#Pollock-Krasner Foundation

[ilikeit-art]

LEEAH JOO

Korean-American painter Leeah Joo’s work is inspired by the enigmatic and hidden. In her illusionist paintings, she teases our predisposition to probe and uncover. Intriguing parcels in her Pojagi series are enveloped by a lavish, traditional Korean wrapping cloth and beckon to be unpacked. The richly detailed paintings of lacey drapery in her Parrhasius series present an open-ended narrative, inviting us to question what lies behind the curtain. Joo studied painting and art history at Indiana University in Bloomington and received her MFA in painting from the Yale School of Art, Her paintings have been exhibited widely in the U.S. and South Korea. She is the recipient of notable awards from the Pollock-Krasner Foundation, George Sugarman Foundation, Connecticut Commission on Arts and the Puffin Foundation. Currently, Leeah Joo lives and paints in Middlebury, Connecticut and teaches at Southern CT State University and Paier College.

[nobrashfestivity]

Jackson Pollock, PORTRAIT AND A DREAM, 1953, w/details

Oil and Enamel on Canvas

Dimensions: 148.6 × 342.3 cm

© Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

Dallas Museum of Art

[kiernanshayemckay]

Jackson Pollock, Number 34 1949. Courtesy of The Pollock-Krasner Foundation ARS, NY and DACS, London 2015/Munson Williams Proctor Arts Institute/Art Resource, NY/Scala, Florence

[abwwia]

Lee Krasner, The Seasons (1957). Whitney Museum of American Art, New York. Photograph by Sheldan C. Collins. © 2015 Pollock-Krasner Foundation/Artists Rights Society (ARS), New York.

[jonathanferraragallery]

TIFFANY CALVERT received her MFA in 2005 from the Mason Gross School of the Arts at Rutgers and her BA in 1998 from Oberlin College. She first exhibited at Jonathan Ferrara Gallery in the 2020 group exhibition Art in Doom, curated by Matthew Weldon Showman. Calvert’s work has also been exhibited at the Lawrimore Project (Seattle, WA), E.TAY Gallery (NY), the Speed Museum (Louisville, KY), the Susquehanna Art Museum (PA), and Cadogan Contemporary (London, UK), among others. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. She is Associate Professor of Art at the Hite Institute of Art & Design, University of Louisville and a member of the Tiger Strikes Asteroid curatorial collective.

As an artist, Tiffany Calvert applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard for exploring the shifting nature of human perception. Calvert’s paintings incorporate diverse technologies, including fresco, 3D modeling, and data manipulation. The exhibition includes eight new paintings from her latest series which uses image generating machine learning models (StyleGAN) trained on images of 1,007 historical still life paintings to create the image printed on canvas. A digitally-designed large format vinyl stencil is then applied to the surface before being painted on with oils. When the stencil is peeled off it creates hard edges, and preserves areas of the print. John Yau, in his Hyperallergic profile, compares their “improvisational riffs and fractured views” to de Kooning.

[i-am-theseeker]

tiny autumn blossom | urban garden | mobile photography | Wolfgang in der Wiesche

© ww 2024 | tiny autumn blossom | mobile photography | WW 10/2024 (2021-2023) supported by FONDAZIONE SILENE GIANNINI, Lugano, Switzerland, and ARTWORKS.ART, Basel, Switzerland also: membership at SINGULART, you’ll find my growing portfolio here: SINGULART view portfolios | @ Saatchi art || @ ARTWORKS.ART || @ Pollock-Krasner Foundation || @ SINGULART || @ ARTWARD || @ LensCulture ||…

[sfacgalleries]

Artist Talk: Miguel Arzabe and Daniela Rivera from San Francisco Arts Commission on Vimeo.

Wednesday, June 26, 2024 | 6:30pm SFAC Main Gallery

Join exhibiting artists Miguel Arzabe and Daniela Rivera for a conversation about their work and process. Moderated by Matthew Villar Miranda, curatorial associate at Berkeley Art Museum.

This program is planned in conjunction with the exhibition Praxis of Local Knowledge on view at the SFAC Main Gallery through August 17, 2024.

