#Philip Sternberg

[shirtlessmoviestv]

Philip Sternberg : Workin' Moms

[a-member-of-minuteswithmandm]

After 7 years, Workin' Moms is over and I'm gonna miss having a show based on Toronto that I can catch all the references

Kate Foster was a gem of a character (shout out to Catherine Reitman) and I spent so much time laughing while watching this show. Literally the zombie mannequin head giving Kate oral sex honestly killed me 😭😭

Kate and Anne's friendship was a rollercoaster and I really didn't love where it ended up, plus I dont think that Anne and Alice's storyline ended in a way that made sense (why is she going to Australia? What happened to Anne's TBI from the beginning of the season?)

High level opinions: Jenny was the worst she should have been written off. Sloane was great, and she and Paul were such a fun addition to the show. Val was weird and whatever. I actually missed Frankie even though I didn't expect to and I really miss Giselle. Nathan Junior was the best cast addition that the writers made. Lionel was too sweet for Anne

Basically the show was a fun watch for the last 7 years! That being said, this final season was very all over the place - like Kate and Ram was the a storyline for half the season and then it fizzled into nothing else? Plus out of no where Kate selling her her company and then going back with Rosie, Richard and Mo made no sense?

There were definitely a lot of areas where there was room for improvement, but overall it was a funny show and I'm glad to have been able to watch it over the past few years. Watch our review here (plus we have a guest this episode!) :

[suchananewsblog]

Will There Be A ‘Workin’ Moms’ Season 8 on Netflix?

Workin’ Moms Season 7 is lastly on Netflix, which implies followers will quickly be questioning whether or not or not the Canadian comedy will return with extra new episodes sooner or later. Created by and starring Catherine Reitman, the present’s seventh season options badass mothers looking for a piece/life steadiness, infants, breast-feeding, parenting struggles and wins, and even a male…

[kwebtv]

Workin' Moms - CBC / Netflix - January 10, 2017 - March 28, 2023

Comedy / Drama (83 Episodes)

Running Time: 30 minutes

Stars:

Catherine Reitman as Kate Foster (née Hoffman)

Dani Kind as Anne Carlson

Juno Rinaldi as Frances "Frankie" Coyne (seasons 1–5)

Jessalyn Wanlim as Jennifer "Jenny" Matthews (seasons 1, 3–7; recurring, season 2)

Enuka Okuma as Sloane Mitchell (seasons 6-7; recurring, season 5)

Sarah McVie as Valerie "Val" Szalinsky (seasons 5-7; recurring seasons 1-4)

Philip Sternberg as Nathan Foster

Ryan Belleville as Lionel Carlson

Sadie Munroe as Alice Carlson

Dennis Andres as Ian Matthews (seasons 1–3; recurring season 4)

Recurring

Peter Keleghan as Richard Greenwood

Nikki Duval as Rosie Phillips

Kevin Vidal as Maurice "Mo" Daniels

Katherine Barrell as Alicia Rutherford (seasons 1-2; guest seasons 4-5)

Jann Arden as Jane Carlson (seasons 1-4, guest season 5, 7)

Oluniké Adeliyi as Giselle Bois (seasons 1-3 and 5, guest season 4)

Jess Salgueiro as Mean Nanny/Renya (seasons 1–3)

Novie Edwards as Sheila (season 1)

Jennifer Pudavick as Gena Morris

[byneddiedingo]

Ruth Hussey, James Stewart, Cary Grant, and Katharine Hepburn in The Philadelphia Story (George Cukor, 1940)

Cast: Cary Grant, Katharine Hepburn, James Stewart, Ruth Hussey, John Howard, Roland Young, John Halliday, Mary Nash, Virginia Weidler, Henry Daniell, Lionel Pape, Rex Evans. Screenplay: Donald Ogden Stewart, based on a play by Philip Barry. Cinematography: Joseph Ruttenberg. Art direction: Cedric Gibbons. Film editing: Frank Sullivan. Music: Franz Waxman. 

