#Pierre-Yves Martel

[euphonious-night]

Twin Peaks would've been a better show with Pierre-Yves Martel's music.

[dancetv]

Synopsis : Un groupe d'adolescents se retrouve contraint de participer à un jeu de survie où l'alternative à tuer est d'être tué, plongeant ainsi dans une lutte impitoyable pour leur propre vie. FICHE TECHNIQUE Aussi connu sous le nom de : Jogo da Morte Genres : Épouvante-Horreur, Thriller Année : 2017 Pays d'origine :  France, Canada, États-Unis Durée : 1 h 13 min Date de sortie (France, Canada, États-Unis) : 2017 Date de sortie (France) : 20 mars 2017 Réalisateurs :  Sebastien Landry, Laurence Morais-Lagace Scénaristes :  Edouard H. Bond, Philip Kalin-Hajdu, Sebastien Landry, Laurence Morais-Lagace Producteurs :  Benoit Beaulieu, Mathias Bernard, Pierre-Alexandre Bouchard, Antoine Disle, Philip Kalin-Hajdu, Jean-Yves Martel, Frédéric Pons Bande-Annonce : https://www.youtube.com/watch?v=YUJ02gHWzqg

[juliansummerhayes]

Listen/purchase: Weird Studies: Music from the Podcast Vol.2 by Pierre-Yves Martel

Here now.

[ozkar-krapo]

Nicolas BERNIER

"Strings.Lines"

(CD. Crónica. 2010 / rec. 2008-10) [FR]

[theplaylistfilm]

THE FILM SOCIETY OF LINCOLN CENTER ANNOUNCES

THE FEMALE GAZE, JULY 27 – AUGUST 9

A two-week survey of 36 films shot by 23 female cinematographers

Agnès Godard, Natasha Braier, Joan Churchill, and Ashley Connor in person

The Film Society of Lincoln Center announces The Female Gaze (July 26 – August 9), spotlighting the amazing work of such accomplished international female cinematographers as Agnès Godard, Natasha Braier, Kirsten Johnson, Joan Churchill, Maryse Alberti, Ellen Kuras, Babette Mangolte, and Rachel Morrison. Laura Mulvey’s landmark 1975 essay “Visual Pleasure and Narrative Cinema” suggested an imbalance of power in film dominated by the male gaze and heterosexual male pleasure; this series poses the question: is there such a thing as the “Female Gaze”?

This year, Morrison made history as the first woman nominated for the Best Cinematography Oscar for Mudbound, a triumph that also underscored the troubling issue of gender inequality in the film industry. Few jobs on a movie set have been as historically closed to women as that of cinematographer—the persistence of the term “cameraman” says it all. Despite this lack of representation, trailblazing women have left their mark on the field through extraordinary artistry and profound vision. As seen through their eyes, films by directors like Claire Denis, Jacques Rivette, Chantal Akerman, Ryan Coogler, and Lucrecia Martel are immeasurably richer, deeper, and more wondrous.

The Female Gaze opens with a double feature of unforgettable collaborations between Agnès Godard and Claire Denis—from the sensual gaze on male bodies in Beau travail to that of familial love in 35 Shots of Rum—launching the series’ central dialogue with Godard in person. Then on July 28, cinematographers Natasha Braier, Ashley Connor, Agnès Godard, and Joan Churchill join Film Society audiences to discuss their careers, experiences in the film industry, and their interpretations of the Female Gaze in a free talk, sponsored by HBO®.

Full line up.

Maryse Alberti Creed Ryan Coogler, USA, 2015, 133m The legend of Rocky lives on as Michael B. Jordan’s gutsy Adonis Johnson—son of Apollo Creed—sets out to prove he’s got what it takes to be the next champ, leaving his luxe L.A. life behind to train in the hard-knock gyms of Philadelphia with the Italian Stallion himself. After the breakout success of Fruitvale Station, director Ryan Coogler shows his facility for major budget spectacle, balancing a rousing underdog sports story with a poignant portrait of intergenerational friendship. The virtuoso lensing of Maryse Alberti astonishes in a dazzling four-and-a-half minute fight sequence that unfolds in one bruising, breathless take. Thursday, August 2, 1:30pm Sunday, August 5, 9:00pm

Velvet Goldmine Todd Haynes, UK/USA, 1998, 35mm, 124m The birth of Oscar Wilde; the staged death of a flamboyant rock star modeled closely after David Bowie; the delirious inebriation of London at the height of the glam era: Haynes’s discourse on celebrity culture is as sprawling and multi-tracked as his previous film, Safe, had been clinically restrained. Much of Velvet Goldmine, the story of a journalist who tries to reconstruct the sordid life story of the failed glam rock star he’d idolized as a young man, was shot in London, and the move gave Haynes a chance to abandon the cloister-like suburbs of his earlier films for a much more colorful, Dionysian milieu. Haynes and cinematographer Maryse Alberti crafted one of the most visually thrilling music movies of the 1990s. An NYFF36 Selection. Sunday, July 29, 8:30pm Tuesday, August 7, 4:15pm

Barbara Alvarez The Headless Woman / La mujer sin cabeza Lucrecia Martel, Argentina/France/Italy/Spain, 2008, 35mm, 87m Spanish with English subtitles DP Barbara Alvarez imparts a restrained—and very strange—spatial texture to Lucrecia Martel’s excitingly splintered third feature, about a woman (a stunning María Onetto) in a state of phenomenological distress following a mysterious road accident. Martel’s rare gift for building social melodrama from sonic and spatial textures, behavioral nuances, and an unerringly brilliant sense of the joys, tensions, and endless reserves of suppressed emotion lurking within the familial structure is here pushed to another level of creative daring. An NYFF46 selection. 35mm print courtesy of UCLA Film & Television Archive. Saturday, July 28, 1:00pm

Akiko Ashizawa Tokyo Sonata         Kiyoshi Kurosawa, Japan, 2008, 120m Japanese with English subtitles What strange deceptions lurk beneath the placid veneer of the average Japanese family? Horror maestro Kiyoshi Kurosawa’s unexpected—but wholly rewarding—foray into family melodrama-cum-black comedy quivers with an undercurrent of dread as salaryman dad (Teruyuki Kagawa) loses his job and desperately attempts to maintain the illusion that he’s still employed; his grade-school son (Kai Inowaki) rebels by secretly taking (gasp!) piano lessons; and mom (Kyōko Koizumi) finds what she’s been looking for with her own kidnapper. The elegant long shots of Akiko Ashizawa toy with the meticulous framings of Ozu as Kurosawa guides the film through a series of increasingly audacious tonal shifts. An NYFF46 selection. Tuesday, August 7, 6:45pm

