#Philip Sternberg

[shirtlessmoviestv]

Philip Sternberg : Workin' Moms

[a-member-of-minuteswithmandm]

After 7 years, Workin' Moms is over and I'm gonna miss having a show based on Toronto that I can catch all the references

Kate Foster was a gem of a character (shout out to Catherine Reitman) and I spent so much time laughing while watching this show. Literally the zombie mannequin head giving Kate oral sex honestly killed me 😭😭

Kate and Anne's friendship was a rollercoaster and I really didn't love where it ended up, plus I dont think that Anne and Alice's storyline ended in a way that made sense (why is she going to Australia? What happened to Anne's TBI from the beginning of the season?)

High level opinions: Jenny was the worst she should have been written off. Sloane was great, and she and Paul were such a fun addition to the show. Val was weird and whatever. I actually missed Frankie even though I didn't expect to and I really miss Giselle. Nathan Junior was the best cast addition that the writers made. Lionel was too sweet for Anne

Basically the show was a fun watch for the last 7 years! That being said, this final season was very all over the place - like Kate and Ram was the a storyline for half the season and then it fizzled into nothing else? Plus out of no where Kate selling her her company and then going back with Rosie, Richard and Mo made no sense?

There were definitely a lot of areas where there was room for improvement, but overall it was a funny show and I'm glad to have been able to watch it over the past few years. Watch our review here (plus we have a guest this episode!) :

[suchananewsblog]

Will There Be A ‘Workin’ Moms’ Season 8 on Netflix?

Workin’ Moms Season 7 is lastly on Netflix, which implies followers will quickly be questioning whether or not or not the Canadian comedy will return with extra new episodes sooner or later. Created by and starring Catherine Reitman, the present’s seventh season options badass mothers looking for a piece/life steadiness, infants, breast-feeding, parenting struggles and wins, and even a male…

[kwebtv]

Workin' Moms - CBC / Netflix - January 10, 2017 - March 28, 2023

Comedy / Drama (83 Episodes)

Running Time: 30 minutes

Stars:

Catherine Reitman as Kate Foster (née Hoffman)

Dani Kind as Anne Carlson

Juno Rinaldi as Frances "Frankie" Coyne (seasons 1–5)

Jessalyn Wanlim as Jennifer "Jenny" Matthews (seasons 1, 3–7; recurring, season 2)

Enuka Okuma as Sloane Mitchell (seasons 6-7; recurring, season 5)

Sarah McVie as Valerie "Val" Szalinsky (seasons 5-7; recurring seasons 1-4)

Philip Sternberg as Nathan Foster

Ryan Belleville as Lionel Carlson

Sadie Munroe as Alice Carlson

Dennis Andres as Ian Matthews (seasons 1–3; recurring season 4)

Recurring

Peter Keleghan as Richard Greenwood

Nikki Duval as Rosie Phillips

Kevin Vidal as Maurice "Mo" Daniels

Katherine Barrell as Alicia Rutherford (seasons 1-2; guest seasons 4-5)

Jann Arden as Jane Carlson (seasons 1-4, guest season 5, 7)

Oluniké Adeliyi as Giselle Bois (seasons 1-3 and 5, guest season 4)

Jess Salgueiro as Mean Nanny/Renya (seasons 1–3)

Novie Edwards as Sheila (season 1)

Jennifer Pudavick as Gena Morris

[byneddiedingo]

Ruth Hussey, James Stewart, Cary Grant, and Katharine Hepburn in The Philadelphia Story (George Cukor, 1940)

Cast: Cary Grant, Katharine Hepburn, James Stewart, Ruth Hussey, John Howard, Roland Young, John Halliday, Mary Nash, Virginia Weidler, Henry Daniell, Lionel Pape, Rex Evans. Screenplay: Donald Ogden Stewart, based on a play by Philip Barry. Cinematography: Joseph Ruttenberg. Art direction: Cedric Gibbons. Film editing: Frank Sullivan. Music: Franz Waxman. 

Cary Grant was a great listener, which is what made him a great movie actor. Just watch how alert he is when someone else is talking (which is almost all the time in The Philadelphia Story), registering his responses with a slight smile, a tilt of the head, a lifted eyebrow. This was the mark of his career for more than 30 years, working with some of the greatest directors in Hollywood history, from Josef von Sternberg in Blonde Venus (1932) to Stanley Donen in Charade (1963), taking in multiple turns with Howard Hawks and Alfred Hitchcock along the way. Is there an actor with a better filmography? And yet, he was nominated for the best actor Oscar only twice, for the weepies Penny Serenade (George Stevens, 1941) and None But the Lonely Heart (Clifford Odets, 1944), movies that only a Cary Grant fanatic need bother checking out. He wasn't nominated for The Philadelphia Story, either, even though his C.K. Dexter Haven is one of his deftest performances. The Oscar went to his co-star James Stewart, for playing Macaulay Connor in the same movie, an award that even Stewart thought was a consolation prize for not winning the previous year for Mr. Smith Goes to Washington (Frank Capra). The great virtue of The Philadelphia Story is the way director George Cukor keeps a large and skillful cast buoyantly aloft, giving Katharine Hepburn her comeback role as Tracy Lord after being labeled "box-office poison" for a series of flops in the 1930s. Hepburn was nominated, too, but lost, rather absurdly, to Ginger Rogers in Kitty Foyle (Sam Wood). The other acting nominee was Ruth Hussey for her delightfully sly Liz Imbrie, a role that should have boosted her career but for some reason didn't. The other Oscar for the film went to Donald Ogden Stewart for his adaptation of the Philip Barry play. Stewart got uncredited help from writer Waldo Salt, which leads to a bitter irony: Both men were blacklisted for their leftist views in the 1950s, even though The Philadelphia Story seems to demonstrate that the very rich sometimes have better values than the working-class Macaulay Connor and Tracy's fiancé, the former coal-miner George Kittredge (John Howard). There isn't a weak link in the cast, which includes the peerless Roland Young as droll and lecherous Uncle Willy, and Virginia Weidler, one of the few child actors one doesn't want to stifle, as Tracy's kid sister, Dinah.