About the Panelists Miguel Arzabe is a visual artist who lives and works in Oakland. He had recent solo shows at Shulamit Nazarian Gallery (Los Angeles, CA) and Johansson Projects (Oakland, CA). Arzabe’s work has been featured in such festivals as Hors Pistes (Centre Pompidou, Paris), Festival du Nouveau Cinéma (Montreal), and the Geumgang Nature Art Biennale (Gongju, South Korea); and in museums and galleries including MAC Lyon (France), MARS Milan (Italy), RM Projects (Auckland), FIFI Projects (Mexico City), Marylhurst University (Oregon), the Contemporary Jewish Museum, Berkeley Art Museum, the CCA Wattis Institute, and the San Francisco Museum of Modern Art. Arzabe’s work is held in public collections such as the Harn Museum in Gainesville, Florida, Albuquerque Museum of Art, Oakland Museum of California, the de Young Museum, San Francisco Arts Commission, the State of California, as well as numerous private collections. He has attended many residencies including Facebook AIR, Headlands Center for the Arts, Montalvo Arts Center, Millay Arts, and Santa Fe Art Institute. He holds a BS from Carnegie Mellon University, an MS from Arizona State University, and an MFA from UC Berkeley. In 2022 Arzabe was awarded the San Francisco Bay Area Artadia Award. In 2023 he was awarded a Pollock-Krasner Foundation Grant and and a Golden Foundation Residency. In 2024 he was a SECA award finalist.

Born in Santiago, Chile, Daniela Rivera received her BFA from Pontifcia Universidad Católica de Chile in 1996 and her MFA from the School of the Museum of Fine Arts at Tufts, Boston in 2006. She is currently Professor of Studio Art at Wellesley College. She has exhibited widely in Latin American cities including Santiago, Chile, as well as in the United States. She has been awarded residencies at Loghaven, Headland Center for the Arts, Surf Point, Proyecto ACE in Buenos Aires, Vermont Studio Arts Center, and the Skowhegan School of Paintings and Sculpture. And she has been the recipient of notable fellowships and grants including from The Chiaro Award, The Rappaport Prize, Now + There, the Massachusetts Cultural Council Award, VSC, the National Association of Latino Arts and Culture, the Berkshire Taconic Foundation, The FONDART in Chile, and the Saint Botolph Club foundation Distinguish Artist Award. Recent or upcoming exhibitions include: New Worlds, NMWA, Washington DC, 2024, Donde el Cielo Toca la Tierra, Matucana 100, Santiago Chile, 2024, Praxis of Local Knowledge, San Francisco Art Commission, San Francisco, Labored Landscapes; Where The Sky Touches the Earth, Fitchburg Art Museum, Fragmentos para una Historia del Olvido/ Fragments for a History of Displacement, The Davis Museum, Wellesley College, Wellesley, MA (2018–2019); En Busca de los Andes, solo exhibition with Proyecto ACE, Buenos Aires, Argentina (June 2019); Sobremesa (Karaoke Politics), a public art project developed as her Now + There Accelerator Fellowship.

Matthew Villar Miranda (he/they/siya) is Curatorial Associate at the Berkeley Art Museum and Pacific Film Archive. In their former position as Visual Arts Curatorial Fellow at the Walker Art Center, they worked on exhibitions by Julie Mehretu, Pao Houa Her, Paul Chan, and Pacita Abad. They serve on the Board of Stakeholders Museums Moving Forward (MMF), a Ford and Mellon Foundation-funded initiative of an intergenerational, cross-institutional coalition of art museum professionals committed to advancing equity across the museum field. In 2021, they co-curated the Art for Justice Fund-supported exhibition Undoing Time: Art and Histories of Incarceration at the Arizona State University Art Museum (ASUAM). They received their BA in History of Art from UC Berkeley (2013) and graduated among the inaugural class of ASU-Los Angeles County Museum of Art Master's Fellowship in Art History (2021).

[grantsbuddyassistance]

How to Get Pollock Krasner Grant

Are you an artist seeking financial support to elevate your creative journey? The Pollock-Krasner Foundation might just have the answer you're looking for. Established by renowned artist Jackson Pollock and his wife, Lee Krasner, this foundation is dedicated to helping visual artists achieve their goals through grants. With a focus on providing funds for both artistic projects and essential living expenses, the Pollock-Krasner Grant can be a game-changer for many creators. Whether you're working in painting, sculpture, or other visual arts, understanding how to get Pollock Krasner grant could open doors to new opportunities and artistic freedom. Dive in as we explore everything you need to know about securing funding from this prestigious foundation!

