#Pittsburgh Post-Gazette

[oensible]

—via Andrew Destin for Pittsburgh Post-Gazette (2024 Feb 2)

does erik karlsson even know how much this quote of a quote changed my brain chemistry in february 2024 and then again when i read it again finishing hertl's post trade deadline slides

[yeahiwasintheshit]

JD VANCE IS A FUCKIN SCAB

[y2kbeautyandother2000sstuff]

This was my 3rd ever concert. I was 17 and I still remember so much of this show! the 2nd picture is one of my favorites. Im so glad Ive always taken tons of pictures :)

Family Values Tour Date Poster (we were at the Pittsburgh date)

2006

Found on kornweb.ru

[vimbry-moved]

"Two things about the film surprised Linnell.

First, he says, he was "surprised at how inarticulate we turned out to be. I kind of thought I was being a little more interesting and clever. And then when I saw it, I felt like, you know, there's easier ways to say the thing that I'm struggling to say on screen."

Which isn't necessarily true.

The other thing that surprised him, he says, "is I seemed a lot more effeminate than I think of myself. I think of myself as just sort of me. But there was something strangely fey about my performance, which shocked me."

Could this be what Syd Straw was referring to when she compared him in Gigantic to Emily Dickinson?

"I've just gotta say, that was one of the only things she said that I actually could even make sense out of," he responds, with a laugh."

[clavalanche]

I cannot express my disappointment in the news outlets of my hometown. I grew up in Pittsburgh, where there is a massive Jewish community and while I understand the Israel-Palestine conflict has affected many members of the Jewish community here, there is no doubt that Israel IS the oppressor in this situation. All I get are front page articles supposedly addressing the conflict when in reality all they make references to are the Tree of Life synagogue shooting, which, though completely deplorable, is NOT relevant to Palestine’s occupation in any way, shape, or form. It’s so incredibly manipulative to leverage the community’s shared loss at Tree of Life, to sway minds away from the actual conflict: Israel’s war crimes. It’s so incredibly performative and it’s so transparent that these news outlets are using this horrific attack on the Jewish community to push their agenda. It’s disgusting on so many levels; using one hate crime to draw attention away from another. This isn’t a fucking game. This is a situation completely isolated from the Tree of Life shooting and it should be treated at such. Deplorable. Shame on you Pittsburgh Post Gazette for manipulating people’s emotions like this. Eat shit.

[early2000sfun]

Ozzfest 2006 Pittsburgh crowd and hillside fires

I was 17 and had only been to one concert before this (NIN) and I just assumed every concert had fires. Ive been to close to 70 or 80 concerts since and haven't seen any more fires. This was fun though!

[pittsburghbeautiful]

The Pittsburgh Gazette to The Post-Gazette

Pittsburgh Post-Gazette: A Historic Newspaper Serving Metropolitan Pittsburgh The Pittsburgh Post-Gazette, commonly referred to as the PG, is a prominent and long-standing newspaper that has been serving the metropolitan Pittsburgh area in the state of Pennsylvania. With its roots tracing back to the Pittsburgh Gazette, which was established in 1786 as the first newspaper published west of the…

[pghlesbian]

Today marks the one year anniversary of the strike against the Pittsburgh Post-Gazette. We honor this day by interviewingn one of the employes who is also heavily involved in the union. "I’ll never be the same. I’ve been irrevocably changed by the strike, in mostly good ways. But only people who have been on strike like this can understand the ways that it affects and changes you. I’m grateful that I am among such incredible people, and that we can support each other the way that we do. You cannot survive a strike by yourself. Solidarity goes much deeper than you can imagine, until you’re out on the line like this."

[mossadegh]

• Mossadegh media: newspaper & magazine articles, editorials

[hunterrrs]

Monday morning, the nerves were long gone, her prep work was largely done and the magnitude of the looming moment finally hit Michelle Crechiolo hard.

That night, when the Penguins battled the Philadelphia Flyers, she would become the first female broadcaster to ever call a regular season Penguins game.

When Crechiolo realized that morning that she would be a trailblazer and perhaps an inspiration to other women in hockey, her thoughts drifted to one of her favorite photos — a picture of her when back she was playing in Mini Mites.

“It’s making me emotional thinking about it now,” she later told the Post-Gazette, her voice quivering. “I’ve got the Jofa gloves, wooden stick. I’ve got on a little pink turtleneck under all my equipment. And I’m just posing and cheesing, and I’m missing a tooth. And I’m just so happy to be a hockey player.