[parkerbombshell]

Ola's Kool Kitchen #496

Ola's Kool Kitchen  Wednesdays 9pm BST Show 497 Nouvelle Vague/Melaine Pain-Only You-Should I Stay or Should I Go-PIAS Real Estate-Water Underground-Daniel-Domino Hot Pink Sauce-Feel-single-self release Los MUTAGéNICOS-Ciertament- El Cuarto-Dirty Water Records Charlesstoner-Murky Dreams-Distrokid Dream Wife-Leech-Social Lubrication-Lucky Number Parsnip-The Light-Behold- Upset The Rhythm The Toads-Nationalsville-In the Wilderness-Upset the Rhythm Molly Nilsson-Earth Girls--Extreme-Night School CHARLOTTE ADIGERY & BOLIS PUPUL-Blenda-TOPICAL DANCER-deewee / because music The Monkees-Love is Only Sleeping- Pisces, Aquarius, Capricorn & Jones Ltd.-RCA Dusty Springfield - Little By Little-single-Philips Rita Chao - Hanky Panky- Rita Chao With The Quests-Columbia Mathew Squires- Poor Men Southeast of Portland-single- self release Joanna Sternberg-People are Toys to You- I’ve Got Me-Fat Possum Read the full article

[alphst]

fuboTV Inc (FUBO) Q4 2022 Earnings Call Transcript

$fuboTV Inc Q4 2022 Earnings Call Transcript #earnings #markets #investing

fuboTV Inc (NYSE:FUBO) Q4 2022 Earnings Call dated Feb. 27, 2023. Corporate Participants: Alison Sternberg — Senior Vice President, Investor Relations David Gandler — Chief Executive Officer, Director, Co-Founder John Janedis — Chief Financial Officer Analysts: Shweta Khajuria — Evercore ISI — Analyst Laura Martin — Needham & Co LLC — Analyst Clark Lampen — BTIG — Analyst Philip Cusick — J.P.…

[15billionyears]

What I’m watching (2019 Edition) / Workin’ Moms - Season 1 (2017)

[ultraozzie3000]

MoMA Sees The Future

MoMA Sees The Future

If you love modern architecture, then Feb. 10, 1932 should be an important date on your calendar, for on that date the Museum of Modern Art opened Modern Architecture: International Exhibition. Feb. 27, 1932 cover by Leonard Dove. Curated by Philip Johnson and Henry-Russell Hitchcock, the exhibition introduced 33,000 visitors (during the exhibition’s six-week run) to the “International Style,” an…

[miguelmarias]

TOP 2020

25/12/2020

 A)    Great movies made since 2015 seen for the first time in 2020: 

Buoyancy(Freedom;Rodd Rathjen, 2019)

Les choses qu’on dit, les choses qu’on fait(Emmanuel Mouret, 2020)

L’Île au trésor(Guillaume Brac, 2018)

Le Sel des larmes(Philippe Garrel, 2019/20)

Ghawre Bairey Aaj(Home and the World;Aparna Sen, 2019)

Undine(Christian Petzold, 2020)

Happī awā(Happy Hour;Hamaguchi Ryūsuke, 2015)

Netemo Sametemo(Asako I & II;Hamaguchi Ryūsuke, 2018)

Adolescentes(Sébastien Lifshitz, 2013-9/20)

Family Romance, LLC.(Werner Herzog, 2019)

Demain et tous les autres jours(Noémie Lvovsky, 2017)

Gamak Ghar(Achal Mishra, 2019)

Lunana:A Yak in the Classroom(Pawo Choyning Dorji, 2019)

Semina il vento(Sow the Wind;Danilo Caputo, 2020)

Objector(Molly Stuart, 2019)

La France contre les robots(Jean-Marie Straub, 2020)

Paris Calligrammes(Ulrike Ottinger, 2019/20)

Un film dramatique(Éric Baudelaire, 2019)

 B)    Great movies made before 2015 seen for the first time in 2020: 

Là-Haut, un Roi au-dessus des nuages(Pierre Schoendoerffer, 2003)

Pangarap ng Puso(Demons/Whispers of the Demon/Hope of the Heart;Mario O’Hara, 2000)

Les Films rêvés(Eric Pauwels, 2009)

La vida en rojo(Andrés Linares, 2007/8)

Come Next Spring(R.G. Springsteen, 1955/6)

Song of Surrender(Mitchell Leisen, 1948/9)

Adventure in Manhattan(Edward Ludwig, 1936)

Strannaia zhenshchina(A Strange Woman;Iuli Raízman, 1978)

Chastnaia zhízn(Private Life;Iuli Raízman, 1982)

Málva(Vladimir Braun, 1956/7)

Zhila-byla devochka(Once There Was a Girl;Viktor Eisimont, 1944)

The Unknown Man(Richard Thorpe, 1951)

Aisai Monogatari(Story of a Beloved Wife;Shindō Kaneto, 1951)

Practically Yours(Mitchell Leisen, 1944)

A Summer Storm(Robert Wise, 1999/2000)

Lettre d’un cinéaste à sa fille(Eric Pauwels, 2000)

Sombra verde(Untouched;Roberto Gavaldón, 1954)

Fantasma d’amore(Dino Risi, 1981)

Adieu, Mascotte(Das Modell vom Montparnasse;Wilhelm Thiele, 1929)

Mori no kajiya(The Blacksmith of the Forest;Shimizu Hiroshi, 1928/9;fragment)

Zwischen Gestern und Morgen(Between Yesterday and Tomorrow;Harald Braun, 1947)

Last Holiday(Henry Cass, 1950)

Dialogue d’ombres(Danièle Huillet & Jean-Marie Straub, 1954-2013)

Out-Takes from the Life of a Happy Man(Jonas Mekas, 2012)

Nice Time(Claude Goretta & Alain Tanner, 1957)

Aloma of the South Seas(Alfred Santell, 1941)

A Feather in Her Hat(Alfred Santell, 1935)

La Danseuse Orchidée(Léonce Perret, 1928)

Underground(Vincent Sherman, 1941)

Time Out(in Twilight Zone-The Movie)(John Landis, 1983)

Lackawanna Blues(George C. Wolfe, 2005)

Janie(Michael Curtiz, 1944)

Dernier Amour(Léonce Perret, 2016)

Jeunes Filles en détresse(Georg Wilhelm Pabst, 1939)

Kisapmata(Blink of an Eye;Mike De Leon, 1981)

La Dernière Lettre(Frederick Wiseman, 2002)

The Lady of the Dig-Out(W.S. Van Dyke II, 1918)

Their Own Desire(E.Mason Hopper, 1929)

 C)    Very good movies made since 2015 seen for the first time in 2020: 

Zumiriki(Oskar Alegria, 2019)

Atlantique(Mati Diop, 2019)

J’accuse(An Officier and A Spy;Roman Polanski, 2019)

