#Philippe Clay

[fidjiefidjie]

💰 Trop c'est trop !🍷😉

Philippe Clay visionnaire ?!💸en 1976

Source : X, INA

👋 Bel après-midi

[greencheekconure27]

Ah, if only we could've had Cedric Hardwicke (1939 movie) as Book! Claude Frollo AND Maurice Sarfati as Jehan Frollo (1956 movie) in the same film. That would've been so perfect.

Also 1956 Clopin is my favourite Clopin ever, wish there were GIFs of him somewhere .

[badmovieihave]

Bad movie I have Bell Book and Candle 1958

[scopitonearchive]

May 2023 Internet Jukebox Film of the Month: Philippe Clay, “Je Suis Sous,” Scopitone CA-251

[coulisses-onirisme]

Julie la trousse, Colette Renard, chanson de Philippe Clay

De toutes les formes de prudence, la prudence en amour est peut-être celle qui est la plus fatale au vrai bonheur.

Bertrand Russell, La Conquête du bonheur.

Ph. Julia Pogodina

[trevlad-sounds]

Mixtape 332 “Galactic Porch”

2023-07-02

Morning Library

Wednesdays, Fridays & Sundays. Support the artists and labels. Don't forget to tip so future shows can bloom.

The Science Fiction Corporation-Galactic Adventures of the Outer Space Fleet 'Hope’-00:00

Kolumbo-Mysterious Femme-02:39

Natural Sugars-Offering-09:14

Philippe Brown-Conciliabule-14:51

Piero Umiliani, Wilson Das Neves-La Foresta Incantata-17:10

Roedelius-Aufbruch-20:56

Tommy Guerrero-Of Things to Come-24:28

Tyneham House-The Porch Room-27:14

Paul Ellis-Shifting Interdimensional Construct-29:02

Ray & the Prisms-Print Lab-34:21

Uncle Fido-They Begin Investigating-36:01

Psyché-Amma-37:49

Castle If-Vermillion Sunset-42:16

Mort Garson-Baroque No. 2-45:18

[mimeticspace]

philippe caron lefebvre

[veliseraptor]

September Reading Recap

A little late but it's still October! so it counts.

The Language of the Night: Essays on Fantasy and Science Fiction by Ursula K. Le Guin. I have read less Ursula K. Le Guin than I perhaps should have, but I wanted to read these essays by her anyway, and I found them rewarding. I don't read a lot of essay collections by authors, which is funny because what I have read I've really enjoyed, but perhaps that's just because I'm picky. I particularly enjoyed the way that "Is Gender Necessary?" had the original essay with Le Guin's revisions/later thoughts side by side - it felt appealingly honest and good to have the portrayal of a writer's developing opinions and willingness to revise her perspective with time.

The Monkey and the Monk: An Abridgment of The Journey to the West by Wu Cheng'en, trans. by Anthony Yu. I would still like to read the unabridged Journey to the West at some point, but I'm a little intimidated mostly by the problem of getting access to the, what, four volumes that it occupies (by the same translator)? My library doesn't have them. So this was a start. And I enjoyed it! I wish there had been more translator's notes, though. I feel like I could've gotten more out of it with more information/context that I don't have. But just on its own, it's a series of good stories, many of which can be accurately described as "a romp." I imagine the unabridged version has more of those coveted "translator's notes" since I think the assumption is that a more generalized audience reading an abridged version wouldn't want those.

To Shape a Dragon's Breath by Moniquill Blackgoose. I'm apparently reading some "magic school" books, which is surprising given that it's not a genre I'm predisposed to be drawn to. But this one came with a recommendation, and looked like it would be interesting. It doesn't quite match up to the Scholomance series in terms of how much I enjoyed it, but it was good enough that I'll be following it into the sequels.

