#Physical distribution management

[fatehbaz]

patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.

this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.

the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.

so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.

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ok, found some

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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.

Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.

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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?

Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]

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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.

Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]

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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.

Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.

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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).

Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.

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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].

Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]

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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.

Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]

[dawnthefluffyduck]

I drew this explanation post for why I was completely inactive for a week, but then felt too anxious and drained to post it, and subsequently disappeared for a second week

Two main blog drawings and one side blog wip later, I remembered I made this and still think it's funny, so even though I stopped being dead (TM) I still wanted to share lol

Brief series of events at work

^^^old, but I'm still taking it easy so posts on both this blog and my alt will continue to be scattered for now

[subjectsix]

I don't know I'm not done talking about it. It's insane that I can't just uninstall Edge or Copilot. That websites require my phone number to sign up. That people share their contacts to find their friends on social media.

I wouldn't use an adblocker if ads were just banners on the side funding a website I enjoy using and want to support. Ads pop up invasively and fill my whole screen, I misclick and get warped away to another page just for trying to read an article or get a recipe.

Every app shouldn't be like every other app. Instagram didn't need reels and a shop. TikTok doesn't need a store. Instagram doesn't need to be connected to Facebook. I don't want my apps to do everything, I want a hub for a specific thing, and I'll go to that place accordingly.

I love discord, but so much information gets lost to it. I don't want to join to view things. I want to lurk on forums. I want to be a user who can log in and join a conversation by replying to a thread, even if that conversation was two days ago. I know discord has threads, it's not the same. I don't want to have to verify my account with a phone number. I understand safety and digital concerns, but I'm concerned about information like that with leaks everywhere, even with password managers.

I shouldn't have to pay subscriptions to use services and get locked out of old versions. My old disk copy of photoshop should work. I should want to upgrade eventually because I like photoshop and supporting the business. Adobe is a whole other can of worms here.

Streaming is so splintered across everything. Shows release so fast. Things don't get physical releases. I can't stream a movie I own digitally to friends because the share-screen blocks it, even though I own two digital copies, even though I own a physical copy.

I have an iPod, and I had to install a third party OS to easily put my music on it without having to tangle with iTunes. Spotify bricked hardware I purchased because they were unwillingly to upkeep it. They don't pay their artists. iTunes isn't even iTunes anymore and Apple struggles to upkeep it.

My TV shows me ads on the home screen. My dad lost access to eBook he purchased because they were digital and got revoked by the company distributing them. Hitman 1-3 only runs online most of the time. Flash died and is staying alive because people love it and made efforts to keep it up.

I have to click "not now" and can't click "no". I don't just get emails, they want to text me to purchase things online too. My windows start search bar searches online, not just my computer. Everything is blindly called an app now. Everything wants me to upload to the cloud. These are good tools! But why am I forced to use them! Why am I not allowed to own or control them?

No more!!!!! I love my iPod with so much storage and FLAC files. I love having all my fics on my harddrive. I love having USBs and backups. I love running scripts to gut suck stuff out of my Windows computer I don't want that spies on me. I love having forums. I love sending letters. I love neocities and webpages and webrings. I will not be scanning QR codes. Please hand me a physical menu. If I didn't need a smartphone for work I'd get a "dumb" phone so fast. I want things to have buttons. I want to use a mouse. I want replaceable batteries. I want the right to repair. I grew up online and I won't forget how it was!

[virtualizationhowto]

VMware Networking: 5 Concepts to Master

VMware Networking: 5 Concepts to Master #homelab #selfhosted #vmware #VMwareNetworkingEssentials #vSphereStandardVsDistributedSwitch #ManagingMultipleUplinks #UnderstandingVMwareFailovers #MasteringLoadBalancingInVirtualEnvironments #VLANTaggingInVMware

One of the challenges when getting into virtualization using VMware ESXi and vSphere with vCenter Server is understanding the many different networking concepts. There are a few foundational concepts in the VMware networking layer that you need to understand and master that will provide a basis for building your environment connected to the virtual network in your VMware environment. Table of…

[kuuhaiyu]

proof of donation: feeding people in gaza

last week, you guys helped raise over $800 to help ahmed do relief work in gaza! take a look at what you made possible.

proof of money received:

on the left is the original screenshot of the bank transfer in arabic. in the middle, shimaa has kindly edited the photo with english captions to explain what each section says. after transfer fees and deductions, they were able to receive $899. last of all, on the right is the physical money in israeli shekels that ahmed was able to withdraw.

proof of relief aid in the refugee camp:

here are the pots of food that ahmed cooked and set up! you can see all the families and children who have come to eat. in addition, ahmed bought clean water to distribute around the camp, as well as baby formula (pictured bottom right) for those in need.

the original goal was $800 to feed everyone in the camp a hot meal, buy water, and get juice for the children. the extra $100 raised was used to buy the baby formula.

look at what you all made possible!

additional words from ahmed and his sister shimaa:

how to continue supporting:

per ahmed's requested, i've created another campaign to raise money for his next relief aid initiative. you can help feed someone in gaza TODAY! you can donate here:

as a reminder, $20 can buy a bag of rice, and $50 can buy 1 kg of meat. and every single dollar counts. you truly don't know how much donations can add up.

ahmed would also like to buy curtains in order to shelter tents from the winter rains. due to the changing needs of people in gaza, please be aware that donations may be used for more urgent needs at the time.

in addition, due to personal circumstances, i will be stepping back from organizing new campaigns after october ends.

if you can help take over managing shimaa and ahmed's campaigns, please DM me!

i will offer assistance as best as i can.

[featherandferns]

risk (fic)

jj maybank x fem!kook!reader | partly inspired by this incredible scene

content warnings: sexual content; physical violence

word count: 18k.

blurb: after a hurricane, a Labrador shows up at JJ's house. After some posters go up around the country, JJ begrudgingly returns the dog to you on Figure Eight. Little did he know that his life was about to change forever.

This is actually insane.

JJ has no idea how everything went to shit faster than a penny falling from the top of the Empire State Building. It seems to be the crux of his life.

One minute Rafe is beating the shit out of JJ’s face, Kelce holding him tight in a headlock, with Pope being strangled to his right by Topper, and the next everyone is still like rock.

There you stand, holding up a gun, safety unlatched, with the aim set directly at the centre of Rafe’s forehead. He’s already called your bluff once. It’s a classic Mexican stand-off. Nobody knows what you’re going to do next, not even JJ. Hell, he’s not even sure if you know what you’ll do next.

And it’s crazy to think that all of this started because of a dog.

Two Months Earlier

It always sucks when JJ admits to himself that Kiara was right. She was right about most things, in fairness, but just this once – just for a change – he had hoped that she wasn’t.

The blonde-haired boy stands in the middle of the sidewalk, staring at a poster taped to a streetlamp. His teeth gnaw on his lower lip in thought as he tugs the poster free, as if gaining a closer look might change what he sees.

MISSING DOG

IF FOUND PLEASE RETURN TO 12 SILVER CANOE WAY, FIGURE EIGHT

REWARD AVAILABLE

The picture is an uncanny reflection of the dog currently sat by JJ’s feet. He’s panting in the sun, blissfully unaware of the curveball tossed at his temporary owner. As JJ looks from the black-and-white poster to the middle-aged dog, he has to begrudgingly admit to himself that Kiara was right. This dog wasn’t a stray. Instead, he was the pet of some bratty, spoilt Kook.

“Whose dog is that?” Kiara asks.

JJ follows her gaze to the labrador cosied up on the porch, soaking up the sun like it was his God-given right.

“Mine,” he says.

“Yours?”

“Yeah, he just showed up after the hurricane."

It was true. The morning after the hurricane, JJ ventured out of his house to assess the damage only to hear a rustling and whimper from under the porch. Getting down on his hands and knees, expecting to find some beaten racoon, JJ came face to face with a petrified, middle-aged labrador. No collar. His cream coat was covered in dirt and dust and a small cut near his eye told JJ he’d found his way to his house during the hurricane, likely seeking shelter. After he coaxed him out with some fresh fish, the dog seemed to take a liking to the seventeen-year-old. JJ took it as the dog distribution system shining the light on him but Kiara didn’t seem so sure.

“And you’re just gonna claim him?”

“He’s a stray,” JJ tells her.

She looks to the dog again, then back to JJ. Her face essentially says, ‘seriously, dude?’

“He is!”

“A dog that well-groomed and that well fed is not a stray, and you know it.”

JJ’s stomach twists. He’d thought the same thing once he’d given the dog a wipe down. A full stomach, trimmed fur, trained to do more than just sit…Strays don’t come like that in Kildare County. But JJ liked the company the dog brought. He’d always wanted one, ever since he was a kid, but his dad would never allow it. Waste of money and food, he’d say. But so far, JJ had managed to keep the dog’s existence on the downlow. He wasn’t very loud or yappy. In fact, he was as calm as sea turtle. JJ liked the bond that had so quickly grown between them. So, swallowing the faint feeling of guilt of keeping someone’s dog, he tells Kiara:

“Well, until someone puts a poster up, I’m sticking to my gut. He’s a stray and he belongs with me.”

It’s like the universe was calling his bluff or something.

JJ crumples the poster in his fist, litters it on the street, and gently tugs on the leash.

“Come on, boy,” he mutters.

The dog gets to its feet and follows JJ down the street, back to the Chateau. He seems rather drained from the brief walk around the cut. Curls up by the front door in a patch of shade, yawning before nestling his head between his large paws for a nap. JJ watches him from the kitchen as he sips on a cold cider. His mind is in battle between right and wrong (as it usually is) as he contemplates the poster.

Kiara nearly falls over the dog as she walks into the Chateau. Then, she shoots a deadly glare to JJ.

“You didn’t go to the vet, did you?”

“Who actually microchips their pets, anyway?”

“Most people, JJ. It’s a clever way to make sure you get your dog back if, let’s say, it runs off in a hurricane without a collar,” Kie returns.

JJ rolls his eyes and takes another swig of his drink. “I’ll take him tomorrow.”

“Actually, there’s no need,” Kiara says. She walks across the room to him and pulls something from her back pocket. As she unfolds the rectangle of paper, JJ comes face to face with the very poster that had been occupying his mind for the past half hour. She holds it out to him.

“See? This is someone’s dog.”

“That could be any dog,” JJ lies.

Kiara quirks a brow. JJ breaks easily, sighing.

“Look, can we just consider the possibility that this dog would be happier with me?” JJ argues. He ditches his cider and makes his way over to the animal. “I mean, he likes me, Kie. And he listens to me. And I like having him around.”

Lowering to his knees, he pets the dog awake from his slumber. He makes an adorable grumbling-whine as he rouses from his sleep. Looking over to Kiara, JJ must resemble an eight-year-old begging their parents for candy at the grocery store.

“I’ll take good care of him,” he promises.

Kiara sighs. Her icy exterior softens, features overcome with sympathy. She joins him and the dog on the floor, scratching at the pet’s back.

“I know you will, JJ,” she says. “But this is someone’s pet. And they clearly want him back. It’s the right thing to do.”

“Since when do I ever do the right thing?” JJ mumbles. He looks down to meet the chocolate brown eyes of his new best friend.

“Since today, hopefully.”

JJ holds the dog’s gaze. There’s such tenderness in his eyes, as the dog stares up at him. Makes JJ feel as though he is the most important thing on this earth. Dogs don’t care about money or mind: you treat them right and give them a good stick, and they’ll be happy forever. Unconditional love like that is rare to find in humans. It seems to JJ like it’s almost impossible, really. But then he thinks of the dog looking at a little girl or boy like that, and how (as spoilt as they may be) the child feels nothing but love for the dog in return. It seems cruel to take that away. He knows deep down what the right thing is. The moral thing.

“Tomorrow,” JJ quietly says. Looking up, meeting Kiara’s eyes, he nods reluctantly. “I’ll take him to the house tomorrow.”

She smiles smally, nodding to herself. Getting to her feet, she leaves JJ alone with the dog to enjoy the last few hours of time together. He ends up falling asleep on the pull-out couch with the dog, face buried in the scruff of his neck, as he unconsciously counts down the hours left until he gives him back.

~*~*~*~*~*~*

JJ stretches out the walk to the house for as long as possible. He lets the dog sniff at every scent and even tries to coax a million pee breaks out of him. He lingers by the sea, stroking the dog’s fur, and shares a hot dog as they pass a gas station. Eventually, they arrive at Figure Eight. The hurricane left the cell towers down on The Cut, so he didn’t bother with his phone. That leaves him to follow street signs until he’s making his way up Silver Canoe Way.

The houses are insane. Marvels of architecture and money. Bright green hedges trimmed into the most obscure shapes; useless statutes standing pretty in front gardens, protected by walls and security cameras. Fountains on almost every property, and a pool probably found in every back garden. Lucky sons of bitches.

House 12 is gorgeous: cream stone bricks and oak-style wood accents. There isn’t a gate, which is curious considering all the others down the road have one. JJ feels as though he’s trespassing as he makes his way up the driveway. There's not a single weed sprouting between paving slabs. There’re two cars in the driveway, each probably cost more than his life insurance pay-out. He imagines birds that dare shit on them get taxed: it’s the only way to explain their cleanliness. God, living like this and he can half understand why Kooks are as obnoxious as they are. What appear to be marble steps lead to a huge front door. The dog seems to know where he is, tugging excitedly on the leash as he guides JJ up the stairs.

JJ stands for a long moment. He looks down at the dog, takes in its wagging tail, and sighs. As he lifts his fist to rap against the door, it swings open. JJ is just as stunned as you. He doesn’t have time to apologise for startling you, because your eyes drop from JJ to the barking dog. You sink to the floor, mouth falling open, and willingly let your dog tackle you in a hug. His leash slips from JJ’s hold. You scruff the dog’s neck, press kisses all over his face, and giggle tearfully as your dog greets you after almost a week apart.

“Oh my God! Ranger! Oh my God!” you happily cry over and over again.

JJ immediately feels evil for even contemplating keeping your dog, Ranger, to himself.

The moment Ranger seems to gain some composure, you remember JJ’s existence. Looking up, you quickly wipe away your tears from under your eyes and clamber back to your feet.

“Oh my God, I’m so sorry! I’m so rude!” you laugh, sticking out a hand. He shakes it as you introduce yourself.

“JJ,” he replies.

There’s a moment of recognition that passes over your face but it’s gone as soon as it comes, like the flash of green at sunset on the horizon.

“Thank you so much,” you say. One of your hands reaches down to ruffle at Ranger’s neck. JJ takes in how happy he is, staring up at you, grinning and panting, tongue out with exertion. “Where did you find him?”

“He kinda found me,” JJ replies, scratching the back of his neck. “Showed up under my house just after the hurricane. Guessing he got spooked or something.”

“That’s what we think happened,” you say. “I woke up to find the backdoor open. He must have jumped and bolted; he frightens easy, you see. I felt awful when I realised he was gone.”

As JJ listens to you speak, he’s partly distracted. It’s hard to follow along to what you say when you’re standing gorgeous like the first day of June.

“Well, like I said, it’s no trouble,” JJ repeats.

You smile brighter than a brand-new penny, teeth pearly white and perfect aligned. JJ doubts you ever needed braces. Probably born with a set of veneers. It’s with that bitter thought that he reminds himself what he’s dealing with here. A kook who lives in nothing short of a mansion, who can’t even keep her dog inside during a hurricane.

“The, uh, poster said something about a reward…” JJ awkwardly mentions.

Your face dawns with realisation and he momentarily feels guilty, but then you’re nodding fervently. “Of course! God, I can’t believe I forgot!”

“I mean, I would have brought him back anyway,” JJ bold face lies.

“No, don’t be silly, it’s the least I owe.” You pull your door open. “Come in, please,” you say, heading into your home.

JJ falters in the doorway. It feels as though even stepping into your home might put him short of a few hundred bucks, just from breathing the air. He follows the route you took into the house, closing the door behind him. The minute he’s out of the entryway and in the main corridor, his eyes widen like he’s witnessing a supernova.

“Holy super kook,” he mutters, gaping at the interior.

Marble everything. Expensive obnoxious artwork that must only be interpretable once you reach a certain tax bracket. Framed photos of yourself and your family on the wall at various vacation spots: France, Italy, Mexico, China. There are others, too, of dance recitals. A shelf of trophies and awards. Ornaments and figurines standing on podiums like he’s in a museum. JJ’s terrified to walk, as if one step might send everything falling off the walls.

He finds himself blindly following you into the kitchen. It’s crystal clean and white. Granite counter tops beautifully cluttered with every appliance you can imagine. You head to the fridge.

“You want a drink?”

“Uh, sure. Water’s fine, thanks,” JJ replies.

You nod and grab a glass that probably costs JJ’s entire monthly wage. Then you go to your fridge (it has a touchscreen for Christ’s sake) and dispense ice cold water. Holding it out to him, you smile, sweet like buttercream.

JJ sips and watches as you reach for a bag that lies on the kitchen counter, retrieving a wallet. Holding out two fifties, you wait for him to take them. His eyes stare at the unwrinkled notes. JJ’s momentary pause makes you frown.

“Sorry, that’s a bit tight of me, isn’t it?” you say. You dip into the bottomless wallet and retrieve another fifty. “Is that enough?”

“Uh, I couldn’t…” He clears his throat and finally snaps out of his stupor. Taking the money, he passes two fifties back, saying, “I can’t take all of this.”

You shake your head and push the money back towards him.

“I insist. You brought my dog back! I should be giving you more,” you say.

JJ holds back his laugh.

More? It’s a fucking dog! You’re about to give him $150 for a Goddamn seven-year-old labrador? God, Kooks really do just think different.

He looks up from the money and takes you in, properly this time. JJ recognises you. Not from keggers or house parties – he’s seen you at neither of those things – but from church. He used to be subjected to Sunday school in a desperate bid to ‘send him on the right life path’, and he could remember seeing you there. You’d attend the service, sat safe in your father’s shadow. Even though JJ stopped going, he’d still see people heading in the direction of the county church if he were in the area. You were a regular. Dressed in the prettiest dresses, hair perfect and proper, jewellery to the nines, always sandwiched between your mother and father. You didn’t indulge in the debauchery that most teenagers on the island did. JJ would know if he’d spotted you at one of the many hangs; you had the kind of beauty that demanded to be seen, like a rare bird on the marsh. No, girls like you didn’t partake in those things. You spent time with your parents and a small circle of Church friends, probably just as sheltered and saintly as yourself, and was in bed before sunset and awake before sunrise.  

And yet, you never rubbed JJ the wrong way like all the other Kooks did. He didn’t know you from Adam – in fact, the first time he’d ever shared a word with you was today – but something about you…You seemed different. Genuine. Rich, no doubt, but not exactly snobbish.

An idea suddenly comes to JJ. It’s stupid, and rather out of character given his prejudices, but for some reason, it’s miles more appealing than $150. A part of him wonders where his sudden charity is coming from. Maybe it’s something about your personality and his underlying infatuation he’s had with you since Sunday school. Maybe it’s your dog and how doting he appears to be of you. Hell, maybe it’s because you’re pretty. JJ’s always been a sucker for pretty girls – Kook or not – and he’s always wanted the things that he can’t have.

All these thoughts race through his head at a hundred miles an hour, and there’s only half a minute that passes before JJ speaks.

“How ‘bout this?” he says. “I take a fifty, and you let me take you out.”

You blink once, then twice. “Take me out? Like…on a date?”