Richard Jewell(Clint Eastwood, 2019)

Alice et le Maire(Nicolas Pariser, 2019)

Contes de Juillet(July Tales;Guillaume Brac, 2017)

Dark Waters(Todd Haynes, 2019)

Ofrenda a la tormenta(Fernando González Molina, 2020)

Nomad:In the Footsteps of Bruce Chatwin(Werner Herzog, 2019)

Into the Inferno(Werner Herzog, 2016)

The Zookeeper’s Wife(Niki Caro, 2017)

Journal de septembre(Eric Pauwels, 2019)

La Deuxième Nuit(Eric Pauwels, 2016)

Kaze no denwa(Voices in the Wind;Suwa Nobuhiro, 2019/20)

Da 5 Bloods(Spike Lee, 2020)

Izaokas(Isaac;Jurgis Matulevičius, 2019)

A Metamorfose dos Pássaros(Catarina Vasconcelos, 2020)

Tabi no Owari Sekai no Hajimari(To the Ends of the Earth;Kurosawa Kiyoshi, 2019)

La Nuit d’avant(Pablo García Canga, 2019)

My Mexican Bretzel(Nuria Giménez, 2018-9)

Domangchin yeoja(The Woman Who Ran;Hong Sang-soo, 2019/20)

Öndög(Wang Quanan, 2019)

Hatsukoi(First Love;Miike Takashi, 1959)

Million raz pogivaet odin Cheloviek(One man dies a million times;Jessica Oreck, 2018/9)

The Two Popes(Fernando Meirelles, 2019)

Félicité(Alain Gomis, 2016/7)

Salt and Fire(Werner Herzog, 2016)

Ni de lian(Your Face;Tsai Ming-liang, 2018)

Qi qiu(Balloon;Pema Tseden, 2019)

River Silence(Rogério Soares, 2019)

Charlie’s Angels(Elizabeth Banks, 2019)

La boda de Rosa(Iciar Bollain, 2020)

Guerra(War;José Oliveira & Marta Ramos, 2020)

My Thoughts Are Silent/Moyi dumky tykhi(Antonio Lukich, 2019)

Namo(The Alien;Nader Saeivar;co-script-Jafar Panahi, 2020)

Los silencios(The Silences;Beatriz Seigner, 2018)

Terminal Sud(Rabah Ameur-Zaïmeche, 2019)

Tu mérites un amour(You Deserve a Lover;Hafsia Herzi, 2019)

Les Misérables(Ladj Ly, 2019)

Padre no hay más que uno(Santiago Segura, 2019)

Honeyland(Tamara Kotovska & Ljubomir Stefanov, 2019)

Izbrisana(Erased;Miha Mazzini & Dusan Joksimovic, 2018)

This Is Not A Burial, It’s A Resurrection(Lemohang Jeremiah Mosese, 2019)

Primero Enero(Darío Mascambroni, 2016)

Lahi, Hayop(Pan, Genus/Genus Pan;Lav Diaz, 2020)

 D)    Very good movies made before 2015 seen for the first time in 2020: 

Topaze(Marcel Pagnol, 1936)

The SIGN OF THE RAM(John Sturges, 1947/8)

Abandoned(Joseph M. Newman, 1949)

Bewitched(Arch Oboler, 1944/5)

La Femme du Bout du Monde((Jean Epstein, 1937)

The Outcast(William Witney, 1954)

Saadia(Albert Lewin, 1953)

Un monde sans femmes(Guillaume Brac, 2011)

Dishonored Lady(Robert Stevenson, 1947)

Always Goodbye(Signey Lanfield, 1938)

A Blueprint for Murder(Andrew L. Stone, 1953)

Bedevilled(Mitchell Leisen, 1955)

That Forsyte Woman(Compton Bennett, 1949)

The Miracle(Irving Rapper, 1959)

The Madonna’s Secret(Wilhelm Thiele, 1946)

The Town That Dreaded Sundown(Charles B. Pierce, 1976)

Grayeagle(Charles B. Pierce, 1977)

Barricade(Peter Godfrey, 1949/50)

Tomorrow is Forever(Irving Pichel, 1945/6)

David Harum(James Cruze, 1934)

The Vanquished(Edward Ludwig, 1953)

Keisatsukan(Uchida Tomu, 1933)

...Enfants des courants d’air(Édouard Luntz, 1959, short)

The Winds of Autumn(Charles B. Pierce, 1976)

Suddenly It’s Spring(Mitchell Leisen, 1946)

Uchūjin Tōkyō ni arawaru(Warning from Space;Shima Kōji, 1956)

Swiss Family Robinson(Edward Ludwig, 1940)

Ludwig der Zweite, König von Bayern(Wilhelm Dieterle, 1930)

Faithless(Harry Beaumont, 1932)

Botan-dorō(Peony Lanterns;Yamamoto Satsuo, 1968)

Ginza 24 chou(Tales of Ginza;Kawashima Yūzō, 1955)

Goodbye Again(Michael Curtiz, 1933)

Lines of White on a Sullen Sea(D.W. Griffith, 1909)

You Gotta Stay Happy(H.C. Potter, 1948)

Cave of Forgotten Dreams(Werner Herzog, 2010)

Riff-Raff(Ted Tetzlaff, 1947)

The Moon is Down(Irving Pichel, 1943)

The Bride Wore Boots(Irving Pichel, 1946)

Adventures in Silverado(Phil Karlson, 1948)

The Stolen Ranch(William Wyler, 1926)

Congo Maisie(H.C. Potter, 1940)

Marcides(Mercedes;Yousry Nasrallah, 1993)

Hell’s Five Hours(Jack L. Copeland, 1958)

Daniel(in Stimulantia;Ingmar Bergman, 1967)

Diên Biên Phú(Pierre Schoendoerffer, 1992)

Canyon River(Cattle King;Harmon Jones, 1956)

Dos Basuras(Kurt Land, 1958)

Smart Girls Don’t Talk(Richard L. Bare, 1948)

The Big Shakedown(John Francis Dillon, 1933/4)

Corvette K-225(Richard Rosson;p.,collab.Howard Hawks, 1943)

The Gay Deception(William Wyler, 1935)

The Invisible Woman(A.Edward Sutherland, 1940)

Rage in Heaven(W.S. Van Dyke II;collab.Robert B. Sinclair,Richard Thorpe, 1941)

Wild Side(Sébastien Lifshitz, 2004)

I bambini e noi(Luigi Comencini, 1970//7)

The House Across The Street(Richard L. Bare, 1948/9)