“I’m just thinking about what that little girl would say if I told her that I was doing this, doing color commentary on a Pittsburgh Penguins radio broadcast. It’s just so surreal. It really is. I stuck with hockey because I loved it, and it’s led me here. And I just couldn’t be more grateful to be in this position. It’s wild.”

Around 10 a.m. Sunday, Crechiolo received a text message from Leo McCafferty, the Penguins’ vice president of content and production. He told her they believed she would be a great option to step in for Phil Bourque, who was sick. He asked if she would be up for taking his place on the radio broadcast.

“I was like, ‘Oh, hell yeah,’” she said with a laugh. “That was my response.”

When she hung up the phone, she had a brief moment of nervousness, wondering what she had just gotten herself into. But then she just felt “pure excitement.” She rushed downstairs to share the news with her boyfriend, Chuck.

“That’s when it hit me. ‘Oh my god, I’m going to be the color analyst on a National Hockey League broadcast between the Penguins and Flyers,’” she said.

Not only that, Crechiolo is the first woman to do play-by-play or color commentary on a local TV or radio broadcast for any of Pittsburgh’s three big-league teams.

Once Crechiolo calmed down, she went about her business as usual. She headed to UPMC Lemieux Sports Complex to watch practice, then in the locker room she gathered as many “nuggets” as she could for Monday’s broadcast.

Sidney Crosby, Jake Guentzel, Tristan Jarry and Rickard Rakell were among the players who gave her support and advice — or a good-natured ribbing.

When they began broadcasting her quick hits up on the Jumbotron, Crechiolo was anxious about stepping into an on-camera role. But something coach Mike Sullivan said about a player making his NHL debut resonated with her.

“He said, ‘It’s not about putting pressure on yourself. You’re there for a reason. It’s about getting excited for the opportunity, because you’re just doing something you love to do,’” Crechiolo said. “And that was how I felt about this.”

michelle 🥰🥰🥰

[pastpittsburgh]

Pittsburgh Post-Gazette; October 20, 1931.

[tavolgisvist]

With A Little Help From My Friends

Monday, Sept. 14, 1964: Ringo was first off the plane. He emerged from the darkened doorway of the chartered Lockheed Electra around 4:40 p.m. and stepped into the bright sun, which highlighted his sad eyes, rakish sideburns and, of course, that glorious nose. Even from a distance, he was instantly recognizable. The world’s most famous drummer. The shrieking, which had begun long before the plane stopped, reached new heights. Thousands of teenage girls held back by the Greater Pittsburgh Airport’s snow fences squealed, screamed, shoved closed fists into their mouths, grabbed handfuls of their own hair, wept, and generally fell into fits of hysteria. Behind the crowd, a blond boy of about 12 shimmied up a light pole to see the spectacle: The four young men known throughout the civilized world as the Beatles - John Lennon, Paul McCartney, George Harrison and Ringo Starr - were invading his hometown. Ringo started down the stairway to the tarmac. Behind him stepped John, cool in sunglasses and a flashy blue-and-white polka-dot shirt. Then George and finally Paul, who paused at the top of the stairs to point at something. Ringo kept moving, five steps down, the other Beatles following close behind. Then something came flying through the air. Something red and the size of a fist. Ringo moved instinctively. He ducked, covered his head with his left arm and, less than a second later, sprang back upright as if nothing had happened.

He never paused in his descent, or changed his expression. He simply continued down and then calmly waded into a crowd of reporters, photographers, police officers and guys in work shirts and hard hats. A reporter named Al McDowell from KDKA-TV approached Ringo. “What’s that stuff they were throwing?” McDowell asked. “Looked like a tomato, to me,” Ringo responded, pronouncing it toe-mah-toe in his thick Liverpool accent. “It’s always the same, you got a couple of lunatics in a couple of thousand … .”

(The Beatles in the 'Burgh, 1964, Steve Mellon for Pittsburgh Post-Gazette)

The song 'With A Little Help From My Friends' was written specifically for me, but they had one line that I wouldn't sing. It was: 'What would you do if I sang out of tune? Would you stand up and throw tomatoes at me?' I said, 'There's not a chance in hell am I going to sing rhis line,' because we still had lots of really deep memories of the kids throwing jelly beans and toys on stage; and I thought that if we ever did get out there again, I was not going to be bombarded with tomatoes.

(Ringo Starr, The Beatles Anthology, 2000)

Poking a little fun at Ringo was actually a lof of fun. ‘What would you do if I sang out of tune?’