The Ratline: Love, Lies, and Justice on the Trail of a Nazi Fugitive by Philippe Sands. This book would've been better if it didn't try to combine two stories in one, which it kind of did. One was about the life (and death) of a particular Nazi, while the other was about the way that one of that Nazi's descendants has responded to his father's legacy. It's possible they could've been tied together better, but I think it would've been a stronger book focusing on one or the other. (Though the latter was already an article.) Still, it was well written, and the first half in particular was compelling; it just lagged a little in the last quarter or so.

The Amazing Adventures of Kavalier & Clay by Michael Chabon. I've been meaning to read this book for ages and am trying a new thing where I attempt to rotate through genres (or at least, I was; I've kind of fallen off it for the moment). Which means actually reading some of the realistic fiction on my shelf. It was a very good novel, though I felt like the last third overstayed its welcome somewhat. The part taking place during the Golden Age of comics was easily my favorite. I don't know how much I like Michael Chabon's prose, but his storytelling is strong.

Forge of Darkness by Steven Erikson. Another one I've been meaning to read for a long time. I feel like the role of the siblings (Andarist, Silchas Ruin, and Anomander Rake) was somewhat overstated by the back copy, and they (and their relationships with each other) was really what I wanted more of from this. But it was still a good read, and made me want to reread Malazan: Book of the Fallen, which would be a hell of an undertaking but one I might do in the somewhat near future anyways. Any prequel that makes me want to reread the series it's prequelling is doing something right, I think.

Ballad of Sword and Wine (Qiang Jin Jiu) vol. 2 by Tang Jiu Qing. Still really enjoying rereading this. The political intrigue continues to be choice, and the tension/banter between Shen Zechuan and Xiao Chiye is delightful to read. It's interesting, because I feel like this is one of a handful of cnovels that I've read where I feel like I'm not reading for the tropes so much as I'm reading for the plot itself, which is just an interesting contrast.

Beauty is a Wound by Eka Kurniawan. This was an...interesting...book, but unfortunately the thing that sticks out to me most about it was that there was kind of a lot of rape. And perhaps that was part of the point, part of what this book was saying about the history of Indonesia, but it certainly made for some rough reading. I think this is a book where I'd be interested in reading commentary and analysis, though, which does say something positive about it - a book that provides me with some kind of food for thought is one that is worth something, regardless of my "positive" or "negative" feelings about it.

High Holidays season means a lot of time for reading, as does a depressive episode that has me desperately seeking distractions. I'm currently reading Seven Surrenders by Ada Palmer, but I have a number of books on deck, including Black Mouth by Ronald Malfi and The Daughter of Doctor Moreau by Silvia Moreno-Garcia. I'm also probably going to end up reading Alien Clay by Adrian Tchaikovsky, though I might do a Jeff Vandermeer instead (A Peculiar Peril or Dead Astronauts).

and while I have no lack of things to read: I'm still looking for recommendations for horror and mystery books! If anyone has any, please let me know.

[wildbeautifuldamned]

antique french louis XVI table bouillotte game gambling marble card Philippe EBAY Clay road Antiques

[fidjiefidjie]

Bon Matin 💙🪗🗼💙

Serge Gainsbourg et Philippe Clay 🎶 L'accordéon

[southwarkfair]

philippe clay performing on french tv in what im guessing is the 50s/early 60s

[stateofsport211]

Clay Season: Who Are You and What Have You Done with My Faves?

The Clay Challengers and Why They Matter

Court Philippe Chatrier, the central court for the French Open/Roland Garros (📸 ATP official website)

Those who follow this Tumblr account know how frequent I (the user behind this) watch Challengers. Waking up at 6am for a clay Challenger match, double-screening or replaying while away just because a particular Challenger is on clay, or even watching her random faves trying to nail the clay court game. Even outside clay, it’s the same situation. However, the peak is here: the clay season.

Remember how Juan Pablo Varillas, who was a qualifier last year, took 2 sets off Felix Auger-Aliassime right in the first round? Or how Bernabe Zapata Miralles made it all the way to the fourth round, defeating John Isner (of all people) along the way? These are just one of the examples on how deep the clay Challengers are. They are widespread, not only the European but also the South American Challengers.

