#Polish Theatre

[blueskipper-photography]

La Garde-robe en Théâtre Polonais ©2024 blueskipper

[batri-jopa]

Gustaw Holoubek (1923-2008)

photo sources: [x], [x], [x], [x], [x], [x], [x], [x]

[ingravinoveritas]

David and his fabulously pink nails at the opening night of Mean Girls at the Savoy Theatre tonight.

[amiserableseriesofevents]

Our little life is rounded with a sleep, ch 7

There have been others, after Paulina.

Girls and boys alike, no strings attached, easy things — too easy, Johnny and the guys might say — to empty John’s mind for a little as he focused on the thing that mattered most, theatre. No one ever mattered, no one’s ever taken up space in John’s head for more than the hours spent together; no one until Buck.

[wagingmywarsbehindmyface]

two more pictures of smiley Kirył Pietruczuk (📷: Aleksandra Zaborowska) because I’m obsessed and so you should be too

[melliotwrites]

Ghost Story: a new musical is up on YouTube!

Two love stories between Chinese American and Polish American men haunt the same Montana ranch house — one century apart. As past and present intertwine, the lovers confront long-held fears in their quest to determine if they love one another for the right reasons.

GHOST STORY is a new musical exploring queer interethnic intimacies between working-class immigrants in the early Mountain West, as well as the complicated racial past of modern gay relationships. Through a story about love, culture, and identity, the show asks: In making meaning from the overwhelming tragedies of queer history, how do we balance seeking truth and beauty?

This presentation includes mature language and some mature themes. Stream our live cast album here on Spotify (and look up Ghost Story Melliot on other streaming services to find it!)

[edennill-archived]

Consider:

The Faithful of Númenor having clandestine "schools" of their own, their children gathering in their houses to be taught the forbidden elvish tongues, and more importantly, unexpunged history and religion (although I do feel slightly hesitant to use the latter word in relation to the Legendarium). Definitely most prominent in Andustar and later among those deported from it, often, these lessons masquerade as trade schools, so that whenever the king's soldiers are at the door, one can quickly hide the books, bring out embroidery hoops and spread cloth over the parchment.

Illicit theatre performances! Ask me about my headcanon that Númenor invented theatre one day, but the gist of it is that culturally, it's pretty important, but at some point a very stringent censorship becomes the norm, and many erstwhile classics are forbidden (not to mention any new plays with a Faithful message). Cue the practice of semi-professionnal troupes secretly performing in people's courtyards with very little in terms of scenography/costumes, but with a strong emphasis on good acting. Theatre is not considered a low occupation in Númenor, so even certain relatives of the Lords of Andunie take part in those shows.

[astranauticus]

Ad astra per aspera

[espop]

Caligula. Poster by Wiesław Wałkuski.

[never-ending-fanfic]

Your perfect date is a dinner and a walk in the sunset? Bitch, step up the game and take me to watch government meetings in a movie theatre as the prime minister gets his fucking ass handed to him and gets kicked off his position

[oswlld]

oswlld's monthly wrap up: april

note: i am trying something a bit different this year, so bear with me as i figure out how i want to format this. i wanted to spend more time sharing what i consume, beyond what i rb, and put my thoughts in one place. these posts are okay to rb

--

This Is How You Lose the Time War, Amal El-Mohtar & Max Gladstone [started 04/04, finished 04/09] *drags my hands down my face until the end of time* I want to meet you in every place I ever loved. I want to meet you in every place I ever loved. I want to meet you in every place I ever loved. I want to meet you in every place I ever loved. I want to meet you in every place I ever loved. I WANT TO MEET YOU!!!! IN EVERY PLACE I EVER LOVED!!!!!!!!!!!!! 4.75⭐️ in storygraph. — Hamnet, Maggie O’Farrell [started 04/12, in prog] I am about 100 pages in and still not sure if I want to keep going or DNF it. idk what isn’t sticking because the writing is beautiful and the pacing is great. And I do care about the characters, I really do. I love the way the author borrows from future grief, it’s what I am enjoying most about this read so far. Maybe I’ll give it 50 more pages and see if it finally sticks.

23.5 Degrees, GMMTV [started: 03/08, ongoing] As mentioned, I am caught up on eps 3-8. I’ll likely not be able to watch it live in may but I will be keeping up with the series til the end. It’s so lighthearted and charming! Not sure how they managed this, but I am constantly surprised by the character group dynamics. It’s def due to the great chemistry everyone has with literally everyone. I need NEED to discuss the score of this show because it’s IMMACULATE. The celestial themes, from the props all the way down to the music, is so rich. I’m so excited to see how this story unravels. — Devil’s Plan [started: 04/23, ongoing] This is a bestie pick, a show my best friend chose to have us watch on our facetime calls. We are 1.5 eps in and it’s a grower. The first game is hella complex and we’re slowly picking up on what’s happening. The people on this show are incredibly intelligent, so I feel like I have to work extra hard to keep up. It does feel rewarding, I’m hooked.