“Yeah,” JJ nods. The fact that your whole face didn’t immediately shrivel up like a prune at the suggestion gives JJ hope that he might have a chance. “What’d you say?”

There’s a moment where your eyes dip down to Ranger. He’s sat at your feet, watching the two of you interact with his tongue hanging out, mouth in a seeming smile. The second your eyes lock with your dog's, you look back to JJ with new-found confidence.

“Depends,” you say, correcting your posture, chin held high. “What did you have in mind?”

JJ’s never had to pitch a date to a girl before in his life. Usually he asks and they’re there: hook, line and sinker. His brain thinks hard and fast. “I can pick you up. Go for a drive, grab a bite maybe. Get to know one another,” he says.

You quirk a brow. “Is that all?”

Of course, you have standards. Hell, the guys that court you probably dine you at The Ritz and gift you a Rolex. JJ isn’t deterred though. Instead, he’s rather amused.

With a boyish grin, he says, “princess, I promise one date with me and I’ll change your life forever.”

Your eyebrows raise. “Bold statement to make, Maybank.”  

JJ takes note of how you know his last name and thinks back to when he introduced himself; that strange flash of recognition on your face. You know who he is and yet, you’re entertaining the idea of letting him take you out. Curiouser and curiouser.

JJ doesn’t beg or barter. Instead, he just stares you down, waiting for your response as you visibly contemplate his offer. There’s a hint of a smile on your face, the type that might come when you’re trying to suss someone out. It’s barely there but JJ’s sure he can see it. He knows that look all too well.

“When would this be?”

JJ’s painfully aware of how desperate he may sound as he says, “Tomorrow night?”

“I have ballet practice tomorrow.”

“Thursday then.”

“Piano recital.”

“Jesus, woman,” he can’t help but mutter. It makes you smile.

“I’m free Friday,” you offer.

And, holy shit, no way you’re actually agreeing to this. JJ hopes the shock doesn't show on his face.

“Friday works. The, uh, cell towers are down on The Cut so how ‘bout I just pick you up? Seven thirty sound good?”

“Sure.”

You speak in a manner that tries to give the impression that this whole conversation is rather mundane to you. That you have Pogues asking you out every other hour, almost like a nine-to-five job.

“But pick me up on the street outside, not in the driveway.”

JJ doesn’t question it. He’s not going to argue to your terms when he’s somehow landed a date with the hottest, goody-two-shoes kook in Kildare.

“Alright. On the street, Friday at seven thirty. Wear something pretty, yeah?”

Your brows quirk. “Any other demands?”

“Yeah. Give me a fair chance?” JJ wonders, half-joking.

Your eyes flit from JJ’s face, down his body, right to his toes, and back again. Smiling, sweet like cotton candy, you reply, “I think I can do that.”

His body goes ice cold. JJ nods, cementing the dates and times in his memory like he’s remembering nuclear launch codes.

“Then, I guess I’ll see you soon, princess."

“I guess so,” you say, returning the leftover fifties to your wallet. JJ pockets his fifty, gives one last pet to Ranger in farewell, and shows himself to the front door. As it shuts behind him, JJ leans against it. He closes his eyes and tilts his head back. Then, he laughs. He laughs and laughs, mouth upturned in an astounded smile, and shakes his head.

“No fucking way,” he mumbles to himself.

John B is not going to believe this. None of the Pogues are.

Rubbing at his face in disbelief, JJ repeats, “no fucking way” one last time before walking down the driveway. He spares one last glance at the house. Friday. Seven-thirty.

~*~*~*~*~*~*

JJ has never been one to care all that much about his appearance. Half of his clothes have a hole in them somewhere, whether it be on the collar or in a pocket, and his hair is constantly tousled with salt-water from the sea. He isn’t unclean though. He showers and shaves and washes his clothes (though perhaps not as much as he should). He doesn’t think he’s bad looking, either. Lived experience shows that to be true, as he’s never struggled to land a date or hook-up. But there’s something about you, something about this particular meeting, that has him turfing through his chest of drawers.

He’s pretty sure he’s settled on an outfit. It’s ironic that it looks almost thrown together when JJ’s spent fifteen minutes obsessing over it. He washed his hair with shampoo and conditioner (that he stole from Kiara) and even used some hair wax to try and style it. Again, it probably looks the same as usual, but he feels better for it.

All the faffing leaves him running late. It’s closer to 7:45 than 7:30 by the time JJ pulls up your road on his bike. He’s aware of how loud the engine is in this area, rumbling as he slows to a stop. You’re stood in the sidewalk, arms crossed anxiously over your chest, glancing up and down the street. As JJ approaches, your eyes fall on him and a nervous smile sparks to life. JJ bullshits himself by labelling his hammering heart as adrenaline from riding a dirt bike on Figure Eight. You push some of your hair behind your ear as you walk up to meet him halfway. You’re practically glowing under the sunset sky, skin shiny with body butter like you’ve been bathed in glitter. He shuts off the engine and sits back in the seat.

“You’re late."

JJ cringes playfully. “My bad?”

“Mhm.”

You step over to him and linger by his bike. He quirks a brow. “You hopping on?”

As your eyes survey the vehicle, JJ starts to grin, smug. “You ever been on a bike before?”

“Course,” you say, almost too quickly. “Just…Not one like this.”

JJ offers out a hand and you hesitate for a second before taking it. Grasping your hand in his, you climb onto the back of his bike. Your summer dress rides up as you do and you nervously tug it down. Then, your arms gently loop around his waist. Laughing, JJ shakes his head. He tightens your grip on him.

“Gotta hold on tight or you’ll fly off,” JJ remarks.

“Promise not to do anything stupid?” you say, voice thick with nerves.

JJ starts up the engine. “Princess, I can’t promise anything like that,” he grins. Looking over his shoulder, meeting your terrified eyes, he softens his smile. “But I promise you’re safe.”

Your own smile battles through the queasy nervousness. JJ revs the engine and turns his head back to the road, and then he sets off. Your arms immediately latch tighter like a vice. It makes him laugh, and you mutter a meek ‘shut up’ in reply. Having you close like this; he can smell your perfume. It’s expensive, encapsulating you like you’ve been doused in it. Several bangle style bracelets lining your wrists press into his skin through his t-shirt, only slightly uncomfortable, and when he turns a corner, they shift and jangle melodically together.

Zipping down the roads of Figure Eight, JJ drags out the journey the same way he did walking Ranger back to your house. Gradually, mansions turn to shacks and quaint homes, and well-kept children’s parks into overgrown yards surrounded with chain-link fence.

He pulls down a dirt track, heading nearer to the marshland, and eventually comes to a stop. You catch your breath as he turns off the engine.

“Feeling alright?” he checks, glancing over his shoulder at you.

“Yeah, I’m alright,” you reply.

You look a little windswept. Instinctively, JJ reaches out a hand to brush some hair from your face. Embarrassed, you help, calming down your hair and fixing your appearance. Then you use JJ’s shoulders as an anchor, climbing off his bike.

“So…You brought me out to middle of nowhere…” you say, looking around.

JJ kicks on the stand and pulls the keys form the ignition. “Scared?”

“Should I be?”

JJ chuckles, shaking his head. “Come on. I got something planned.”

He takes your hand, smiling to himself as you intertwine your fingers with his, and guides the two of you through the shrubs towards the water side. The P.M.S. Pogue sits moored in the marsh. A loan, if he helps John B clean out the chicken hut next week.

“Now, I know this probably ain’t like all the fancy yachts you and your folks have,” JJ starts, walking up to the boat side. “But I promise it runs like a dream.”

As he looks back to you, JJ’s eyes shamelessly sweep along your figure. The dress you’re wearing is pastel green adorned with dainty flowers of white and ivy. It ends just past the point of tortuous on your legs. You’re pretty as a vine and sweet like a grape, decorated with expensive jewellery. Pearl earrings and a Tiffany necklace. On your wrist, though, JJ finds a series of handmade friendship bracelets amongst your bangles. They’re made with shells and beads and tiny pendants of silver. Several rings sit pretty on your fingers.

Looking back to the boat, JJ pulls the ladder free with a grunt. It creaks from want of use: himself and the Pogues usually just climb inside or jump on from the jetty. “Ladies first,” he says, offering out a hand.

You look between his hand and the ladder, and then something deterministic overcomes your face as you place your hands on lip of the boat. With a huff, you use whatever upper body strength you have to climb up. JJ stands, taken aback, and his eyes falls to your bare legs. Your toes are pointed, calve muscles tense and strong, and he can almost picture you in pointe ballet slippers. Amused, JJ lets you clamber up into the boat. Sighing, you correct your dress and jewellery before looking down at him.

“Well? You coming?”

JJ gives a small laugh before nodding. “Yes, ma’am.”

He climbs with significantly less difficulty than yourself, proudly flexing his muscles as he does, shameless in his peacocking. When he gets to his feet, he finds you staring. “Like what you see?”

Your face flushes. You try and play it off though. “Just checking if you needed a hand.”

JJ grins, playing along, and you roll your eyes and walk to the wheel of the boat. He follows, pulling the keys from his short pockets, and turns on the engine which sputters to life. You hold onto the side of the steering hold as JJ guides the two of you into the marsh.

“You wanna steer?” he asks once you’re in wider waters.

You wordlessly step up and take the wheel. It’s easy, guiding the boat along. JJ hovers behind you, testing the waters by placing a hand on your waist. You don’t shrug him off. Soon enough, JJ’s placing a hand back on the wheel and guiding you to a certain spot.

“I found this place a while ago,” he says over your shoulder as he steers. He can feel your gaze on him. It’s terrifying, having you so close to him. God, he hopes it doesn’t show. “Best stargazing spot in the whole county.”

He slows the engine to a shuddering stop and steps away to toss the anchor down. It’s silent out in the water, asides from sea birds and marsh-side insects. Fish that break to the surface for a split-second disturb the water every now and then. Crickets and distant hooting owls. It’s dark now, too. Everything painted in a dusky blue. JJ grabs the old blanket that he stole from the twinkie and lies it down on the nose of the boat.

“Here,” he calls.

You make your way over, accepting his hand as you step up. The two of you settle to lay side by side. JJ tucks his arms behind his head as a makeshift pillow. You stare at the sky, eyes falling open at the endless expanse.

“Woah.”

“Pretty sick, right?”

“Yeah,” you say, laughing quietly. “It’s awesome.”

JJ grins. Nailed it.

For a while, the two of you just stargaze. He can hear your breathing, steady and calm, and once more your perfume invades his senses. A bottle of the stuff probably cost more than his bike. That thought prompts him to break the silence. Sitting up, he looks down at you.

“Alright, I gotta ask,” he says.

You sit up on your elbows, curiosity piqued. It takes everything in JJ to keep his eyes trained on your face and not your chest.

“Why’d you agree to go out with me?”

You smile, somewhat amused. It’s like you’ve been waiting for him to ask. “Well, that’s an easy question.”

“Oh, is it now?”

“Mhm,” you grin, teeth sinking into your lower lip. Christ, you’re angelic. “Ranger.”

“Your dog?”

“Yep.”

“What? You kooks manage to translate what they bark about or something? He give you some words of wisdom?”

You laugh, shaking your head. Sitting up fully, your bracelets chime together. “He liked you.”

“Yeah?” JJ says, brows tugging together in confusion.

“Ranger doesn’t trust easy. He’s a rescue and he practically chose me. The shelter people said he hadn’t let anyone near him since arriving, but with me, he came running over, like he knew me or something. He likes men even less. He won’t let my daddy within five yards of him without barking and cowering. He wouldn’t hurt you, but he gets scared and jumpy. But he seemed to like you. Seemed to trust you.”

“So, that made you agree to go out with me?” JJ checks.

Shrugging, you simply reply, “dogs are the best judge of character, after all.”

Humming in thought, JJ looks out to the marsh as he considers what you’ve said. It’s a little hilarious that a runaway dog is the reason that he’s got you here, alone, on the P.M.S. Pogue.

“My turn,” you say, seemingly initiating a game of twenty-one questions. JJ looks back to you. “Why’d you ask me out?”

“Pretty obvious. You’re fucking gorgeous,” JJ replies.

Whilst your smile turns to mush, you roll your eyes and act as if you’re unaffected by his words. “Seriously, though. I didn’t think I was your type.”

“Smoking hot girls? Nah, you’re pretty much my type to a T,” JJ goes on, charming smile in full view.

“What about Kiara?”

JJ gives a bemused smile. “What about Kie?”

“I know she hangs out with you guys. We’re pretty different people, me and her.”

It’s obvious that you’re far from low maintenance. You're proud of being a kook. You don’t shy away from it: happy to show off your money and beauty. JJ doesn’t get the sense that you’re haughty but it seems rather clear that you live your life to a certain standard.

JJ shrugs. “Guess that’s why I’m not dating her.”

“I know your reputation, you know. About all the girls you hook-up with and stuff.”

“Oh. You jealous or something?”

“No,” you say. Voice turning softer, you continue. “But I feel like I should to tell you that I’m not the kind of girl who has a lot of hook-ups. Or the kind who puts out on the first date.” When JJ doesn’t say anything, you feel the need to add, “just, before you get your hopes up.”

Pursing his lips, JJ nods slowly. He had a feeling that was going to be the case. You weren’t exactly known in the community for being particularly flirtatious. Hell, he wasn’t sure he’d ever known any guy to date you. From the way you spoke, careful with your words, and the way you acted, you were almost made of solid gold: pure through and through. So, having you take sex off the table for the foreseeable future didn’t exactly blind-side JJ. That to say, if you had offered it up, he would have jumped at the opportunity. God, he’s half sure he’d die if he ever saw you naked.

He could be a gentleman, though. He could. Something about you had JJ entranced outside of just the physical. So, if a hook-up wasn’t in the cards, maybe getting to know you might be all the better.

He’ll just have to learn to keep his eyes and his dick to himself.

Sighing, JJ lowers himself to lay down again. This time, he only tucks one arm behind his head. The other, he outstretches into your expanse of the blanket.

“Alright, princess. I think I can live with that,” he says.

Seemingly content with his reply, you lay back down, resting your head in the nook of his arm.

“It’s your turn,” you quietly say after a moment’s quiet.

“To do what?”

“Ask a question.”

JJ filters through the many in his mind, tucking the inappropriate ones away for a later date, and finally settles. “Alright. Was Ranger the only reason you agreed to go on a date with me?”

You let out a small tuneful hum of contemplation. “No. I wanted to see what you were like.”

“Oh?”

“I mean, I’ve seen you around the island and heard the stories. I suppose I wanted to know for myself,” you say. “Plus, I always do what I’m supposed to do. I guess I wanted to do the opposite, for a change.”

“Rebelling against your dear old daddy with the derelict from the Cut?” JJ jokingly asks.

“Hmm. Something like that,” you say, playing along. You turn your head to the side and meet JJ's eyes. “You’re just a pawn in my game, Maybank.”

JJ’s too sucker-punched from that to come up with something witty in reply. There’s a foreign thump in his chest and a selcouth feeling in the back of his throat as you look at him. JJ swallows it away, returning his attention to the star-lit sky.

~*~*~*~*~*~*

JJ revels in the miracle that he landed a second date with you as he fixes his hair in John B’s bathroom mirror. His best friend sits on the closed toilet lid, watching him.

“I can’t believe you’re seeing her again,” John B says for the millionth time.

JJ grins at his reflection. “I know.”

“I mean, what do you guys even talk about?” JB continues, face contorted in confusion.

JJ shrugs. “I don’t know. We just spent the other night talking about all sorts, really.”

“And you’re sure she isn’t being paid to go out with you?”

“Maybe the first time, but not this time, no,” JJ replies. He stops messing with his hair. Licks over his teeth, checking for trapped food, and dusts of his t-shirt. Looking to his friend, JJ asks, “how do I look?”

John B barely takes his appearance in before saying, “like she’s out of your league.”

“Come on, man,” JJ groans, shoving his best friend’s shoulder. He leaves the bathroom, John B hot on his tail. “You’re just jealous.”

“Jealous?”

“Yeah. That I’m macking on a kook and you ain’t,” JJ tells him. Opening the fridge, he tosses a beer to John B before taking one for himself. “I know you’ve had a thing for Sarah Cameron since we were kids.”

“No,” John B quickly says, shaking his head. “No, no, I do not have ‘a thing’ for Sarah Cameron.”

“JB, you’re a terrible liar,” JJ sighs. He takes a sip of his drink. Liquid confidence. Eyes glancing up to the clock hung on the chateau’s kitchen wall, he reckons he has about five minutes before he should leave for your house.

“So, seriously: what is this? Why this new flavour of the month?” John B grills.

JJ shrugs. “I dunno man. She’s just…She’s cute. And hot. And rich, and easy to talk to, and kinda funny, and, oh did I mention, rich as fuck. I don’t see any downsides, really.”

“Mhm, well, I do,” John B gladly counters. “She’s a kook.”

“Yeah, but she’s not like a kook kook. Kinda like how Kiara’s a kook,” JJ argues.

John B looks bewildered. “She is nothing like Kiara.”

“Alright, not in personality or looks or actual money, but in general kook-ness.”

“All I’m saying is that if you think this thing has a long shelf-life, you’re way more crazy than I thought you were,” John B says.

JJ doesn’t reply. Downing the rest of his can, he tosses it at the trash can (dismally misses) and heads for the front door. As he goes, he taps John B on the shoulder in a brotherly fashion.

“Nice to know you’re rooting for me, man,” he jovially says in farewell.

Then, he’s heading down the porch steps, climbing onto his bike, and setting sights for your house for the fourth time in his life.

Your house stands like a castle in the streets. JJ practically sees the driveway as a crocodile infested moat. He waits on the street at the foot of the driveway for you, arriving in time to see you make your way down the drive. You’re dressed in Levi shorts and a Tommy Hilfiger shirt, designer sandals on your decorated feet with anklets and toe rings. JJ sits back on his seat, engine running, and finds himself grinning as you smile at him. When did that start to happen?

“Not late this time, huh?” you playfully say.

“Learnt my lesson.”

You don’t hesitate as you climb on the back of his bike. You wrap your arms around his stomach, fingers splaying out across his chest over his t-shirt. JJ revs the engine.

“Ready?”

“Hell yeah.”

Grinning, JJ sets off down the street.

Once again, you’d left the plans in JJ’s hands. It was a little surreal to him, how trusting you were of him. Might be a place of concern, even. But, hey, JJ will take the win.

It’s still light when you get to the cliffside. From here, the view is incredible. An orange-pink sky that looks like it might taste of tangerine and peach hangs above a rolling sea. The view stretches on for miles, with the mainland off along the horizon.

JJ admires you as you stand in breeze, looking out at the view. You turn to face him.

“Why does every place I let you take me get more and more concerning every time?”

“We’re going cliff jumping,” is JJ’s reply.  

Your eyebrows nearly shoot off your head. “That’s called suicide, JJ.”

“Nah, not here,” he says, shaking his head. He grabs your hand and tries to coax you nearer to the edge so you can see the drop. “Water’s plenty deep and cliff’s plenty high. It’s fun.”

You catch on that he’s not joking. Laughing nervously, you shake your head and take several large steps back to safety. “No, no, no.”

“Come on! It’s fun!” JJ swears.

Your smile begins to fade and your head shakes faster. “No way. I don’t do…That. And I’ll ruin my hair. And what about my jewellery?”

“You can take off your jewellery,” JJ argues, walking towards you, “and your hair’ll look good either way.”