Now, how many clay Challengers do we have until this point, where are we at the time of this writing, and why following (even if just a little bit) these Challengers can be beneficial to your clay season tennis-watching?

Loaded with Clay: The 2023 (Notable) Clay Challengers

The ATP Challenger Tour’s tweet to welcome the April clay Challengers (📝 ATP Challenger Tour’s official Twitter)

Starting last March, there were several notable European clay Challengers, indoors or outdoors, that took place. However, in April, the number keeps increasing except for South Korea’s own Challenger swing, which returns to April this year from last year’s September post-pandemic. One notable indoor clay Challenger last March is Szekesfehervar Challenger, where Hamad Medjedovic took the title after defeating Zsombor Piros in straight sets. When tallied, there are 35 clay Challengers scattered across Europe and the Americas (North and South), some of which are filled with people preparing for the French Open.

By the time this piece was written, for example, 3 of the Challengers scheduled for this week were held on clay (Barletta, Murcia, and San Luis Potosi). The spreading of these Challengers not only enabled the players inside the direct entry or qualifying zone to prepare for Roland Garros but also for the ranking range way below that. Furthermore, 8 Challengers offered the 2 highest points (125 & 175), which are listed as follows:

Mexico City Open in Mexico City, Mexico (125; won by Dominik Koepfer)

Sanremo Tennis Cup in Sanremo, Italy (125; won by Luca van Assche, who then ascended to the Top 100 upon his semifinal victory)

Elizabeth Moore Sarasota Open in Sarasota, Florida, United States of America (125; to be played in April 10-16, 2023)

Oeiras Open 125 in Oeiras, Portugal (125; known as Oeiras 3, to be played in April 17-23, 2023)

Aix-en-Provence Challenger in Aix-en-Provence, France (175; to be played on May 1-7, 2023, during Madrid M1000’s second week)

Cagliari Challenger in Cagliari, Italy (175; to also be played on May 1-7, 2023, during Madrid M1000’s second week)

Bordeaux Challenger in Bordeaux, France (175; to be played on May 14-20, 2023, during Rome M1000’s second week)

Turin Challenger in Turin, Italy (175; to also be played on May 14-20, 2023, during Rome M1000’s second week)

The depth of the clay Challengers not only enabled the players to prepare for the French Open, but its flexible availability throughout the season enabled them to grow their game even further. While it often takes time for them to grow their game off-clay, especially those who only have the clay court available to them, some showed they can go beyond clay with minor adjustments needed. Some of the players inside the Top 300 even started their journey from these clay courts, such as those from South America, where its impacts are currently felt across the general tennis circuit.

Legion Sudamericana and Its Impacts

Legion Sudamericana (📸 Tenis con Ñ via Canal Tenis)

Throughout the season, even way before Roland Garros, South America has its own Challenger circuit called Legion Sudamericana (also known as Legion Sudam). This was initiated by Chilean tennis legend and former World No. 31 Horacio de la Peña in 2021, which aimed to create more opportunities for especially South American players at the Challenger level and increase their exposure throughout the region. As the circuit grows, they comprise not only the ATP Challenger level but also 12 male and female ITF World Tour Tennis tournaments each by its first year. Furthermore, they will involve the tennis legends across the region as part of their attempt to give back to their communities by running these tournaments, an idea they (and current South American players) also welcome.

In a chat with the ATP, de la Peña stated that the talk with the South American players and the necessity to grow the game there are the key of the Legion Sudam initiation. This was reflected in the inaccessibility of tournaments outside of their home countries, hence the chance to develop in the circuit from the conditions close to home. He also stated that Legion Sudam could also bring the South American tennis federations together (including but not limited to Argentina, Brazil, Chile, Uruguay, Ecuador, Colombia, Peru, and Bolivia). Beyond clay, there are also several hard court Challengers, some leading up to hard-court Slams, such as the Temuco Challenger at the end of 2022 leading up to the 2023-opening Slam, the Australian Open.