Overview Pollock Krasner Foundation

The Pollock-Krasner Foundation was established in 1985 to honor the legacy of artists Jackson Pollock and Lee Krasner. Its mission is to support visual artists through grants that enable them to focus on their creative work without financial burdens. The foundation aims to empower individual artists, helping them realize their full potential. Operating from its headquarters in East Hampton, New York, the foundation provides funding for both project-related costs and essential living expenses. This unique approach allows recipients to dedicate more time and energy toward their artistic pursuits. Since its inception, the foundation has awarded millions of dollars in grants to thousands of artists worldwide. With a commitment to nurturing talent across various disciplines, it plays a vital role in sustaining the arts community while fostering innovation and creativity.

Pollock-Krasner Foundation Grant

The Pollock-Krasner Foundation Grant supports artists working in diverse mediums, including painting, sculpture, and works on paper. Established in 1985, the foundation aims to honor the legacy of renowned artists Jackson Pollock and Lee Krasner by providing financial assistance to individual creators. These grants are specifically designed for visual artists who demonstrate a need for funding due to unforeseen circumstances or ongoing projects. The foundation prioritizes those with established careers but also recognizes emerging talent deserving of support. Funding can be applied toward various expenses such as studio rent, materials, living costs during artistic endeavors, or professional development opportunities. This flexible approach allows recipients to focus on their creative processes without financial stress hindering their work.

Eligibility for Grants

To be eligible for the Pollock-Krasner Grant, applicants must primarily be visual artists engaged in painting, sculpture, or works on paper. The foundation aims to support those who demonstrate a significant commitment to their artistic practice and have produced a substantial body of work. Artists must show financial need as part of their application process. This helps ensure that grants are awarded to individuals who will genuinely benefit from the funding in advancing their careers and creative projects. Additionally, both established and emerging artists can apply. However, they should provide evidence of their professional achievements and dedication to their craft. It’s crucial to present a strong portfolio showcasing your artistic journey and future aspirations.

How to Apply for Grants

Applying for the Pollock-Krasner Grant requires careful attention to detail. Start by visiting the foundation's official website to access the application form and guidelines. Ensure you are familiar with their specific requirements, as these can vary based on your artistic discipline. Prepare a strong portfolio showcasing your work. Include high-quality images of recent pieces that reflect your style and creativity. Your artist statement should clearly articulate your vision and intent, providing insights into your artistic journey. Once you've compiled all necessary materials, fill out the application thoroughly. Be honest in detailing how funding will benefit your practice or projects. After submission, allow adequate time for processing; patience is vital during this waiting period as decisions can take months.

Requirements

To apply for the Pollock-Krasner Grant, artists must demonstrate a commitment to their craft. This often includes providing a comprehensive portfolio showcasing recent work. The foundation is particularly interested in pieces that reflect your unique artistic voice and development. Applicants need to submit detailed documentation of their art practice. This may include exhibition history, awards, or any relevant accolades received throughout their career. A clear narrative about your artistic journey can greatly enhance your application. Additionally, financial information is required to assess the artist's needs. Providing a breakdown of expenses related to art-making helps establish the necessity for funding support. Ensure all requested documents are complete and professionally presented to bolster your chances of success.

Selection Process

The selection process for the Pollock-Krasner Grant is designed to identify artists who demonstrate exceptional talent and promise. Initially, applications are screened for completeness and adherence to guidelines. This ensures that only qualified submissions move forward. Qualified applications are then reviewed by a panel of experts in the arts community. These individuals bring diverse backgrounds and experiences, enriching the evaluation process. They assess each application based on artistic merit, financial need, and project feasibility. After careful deliberation, selected candidates receive funding notifications via email. The foundation aims to support a wide range of artistic pursuits while maintaining its commitment to excellence in art-making. Notably, grant recipients may also be eligible for future funding opportunities offered by the foundation.