Cary Grant was a great listener, which is what made him a great movie actor. Just watch how alert he is when someone else is talking (which is almost all the time in The Philadelphia Story), registering his responses with a slight smile, a tilt of the head, a lifted eyebrow. This was the mark of his career for more than 30 years, working with some of the greatest directors in Hollywood history, from Josef von Sternberg in Blonde Venus (1932) to Stanley Donen in Charade (1963), taking in multiple turns with Howard Hawks and Alfred Hitchcock along the way. Is there an actor with a better filmography? And yet, he was nominated for the best actor Oscar only twice, for the weepies Penny Serenade (George Stevens, 1941) and None But the Lonely Heart (Clifford Odets, 1944), movies that only a Cary Grant fanatic need bother checking out. He wasn't nominated for The Philadelphia Story, either, even though his C.K. Dexter Haven is one of his deftest performances. The Oscar went to his co-star James Stewart, for playing Macaulay Connor in the same movie, an award that even Stewart thought was a consolation prize for not winning the previous year for Mr. Smith Goes to Washington (Frank Capra). The great virtue of The Philadelphia Story is the way director George Cukor keeps a large and skillful cast buoyantly aloft, giving Katharine Hepburn her comeback role as Tracy Lord after being labeled "box-office poison" for a series of flops in the 1930s. Hepburn was nominated, too, but lost, rather absurdly, to Ginger Rogers in Kitty Foyle (Sam Wood). The other acting nominee was Ruth Hussey for her delightfully sly Liz Imbrie, a role that should have boosted her career but for some reason didn't. The other Oscar for the film went to Donald Ogden Stewart for his adaptation of the Philip Barry play. Stewart got uncredited help from writer Waldo Salt, which leads to a bitter irony: Both men were blacklisted for their leftist views in the 1950s, even though The Philadelphia Story seems to demonstrate that the very rich sometimes have better values than the working-class Macaulay Connor and Tracy's fiancé, the former coal-miner George Kittredge (John Howard). There isn't a weak link in the cast, which includes the peerless Roland Young as droll and lecherous Uncle Willy, and Virginia Weidler, one of the few child actors one doesn't want to stifle, as Tracy's kid sister, Dinah.

[parkerbombshell]

Ola's Kool Kitchen #496

Ola's Kool Kitchen  Wednesdays 9pm BST Show 497 Nouvelle Vague/Melaine Pain-Only You-Should I Stay or Should I Go-PIAS Real Estate-Water Underground-Daniel-Domino Hot Pink Sauce-Feel-single-self release Los MUTAGéNICOS-Ciertament- El Cuarto-Dirty Water Records Charlesstoner-Murky Dreams-Distrokid Dream Wife-Leech-Social Lubrication-Lucky Number Parsnip-The Light-Behold- Upset The Rhythm The Toads-Nationalsville-In the Wilderness-Upset the Rhythm Molly Nilsson-Earth Girls--Extreme-Night School CHARLOTTE ADIGERY & BOLIS PUPUL-Blenda-TOPICAL DANCER-deewee / because music The Monkees-Love is Only Sleeping- Pisces, Aquarius, Capricorn & Jones Ltd.-RCA Dusty Springfield - Little By Little-single-Philips Rita Chao - Hanky Panky- Rita Chao With The Quests-Columbia Mathew Squires- Poor Men Southeast of Portland-single- self release Joanna Sternberg-People are Toys to You- I’ve Got Me-Fat Possum Read the full article

[alphst]

fuboTV Inc (FUBO) Q4 2022 Earnings Call Transcript

$fuboTV Inc Q4 2022 Earnings Call Transcript #earnings #markets #investing

fuboTV Inc (NYSE:FUBO) Q4 2022 Earnings Call dated Feb. 27, 2023. Corporate Participants: Alison Sternberg — Senior Vice President, Investor Relations David Gandler — Chief Executive Officer, Director, Co-Founder John Janedis — Chief Financial Officer Analysts: Shweta Khajuria — Evercore ISI — Analyst Laura Martin — Needham & Co LLC — Analyst Clark Lampen — BTIG — Analyst Philip Cusick — J.P.…

[puffinsplaces]

Philip Sternberg

[15billionyears]

What I’m watching (2019 Edition) / Workin’ Moms - Season 1 (2017)

[ultraozzie3000]

MoMA Sees The Future

MoMA Sees The Future

If you love modern architecture, then Feb. 10, 1932 should be an important date on your calendar, for on that date the Museum of Modern Art opened Modern Architecture: International Exhibition. Feb. 27, 1932 cover by Leonard Dove. Curated by Philip Johnson and Henry-Russell Hitchcock, the exhibition introduced 33,000 visitors (during the exhibition’s six-week run) to the “International Style,” an…

[miguelmarias]

TOP 2020

25/12/2020

 A)    Great movies made since 2015 seen for the first time in 2020: 

Buoyancy(Freedom;Rodd Rathjen, 2019)

Les choses qu’on dit, les choses qu’on fait(Emmanuel Mouret, 2020)

L’Île au trésor(Guillaume Brac, 2018)

Le Sel des larmes(Philippe Garrel, 2019/20)

Ghawre Bairey Aaj(Home and the World;Aparna Sen, 2019)

Undine(Christian Petzold, 2020)

Happī awā(Happy Hour;Hamaguchi Ryūsuke, 2015)

Netemo Sametemo(Asako I & II;Hamaguchi Ryūsuke, 2018)

Adolescentes(Sébastien Lifshitz, 2013-9/20)

Family Romance, LLC.(Werner Herzog, 2019)

Demain et tous les autres jours(Noémie Lvovsky, 2017)

Gamak Ghar(Achal Mishra, 2019)

Lunana:A Yak in the Classroom(Pawo Choyning Dorji, 2019)