“Easy for you to say,” you snort, eyeing him up as your arms cross over your chest. “You’re a guy.”

“First of all: rude.”

JJ tugs his shirt over his head, tossing it to the ground. Your eyes instinctively glance down at his chest. JJ doesn’t bother hiding his smirk.

“Second of all: live a little, princess.”

You scoff. “I live plenty, thank you.”

“Oh really?”

“Yes. Really. Have you ever been to Paris? Seen the Eiffel tower? Been in the catacombs? Or gone to Italy and tasted wine fresh from a vineyard?”

JJ raises a brow, sarcastic as he says, “yeah, every Tuesday. Now come on.”

He grabs for your wrist, tugging you towards him. You don’t push him away as he lifts his fingers to the clasp of your necklace, only momentarily struggling to get it loose. He gently places it on top of his t-shirt, and soon your many rings follow. You lean down and take off your toe rings and anklets, and then your earrings. The handmade bracelets stay, though. Standing upright, you take a shaky breath.

“Look, you don’t have to,” JJ quietly says. He can see the fear clear as day on your face. But you shake your head, newly determined by his offer of an out. Clearly you don’t like having your bluff called.

JJ’s eyes nearly fall out of his head as you pull your shirt off. He doesn’t even have time to recover before your wriggling out of your shorts, stepping out of them and carelessly tossing them onto the pile of clothes and accessories like you got them from a bargain bin at a thrift store. Stepping out of your sandals, standing proud in matching Calvin Klein underwear, you grab his hand and interlock your fingers, guiding the two of you to the cliffside. As you pull him into motion, JJ comes out of his filthy thoughts, mouth dry.

You come to a sudden stop a safe three feet away from the edge. JJ’s done this too many times to count but the adrenaline that floods the system before the first jump shocks him every time like a cold plunge. You gnaw on your lower lip in trepidation. JJ squeezes your fingers, mutters your name, and captures your attention.

“You trust me?”

Your beautiful eyes dance across his face. JJ almost sees you go calm, like a baby soothed by its favourite nursery rhyme. It seems that his question, as simple as it is, made something click in your mind.

“Yeah,” you breathe, as if realising it in the moment. “I do.”

With that, JJ gives one last squeeze to your hand and a fleeting smile, and then he starts running towards the cliffside. You run too, only a step behind, and the two of you hurl yourselves off the edge at the same time. Your scream echoes in the wind as air rushes past JJ’s ears. He whoops on his way down. The two of you pummel down towards the water, your hand never leaving his until you reach the surface. His eyes press shut and he prepares for impact as he crashes into the depths. The water is cold but not icy – it cools his skin comfortably. Everything goes quiet in the water, mellowed out and muted. JJ pushes to the surface and takes a breath of air, shoving wet hair off his face. As he looks around, treading water in the currents, he feels the adrenaline rise once more when he can’t find you.

JJ starts calling out your name, looking left and right and left again. Just as he’s about to dive under, you break. He gasps out in relief.

The minute your eyes open, they land on him. Then, the biggest smile he’s ever seen comes over your face. It etches itself on his brain with permanent marker. JJ could be senile and decrepit and still remember that look on your face.

“That was amazing!” you scream, throwing your hands up, spraying water everywhere. “Oh my God! We have to do that again!”

JJ laughs, soaking in your joy.

It’s weird seeing you, wet and without all your dressings. It’s like seeing a priceless painting outside of its frame: it makes it somehow even more beautiful. The setting sun warms your wet skin as you throw your head back, eyes shut, grinning like a mad man. JJ wants to seal this moment in resin and place it on his mantle as a keepsake.

You make JJ climb up that cliff and jump into the ocean about five times over, until the sun has almost fully set and you can’t risk the dark. As it slowly inches down and down towards the horizon, you and JJ sit side by side on the grass. Your hand is so close to his, fingers reaching out like growing ivy, teasing at making contact. The moment the jumping was done, you’d returned all your jewellery to your body. It sparkles with the damp. As his eyes drift down from your profile to your figure, he picks up on those handmade bracelets again.

“What’s with the friendship bracelets?” JJ asks.

You look down at them then up at JJ. “I make them.”

“Why?”

Laughing, you shrug. “I don’t know. Why does anyone do anything?”

“Do you sell them?”

“No,” you say, messing with one. “I just enjoy doing it. I make them for my friends.”

“That’s sweet,” JJ hums, looking back out to the view.

“What about your shark tooth necklace? Someone make that for you?” you ask.

JJ glances down at it. “My ma. She used to collect shark teeth that washed up on the beach.”

“Well, she’s pretty talented,” you smile. “Maybe she can make one for me, one day.”

JJ swallows thickly, jaw ticking tight. “She, uh, ain't around anymore.”

“Oh…I'm sorry.”

“It’s alright. You didn’t know.”

The awkward quiet that comes passes like a summer breeze. Sighing contentedly, the two of you watch as the world gets darker and darker, and the sun gets lower and lower.

“So, how are you finding it?”

“Finding what?” you ask.

JJ gestures to himself, to everything around him.  “This. Pogue-life. Rebelling against your dad. Not doing as you’re told.”

You laugh, shaking your head. JJ watches as you pull your knees up to your chest, sitting dainty as a robin balanced on a branch. Tucking some hair behind your ears, you look out to the horizon as if caught in a daydream. A solemn look threatens to cross your face as you say, “it’s making me realise just how much I’ve been missing out on.”

And that…JJ wasn’t expecting that. He was expecting one of your usual playful jabs, soaked in sarcasm. Not that. It makes you more human and less Kook. More real. More attainable, even, for JJ. It’s like with every minute he spends in your orbit, he gets closer and closer to you. But everyone knows the story of Icarus, and what happens when you fly too close to the sun.  

~*~*~*~*~*~*

By the fourth date, JJ’s practically foaming at the mouth, feral from restraint.

He still hadn’t kissed you. Hadn’t had the opportunity. You’d kept teasing him with it, temporarily placing it on the table before taking it away. He knew he had to go about this carefully. One wrong move and he could screw up all his hard work and send you off running.

What surprised JJ more than most was the fact that feeling your body under him was one of the lowest ranking motivators to spend time with you. Don’t get it twisted – it was still a pretty bloody strong motivator – but JJ wanted to know you and be known by you. You were interesting and captivating, and caring and kind. You were funny and had this sweet sense of humour that glimmered through from time to time, like a kaleidoscope hanging from a window-frame. With every minute in your company, his prejudice of Kooks was dismantled piece by piece. One run in with Rafe or Topper and it would probably be rekindled ten-fold, but for now, JJ learnt to see past it. You were a little out of touch but you didn’t act like you were better than him. Then again, he hadn’t taken you to his house or the Chateau yet. He kept the dates on common ground, where he never felt out of his depths or wallowing within them.

You hit like a crisp, ice-cold beer on the hottest day of summer. More intoxicating than any blunt he’s ever smoked, or any line he’s ever snorted. Light like a feather in how you move, soft like rain and driven like fresh laid snow. You had hijacked nearly all of JJ’s thoughts, in one way or another, and it fucking terrified him.

“So, I went for white and pastel blue. I think they’re cute. What do you think?”

You hold your fingers out for JJ to inspect your nails. JJ couldn’t care less about nails – half the time, his are dirtied with mud and oil – but you care an awful lot, so he can pretend. To be honest, he had only been half-listening to your story. His eyes had been fixated on your lips, daydreaming about how they’d feed against his own, how soft they might be as he nips at them with his teeth, how wet they might be if he were to slip his dick between them…

“JJ?”

He blinks out of his gutter-brain and takes in your nails.

“They’re pretty. I like the, uh, sheen on them,” he says.

You practically become alight with the comment. It feels like another brownie point that he can tally. Bringing them to your gaze, you nod fervently. “Right? I’ve never gotten metallic powder on them but I think I like it.”

With that, you sigh and lay back on your towel. The two of you are at the beach and have been since two in the afternoon. It’s now nearly seven in the evening. JJ thinks you’re at your prettiest in the golden hour. It’s like God himself is shining a spotlight on you, highlighting every perfection of your features. The way your designer jewellery twinkles in the rays, the sun-kissed sheen of your cheeks, the ethereal-like glow of your eyes…It’s taking everything not to look at your body, proudly displayed in a bikini. It’s blue. It seems you like blue an awful lot.

JJ distracts himself from your figure and his tightening swim shorts by petting Ranger. He’d tagged along for the day and is currently napping in the sun. You’d brought plenty of water and dog snacks to keep him going. JJ had supplied the seltzers and bag of chips for the two of you. He’d noted how you’d been making one can last for about two hours. He wondered if you’d been tipsy before, or drunk even.

When he looks back to you, eyes sweeping up your sand-scattered stomach, he finds you threading the seashells you’d been collecting throughout the day on string. You’d brought a little kit with you in your bag and had spent the last three hours making jewellery on and off whilst talking to JJ. You lay in a sea of designer accessories – Ray Ban sunglasses, Dior lip-gloss, Clinique sunscreen – as you craft.

“That’s coming together nice,” he comments.

You glance up to meet his eyes, smiling. “It’s for you.”

“Me?”

“Mhm. Need to check if it fits, actually,” you mumble, shifting onto your knees.

JJ willingly holds out a wrist for you as you coil it around. It looks hilariously dainty on his built form. Seashells and blue and white and silver beads. Then he notices the small letters you’d interwoven into the design. JJ. His heart makes that awful, jarring tug again. JJ can’t decide he likes this effect you have on him.

“Perfect,” you say.

You tie it off and fasten it around his wrist. He shakes his arm out a little to check its fit. You’re right: it’s perfect.

The moment your eyes glance up from his arm, meeting his, JJ forgets all his manners. He takes your face in one hand and presses his lips to yours. You let out a gasp as he does, hands coming up to press at his shoulders, pushing him off.

“What are you doing?” you gasp, fingers flying up to your lips.  

His heart is loud in his ears, hammering like he’s thirteen and having his first kiss all over again. In the deafening beat of it, he dumbly replies, “kissing you?”

“Well, you can’t just kiss me,” you say, almost offended. “You have to ask first.”

“Alright…Can I kiss you?”

Your eyes are like raging storms as you stare at him. Anyone would have thought from your expression that he just asked to take you roughly in the streets. Trying to calm yourself with a drawn-out breath, you cock your head.

“Why should you?”

JJ frowns. “What?”

“Why should I let you kiss me?”

Now usually, JJ would be pissed. Annoyed and impatient, and would get up and leave and never look back. But for you, he can’t find it in him. No, it’s all offset by that same damn curiosity that got him here in the first place. You’re like an enigma. A blackhole. He wants desperately to know more, to understand, but is terrified of being sucked in completely. Terrified of what it might all mean.

So, JJ deliberates your question. “Cause you like me?”

“I do?” you ask, quirking your brows.

You must. You wouldn’t have stuck around for this long if you didn’t. Wouldn’t have handmade a bracelet. So, he nods, feeling his confidence grow like the swell of a wave.

“Yeah, you do. I think you like what I bring out of you.”

“Making a lot of assumptions here, Maybank,” you practically warn. But the anger is gone. Gives him hope that he’s on the right track. JJ tries and fails to bite back his smile.

“Maybe,” he says. “But it’s only cause I feel the same way.”

When you don’t speak, he takes it as a cue to continue. As he goes on, his heart shudders with the anxiety that vulnerability brings.

“I like the way I am around you. I like how you make me feel. I like talking to you, and I like hearing you talk. You just have this way of speaking that’s…It just makes everything feel like it’s good. Everything’ll be good.”

Something in what he’s said seems to take you aback. You blink a few times, lips parting as you sit, looking at him all the while. He hopes that if your thoughts are still set on the idea that he’s in this for nothing more than a lay, he’s just proved that wrong. He supposes with his reputation on the island amongst the youngsters, he can’t be all that surprised if that was what you had thought. But surely, after spending so many hours in your company, doing nothing asides from talking and innocently touching, you had seen past that. Didn’t you say that you wanted to get to know him, to see him for yourself?

“Do you mean that?” you quietly ask. It’s almost sad, the tone of your voice and the look on your face, like nobody’s ever said something like that to you before. JJ swallows the sick feeling that it brings.

He nods. “Yeah. I do.”

Slowly, a smile blossoms on your face like the first budding flower of spring. With a small, slight nod, you tell him, barely louder than a whisper, “you can kiss me now.”

JJ does so gladly. But he’s careful with it this time, makes it count. He sweeps one hand from your shoulder, up against your collarbones, until it cups your jaw gently. Tilting your head just-so, he leans forward and pauses just a breadth before your lips. And then, he kisses you. It’s soft and sweet and different to the usual blind-haze rush that JJ finds himself in when making out. The pacing to it makes it almost sensual. The feeling the kiss brings is alien to JJ; he can’t quite place a name to it.

One of your hands finds home on his jaw, exploring his skin, fingers looping into the hair on the back of his neck. When he coaxes your mouth open with his tongue, you sigh gently against his lips.

As the two of you kiss on the beach, that new-found sensation in JJ’s chest intensifies, and then it dawns upon him - this new feeling that your kiss brings. Different from lust and libido.

His eyes fly open. Stomach plummets through the sand.

JJ Maybank is falling in love with you.

~*~*~*~*~*~*

As the summer stretched on, JJ realised he’d spent most of June in your company, growing closer and closer. It felt natural now to have your hand intertwined with his. JJ can hardly remember a time when wasn’t talking to you, or talking about you, or thinking of you, or organising his days around meeting you. He knew what it meant, what all of it meant, and this impending feeling of something grew with every word passed and every kiss shared. It almost felt like he was watching a sand-timer. Seeing each grain slip by, counting down until the inevitable end, just like most things in his life did.

He'd introduced you to the Pogues upon everyone’s insistence, including your own. John B was still in disbelief that JJ had managed to keep you around for as long as he had. Pope, on the other hand, was practically suspicious of it. It was as if he needed the cold, hard evidence for proof that JJ wasn’t spinning yarns. Kiara had of course jumped at the opportunity to gloat about the ‘good karma’ she’d bestowed upon JJ, by encouraging him to return Ranger to you. When she’d met you, she’d be apprehensive. Distrusting of your Kook status, having known you more than the others from attending Kook Academy with you. But JJ was sure she’d warm up, bit by bit. It helped that you wanted to try new things. You wanted to try the whole Pogue lifestyle. You let JJ take you surfing and begged to try his bike out. You let John B teach you to fish and wrestled Pope on nights spent around the campfire. You’d share seltzers with Kiara and sang along whenever she played the uke. And, oh, of course you could sing. You’d had lessons, you see, as you had with practically every other extra circular on earth. Piano, violin, ballet, tap…Shit, it was like you were collecting Pokémon or something.  

In fact, it scared JJ how easy it was to pick up on the little details about you. It was like collecting stones on the beach: before you know it, your pockets are weighing you down, filled with tiny little pebbles. You were a fruity girl: cocktails and sangria and wine and seltzers – never beer. You weren’t a heavy drinker. Didn’t partake in shots apart from Cherry Bombs. You preferred sweet over salty; always took creamer and syrup in your coffee, in that order; rom coms from the nineties and noughties were your kryptonite, and you loathed fast and furious; skirts before shorts; Tiffany before Pandora; lip gloss over lip stick. God, the tingly sensation from plumping lip gloss was all too familiar to JJ now, from having it smear off your mouth to his.

After the kiss on the beach, mouths and hands had only continued to wander. It’s like JJ’s admission that this was more than just trying to score you for sex was the passcode to open you up. You weren’t prudish. In fact, when JJ met you, he was half certain that maybe you were a virgin. But no…now he found that very hard to believe.

Saying all that, it still felt bizarre to be seen out in public with you. It wasn’t a secret, had never been really, but JJ remained surprised at how willing you were to take his hand in public. To be seen with him by everyone in the County. It was like you wanted to show him off, parade him around like he was something special, like one of your many Prada purses. It almost made JJ want to question if you had ulterior motives.

“You wanna just split a portion of fries?” JJ asks, looking at The Wreck’s menu. You were there for lunch.

You hum in thought. “Maybe. I want mac and cheese though.”

“We can get that, too. I mean, you’re paying, right?”

You prod him under the table with your foot. He gives a playful laugh, grinning childishly. He’d started calling you his sugar mommy since you had to pay for gas when his card got declined. It softened the sting of embarrassment that came with being broke, especially when compared to you. I mean, even now, he sits in a thrifted t-shirt, the decal on the chest nearly faded with how much it had been worn and washed, whilst you’re in your new threads. Dior threads, for that matter.

“Hiya. You guys ready to order?” the waitress asks.

JJ glances up from the menu and shit. Shit shit shit. The minute his eyes meet hers, recognition dawns upon her. It’s weird seeing this girl – Lily, he thinks her name is – from this angle. Last time they’d seen each other, she’d been laying underneath him…

You’re thankfully blissfully unaware, eyes trained on the menu.

“JJ. Long time no see.”

With that, your head darts up. Great.

“Hey…Lily. How are you?”

At least luck is partly on his side: he got her name right. She places a hand on his waist. “Fine, thanks. Been a while since I’ve seen you around.”

“I’ve been busy,” JJ says.

“I bet. Remember a time when you were busy with other things…”

Her tone speaks volumes, as do her eyes as she surveys his body, smiling flirtatiously.

Suddenly, your hand is extending across the table, towards Lily. JJ looks to you to find a sickly, sweet smile on your face.

“I don’t think we’ve met before,” you say, voice honied. She shakes your hand as you introduce yourself. “You know JJ?”

“We have a…history, of sorts,” Lily replies.

“Oh. Well, any friend of JJ’s is a friend of mine.”

Looking to JJ, there’s an emotion in your eyes that he’s never seen before. It’s terrifying and sexy as hell. Raising a hand, your fingers leisurely splay across the expanse of JJ’s shoulder, manicured nails digging-in only so. Not enough to cause damage but enough to make a point. Enough to mark your territory.

“Babe? Can you order for me?”

“Uh, course,” JJ says, clearing his throat.

Looking down at the menu, eyes not even fixating on any of the words, JJ reals of an order. Lily scribbles it down, takes the menus, and leaves without another word. The minute she’s out of sight, you drop the act, hand unlatching from his body. JJ raises his brows, holding back his laugh as he turns to you.

"What a bitch," you mutter. You wash away your words with a sip of your water.

“Didn’t take you as the jealous type.”

“Yeah, well, some girls need to learn when to shut their traps,” you lowly return. Sighing, you close your eyes and shake your head. “Sorry. That wasn’t very girls-girl of me.”

“Mm. If only your daddy could hear you now,” JJ adds, sighing disapprovingly.

You shoot him an unimpressed glare. JJ brings his glass to his lips, having a sip of his water.

“You sleep with her?”

JJ chokes and coughs. “Jesus. Straight shooter."

“Better not be talking about yourself there, Maybank.”

JJ laughs, putting his cup down. Looking to you, he shrugs. “Yeah. Like…three months ago, alright? It was before we met.”

“Mhm. You sleep with anyone since we met?” you wonder.

JJ can’t place your tone but something tells him that this question will make or break him. Thankfully, there isn’t even a need to lie. “No.”

“You swear?”

“Scout’s honour,” he says, lifting three fingers whilst simultaneously marking his heart with a cross.  “Shit, I don’t want you to claw my eyes out. Or any other girls, for that matter.”

You shove his shoulder gently, smile creeping back to your lips. “Shut up. Like I’d ever. The Bible frowns upon it.”

“What about ‘an eye for an eye’?”