The Doughgirls(James V. Kern, 1944)

The Love Trap(William Wyler, 1929)

Torch Song(Charles Walters, 1953)

The Meanest Man in the World(Sidney Lanfield, 1942/3)

Cole Younger, Gunfighter(R.G. Springsteen, 1958)

Ballerine(Gustav Machatý, 1936)

Via Mala(Josef von Báky, 1945//8)

Sky Giant(Lew Landers, 1938)

Les Invisibles(Sébastien Lifshitz, 2012)

Promène toi donc tout nu(Emmanuel Mouret, 1998)

A Story for the Modlins(Una historia para los Modlin;Sergio Oksman, 2012)

Something in the Wind(Irving Pichel, 1947)

Spoveď(Confession;Pavol Skýkova, 1968)

Guilty Hands(W.S. Van Dyke II;collab.Lionel Barrymore, 1931)

Atto di accusa(Giacomo Gentilomo, 1950)

Suspense(Frank Tuttle, 1956)

This Is The Night(Frank Tuttle, 1932)

Escape in the Fog(Oscar ‘Budd’ Boetticher,Jr., 1945)

The Price of Fear(Abner Biberman, 1956)

Happy People:A Year in the Taiga(Werner Herzog, 2010)

Urok(The Lesson;Kristina Grozeva & Petar Valchanov, 2014)

Le Naufragé(Guillaume Brac, 2009)

Lili Marlen(Peter Mihálik;script.Dušan Hanák, 1970;short)

Deseo(Antonio Zavala Kugler, 2013)

  E)     Great movies that improved by new watchings: 

Shanghai Express(Josef von Sternberg, 1932)

The Best Years of Our Lives(William Wyler, 1946)

Till We Meet Again(Frank Borzage, 1944)

Man’s Favorite Sport?(Howard Hawks, 1963/4)

Along The Great Divide(Raoul Walsh, 1951)

Hondo(John V. Farrow, 1953)

Where The Sidewalk Ends(Otto Preminger, 1950)

Mrs. Miniver(William Wyler, 1942)

Driftwood(Allan Dwan, 1947)

‘Good-bye, My Lady’(William A. Wellman, 1956)

Touch of Evil(Preview version, 1975;not later ‘improvements’)(Orson Welles, 1958)

Le Crabe-Tambour(Pierre Schoendoerffer, 1977)

Unfinished Business(Gregory LaCava, 1941)

Madigan(Don Siegel, 1968)

Big Business(James Wesley Horne;s.Leo McCarey, 1929)

Putting Pants on Philip(Clyde A. Bruckman;s.Leo McCarey, 1927)

The Runner Stumbles(Stanley Kramer, 1979)

Yushima no Shiraume(Romance at Yushima;Kinugasa Teinosukē, 1955)

David Harum(Allan Dwan, 1915)

The Virginian(Cecil B. DeMille, 1914)

Island in the Sky(William A. Wellman, 1953)

All About Eve(Joseph L. Mankiewicz, 1950)

L’Eclisse(Michelangelo Antonioni, 1962)

The Roaring Twenties(Raoul Walsh, 1939)

The Plainsman(Cecil B. DeMille, 1936)

JLG/JLG-Autoportrait de décembre(Jean-Luc Godard, 1994)

‘Je vous salue, Marie’(Hail Mary;Jean-Luc Godard, 1984)

La Roue(Abel Gance, 1923)

They All Laughed(Peter Bogdanovich, 1981)

Innocent Blood(John Landis, 1992)

An American Werewolf in London(John Landis, 1981)

The Thing Called Love(Peter Bogdanovich, 1993)

Into the Night(John Landis, 1985)

The File On Thelma Jordon(Thelma Jordon;Robert Siodmak, 1949)

The Little American(Cecil B. DeMille, 1917)

In Our Time(Vincent Sherman, 1944)

The Hunters(Dick Powell, 1958)

Phase IV(Saul Bass, 1974)

L’Honneur d’un Capitaine(Pierre Schoendoerffer, 1982)

Backfire(Vincent Sherman, 1948//50)

Five(Arch Oboler, 1951)

Somewhere in the Night(Joseph L. Mankiewiz, 1946)

A Man Alone(Ray Milland, 1955)

Die Geiger von Florez(Paul Czinner, 1926)

Living on Velvet(Frank Borzage, 1934/5)

La Recta provincia(Raúl Ruiz, 2007//15)

La Noche de enfrente(Raúl Ruiz, 2012)

Carrie(Sister Carrie;William Wyler, 1951/2)

The Spiral Staircase(Robert Siodmak, 1945/6)

The Paradine Case(Alfred Hitchcock, 1947)

L’Amore(Una voce umana+Il Miracolo)(Roberto Rossellini, 1947/8)

The Heiress(William Wyler, 1949)

 F)     Very good movies watched again 

Bluebeard’s 10 Honeymoons(W.Lee Wilder, 1960)

The Five Pennies(Melville Shavelson, 1958)

Take a Letter, Darling(Mitchell Leisen, 1942)

Escape(Joseph L. Mankiewicz, 1948)

Appassionatamente(Giacomo Gentilomo, 1954)

Así como habían sido(Trío)(Andrés Linares, 1986/7)

San Antone(Joseph Kane, 1953)

The High and the Mighty(William A. Wellman, 1954)

Taki no Shiraito(The Water Magician;Mizoguchi Kenji, 1933)

The Web(Michael Gordon, 1947)

The Buccaneer(Anthony Quinn;s.Cecil B. DeMille, 1958)

The Buccaneer(Cecil B. DeMille, 1938)

Desire Me(uncredited:George Cukor/Jack Conway/Mervyn LeRoy/Victor Saville, 1946)

Flaxy Martin(Richard L. Bare, 1948/9)

Swing High, Swing Low(Mitchell Leien, 1937)

Death Takes A Holiday(Mitchell Leisen, 1934)

Irene(Herbert Wilcox, 1940)

Beloved Enemy(H.C. Potter, 1936)

The Cowboy and the Lady(H.C. Potter, 1938)

Der Golem, wie er in die Welt kam(Paul Wegener, 1920)

Mia madre(Nanni Moretti, 2015)

Hell On Frisco Bay(Frank Tuttle, 1955)

Stormy Weather(Andrew L. Stone, 1943)

The Milky Way(Leo McCarey;w.Harold Lloyd, 1936)

Pietà per chi cade(Mario Costa, 1954)

Repeat Performance(Alfred L. Werker, 1947)