Additional Resources

For those seeking the Pollock Krasner Grant, several online resources can be invaluable. The official Pollock-Krasner Foundation website offers extensive information about eligibility criteria, application procedures, and deadlines. It’s a good starting point for any artist. Additionally, various art organizations provide workshops and webinars focused on grant writing. These sessions often cover best practices and offer insights from experienced artists who have successfully secured funding. Participating in these programs can enhance your understanding of what foundations look for in applicants. Networking with other artists can also prove beneficial. Many local arts communities host events where you can connect with fellow creators who may share their experiences or tips regarding grants like the Pollock-Krasner Grant. Engaging with this community could open new doors for collaboration and support as you navigate the application process.

Conclusion

Navigating the application process for the Pollock Krasner Grant can be a transformative experience for artists. This grant not only provides financial support but also recognizes and honors your artistic contributions. Make sure you meet the eligibility criteria, complete all requirements accurately, and present your work effectively. Understanding what the selection committee looks for is vital. Highlighting originality, dedication to art, and clarity in your proposal will set you apart. Additionally, take advantage of resources available through the foundation’s website or local arts organizations to bolster your application. Remember that applying for grants often requires perseverance. Each submission is an opportunity to refine your approach and showcase your growth as an artist. Best of luck on this exciting journey towards securing funding that could elevate your creative practice!

FAQs

1. What is the Pollock-Krasner Grant?

The Pollock-Krasner Grant is a financial assistance program provided by the Pollock-Krasner Foundation to support individual artists globally. The grant is intended to aid artists with financial needs, allowing them to create new work, cover studio expenses, and support their personal needs.

2. Who is eligible to apply for the Pollock-Krasner Grant?

The grant is open to professional visual artists who demonstrate financial need. Applicants must have a record of creating mature, professional artwork. The foundation prioritizes artists with a significant body of work, who are facing financial hardships, and who need funding to continue their creative endeavors.

3. How do I apply for the Pollock-Krasner Grant?

To apply, artists must submit an online application through the Pollock-Krasner Foundation’s website. The application requires a detailed resume, an artist’s statement, images of recent work, and a financial statement outlining the need for funding. Applications are reviewed on a rolling basis.

4. What type of support does the Pollock-Krasner Grant provide?

The Pollock-Krasner Grant provides funding to cover a wide range of expenses, including living expenses, medical costs, studio rent, equipment, and materials. The amount awarded varies depending on the applicant's needs and the foundation's assessment of their financial situation.

5. How often can I apply for the Pollock-Krasner Grant?

Artists can apply for the Pollock-Krasner Grant once every 12 months. If awarded, recipients must wait at least 18 months before reapplying. Artists who are not awarded the grant can reapply after one year.

[325projectspace]

POLYMORPHIC POLKA

Sculptures by Leslie Fry

May 17 – June 9, 2024

Opening Reception: Friday, May 17, 6:00-8:00PM

325 Project Space, 325 St Nicholas Ave Ridgewood, Queens, NY

Gallery Hours: Sat/Sun 12-5pm and by appt. 

325 Project Space is pleased to present: Polymorphic Polka, an exhibition of sculpture by Leslie Fry. In addition to works in the main gallery, the exhibition will include a series of bronze works exhibited in our outdoor space. Works in the exhibition consist of cast hybrid forms as well as sculpted elements in ceramic, wood and resin.

Articulating connections between the natural and constructed world, Fry’s sculptures respond to architecture, history, the human form, and the flotsam of everyday life. Fry’s figures are typically female or hermaphrodite, of imaginary descent, and melded with elements to portray strength, shelter, and metamorphosis. The exhibition will also feature a series of stacked forms evoking connection, precariousness and the uncertainty of our present time. Fry’s masterful use of imagery and the sheer physicality of her materials provide a sensual and surreal experience.

325 Project Space is an unpredictably periodic exhibition and event space organized by Jeff Feld, @feldjeff, feldjeff@yahoo.com and located at 325 St Nicholas Ave in Ridgewood Queens. The project space is one block from the Myrtle/Wycoff stop on the L or M subway lines, approximately 25 minutes from Union Square.  Gallery hours are Sat/Sun 12-5pm and by appt. 