“Ooh. Somebody went to Sunday School,” you tease.

“Yeah, just so I could gawk at you,” he smoothly returns, winking for good measure. With that, JJ knows he’s back in your good books.

When Lily brings the food over, she doesn’t try to strike up any conversation. Dare JJ say, she looks terrified to be within a foot of the table. JJ knew you had an edge but this is different. This possessiveness, this proprietorial energy that came over you…Fuck, he knows what’s the newest addition to his wank-bank.

The two of you eat, talking about what you should do tomorrow (because, of course, he’ll spend tomorrow with you) and then JJ desperately tries to give constructive feedback to your latest Pinterest board of hairstyle inspiration. He gets up to pay. It’ll probably cost half his wage but it’s worth it. I mean, this meal is pretty dismal compared to the feasts you’re used to, but you never complain. Saying that, it doesn’t go unnoticed that when it’s on your dime, you’re far more willing to get a lemonade and a dessert. When it’s JJ paying, you say you’re happy with tap water and splitting a side. It’s mildly mortifying.

Lily is stood at the counter. “Ready to pay?”

“Tell me the damage,” is JJ’s reply.

“Twenty dollars thirty,” she says, punching buttons on the register.

JJ’s stomach twists. Fuck, he hopes his card doesn’t decline. She holds out the machine for him and he swipes his card.

“How long has that been going on then?” Lily asks.

JJ follows her gaze to you. You’re sat at the table, reapplying Dior lip gloss with an Armani compact mirror. He’s half convinced that if anything bought from Target touched your skin you might implode.

“Bout a month,” he says.

“Hm. Never took her as one to venture out of Figure Eight.”

“Never took you as one to judge random people,” JJ counters, anger ticking with her unneeded commentary.

“I’m just saying. She’s a Kook, JJ.”

“Did it go through?” he asks, cutting the conversation short.

Lily sighs, looking down at the card machine. Nodding, she goes to get his receipt. But before she hands it over, she feels the need to add, “just…maybe ask yourself what she’s getting out of this? Girls like that…They’re sneaky. Just, watch your back.”

JJ takes the receipt hastily and walks off before he can’t bite his tongue any longer. As much as it pisses him off to hear someone who doesn’t even know you talk like that, there was a sincerity to Lily’s voice that speaks to JJ’s insecurities. Massages them. It certainly doesn’t help that the minute JJ arrives back at the table, you ask, “did you have enough?”

JJ hates how the rest of the day, that one interaction – that one moment – at the Wreck keeps him disconnected from you. Anytime you ask what’s wrong, it’s the same excuse: ‘I’m just tired, s’all.’ But whenever there’s a second for thought, Lily’s voice echoes around his head.

Ask yourself what she’s getting out of this.

~*~*~*~*~*~*

“How in the hell do you not get lost in this place?” JJ asks you as you wander through your house.

“I don’t know,” you shrug. “I grew up here.”

It’s laughable, the difference of JJ’s house to yours. He’s never taken you to his home; kept your dates and hangouts to the Chateau or the Twinkie, or anywhere but his house. He’s half-certain that you might just dip if you saw the state that he lives in. Plus, he can’t risk his dad showing up and meeting you. He’d hate you – the same way he hated most people – and again, you’d be gone in a second. In fact, as more time passes, JJ realises more and more that he’s got an eye on the door, waiting for you to walk through it without a second glance.

“You want some tea?” you ask. JJ shrugs his yes. He’s never tried it before but no time like the present, right?

You guide the two of you to the kitchen. As you pass by room after room, JJ nervously glances around. “So, uh…Your dad or mom home, or?”

“Relax, Maybank,” you grin. “They’re on a cruise. They don’t get back until Tuesday.”

“Oh, cool, cool. I mean, I ain't have been bothered if they were home.”

You bark out a laugh. Opening a kitchen cupboard, you talk as you retrieve two mugs. “Oh really? So you haven’t been avoiding my house like the plague because of my parents?”

JJ rolls his eyes. Busted. You go to heat up the water, grabbing two fruit tea bags and depositing them in each mug. JJ looks around the kitchen, searching for a certain dog. As if you can hear his thoughts, you say, “Ranger’s in the sunroom. If you call him, he’ll probably come.”

So, JJ does just that. Sure enough, Ranger trudges through the house and into the kitchen, tail wagging. He looks as if he’s just woken up from a nap. JJ grins, watching as his energy returns the moment he sets eyes on yourself and JJ, and the blonde-haired boy falls to his knees, arms outstretched. God, he missed this old fart of a dog.

“Why don’t you bring him along to the Chateau more?”

“Where would he ride? We always take your bike,” you laugh.

“Probably for the best, anyway. John B would definitely try and steal him,” JJ mumbles.

“Oh, and you wouldn’t?”

Insecurity picks at JJ like a scab. “What does that mean?”

You quirk a brow, unaware of the almost offence caused. “JJ, you would pick that dog over me in a heartbeat, if it came down to it.”

Of course. Of course you were talking about the dog, and not making some dig about his family reputation, or his sticky fingers. Shit, it’s like ever since that day at the Wreck, his insecurities had tripled in size and volume. Every time you looked at him, JJ wasn’t sure if you were passing judgement and he hated himself for it: for becoming so suspicious of you, when you’d done nothing to warrant it. But he couldn’t help it. It was like a reflex.

Once the tea is made and Ranger’s retired back in another sunny patch to sleep, the two of you head upstairs to your bedroom. JJ began to recount the story of the Grady White discovery and the Motel Room after the last hurricane’s end. He’s half certain that you don’t fully believe him.

“So, what did you find in the motel room?” you ask, pushing open your bedroom door.

“It was fucking crazy! Like a shit ton of money and this weird map. Oh, yeah, and…” JJ ditches his backpack by the foot of your bed and unzips it. Proud as a Superbowl jock, he presents the gun he stole. “This.”

Your mouth drops open. You place the two mugs of tea on your desk (on coasters, because of course) and reach out for it. JJ frowns and holds it out of your reach.

“Let me hold it.”

This reaction, out of all the reactions, was the one he expected the least. “No way.”

“Come on!”

“Nu-uh. You’ll shoot my dick off."

Rolling your eyes, you quip, “wouldn’t that be a gift for mankind? Come on!”

Sighing, he relents. Double checks the safety is on before passing the gun to you. You hold it like it’s a priceless artefact or a Louboutin heel (both as equal in value to yourself).

“It’s heavier than I thought,” you mumble, inspecting it.

Is it bad that JJ thinks you look unbelievably hot holding a gun right now? Probably. He can address that later in life when he eventually winds up in therapy.

“Yeah, these things are the shit,” JJ boasts, taking it back. He pretends to aim with it, gun pointed directly at one of your bears. At your scolding he puts it away again. “Anyway, now we got this dumb ass compass. JB thinks it’s got a clue in it, but I’m not so sure.”

JJ accepts the tea that you offer him as the two of you take perch on your bed, you at the foot and him at the head. You sit cross legged, nodding along to his tale, interested. JJ’s not entirely sure why he’s telling you this, especially when he was so adamant that the Pogues keep it on the down low, but something in him tells him that it’s okay for you to know. Useful, even, though he has no idea how. When he wraps up the story, he takes in your room. It’s just as he pictured it to be. Immaculately clean, psychopath level organised, decorated with brand after brand, China-white and pastel blue detailing every turn of the head. Looking back to you, he sniggers.

“You look like a witch right now.”

You take in the way you’re sitting and laugh, making a point to cradle your mug of tea between two hands. God, you’re adorable. The years of ballet have paid off: your back is straight as an arrow. The two of you sit in comfortable silence as you sip your tea. Outside, you can hear the sounds of nature pass by. There’s something understated and special about spending time with someone without feeling the need to fill the gaps. Just…existing. As JJ finishes his tea, you nod to his empty mug.

“Want me to read your tea leaves?” you ask.

JJ eyes you up, entertained. “No way you know how to do that.”

“Course I do. Here.”

You put your mug down on the windowsill and hold out a hand out for his. He passes you the empty mug and leans back against the cushioned headboard. Hell, if he had a bed like this, he’d never leave. You hum in deep contemplative thought as you look into the mug. Eyebrows knitting together, lips pursing, you study the scraps of tea leaves intently. JJ tries to stifle his laughs. It’s clearly a ploy. He can see right through the act.

“Ah, well…These are very good leaves,” you suddenly announce.

JJ plays along. “Oh, really?”

“Mhm. Yeah, yeah, I see a great fortune in your future,” you tell him. A glance up to his face, stupid grin on your lips, and then back to the mug. “Mhm. Yep, I see a…A boat.”

“Oh yeah? A Grady White by any chance?” JJ jests.

“Oh, no. This thing…It’s like the titanic. Big ship.”

“You have a way with words, princess.”

“And! A rainforest! And stones!”

“Alright, this tea’s gone to your head,” JJ laughs, reaching over for his mug.

You giggle as he takes it back, ditching it half-arsed on the bedside table so he can drag you to him by your forearms. Half tumbling forward, your hands ungainly catch yourself on his sturdy frame. You’re still laughing as he kisses you. JJ smiles against your mouth.

“I’m telling you,” you manage out through kisses and giggles. “You’re gonna be very fortunate in your future.”

“Mm, I’m fortunate now,” JJ replies, chasing your lips.

He uses a hand to hoist you further into his lap. You finally find purchase, a hand sliding along his neck, tantalisingly slow and smooth. As JJ’s lips creep along your jaw and inch down your neck, you lean your head, giving him more and more canvas to work with.

“I’m very lucky, you know,” you say, sounding short of breath.

JJ just hums. He continues his tapestry of love bites and kisses as you ramble on. He loves how soft it is with you; how there’s time for pause, for thought, for laughter. It’s the polar opposite to what he knows. Frenzied hands and sex in a timeframe. The patience of sex with you isn’t without heat, though. It isn’t like a married couple who can hardly remember what they liked about one another, chasing a high before drifting off to sleep. No, it’s like how people take time to pray. Like how musicians fawn over their music for hours, bit by bit, until perfection. So, JJ revels in your half-meaningful speech, slurred like you’re drunk despite being stone-cold sober, as he gently eases your cardigan off your shoulders.

“Every dance team I’ve been on, we’ve won…”

As JJ’s lips descend to your chest, you sigh. Fingers tightening just-so in his hair, spurring him on. One of his hands stays placed on your hip, a thumb rubbing circles on your exposed waist.

“Probably just ‘cause you’re a good dancer,” JJ mumbles against your skin.

“Not just that, though,” you muse. “I’m a good luck charm, I’m telling you. Nothing bad ever happens to the people around me. I’m lucky.”

Whatever you say, JJ thinks as he unhooks your bra. You help guide it off, sitting back against JJ’s thighs and lifting a perfectly manicured hand to his jaw. Your skin is soft like Mother of Pearl. Not a single cut or nick. Guiding his face up until his gaze meets yours, you lean down and press your lips to his. There’s no more laughter and no more silly stories. There’s no room in JJ’s brain to conjure anything other than thoughts of you. Your hair and your skin and your perfume and your nails and you. God, he wants to consume you. Breathe you in like vapour, soak you up like sunlight, feel you like the weather, all over him.

Nobody’s prettier than you.

Nobody prettier from this view, nestled between your thighs, almost suffocating as he swallows you up. More and more – insatiable. The distinct taste of you sits heavy on his tongue. It spurs him on like cocaine, energy unrelenting as he goes down on you. The sounds you make, the way you grab at him, grasp at the sheets, writhe and wriggle like it’s too much, like you can’t take it. But you can. Have before. Will again.

Your body bends to JJ’s will like water. You’re so trusting of him; have been ever since you met him. Let him take you how he wants, faithful in the pleasure he’ll give you. Usually JJ didn’t care much if girls thought him selfish in bed, but you? No, he needed you to give the mark of approval. He needed your praise, your validation, like his sex wouldn’t have meaning if you didn’t think it worthwhile. The way you fit around him; JJ swears to God it’s like you were made for him. He has you on your front, fucking you into the mountain of throw pillows that make up the head of your bed. He keeps your hips and ass angled upwards, holding you steady as he ruts into you over and over again. You’re a drooling, moaning mess underneath him. One of your hands is clenching and releasing the sheets much like your walls are to him. Having you like this – Christ, it makes JJ feel like a young God.

When you fall apart, it pushes JJ over the edge too, almost like a suicide pact. He’s not sure heroin could touch ecstasy quite like it. Drifting away on dopamine, JJ pulls out of you and flops onto his back, chest heaving. You shuffle atop of your sheets, curling up as you let the afterglow take over. JJ knows he should dote on you but he’s so tired and spent. After tying off and tossing the condom out in your bedroom trash, and tugging on his boxers, JJ lays back down on the bed beside you, flat on his back. One of your hands rests on his chest – damp with sweat. Just for a minute, JJ thinks. I’ll just close my eyes for one minute.

JJ tunes into the sensation of you stroking the bare skin of his back. It rouses him from sleep. Somehow, in his tiredness, he’d rolled over onto his front. Your sheets smell of fabric conditioner and safety. Goose feather pillows and Egyptian cotton sheets; a memory foam mattress that mimics what JJ might imagine falling asleep on a marshmallow to feel like.

“JJ?” You continue to run the side of your hand up and down his skin. "Are you awake?"

"No," he mumbles into the sheets.

“I want us to make this official.”

JJ groans sleepily. “Wha’dya mean?”

“I mean, I want us to put a label on this thing. I want to be your girlfriend, and I want you to be my boyfriend.”

It’s like the mattress has become a gaping wormhole and it’s sucking him in. That very thing that he was drawn to, entranced with, that very thing that he was learning and dreading to be true, every little insecurity and anxiety that had built and built since the second date…It’s all arriving at once, hitting him hard and fast like a meteor strike. 

JJ turns his head, looking up at you. You’re watching him patient, a giddy-type smile on your face, slightly disquieted with nerves.

“Well…How do you know that?”

Brows furrowing, your smile doesn’t move. Shrugging, you say, “I don’t know…I just know. I…I know it because I feel it.”

Those words do nothing to ease the panic that’s building up JJ’s body. He shuffles until he’s sat upright, staring you down like you’re something dangerous. For some reason, your innocent request feels like a trap to him. A con. A joke that he’ll be the unwilling punchline of if he agrees. And he realises what that impending feeling was, all this time. It was him waiting for the other shoe to drop. For Lucy’s point to come true and for the curtains to be pulled. To find out what the hell you wanted with him.

“You can’t just say things like that. That’s a really messed up thing to say to someone,” JJ mutters, moving away from you.

You’re frowning now, befuddled. “Why is it? It’s true, and it’s how I feel. I want to make us official. I want us to be together.”

“Well, you’re saying that now but what about if we do get together, and I meet your parents and your friends, and you realise how different we are but you feel like you’re stuck with me, and then all of it was for nothing.”

Face the picture of perplexed, your mouth contorts into something ugly. “Where is all of this coming from? What did you think we were doing? I mean, we’ve been fine this past month and I know that there’s something between us.”

“How do you?”

“Because I’m not stupid, JJ,” you sharply reply.

Good, JJ thinks. You’re getting angry. You’ll lose your temper and you’ll let something slip that you weren’t supposed to, and he can bolt without a muddied conscience. He moves away from the bed and starts grabbing his strewn-about clothes in a frenzy to bolt. 

“If there’s something between us, why haven’t I met any of your friends yet?”

You stare at him. He takes your hesitation as confirmation to his doubts. Pointing accusingly at you, he snarls, “because you’re embarrassed of me. You’re embarrassed to be seen with a Pogue-nobody from the Cut, in front of your Kook friends.”

“What is your obsession with me being a Kook!?” you exclaim. “Have you ever noticed how I never bring it up? How it’s always you, JJ, talking about it.”

“Well, I feel like I ought'a!”

“Why!?” you vociferate. 

“Because what the hell do you want with me anyway!? You’re going to mess around with me for the summer, and get your kicks, and rebel against dear-old daddy, and then ditch me for some Kook jackass, who you’ll marry and he’ll take you on ski trips and summer’s in the Hamptons, and send your snotty children to expensive summer camps, and then you’ll laugh with all your trust-fund friends about how you went slumming once too.”

With that narrative, you laugh in disbelief, mystified. “What kind of fucking story are you spinning?”

“One that’s based on nothing but the facts,” JJ shouts. He’s shaking and angry, but it’s just his panic in disguise. He saw a glimpse of happiness with you and instinctively wanted to smash it up, like a psychopath child and a harmless butterfly.  “I mean, you said it yourself - you wanted to do what you’re not supposed to do, for a change. Have a taste of rebellion and then go back to your rich-ass bubble wrap.”

JJ’s seen you possessive before. He’s seen you jealous, and scared, and snippy. But he’s never seen you angry. It’s horrifying. 

“Did it ever occur to you that all of that has nothing to do with you? Has nothing to do with you being a Pogue, or me being a Kook?” you yell. Hands flying up to your chest, holding on like your heart might fall out of your skeleton, your voice turns thick. “I was miserable JJ! I was never allowed to do anything; never allowed to go anywhere. I did what my parents told me to do. I went to bed by nine every night. I was wasting my time with all these fucking after-school extra-circulars which I don’t even care about! I hate ballet! I hate piano! Christ, I hate all of it! And my friends are fake as anything. They say one thing to my face, and come to my house for pool parties, and then bitch about me behind my back! They’re assholes, JJ! So, yeah, I didn’t want to waste my time introducing you to them because I don’t actually like them!”

His lips start to quiver uncomfortably as he watches you unravel. It’s like JJ was pulling and pulling on a spring, and now he has to stand and watch it snap.

Make-up free, hair still tousled from earlier, oversized t-shirt half hanging off your frame: there’s no Kook defining thing about you here. It’s just you - just as it always had been. 

JJ’s heart cracks as a tear falls down your cheek. With a shaky breath, in a quiet, defeated voice, you tell him, “I wanted to go out with you because I wanted to live. Because most of the time, I feel so useless and so alone that I wonder if I’m even here at all.” 

And hearing you say that finally allows the curtain to fall. Only, it revealed to JJ something entirely different to what he expected. To what he’d told himself time and time again. Seeing you cry on your bed because of him…JJ’s made some real big mistakes in his life, but this one surpasses them all. 

“So don’t put your shit on me because you’re the one that’s afraid,” you say, stealing yourself as you aggressively wipe your eyes. JJ’s narrow. It’s like poking a searing hot skewer into his most tender of wounds. 

“Afraid? What do I have to be afraid of?”

“You’re afraid of me! You’re afraid that I won’t love you back! You’re afraid of what all the shallow people in the County will think! You know what, JJ? I’m afraid too! But fuck it - I want to give a try!”

It feels as exposing as having you peel back his skin. JJ pulls on his t-shirt and shakes his head, turning for the bedroom door, mumbling something about ‘I’m not doing this right now.’ 

You dart from the bed and grab at his arm, stopping him. “No. No, you’re not leaving,” you blubber. 

JJ yanks out of your grip, turning around, lashing out like a stray animal approached all too quick. “What do you wanna know!” He yells. You recoil. “What? That I don’t have a great life? That I’m jealous of how you live compared to me! That I don’t want you to see how I really live because I’m ashamed shitless of it!”

You’re crying, hard, but JJ can’t find it in himself to stop. Why won’t he stop? The butterfly is dead, wings torn from the body, antenas shattered from the beating: but it’s like he doesn’t even want dust to remain. 

