#Peter Parker: The Spectacular Spider-Man 6
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chucksnerdthoughts · 4 months ago
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The Spectacular Spider-Men #6
That was fun! I enjoyed that. Pete being awkward with bot Black Cat was great! The action was great. Banter was spot on. The stuff with Knaive was really interesting and creepy. I dig it. All in all, a very solid issue! I'm excited to see how this ends!
-Chuck
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dorothylarouge · 12 days ago
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Dorothy's Big List of Comic Book Recs - Marvel Comics Edition
I often get asks about getting into comic books, and how daunting it seems, given the huge back catalog of titles and issues available. I'm here to tell you it doesn't have to be scary! From miniseries that act as good introductions to characters to runs on ongoing titles by individual creators that serve on jumping-on points, there's lots of ways to get into comics without having to have a lot of background knowledge, and I'm going to give you a lot of potential places to start. Please note that this post only covers Marvel Comics; this is a companion to my DC list and I will also have a list for indie comics and smaller companies at some point. Also note that I haven't read everything, and I won't recommend something I haven't read, so a few runs or books some consider must-reads may not be on here. This is based purely on books I have read and enjoy, and that I think are suitable for new readers.
SPIDER-MAN
The Amazing Spider-Man (1963) by Stan Lee, with artists Steve Ditko and John Romita, Sr.: The classic Spider-Man stories which laid the foundation for the character. These stories are filled with the melodrama and pathos that really makes Spider-Man shine, and with two of the greatest artists of the Silver Age on deck, you really can't go wrong. Ditko stays on the book until issue 38, and Lee's run ends at issue 110.
The Amazing Spider-Man (1963) by Gerry Conway, with artists John Romita, Sr., Gil Kane, and Ross Andru: Picking up immediately after the end of Stan Lee's run, Gerry Conway wrote issues 111 to 149. This run includes a number of vital Spider-Man stories, including Spidey's climactic tussle with the Green Goblin and his first brush with the nightmares of cloning.
The Amazing Spider-Man (1963) by Roger Stern: Spanning issues 229 to 252, this brief but memorable run includes several iconic Spider-Man stories and the debut of the Hobgoblin.
The Amazing Spider-Man (1963) by Tom DeFalco and Ron Frenz: DeFalco wrote the book from 253 to 285, and this run included the debut of Silver Sable as well as Spider-Man's black suit.
The Amazing Spider-Man (1963) by J. Michael Straczynski: This should be read in omnibus format as the numbering is a little weird; the run starts during volume 2 of Amazing but the book switched back to volume 1 and original numbering partway through. One of my favorite runs on the book! The creator of Babylon 5 brings Peter Parker into the 21st century, giving him a job as a science teacher and first hinting there might be some destiny at play in how he got his powers. There are a few warts on this run, however, mainly due to editorial mandates: it contains the dreadful "Sins Past" storyline and it ends on the wet fart that is "One More Day."
Peter Parker, the Spectacular Spider-Man (1976) by Bill Mantlo and Al Milgrom: The sister book to Amazing often goes a little overlooked, but this is a great run on it, including one of the best Doctor Octopus stories in Spider-Man history.
Peter Parker, the Spectacular Spider-Man (2017) by Chip Zdarsky: Spectacular was brought back in 2017 with writer Chip Zdarsky at the helm, and it's great. The standout story is probably issue 6, "My Dinner with Jonah," which is one of my favorite Spider-Man issues ever.
Spectacular Spider-Man (1988) by J.M. DeMatteis and Sal Buscema: This run spans issues 178 to 203, and includes Spider-Man's final battle with the second Green Goblin, the standout storyline of the run. DeMatteis also had a turn writing Amazing, but I wouldn't wish the Clone Saga on any new reader.
Spider-Girl (1998) by Tom DeFalco and Ron Frenz: An alternate universe title set in the future and starring the daughter of Peter Parker and Mary Jane, it's great superhero fun featuring everything that made classic Spider-Man great.
Ultimate Spider-Man (2000) by Brian Michael Bendis and Mark Bagley: Another alternate universe book which sought to reintroduce Spider-Man to a new generation. It's a solid book and a good read, but it is very dated to the 2000s for good and for ill.
Ultimate Spider-Man (2023) by Jonathan Hickman: Another alternate-universe take on Spider-Man, this time reimagining him as a family man who gets his powers in his 30s. Whereas most Spider-Man takes start Peter off as a kid with power but no responsibility, this flips the script by having him as an adult with responsibility but no power, as he finds himself drafted into a war against the forces that have taken control of the world.
Miles Morales: Spider-Man (2019) by Saladin Ahmed: Hot off the heels of Into the Spider-Verse, Ahmed's run on Miles' title pushes him forward and secures his place as a leading light of the Marvel Universe, and even gives him his own Clone Saga.
Miles Morales: Spider-Man (2022) by Cody Ziglar: This title is ongoing, but it's a great read that continues the work of carving out Miles' niche in the Marvel Universe and taking him in new directions.