Das indische Grabmal:1.Die Sendung des Yoghi,2.Der Tiger von Eschnapur(Joe May, 1921)

Julie(Andrew L. Stone, 1956)

The Member of the Wedding(Fred Zinnemann, 1953)

Winterset(Alfred Santell, 1936)

The Right to Romance(Alfred Santell, 1933)

As Young as You Feel(Harmon Jones, 1951)

You’ll Never Get Rich(Sidney Lanfield, 1941)

The Woman Accused(Paul Sloane, 1933)

Foma Gordeiev(Mark Donskoí, 1959)

The Parent Trap(David Swift, 1961)

High Wall(Curtis Bernhardt, 1947)

Mr. Lucky(H.C. Potter, 1943)

Un Marido de Ida y Vuelta(Luis Lucia, 1957)

The Safecracker(Ray Milland, 1957/8)

She’s Funny That Way(Peter Bogdanovich, 2014)

Oh...Rosalinda!!(Michael Powell & Emeric Pressburger, 1955)

Caribbean(Edward Ludwig, 1952)

Harper(The Moving Target;Jack Smight, 1966)

For You I Die(John Reinhardt, 1947)

Crashing Hollywood(Lew Landers, 1937/8)

Le Souvenir d’un avenir(Chris. Marker & Yannick Bellon, 2001)

Susan Slept Here(Frank Tashlin, 1954)

Bishkanyar Deshot(In the Land of Poison Women;Manju Borah, 2019)

Pollyanna(David Swift, 1960)

A Tale of Two Cities(Jack Conway;collab.Val Lewton & Jacques Tourneur, 1935)

Café Society(Woody Allen, 2016)

Shadow on the Wall(Patrick Jackson, 1949/50)

Tonnerre(Guillaume Brac, 2013)

Le Jouet criminel(Adolfo G. Arrieta, 1969)

‘Once more, with feeling!’(Stanley Donen, 1959)

The Shopworn Angel(H.C. Potter, 1938)

The Absent Minded Professor(Robert Stevenson, 1961)

Gavaznha(The Deer;Masud Kimiai, 1974)

[ahmdmelhawi]

مترجم Aftermath 2017 مشاهدة فيلم

مترجم Aftermath 2017 مشاهدة فيلم

Director:   Elliott Lester Writers:   Javier Gullón Stars:   Aaron Crutchfield | Adam Hicks | Ahmaad Aspen | Alexa Glaser | Allison Rowe | Arnold Schwarzenegger | Becky Meister | Bill Bower | Bill Kelly | Bob Kendrick | Brad Sherman | Brian Bowman | Brian Gallagher | Bryan Kruse | Carl G. Herrick | Charles Poole | Chase Dunnette | Chloe Stearns | Chris Storck | Christina Lambert | Christina Sparks | Christine Dye | Christopher Darga | Cory McKinney | Dani Sherrick | Danny Mooney | David M. Raine | David Pittinger | Debbie Scaletta | Debra Herzog | Donnie Dunn | Doug Meacham | Dylan Keith Adams | Ellen Pepper | Eric Watson | Erik Sternberger | Garey Faulkner | Gary Chinn | Gary Warden | Glenn Morshower | Hannah Ware | Harry McCane | Jack Norman | Jami Cullen | Jason McCune | Jazz Securo | Jeff Panzarella | Jerry Gallagher | Jill Coughlin | Jim Gloyd | Jim Waldfogle | Joe Camoriano | Joe Maurer | John E. Brownlee | John Moon | Josh Heileman | Joy Corrigan | Judah Nelson | Kasey Daley | Keith Flippen | Kelly Saunders Childs | Kenneth Meyer | Kevin Murray | evin Slone | Kevin W. Shiveley II | Kevin Zegers | Kim Evans | Kittson O'Neill | Kristie Galloway | Kyle Merryman | Larry Sullivan | Laura Allen | Lewis Pullman | Logan Fry | Lon Nease | Lynn Downey | Maggie Grace | Mariana Klaveno | Mark Angel | Mark Salas | Martin Donovan | Matt Ridley | Matthew W. Allen | McKenna Kerrigan | Megan Leonard | Michael B. Coleman | Michael Bynes | Michael Lowry | Michelle Poole | Ming Wang | Mo McRae | Myrom Kingery | Nagy Jay | Nathan Hollabaugh | Neal Ghant | Nicholas Palacio | Olivia Wallace | Peggy Warner | Philip Winters | Reid Carpenter | Rex Alba | Rich Lewis | Robert Alan Walker | Ronnie Webb | Ryan White | Samantha Russell | Scoot McNairy | Scott A. Martin | Shawn Pruchnicki | Shuo Chen | Tammy Tsai | Ted Williams | Teri Clark | Tim Downey | Todd C. Adelman | Trisha Simmons | Tyler Beaty | Victoria Watkins | Walter von Huene | William Willet | Yolanda Harris | Zoya Naumchik

Storyline Two strangers' lives become inextricably bound together after a devastating plane crash. Inspired by actual events, AFTERMATH tells a story of guilt and revenge after an air traffic controller's (Scoot McNairy) error causes the death of a construction foreman's (Arnold Schwarzenegger) wife and daughter.

Genres:   Drama | Thriller

Details Official Sites: Country: UK | USA Language: English | Thai Release Date: 7 April 2017 (USA) Also Known As: Aftermath Filming Locations: Columbus, Ohio, USA

مشاهدة الفيلم مترجم

أهم الاعمال لبطل الفيلم

مشاركة الموضوع

[tcm]

Happy International Hat Day: Bowlers and Fedoras and Cloches, Oh My! By Jill Blake

Hats have been a staple in fashion for centuries, with origins that date back to ancient Egypt around the year 3200 BC. Of course, hat styles have changed over time, but their purposes are pretty much the same: either functionality by providing protection from the sun and other elements, or merely serving as a fashion statement. Historically, hats also often represented an individual’s social standing, with different types of hats worn by certain social classes and for certain events or occupations, from ornate wide-brimmed hats, to high quality bowlers, to newsboy caps. Hats were also part of social convention, with men wearing hats when outside and women wearing anything from pillbox hats to fascinators to complete their outfits for church or other social functions. For International Hat day, here’s a list of some popular hat styles of the 20th century. Many of these hat styles can be found on the TCM shop.