Semina il vento(Sow the Wind;Danilo Caputo, 2020)

Objector(Molly Stuart, 2019)

La France contre les robots(Jean-Marie Straub, 2020)

Paris Calligrammes(Ulrike Ottinger, 2019/20)

Un film dramatique(Éric Baudelaire, 2019)

 B)    Great movies made before 2015 seen for the first time in 2020: 

Là-Haut, un Roi au-dessus des nuages(Pierre Schoendoerffer, 2003)

Pangarap ng Puso(Demons/Whispers of the Demon/Hope of the Heart;Mario O’Hara, 2000)

Les Films rêvés(Eric Pauwels, 2009)

La vida en rojo(Andrés Linares, 2007/8)

Come Next Spring(R.G. Springsteen, 1955/6)

Song of Surrender(Mitchell Leisen, 1948/9)

Adventure in Manhattan(Edward Ludwig, 1936)

Strannaia zhenshchina(A Strange Woman;Iuli Raízman, 1978)

Chastnaia zhízn(Private Life;Iuli Raízman, 1982)

Málva(Vladimir Braun, 1956/7)

Zhila-byla devochka(Once There Was a Girl;Viktor Eisimont, 1944)

The Unknown Man(Richard Thorpe, 1951)

Aisai Monogatari(Story of a Beloved Wife;Shindō Kaneto, 1951)

Practically Yours(Mitchell Leisen, 1944)

A Summer Storm(Robert Wise, 1999/2000)

Lettre d’un cinéaste à sa fille(Eric Pauwels, 2000)

Sombra verde(Untouched;Roberto Gavaldón, 1954)

Fantasma d’amore(Dino Risi, 1981)

Adieu, Mascotte(Das Modell vom Montparnasse;Wilhelm Thiele, 1929)

Mori no kajiya(The Blacksmith of the Forest;Shimizu Hiroshi, 1928/9;fragment)

Zwischen Gestern und Morgen(Between Yesterday and Tomorrow;Harald Braun, 1947)

Last Holiday(Henry Cass, 1950)

Dialogue d’ombres(Danièle Huillet & Jean-Marie Straub, 1954-2013)

Out-Takes from the Life of a Happy Man(Jonas Mekas, 2012)

Nice Time(Claude Goretta & Alain Tanner, 1957)

Aloma of the South Seas(Alfred Santell, 1941)

A Feather in Her Hat(Alfred Santell, 1935)

La Danseuse Orchidée(Léonce Perret, 1928)

Underground(Vincent Sherman, 1941)

Time Out(in Twilight Zone-The Movie)(John Landis, 1983)

Lackawanna Blues(George C. Wolfe, 2005)

Janie(Michael Curtiz, 1944)

Dernier Amour(Léonce Perret, 2016)

Jeunes Filles en détresse(Georg Wilhelm Pabst, 1939)

Kisapmata(Blink of an Eye;Mike De Leon, 1981)

La Dernière Lettre(Frederick Wiseman, 2002)

The Lady of the Dig-Out(W.S. Van Dyke II, 1918)

Their Own Desire(E.Mason Hopper, 1929)

 C)    Very good movies made since 2015 seen for the first time in 2020: 

Zumiriki(Oskar Alegria, 2019)

Atlantique(Mati Diop, 2019)

J’accuse(An Officier and A Spy;Roman Polanski, 2019)

Richard Jewell(Clint Eastwood, 2019)

Alice et le Maire(Nicolas Pariser, 2019)

Contes de Juillet(July Tales;Guillaume Brac, 2017)

Dark Waters(Todd Haynes, 2019)

Ofrenda a la tormenta(Fernando González Molina, 2020)

Nomad:In the Footsteps of Bruce Chatwin(Werner Herzog, 2019)

Into the Inferno(Werner Herzog, 2016)

The Zookeeper’s Wife(Niki Caro, 2017)

Journal de septembre(Eric Pauwels, 2019)

La Deuxième Nuit(Eric Pauwels, 2016)

Kaze no denwa(Voices in the Wind;Suwa Nobuhiro, 2019/20)

Da 5 Bloods(Spike Lee, 2020)

Izaokas(Isaac;Jurgis Matulevičius, 2019)

A Metamorfose dos Pássaros(Catarina Vasconcelos, 2020)

Tabi no Owari Sekai no Hajimari(To the Ends of the Earth;Kurosawa Kiyoshi, 2019)

La Nuit d’avant(Pablo García Canga, 2019)

My Mexican Bretzel(Nuria Giménez, 2018-9)

Domangchin yeoja(The Woman Who Ran;Hong Sang-soo, 2019/20)

Öndög(Wang Quanan, 2019)

Hatsukoi(First Love;Miike Takashi, 1959)

Million raz pogivaet odin Cheloviek(One man dies a million times;Jessica Oreck, 2018/9)

The Two Popes(Fernando Meirelles, 2019)