Diane Baratier The Romance of Astrea and Celadon / Les amours d'Astrée et de Céladon Éric Rohmer, France, 2007, 35mm, 109m At the age of 88, Éric Rohmer bid adieu to cinema with this enchanting mythological idyll, which brims with all the vitality and freshness of youth. Frequent Rohmer cinematographer Diane Baratier conjures a sun-dappled bucolic dream vision of fifth-century Gaul, where a beguiling fable of romantic misunderstanding plays out when a band of druids and nymphs intervene in the lovers’ quarrel between androgynously beautiful shepherd Celadon (Andy Gillet) and his jealous paramour Astrea (Stéphanie Crayencour). Introducing hitherto untapped themes of gender and sexual fluidity into his work, Rohmer crafts an exalted paean to love both spiritual and carnal. An NYFF45 selection. Friday, August 3, 2:00pm Thursday, August 9, 7:00pm

Céline Bozon La France Serge Bozon, France, 2007, 35mm, 102m French with English subtitles In the fall of 1917, as World War I rages, a lovelorn soldier’s wife (Sylvie Testud) disguises herself as a man and sets off for the front in search of her missing husband. Along the way, she meets up with a company of soldiers under the command of a gruff lieutenant (Pascal Greggory), who reluctantly allows Camille to join their ranks. From time to time, these surprisingly sensitive, introspective men break out an assortment of homemade instruments and perform original songs written for the film by Benjamin Esdraffo and the artist known as Fugu, styled after the American “sunshine pop” of The Beach Boys and The Mamas and the Papas. Exquisitely shot by Céline Bozon (the director’s sister), this unclassifiable hybrid of war movie and movie musical is truly unlike anything you’ve ever seen before. Print courtesy of the Institut Français. Wednesday, August 1, 6:45pm Wednesday, August 8, 1:30pm

Natasha Braier The Milk of Sorrow / La teta asustada Claudia Llosa, Spain/Peru, 2009, 35mm, 94m Spanish and Quechua with English subtitles Fausta, the only daughter of an aged indigenous Peruvian mother, is said to have been nursed on “the milk of sorrow.” This accursed designation is bestowed on the children of victims of the former terrorist regime. Fausta has learned of her mother’s past and her own presupposed fate through invented song, which is both an art form and oral history tradition. Upon her mother’s death, she must venture beyond the safety of her uncle’s home and choose whether or not to lend her gift of song so that she can pay for a proper burial. Llosa and DP Natasha Braier capture the striking beauty of Lima’s outskirts, as well as a revelatory performance by Magaly Solier, with dignity and grace. Winner of the Golden Bear at the 2009 Berlin Film Festival. A New Directors/New Films 2009 selection. Sunday, July 29, 3:30pm (Q&A with Natasha Braier)

The Neon Demon Nicolas Winding Refn, Denmark/France/USA/UK, 2016, 118m Like a 21st-century Showgirls meets Suspiria, Nicolas Winding Refn’s delirious plunge into the fake plastic horror of the image-obsessed fashion industry trafficks in both high-camp excess and kaleidoscopically stylized splatter. Elle Fanning is the guileless recent L.A. transplant whose fresh-faced youth and beauty almost instantly land her a high-profile modeling contract. Whatever “it” is, she has it. And a coterie of monstrously jealous, flavor-of-last-month Hollyweird burnouts will stop at nothing to get it. Working in a supersaturated, electric day-glo palette, DP Natasha Braier fashions a sleek, freaky-seductive vision of L.A.’s dark side. Saturday, July 28, 8:00pm (Q&A with Natasha Braier)

Caroline Champetier The Gang of Four / La bande des quatre Jacques Rivette, France/Switzerland, 1989, 160m French and Portuguese with English subtitles Four women, a shadowy conspiracy, and a whole lot of acting exercises: we’re firmly in Rivette territory in one of the director’s most spellbinding explorations of the sometimes terrifyingly thin line between everyday life and the strangeness beneath it. A quartet of aspiring actresses live together while studying with a demanding coach (Bulle Ogier). As they rehearse Pierre Marivaux’s La Double inconstance, offstage drama creeps into their lives in the form of a menacing mystery man (Benoît Régent) with a sinister story to tell. Caroline Champetier’s moody lensing—muted reds, golds, and browns—creates the feeling of an all-enveloping universe operating according to its own paranoid logic. Friday, July 27, 3:15pm Wednesday, August 8, 6:15pm

Holy Motors Leos Carax, France, 2012, 116m French and English with English subtitles Cinematographers Caroline Champetier and Yves Cape both lensed this unclassifiable, expansive movie from Leos Carax about a man named Oscar (longtime collaborator Denis Lavant) who inhabits 11 different characters over the course of a single day. This shape-shifter is shuttled from appointment to appointment in Paris in a white-stretch limo driven by the soignée Edith Scob (Eyes Without a Face); not on the itinerary is an unplanned reunion with Kylie Minogue. To summarize the film any further would be to take away some of its magic; the most accurate précis comes from its own creator, who aptly described Holy Motors after its world premiere in Cannes as “a film about a man and the experience of being alive.” An NYFF50 selection. Saturday, August 4, 7:15pm Monday, August 6, 4:00pm

Le Pont du Nord Jacques Rivette, France, 1982, 129m French with English subtitles Paris becomes a labyrinthine life-size game board in one of the most elaborate of Jacques Rivette’s sprawling, down-the-rabbit-hole cine-puzzles. Bulle Ogier and her daughter Pascale star, respectively, as a hitchhiking ex-con and a leather-clad tough girl who meet by chance on the city streets, come into possession of a curious map, and find themselves caught in a sinister cobweb of underworld conspiracy. Shooting seemingly on the fly, almost documentary-style on the streets of Paris, cinematographers Caroline Champetier and William Lubtchansky telegraph a freewheeling, anything-goes sense of play, as well as a creeping surveillance paranoia. An NYFF19 selection. 4K restoration from the 16mm negative, supervised by Véronique Rivette and Caroline Champetier at Digimage Classic, with the help of the CNC. Friday, August 3, 6:30pm

Joan Churchill Aileen: Life and Death of a Serial Killer Nick Broomfield & Joan Churchill, UK/USA, 2004, 93m Just months after Monster made Aileen Wuornos a household name—and Charlize Theron an Oscar darling—documentarian Nick Broomfield and co-director/cinematographer Joan Churchill unleashed this riveting portrait of the real-life serial killer. Of the two films, it remains the more chilling experience, an unflinching face-to-face encounter with a deeply damaged soul who, as she prepares for her imminent execution, is at once eager to set the record straight, angrily defiant, and increasingly delusional. Daring to find the humanity in one of the most vilified criminals of the century, Broomfield and Churchill—whose camera remains ever-alert and skillfully unobtrusive—craft a haunting, complex look at a life gone wrong. Monday, July 30, 6:45pm (Q&A with Joan Churchill)

Ashley Connor Sneak Preview! The Miseducation of Cameron Post Desiree Akhavan, USA, 2018, 90m Based on the celebrated novel by Emily M. Danforth, Desiree Akhavan’s second feature follows the titular character (Chloë Grace Moretz) in 1993 as she is sent to a gay conversion therapy center after getting caught with another girl on prom night. In the face of intolerance and denial, Cameron meets a group of fellow sinners, including amputee stoner Jane (Sasha Lane) and her friend Adam (Forrest Goodluck), a Lakota Two-Spirit. Together, this group forms an unlikely family with a will to fight. Akhavan and DP Ashley Connor evoke the emotional layers of Danforth’s novel with an effortless yet considered attention to the spirit of the ’90s and the audacious, moving performances of the ensemble cast. A FilmRise release. Sunday, July 29, 6:00pm (Q&A with Ashley Connor)