By the end of 2022, in the ATP sector alone, Argentinean players won 23 Challenger titles, where 10 of them were won in Legion Sudamericana. Furthermore, while at the beginning of 2022 14 South American players partook in the Australian Open qualification rounds (in comparison to 7 in 2021), the number in 2023 increased almost three-fold than in 2021, where 20 South American players partook in the Australian Open qualifiers. Furthermore, some of them currently making their marks in the European clay Challengers, such as Mariano Navone, who broke through the Girona Challenger quarterfinals (l. Pedro Martinez). Interestingly enough, some also made their mark in the South American clay 250s, which included Tomas Martin Etcheverry, who reached his first-ever main Tour finals in Santiago (Chile) right before Indian Wells this year. Ranking-wise, as of the week when this piece was written (February 3), 12 players from South America are inside the Top 100, while around 25 additional players are ranked across the Top 300. Some also received wild cards through their home main Tour tournaments as a result of their performances here.

A true growth, which could possibly increase as time goes by, apart from a whole lot of discovery whenever one watches the South American Challengers (personal note: no regrets traversing the time zone here). Should be even deeper now, with more tournaments taking place nearby. What an impact for just their first 3 years alone, and this is far from over for South American tennis. It is just the start of something great there.

What Should We Expect in RG Qualifiers?

The Roland Garros qualifying rounds (📸 Roland Garros official website)

Considering the depth of the field during the clay season, several things can be expected in the clay season: (1) A breakthrough/breakout from someone who has yet to go deep in the main Tour before; (2) A comeback coming from people who tried to rediscover their form during the clay season, and; (3) For those who hung on in the Challengers, an answer to the long wait of finally qualifying through a Slam. However, taking into account how only one Challenger tournament is available during the qualifying rounds of the French Open, it would make sense that everyone eligible will play in the qualifying round, hence increasing the chance of either three to happen during the early rounds.

Reflecting from the 2022 draw, Bernabe Zapata Miralles finally accomplished his clay breakout before being defeated by Alexander Zverev 7-6(11), 7-5, 6-3, defeating the 23rd seed John Isner in a five-setter in the previous round. Camilo Ugo Carabelli, even though he was eliminated in the second round after the preceding marathon, came from a long way thanks to his Legion Sudam runs way before (finals in Santa Cruz and Tigre 2 Challengers, for example, before heading to Europe afterward). Somehow, several Challenger frequents who in one way or another break through or hung on well, were also a qualifier last year, such as Giulio Zeppieri (who went on to two consecutive hard court Challenger finals in early 2023), Jason Kubler (who become a main Tour mainstay inclusive of his Australian Open doubles title with Rinky Hijikata), Chun-Hsin Tseng (who eventually made it to the ATP NextGen Finals at the end of 2022), Norbert Gombos, among others.

This year, the depth did not stop there as the likes of Luca van Assche already won 2 clay titles (one outdoor and one indoor) and Juan Pablo Varillas trying to make their mark, alongside Daniel Elahi Galan, who is currently competing in Houston (250). Even deeper when Ivan Gakhov clinched his first Challenger title ever (even though Gastao Elias had to retire by the end of the second set), signifying the chance is finally there when he is on; or Andrea Vavassori, who qualified for the main draw in Marrakech and now awaiting his second round match (due to unplayable conditions). This could be explored way down with several known people having their best games on clay, such as but not limited to Hamad Medjedovic, Oleksii Krutykh (who primarily played clay Challengers instead before he broke through in the Australian Open qualifiers), or even Zdenek Kolar (who bothered Stefanos Tsitsipas during the second round of French Open last year, when he is on).

To close this piece, a belated welcome to the clay season, where the depth of the field is always available to be explored. Watch, follow, and/or track Challengers, everyone, before asking ourselves “Who are they and what have they done to our (main Tour) faves,” which has been a recurring question every clay season, no matter what tournament it is before its peak in Roland Garros. They are a gateway through the main Tour (and Grand Slams), no matter if one is young and trying to break through, hung on in the middle, or those attempting to make a comeback, and they are here to stay.