“That my dad beats the shit out of me, so I sleep at John B’s house!? That I’ll probably end up in a prison cell or an early grave!? You ain't wanna hear that shit! Don’t tell me you want to hear that shit!”

“I do want to hear that stuff! I do want to hear it!” you argue through your sobs. You lift your hands as if you might try and cup his face. “I just want to help you.”

He retracts from your almost-there hold. “Help me! What the fuck! What, do I got a fucking sign on my back that says Save Me?”

“No!”

“Do I look like I need that!?”

Reaching for him again, tears streaming, you wail, “no! God, I just want to be with you because I love you!” 

JJ grabs at your wrists, driving you away from him, driving you towards the door until your back presses against it, all the while yelling at you. Don’t bullshit me! Don’t fucking bullshit me! 

JJ’s never been lucky to have good things. He waits for his friends to get up and leave. Knows his dad will too, one day, just like his ma. He’ll end up alone, drunk, high, and not long after, dead. You? You’re just a glitch in his programming. A girl who saw a project - yeah, that’s it. A girl who saw a project, a thing to fix, and the moment you have will be the moment that you get bored, and leave him broken hearted and alone. JJ knows more than anyone: you’ve got to leave before you get left. 

But as you’re standing with your back against the wall, you don’t cower from him. Don’t wait for him to land a hit on you. Always so trusting. And seeing you, crying, sobbing, begging for him to listen to you, repeating that you love him over and over…JJ knows you’re not the malicious enemy he’s created in his mind. He knows you’re not. 

“I want you to tell me that you don’t love me." A shuddering breath, trying to calm your quivering voice. “Because, if you do, I won’t call you anymore. And I won’t be in your life…”

And JJ’s never been good at admitting when he’s wrong. Maybe he learnt it from his dad. Maybe it’s a defensive mechanism. Maybe it’s dumb, childish youth that he never outgrew. So, as you sob, waiting for him to say something - to say you love him - JJ feels his face turn to stone. Cold, emotionless stone.

“I don’t love you.”

He grabs the rest of his shit in one quick sweep and he leaves your bedroom before he has to see the long-lasting damage he once again inflicted on someone. Slams the door. Rushes down the stairs. Passes the barking Ranger, alarmed by all the yelling, and dresses as he stumbles to the front door. In the air of the driveway, he takes a gasping breath, cringing with melancholic agony. Panic rises in his chest like a fist is clenching around his heart, over and over. He raises a hand, rubbing at the uncomfortable pain. JJ knows this feeling well. Knows it from childhood and from adolescence. Knows it almost as much as he knows breathing. 

Heartbreak.  

~*~*~*~*~*~*

JJ distracted himself with drinking, smoking and treasure hunting. Indulged at night and diverted throughout the day to avoid any thoughts of you. He was lucky, in a way, that his friends were there to keep him busy. They only asked once why he wasn’t seeing you anymore, wondering why you were never around, and learnt their lesson never to ask again. He tried to hide behind the lie that he’d so easily told himself: that you were a spoilt-bitch Kook who would have ditched him soon anyway. But he remembers your voice and your face clear as day, begging for him to tell you that he loved you. He can picture all too easily your reaction the minute he stepped away from you, after telling the worst lie of his life. 

Throwing himself into work was a good distraction. It’s hard to think about you when he’s thinking about how heavy the motor is that he’s lugging, or how close he’s cutting it on time to deliver groceries with Pope. His hurt made him wreckless, like he deserved whatever bad thing might come. You were good karma for returning Ranger and his mistreatment was bound to be paid back to him by the universe. Maybe that was why he’d been so eager to exact revenge on Topper and Rafe. Their attack on Pope certainly made it easier for JJ to handle his hurt when he was reminded of how awful most Kooks are. It was almost possible to group you in with them, to help mitigate the sting of guilt that came whenever your name crossed his mind. Almost. 

But, like always, the consequences of his actions were bound to catch up to him. So, as JJ sits beside Pope and Kiara watching the outdoor movie play under the watchful gaze of Topper, Rafe and Kelce, he knows bad things are coming.

“JJ,” Pope says, nudging his leg. 

“What?”

“Gotta take a piss.”

JJ’s leg is quivering with building adrenaline. “Hold it.”

“I can’t hold it. I drank too much soda.”

“It’s too exposed, they’ll totally see us,” JJ argues. 

“I gotta go,” Pope insists. 

JJ purses his lips and glances back over his shoulder the same time Pope turns around. Their eyes land on the three pissed off Kooks, sat like mob bosses, biding their time. They might as well be smoking a pipe and stroking their one-eyed cat like some '50s Bond villain. 

“They’re blocking the bathrooms,” Pope observes. 

Yeah, no shit. JJ looks around, noticing the woodland behind the giant projection screen. “Alright, come here. I know where.” 

The two of them get to their feet, hunching over as they go to move. When Kiara asks where they’re going, JJ shrugs and tells her, ‘we gotta ring it out.’ With that, they venture to the screen and relieve themselves just behind it, out of view, into the shrubs. As they piss, Pope and JJ banter. JJ finishes first, zipping up his fly and turning around to keep watch. 

“You bring the peacemaker?” Pope asks, referring to JJ’s beloved gun. 

His stomach drops. “Oh, shit, I forgot it.”

“You forgot it?”

“Hurry up! Hurry up!”

“Dude, you had one job. That’s all I asked you to do, man,” Pope complains as he finishes up.  

“I know, let’s go,” JJ quickly replies. The moment he turns, JJ comes face to face with Rafe. Fuck. 

“What’s up Pogues?”

“What’s up, Rafe?” JJ casually replies, walking backwards with Pope as Rafe approaches steadfast. He won’t let on that he’s scared - learnt that from his dad. “Isn’t it past your bedtime?”

As Pope tries to make a run for it, Topper emerges, Kelce in tow. “Hey that was some nice work you did on my boat!”

“I don’t know what you mean,” Pope fumbles.

JJ assesses the situation. Three on two. Pope isn’t the strongest fighter. No gun. Yeah, the odds are not stacked in their favour. 

“Not so burly without a gun now, are you?” Rafe taunts. 

JJ’s jaw ticks, his anger rising with his annoyance. The adrenaline is pumping and working its usual magic. Bring it on, pussy. I can take a few licks - it’s my birth-right. 

“Take one more step and I’ll rip that prepubescent face off,” JJ warns through clenched teeth. He watches as Topper approaches Pope leisurely. 

“Hey Pope, do you feel good about yourself, stealing shit? Is your mom proud of you? Is your dad proud of you?”

Pope slams his head into Topper’s upper chest and pride swills through JJ. “Attaboy! Attaboy!” He grabs his friend’s shoulder, lifting his clenched fist. “Now with your fist, see?”

With that, Rafe claims him. They begin to get in a dust-up. JJ takes the first few punches; each one that lands on his cheek brings searing hot pain that quickly vanishes with shock. Adrenaline is a hell of a drug. He taps into the pit inside of him, deep and angry and bitter. His self-hatred, for all the shit he put you through, for all the shit his dad and mom pegged on him…Throws his own punches, then. Wrestles too. Blood begins to draw. Lips crack open. Eyebrows split. But then it’s two on one: Kelce grabbing at him, holding him steady so Rafe can just lay into him. JJ’s winded as Rafe’s fist meets his stomach. He collapses in Kelce���s hold as Rafe right hooks him. And every hit, JJ takes like it’s his earnt punishment. 

“Come on, Rafe,” JJ provokes through the agonising pain. “That all you got?”

“Let go of him Topper! You fascist asshole!” 

Kiara. She helps Pope first, hitting Topper with JJ’s backpack. At least, that’s what JJ sees through the double vision. The backpack. The gun. Topper grabs it off her and tosses it, and then JJ’s too busy getting the shit beaten out of him to see what follows. It’s all just noise. Blends almost cinematically with the sound of the old-timey movie playing. At some point, it even sounds like there’s a dog barking. Blood fills his mouth like he’s at some sadistic dentist surgery. Pain numbs his nerve endings and softens his muscles. Air becomes a rarity as he’s held in a headlock, half-strangled. 

“Let go of them right now!”

Everyone goes still. JJ only notices because he finally has a second to catch his breath, gasping as the arm around his throat loosens just slightly. He opens his eyes, desperate to get his vision steady, and…no fucking way. 

There you stand like some designer vigilante heroine. Hair perfect, as always, with not a strand out of place; jewellery to the nines; make-up enhancing your gorgeous features. In your hand, clasped between perfectly manicured nails, is JJ’s gun. It’s pointed directly at Rafe’s forehead. 

Rafe laughs. “What? That supposed to scare me or something?”

You grit your teeth, harden your stare, and remain stoic and strong in your stance. Rafe just quirks a brow, a sick smile twisting upwards. 

“Oh, what, you’re gonna be the hero here? Why don’t you just run back to your daddy and mind your own fucking business?”

“Let. Them. Go.”

JJ realises then that Ranger is standing by your side. He’s growling, looking feral like Cujo, salivating at the mouth, death-glare set on Kelce who still holds JJ in a headlock. Your command and Kelce might lose a leg. 

“What’s it to you?” Topper snaps. 

“They’re my friends.”

Okay, no, JJ must have fucking blacked out or something. In the brain damage caused by Rafe, he’s seeing things. You’re his own guardian angel that his dying brain has conjured - that is the only explanation. 

All of the Kooks laugh. “Your friends?”

“I won’t ask you again,” you darkly warn, not a spit of humour in your voice. 

Rafe whistles lowly. He mockingly raises his hands to his head in surrender. Shares a laugh with Topper and Kelce. It vanishes the minute you unclip the safety. 

“You wouldn’t,” Rafe tells you. 

Slowly, maleficently, the faintest shadow of a smirk forms on your lip-glossed mouth. “You really want to test that theory?”

And that, ladies and gentleman, is how JJ Maybank ended up in the most insane predicament of his life. Nobody knows what you’re going to do next: not JJ, and probably not even you. As JJ waits, his eyes dart down to Ranger. The very thing that started all of this. 

Rafe sniffs. He juts his head at Kelce. When Kelce finally lets JJ go, Topper does the same with Pope. Kiara helps Pope up. JJ leans over, hands on his knees, coughing and gasping in air. 

“You’re gonna regret this, you know that? Better keep a fucking eye out, princess,” Rafe warns you as he saunters away with his posse. If JJ wasn’t on the brink of passing out, he’d lay him out for even looking at you.

The minute the three Kooks round the screen, acting as if nothing even happened, you drop the gun on the backpack and race over to JJ. It’s hard not to flinch after his moments-before assault when you clutch his shoulders. He realises that you’re shaking. Hears in the quiver of your voice how shit-scared you are. 

“Oh my God! Are you okay? Can you breathe?”

No and no. 

“Do you need to sit down? What should I–”

No, definitely don’t sit down. 

“Come on - we need to go,” Kiara tells you. She has Pope’s weight on her.

You seem to copy, taking her guidance from her years of experience with hanging with the guys, and guide JJ away from the scene of the crime. You grab the backpack as you go, the gun shoved inside (safety now on). Ranger licks anxiously at JJ’s hand, whining in worry. 

“I’m alright, boy,” JJ lies to the dog in a slur.

swirling, becoming blacker and blacker with every step. His body is screaming for rest and reprieve. He vaguely overhears you tell Kie where you’re parked. Lets you half-drag him to your ride. The minute JJ’s helped into the backseat, safe in the smell of you, he blacks out. 

~*~*~*~*~*~*

The first thing JJ notices when he wakes up is how much his head hurts. There’s a headache above his brows, similar to that which you get when hungover. It feels like his brain was a ping pong ball, rattled around in there for hours on end. Sniffing, he groans as he tries to sit up. There’s a hand pushing him back down to the bed gently. 

“Just lie still, for now,” you say softly. “No sudden movements, okay?” 

JJ groans again, eyes pressed shut. At the sensation of a straw pressing against his lips, he drinks. 

“Open your mouth,” you say after he swallows. JJ does as he’s told, in too much pain to argue. You give him a few pills - presumably painkillers - and help him chase them with water. “I’ll be right back.”

JJ must fall back asleep. When he comes to for the second time, the pain in his head is significantly lessened, as are all the general aches and pains of his body. He dreads the idea of looking in a mirror: he’s probably black and blue. Saying that, it’s not like it’s an unfamiliar state to him. Opening his eyes, he immediately recognises your bedroom. As if on cue, you walk through the door, a mug of what must be steaming hot tea in hand. When your eyes meet his, a relieved smile comes to your face. 

“Hey.”

“Hey,” he rasps. 

Making your way over, tea deposited on the bedside table, you take the seat next to him. Shit, no wonder he was sleeping so well. Your bed is like sponge cake. 

“How you feeling?”

“Like shit,” JJ grunts. You stifle a laugh. Shifting to sit up, his brows furrow as last night comes back to him, piece by piece. “Did I…Was I hallucinating, or did you save our ass?”

“Mmm, I might have maybe just saved your ass,” you innocently reply. 

Shaking his head, JJ rubs tiredly at his face. 

“I’m not even going to ask what Rafe and his gang of fairies were angry about.”

“Yeah, that’s probably the best idea,” JJ cringes. 

He finally braves holding your gaze. There’s a distance there - a reluctance to be fully present - and JJ knows it’s because of him. 

“That was really ballsy, what you did,” he tells you. 

“It's nothing,” you quietly reply. 

“You’re probably going to lose your Kook card now.”

“Never liked it that much in the first place,” you say with a half-smile. 

JJ silently laughs, shaking his head, mesmerised. He was so wrong about you. About all of it. “I was, uh...kind of a dick to you.”

“Yeah…”

“And…you were right,” he mumbles. 

Brows lifting slightly, a small, amused smile teases your lips. “What was that sorry?”

“You were right,” he repeats, no louder. 

Leaning in, a finger to your ear, you say, “one more time, I didn't quite catch it.”

“Fuck off,” JJ groans, shoving you away with hardly any force.

You snort out a laugh. The moment the humour passes, you look back to him. He feels as though he can hear your thoughts. Your anger and annoyance and insecurity and pain. He hears it all in the emotion swimming through your eyes. So, he nods.

“I’m sorry.”

“I know you are, JJ,” you whisper. 

One of his hairs falls into his face. Before he can react, you’re leaning forward, brushing it out the way. JJ captures your wrist quickly, keeping you near, almost panicked that if you move even a millimetre away, he’ll lose you forever. In that same frenzy, desperate to have you close, he forces out the three words he’s never let himself say to anyone. Ever. 

“I love you.”

Face an exact replica of the one you made that day on the beach, you blink at him. Once, then twice. JJ nods again. 

“I just…I can’t…It doesn’t…”

“I know,” you say, forehead bumping against his own as you lean down. Then, in a whisper, you add, “I know. It’s okay.”

JJ sniffs, suddenly overcome with emotion, and nods against you. As his eyes press shut, you kiss him. It’s slightly salty with tears but no less welcome. He winces as your hand cups his jaw. Kisses you through your mumbled apology against his lips.

And as the two of you kiss, JJ realises that this was all it ever had to be. It was never that complicated, never that layered, because all that mattered was you. Wonderfully, princess-perfect, Kook-turned-Pogue you. 

want more? read the sequel to risk here!

[gaywineauntsstuff]

I just saw someone say that Tim was the only member of the batfamily who didn’t suck at math.

With the exception of Dick (acrobatics) and Cass (body language) none of the Batkids are THAT much better than the others at a certain skill

Yes Jason is a better shot

Yes Tim is a better detective

And on a technical level they’re much better

Sure

But that means that if they have a 0.001% chance of cracking a case or making a shot. There will be a noticeable difference between Tim being the character or say Damian.

Otherwise

Not particularly.

Think of each skill like a normally distributed curve okay with the mean being your average hero/olympian/hacker/genius

Right

The Batkids will be at the 96th percentile in the skill

With the exception of 1 of them being at the 99th percentile range

Unless you are writing something you can comfortably say is complex/difficult enough to warrant drawing attention to the 3% difference. It’s annoying to bring it up

I exclude Dick and Cass

Because Dicks introduction is the fact he can do something the rest of the kids can’t to the point where it’s an identifier within his own story. It’s how Tim found him, a signature only he can do.

And Cass because she is genuinely cartoonishly cracked in her own storyline and in batfamily stuff she’s borderline a mind reader

(Could also argue Jason for supernatural stuff and the all blades)

These are exceptions because yeah

If you told me Jason, Dick or Steph cracked a difficult case in a run I wouldn’t treat it as shocking information

If you told me Tim, Dick or Damian managed a tricky shot with a firearm in a dire situation (like what happens in the Grayson run) it would be interesting, surprising but like not? Shocking?

If you told me that Jason did a quadruple summersault off a building and landed on his feet I’d be confused as shit

And even WITH Dick and Cass the other kids are still FREAKISHLY good at D&Cs special skills but they both have unignorable signatures

This is a very long winded way of saying when an author simplifies a character down to

“Oh look nice flippy one”

“Smart one”

“Angry gun one”

“Pet collector”

It’s annoying because you basically ignore all the interesting overlap

Like guess what Dick literally has a habit of collecting strays (see the rabbit and 3 legged dog he lives with in his apartment in the new run)

Tim is fucking badass and is very good at dealing with explosives

Damian is canonically currently thinking of leaving the family business and no longer being a hero to maybe focus on helping people in other ways

Jason occasionally works with magic and demon bullshit

And every single one of them is a genius okay literally every single one of them could get a masters in physics, chem, bio and history in like 2 weeks flat.

Their stats are stacked

All of them know enough info to be able to do 99% of a task and yeah someone might call Tim or Dick in for detective help or Jason for muscle and restraining backup but in 99% of cases THE OTHER CHARACTERS SHOULD BE EQUALLY competent

[makingspiritualityreal]

Planets in Houses Areas of Interest in Astrology

In my studies, I have encountered an extremely detailed and accurate list coming from classic Vedic text, representing what will concern each planet in a given house.

Note, that certain planets perform fundamentally better in certain houses, but the general state of the house affairs will depend on the condition and aspects of the planet. I will give an example of how to interpret a planet below the list.

Note, that Rahu and Ketu are missing, because their results are calculated according to their dispositor.