Pork Pie Hat

The pork pie hat dates back to the early-to-mid 1800s and was quite popular with men. The hat was often made of high-quality felt, but also could be made out of cotton or straw. The pork pie, or “stingy brim”, hat has distinctive features with a low crown and narrow brim. After the Civil War in the United States, the pork pie wasn’t as popular in men’s fashion. In the 1920s, silent film star and director Buster Keaton made the pork pie an integral part of his on-screen persona, helping popularize the hat once more. And in William Friedkin’s THE FRENCH CONNECTION (’71), Gene Hackman’s character, Jimmy “Popeye” Doyle, sports a pork pie hat.

Bowler Hat

The Bowler hat originates from England and was created by Thomas and William Bowler in London during the mid-1800s. The Bowler is typically made of felt and has a rounded crown, narrow brim and is very durable. While it looks formal by today’s fashion standards, the bowler was considered a more informal hat for day-to-day wear and was mainly worn by middle and upper-class men from butlers and valets, to bankers and members of the aristocracy. Perhaps the most famous bowler in classic film belonged to Charlie Chaplin, who wore the trademark bowler for his iconic Little Tramp character in films such as MODERN TIMES (’36), CITY LIGHTS (’31), and THE KID (’21). Stan Laurel and Oliver Hardy also famously wore bowler hats in many of their films, like the short ANOTHER FINE MESS (’30). Other examples include Jack Lemmon in Billy Wilder’s The Apartment (1960) and James Cagney during the “Harrigan” musical number in Michael Curtiz’s YANKEE DOODLE DANDY (’42).

Fedora

The fedora is perhaps the most iconic hat in film history, particularly throughout the 1930s up through the 1950s. It’s typically made of high-quality felt, ranging from wool to cashmere to mink. The hat also usually has a wide, soft brim and a pinched crown that is indented at the top with some kind of ribbon running around the base of the crown. The fedora dates back to the 1890s and was originally considered a ladies’ hat. By the 1920s, the fedora was popularized by male members of the British Royal family and became a staple of men’s fashion. By the 1930s, the fedora was associated with gangsters and tough guys, as well as private detectives and plain clothes police officers. Almost every modern film from the 1930s through the 1950s features a fedora, including James Stewart’s Macaulay Connor in George Cukor’s THE PHILADELPHIA STORY (’40); Dick Powell’s Philip Marlowe in Edward Dmytryk’s film noir MURDER, MY SWEET (’44); and perhaps the fedora’s most famous wearer, Humphrey Bogart as Rick Blaine in Michael Curtiz’s CASABLANCA (’42). Ingrid Bergman also wore a variation of the fedora as Alicia Huberman in Alfred Hitchcock’s NOTORIOUS (’46).

Fascinator

The fascinator is more headpiece than an actual hat, but has long been a staple of women’s fashion, particularly in Europe. Fascinators are typically decorative and are clipped or pinned into the hair. They can be made of a wide-range of materials, including silk, wool and feathers and can have netted veils. Fascinators are mainly worn in traditional or formal settings, such as during church services, weddings or funerals. There are countless examples of fascinators in classic film, but one of the most popular is the one that Rosalind Russell’s Sylvia Fowler wears with her Adrian-designed eyeball blouse in George Cukor’s THE WOMEN (’39).

Top Hat

The top hat is one of the most recognizable hats in history. It is typically associated with formal dress dating back to the 1700s all the way up to the mid-1900s and is still worn today for certain social events. The top hat is tall, with a flat top and wide brim, and is usually made of silk, beaver fur or cloth. The hat was typically associated with wealth and prestige but eventually became accessible to a wide-range of social classes. Like the fedora, the top hat is featured in countless classic movies. Fred Astaire often wore one in his RKO musicals with Ginger Rogers, such as the appropriately named TOP HAT in 1935, directed by Mark Sandrich. Then there’s Fredric March, who always wears a top hat for a night out in Victorian-era London, whether he’s Dr. Henry Jekyll or his sinister alter-ego Mr. Hyde. But the top hat wasn’t limited to men—Marlene Dietrich famously wore one in her first American film, Josef von Sternberg’s MOROCCO (’30), as did Josephine Baker—both women pushing the boundaries of gender and redefining femininity.

Cloche Hat

The cloche hat was one of the most popular hats for women in the early 20th century. The cloche dates back to 1908 and was designed by French fashion designer Caroline Reboux and named for its bell shape. The cloche was one of the most versatile hats in a woman’s wardrobe, worn with casual, everyday clothing, as well as fancier versions for evening wear. The cloche was also popular because it accentuated the shorter hairstyles that were becoming more popular at the time. Joan Crawford, Josephine Baker, Nancy Carroll, Norma Shearer and Louise Brooks all famously wore cloche hats. One of the most stunning examples is in Michael Powell and Emeric Pressburger’s technicolor masterpiece, THE LIFE AND DEATH OF COLONEL BLIMP (’43) and worn by Deborah Kerr.

Hunter/Trapper Hat

The hunter or trapper hat is sort of a variation on the deerstalker hat, typically associated with the literary character Sherlock Holmes. The trapper hat can be made of fur, leather, wool or flannel, and it has ear flaps that can be tied back. The hat is more function than style, providing warmth for a variety of outdoor activities such as hunting, fishing or selling Christmas trees, like Rock Hudson’s Ron Kirby in Douglas Sirk’s ALL THAT HEAVEN ALLOWS (’55).

Bonus: Doris Day’s Many Hats

Doris Day has rocked some hats in her day, particularly in her three films with Rock Hudson: PILLOW TALK (’59), LOVER COME BACK (’61), and SEND ME NO FLOWERS (’64). Pillbox hats. Cloche hats. Fur hats. Straw hats. Bubble hats. Bucket hats. Sun hats. And plenty of “I-don’t-know-what-that-is-but-it’s-fabulous” hats. In the late 1950s and 1960s, Day re-popularized many of the hat styles from the 1920s and 1930s, with a funky, mid-century twist. Doris wore them all and she looked absolutely fabulous.

[passion-of-arts]

Corlys Lesewelt - Serienmittwoch: Welche männlichen Schauspieler mochtest du dieses Jahr am liebsten?

Corlys Lesewelt – Serienmittwoch: Welche männlichen Schauspieler mochtest du dieses Jahr am liebsten?

Diese Woche möchte Corly im Serienmittwoch wissen, welche männlichen Schauspieler ich dieses Jahr am liebsten mochte. Vielleicht könnte ich sogar eine Top Ten erstellen. Mal sehen.