[2ndaryprotocol]

#NowWatching Bell, Book And Candle (1958) 🔔📖🕯

“𝚁𝚒𝚗𝚐 𝚝𝚑𝚎 𝚋𝚎𝚕𝚕, 𝚌𝚕𝚘𝚜𝚎 𝚝𝚑𝚎 𝚋𝚘𝚘𝚔, 𝚚𝚞𝚎𝚗𝚌𝚑 𝚝𝚑𝚎 𝚌𝚊𝚗𝚍𝚕𝚎. 𝚃𝚑𝚊𝚝'𝚜 𝚑𝚘𝚠 𝚝𝚑𝚎𝚢 𝚞𝚜𝚎𝚍 𝚝𝚘 𝚎𝚡𝚌𝚘𝚛𝚌𝚒𝚜𝚎 𝚝𝚑𝚎𝚖.”

[beyourselfchulanmaria]

Philippe Faraut /Sculptor Philippe Faraut received his original degree in woodcarving and the construction of French fine furniture from Germain Sommeillier in Annecy, France, his boyhood home. After establishing residence in the Chesapeake Bay area of Virginia, he developed an interest in modeling the head in clay. An avid traveler, Philippe's destinations have allowed him the opportunity to study the cultures of many countries in Europe, Asia, Africa and the Caribbean, thus influencing his work in portraiture. In 1996 he relocated with his wife - Charisse (Scott) Faraut to the Finger Lakes Region of New York State.

Hypatia of Alexandria by Philippe Faraut

[myprettygarden]

Exploring the world of garden gnomes unveils a fascinating tapestry of myths and legends that have surrounded these whimsical creatures for centuries. From their origins in European folklore to their depiction in modern popular culture, garden gnomes have served as both protectors of gardens and mischievous troublemakers. By delving into the intriguing mythology behind these pint-sized statues, we uncover a world filled with tales of good luck, hidden treasures, and even dark curses. Join us as we unravel the mythology of these enigmatic garden guardians.Key Takeaways: Origin: Garden gnomes have a rich history dating back to the 19th century in Germany. Symbolism: These mythical creatures are often seen as guardians of the garden, bringing good luck and protecting against evil spirits. Artistic Evolution: Garden gnomes have evolved from traditional, clay figures to colorful and whimsical designs over the years. Popularity: Despite their kitschy reputation, garden gnomes remain a beloved and popular decoration in gardens around the world. Cultural Impact: Garden gnomes have made appearances in literature, film, and even inspired gnome-themed events and competitions. Historical Roots Early Mythological Figures Roots of garden gnomes can be traced back to early mythological figures from various cultures. In Germanic folklore, they were known as "dwarves" and were believed to possess magical powers, guarding the earth's treasures underground. In Scandinavian tales, they were called "tomte" or "nisse," tiny beings who protected the home and farm animals. Transition to Garden Ornaments Transition of these mystical creatures into garden ornaments began in the 19th century, when they started appearing in the gardens of wealthy European aristocrats. Originally seen as protectors of the garden, they soon became popular decorative elements. Garden gnomes were mass-produced for the first time in the 1870s by German manufacturers such as Philipp Griebel. It is important to note that while garden gnomes are now seen as whimsical and playful decorations, they were once considered dangerous beings. In folklore, disturbing or disrespecting them could bring negative consequences, such as crop failure or bad luck. Despite their cute appearance today, these creatures have a rich and complex history that adds to their mystique.Symbolism and Significance Protection and Good Luck While garden gnomes may seem like mere decorations, they are deeply rooted in folklore and mythology. An age-old belief holds that these whimsical figures provide protection and bring good luck to the household they reside in. Traditionally placed in gardens, these statues are said to ward off evil spirits and bring blessings to the home. Connection to Earth and Nature One of the key elements of garden gnomes' symbolism is their connection to the earth and nature. These mythical creatures are often depicted in harmony with their surroundings, tending to gardens or wildlife. Their presence in a garden is believed to promote growth and fertility in the land. While garden gnomes have a whimsical and light-hearted appearance, their symbolic significance runs deep. In folklore, these creatures are considered guardians of the earth, ensuring the well-being of the natural world and its inhabitants.Cultural Impact Many fascinating stories and beliefs surround the cultural impact of garden gnomes. According to The Origins of Garden Gnomes | The Gardens Trust, these whimsical creatures have left a lasting mark on various aspects of society. Garden Gnomes in Popular Culture Culture has played a significant role in cementing garden gnomes' status in popular culture. These pint-sized statues have been featured in movies, books, and even video games, adding a touch of whimsy to various forms of entertainment. Their presence in mainstream media has further solidified their iconic status in modern society. Variations Across the World Culture has shaped the diverse array of garden gnome variations found across the world.