Félicité(Alain Gomis, 2016/7)

Salt and Fire(Werner Herzog, 2016)

Ni de lian(Your Face;Tsai Ming-liang, 2018)

Qi qiu(Balloon;Pema Tseden, 2019)

River Silence(Rogério Soares, 2019)

Charlie’s Angels(Elizabeth Banks, 2019)

La boda de Rosa(Iciar Bollain, 2020)

Guerra(War;José Oliveira & Marta Ramos, 2020)

My Thoughts Are Silent/Moyi dumky tykhi(Antonio Lukich, 2019)

Namo(The Alien;Nader Saeivar;co-script-Jafar Panahi, 2020)

Los silencios(The Silences;Beatriz Seigner, 2018)

Terminal Sud(Rabah Ameur-Zaïmeche, 2019)

Tu mérites un amour(You Deserve a Lover;Hafsia Herzi, 2019)

Les Misérables(Ladj Ly, 2019)

Padre no hay más que uno(Santiago Segura, 2019)

Honeyland(Tamara Kotovska & Ljubomir Stefanov, 2019)

Izbrisana(Erased;Miha Mazzini & Dusan Joksimovic, 2018)

This Is Not A Burial, It’s A Resurrection(Lemohang Jeremiah Mosese, 2019)

Primero Enero(Darío Mascambroni, 2016)

Lahi, Hayop(Pan, Genus/Genus Pan;Lav Diaz, 2020)

 D)    Very good movies made before 2015 seen for the first time in 2020: 

Topaze(Marcel Pagnol, 1936)

The SIGN OF THE RAM(John Sturges, 1947/8)

Abandoned(Joseph M. Newman, 1949)

Bewitched(Arch Oboler, 1944/5)

La Femme du Bout du Monde((Jean Epstein, 1937)

The Outcast(William Witney, 1954)

Saadia(Albert Lewin, 1953)

Un monde sans femmes(Guillaume Brac, 2011)

Dishonored Lady(Robert Stevenson, 1947)

Always Goodbye(Signey Lanfield, 1938)

A Blueprint for Murder(Andrew L. Stone, 1953)

Bedevilled(Mitchell Leisen, 1955)

That Forsyte Woman(Compton Bennett, 1949)

The Miracle(Irving Rapper, 1959)

The Madonna’s Secret(Wilhelm Thiele, 1946)

The Town That Dreaded Sundown(Charles B. Pierce, 1976)

Grayeagle(Charles B. Pierce, 1977)

Barricade(Peter Godfrey, 1949/50)

Tomorrow is Forever(Irving Pichel, 1945/6)

David Harum(James Cruze, 1934)

The Vanquished(Edward Ludwig, 1953)

Keisatsukan(Uchida Tomu, 1933)

...Enfants des courants d’air(Édouard Luntz, 1959, short)

The Winds of Autumn(Charles B. Pierce, 1976)

Suddenly It’s Spring(Mitchell Leisen, 1946)

Uchūjin Tōkyō ni arawaru(Warning from Space;Shima Kōji, 1956)

Swiss Family Robinson(Edward Ludwig, 1940)

Ludwig der Zweite, König von Bayern(Wilhelm Dieterle, 1930)

Faithless(Harry Beaumont, 1932)

Botan-dorō(Peony Lanterns;Yamamoto Satsuo, 1968)

Ginza 24 chou(Tales of Ginza;Kawashima Yūzō, 1955)

Goodbye Again(Michael Curtiz, 1933)

Lines of White on a Sullen Sea(D.W. Griffith, 1909)

You Gotta Stay Happy(H.C. Potter, 1948)

Cave of Forgotten Dreams(Werner Herzog, 2010)

Riff-Raff(Ted Tetzlaff, 1947)

The Moon is Down(Irving Pichel, 1943)

The Bride Wore Boots(Irving Pichel, 1946)

Adventures in Silverado(Phil Karlson, 1948)

The Stolen Ranch(William Wyler, 1926)

Congo Maisie(H.C. Potter, 1940)

Marcides(Mercedes;Yousry Nasrallah, 1993)

Hell’s Five Hours(Jack L. Copeland, 1958)

Daniel(in Stimulantia;Ingmar Bergman, 1967)

Diên Biên Phú(Pierre Schoendoerffer, 1992)

Canyon River(Cattle King;Harmon Jones, 1956)

Dos Basuras(Kurt Land, 1958)

Smart Girls Don’t Talk(Richard L. Bare, 1948)

The Big Shakedown(John Francis Dillon, 1933/4)

Corvette K-225(Richard Rosson;p.,collab.Howard Hawks, 1943)

The Gay Deception(William Wyler, 1935)

The Invisible Woman(A.Edward Sutherland, 1940)

Rage in Heaven(W.S. Van Dyke II;collab.Robert B. Sinclair,Richard Thorpe, 1941)