(Paul McCartney, The Lyric, 2021)

Actually, John and I wrote this song within a vocal range that would cause no problems for Ringo, who had a style of singing different to ours. We tailored it especially for him…

(Paul McCartney, The Lyric, 2021)

…There was an unusually late start for that night’s session because the Beatles had spent the afternoon and early evening overseeing preparations for the upcoming album cover photo shoot. <…> Despite the late hour, all four Beatles were wide awake, excited by the events of the day; I remember them animatedly discussing the set that Peter Blake had built for them and talking about how much they loved their satin Pepper costumes. After hurriedly consumed cups of tea, we finally got to work. The backing track for the new song—initially called “Bad Finger Boogie” for some reason—had a real spark to it, and an inspired Ringo was really smacking his tom-toms… Ten takes were required to get a “keeper”; it was nearly dawn by that time. Richard and I watched an exhausted Ringo begin to trudge up the stairs. That was our signal, as usual, that the session was over, and we began to relax. He was at the halfway point when we heard Paul’s voice call out. “Where are you going, Ring?” he said. Ringo looked surprised. “Home, to bed.” “Nah, let’s do the vocal now.” Ringo looked to the others for support. “But I’m knackered,” he protested. To his dismay, both John and George Harrison were taking Paul’s side. “No, come on back here and do some singing for us,” John said with a grin. <…> Fortunately for all of us, Ringo got his lead vocal done relatively quickly: perhaps the shock tactic of having him sing when he was least expecting it took the nervousness away, or perhaps it was just how supportive everyone was being. All three of his compatriots gathered around him, inches behind the microphone, silently conducting and cheering him on as he gamely tackled his vocal duties. It was a touching show of unity among the four Beatles. The only problem was the song’s last high note, which Ringo had a bit of trouble hitting spot-on. For a while he lobbied to have the tape slowed down just for that one drop-in, and we tried it, but even though it allowed him to sing on pitch, it didn’t match tonally to the rest of the vocal—he sounded a bit silly, almost like one of the Goons. “No, Ring, you’ve got to do it properly,” Paul finally concluded. “It’s okay; just put your mind to it. You can do it,” George Harrison said encouragingly. Even John added some helpful—if decidedly nontechnical—advice: “Just throw yer head back and let ’er rip!” It took a few tries, but Ringo finally hit the note—and held it—without too much wavering. Amid the cheers of his bandmates and a Scotch-and Coke toast, the session finally ended.

(Geoff Emerick, Here There and Everywhere, 2007)

[dec4podcast]

In this our second Elvis and the Press episode, we’re joined once again by our leading contributor, Gary Wells (soulrideblog.com), to take a deep dive into the coverage of Elvis’ New Year’s Eve performance in Pittsburgh, Pennsylvania, at the end of 1976. This was the second consecutive New Year’s Eve Elvis had worked, with touring now continuing throughout winter by financial necessity. Elvis’ Pittsburgh show, concluding a very well-received, high energy tour over just five nights, proved to be a remarkable moment in time, and was widely considered one of the best performances of his later career.

Gary takes us through some of the show’s highlights, and we consider in detail a thoughtfully compiled review in the Pittsburgh Post-Gazette by music columnist, Mike Kalina, who observed that Elvis ‘had perhaps the most captive audience since Johnny Cash played Folsom Prison, and rarely did he lose his iron grip on the crowd during his 90 minutes on stage’.

The Pittsburgh Civic Arena (later Mellon Arena). It was demolished in in either 2010 or 2011-2012, depending on the source.

We also go on to look at Mike Kalina’s eventful and very successful career as a food writer and cooking personality, and his sad passing in the midst of a professional scandal to which there appears to be much more than meets the eye.

On stage in Pittsburgh, New Year's Eve. On his show in Birmingham, Alabama, two nights earlier, The Birmingham News wrote that ‘Elvis was in good voice, good shape, good health and good spirits. He had lost weight and gained confidence’.

This episode's dedicated webpage has additional background, including the audience recording of the show in full, as well as research notes and links to our sources, with some suggestions for further reference;

And in our post-credits segment right at the end, Gary recalls his most recent visit to Memphis, and what can only be described as an 'interesting' stay at Days Inn, Elvis Presley Boulevard.

The iconic Days Inn swimming pool in happier times. To find out more about Gary's latest visit to Memphis and Graceland, including some great images and a hypnotic video of the walk from the Graceland Gates to the Meditation Garden, check out Walking in Memphis 2024 at soulrideblog.com.

We hope you enjoy our latest episode. Find us on SoundCloud, YouTube, and wherever your get your podcasts.

Concert schedules, stats and press reviews thanks to Francesc Lopez and elvisconcerts.com.