Sun

1st House Sun Body, Personality, Health

2nd House Sun Intelligence about Maintaining Wealth

3rd House Sun Intelligent Use and Consistency of Skills

4th House Sun Palaces, One's Kingdom

5th House Sun Leadership, Nobility, Esteem

6th House Sun Government Services

7th House Sun Egotism of Spouse or Partner, Partner's Consistency

8th House Sun Vitality, Energy Levels

9th House Sun Father

10th House Sun Government, Activity, Status, Power, Father's Influence

11th House Sun Titles, Certificates

12th House Sun Temples, Places of Worship

Moon

1st House Moon Body, Ego

2nd House Moon Face, Sense Organs, Contentment

3rd House Moon Music, Rhythmic Ability

4th House Moon Mother, Foundation of Feelings

5th House Moon Imagination, Ability to Improve One's Consciousness

6th House Moon Development of Body, Physical Maturation

7th House Moon Popularity, Public Relations

8th House Moon Change, Adaptability

9th House Moon Father's Popularity and Character

10th House Moon Popularity

11th House Moon Popularity in Groups or Organizations

12th House Moon Dreams, Inner Worlds

Mars

1st House Mars Character, Sense of Right and Wrong

2nd House Mars Mineral Wealth

3rd House Mars Siblings, Peers, Bravery, Training

4th House Mars Land, Houses, Property, Mother

5th House Mars Convictions, Strength of Opinions

6th House Mars Accidents, Overcoming Enemies, Weapons

7th House Mars Challenges in Relationships

8th House Mars Surgery, Battles, War

9th House Mars Brother and Sister in Law, Moral Code

10th House Mars Command, Overseers

11th House Mars Character and Motivation of Group Dynamics

12th House Mars Results of Enemies Actions, Secret Enemies

Mercury

1st House Mercury Senses, Ability to Cognize Experiences

2nd House Mercury Speech, Friends

3rd House Mercury Travel, Discernment, Crafts, Communications, Games

4th House Mercury Relatives

5th House Mercury Speculative Investments, Mantra Practice

6th House Mercury Maternal Aunts and Uncles, Legal Matters

7th House Mercury Business Partners, Commerce and Trade

8th House Mercury Corporations, Occult Knowledge, Past Life Fortune

9th House Mercury Past Life Fortune, Judges, Codes of Conduct

10th House Mercury Employer, Apprenticeship, Capacity to Manage

11th House Mercury Playing the Game of Success

12th House Mercury Long Term Investments, Contemplative Knowledge, Purchasing Expenses, Gain of Lost Items

Jupiter

1st House Jupiter Optimism, Opportunities

2nd House Jupiter Wealth

3rd House Jupiter Spiritual Art, Written Wisdom

4th House Jupiter Happiness, Banks, Fruit Bearing Groves

5th House Jupiter Children, Father's Grandfather, Knowledge and Learning

6th House Jupiter Forgiveness

7th House Jupiter Husband, Wealth Partner Brings

8th House Jupiter Inheritance

9th House Jupiter Guru, Teacher, Ease of Fortune, Grand Children

10th House Jupiter Capacity to Manage

11th House Jupiter Income

12th House Jupiter Mother's Mother, Charity

Venus

1st House Venus Strength, Recuperative Ability

2nd House Venus Food, Jewelry Wealth

3rd House Venus Father in Law

4th House Venus Pools, Lakes, Vehicles

5th House Venus Romance, Affairs, Students

6th House Venus Nursing, Physical Succor

7th House Venus Wife, Mother's Mother

8th House Venus Conjugal Bond, Sex

9th House Venus Father

10th House Venus Mother in Law

11th House Venus Fair Distribution of Wealth

12th House Venus Nursing Homes, Mistress, Mother's Father, Vacations

Saturn

1st House Saturn Ability to Endure Hardship

2nd House Saturn Thriftiness, Wealth from Hard Work, Rock Quarries

3rd House Saturn Servants

4th House Saturn Pets

5th House Saturn Fall from Position

6th House Saturn Overcoming Debts and Diseases

7th House Saturn Appreciation of Relationships, Lack of Empathy

8th House Saturn Chronic Disease, Death, Flaws, Weaknesses, Liabilities

9th House Saturn Delays to Fortune, Delays to Creativity

10th House Saturn Duty

11th House Saturn Elder Siblings, Livestock

12th House Saturn Personal Expense, Loss, Capital Expense, Prisons, Imprisonment

Source for the List - Art and Science of Vedic Astrology Vol 2 Ryan Kurczak & Richard Fish. They themselves used original Vedic Resources for the list, I sourced their material for the sake of Vedic translation.

Interpretation example - I have Saturn in the 4th house and I've always had a good bond with pets since I was a child, they would just appear in my life. It seems natural to me, but in reality many people have allergies, don't own pets, their pets don't survive long, they don't share such a special bond with them or their family situation doesn't allow them one, parents forbid them. Not only did I always have a pet, they were also extremely long lived. As a child, I used to have a hamster that survived 5 years, when the average age of a syrian is up to 3, I had a cat that my mom got but the cat ended up loving me and lived 21 years, and when my cat died, my husband's pup yorkie decided that I'm the love of his life. The pets survive so long, because my Saturn is excellently placed in Aquarius with no bad aspects, so I get to have them and care for them to the point of them reaching the age of physical incontinence. Someone with a difficult, badly aspected Saturn in the 4th would have their own story, but nevertheless the placement would manifest as still having that intimate pet experience in their life.

Another example - I have Venus in the 3rd house and I live with my father in law. I never even met my mother in law, as she has no contact with my husband. Yet people with Venus in the 10th will have her as a prominent figure in their life in some capacity. So this list can show which area of your life will yield a physical manifestation in the first place.

This is how you should superimpose this list onto your chart, checking the individual condition of each planet. Note, that these interpretations are NOT applicable in the Navamsa chart, according to Vedic source.

You can also see from the list, that certain placements produce a particular struggle in one's chart, while other planets produce less problems. I will now make a short list of those troubled placements. Note, that I am not including statements about conditions of given planets, which can turn the mentioned events difficult even for a theoretically good scenario. I am only talking about the houses that give an unquestionable struggle. Interestingly enough, this list differs from the traditional Marana Karaka, and it seems to indicate that even out of most difficult placements, one can build something worthwhile. So I will focus only on placements that bring objective difficulty.

Sun

The Sun has its negative impact in the 7th house, where no matter what it produces egotism from one's spouse or partner. With this position, one basically gets partnerships in life with people that boss them around. But if in a good condition, the partner will be consistent, which I'm interpreting as faithful and committed to the relationship, not looking for outside adventure. So even the worst Sun position has some upside to it. The Sun is hard to mess up.

Moon

Even though traditionally the Moon is feared in the 8th house, here it indicates simply a life full of change and forcing one's ego to adapt, which can actually turn out smooth if the Moon is well placed. The most challenging placement for the Moon is actually the 1st house, where the Moon becomes extremely egoic. From my experience with these natives, it is very true, they struggle to mature and force being the center of attention and their ego blinds them. They are very devoted to their loved ones, but extremely self focused, more than any other 1st house planet on the list. So with Moon in the 1st house you are simply an unquestionable egoist.

Mars

Mars has several gray areas that we will touch on, mostly in Dusthanas. Mars produces results of accidents, weapons and surgeries in the 6th and 8th house, and these are the two most common placements I've seen in charts of doctors. These placements are however not the worst ones, because Mars here has the capacity to do battle where the fight takes it, by joining the army or working with the sick.

The most difficult Mars is in the 12th and 7th house. Mars in the 12th house people grow to always suffer long term from some ailment and that is a result of someone else hurting them. I've seen this in a chart of a person that got injured in their workplace in their mid-life and is still getting surgery for the consequences of it in their old age. More notably, we can see it in the chart of Britney Spears, who has various health issues as a result of accidents through difficult physical work she was forced into by others. This is a placement of physical victimhood from people, who stab the native in the back. My guess is, a strong Mars would endure more, but the event will still happen.

Mars in the 7th house is difficult, because these people always bicker in intimate relationships. They have a karma of constant fights with their partner, as they really try to subliminally achieve domination in a partnership, which is impossible because partnership is about equality and compromise. This placement makes it nigh impossible to achieve marital harmony, unless someone enjoys the fighting, and leads to frequent breakups or one's partner cheating. My mother had this placement, and my only memory of her and my father together is them fighting, and she died single.

Mercury

Mercury is a lucky planet, because it has no obvious pitfalls unless badly placed. Interestingly enough, even Mercury in the 12th house has the power to "purchase expenses", and if well placed, make gains from it. As I know a few Mercuries in the 12th house personally, let me decode this for you. People with this placement have a unique knack to purchase items or property of depreciating value and turn it around. My friend with this placement aspecting her Moon invested long term in buying my falling apart post-communist family inherited apartment and is making her home there, and she also has a fantastic knack of receiving thrifted clothes and tailoring them, a hobby we share. These natives have a talent of turning trash to treasure.

Jupiter

Unsurprisingly, there are no bad houses for Jupiter, as even in difficult houses it leads to forgiving one's enemies, being charitable, or receiving an inheritance.

Venus

Similarly to Jupiter, Venus soothes all houses unless afflicted. Venus is able to soothe physical suffering even in the difficult 6th house, or in a nursing home in the 12th. Interestingly enough, Venus in the 12th in a good sign points to the ability of being fulfilled in love even in the seemingly degrading position of being "the other woman" or as the list says, the mistress.

Saturn

Despite it being marana karaka, a well placed Saturn in the 1st gives endurance and is not the worst placement for it, and other houses such as 6th give it endurance to overcome obstacles too. The difficult position for Saturn is actually the 5th, where it shows decline of status or as the list states "fall from one's position". Saturn has a difficult time in most houses compared to other planets, as in the 7th it makes one lack empathy, which will lead to bad karma in the next life, even in the native blocks out the consciousness in this life, and in the 8th and 12th leads to various calamities. So even the strongest Saturn in these houses can simply endure these difficulties, and hope they pass.

[moonstruckme]

Just thinking about reader being in the position of having to take care of poly emt!marauders 🥹 whether they’re physically hurt or just mentally /physically tired, reader is there for them!!!! Instant self care night and spoiling the boys to the max, anything to make them feel better and help prevent work burnout. Reader may not be a medical professional but def knows how to take care of the boys individually and together <3

Thanks for requesting love <3

emt!marauders x fem!reader ♡ 931 words

You’ve been waiting to hear someone’s key in the door for the past half hour. You feel oddly like you’re preparing for guests, having gone out to get a bunch of food and drinks you don’t always keep stocked and making sure all the blankets are washed for when the boys get home. You’re almost nervous. 

James had texted you a few hours from the end of their shift to warn you that the other boys might be in a dour mood when they got home. He was sparing with the details and naturally showed no concern for his own mental state, but you gather it was a rough day. You know it’s bound to happen, in your boyfriends’ line of work, but it still breaks your heart when it happens to them. You wish desperately that you could sequester them in their own little bubble of happiness, where none of the bad things in the world can touch them. God knows they deserve it. 

A key twists in the front door, and you all but jump up, hurrying to fetch the blankets from the dryer. 

“Hi, angel,” James calls into the house, false cheer in every note of his voice. 

“Hi,” you reply from behind an armful of blankets. “How are you, loves?” 

Sirius looks sullen, but Remus manages a half-smile. “Been a bit better,” he says, “but alright.” 

“Yeah, I heard.” You deposit the blankets in a heap on the couch, walking over to Sirius and snaking your arms around his middle. 

“I tattled,” James says to Remus’ inquisitive look. Remus only hums. 

Sirius’ strong arms bind you tightly to his front, his face pressing into the juncture of your shoulder and your neck. “Thanks,” he murmurs into your skin. 

You pet his hair. “Do you guys feel like watching a movie? I got snacks. Or we could have a shower?” You’re rambling a bit, but it’s hard to stop. “Or if you just feel like going to bed, I get that too. I washed the sheets.” 

Remus takes a big breath. Gives you another smile. “That all sounds so nice, dovey. I’m game for a movie.” 

You smile back at him, giving Sirius a good squeeze before releasing him. “Alright, settle in on the couch,” you instruct. “I’m going to go grab some things from the kitchen.” 

“I’ll help,” James says instantly, making to follow you. But you turn around, setting your hands on his chest. 

“Go sit down,” you tell him gently. “I’ve got it.” 

He raises his eyebrows at you but does, pivoting back towards the couch. 

“Fuck, it smells good in here,” Sirius says, and you smile to yourself. You’d lit his favorite candles an hour before you knew they’d be getting home. 

“These blankets are so warm.” James is snuggling up underneath one when you come back in, Sirius having made himself comfortable in the space between Remus’ legs. You start distributing snacks. 

“They just came out of the dryer,” you say. 

“Sweetheart.” Sirius looks at you, his gray eyes already a bit less solemn. There’s a few dozen thank yous and I love yous wrapped up in that one word. You give him a little smile to let him know you hear them. 

You’ve gotten Remus a few different kinds of chocolate, and his lips part in surprise when you dump them all on the coffee table in front of him. You wanted him to be well supplied. If anyone broke Remus’ heart, you’re positive chocolate would come spilling out. 

“Does anyone want tea or hot chocolate or anything?” you ask. 

James shakes his head, and Remus says, “We’re well stocked here.” His voice is soft, warm with fondness. “Sit down with us.” 

You cozy up to James’ side, letting him tuck you underneath an arm and trying not to mind that he smells a bit like hospital. Remus lets Sirius pick the movie, a testament to how upset they must all be, and you nose affectionately at James’ cheek. 

“Do you want to have a shower?” you ask him quietly. “I know you usually like to wash the day off of you.” 

“I will soon,” he replies, turning his face to smear a kiss across your forehead, “but I think I just want to do this for a little while first. Be with you guys.” You look up at him, and he smiles, seraphim. “You’ve really prepared quite the setup for us, haven’t you?” 

You turn your cheek into his chest, having a hard time congratulating yourself when your boyfriends all seem so heartbreakingly glum. “I know you’ve had a hard day,” you tell him.

“Mm.” James drops another kiss on the top of your head, giving you a heart-aching squeeze. “Well thanks, angel. This is really nice.” 

You look at Remus and Sirius on the other end of the couch, the latter with his cheek squished up against your boyfriend’s chest, scrolling through options on the TV while the former wipes a smudge of chocolate from the corner of his mouth. You tilt your head back to see James. His eyes are a bit wearier than usual behind his glasses as he smiles down at you. 

“Are you okay?” you ask softly. 

His smile falters, brows pulling up a bit in the middle at the concern heavying your tone. He rubs your upper arm, and you wriggle your arms around his waist in return, hugging him awkwardly. 

“Yeah,” he tells you, no false lightness undercutting the candor in his voice. “We’ll be fine, sweetheart. We’ve got everything we need right here.” 

[mostlysignssomeportents]

2600’s amazing Hackers on Planet Earth con may go down under enshittification

Catch me in Miami! I'll be at Books and Books in Coral Gables on Jan 22 at 8PM.

It's been 40 years since Emmanuel Goldstein launched the seminal, essential, world-changing 2600: The Hacker Quarterly. 2600 wasn't the first phreak/hacker zine, but it was the most important, spawning a global subculture dedicated to the noble pursuit of technological self-determination:

https://www.2600.com/

2600 has published hundreds of issues in which digital spelunkers report eagerly on the things they've discovered by peering intently at the things no one was supposed to even glance at (I'm proud to be one of those writers!). They've fought legal battles, including one that almost went to the Supreme Court:

https://en.wikipedia.org/wiki/DeCSS

They created a global network of meetups where some of technology's most durable friendships and important collaborations were born. These continue to this day:

https://www.2600.com/meetings

And they've hosted a weekly radio show on NYC's WBAI, Off the Hook:

https://wbai.org/program.php?program=76

When WBAI management lost their minds and locked the station's most beloved hosts out of the studio, Off the Hook (naturally) led the rebellion, taking back the station for its audience, rescuing it from a managerial coup:

https://twitter.com/2600/status/1181423565389942786

But best of all, 2600 gave us HOPE – both in the metaphorical sense of "hope for a better technological tomorrow" and in the literal sense, with its biannual Hackers On Planet Earth con:

https://en.wikipedia.org/wiki/Hackers_on_Planet_Earth

For decades HOPE had an incredible venue, the Hotel Pennsylvania (memorialized in the phreak anthem "PEnnsylvania 6-5000"), a crumbling pile in midtown Manhattan that was biannually transformed into a rollicking, multi-day festival of forbidden technology, improbable feats, and incredible presentations. I was privileged to keynote HOPE in 2016:

https://www.youtube.com/watch?v=f1D7APjmVbk

But after the 2018 HOPE, the Hotel Pennsylvania was demolished to make way for the Penn15 (no, really) skyscraper, a vaporware mega-tower planned as a holding pen for luxury shopping and empty million-dollar condos sold to offshore war-criminals as safe-deposit boxes in the sky. The developer, Vornado (no, really) hasn't actually done all that – after demo'ing the Hotel Pennsylvania, they noped out, leave a large, unusable scar across midtown.

But HOPE wasn't lost. In 2022, the ever-resilient 2600 crew relocated to Queens, hosted by St John's University – a venue that was less glamorous that the Hotel Pennsylvania, but the event was still fantastic. Attendance fell from 2,000 to 1,000, but that was something they could work with, and reviews from attendees were stellar.

Good thing, too. 2600 is, first and foremost, a magazine publisher, and these have been hard years for magazines. First there was the mass die-off of indie bookstores and newsracks (I used to sell 2600 when I was a bookseller, and in the years after, I always took the presence of 2600 on a store's newsrack as an unimpeachable mark of quality).

Thankfully for 2600, their audience is (unsurprisingly) a tech-savvy one, so they were able to substitute digital subscriptions for physical ones:

https://www.2600.com/Magazine/DigitalEditions

Of course, many of those subscriptions came through Amazon's Kindle, because nerds were early Amazon adopters, and because the Kindle magazine publishing platform offered DRM-free distribution to subscribers along with a fair payout to publishers.

But then Amazon enshittified its magazine system. Having locked publishers to its platform, it rugged them and killed the monthly subscription fees that allowed publishers to plan for a steady output. Publishers were given a choice: leave Amazon (and all the readers locked inside its walled garden) or put your magazine into the Kindle Unlimited system:

https://www.amazon.com/kindle-dbs/arp/B0BWPTCP4K?deviceType=A1FG5NAKX0MRJL

Kindle Unlimited is an all-you-can-eat program for Kindle, which pays publishers and writers based on a system that is both opaque and easily gamed, with the lion's share of the money going to "publishers" who focus on figuring out how to cheat the algorithm. Revenues for 2600 – and all the other magazines that Amazon had sucked in and sucked dry – fell off a cliff.

Which brings me to the present moment. After 40 years, 2600 is still at it, having survived the bookstorepocalypse, the lunacy of public radio management, the literal demolition of their physical home by an evil real-estate developer, and Amazon's crooked accounting.

This is 2600, circa 2024, and 2024 a HOPE year:

https://www.hope.net/

Once again, HOPE has been scheduled for its new digs in Queens, July 12-14. Last week, HOPE sent out an email blast to their subscribers telling them the news. They expected to sell 500 tickets in the first 24 hours. They didn't even come close:

https://www.2600.com/content/hope-ticket-sales-update

It turns out that Google and the other major mail providers don't like emails with the word "hacker" in them. The cartel that decides which email gets delivered, and which messages go to spam, or get blocked altogether, mass-blocked the HOPE 2024 announcement. Email may be the last federated, open platform we have, but mass concentration has created a system where it's nearly impossible to get your email delivered unless you're willing to play by Gmail's rules:

https://pluralistic.net/2021/10/10/dead-letters/

For Emmanuel Goldstein, founder of 2600 and tireless toiler for this community, the deafening silence following from that initial email volley was terrifying: "like some kind of a "Twilight Zone" episode where everyone has disappeared."

The enshittification that keeps 2600's emails from being delivered to the people who asked to receive them is even worse on social media. Social media companies routinely defraud their users by letting them subscribe to feeds, then turning around to the people and organizations that run those feeds and saying, "You've got x thousand subscribers on this platform, but we won't put your posts in their feeds unless you pay us to 'boost' your content":

https://www.eff.org/deeplinks/2023/04/platforms-decay-lets-put-users-first

Enshittification has been coming at 2600 for decades. Like other forms of oddball media dedicated to challenging corporate power and government oppression, 2600 has always been a ten-years-ahead preview of the way the noose was gonna tighten on all of us. And now, they're on the ropes. HOPE can't sell tickets unless people know about HOPE, and neither email providers nor social media platforms have any interest in making that happen.