Josée Deshaies House of Tolerance / L’Apollonide: Souvenirs de la maison close Bertrand Bonello, France, 2011, 35mm, 122m French with English subtitles “I could sleep for a thousand years,” drawls a 19th-century prostitute—paraphrasing Lou Reed—at the start of Bonello’s hushed, opium-soaked fever dream of life in a Parisian brothel at the turn of the century. House of Tolerance is, among other things, Bonello’s most gorgeous and complete application of musical techniques to film grammar, his most rigorous attempt to sculpt cinematic space, his most probing reflection on the origins of capitalist society, and his most sophisticated study of the movement of bodies under immense constraint. A shocking mutilation, a funeral staged to The Moody Blues’ ���Nights in White Satin,” a progression of ritualized, drugged assignations and encounters: Bonello and frequent collaborator Josée Deshaies capture it all with a mixture of casual detachment and needlepoint precision. Wednesday, August 1, 2:00pm Sunday, August 5, 4:30pm

Crystel Fournier Tomboy Céline Sciamma, France, 2011, 35mm, 82m French with English subtitles A sensitive, heartrending portrait of what it feels like to grow up different, Céline Sciamma’s beautifully observed coming-of-age tale aches tenderly with the tangled confusion of childhood. When ten-year-old Laure’s family moves to a new neighborhood during the summer, the gender-nonconforming preteen (played by the impressively naturalistic Zoé Héran) takes the opportunity to present as Mickäel to the neighborhood kids—testing the waters of a new identity that neither friends nor family quite understand. Sciamma’s warmly empathetic tone is perfectly complemented by the soft-lit impressionism of Crystel Fournier’s glowing cinematography. Print courtesy of the Institut Français. Monday, August 6, 2:15pm Thursday, August 9, 9:15pm

Agnès Godard Beau Travail Claire Denis, France, 1999, 35mm, 92m French, Italian, and Russian with English subtitles Denis’s loose retelling of Billy Budd, set among a troop of Foreign Legionnaires stationed in the Gulf of Djibouti, is one of her finest films, an elemental story of misplaced longing and frustrated desire. Beneath a scorching sun, shirtless young men exercise to the strains of Benjamin Britten, under the watchful eye of Denis Lavant’s stone-faced officer Galoup, their obsessively ritualized movements simmering with barely suppressed violence. When a handsome recruit wins the favor of the regiment’s commander, cracks start to appear in Galoup’s fragile composure. In the tense, tightly disciplined atmosphere of military life, Denis found an ideal outlet for two career-long concerns: the quiet agony of repressing one’s emotions and the terror of finally letting loose. An NYFF37 selection. Print courtesy of the Institut Français. Thursday, July 26, 7:00pm (Q&A with Agnès Godard)

35 Shots of Rum / 35 rhums Claire Denis, France/Germany, 2008, 35mm, 100m French and German with English subtitles When is a rice cooker more than just a rice cooker? When it’s in the masterful hands of Claire Denis, who somehow transforms it into a moving metaphor for the evolving relationship between a Parisian train conductor (Alex Descas) and his devoted twenty-something daughter (Mati Diop) as he gently nudges her out of the nest and each tests the waters of new relationships. Warmed by the ember-glow of Agnès Godard’s beautifully burnished cinematography, Denis’s delicately bittersweet take on the Ozu-style family drama conveys worlds of meaning and emotion—attraction, heartache, loss, hope—in a mere glance, a gesture, and, yes, a kitchen appliance. Thursday, July 26, 9:30pm (Introduction by Agnès Godard) Tuesday, July 31, 1:00pm

The Intruder / L'intrus Claire Denis, France, 2005, 35mm, 130m French, English, Korean, Russian, and Polynesian with English subtitles Rich, strange, and tantalizingly enigmatic, Denis’s crypto-odyssey is a mesmeric sensory experience that haunts like a half-remembered dream. Inspired by a book by philosopher Jean-Luc Nancy, The Intruder skips across time and continents—from the Alpine wilds to a neon-lit Korea to a tropical Tahiti suffused with languorous melancholy—as it traces the journey of an inscrutable, ailing loner (Michel Subor) seeking a black market heart transplant and his long-lost son. An impressionist wash of hallucinations, memories, and dreams are borne along on the lush textures of Agnès Godard’s shimmering cinematography. Print courtesy of the Institut Français. Saturday, July 28, 3:00pm (Q&A with Agnès Godard) Thursday, August 9, 4:15pm

Kristen Johnson Cameraperson Kirsten Johnson, USA, 2016, 102m How much of one’s self can be captured in the images shot of and for others? Kirsten Johnson’s work as a director of photography and camera operator has helped earn her documentary collaborators (Laura Poitras, Michael Moore, Kirby Dick, Barbara Kopple) nearly every accolade and award possible. Recontextualizing the stunning images inside, around, and beyond the works she has shot, Johnson constructs a visceral and vibrant self-portrait of an artist who has traveled the globe, venturing into landscapes and lives that bear the scars of trauma both active and historic. Rigorous yet nimble in its ability to move from heartache to humor, Cameraperson provides an essential lens on the things that make us human. A 2016 New Directors/New Films selection. Friday, July 27, 6:30pm Thursday, August 2, 4:15pm

Derrida Kirby Dick & Amy Ziering, USA, 2002, 35mm, 84m Postmodern intellectual rockstar Jacques Derrida receives an appropriately self-reflexive portrait in this playful, probing documentary. Framed by the French philosopher’s statements about the inherent unreliability of biography, it finds co-director Amy Ziering attempting to tease out the links between Derrida’s radically influential thinking (he expounds on everything from forgiveness to Seinfeld) and his own life. Even as the alternately witty and reflective Derrida remains cagey about personal matters, Kirsten Johnson’s attentive camera captures revealing flashes of the man behind the ideas. What emerges is a fascinating interrogation of filmic truth: a documentary that relentlessly deconstructs itself. Friday, July 27, 8:45pm

Ellen Kuras Eternal Sunshine of the Spotless Mind Michel Gondry, USA, 2004, 35mm, 108m The feverish imaginations of DIY surrealist Michel Gondry and screenwriter Charlie Kaufman kick into overdrive for the great gonzo sci-fi romance of the early 2000s. When nice guy dweeb Joel (Jim Carrey) encounters blue-haired spitfire Clementine (Kate Winslet) on the LIRR, there’s a spark of attraction, but also something familiar—almost as if they’ve met before… Cue a ping-ponging, time- and space-collapsing journey through memory and a star-crossed love gone sour. The high-contrast handheld camerawork of Ellen Kuras enhances the whiplash sense of disorientation in what is, ultimately, a heart-wounding parable about the ways in which we inevitably hurt those we love most. Wednesday, August 1, 4:30pm Saturday, August 4, 9:30pm