Oppenheimer, Peacock [watched on 04/05] I am a self-proclaimed Nolan girlie, I’ll admit it. I do enjoy his work and the many ways he translates time into film. When I wrote this, it had been a few days since I watched it and I still think abt the little moments that blew me away. Moments like the accentuated dust particles, how the coloring of the movie can be an unreliable narrator, and the utilization of a crowded hall stomping their feet to create tension. The last eight minutes still haunts me. I find more value in the technical side of film, but I will give credit when credit is due: every award Cillian Murphy got this season was so well earned. He carried all three hours of that film with such powerful quietude. And lastly, my heart now belongs to Jennifer Lame. Upon seeing her accept the award for Best Film Editing for Oppenheimer, I have come to learn that she also edited Tenet. HER MIND!!! She has such a bright future ahead of her, to be up there with the minds of Thelma Schoonmaker and Anne V Coates. — Yellow Door: ’90s Lo-Fi Film Club [watched on 04/14] This film needs to be studied in film school. It’s incredibly meta in some ways, having renown directors be the subjects, talking about their passion for film. The production being so stylized and the editing feels very reminiscent of Our Beloved Summer, with the way the found footage and the aspect ratios are intertwined with current day quality shots. This film will hit everyone right in the millennial. A true surprise for me is discovering that Bong Joon Ho and I are more alike that I had originally thought. The way he speaks in casual conversation and his story of setting strict rules for their film collection had me hollering because SAME. The most jessi thing he recounted was how all the VHS tapes were labelled. Yellow Door is somehow the opposite of the "doesn’t take itself too seriously" mentality; it’s actually so great that they made the film like that. By fully immersing us with gorgeous cinematography, cheeky editing sequences, and lush music to tug at your heartstrings, it bewitches you into loving film as much as they did. And still do.

Cowboy Carter, Beyoncé [relisten] I’ve given this several good cycles to confirm my first impressions: it’s def one of her most cohesive albums to date and still stands as a spectacular album. This passion project of hers takes such great care and attention to the voices she amplifies. I can feel the hunger, the innate need for her to make this album. If you haven’t heard how this album came to be, I insist you take the time to educate yourselves. It makes the listening experience so much more empowering. Good for her… GOOD. FOR. HER!! Current favs: Ameriican Requiem, 16 Carriages, Bodyguard, Jolene, Spaghettii, Ya Ya, Desert Eagle, II Hands II Heaven, and Sweet/Honey/Buckin’. — Older, Lizzy McAlpine [first time listening] Coming off the heels of my Five Seconds Flat hyperfixation last year, I haphazardly went into Older hoping its a natural progression in production value. I was shocked that it turned out to be a completely different sound. I soon learned that she actually didn’t really like how Five Seconds Flat was produced because it didn’t feel true to her as an artist. Tbh I was feeling a little lost after the first listen but after digesting this new info, I went back into it and appreciated it a lot more. In fact, the third listen was when I realized that it gave off the same energy as Laufey. I’m excited to listen to it again soon. — Stick Season: Forever, Noah Kahan [first time listening] Having stumbled on all the collabs on Alexa earlier this year, Forever was the only new song for me from his latest release. I’m OBSESSED with this song!!!! The way his voice carries the entire weight of every hurt inside me and just takes it away. Something healed in me. I play it in the car every time I leave the house. I cry in the car every time I leave the house. — The Tortured Poets Department, Taylor Swift [first time listening, standard vinyl ed.] I am going to get this out of the way and say that this album is great. Just great. I understand more than ever why she felt the need to make this album. Having only listened to the standard version a couple times and the anthology twice through, I sit here in this kind of… discomfort. And I’m kind of okay with that feeling. But… it pains me that I can’t share this album with some people in my life and it’s largely due to how she depicts her struggles with people with mental illness/addiction. It’s one, if not the biggest, strike I have against this album and by extension, her. Songs cycling in my head: Down Bad, So Long London, Guilty as Sin?, Who’s Afraid of Little Old Me?, loml, imgonnagetyouback, Chloe or Sam or Sophia or Marcus, How Did It End?, I Look in People’s Windows, The Prophecy, Peter, and The Manuscript.

EXPO Chicago [attended 04/13] Yes, I am doxxing myself a bit if you didn’t already know. During college, I used to attend EXPO yearly and occasionally went back long after I finished school. I haven’t attended in a long time, so I made it my goal to attend this year. And I had a blast! My mother tagged along and she’s not one to attend shows like this or art museums in general. It was a beautiful day trip to the city and it was nice to have her company. She mostly trailed behind and took pics of me as I floated around the exhibition hall. I have 50+ artists I tracked on my phone to actively research in my spare time. I sat in on one of the panel talks (ON COLOR), discussing color theory in today’s bipoc landscape. I took so much away from that conversation, it was very charged. I'm kinda obsessed with Alteronce Gumby, I need to do an artist deepdive on his work. — Coachella [watched from 04/12 to 04/14] I work for a big tech company and one of the biggest events to be on standby for is Coachella. I had to be on call for Friday and was backup support for Sunday lineups. Thus, Saturday was the only day I could sit back and relax while watching. My first time lineups included: Hatsune Miku, Peso Pluma, Late Night Drive Home, Jon Batiste, Ateez, le Sserafim, Purple Disco Machine, Bleachers, No Doubt, 88rising Futures, and Latin Mafia. Of all of the performances, I want to take a full deep dive into Ateez and Peso Pluma’s discography in the near future.

[postcard-from-the-past]

Theatre of Kraków, Poland

Polish vintage postcard, mailed from Moscow, Russia to France

[pardonmydelays]

the way the piragua guy just sings blackouts are nice while everyone else is probably lowkey freaking out 😭

lol i can't stop laughing now HELP this is so true anon

[roselynvictoria]

Henryk Siemiradzki

Allegory of Music, sketch for the project of the stage curtain of the Słowacki Theatre in Kraków (around 1892)

[burningshellenberger]

Andrzej Pągowski - Król Lir (1983)

[wagingmywarsbehindmyface]

(i’m just gonna drop these here, you never saw me 😶‍🌫️)

Kirył Pietruczuk photographed by Aleksandra Zaborowska ▪️◾️▪️◾️