(more…)

[puffinsplaces]

Philip Sternberg

[ocioenlinea]

Cartelera Videosalas del 16 al 22 de noviembre 2018

CINEFORO UDEG. Av. Juárez esq. Enrique Díaz de León, piso -1. T/3826-7297. Boleto: $45 general; $30 miércoles general y universitarios con credencial. www.cineforo.udg.mx

DRAMA

OCHO TREINTA

D: Laura Nasmyth, Philip Leitner

Austria, 2017. d: 70 min.

Un vendedor de puerta a puerta se encuentra atrapado en un suburbio desértico, ya que su tren regresa a la misma estación, una y vez, creando lo que parece ser un bucle infinito.

Viernes 16, 16:00 h

 DRAMA

STANLEY UN HOMBRE DE VARIEDAD

D: Stephen Cookson

Reino Unido, 2016. d: 82 min.

Un hombre que ha estado atrapado en prisión por demasiado tiempo comienza a ver alucinaciones.

Viernes 16, 18:00 h

 DOCUMENTAL

VIVIENDO EN LA HISTORIA

D: Z

Estados Unidos, 2017. d: 50 min.

Documenta treinta y cinco años de creación artística del fotógrafo Patrick Nagatani. La película retrata a un artista profundamente preocupado por los eventos mundiales, que utiliza imágenes y narraciones para crear conciencia sobre las ansiedades modernas, con un énfasis en la amenaza de las armas nucleares.

Viernes 16, 20:00 h

 DRAMA

LOS ARBOLES DEL ALBINO

D: Mazakazu Kaneko

Japón, 2016. d: 76 min.

Yuku un cazador que caza y se deshace de bestias salvajes para ganarse la vida, acepta una oferta de trabajo que pagará una gran cantidad de dinero, y se va al monte Yorigi que solía tener una mina. Allí, se entera de que la bestia que tiene que cazar, se llama “Dios venado blanco” y es adorada como un Dios de la montaña, por un antiguo pueblo que está bajo las ruinas de la mina.

Sabado 17, 16:00 h

 DRAMA

EL BOSQUE

D: Viktor Gasic

Alemania, 2018. d: 138 min

Dos parejas y sus hijos van de excursión al bosque. Son parejas jóvenes, exitosas y bien establecidas en el ambiente político-social de hoy. Cuando sus hijos desaparecen en una tormenta, toda la construcción de su amistad comienza a desmoronarse. Muy pronto, su fachada burguesa cae y los cuatro se convierten en el perfil de una cultura perdida. Lo que sigue es una odisea a través de los bosques que se convierte cada vez más en un viaje hacia lo metafísico.

Sabado 17, 17:40 h

 DRAMA

LA VIDA ES MARAVILLOSA

D: Frans Weisz

Holanda, 2018. d: 97 min

Es una película acerca del amor y el anhelo. Mees y Boelie, dos mejores amigos, están pasando un hermoso día de primavera en el Vondelpark de Ámsterdam, hasta que se encuentran con la joven y atractiva Panda. Mientras el calor aumenta en el parque, Ernst-Jan sospecha que su esposa Etta, le es infiel y tiene un plan para atraparla en el acto. Por otro lado, Rosa y Kees, dos viejos amantes, se vuelven a encontrar después de décadas de no verse y su amor comienza a florecer nuevamente.

Sabado 17, 20:15 h

 DRAMA

TALLA 14

D: Giovanna Morales Vargas

Canada, 2018. d: 108 min.

Explora el fascinante mundo del modelaje de tallas grandes y las mujeres involucradas que luchan para reformar la moda y los estándares de la sociedad. Esta película sigue los viajes de tres modelos de talla grande, mientras luchan contra la percepción distorsionada de la imagen corporal que se perpetúa en la mente de las personas. Estas mujeres comparten sus experiencias personales de desafíos y éxitos para ayudar a empoderarse a sí mismas y a otras, para así erradicar los estándares de belleza actuales.

Domingo 18, 16:00 h

 DRAMA

AUTOMATICO EN EL MAR

D: Matthew Lessner

Estados Unidos, 2017. d: 90 min.

Por un capricho, Eve, una viajera sueca, acepta una invitación de Peter para ir de vacaciones a la isla privada de su familia, frente a la costa de Nueva Inglaterra. Una serie de retrasos inesperados impiden que lleguen otros invitados y Eve descubre que tiene poco en común con Peter, quien actúa cada vez más errático. Gradualmente, la idílica belleza natural de la isla cede y Eva se encuentra atrapada en un estado de surrealidad salpicada por visiones extrañas, cambios dimensionales y soda secreta.

Domingo 18, 18:00 h

 DRAMA

TE METES EN MI MENTE

D: Dimitri de Clercq

Belgica, 2017. d: 116 min.

Tras un misterioso accidente automovilístico en el desierto, Dafne sufre de amnesia postraumática. Jake, la primera persona que ve cuando recupera la conciencia, le dice que él es su marido.

Domingo 18, 20:00 h

 BIBLIOTECA PÚBLICA DEL ESTADO DE JALISCO JUAN JOSÉ ARREOLA. Periférico Norte Manuel Gómez Morín 1695.Sala de cine, piso 1. T/3836-4530. Entrada GRATIS.

 FANTASIA

ALVIN Y LAS ARDILLAS

D: Tim Hill

Con Jason Lee, Don Tiffany, David Cross, Cameron Richardson

Estados Unidos, 2007. d: 90 min.

Después de probar suerte con un desesperanzado compositor, tres ardillas muy peculiares, Alvin, Simon y Theodore, deciden hacer de la casa de Dave la suya propia. Enseguida las ardillas se dan cuenta de la necesidad de convencer a Dave de que las deje vivir en su casa para demostrarle que no sólo pueden andar como una persona, sino que pueden cantar. No tardarán en revelarse como la sensación musical del momento, mientras Dave se convierte en algo más que en su compositor; en su padre. Los problemas comienzan cuando las ardillas comienzan a darse cuenta de su éxito y se rebelan contra Dave.

Viernes 16, 16:00 h; Sábado 17 y domingo 18, 13:00 h

 DRAMA

PERSUACION

D: Roger Michell

Con Amanda Root, Ciaran Hinds, Susan Fleetwood, Corin Redgrave

Reino Unido, 1995. d: 102 min.

1813, Inglaterra. La joven Anne Elliot, de 29 años, cuya edad "adecuada" para contraer matrimonio ha pasado, vive con su opresivo y vanidoso padre Sir Walter Elliot de Kellynch Hall, y su hermana mayor Elizabeth. Ocho años antes fue persuadida por Lady Russell, íntima amiga de su difunta madre, para que renunciara a su amor por un oficial de la marina de posición social inferior y con poco futuro, el capitán Wentworth. Sin embargo, después de todos esos años éste aparece nuevamente en su círculo social, ascendido a capitán, y enriquecido por la guerra.