Wild Side(Sébastien Lifshitz, 2004)

I bambini e noi(Luigi Comencini, 1970//7)

The House Across The Street(Richard L. Bare, 1948/9)

The Doughgirls(James V. Kern, 1944)

The Love Trap(William Wyler, 1929)

Torch Song(Charles Walters, 1953)

The Meanest Man in the World(Sidney Lanfield, 1942/3)

Cole Younger, Gunfighter(R.G. Springsteen, 1958)

Ballerine(Gustav Machatý, 1936)

Via Mala(Josef von Báky, 1945//8)

Sky Giant(Lew Landers, 1938)

Les Invisibles(Sébastien Lifshitz, 2012)

Promène toi donc tout nu(Emmanuel Mouret, 1998)

A Story for the Modlins(Una historia para los Modlin;Sergio Oksman, 2012)

Something in the Wind(Irving Pichel, 1947)

Spoveď(Confession;Pavol Skýkova, 1968)

Guilty Hands(W.S. Van Dyke II;collab.Lionel Barrymore, 1931)

Atto di accusa(Giacomo Gentilomo, 1950)

Suspense(Frank Tuttle, 1956)

This Is The Night(Frank Tuttle, 1932)

Escape in the Fog(Oscar ‘Budd’ Boetticher,Jr., 1945)

The Price of Fear(Abner Biberman, 1956)

Happy People:A Year in the Taiga(Werner Herzog, 2010)

Urok(The Lesson;Kristina Grozeva & Petar Valchanov, 2014)

Le Naufragé(Guillaume Brac, 2009)

Lili Marlen(Peter Mihálik;script.Dušan Hanák, 1970;short)

Deseo(Antonio Zavala Kugler, 2013)

  E)     Great movies that improved by new watchings: 

Shanghai Express(Josef von Sternberg, 1932)

The Best Years of Our Lives(William Wyler, 1946)

Till We Meet Again(Frank Borzage, 1944)

Man’s Favorite Sport?(Howard Hawks, 1963/4)

Along The Great Divide(Raoul Walsh, 1951)

Hondo(John V. Farrow, 1953)

Where The Sidewalk Ends(Otto Preminger, 1950)

Mrs. Miniver(William Wyler, 1942)

Driftwood(Allan Dwan, 1947)

‘Good-bye, My Lady’(William A. Wellman, 1956)

Touch of Evil(Preview version, 1975;not later ‘improvements’)(Orson Welles, 1958)

Le Crabe-Tambour(Pierre Schoendoerffer, 1977)

Unfinished Business(Gregory LaCava, 1941)

Madigan(Don Siegel, 1968)

Big Business(James Wesley Horne;s.Leo McCarey, 1929)

Putting Pants on Philip(Clyde A. Bruckman;s.Leo McCarey, 1927)

The Runner Stumbles(Stanley Kramer, 1979)

Yushima no Shiraume(Romance at Yushima;Kinugasa Teinosukē, 1955)

David Harum(Allan Dwan, 1915)

The Virginian(Cecil B. DeMille, 1914)

Island in the Sky(William A. Wellman, 1953)

All About Eve(Joseph L. Mankiewicz, 1950)

L’Eclisse(Michelangelo Antonioni, 1962)

The Roaring Twenties(Raoul Walsh, 1939)

The Plainsman(Cecil B. DeMille, 1936)

JLG/JLG-Autoportrait de décembre(Jean-Luc Godard, 1994)

‘Je vous salue, Marie’(Hail Mary;Jean-Luc Godard, 1984)

La Roue(Abel Gance, 1923)

They All Laughed(Peter Bogdanovich, 1981)

Innocent Blood(John Landis, 1992)

An American Werewolf in London(John Landis, 1981)

The Thing Called Love(Peter Bogdanovich, 1993)

Into the Night(John Landis, 1985)

The File On Thelma Jordon(Thelma Jordon;Robert Siodmak, 1949)

The Little American(Cecil B. DeMille, 1917)

In Our Time(Vincent Sherman, 1944)

The Hunters(Dick Powell, 1958)

Phase IV(Saul Bass, 1974)

L’Honneur d’un Capitaine(Pierre Schoendoerffer, 1982)

Backfire(Vincent Sherman, 1948//50)

Five(Arch Oboler, 1951)

Somewhere in the Night(Joseph L. Mankiewiz, 1946)

A Man Alone(Ray Milland, 1955)

Die Geiger von Florez(Paul Czinner, 1926)

Living on Velvet(Frank Borzage, 1934/5)

La Recta provincia(Raúl Ruiz, 2007//15)

La Noche de enfrente(Raúl Ruiz, 2012)

Carrie(Sister Carrie;William Wyler, 1951/2)

The Spiral Staircase(Robert Siodmak, 1945/6)

The Paradine Case(Alfred Hitchcock, 1947)

L’Amore(Una voce umana+Il Miracolo)(Roberto Rossellini, 1947/8)