Leslie Fry's sculptures, drawings, and prints have been exhibited internationally in museums and galleries such as Kunsthaus in Hamburg, Zwitscher Machine Gallery in Berlin, Hangaram Art Museum in Seoul, Windspiel Galerie in Vienna, Couvent des Cordeliers in Paris, deCordova Sculpture Park near Boston, Centre des Arts Visuels in Montreal, and Artists Space, Garvey Simon, and Wave Hill in New York.

Public sculptures have been commissioned in New York, South Korea, Montreal, Florida, Wisconsin, and Vermont. Public collections include Tufts University, Songchu International Sculpture Park, Freehand New York, Kohler Arts Center, Tampa Museum of Art, Fleming Museum of Art, Musée d’art de Joliette, and St. Petersburg, Florida’s Museum of Fine Arts.

Awards and fellowships include the Vermont 2023 Governor’s Award for Excellence in the Arts, The Pollock-Krasner Foundation, U.S. Embassy Vienna, Chateau d’Orquevaux, Yaddo, Monson Arts, Vermont Arts Council, Kohler Arts/Industry Program, Fundacion Valparaiso, Blue Mountain Center, I-Park, Marble House Project, Virginia Center for the Creative Arts, Anderson Ranch, Ragdale Foundation, Vermont Studio Center, and Millay Arts. 

Fry’s B.A. is from the University of Vermont, her M.F.A. is from Bard College, and she attended the Central School of Art in London. Born in Montreal, she lives in Winooski, Vermont.

[dddcl-archive]

Houses No: 962 The Creeks Location: East Hampton, NY Year: 1970 Designed by: Alfonso Ossorio ‌ When artist Alfonso Ossorio died at the age of 74 in 1990, he left behind a remarkable legacy of art, diaries, photographs, letters and other historic materials documenting a lifetime of artistic and cultural activity. Ossorio acquired The Creeks, a 60 acre estate designed by Grosvenor Atterbury on Georgica Pond in East Hampton, NY from the Herter family in 1952. Here, Ossario Alfonso exhibited works he collected of his colleagues like Jean Dubuffet and Jackson Pollock as well as the work of Willem de Kooning, Lee Krasner and Clyfford Still, among others. The brilliantly graphic design of the pool was dreamed up in 1970 by the American-Filipino artist who is a master of abstract expressionism. It occupies what was once the artist’s home in East Hampton, Long Island—now the Ossorio Foundation. The pool itself is painted black to allow the water to reflect the ever-changing sky above, while the red and blue Harlequin print that surrounds it symbolises faith, hope, and charity. Ossorio Foundation today is a splendid gallery space where scholars, collectors and other visitors could come to experience and study the depth of Ossorio’s lifetime of work. ‌ 📸 Photos by JC Raulston Arboretum and @elephantmagazine

Via Haus_oft

[nobrashfestivity]

Lee Krasner

© 2017 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. Image Courtesy of Paul Kasmin Gallery.

[deepfloyd]

“Modern art to me is nothing more than the expession of contemporary aims of the age we`re living in. All cultures have had means and techniques of expressing their immediate aims...the thing that interests me is that today painters do not have to go a subject matter outside of themselves.Most modern painters work from a different source. They work from within."

–Jackson Pollock (American, 1912-1956)

"Sea Change was painted at a transitional moment in Pollock’s career. In 1947, the dripping technique he occasionally exploited as a compositional element became his dominant method. Pollock had begun this work in 1946 as an easel painting executed with a brush, using vivid blues and pinks. In 1947, he laid the unfinished painting on his studio floor, transforming it with scattered gravel, dripped aluminum and glossy black house paint.

If we typically think of Pollock’s technique as a violent, instant manifestation of “expression,” Sea Change makes us reconsider. Recent analysis and conservation reveals that he carefully preserved parts of the original composition, obscured others with dripped paint, and finally balanced the forms with precisely placed blobs of pure color squeezed straight from the tube. Sea Change embodies the artist’s intent to create an entirely new visual idiom.

Sea Change, 1947, Jackson Pollock, artist and commercial oil paint, with gravel, on canvas, 57 7/8 x 44 1/8 in., Gift of Signora Peggy Guggenheim, 58.55, © 2007 The Pollock-Krasner Foundation."