From the traditional bearded gnome with a red pointed hat to more modern interpretations, these figures have evolved to reflect different cultural influences. Some variations depict gnomes as mischievous creatures, while others portray them as benevolent guardians of the garden. Throughout history, gnomes have been deeply ingrained in the folklore and traditions of various regions, each adding its unique spin to these enchanting beings.Modern Interpretations and Controversies Once again, the world of garden gnomes is a subject of fascination and debate. For those intrigued by the mythology surrounding these tiny beings, exploring the origins and interpretations can be a captivating journey. If you wish to explore deeper into the myths and magic of garden gnomes, check out Gnomes: Delving into the Myths and Magic of Tiny Folklore for an insightful read. Revival of Interest and Collecting Collecting garden gnomes has seen a revival of interest in recent years, with enthusiasts seeking out both vintage pieces and modern interpretations. The charm and whimsical nature of these figurines continue to captivate collectors, who often display them proudly in gardens or homes, adding a touch of fantasy to their surroundings. Debates and Critique An ongoing debate surrounds the portrayal of garden gnomes, with some critics arguing that these figures perpetuate stereotypes and outdated cultural depictions. While some view gnomes as innocent garden decorations, others raise concerns about the representation of certain characteristics. To engage in a meaningful dialogue about the role of garden gnomes in contemporary society, it is vital to consider the impact they may have on perceptions and stereotypes.Conclusion Drawing together the various cultural influences and historical origins surrounding garden gnomes reveals a rich and complex mythology embedded within these iconic figures. From their humble beginnings in Swiss folklore to the whimsical interpretations seen in gardens around the world today, garden gnomes continue to intrigue and delight people of all ages. To explore more about the mythical creatures like the Swiss Gnome, visit Mythical Creatures: Gnome (Switzerland).FAQ Q: What is the origin of garden gnomes? A: Garden gnomes have their origins in 19th-century Germany, where they were first created as decorative garden ornaments. Q: What is the significance of garden gnomes in mythology? A: In mythology, garden gnomes are believed to bring good luck and protect the garden from harmful spirits. Q: Are there different types of garden gnomes? A: Yes, there are various types of garden gnomes, including traditional gnome figures, whimsical gnomes, and themed gnomes like holiday gnomes. Q: Do garden gnomes have symbolic meanings? A: Garden gnomes are often seen as symbols of protection, luck, and a connection to nature in various cultures and mythologies. Q: How have garden gnomes evolved over time? A: Garden gnomes have evolved from traditional red-hatted figures to a wide range of designs, reflecting different cultures, personalities, and interests.

[a2zsportsnews]

Gold Medal Carries Mental Message

By Richard Pagliaro | @Tennis_Now | Saturday, August 24, 2024Photo credit: Matthew Calvis NEW YORK—Zheng Qinwen made inspired history on Paris’ red clay. The Olympic gold-medal champion aims to avoid ignominious history on New York’s hard courts. Evert on Doping: I Think They Protect the Top Players A smiling Zheng soared into history sweeping Croatian Donna Vekic 6-2, 6-3 on Court Philippe…