The Heiress(William Wyler, 1949)

 F)     Very good movies watched again 

Bluebeard’s 10 Honeymoons(W.Lee Wilder, 1960)

The Five Pennies(Melville Shavelson, 1958)

Take a Letter, Darling(Mitchell Leisen, 1942)

Escape(Joseph L. Mankiewicz, 1948)

Appassionatamente(Giacomo Gentilomo, 1954)

Así como habían sido(Trío)(Andrés Linares, 1986/7)

San Antone(Joseph Kane, 1953)

The High and the Mighty(William A. Wellman, 1954)

Taki no Shiraito(The Water Magician;Mizoguchi Kenji, 1933)

The Web(Michael Gordon, 1947)

The Buccaneer(Anthony Quinn;s.Cecil B. DeMille, 1958)

The Buccaneer(Cecil B. DeMille, 1938)

Desire Me(uncredited:George Cukor/Jack Conway/Mervyn LeRoy/Victor Saville, 1946)

Flaxy Martin(Richard L. Bare, 1948/9)

Swing High, Swing Low(Mitchell Leien, 1937)

Death Takes A Holiday(Mitchell Leisen, 1934)

Irene(Herbert Wilcox, 1940)

Beloved Enemy(H.C. Potter, 1936)

The Cowboy and the Lady(H.C. Potter, 1938)

Der Golem, wie er in die Welt kam(Paul Wegener, 1920)

Mia madre(Nanni Moretti, 2015)

Hell On Frisco Bay(Frank Tuttle, 1955)

Stormy Weather(Andrew L. Stone, 1943)

The Milky Way(Leo McCarey;w.Harold Lloyd, 1936)

Pietà per chi cade(Mario Costa, 1954)

Repeat Performance(Alfred L. Werker, 1947)

Das indische Grabmal:1.Die Sendung des Yoghi,2.Der Tiger von Eschnapur(Joe May, 1921)

Julie(Andrew L. Stone, 1956)

The Member of the Wedding(Fred Zinnemann, 1953)

Winterset(Alfred Santell, 1936)

The Right to Romance(Alfred Santell, 1933)

As Young as You Feel(Harmon Jones, 1951)

You’ll Never Get Rich(Sidney Lanfield, 1941)

The Woman Accused(Paul Sloane, 1933)

Foma Gordeiev(Mark Donskoí, 1959)

The Parent Trap(David Swift, 1961)

High Wall(Curtis Bernhardt, 1947)

Mr. Lucky(H.C. Potter, 1943)

Un Marido de Ida y Vuelta(Luis Lucia, 1957)

The Safecracker(Ray Milland, 1957/8)

She’s Funny That Way(Peter Bogdanovich, 2014)

Oh...Rosalinda!!(Michael Powell & Emeric Pressburger, 1955)

Caribbean(Edward Ludwig, 1952)

Harper(The Moving Target;Jack Smight, 1966)

For You I Die(John Reinhardt, 1947)

Crashing Hollywood(Lew Landers, 1937/8)

Le Souvenir d’un avenir(Chris. Marker & Yannick Bellon, 2001)

Susan Slept Here(Frank Tashlin, 1954)

Bishkanyar Deshot(In the Land of Poison Women;Manju Borah, 2019)

Pollyanna(David Swift, 1960)

A Tale of Two Cities(Jack Conway;collab.Val Lewton & Jacques Tourneur, 1935)

Café Society(Woody Allen, 2016)

Shadow on the Wall(Patrick Jackson, 1949/50)

Tonnerre(Guillaume Brac, 2013)

Le Jouet criminel(Adolfo G. Arrieta, 1969)

‘Once more, with feeling!’(Stanley Donen, 1959)

The Shopworn Angel(H.C. Potter, 1938)

The Absent Minded Professor(Robert Stevenson, 1961)

Gavaznha(The Deer;Masud Kimiai, 1974)

[ahmdmelhawi]