Swoon Tom Kalin, USA, 1992, 35mm, 93m One of the most daring works to emerge from the New Queer Cinema movement of the early 1990s, Swoon offers a radical, revisionist perspective on the infamous Leopold and Loeb murder case. Channeling the spirits of Dreyer, Bresson, and Jean Genet, director Tom Kalin challenges viewers to identify with two of the most notorious killers of the 20th century, their crime—the Nietzsche-influenced thrill killing of a schoolboy in 1920s Chicago—and punishment recounted in ghostly black and white by Ellen Kuras. Throughout, Kalin cannily deconstructs the ways in which Leopold and Loeb’s homosexuality has been historically sensationalized and demonized—a provocative analogy for queer persecution in the AIDS era. Monday, July 30, 2:00pm Monday, August 6, 8:30pm

Sabine Lancelin La captive Chantal Akerman, France/Belgium, 2000, 35mm, 118m French with English subtitles Chantal Akerman’s hypnotic exploration of erotic obsession plays like Vertigo filtered through the director’s visionary feminist formalism. Loosely inspired by the fifth volume of Proust’s In Search of Lost Time, it circles around the very-strange-indeed relationship between the seemingly pliant Ariane (Sylvie Testud) and the disturbingly jealous Simon (Stanislas Merhar), whose need to possess her completely in turn renders him hostage to his own destructive desires. The coolly contemplative camera style of Sabine Lancelin imparts an unbroken, trance-like tension, which finds release only in the thunderous roil of the operatic score. Print courtesy of Cinémathèque Royale de Belgique. Sunday, July 29, 1:00pm

The Strange Case of Angelica / O Estranho Caso de Angélica Manoel de Oliveira, Portugal, 2010, 35mm, 97m Manoel de Oliveira’s sly, metaphysical romance—made when the famously resilient director was a mere 102 years old—is a mesmerizing, beyond-the-grave rumination on love, mortality, and the power of images. On a rain-slicked night, village photographer Isaac (Ricardo Trêpa) is summoned by a wealthy family to take a picture of their beautiful, recently deceased daughter Angelica (Pilar López de Ayala). What ensues is a ghostly tale of romantic obsession as Isaac finds his dreams—and his photographs—haunted by the spirit of the bewitching young woman. The crisp chiaroscuro compositions of cinematographer Sabine Lancelin enhance the film’s otherworldly, unstuck-in-time aura. An NYFF48 selection. Friday, July 27, 1:00pm Wednesday, August 1, 9:00pm

Jeanne Lapoirie Eastern Boys Robin Campillo, France, 2013, 128m French with English subtitles Jeanne Lapoirie’s surveillance-style camera, looking from above, masterfully follows the men who loiter around the Gare du Nord train station in Paris as they scrape by however they can, forming gangs for support and protection, ever fearful of being caught by the police and deported. When the middle-aged, bourgeois Daniel (Olivier Rabourdin) approaches a boyishly handsome Ukrainian who calls himself Marek for a date, he learns the young man is willing to do anything for some cash. What Daniel intends only as sex-for-hire begets a home invasion and then an unexpectedly profound relationship. The drastically different circumstances of the two men’s lives reveal hidden facets of the city they share. Presented in four parts, this absorbing, continually surprising film by Robin Campillo (BPM: Beats Per Minute) is centered around relationships that defy easy categorization, in which motivations and desires are poorly understood even by those to whom they belong. Monday, July 30, 4:00pm Saturday, August 4, 4:45pm

Rain Li Paranoid Park Gus Van Sant, USA, 2007, 35mm, 85m At once a dreamlike portrait of teen alienation and a boldly experimental work of film narrative, Paranoid Park finds Gus Van Sant at the height of his powers. A withdrawn high-school skateboarder (Gabe Nevins) struggles to make sense of his involvement in an accidental death. He recalls past events across tides of memory, and expresses his feelings in a diary—which is, in effect, the movie we are watching. The extraordinary skating scenes, filmed by cinematographers Rain Li and Christopher Doyle in a lyrical mixture of Super 8 and 35mm, depict their subjects soaring in space, momentarily free of the earthly troubles of adolescence. An NYFF45 selection. Tuesday, August 7, 9:15pm

Hélène Louvart Beach Rats Eliza Hittman, USA, 2017, 95m Hittman follows up her acclaimed debut, It Felt Like Love, with this sensitive chronicle of sexual becoming. Frankie (a breakout Harris Dickinson), a bored teenager living in South Brooklyn, regularly haunts the Coney Island boardwalk with his boys—trying to score weed, flirting with girls, killing time. But he spends his late nights dipping his toes into the world of online cruising, connecting with older men and exploring the desires he harbors but doesn’t yet fully understand. Sensuously lensed on 16mm by cinematographer Hélène Louvart, Beach Rats presents a colorful and textured world roiling with secret appetites and youthful self-discovery. A 2017 New Directors/New Films selection. A Neon release. Thursday, August 2, 9:00pm

Pina [in 3D] Wim Wenders, Germany/France, 2011, 106m German, English, and French with English subtitles Wim Wenders began planning this project with legendary choreographer Pina Bausch in the months before her untimely death, selecting the pieces to be filmed and discussing the filmmaking strategy. Impressed by recent innovations in 3D, Wenders decided to experiment with the format for this tribute to Bausch and her Tanztheater Wuppertal; the result sets the standard against which all future uses of 3D to record performance will be measured. Not only are the beauty and sheer exhilaration of the dance s and dancers powerfully rendered by Hélène Louvart and Jörg Widmer’s lensing, but the film also captures the sense of the world that Bausch so brilliantly expressed in all her pieces. Longtime members of the Tanztheater recreate many of their original roles in such seminal works as “Café Müller,” “Le Sacre du Printemps,” and “Kontakthof.” An NYFF49 selection. Sunday, August 5, 2:00pm Tuesday, August 7, 2:00pm

The Wonders Alice Rohrwacher, Italy/Switzerland/Germany, 2014, 110m French with English subtitles Winner of the Grand Prix at the Cannes Film Festival, Alice Rohrwacher’s vivid story of teenage yearning and confusion revolves around a beekeeping family in rural central Italy: German-speaking father, Italian mother, four girls. Two unexpected arrivals prove disruptive, especially for the pensive oldest daughter, Gelsomina. The father takes in a troubled teenage boy as part of a welfare program, and a television crew shows up to enlist local farmers in a kitschy celebration of Etruscan culinary traditions (a slyly self-mocking Monica Bellucci plays the bewigged host). Hélène Louvart’s lensing combines a documentary attention to daily ritual with an evocative atmosphere of mystery to conjure a richly concrete world that is subject to the magical thinking of adolescence. An NYFF52 selection. Friday, August 3, 9:15pm Wednesday, August 8, 3:45pm

Irina Lubtchansky Around a Small Mountain / 36 vues du Pic Saint Loup Jacques Rivette, France/Italy, 2009, 35mm, 84m French with English subtitles     The final film from arch gamesman Jacques Rivette is a captivating variation on one of the themes that most obsessed him: the ineffable interplay between life and performance. Luminously photographed by Irina Lubtchansky in the open-air splendor of the south of France, it revolves around an Italian flaneur (Sergio Castellitto) who finds himself drawn into the world of a humble traveling circus led by the elusive Kate (Jane Birkin), whose enigmatic past becomes a tantalizing mystery he is determined to solve. In a career studded with sprawling shaggy dog epics, Rivette’s swan song is a deceptively slight grace note that contains multitudes. An NYFF47 selection.