Spider-Man: Life Story (2019) by Chip Zdarsky and Mark Bagley: A thoughtful and heartfelt story that takes Peter Parker on a real-time adventure through the decades, beginning in the 1960s.
Spider-Man 2099 (1992) by Peter David: A cyberpunk romp through a futuristic New York, featuring corporate oppression and intrigue. Miguel O'Hara's best run as Spider-Man.
X-MEN
X-Men (1963) by Stan Lee and Jack Kirby: The initial run of the X-Men lays the groundwork for everything to come, but the book didn't sell well or retain Stan's attention the way Spider-Man or the Fantastic Four could, and he left the book after issue 19. Roy Thomas took over for the rest of the 60s, and there's some good stories in there too, but the real great stuff was still to come.
X-Men by Chris Claremont: MUST be read in omnibus format, because this mammoth run spanned over a decade and a half, including multiple titles - not only the main X-Men book but the New Mutants and the stellar graphic novel "God Loves, Man Kills." THE definitive X-Men run, featuring most of the team's most iconic stories.
New X-Men (2001) by Grant Morrison: Not my favorite work by Morrison, but this is probably the most important run after Claremont. Morrison brings a more militant spirit and a focus on radical activism to the X-Men, and the run opens with a bang - though I have to admit that it closes with two of my least favorite X-Men stories.
X-Men (1991) by Mike Carey: Fun stories featuring an eclectic assortment of characters and interesting team dynamics, but the real treat comes when the book becomes X-Men: Legacy, and a character study on Professor X and his son Legion.
New X-Men (2004): Of course, a classic element of X-Men stories is the school setting, and this book brings that concept into the 2000s, focusing on students at the Xavier School and their interpersonal drama. Degrassi with superpowers.
Wolverine and the X-Men (2011) by Jason Aaron: Another school-set book, this one focuses on Wolverine's efforts to run a school filled with mutant teenagers.
X-Factor (1986) by Louise and Walter Simonson: A very 80s team book focusing on the original X-Men, reconnecting after several years apart, and the conflicts they get drawn into, often the result of their own mistakes. Also features the debut of Apocalypse, one of the best X-villains.
X-Factor (1986) by Peter David: After David took over the book, the focus of X-Factor was shifted from being the original X-Men to an oddball group of government-sanctioned mutants. This book also helped flesh out the character of Mystique.
X-Factor (2006) by Peter David: X-Factor returned under David in the 2000s, this time as a detective agency specializing in cases involving mutants. There's a cynical edge to this book which was common in the 2000s but it really works for this title.
X-Force (1991) issues 116 to 129 and X-Statix by Peter Milligan and Mike Allred: Allred's art is worth the price of admission. Imagine a team where every character is expendable, most of them are liable to die in really nasty ways, and they all have weird and uncomfortable powers. That's X-Statix.
Ultimate X-Men (2024) by Peach Momoko: Probably my favorite of the new Ultimate line. Very different vibes to basically any other X-Men book - this one is essentially a horror manga in the vein of Junji Ito or Shigeru Mizuki.
THE HULK
Hulk: Gray by Jeph Loeb and Tim Sale: A moody and gorgeously-illustrated take on the Hulk's earliest days.
The Incredible Hulk (1962) by Bill Mantlo and Sal Buscema: Buscema is one of the best Hulk artists of all time, and while Mantlo's writing can be hit or miss, when he hits he really hits, as in issue 312, one of the best Hulk issues ever written.
The Incredible Hulk (1962) by Peter David: David's run is considered the definitive Hulk run, and for good reason. It is best read in omnibus format because it is very long, and packs a lot into that long tenure. Bruce Banner's Joe Fixit alter debuts here, as does his Professor persona.
The Incredible Hulk (2000) by Greg Pak: This run includes the Planet Hulk storyline! Exiled from Earth, the Hulk rises to power as a warlord on a hostile alien world. Really scratches that Conan the Barbarian itch.
The Indestructible Hulk (2013): A different take on the Hulk, this time recasting him as an agent of SHIELD with all the adventures and difficulties that brings.
The Immortal Hulk (2018) by Al Ewing: Here we see the difference between "definitive" and "best." While David's run is the definitive Hulk run, for my money Immortal Hulk is the best. It is both a gnarly piece of body horror and a deeply thoughtful title that muses on the nature of anger, of suffering, and of pain, drawing heavily on Kabbalistic imagery and themes.
She-Hulk (2004 and 2005) by Dan Slott: An offbeat workplace comedy set in a law office specializing in cases involving superhumans. The best She-Hulk run in my book, not least because it does not involve John Byrne.
DAREDEVIL AND STREET LEVEL STUFF
Daredevil (1964) by Frank Miller: Probably the definitive Daredevil run, and the only time I've been able to stand Frank Miller, this run features some great art as well as some of the most important Daredevil stories in the character's history.