مترجم Aftermath 2017 مشاهدة فيلم

مترجم Aftermath 2017 مشاهدة فيلم

Director:   Elliott Lester Writers:   Javier Gullón Stars:   Aaron Crutchfield | Adam Hicks | Ahmaad Aspen | Alexa Glaser | Allison Rowe | Arnold Schwarzenegger | Becky Meister | Bill Bower | Bill Kelly | Bob Kendrick | Brad Sherman | Brian Bowman | Brian Gallagher | Bryan Kruse | Carl G. Herrick | Charles Poole | Chase Dunnette | Chloe Stearns | Chris Storck | Christina Lambert | Christina Sparks | Christine Dye | Christopher Darga | Cory McKinney | Dani Sherrick | Danny Mooney | David M. Raine | David Pittinger | Debbie Scaletta | Debra Herzog | Donnie Dunn | Doug Meacham | Dylan Keith Adams | Ellen Pepper | Eric Watson | Erik Sternberger | Garey Faulkner | Gary Chinn | Gary Warden | Glenn Morshower | Hannah Ware | Harry McCane | Jack Norman | Jami Cullen | Jason McCune | Jazz Securo | Jeff Panzarella | Jerry Gallagher | Jill Coughlin | Jim Gloyd | Jim Waldfogle | Joe Camoriano | Joe Maurer | John E. Brownlee | John Moon | Josh Heileman | Joy Corrigan | Judah Nelson | Kasey Daley | Keith Flippen | Kelly Saunders Childs | Kenneth Meyer | Kevin Murray | evin Slone | Kevin W. Shiveley II | Kevin Zegers | Kim Evans | Kittson O'Neill | Kristie Galloway | Kyle Merryman | Larry Sullivan | Laura Allen | Lewis Pullman | Logan Fry | Lon Nease | Lynn Downey | Maggie Grace | Mariana Klaveno | Mark Angel | Mark Salas | Martin Donovan | Matt Ridley | Matthew W. Allen | McKenna Kerrigan | Megan Leonard | Michael B. Coleman | Michael Bynes | Michael Lowry | Michelle Poole | Ming Wang | Mo McRae | Myrom Kingery | Nagy Jay | Nathan Hollabaugh | Neal Ghant | Nicholas Palacio | Olivia Wallace | Peggy Warner | Philip Winters | Reid Carpenter | Rex Alba | Rich Lewis | Robert Alan Walker | Ronnie Webb | Ryan White | Samantha Russell | Scoot McNairy | Scott A. Martin | Shawn Pruchnicki | Shuo Chen | Tammy Tsai | Ted Williams | Teri Clark | Tim Downey | Todd C. Adelman | Trisha Simmons | Tyler Beaty | Victoria Watkins | Walter von Huene | William Willet | Yolanda Harris | Zoya Naumchik

Storyline Two strangers' lives become inextricably bound together after a devastating plane crash. Inspired by actual events, AFTERMATH tells a story of guilt and revenge after an air traffic controller's (Scoot McNairy) error causes the death of a construction foreman's (Arnold Schwarzenegger) wife and daughter.

Genres:   Drama | Thriller

Details Official Sites: Country: UK | USA Language: English | Thai Release Date: 7 April 2017 (USA) Also Known As: Aftermath Filming Locations: Columbus, Ohio, USA

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[tcm]

Happy International Hat Day: Bowlers and Fedoras and Cloches, Oh My! By Jill Blake

Hats have been a staple in fashion for centuries, with origins that date back to ancient Egypt around the year 3200 BC. Of course, hat styles have changed over time, but their purposes are pretty much the same: either functionality by providing protection from the sun and other elements, or merely serving as a fashion statement. Historically, hats also often represented an individual’s social standing, with different types of hats worn by certain social classes and for certain events or occupations, from ornate wide-brimmed hats, to high quality bowlers, to newsboy caps. Hats were also part of social convention, with men wearing hats when outside and women wearing anything from pillbox hats to fascinators to complete their outfits for church or other social functions. For International Hat day, here’s a list of some popular hat styles of the 20th century. Many of these hat styles can be found on the TCM shop.

Pork Pie Hat

The pork pie hat dates back to the early-to-mid 1800s and was quite popular with men. The hat was often made of high-quality felt, but also could be made out of cotton or straw. The pork pie, or “stingy brim”, hat has distinctive features with a low crown and narrow brim. After the Civil War in the United States, the pork pie wasn’t as popular in men’s fashion. In the 1920s, silent film star and director Buster Keaton made the pork pie an integral part of his on-screen persona, helping popularize the hat once more. And in William Friedkin’s THE FRENCH CONNECTION (’71), Gene Hackman’s character, Jimmy “Popeye” Doyle, sports a pork pie hat.

Bowler Hat

The Bowler hat originates from England and was created by Thomas and William Bowler in London during the mid-1800s. The Bowler is typically made of felt and has a rounded crown, narrow brim and is very durable. While it looks formal by today’s fashion standards, the bowler was considered a more informal hat for day-to-day wear and was mainly worn by middle and upper-class men from butlers and valets, to bankers and members of the aristocracy. Perhaps the most famous bowler in classic film belonged to Charlie Chaplin, who wore the trademark bowler for his iconic Little Tramp character in films such as MODERN TIMES (’36), CITY LIGHTS (’31), and THE KID (’21). Stan Laurel and Oliver Hardy also famously wore bowler hats in many of their films, like the short ANOTHER FINE MESS (’30). Other examples include Jack Lemmon in Billy Wilder’s The Apartment (1960) and James Cagney during the “Harrigan” musical number in Michael Curtiz’s YANKEE DOODLE DANDY (’42).