Preceded by: Sarah Winchester, Ghost Opera / Sarah Winchester, Opera Fantôme Bertrand Bonello, France, 2016, 24m North American Premiere A film to stand in for an opera unmade: Bonello’s moody, baroque meditation on the heiress to the Winchester rifle fortune plays like a ballet-cum-horror film, an ornate tapestry of enigmatic images, chilling synths, and traces of a tragic and eccentric life. An NYFF54 selection. A Grasshopper Film release. Friday, August 3, 4:15pm Wednesday, August 8, 9:15pm

Babette Mangolte The Camera: Je or La Camera: I Babette Mangolte, USA, 1977, 88m Though perhaps best known as the cinematographer for Chantal Akerman’s groundbreaking 1970s work—as well as for her collaborations with avant-garde icons like Yvonne Rainer, Trisha Brown, and Marina Abramović—Babette Mangolte is a singular cinematic visionary in her own right. In this structuralist auto-portrait, Mangolte allows viewers to peer through the lens of her camera as she produces a series of still photographs, first of models, then of the streetscapes of downtown Manhattan. As we experience the act of image-making through her eyes, what emerges is a heady consideration of the art and act of seeing and of the complex relationship between photographer, subject, and viewer. Monday, August 6, 6:30pm

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles Chantal Akerman, Belgium/France, 1976, 35mm, 201m French with English subtitles A landmark of feminist art, Chantal Akerman’s minimalist masterpiece is both a monumental and microscopic view of three days in the life of a fastidious Belgian single mother (a sphinx-like Delphine Seyrig) as she goes about her housework, peeling potatoes and washing dishes with the same clinical detachment with which she makes love to the occasional john. And then slowly, almost imperceptibly, things begin to go awry… The rigorous, relentlessly impassive gaze of Babette Mangolte’s camera is transfixing but, in the words of the director, “never voyeuristic”; it’s a uniquely feminine way of seeing made manifest by one of the most sui generis filmmaker-cinematographer partnerships in history. Tuesday, July 31, 3:15pm Saturday, August 4, 1:00pm

Claire Mathon Stranger by the Lake / L’inconnu du lac Alain Guiraudie, France, 2013, 97m French with English subtitles Alain Guiraudie’s Cannes-awarded exploration of death and desire unfolds entirely in the vicinity of a gay cruising ground that becomes a crime scene. Franck (Pierre Deladonchamps) is a regular at a lakeside pickup spot, where he finds companionship both platonic and carnal. But his new paramour Michel (Christophe Paou) turns out to be a love-’em-and-leave-’em type, in the deadliest sense… Guiraudie has long been a singular voice in French cinema: anti-bourgeois, at ease in nature, a true regionalist and outsider. Here he and DP Claire Mathon capture naked bodies and hardcore sex with the same matter-of-fact sensuousness they bring to ripples on the water and the fading light of dusk. An NYFF51 selection. Monday, July 30, 9:15pm Thursday, August 9, 2:00pm

Reed Morano Sneak Preview! I Think We’re Alone Now Reed Morano, USA, 2018, 93m Pulling double duty as director and cinematographer, Reed Morano finds the melancholic beauty in the end of the world with this gorgeous and strange drama starring Peter Dinklage and Elle Fanning as the last people on Earth. When the film opens in a desolate upstate New York, the misanthropic Del (Dinklage) is performing rote, custodial tasks to clean up the chaos left around his hometown—and relishing his newfound solitude—until another, sprightly survivor (Fanning) arrives. Winner of the Special Jury Prize for Excellence in Filmmaking at the 2018 Sundance Film Festival, I Think We’re Alone Now is a visually audacious entry in the postapocalyptic genre and an idiosyncratic take on loneliness and grief.   Thursday, August 2, 6:30pm

Rachel Morrison Fruitvale Station Ryan Coogler, USA, 2013, 85m Coogler’s remarkable debut feature explores the life and harrowing death of Oscar Grant (played by Michael B. Jordan), a 22-year-old African-American man killed by police in the early hours of January 1, 2009. Six months after sweeping both the Grand Jury Prize and the Audience Award at the Sundance Film Festival, Fruitvale Station opened on the same weekend that jurors in Florida acquitted George Zimmerman in the death of Trayvon Martin. Rachel Morrison’s gripping, exploratory Super 16 on-location camerawork dramatizes the unseen complexities and personal relationships of Grant’s inner circle with a startling sense of urgency, emotion, and the unflagging awareness of a preventable tragedy too often seen in the news cycle. Sunday, August 5, 7:00pm

Free Talk: The Female Gaze Join us for an hour-long conversation with cinematographers Natasha Braier, Ashley Connor, Agnès Godard, and Joan Churchill as they discuss the series and reflect on their careers and influences, and how they approach their craft. Sponsored by HBO®. Saturday, July 28, 6:30pm* Elinor Bunin Munroe Film Center, Amphitheater, 144 W 65th Street

[jazzzzaj]

030419 JazzaJ / Mercury (CA) / Geröly-Pozsár duó

Geröly Tamás és Rubik Ernő Zoltán duójának ötlete több, mint 15 éve született. A Benczúr ház legfelső emeletén, a Postás zeneiskola zenekari gyakorlat termében került sor az első együttjátékra, beszélgetésekre – a megvalósítás azonban a mai napig váratott magára. Közös játékuk egyik fontos viszonyítási pontja Paul Bley és Paul Motian duója. Notes c. ritka lemezükön a jazz nyelve kortárszenei szikárságú mintázatokba rendeződik, de a zenei dialógusok révén mégis személyes, intim hangvételt nyer. A kanadai Mercury duó műsorán javarészt olyan nyitott formájú kompozíciók szerepelnek, melyek a zenekar felkérésére születtek – többek között Malcolm Goldstein, Pierre-Yves Martel, Rainer Weins, Martin Arnold művei és saját kompozíciók. A basszusklarinét és a bőgő puhasága, homogenitása ugyanúgy megnyilvánul a hangzásban, mint a klasszikus free jazz gesztusos nyelvezete és robbanékony energiája. Mindezek mellett sokat játszanak a csenddel, mely a másik duóval közös alapot biztosíthat egy esetleges harmadik – kvartett felállású – szettre. Lori Freedman - klarinétok Nicolas Caloia - nagybőgő Pozsár Máté - zongora Geröly Tamás - ütőhangszerek belépő: 2000.- _________________________________________________________ ** due to illness Máté Pozsár will replace Ernő Zoltán Rubik ** The idea of a Geröly-Rubik duo was born more than 15 years ago. They first played together on the top floor of the Benczúr-house, in the practice room of the Postás music school – but the duo has not been realized until today. An important point of reference for their music is a rare recording of Paul Bley and Paul Motian titled Notes where they attempt to arrange the language of jazz into the austere patterns of contemporary music but still manage to keep a personal and intimate tone through their musical dialogue. The program of the Canadian duo Mercury mostly consists of open compositions that were written to the their request by Malcolm Goldstein, Pierre-Yves Martel, Rainer Weins and Martin Arnold but also features their own pieces. The softness and homogeneity of the bass clarinet and the double bass are just as much present in their sound as the gestural language and the explosive energy of classic free jazz. Playing with silence is also one their important tools that can serve as a shared basis with the other duo – or even for a possible third set as a quartet. Lori Freedman - clarinets Nicolas Caloia – double bass Máté Pozsár - piano Tamás Geröly – drums, percussion entrance fee: 2000.-

