shiva has the power to create only when he is united with Shakti.

Tripura Tandava: This is the Tandava performed by Shiva after killing the three rakshasas, Tarakakasha, Kamalaksha and Vidyun mali. He fought the rakshasas driving the earth as his chariot, Meru as the bow, Sun and Moon as the wheels, Adishesha as the rope, Lord Vishnu as the arrows, four vedas as horses and Lord Brahma as the charioteer. By destroying these rakshasas he freed the three worlds from evil.

Sati and Shiva Tandava: This Tandava is believed to have been performed by Shiva and Sati. This represents the eternal dance of the Man and Woman, depicting the unity of Purush and Prakriti. This item also depicts both forms of dancing, Tandava as well as Lasya.

Ardhanaari Tandava: This type of Tandava was performed to show the unity between Nature and God. Shiva took Parvati as a part of himself and assumed the form of Ardhanareeswara – one half man the other half woman.

Samhara tandava: This is the dance of annihilation and release. Shiva is believed to have performed this when Sati burned herself in ashes. Shiva in anger danced so vigorously that lords feared destruction of the three worlds. Only when Lord Bramha, Lord Vishnu and Devas appealed to him did he return to normalcy.

The concepts of Tandava and Lasya represented Shiva and Parvati have been the source of inspiration for most dancers across classical dance forms and across generations as it encompasses the entire cycle of cosmic evolution and stands for the dual personification of the Absolute.