A handful of giant corporations now get to decide what we read, who we hear from, and whether and how we can get together in person to make friends, forge community, rabble-rouse and change the world. The idea that "it's not censorship unless the government does it" has always been wrong (not all censorship violates the First Amendment, and censorship can be real without being unconstitutional):

https://pluralistic.net/2022/12/04/yes-its-censorship/

What can you do about it? Well, for one thing, you can sign up for HOPE. It's gonna be great. They've got sub-$100 hotel rooms! In New York City!

https://store.2600.com/products/tickets-to-hope-xv

If you can't make it to HOPE, you can sign up for a virtual membership:

https://store.2600.com/products/tickets-to-hope-xv-virtual-attendee

You can submit a talk to HOPE:

https://www.hope.net/cfp.html

You can subscribe to 2600, in print or electronically (I signed up for the lifetime print subscription and it was a bargain – I devour every issue the day it arrives):

https://store.2600.com/collections/subscriptions-renewals

2600 is living a decade in the future of every other community you care about, weird hobby you enjoy, con you live for, and publication you read from cover to cover. If we can all pull together to save it, it'll be a beacon of hope (and HOPE).

I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/01/19/hope-less/#hack-the-planet

[darlingpoppet]

Hades Doujinshi project news & Cover reveal!

来年2月1日〜2日のHadesシリーズWebオンリーイベント「クトニオス叙事詩3」のために、パトアキザグ(アキザグ、パトザグ、そしてリバ有りパトアキパト) 『Closest To My Heart』/『だれよりも心を許している男』という英和バイリンガル小説＆漫画の本を出させていただきます。表紙とコミックは、RIPTIDE様が描いてくださいました♡ どうぞよろしくお願い致します。

So I haven’t been around much on social media for the last several weeks, particularly tumblr (except for perhaps the occasional reblog or two haha.) Sorry about that! But the reason is because I signed up to participate as a circle for a Japanese Hades game series fan event, Chthonios Epic 3, currently scheduled to be held on February 1-2 next year. And after working hard on it nonstop for the last almost two months, I’ve just turned in my doujinshi manuscript: a bilingual physical edition of Closest To My Heart, including both the original English version and a brand-new Japanese translation. So good news if you liked that story and/or would like to give it a go reading it in Japanese!

I also got in touch with Riptide, who drew a comic version of the story, and I was so thrilled when they kindly agreed not only to draw a beautiful cover for the book version (as seen above!) but they also helped me prepare their comic for printing, AND they even re-edited the comic so it could have a proper Japanese version as well! Basically I couldn’t have done this without them and I am SO grateful!!! Along with DH who is my usual Japanese editor/beta reader, I hope we managed to put together a decent little book. It’s 114 pages total and I can’t wait to hold it in my hands!!!

I’m still in the middle of prepping for the event & making decisions about how to distribute and stuff like that, but if you’re interested in buying a copy (from an extremely limited print run lol), more details are forthcoming. Either way, for now I can say if you’re a Hades fan, you ought to come pay a visit to the event in February, since it’s all online! I believe they’re also still accepting sign-ups for circles to participate through mid-January… you can set up a booth even for things like fanworks not newly created for the event, merch, or just if you wanted to display your own Hades & Hades 2 artwork & stories <3

Anyways, back to my regularly scheduled fic writing!!!

[irlactualhuman]

Lea Shepherd,

It has come to the attention of the HR department that you have been using your corporate email to both offer and request sexual favors from several of your coworkers on company time, and in a seemingly official capacity. This is a clear violation of company policy regarding sexual conduct in the office, on official channels, and during work hours. Our policy clearly states that benefits not considered "earned rewards", such as target bonuses, cannot be distributed to employees evenly, including so-called "social benefits".

To comply with policy, we ask that you either cease all sexual activity described herein immediately, or agree to both offer and receive such sexual services from all employees equally. The entire HR team would strongly urge you to choose the latter option, as it will not only go a long way to undoing the sense of unfairness this conduct has instilled in many employees, but will also likely improve overall corporate moral, including for us here in HR.

If you do choose the latter option, as we most certainly hope you will, HR may be required to change the designation and official duties of your employment, as it is likely this even distribution of activity will severely limit your capacity to carry out your existing work. Management has, however, already given the green light on this, as they are all eager for your well documented talents to become more widely available.

Please respond to this email with your selection by noon this coming Monday, so HR and Management can move forward and take any necessary adjustments to ensure your continued success with us.

Thank you for your time and for that thing you did the other day in the break room,

Laika Loveless HR Manager

Laika Loveless,

After due consideration, I will conditionally accept this new position within the company that Management has seen fit to develop for me. My stipulations are outlined as follows:

Pay increase commensurate to my increase in duties. We can scarcely say that I was compensated fairly for my admittedly assumed duties up to this point, but we can use them as a spring board. Based on my new adjusted workload intake, I would expect no less than a 130% increased salary yearly.

As I will be moving to a more physically intensive position within the company, this must be non-exempt.

I will require at minimum two PA's under my direct supervision. I do not have any singular or outstanding requests as to their work history or training beyond the ability to administer good and frequent massages.

Finally. I want Jessica's office. The nice one on the 3rd floor with the bay window. If you'll circle back to me on this in person, Ms. Loveless, I can review with you some additional information I may have pertinent to this request.

I am certain we can come to an understanding on all further points related to job function, the filing of appointments, and commission. The Christmas party will be sublime, this year.

I am thrilled to be helming this new venture on behalf of the company. It is as my father always told me, "get on your knees, girl!" He was right, and I am sincerely flattered to have my accomplishments so keenly realized by my superiors.

Thank you for your time and consideration.

- Lea Shepherd

Title Pending (Might I suggest Morale Officer?)

PS: GIRL I TOLD YOU WE GONNA MAKE THIS HAPPEN JESSICA IS FCKIN THROUGH see you at drinks at Marty's honey. kisses!

[yukipri]

Clone File: Morbs (YukiPri OC)

Basic info:

Name: Morbs Number Designation: CC-4413 Generation: 1 (0.9) Rank/Title: Chief Mortician of the GAR, Kamino Chief Mortuary Trainer (former) GAR Affiliation: Entire GAR, primarily stationed with the 212th Attack Battalion Character status: YukiPri Original Character

Disclaimer: Morbs' story will likely make more sense if you've read The Prime Override, as he's introduced with context in this fic. He will also make more sense if you've read about the other 2 clone medics mentioned in this file, Ashe and Stabber.

Backstory beneath cut!

Overview:

Clone morticians are specialists even among medics. Every clone medic knows the basics of how to care for the deceased, but in war, priority must always go to the living. As such, it is common to find only one clone mortician per star destroyer or permanent GAR base, with greater numbers stationed in Tipoca City or various Republic medical centers.

Morbs, or CC-4413, is considered the Chief of this group of medical specialists. He is the originator of the division, and was assigned to develop both the position and the training curriculum of clone morticians in tandem with Ashe’s primary medical training.

Prior to the start of the Clone Wars and through the early war period, Morbs oversaw the Tipoca City Primary Clone Morgue, which processed all clone bodies. There, he managed biopsies, distribution of cadavers, and the care and processing of all of the bodies of his deceased brothers. He also trained other clone morticians who had completed general medical training prerequisites and were approved by Ashe, as well as future Chief Medical Officers who were required to have completed hands-on training time in the morgue to earn their certifications.

Morbs would have been content to remain in this morgue for life, but as the main body of the GAR prepared for deployment, it became clear that the number of bodies being processed on Kamino would plummet. Morbs was reassigned to the front lines, where his expertise would see more active use, leaving his morgue behind in the hands of his assistants. He primarily travels with the 212th Attack Battalion, but frequently visits medical centers and goes where he is needed.

Background:

Morbs was one of five Generation 0.9 CCs selected by Nala Se to begin the development of the clone medical track. While all subsequent medics are CTs, the Generation 0.9 CCs underwent manual age acceleration, putting them physically ahead of their Generation 1 peers in chronological age. Morbs and his fellow CCs were test subjects used to establish the start of the medical specialization path before their younger brothers were of age to begin that training.

As CCs, they are overqualified for the general medical training that Nala Se is building, and Nala Se quickly turns to using them for other experiments as well. Their unique position as the first experimental medical clones gives Nala Se more oversight over them than any other clones, with far less supervision as well. They are “her” clones to test as she pleases.

In the depths of her labs, Nala Se conducts experiments that she had been banned from conducting on standard troopers by the contract with the Prime Clone, Jango Fett. Morbs later learns that these tests would be considered “torture,” and are illegal in the Republic. He and his brothers are tested for the physical limits that clones can reach, including tolerance for exposure to various stimulants such as heat or chemicals, as well as sensory limits such as their maximum threshold for pain. She also experiments with the potential for building up tolerance and even immunity to various drugs and poisons. She takes all of the data she gains and incorporates them into the medical training for the clones—thus, ensuring that her tests still fall under the scope of “developing medical training.”

Two of the five CCs perish as a result of these experiments. Ashe is ordered to decommission the third when he fails to meet Nala Se’s standards. This leaves Morbs and Ashe as the only survivors of their initial group. They cannot speak of their experiences to anyone else, as Nala Se is the only other witness. Not even Kote knows what they experienced. Between the two of them though, they can never forget that their senior medical positions were earned with blood.

Morbs has always been a quiet but keen observer, and knew from early on that Ashe has reasons for wanting to be in the medical track, and that this is a path that he’s chosen and is motivated to push through. Morbs is brought into the Ghosts’ plans relatively early, and having had the most first-hand experience seeing just what Ashe’s position entails, he wishes he could do more to help his brother. However, Morbs is also realistic, and knows that he doesn’t have the same passion and dedication driving him. He does what he can, but he can’t see himself being the medics’ leader that Ashe is. He feels guilty for not being able to offer to take Ashe’s place, when he’s the only one in a position who could. He tries to make up for it by loyally following him, and doing what he can as a supporter.

In addition to not having the drive, Morbs also feels he is cursed with misfortune. While he excels as a medic and not even Nala Se can find anything lacking in his record, most of the patients that Morbs touches seem to end up dead for reasons unrelated to his skills as a medic.

He’s assigned to oversee a group of cadets, who end up having a fatal genetic mutation that gives them all heart attacks while he’s on observation. The wing with patients that he oversees collapses due to an architectural problem, and they all die. He’s conducting a surgery, when the power goes out, and he’s unable to save his patient with the tools he has available. He tends to some brothers, who leave his exam room fine, but are killed in a training accident a few hours later. He’s assigned to take over a simple check up, and finds his patient already dead before he enters the room.

Every additional incident makes him increasingly uncomfortable with working with living patients. He knows he has the skills, but it doesn’t seem to matter, because most of his patients end up dead anyway. Statistically, it’s not impossible, but after a certain point it’s certainly improbable, and yet it continues to happen. Clones are rarely superstitious, as they have no cultural basis for it, but Morbs feels that there’s something absurdly wrong with the amount of death that seems to follow him everywhere.

He only feels that he’s safe for his brothers when working with those already dead. He can’t kill them if they’re dead before they’re even assigned to him. When Nala Se announces that a new mortuary sub-track will be added to the primary medical track, Morbs dives for it because he can’t think of a better position for himself. If death follows him, he might as well embrace it.

As he and Ashe are given more access to resources including those from outside of Kamino to help them develop their respective training curriculums, Morbs finds himself increasingly interested in not just the practical aspects of death, but also the more cultural and spiritual elements as well. It’s sparked by his own unluckiness and wondering if others have experienced the same, but is fed by his curiosity when he realizes that most nat-born cultures have different ways of processing death and grief that are deeply engrained in how they handle their dead. Nat-born lives are for the most part extremely foreign and utterly irrelevant to anything clones will likely ever experience, but death is almost universal. Morbs finds this fascinating.

The clones are brusquely told that they “march on,” when they die, as Mandalorians do. But why? Where do they march to, with whom? What is waiting there? If that is the inevitable eventual fate of all of them, regardless of Ashe’s or Kote’s efforts, shouldn’t it perhaps be Morbs’ job as the Chief Mortician to at least consider what happens after?

While Morbs has no answers for the afterlife, he certainly has many thoughts, which he shares with the silent cadavers who he works with. It seems like they can hear him, he thinks, for all that none of his words are spoken out loud.

While sitting in on a Ghosts meeting as they develop code words for their growing underground organization, Morbs mentions off-hand that their brothers who are dead, but aren’t, are, “Marching on to join Kote.”

It’s not his fault that their overseers failed to really explain what “marching on” means, nor really instill any true understanding of “glory” either. So if they choose to define it for themselves, with “marching on” meaning to join their other brothers (who may or may not be dead), and “glory” as fighting for their brothers, something tangible that they actually understand and care for…well. They are, after all, supposed to die for the glory of the Republic anyway. No one will question the language.

While most of Morbs’ brothers are exceedingly practical, and must be, Morbs finds his niche in thinking about the not practical. If having ways of respecting and mourning the dead helps all other sentients, why shouldn’t it help them too? Morbs experiments with how he thinks their dead should be treated, and the bodies in his morgue are, as always, his silent audience.

He grows to consider the dead bodies in the morgue “his men” in “his army.” After all, those who are also marked dead, but are actually just with the Ghosts, are also allowed to “consider serving” despite being equally dead on record. And are not the bodies that he repurposes to hide the missing bodies, the dead whose organs and limbs save the lives of their living brothers, not also serving their brothers? Just because they were unlucky, like Morbs, doesn’t mean that they aren’t still being helpful, aren’t still actively saving their brothers. Because that’s all what any of them want to do: help each other.

Morbs assigns himself their Commander, as he is in charge of them, cares for them, and directs their “campaigns.” The rows of cold lockers that house their bodies are “barracks.” He talks to them, praises their missions, and grieves for them when they finally march on to their second deaths via cremation, only after which they are truly gone.

While none of Morbs’ students go to quite the same level as Morbs himself in humanizing their deceased brothers, he makes sure that all of them leave his morgue with a firm understanding that even when dead, their brothers are still their brothers. Pieces of his ideology and treatment of bodies linger in all of the medics who handle their dead.

Morbs treats the dead as his men because he wants them to be able to live on just a bit longer, but admittedly that’s not all. It’s something that also helps with his guilt over not being able to assist Ashe in his decommissionings. He can’t stop those deaths any more than Ashe can, and he can’t even share in the pain of murdering them. But he can promise them, and can promise Ashe, that once their bodies leave Ashe’s blood-stained hands, that Morbs will welcome them gently to his morgue. That they’ll be treated tenderly, with humanity, and that their existences won’t mean nothing. That if they’re capable of it, Morbs will do whatever he can to ensure that they too can serve Kote before their bodies are gone.

Morbs likes to think it offers Ashe some comfort.

General Info:

Most clones have only ever heard of Morbs, who is extremely elusive. Even after deployment, he rarely leaves the morgue wing attached to medical. Whereas Ashe feels a complicated mixture of self-loathing and knowing that he’s unwelcome in other spaces because all other clones loathe him too, Morbs is simple. He likes being with his men, they’re his favorite group of clones. The living get plenty of attention amongst each other. He just is happier with his own men, and prioritizes giving them his own attention.

He’s eccentric and more than a little creepy, but his reputation means that many of his brothers are very curious about him. He has a strict “no one alive past this line” rule at the entrance of the morgue, with very few exceptions, so not even those who try to catch a glimpse of him while visiting medical have much luck. Spotting him outside the morgue is both like an exciting cryptid sighting, but also potentially a bad luck omen. Morbs is oblivious to the excitement his presence causes, as he’s usually just in a rush to get back to the morgue.

Morbs is so mysterious that only a very limited handful of his brothers knows how truly odd his habits are. He has an assigned bunk, but ignores it and sleeps in a specially padded cold locker so that he can “sleep in the barracks with his men.” He calls it his favorite bunk, and tells the other medics he wants to rest there when he one day inevitably dies. He will sometimes forget to take care of himself, ignoring his own living needs to eat, drink, exercise, hygiene, etc. until a medic, usually Stabber, drags him out of the morgue to handle it. Stabber thinks Morbs is an example of how truly unfair their genetic enhancements are, because Morbs somehow maintains his solid CC-class physique with essentially zero effort on his part.

Unlike Ashe, who wants to be out in the field, Morbs never wants to leave his morgue for anything. Once he has been relocated into the morgue on the Negotiator, he only steps out when absolutely necessary. He doesn’t want to see the sights of the outside galaxy, doesn’t want to see the people or try the foods. He thinks all air outside of the morgue that is not optimized for the preservation of clone bodies is distasteful. He especially hates heat, sunlight, and humidity, insisting that it will “cause us to decay faster.”

The one exception to this is if there is a morgue, funeral, cemetery, or something else death-related going on. He learned about other cultures’ death practices, and he’s admittedly still curious about them too, mostly in the context of whether there’s anything else he can do to improve the experience for his men. If the ship is planetside and there’s supposed to be a famous cemetery, he might be seen quickly slinking outside, face completely veiled to avoid exposure to the elements.

Relationships:

Morbs maintains a close relationship with Ashe, though it’s one he’ll rarely show in front of others, always maintaining a professional distance if they have company. But Ashe is the only living person that Morbs will seek out for company, always while Ashe is alone. Morbs is the only one who knows the extent of what Ashe suffered during his early training, and had experienced much of it with him. He is concerned about Ashe, but doesn’t offer medical help, as he feels Stabber does that enough, and he doesn’t trust himself to think of Ashe as a patient; that never ends well. He will instead offer Ashe silent company.

Morbs claims to despise Stabber, especially since he’s the one responsible for taking him away from his morgue on Tipoca City and forcing him onto a star destroyer. Because Stabber is the CMO of the 212th, prior to Ashe joining them, Morbs is forced to interact with him the most. Morbs doesn’t like Stabber because he considers the other medic, “far too alive.” Stabber’s high energy, movement, and noise levels all grate on Morbs’ preference for stillness and darkness. Still, he reluctantly respects Ashe’s former assistant’s skills as a medic, and will follow his orders.

He also won’t admit it, but Stabber was the one who gave him his name. Stabber had a habit of announcing that Ashe’s work buddy “has the morbs,” a phrase he’d picked up from one of Ashe’s training resources that he claims means “has emo vibes.” Stabber liked the sound of the word so much that he began shouting it every time he encountered Morbs, and it ended up sticking. Morbs pretends he doesn’t care, but secretly thinks it’s fitting.

On the other hand, Morbs has a surprisingly amicable relationship with the Jedi he interacts with most frequently, Obi-Wan. He was very leery of letting Obi-Wan come anywhere near the morgue, not trusting an outsider with his delicate men who are unable to defend themselves. However, Obi-Wan found Morbs’ ruminations and philosophies fascinating, and was easily able to bait him into a conversation by expressing interest. Despite being surrounded by war, Morbs often seems strangely detached from it, preferring to speak less about the realities of war and the gears that move it, and more about why various cultures frame death and the afterlife in certain ways. While the conversations are often melancholy in nature, Obi-Wan appreciates the strange normalcy of it, knowing that Morbs would likely have these same questions regardless of whether there was a war. Morbs likewise is invested in hearing about death traditions from an outside perspective.

While the other clones aboard the Negotiator were at first both morbidly fascinated by Morbs, they were discouraged from actually interacting with him because he says things like, “You should not be in here, unless you are dead. Unless you would like to be dead, in which case I can help you,” or, “Oh, well you don’t look like you’re dying. How unfortunate.” However, they gradually realize that Morbs is not as aloof as he first appears.