[opsikpro]

Jim Denley, Christian Marien, Pierre-Yves Martel, Matthias Müller - Dis-Drill (mamü music, 2020) ***½

Jim Denley, Christian Marien, Pierre-Yves Martel, Matthias Müller – Dis-Drill (mamü music, 2020) ***½

[ad_1]

By Keith Prosk The duos Jim Denley/Christian Marien and Pierre-Yves Martel/Matthias Müller each freely play a host of extended techniques for a sidelong track on the split album Dis-Drill. Recorded in 2019 at Canberra’s SoundOut Festival, which emphasizes first meetings, Dis-Drilldocuments the first time Denley (woodwinds) and Marien (drums, percussion) or Martel (viola da…

[mebwalker]

The Battle of Quebec

The Battle of Quebec

Le Combat de la Danaé The Battle of Quebec (arr. S. Bergeron) interprète: Meredith Hall album: La Traverse miraculeuse / Le Combat de Québec

La Nef [The Nave]: Sylvain Bergeron, Lisa Ornstein, David Greenberg, Patrick Graham, Amanda Keesmat, Pierre-Yves Martel, Seàn Dagher

Featuring both songs in one post made it too long.

Come, all…

[thepoolscene]

The Pool Scene - Alain Caya, Alain Martel, Alain Trahan, Anick Cadorette, Carol Audet, Christian Boisvert, Daniel Gagné, Daniel Sumun, Danny Hewitt, Dany Normandin, Darren Auclair Clément, Dave Simard, Denis Bernier, Dominic Byrne, Eric Cloutier, Éric Duchêneau, Éric Lepage, Gaston Soucy, Ghislain Champagne, Guillaume McNicoll, Harold Rousseau, Jean-François Dorais, Jeff Blais, Jérémie Boutet, Joey Cicero, Karl Tremblay, Louis-Martin Pratte, Luc Salvas, Marc Malette, Marco Caron, Marco Michel, Marie-France Blanchette, Mario Gamache, Mario Jacques, Markus Noe, Martin Daigle, Martin Sears, Medhi Bahloul, Michel Ferland, Michel Gagnon, Nick Jacques, Nicolas Charette, Pat Desbiens, Pierre Jubinville, Pierre Thériault, Réal Fontaine, Rémy Lefebvre, Sébastien Binette, Stéphane Fournier, Sylvain Béliveau, Sylvain Mercier, Tommy Cayer, Valerie Bedard, Yan Lalande, Yves Gaudreault - Quebec Billiards

New Post on https://goo.gl/n6rKQi

Daigle wins Falcon Tour in Drummondville

Here are the Falcon Cues Quebec tour results from march 03-04 from billard Hériot in Drummondville,Québec

1 Martin Daigle 1 200 $ 2 Dany Normandin 915 $ 3 Daniel Gagné 700 $ 4 Alain Martel 500 $ 5 Marco Caron 350 $ 6 Luc Salvas 350 $ 7 Danny Hewitt 225 $ 8 Yves Gaudreault 225 $ 9 Éric Cloutier 125 $ 10 Medhi Bahloul 125 $ 11 Éric Lepage 125 $ 12 Guillaume McNicoll 125 $ 13 – 16 Carol Audet 60 $ 13 – 16 Nick Jacques 60 $ 13 – 16 Stéphane Fournier 60 $ 13 – 16 Martin Sears 60 $ 17 – 24 Valérie Bédard 0 $ 17 – 24 Louis-Martin Pratte 0 $ 17 – 24 Pierre Thériault 0 $ 17 – 24 Dominic Byrne 0 $ 17 – 24 Sylvain Mercier 0 $ 17 – 24 Sébastien Binette 0 $ 17 – 24 Mario Jacques 0 $ 17 – 24 Rémy Lefebvre 0 $ 25 – 32 Harold Rousseau 0 $ 25 – 32 Karl Tremblay 0 $ 25 – 32 Markus Noé 0 $ 25 – 32 Denis Bernier 0 $ 25 – 32 Tommy Cayer 0 $ 25 – 32 Yan Lalande 0 $ 25 – 32 Pat Desbiens 0 $ 25 – 32 Ghislain Champagne 0 $ 33 – 48 Michel Gagnon 0 $ 33 – 48 Marc Malette 0 $ 33 – 48 Gaston Soucy 0 $ 33 – 48 Mario Gamache 0 $ 33 – 48 Dave Simard 0 $ 33 – 48 Sylvain Béliveau 0 $ 33 – 48 Joey Cicero 0 $ 33 – 48 Alain Trahan 0 $ 33 – 48 Pierre Jubinville 0 $ 33 – 48 Anick Cadorette 0 $ 33 – 48 Jean-François Dorais 0 $ 33 – 48 Jeff Blais 0 $ 33 – 48 Christian Boisvert 0 $ 33 – 48 Éric Duchêneau 0 $ 33 – 48 Darren Auclair Clément 0 $ 33 – 48 Alain Caya 0 $ 49 – 64 Réal Fontaine 0 $ 49 – 64 Daniel Sumun 0 $ 49 – 64 Marie-France  Blanchette 0 $ 49 – 64 Jérémie Boutet 0 $ 49 – 64 Marco Michel 0 $ 49 – 64 Michel Ferland 0 $ 49 – 64 Nicolas Charette 0 $

[voilaquebec-blog]

Le chef cuisinier et le chef pâtissier de l’année dévoilés par la SCCPQ

La Société des chefs cuisiniers et pâtissiers du Québec (SCCPQ), le plus vaste regroupement professionnel de métiers de bouche au Québec, honore depuis 1953 les chefs cuisiniers et pâtissiers s’étant le plus démarqués au cours de chaque année, et ce, dans une dizaine de régions de la province. Le comité de la région de Québec dévoilait hier ses récipiendaires qui, en plus de mériter le titre de chef cuisinier ou chef pâtissier de l’année pour la région de Québec, se retrouvent en liste pour le titre national qui sera décerné au printemps prochain.