Via: Big Picture(Art After 1945) in SAM-Seattle Art Museum

[killabeeblog]

Korean-American painter Leeah Joo’s work is inspired by the enigmatic and hidden. In her illusionist paintings, she teases our predisposition to probe and uncover. Intriguing parcels in her Pojagi series are enveloped by a lavish, traditional Korean wrapping cloth and beckon to be unpacked. The richly detailed paintings of lacey drapery in her Parrhasius series present an open-ended narrative, inviting us to question what lies behind the curtain. Joo studied painting and art history at Indiana University in Bloomington and received her MFA in painting from the Yale School of Art, Her paintings have been exhibited widely in the U.S. and South Korea. She is the recipient of notable awards from the Pollock-Krasner Foundation, George Sugarman Foundation, Connecticut Commission on Arts and the Puffin Foundation. Currently, Leeah Joo lives and paints in Middlebury, Connecticut and teaches at Southern CT State University and Paier College.

[abwwia]

source HERE

Nayda Collazo-Llorens, born in San Juan, Puerto Rico, is a visual artist engaged in an interdisciplinary practice incorporating multiple mediums and strategies. She earned an MFA degree from New York University and a BFA degree from Massachusetts College of Art and Design. She has received grants from the Pollock-Krasner Foundation, and Beta-Local's El Serrucho, among others, and is a former Visiting Fellow at the Arcus Center for Social Justice Leadership. Her work has been exhibited at El Museo del Barrio in New York City, The Mattress Factory in Pittsburgh, Museum of Latin American Art in Long Beach, The Patricia & Phillip Frost Art Museum in Miami, Bass Museum of Art in Miami Beach, Urban Institute for Contemporary Arts in Grand Rapids, Richmond Center for Visual Arts in Kalamazoo, Museo de Arte Contemporáneo in San Juan, Museo Universitario del Chopo in Mexico City, and The Dowse Art Museum in New Zealand, among other institutions. Her work is featured in the book Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, published by Duke University Press; A to Z of Caribbean Art, published by Robert & Christopher in Trinidad and Tobago; and The Dark Would: Language Art Anthology, published by Apple Pie in the UK. Her work has been reviewed in The New York Times, Art News, Art Net, Art US, Art Nexus, Arte al Día International, BOMB, and Newcity.

Nayda Collazo-Llorens, nacida en San Juan, Puerto Rico, es una artista visual interdisciplinaria que incorpora diversos medios y estrategias. Obtuvo un MFA de New York University y un BFA del Massachusetts College of Art and Design. Ha recibido becas de la Fundación Pollock-Krasner, El Serrucho de Beta-Local, y el Arcus Center for Social Justice Leadership, entre otras.  Su obra se ha exhibido en El Museo del Barrio en la ciudad de Nueva York, The Mattress Factory en Pittsburgh, Museum of Latin American Art en Long Beach, The Patricia & Phillip Frost Art Museum en Miami, Bass Museum of Art en Miami Beach, Urban Institute for Contemporary Arts en Grand Rapids, Richmond Center for Visual Arts en Kalamazoo, Museo de Arte de Puerto Rico y el Museo de Arte Contemporáneo en San Juan, Museo Universitario del Chopo en la Ciudad de Mexico, y The Dowse Art Museum in New Zealand, entre otras galerías e instituciones. Su obra ha sido publicada en los siguientes libros: Relational Undercurrents: Contemporary Art of the Caribbean Archipelago por Duke University Press, A to Z of Caribbean Art, por Robert & Christopher en Trinidad y Tobago; y The Dark Would: Language Art Anthology, por Apple Pie en el Reino Unido. Su obra ha sido reseñada en The New York Times, Art Net, Art US, Art Nexus, Art News, Arte al Día International, BOMB, y Newcity.

[whavradio]

UMass Lowell’s Wetmore Receives $20,000 Pollock-Krasner Foundation Grant

At first, Ellen Wetmore thought it must have been a mistake. It wasn’t. Wetmore, a professor of art and design at UMass Lowell, was named a 2023 Pollock-Krasner Foundation grant awardee in recognition of her ongoing work in drawing and painting. “For me, this is one of those ‘you’ve arrived’ awards. It’s international and generous and well recognized,” she said. “Grant funders in art tend to…