He isn’t opposed to speaking, as long as it’s about his men. They realize that while Morbs refuses to let any curious bystanders or unqualified personel enter the morgue for no reason, he’s always eager to learn more about those in his care. Clones who have lost brothers can always count on him wanting to hear about the deceased, and if they’re present in his morgue, Morbs may even allow them to visit. When the first clone brings Morbs some flowers, because he saw that some nat-borns planet-side were laying flowers by the graves of their lost loved ones, Morbs is tickled by the action. Clones are not granted proper graves, and those in Morbs’ morgue are still “on duty.” But Morbs creates a little sterilized shrine in a corner of medical close to the morgue, where he collects these offerings and allows his brothers to visit. If the tablet Morbs laid there is turned a certain way, Morbs knows that one of his brothers wishes to speak to him about someone deceased, and he slinks out of the morgue to listen to them.

Because Morbs is the Chief Mortician, he not only processes the bodies that pass in front of his own hands, but he obsessively goes over the reports sent to him by all other clone morticians and standard clone medics, who are in charge of marking all final fatalities. As such, he has the most comprehensive knowledge of all deceased clones. On the rare occasions that they are able to conduct larger, collective remembrances, if Morbs is available, he will often be called to lead them.

Obi-Wan observes that Morbs is acting almost like a priest or other religious leader, but Morbs scoffs at the idea. He has no intention of leading a religion; he just cares about his men.

And all of the clones will join his army, one day.

Appearance:

Morbs wears a modified version of the clone mortician uniform, a black version of the standard softshell white medic uniform. As the Chief Mortician, Morbs wears a longer knee-length version of the uniform, along with a black kama over it to signify his CC status. He also has a rank bar, and red shoulder pieces to show his personal training from Nala Se, like Ashe and Omega. He technically has armor, but he’s never worn most of it since his fitting, and he doesn’t plan on wearing it either. His men serve without wearing armor, so why should he? If the ship is ever boarded, he intends on going down with his men in the morgue, a plan that no one will allow him to follow through on.

The one piece of armor he does occasionally wear is his helmet, which is a black version of Ashe’s. He must occasionally process bodies that have been exposed to hazardous conditions, and in these cases, he’ll don his helmet for its filtration and advanced sensors. He is so utterly uninterested in his own armor that it was left unpainted, and Ashe decided to paint it black for him, so it can match Morbs’ aesthetic preferences. While Morbs never acknowledged the gesture, he shows his appreciation by not protesting when he’s told to wear it.

After leaving Kamino, he grows his hair long and wears it loosely tied back, because as a non-combatant, he isn’t limited to practical hair styles. The exact length changes constantly as he uses his own hair to create wigs and patches for any of his men who may have had their own hair damaged. He refuses to share his hair with anyone who isn’t dead.

He also gets tattooed, two dark lines dripping down his cheeks from his eyes. He saw nat-borns with the look in some funerary documentaries he watched as a cadet. He doesn’t know that what he saw was nat-borns with running makeup, but he likes the look because it looks like a trail of permanent black tears on his face. He takes it to be a metaphor that he is always thinking of his men.

Morbs also has deep permanent bags under his eyes. This is due to a mix of him constantly forgetting that he needs sleep, along with him not wanting to sleep because he has so many thoughts to ponder.

While he usually just wears his uniform, he has a veil that he throws over his head whenever he has to step outside of the ship or Republic medical facility for any length of time. He also has an ornamental headdress he’s fashioned for special occasions, such as when he has to welcome an exceptionally large number of men to his army, is conducting a field cremation, or is leading a remembrance. The headdress is created from shards of plastoid armor he’s had to pull from his men.

Note:

Morbs’ designation, CC-4413, was chosen because the number 4 means “death” in many Asian cultures, due to how it sounds similar to “death” in many Asian languages, including but not limited to my own Japanese/Chinese cultures. Tetraphobia, or the fear of the number 4, is a thing! The number Thirteen is an unlucky number in other cultures. The number “4413” felt fitting for this character who is so immersed in death and bad luck!

~~

Related links:

Clone File on Ashe

Clone File on Stabber

OR

Read them all on AO3

~~

PLEASE DO NOT REPOST, EDIT, TRANSLATE, OR OTHERWISE USE MY ART. To share, please reblog! Reblogs and comments greatly appreciated!!!

❀ You can see the rest of my art through the Masterpost pinned to the top of my blog!

[aventurineswife]

Reader LOVES ice skating and can't believe their eyes when the lakes finally get icy, so they ice skate on them. Their partners were skeptical about it since the ice didn't look hard enough and told them to be extra careful. While the two men were busy doing their own things like making snow castles or just chilling with a book. Reader were skating their heart away. But when they did a little spin and landed, the ice broke underneath them. Causing them to go down into the freezing water and leaving their two partners panicking. (Poly Kaveh and Veritas.. this actually happened to me once, and I thought it would be funny to see how they would handle it lmfao. So I guess it's a personal request.. in a way?)

When the Ice Breaks

Summary: When a frozen lake finally invites you to ice skate, your excitement takes over, despite your partners, Kaveh and Ratio's cautious warnings. However, a moment of miscalculation leads to disaster as the ice gives way beneath you. Your fall into freezing water throws Kaveh and Ratio into a frantic rescue mission, showing just how much they care for you in their own unique ways.

Tags: Kaveh x Reader x Ratio, Polyamory, Hurt/Comfort, Ice Skating Accident, Found Family Dynamics, Emotional Angst, Fluff and Angst, Protective Partners, Slow Burn Recovery.

Warnings: Depiction of Near-drowning and Hypothermia, Panic and Emotional Distress, Mild Injury due to Ice Breakage, Mentions of Physical and Emotional Vulnerability.

A/N: 😨... Omg bestie wtf-🫂🥺 that must've been traumatizing for you... I'm so sorry to hear that🤧I hope you're doing well!

The morning sun peeked over a snowy horizon, painting the landscape in soft gold and white hues. The frozen lake shimmered under the light, beckoning you with its gleaming surface. You had been waiting for this moment all season—finally, the lakes were frozen solid enough to ice skate. Or so you thought.

Kaveh and Ratio, your two brilliant yet vastly different partners, stood nearby. Kaveh was sculpting an elaborate snow castle, his hair glowing under the winter sun as he muttered about symmetry and artistic integrity. Ratio, ever the intellectual, was reclining on a snow-dusted bench, a thick tome on the philosophy of ice crystals in hand.

“You're sure it's safe, right?” Kaveh called out, his eyes narrowing as he glanced at the lake.

Ratio adjusted his spectacles, one hand brushing back a lock of hair. “The tensile strength of ice is variable depending on thickness, temperature, and structural anomalies. In short, don’t fall through.”

You rolled your eyes at their caution, already lacing up your skates. "I'll be fine, you two worrywarts! This isn’t my first time."

With a confident grin, you stepped onto the ice, the smooth glide of the skates a familiar and thrilling sensation. As you twirled and spun, the world around you melted away. The cold air kissed your cheeks, and your laughter echoed across the icy expanse.

Kaveh paused mid-snowball fight with Ratio to watch you. “Look at them go! Such grace—”

“—And such recklessness,” Ratio muttered, though his sharp eyes lingered on you. He closed his book with a resigned sigh.

You decided to show off a little, executing a small spin before landing gracefully. But the moment your blades hit the ice, a deafening crack split the air. Time seemed to slow as the ice beneath you splintered, then gave way entirely.

The freezing water engulfed you in an instant, stealing the breath from your lungs. Panic clawed at you as you tried to grab the jagged edges of the broken ice, but they slipped from your numb fingers.

“[Name]!” Kaveh’s scream shattered the silence.

Ratio was already sprinting toward you, his usual composed demeanor replaced by sheer panic. “Don’t move! Stay calm!” he barked, though the urgency in his voice betrayed his own anxiety.

Kaveh, quicker on his feet, skidded to a stop at the edge of the ice, lying flat to distribute his weight. “Grab my hand!” he shouted, reaching out as far as he could.

You managed to lift a trembling hand toward him, but the freezing water sapped your strength. “I... can’t!” you choked out, teeth chattering uncontrollably.

“Ratio, help me!” Kaveh shouted over his shoulder.

The violet-haired genius was already pulling off his belt. “Hold onto this!” He tossed the makeshift lifeline toward you. “Kaveh, anchor it!”

With Ratio steadying him, Kaveh crawled closer, determination etched on his face. “Don’t you dare let go,” he said, his voice breaking. His fingers finally closed around your wrist, and with a guttural yell, he pulled you up and out of the freezing abyss.

Ratio was there immediately, wrapping his cloak around you as he supported your weight. “Hypothermia sets in quickly. We need to warm them up—now.”

Kaveh nodded, tears glistening in his eyes as he helped you to your feet. “You scared us half to death, you know that?”

Back at the cabin, they bundled you in blankets, their hands never leaving yours as they worked together to bring the color back to your cheeks. Kaveh brewed hot cocoa, his movements jittery, while Ratio kept you close to the roaring fire, his arms wrapped protectively around you.

“You could’ve died,” Kaveh murmured, his voice thick with emotion as he pressed a kiss to your damp hair.

“And I would’ve lost my favorite debate partner,” Ratio added, his tone softer than you’d ever heard it.

“I’m sorry,” you whispered, guilt tugging at you.

Ratio squeezed your hand, his eyes meeting yours. “Just promise you’ll listen to us next time.”

“And no more ice skating without us right there, okay?” Kaveh added, his smile strained but full of love.

You nodded, leaning into their warmth. Despite the harrowing ordeal, you couldn’t help but feel grateful—for their love, their quick thinking, and the fact that you were all together, safe and sound.

[underratedbreadcrust]

Hope — Sayid Jarrah

Summary: after crashing on the island, you and sayid have a talk about reality and hope.

Warnings: some light profanity. can be read as either romantic or platonic.

a/n: this doesn’t really focus on the main plot beside the basic details. it physically pains me to see that no one write for this show or this man so i decided to take matters my own hands. this is my first fan fiction ever so i am open to constructive criticism :)

Words: 1.9k

It has been two weeks since the plane initially crashed. Everybody was at first scared out of their minds over the fact that they were stuck in the middle of nowhere with no apparent rescue on the way. Obviously there was that small group of leaders that stepped up to distribute jobs between everybody and give hope to the rest not to give up.

You, of course, were not one of these people.

You were more of a logical person, always being condemned for not being able to see the positive side of things. Always being called too “pessimistic” about situations. Of course, you never saw it that way. Always appreciating when people would be straight forward with you instead of sugarcoating unfortunate scenarios because they weren’t emotionally mature enough to handle it.

Which is why meeting Sayid was... confusing, to say the least.

Your first meeting with him was less than ideal.

It was the morning after the crash, and you were currently walking along the shore of the beach, looking for your suitcase. Due to the initial panic of the previous day, you had no time to search for your belongings and had to sleep with a shared blanket of a person whose name you still hadn't learned. After searching for 20 minutes, you were about to give up until you spotted a certain name tag hanging from the handle of a familiar suitcase.

It was your suitcase...and it was outside of Sawyer's tent?

Thinking perhaps he had mistaken your stuff for his, you walk over and kneel to begin taking your things.

"HEY! THE HELL DO YOU THINK YOU'RE DOING?" You quickly turn your head around to see Sawyer marching from a distance towards you. His eyebrows furrowed and a prominent sneer on his face. At first you were confused, but you quickly realized that he took your things on purpose.

"I'm grabbing my shit," you said in a neutral tone, only sparing him a glance as you turned back to digging for your things.

"The hell you are," he grumbled as he finally reached your side and yanked the case from under you. "This is mine."

You, on instinct, latched onto the handle. "Really? Cause, as far as I'm concerned, that's my name tag I'm holding on to!"

He continued to try to wrench the suitcase from your hands, but you didn't let your grip loosen.

"Damn! Just let go—" "What is going on?"

You stop pulling the case, but neither lets go as the two of you whip your heads towards the source of the sound.

Sayid stood there a few feet away, with an exasperated expression on his face.

You took advantage of Sawyer's distraction to force your luggage out of his grip and attempted to make a run for it, but Sawyer managed to catch your wrist.

"You little bit—" "Enough," Sayid's voice broke through, and his arm reached forward to force Sawyer to let. Once your arm was free, you turned to walk away before Sayid called out to you. "Stop."

You huffed as you slowly turned around to look at him. He was looking at you with a dissatisfied look. "What happened?" he asked in a tired voice.

You shrug as you look between him and Sawyer. "Ask him. He's the one who decided to steal my belongings." "Now look here, Missy—"

"Can you prove," he quickly interjects, "that it belongs to you?"

Your hand reaches around to pull at the name tag at the handle. You flip it so the big letters of your name are visible.

He sighs slowly and turns his head towards Sawyer, opening his mouth, no doubt reprimanding him. However, Sawyer beats him to it and lifts his hand in surrender. "Yeah, I know, I know..." He says defeatedly as he walks inside his tent.

You once again attempt to head in the other direction before you are newly interrupted. "Wait one second."

This time it's your turn to sigh annoyedly, as you cannot seem to leave the spot in which you're standing. Your whole body shifts to face his, and you only see him motion with his head in to follow him before he begins his journey, heading straight into the jungle.

You momentarily debate leaving him behind before you huff and begin to follow him, suitcase still in tow.

You follow him for a couple of moments, panting from the force it is taking to carry your possessions this far. Hearing this, Sayid quickly looks behind him to see that you have not put aside your stuff. "Just leave it," he blurted, "nobody's going to risk coming all the way out here."

The two of you were barely at the entrance where the trees met the beach. You were about to argue with him, but seeing his stern look, you thought about it twice and decided it was best to just leave it. After all, the two of you were already far enough from the others. Against your better judgment, you sighed defeatedly and let it go.

Seeing this, Sayid whirled around and resumed his walk into the jungle.

This was the first time you had gotten the chance to talk to Sayid. Ever since the crash, you took notice of the way he took charge in such a desperate moment, almost as if he had experience with tragedies. Despite it only being a day, you were already intrigued by the reserved and serious man in front of you. Curiosity getting the best of you, you couldn't resist striking up a conversation.

"So, what'd you bring me out here for?" You asked in an expectant tone, wanting to know if perhaps he found you as intriguing as you did him.

"I needed someone to help me collect wood for the signal fire," he stated bluntly, not looking back to you as he continued to trek forward.

You huffed, his answer breaking any illusion you had that he might find anything, beside the task at hand, interesting.

"And you couldn't ask another guy because..." you questioned in a confused tone. "You just happened to be the person that was the closest and most available at the moment," he responded, still in that no-nonsense tone that you hated sounded attractive. His accent is reaching your ears and echoing in your thoughts.

"Whatever..." you muttered as you finally came to a stop and began to pick up the wood next to where Sayid was gathering his pile.

After a few moments, the both of you had gathered enough wood and were beginning your trip back to the main campsite.

Not being satisfied with the lack of communication on his part, you try again at breaking the silence. "Can I ask you a question?"

"You just did."

You roll your eyes and ignore the sarcastic response. "What do you think our chances are of getting rescued?" At the words, he comes to an abrupt stop, causing you to almost crash into his back, before quickly composing himself and turning around to peer at you with a curious look.

"I think the same as everybody else, that it is only a matter of time before help comes," he states in clinical tone, almost as if he's reciting from a manual the words he should say in a situation like this.

You stare at him with a deadpan expression. "I am asking you because I want to know what you think, not everybody else."

His eyes are conflicted for a couple of seconds before they are overcome with reality. "I don't think anybody is coming."

Your eyes widen at the sudden confession. You knew that by asking Sayid, you were going to receive the truth, whether you liked it or not. That still doesn't mean you were fully prepared for it either.

Which leads you back to the present moment, sitting around the signal fire, which has been burning nonstop for 2 whole weeks. Right now, it was your shift to guard the fire, making sure nothing would put it out. You were too busy poking the base of the flames to notice a figure approaching you by the side.

At the sound of footsteps, you whip your head to see Sayid sit next to you on the log you were currently seated on. Ever since that moment in the woods, you hadn't had the chance to speak to Sayid again. It was certainly not by lack of trying, but he was always so busy, making sure that everything within the camp was running smoothly. After a while, you gave up making an effort to communicate with him, believing yourself to only be getting in his way.

"Hey," you greeted with a slight smile, wanting to make him feel as welcome as possible after weeks of no contact. "Hello to you," he replied back, although with a more serious demeanor.

You couldn't let go of the words he told you that day, despite being the ones you anticipated from a guy like him. Even you thought the words to be true before he told them to you. Yet, as the time passed by, you couldn't help but learn to appreciate the small community that has formed as a result of accident. 

"Did you guys manage to find anything out there?" Earlier that day, Sayid went out with a small group in hopes of tracing a signal that could lead to a rescue. His eyes only looked at mine for a moment before they resumed staring at the fire. "We found nothing."

You didn't believe him.

But you also knew that no matter what you said, he would not talk about it, so you also shifted your eyes to gaze at the fire.

"You know...even if you find nothing out there, I believe it's all going to turn out fine," you stated, with perhaps for the first time, an optimistic tone.

"You believe?" He asked with a doubtful expression.

Your eyes turned to stare into his, trying to project all of your thoughts into him. "Yes, I do. Sure, the whole plane crash was unfortunate, but the way everybody here has gathered and given their best, even knowing that they might not get home, is heartening." Sayid still eyed you with an unconvinced stare. "What I mean to say is that before getting on that flight, I used to think optimism was just something people used as an excuse to ignore the issues around us...but these past few weeks have changed my mind." My eyes begin to light up as I think of all the moments I have shared with the other passengers, good and bad.

"You are putting a lot of faith into something that has no evidence supporting it to be true," Sayid interjects, his eyes boring into mine, in an almost defiant way.

"Maybe... but I choose to believe that belief alone is going to be enough to get us home. Hope is one of the most powerful feelings; it drives people towards goals that appear near impossible to others. Haven't you ever fought your hardest for something, despite all of the signs indicating failure?" His gaze turns distant, almost as if he were remembering an instant like the one I described.

Multiple minutes pass by again, silence overtaking the midnight air. You assumed the lack of a response meant the conversation ended before Sayid spoke up again. "Perhaps you are right," he responds, with a feint and almost unperceivable smile.

"There just might be hope for us after all."

[penumbra-mayhem]

Darlin’ HCs

• They get scared shitless every time they use a toaster. Every. Damn. Time.

• When they do manage to eat (which is rare prior to Sam), they wolf everything down (haha) so fucking fast

• They devour sour candy; it’s a wonder they have any taste buds left

• They love pranking Asher by giving him candy that doesn’t look sour to see his (very dramatic) reaction

(He falls for it every time, that man can’t resist sugar. And sometimes the candy actually isn’t sour, so he can never predict it.)

• They have a stutter that developed from head trauma during their last fight with Quinn (more about that here)

• After they come back home, Darlin’ starts working for a soup kitchen. They work in the warehouse packing/distribution center.

• They love their job cause it allows them to do physical work for a good cause without having to interact with many people

• They are constantly changing their hair color/style, but their favorite colors to dye it are black and neon purple

• Darlin has been punk since high school. The jacket they never take off is their battle jacket.

• Their (very beat up) headphones are blasting music 24/7

• Darlin’ has moral OCD, but they don’t know for the longest time

• Quinn quickly picks up on this fact, but doesn’t tell them. He instead uses their obsessions against them to make them believe they are the scum of the earth

• Sam also picks up on their OCD and does a lot of research. He gently introduces the idea to them and helps them get a proper diagnosis and therapy