[archivaltrigger]

“Because the US government was not acting on mass shootings, we directly attacked a trait Americans are most known for: their pride in their country. Change the Ref created the Shamecards, a postcard collection designed to demand gun law reform from Congress. Subverting the traditional greeting cards that depict each city’s landmarks, ours show what cities are becoming known for.”

shamecards.org

There is 54 cards total representing:

Annapolis — Maryland: Capital Gazette Shooting

Atlanta — Georgia: Day Trading Firm Shootings

Benton — Kentucky: Marshall County High School Shooting

Bethel — Alaska: Regional High School Shooting

Binghamton — New York: Binghamton Shooting

Blacksburg — Virginia: Virginia Tech Massacre

Camden – New Jersey: Walk of Death Massacre

Charleston — South Carolina: Charleston Church Shooting

Charlotte — North Carolina: 2019 University Shooting

Cheyenne — Wyoming: Senior Home Shooting

Chicago — Illinois: Medical Center Shooting

Clovis — New Mexico: Clovis Library Shooting

Columbine — Colorado: Columbine

Dayton — Ohio: Dayton Shooting

Edmond — Oklahoma: Post Office Shooting

El Paso — Texas: El Paso Shooting

Ennis — Montana: Madison County Shooting

Essex Junction — Vermont: Essex Elementary School Shooting

Geneva — Alabama: Geneva County Massacre.

Grand Forks — North Dakota: Grand Forks Shooting

Hesston — Kansas: Hesston Shooting

Honolulu — Hawaii: First Hawaiian Mass Shooting

Huntington — West Virginia: New Year's Eve Shooting

Indianapolis — Indiana: Hamilton Avenue Murders

Iowa City — Iowa: University Shooting

Jonesboro — Arkansas: Middle School Massacre

Kalamazoo — Michigan: Kalamazoo Shooting

Lafayette — Louisana: Lafayette Shooting

Las Vegas — Nevada: Las Vegas Strip Shooting

Madison — Maine: Madison Rampage

Meridian — Mississippi: Meridian Company Shooting

Moscow — Idaho: Moscow Rampage

Nashville — Tennessee: Nashville Waffle House shooting

Newtown — Connecticut: Sandy Hook Elementary School Shooting

Omaha — Nebraska: Westroads Mall shooting

Orlando — Florida: Pulse Nightclub Shooting

Parkland — Florida: Parkland School Shooting

Pelham — New Hampshire: Wedding Shooting

Pittsburgh — Pennsylvania: Pittsburgh Synagogue Shooting

Prices Corner — Delaware: Delaware Shooting

Red Lake — Minnesota: Indian Reservation Shooting

Roseburg — Oregon: Umpqua Community Collage Shooting

Salt Lake City — Utah: Salt Lake City Mall Shooting

San Diego — California: San Ysidro Massacre

Santa Fe — Texas: Santa Fe School Shooting

Schofield — Wisconsin: Marathon County Shooting

Seattle — Washington: Capitol Hill Massacre

Sisseton — South Dakota: Sisseton Massacre

St. Louis — Missouri: Power Plant Shooting

Sutherland Springs — Texas: Sutherland Springs Church Shooting

Tucson — Arizona: Tocson Shooting

Wakefield — Massachusetts: Tech Company Massacre

Washington — D.C.: Navy Yard Shooting

Westerly — Rhode Island: Assisted-Living Complex Rampage

[workingforitallthetime]

so. when my guy sean gentille suddenly went missing a couple of weeks ago right as he was supposed to be running point on ovechkin coverage, i figured something was wrong. today i went on a little internet search to see if i could figure out why.

sad to learn that he’s away due to the death of his father, who was apparently a performance facilities manager of note. but his quotes in the obituary are a delight:

but THEN. then i got to the bottom of the obit and i saw THIS:

excuse me what? was anybody going to tell me that sean gentille and hailey salvian are married (or at least partnered to an extent that she warrants a spouse-level mention)? or was i just supposed to learn that from a pittsburgh post-gazette obituary that i googled because of my parasocial relationship with the athletic hockey show myself?

what am i supposed to make of their podcast dynamic now? sorry but this makes it so weird that they need a third person present to keep sean from sneering too much about hailey’s inability to go five minutes without mentioning her gluten allergy. cannot believe that dom and shayna and max have been unwilling marriage counselors this whole time.

[carrie-organa]

Re: Patrick Ball’s schedule

Sounds like the showrunner told the Pittsburgh Post-Gazette that the show will start filming in the middle of June. Does anyone know if they film chronologically? They could film out of order and it sounds like they already have plans to, given they’ll be filming some stuff in Pittsburgh in September.