C’est Yvan Lebrun du Restaurant Initiale, grand vainqueur provincial de l’an dernier, qui accueillait les membres à sa table pour un diner festif combiné à la remise annuelle des prix. Préalablement, les membres avaient à voter parmi les finalistes dans chaque catégorie afin d’élire LE chef cuisinier et LE chef pâtissier qui représenteront la région à travers la province cette année. C’est, respectivement, Stéphane Modat du Fairmont le Château Frontenac et Julie Vachon de Julie Vachon Chocolats qui ont remporté les honneurs pour 2017. De grands noms de la gastronomie étaient en nomination : Raphaël Vézina, Guillaume St-Pierre et Christian Lemelin ainsi que Gaël Vidricaire et Yves-Marie Rolland. Deux autres prix ont été décernés, soit le prix Urs Abrecht remis à Jean-Claude Crouzet pour son implication dans la SCCPQ et le prix Étienne Bernard pour l’implication de longue date remis à Philippe Castel. Mme Christine Plante, Directrice générale des Lauriers de la gastronomie québécoise, était également sur place pour parler de la première présentation des prix Lauriers en 2018.

Sur la photo ci-haut : (De gauche à droite) : Mario Martel, membre actif de la SCCPQ – Région de Québec et Maître de cérémonie de la remise de prix 2017, Philippe Castel, récipiendaire du prix Étienne Bernard, Jean-Claude Crouzet, récipiendaire du prix Urs Abrecht, Julie Vachon, récipiendaire du prix Chef pâtissier de l’année, Stéphane Modat, récipiendaire du prix Chef cuisinier de l’année et Sébastien Bonnefis, Directeur de la SCCPQ – Région de Québec

Crédit photo : Lise Breton

À propos de la SCCPQ La Société des chefs cuisiniers et pâtissiers du Québec a un rôle très rassembleur dans l’industrie de la restauration. Elle offre un lieu d’échange sur les tendances actuelles et sur les réalités de la profession, mais aussi des pistes de solutions à certains défis tels que le manque alarmant de personnel qualifié. Toutefois, le rôle primordial du regroupement est de définir les besoins et les aspirations de sa communauté et de représenter ses membres auprès des instances gouvernementales nationales et fédérales. Dans la région de Québec, le comité en place souhaite innover et offrir davantage à ses membres afin d’élargir son cercle et rejoindre plus de gens. La nomination de M. Sébastien Bonnefis à titre de Directeur de la région de Québec arrive �� point : « Mon but est de redynamiser la SCCPQ pour la région de Québec en allant chercher de nouveaux membres ainsi que les étudiants des écoles hôtelières », mentionne M.Bonnefis. En plus des quatre événements offerts aux membres à chaque année, un brunch, une cabane à sucre, le tournoi de golf et le grand Gala gastronomique, le comité de la région de Québec souhaite offrir plus d’activités, de formations et de visibilité à son groupe. Les membres de la SCCPQ seront aussi invités à participer aux conférences M de la Fondation Mérici collégial privé. Ces événements sont possibles grâce au don majeur de 200 000$ fait par M. Gilbert J. Cashman pour l’École de tourisme, d’hôtellerie et de restauration (ETHR).

[dancetv]

Synopsis : Un groupe d'adolescents se retrouve contraint de participer à un jeu de survie où l'alternative à tuer est d'être tué, plongeant ainsi dans une lutte impitoyable pour leur propre vie. FICHE TECHNIQUE Aussi connu sous le nom de : Jogo da Morte Genres : Épouvante-Horreur, Thriller Année : 2017 Pays d'origine :  France, Canada, États-Unis Durée : 1 h 13 min Date de sortie (France, Canada, États-Unis) : 2017 Date de sortie (France) : 20 mars 2017 Réalisateurs :  Sebastien Landry, Laurence Morais-Lagace Scénaristes :  Edouard H. Bond, Philip Kalin-Hajdu, Sebastien Landry, Laurence Morais-Lagace Producteurs :  Benoit Beaulieu, Mathias Bernard, Pierre-Alexandre Bouchard, Antoine Disle, Philip Kalin-Hajdu, Jean-Yves Martel, Frédéric Pons Bande-Annonce : https://www.youtube.com/watch?v=YUJ02gHWzqg

[juliansummerhayes]

Listen/purchase: Weird Studies: Music from the Podcast Vol.1 by Pierre-Yves Martel

Here now.

[quandpensezvous]

Enregistré le 13 novembre 2017 au Bar à poutine Chez Morasse!

D'la ben belle visite: L’humoriste Rosalie Vaillancourt!

Rayon X: Paul-Antoine Martel analyse les paroles de « Dangereuse attraction » de Marie-Mai.

9 à 3: Une hilarante interprétation de La belle au bois dormant avec Rosalie Vaillancourt dans le rôle de la méchante fée et une participation surprise de Pierre-Yves Roy-Desmarais!

Ge, tu, elles, l’édito de Geneviève Béland livré par l’animateur Serge Trudel: Le féminisme, c’est pas un « e » entre parenthèses.

Quand pensent-elles? Il est question de parité, avec la Princesse hot-dog Mélodie Rheault et l’humoriste Rosalie Vaillancourt.

Correspondance: Un autre extrait de l’intimité d’Alexianne.

Aussi: le Moment anti-radio, Trancher, la Zone d'inconfort et le Sac de chips!

Merci à la Société St-Jean-Baptiste de l’Abitibi-Témiscamingue, au Bar à poutine chez Morasse, à la Microbrasserie le Prospecteur, à Honda de Val-d’Or, au FRIMAT, à Marie-Claude Robert photographe et à Studio Lachapelle.

http://quandpensezvous.com/googleplaymusique http://quandpensezvous.com/itunes http://quandpensezvous.com/podcastaddict http://quandpensezvous.com/soundcloud http://quandpensezvous.com/stitcher http://quandpensezvous.com/tunein

[lemagdalexia-blog]

Hello mes lous,

Voici déjà mon troisième bilan. Le mois de juin est passé rapidement. Etant en examens, j’ai davantage reçu de livres que chroniquer ceux-ci. J’ai fait de très chouettes découvertes donc je vous laisse découvrir ça!

Dernier bilan: Bilan lecture #2

Dernier article: Chronique#56 de prisonnière du Levant de Darina Al Joundi

1.Livres chroniqués

Thalia Devreaux: nouvelles cadeau d’anniversaire, une envie pressante et un voyage intéressant ici (numérique)

Jacques Travers: La guerrière et le sultan ici (papier)

Nina Frey: Ce qui nous oppose ici (papier)

Lorelei Martin: Backstage ici (numérique)

Benoit Grelaud: Les Kolbotz tome 1 ici (numérique) via le service Netgalley

Delia Ephron: Le dernier été à Syracuse ici (numérique) via le service Netgalley

Pierre-Etienne Bram: L’interphone ne fonctionne toujours pas ici (numérique) via le service Simplementpro

Kate Eberlen: Miss you ici (numérique) via le service Simplementpro

Charlie N Holmberg: The glass magician ici (numérique) via le service Netgalley

Sophie Kinsella: Ma vie (pas si) parfaite ici (numérique) via le service Netgalley

Tuutiiki Tolonen: Le monstre nounou ici (numérique) via le service Netgalley

Aurélien Grall: Aliénor l’origine de toutes les haines ici (numérique) via le service Simplementpro

Franck Driancourt: Edgard au pays d’oz ici (numérique)

Luc Blanvillain: L’incroyable voyage de M. Fogg ici (numérique) via le service netgalley