Sábado 17, 12:00 h

 VIDEOSALA DEL EX CONVENTO DEL CARMEN

Avenida Juárez 638, entre Pavo y 8 de Julio. T/3030-1350

Boletos: $25 general; $15 estudiantes y maestros con credencial.

 DRAMA

CORAZÓN DE CRISTAL

D: Werner Herzog

Con Josef Bierbichler, Stefan Guttler, Clemens Scheitz

Alemania del Oeste, 1976. d: 93 min.

Siglo XVIII. En un pequeño pueblo de Baviera cuya población vive de la fama del cristal de rubí elaborado con una antigua técnica secreta, muere el maestro cristalero sin revelar el secreto a su aprendiz. El nuevo encargado de la factoría acude entonces a un pastor con fama de visionario para que le desvele el secreto.

Premios del cine Alemán: Mejor fotografía.

Viernes 16, 16:00, 18:00 y 20:00 h

 DRAMA

DAY NIGHT, DAY NIGHT

D: Julia Loktev

Con Luisa Williams, Josh P. Weinstein, Gareth Saxe

Estados Unidos, 2006. d: 94 min.

Una mujer llega a un aeropuerto sin nadie que la reciba. Se aloja en un hotel anónimo esperando. Sola en la habitación se entrega a tareas banales que convierte en ritos: cortarse las uñas, lavarse los dientes, comer un sandwich. Aparecen unos hombres encapuchados y un nudo en la garganta se vuelve intolerable.

Sábado 17 y domingo 18, 16:00, 18:00 y 20:00 h

 DRAMA

EL GRAN VALS

D: Julien Duvivier, Victor Fleming, Josef von Sternberg

Con Fernand Gravey, Luise Rainer, Miliza Korjus

Estados Unidos, 1938. d: 104 min.

Biopic sobre el compositor austriaco Johann Strauss. Con una romántica Viena como telón de fondo, el film aporta datos sustanciales de la vida del músico, sin llegar a ser un documental biográfico en sentido estricto.

Martes 20, 16:00, 18:00 y 20:00 h

 DRAMA

LA MUJER DEL OBISPO

D: Henry Koster

Con Cary Grant, Loretta Young, David Niven

Estados Unidos, 1947. d: 109 min.

El espíritu navideño parece dominarlo todo, menos con el obispo Henry Brougham. El joven clérigo ha desatendido de tal manera a su afectuosa esposa Julia, que ahora lo único que puede salvar su matrimonio es un milagro. Pero el poderoso ángel enviado desde el cielo no se conformará con darle a Henry una lección inmortal.

Miércoles 21, 16:00, 18:00 y 20:00 h

 DRAMA

COMPULSIÓN

D: Richard Fleischer

Con Orson Welles, Diane Varsi, Dean Stockwell

Estados Unidos, 1959. d: 103 min.

Dos brillantes jóvenes de clase alta cometen un asesinato sin motivo aparente; pero, aunque creen haber realizado un crimen perfecto, lo cierto es que han dejado pistas que los incriminan.

Jueves 22, 16:00, 18:00 y 20:00 h

  VIDEOSALA CAAV

Lerdo de Tejada 2071, entre Marsella y Chapultepec. T/3615-8470. Entrada libre.

 DRAMA

SÉRAPHINE

D: Martin Provost

Con Yolande Moreau, Ulrich Tukur, Anne Bennent

Francia, 2008. d: 120 min.

Comienzos de siglo XX. Séraphine Louis, de 42 años, vive en Senlis y se gana la vida limpiando casas. El poco tiempo que le sobra lo ocupa pintando. Es la mujer de la limpieza de la Sra. Duphot, que alquila un piso a Wilhelm Uhde, un marchante alemán fascinado por los pintores modernos e ingenuos.

Viernes 16, 16:00 y 18:00 h

 DRAMA

LA MUJER QUE SABÍA LEER

D: Marine Francen

Con Geraldine Pailhas, Pauline Burlet, Iliana Zabeth

Francia, 2017. d: 98 min.

Violette está en edad de casarse cuando en 1852 su pueblo es brutalmente privado de todos sus hombres tras la represión ordenada por Napoleón III. Las mujeres pasan meses en aislamiento total. Desesperadas por ver a sus hombres de nuevo, hacen un juramento: si un hombre viene, será para todas. La vida debe continuar en el vientre de todas y cada una de ellas.

Sábado 17 y domingo 18, 16:00 y 18:00 h

 DRAMA

VIOLETTE

D: Martin Provost

Con Emmanuelle Devos, Sandrine Kiberlain, Catherine Hiegel

Francia, 2013. d: 132 min.

Violette Leduc hija bastarda de un noble, conoce a Simone de Beauvoir tras la posguerra en Saint Germain des Prés, comenzando así una relación intensa entre estas dos mujeres que va a durar toda su vida, relación basada en la búsqueda de libertad de Violette y la convicción de Simone de tener entre manos el destino de una escritora fuera de lo común.

Lunes 19, 16:00 y 18:30 h

 DRAMA

WEEKEND

D: Andrew Haigh

Con Tom Cullen, Chris New, Jonathan Race

Reino Unido, 2011. d: 96 min.

Un viernes noche, tras una fiesta en casa con sus amigos heteros, Russell visita un club gay donde a última hora conoce a Glen. Ambos comienzan entonces una relación de fin de semana, pero lo que parecía que iba a ser el rollo de una noche comienza a tener la intensidad de un shock emocional de largo alcance.

Martes 20 y miércoles 21, 16:00, 18:00 y 20:00 h

 OPERA

COMPROMISO EN UN MONASTERIO

Con Anna Netrebko, Larissa Diadkova, Nikolai Gassiev

Conductor: Valery Gergiev

Kirov Orchestra, Opera, Chorus & Ballet at the Mariinsky Theatre, 2005. d: 157 min.

El libreto, en ruso, se debe al compositor y Mira Mendelson (su compañera en momento posterior de su vida), basado en el libreto de Richard Brinsley Sheridan para la ópera de baladas de Thomas Linley el joven The Duenna. Prokófiev empezó la obra en 1940, y estuvo ensayando ese año, pero la Segunda Guerra Mundial detuvo la producción de la ópera.

Jueves 22, 16:00 h

No.1105. 161118