Fedora

The fedora is perhaps the most iconic hat in film history, particularly throughout the 1930s up through the 1950s. It’s typically made of high-quality felt, ranging from wool to cashmere to mink. The hat also usually has a wide, soft brim and a pinched crown that is indented at the top with some kind of ribbon running around the base of the crown. The fedora dates back to the 1890s and was originally considered a ladies’ hat. By the 1920s, the fedora was popularized by male members of the British Royal family and became a staple of men’s fashion. By the 1930s, the fedora was associated with gangsters and tough guys, as well as private detectives and plain clothes police officers. Almost every modern film from the 1930s through the 1950s features a fedora, including James Stewart’s Macaulay Connor in George Cukor’s THE PHILADELPHIA STORY (’40); Dick Powell’s Philip Marlowe in Edward Dmytryk’s film noir MURDER, MY SWEET (’44); and perhaps the fedora’s most famous wearer, Humphrey Bogart as Rick Blaine in Michael Curtiz’s CASABLANCA (’42). Ingrid Bergman also wore a variation of the fedora as Alicia Huberman in Alfred Hitchcock’s NOTORIOUS (’46).

Fascinator

The fascinator is more headpiece than an actual hat, but has long been a staple of women’s fashion, particularly in Europe. Fascinators are typically decorative and are clipped or pinned into the hair. They can be made of a wide-range of materials, including silk, wool and feathers and can have netted veils. Fascinators are mainly worn in traditional or formal settings, such as during church services, weddings or funerals. There are countless examples of fascinators in classic film, but one of the most popular is the one that Rosalind Russell’s Sylvia Fowler wears with her Adrian-designed eyeball blouse in George Cukor’s THE WOMEN (’39).

Top Hat

The top hat is one of the most recognizable hats in history. It is typically associated with formal dress dating back to the 1700s all the way up to the mid-1900s and is still worn today for certain social events. The top hat is tall, with a flat top and wide brim, and is usually made of silk, beaver fur or cloth. The hat was typically associated with wealth and prestige but eventually became accessible to a wide-range of social classes. Like the fedora, the top hat is featured in countless classic movies. Fred Astaire often wore one in his RKO musicals with Ginger Rogers, such as the appropriately named TOP HAT in 1935, directed by Mark Sandrich. Then there’s Fredric March, who always wears a top hat for a night out in Victorian-era London, whether he’s Dr. Henry Jekyll or his sinister alter-ego Mr. Hyde. But the top hat wasn’t limited to men—Marlene Dietrich famously wore one in her first American film, Josef von Sternberg’s MOROCCO (’30), as did Josephine Baker—both women pushing the boundaries of gender and redefining femininity.

Cloche Hat

The cloche hat was one of the most popular hats for women in the early 20th century. The cloche dates back to 1908 and was designed by French fashion designer Caroline Reboux and named for its bell shape. The cloche was one of the most versatile hats in a woman’s wardrobe, worn with casual, everyday clothing, as well as fancier versions for evening wear. The cloche was also popular because it accentuated the shorter hairstyles that were becoming more popular at the time. Joan Crawford, Josephine Baker, Nancy Carroll, Norma Shearer and Louise Brooks all famously wore cloche hats. One of the most stunning examples is in Michael Powell and Emeric Pressburger’s technicolor masterpiece, THE LIFE AND DEATH OF COLONEL BLIMP (’43) and worn by Deborah Kerr.

Hunter/Trapper Hat

The hunter or trapper hat is sort of a variation on the deerstalker hat, typically associated with the literary character Sherlock Holmes. The trapper hat can be made of fur, leather, wool or flannel, and it has ear flaps that can be tied back. The hat is more function than style, providing warmth for a variety of outdoor activities such as hunting, fishing or selling Christmas trees, like Rock Hudson’s Ron Kirby in Douglas Sirk’s ALL THAT HEAVEN ALLOWS (’55).

Bonus: Doris Day’s Many Hats

Doris Day has rocked some hats in her day, particularly in her three films with Rock Hudson: PILLOW TALK (’59), LOVER COME BACK (’61), and SEND ME NO FLOWERS (’64). Pillbox hats. Cloche hats. Fur hats. Straw hats. Bubble hats. Bucket hats. Sun hats. And plenty of “I-don’t-know-what-that-is-but-it’s-fabulous” hats. In the late 1950s and 1960s, Day re-popularized many of the hat styles from the 1920s and 1930s, with a funky, mid-century twist. Doris wore them all and she looked absolutely fabulous.

[passion-of-arts]

Corlys Lesewelt - Serienmittwoch: Welche männlichen Schauspieler mochtest du dieses Jahr am liebsten?

Corlys Lesewelt – Serienmittwoch: Welche männlichen Schauspieler mochtest du dieses Jahr am liebsten?

Diese Woche möchte Corly im Serienmittwoch wissen, welche männlichen Schauspieler ich dieses Jahr am liebsten mochte. Vielleicht könnte ich sogar eine Top Ten erstellen. Mal sehen.

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