Camille X Morgan: L’horloge de la XIII heure ici (numérique) via le service simplementpro

Erika Boyer: Le langage des fleurs ici (numérique) via le service simplementpro

Audrey Alba: Stay with me ici (numérique) via le service netgalley

Lauteur Gally: Folie fraise ici (numérique) via le service netgalley

Martine Plaucheur: nouvelles ici (papier) 

Lauteur Gally: Secret soda ici (numérique) via le service netgalley

Darina Al Joundi: Prisonnière du Levant ici (numérique) via le service netgalley

2.Livres reçus

Papier

Elisabeth Nihous: Le psy, le caniche…et moi

Maryse Martel: sur le fil de ma vie au printemps et le goût de la chataigne

Jacques Vandroux: projet Anastasis (éditions Robert Laffont) exclusivité!! 🙂

Philippe Saimbert: 11 serpents via le service simplementpro

Pierre-Yves Villeneuve: Gamer tome 1 nouveau port (Kennes éditions)

Ericka Duflo: Métamorphose tome 1 exodes (Kennes éditions)

Isabelle Morot-Sir: La fleur de l’ombre (éditions Publibook) via le service simplementpro

Frederic Bellec: Exilium tome 1 l’internet (éditions Bod) via le service simplementpro

Myriam Caillonneau: Yddrazil tome 3

Alexis Saint-Val: Brabancia 1ière vague

Le secret des noix de Jacques-Victor Caramin (éditions Persée)

Flo Renard: Marathon Men(exclusivité)

Darren Bryte: Angry (terranova éditions)

Benoit Cartuset: Les vautours n’ont pas le choix (éditions du net)

Evelyne Judrin: Il faut bien que la foudre tombe quelque part

Anna Quindlen: la ferme des Miller(Editions Belfond)

Harmony Verna: Les orphelins au bout du monde 🌎(editions Belfond)

Beatriz Williams: Les lumières de Cape Cod ( éditions Belfond)

Dina Barreau: l’humidité des souvenirs(7ecriteditions)

Tiffany Schneuwly: Devores-moi tome 1 l’imaginarium (Livr’S editions)

Florence Clerfeuille: Le poids de la colère et le choc de la haine via le service simplementpro

Frédéric Bellec: Exilium livre 2, première partie les legs noirs via simplementpro

Sacha Stellite: la vie rayée

Hélène Destrem: la légende du futur

Hélène Louise: Les silences de Thalès

Bruno Madeleine: Les petits yeux étoilés (éditions du net) via le service simplementpro

Vincent Martorell: La maison jaune (Néobook éditions)

Victor Lepointe: La guerre des loups (éditions Pierre de Taillac)

Carl Pineau: L’arménien (éditions librinova)

Numérique

Westley Diguet: Le règne du sang (éditions plume blanche) pour l’opération spéciale summer time

Léna Jomahé: Les oubliés tome 1 derniers jours (éditions plume blanche) pour l’opération spéciale summer time

Rose P Katell: La malédiction d’Ariane via le service simplementpro

Iman Eyitayo: L’antichambre des souvenirs livre 1 (éditions plumes solidaires) via le service simplementpro

E.R Link: Un air de liberté via le service simplementpro

Freeric Huginn: Vegan psycho via le service simplementpro

Ludovic Metzker: Histoires fantastiques volume 1 via le service simplementpro

Claudia Grey: Génésis tome 1 le défi des étoiles (Castelmore éditions) via le service netgalley

Elie Grimes: Les gentilles filles vont au paradis, les autres vont où elles veulent (préludes éditions) via le service netgalley

A.V Geiger: Follow me back (éditions Robert Laffont) via le service netgalley

Thomas Lejeune: Une dose d’adrénaline via le service simplementpro

Sylvia Kunst: Emma

Sélène Derose: Alter Ego, au delà des apparences

Odehia Nadaco: Knysna

Vincent Martorel: les enquêtes de Julius saison 1 et le vol de la cigogne

Patrick Excoffon: les oubliés des dieux livre 1 et 2 et 3

Elen Brig Koridwen: Zone franche et épisode 1 et 2 de Au bonheur des dames

Vintage key an old diary

3.Mes prochaines lectures

Yddrazil tome 3 de Myriam Caillonneau (papier) via simplementpro que j’ai déjà commencer 🙂

Le choc de la haine et le poids de la colère de Florence Clerfeuille(papier) via simplementpro

Au-delà d’un héritage de Laurence Lopez Hodiesne(papier)

La vie trépidante de Jessie Jefferson de Paige Toon(prisma éditions) (papier)

D’écosse de Cédric Pignat(papier)

Le rêve éveillé d’Antoine Babar(papier)

Je vais également essayer d’avancer dans mes livres numériques.

  Je remercie donc mes partenaires(maisons d’éditions et auteurs. Qu’en avez-vous pensé?

Pour les autres blogueurs, quel est votre bilan livresque à vous?

Je vous dit à dimanche, 

Alexia 

Alexia

Bilan lecture#3  Hello mes lous, Voici déjà mon troisième bilan. Le mois de juin est passé rapidement. Etant en examens, j'ai davantage reçu de livres que chroniquer ceux-ci.

[thoregil]

Kveldens konsert nummer to i regi av nyMusikk Trondheim og Art Music Trondheim var med Carl Ludwig Hübsch (DE) – tuba/objekter, Pierre-Yves Martel (CA) – viola da gamba/munnspill og Philip Zoubek (AU) – preparert piano. De spilte to improviserte stykker med sin litt spesielle instrumentering. (Imponerende i seg sjøl å få et digert Steinway-flygel til å høres ut som et hundrekroners leketøys-piano.)

#gallery-0-4 { margin: auto; } #gallery-0-4 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 100%; } #gallery-0-4 img { border: 2px solid #cfcfcf; } #gallery-0-4 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */

2016-11-07 Hübsch/Martel/Zoubek – nyMusikk, Dokkhuset Kveldens konsert nummer to i regi av nyMusikk Trondheim og Art Music Trondheim var med Carl Ludwig Hübsch (DE) - tuba/objekter, Pierre-Yves Martel (CA) - viola da gamba/munnspill og Philip Zoubek (AU) - preparert piano.

[hodhodca]

کنسرت گروه هنری Constantinople با آواز خواننده تحسین شده "سپیده رئیس سادات" در مونتریال

https://goo.gl/s0A4mS

گروه هنری Constantinople، با مدیریت هنری کیا طبسیان، آهنگساز و نوارنده چیره دست سه تار در سال ۱۹۹۸ با هدف ایجاد بستری برای دیدارها و تبادلات موسیقایی، کشف نقاط مشترک فرهنگی هنری و به دنبال آن خلق آثار هنری، در مونترال تاسیس گردید. Constantinople در ��ی این سال ها با تلاش و ارایه ی آثار و برنامه ها...

Read full text at https://goo.gl/s0A4mS

رسانه هدهد | هدهد کانادا | رسانه هدهد کانادا رسانه فارسی زبانان کانادا، اخبار کانادا، مهاجرت کانادا، زندگی در کانادا