Daredevil (1964) by Ann Nocenti: Carries on from the Miller run and takes the character of Daredevil, his supporting cast, and Hell's Kitchen in some totally new directions. Includes the story of the excellent villain Typhoid Mary.
Daredevil (1998) by Brian Michael Bendis: A gritty, very 2000s take on Daredevil, Bendis' strengths as a writer are on full display during this run, with grungy art to match.
Daredevil (2011 and 2014) by Mark Waid: A much lighter and more superhero-y run than Daredevil often gets, this excellent run features Matt going up against criminal syndicates, old enemies coming back for revenge, and more.
Hawkeye (2012) by Matt Fraction: Easily the best book Hawkeye has ever had. Spectacular art and excellent scripting featuring both Clint Barton and Kate Bishop in a firmly street-level narrative focusing on threats to the local community.
The Punisher (2011) by Greg Rucka: For my money the best the Punisher (whom I usually don't like) has ever been. A genuinely thoughtful examination of Frank Castle as a human. Many people swear by the Garth Ennis run on the character, but to me this is the definitive Punisher run.
Mockingbird (2016) by Chelsea Cain: A short but fun series focusing on Mockingbird in a number of spy thriller scenarios.
Alias (2001) by Brian Michael Bendis: A mature mystery series starring a former superheroine. It goes into some gnarly territory but it really displays Bendis' strengths in writing street-level, grounded stories within the Marvel Universe.
Moon Knight (1980) by Doug Moench: Moon Knight fans will be mad that this is the only run I have on this list but it's the only one I've read! It's a fantastic read though.
Ms. Marvel (2014 and 2016) by G. Willow Wilson: There's a reason that Kamala Khan has been one of Marvel's biggest breakout characters in recent history, and it all starts in this initial run of comics. Great art and fantastic scripts by Wilson.
Runaways (2004 and 2005) by Brian K. Vaughan: One of my favorite setups in a comic, with a group of teenagers learning that their parents are actually a supervillainous cabal and running away from home in response. Great teen drama with a superpowered twist. The second volume also has a run by Joss Whedon (bear with me) that's also pretty good.
TEAMS AND TEAM-UPS
Fantastic Four (1961) by Stan Lee and Jack Kirby: One of the greatest comic books ever written. Both Lee and Kirby poured their heart and soul into these early adventures, and you can really tell. The first Galactus story is still one of my favorites. Essential reading.
Fantastic Four (1998) by Mark Waid and Mike Wieringo: Probably my favorite Fantastic Four run, with a great focus on Doctor Doom, Mister Fantastic, and Ben Grimm.
Fantastic Four (2022) by Ryan North: The current FF run, this one goes all-out on wacky science fiction adventure, with most stories only taking one or two issues to tell. Bite-size superhero fun, with fantastic characterization. Made me stan Alicia Masters.
The Avengers (1963) by Roy Thomas: The initial run of the Avengers by Lee, Kirby, and Heck, is serviceable, but the team came into their own under Roy Thomas, who introduced mainstays of the team like Vision and Black Panther to the roster, in this run which also incldues the classic "Kree-Skrull War" storyline. Throw in art by legends like John Buscema, Sal Buscema, and Neal Adams, and you've got a great run to get into the Avengers with.
The Avengers (1963) by Roger Stern: Another great Avengers run, this one solidified a roster for the team which included members like Hercules, Black Knight, and the best Captain Marvel aka Monica Rambeau, and includes the best "Avengers Mansion is attacked" story.
The Avengers (1997) by Kurt Buseik and George Perez: A creative dream team relaunched the Avengers in the late 90s to fantastic effect, with several excellent storylines and gorgeous art. This is, for my money, the definitive Avengers run.
Young Avengers (2013) by Kieron Gillan: The Young Avengers have mostly been supplanted as Marvel's premiere team of teenage superheroes, but this is their best book in my view, featuring the team's best roster and some of their best stories.
Champions (2016) by Mark Waid and Humberto Ramos: A great teen team book, the Champions have basically replaced the Young Avengers in no small part due to this run. Makes me yearn for a Waid-penned Teen Titans ongoing.
Defenders (1972): I'm just gonna recommend the whole comic. If you want off-beat and unusual superhero team dynamics and out-there storytelling, this is a good bet. Special attention should go to Steve Gerber's run around issue 20 or so.
MAGIC MARVEL
Doctor Strange: The Oath (2006) by Brian K. Vaughn and Marcos Martin: A good entry point to Doctor Strange and his weird world, featuring some really great art.
Strange Tales (1951) by Stan Lee and Steve Ditko: Never has Steve Ditko's art been better than in those first Doctor Strange stories, weird and wonderful and surreal.
Journey Into Mystery (1951) and Thor (1966) by Stan Lee and Jack Kirby: The first Thor stories are not only great, they feature Kirby's excellent Tales of Asgard backups which he would eventually develop into his Fourth World at DC.
Thor by Jason Aaron: Read in omnibus format. A true epic worthy of Norse legend. Includes some all-time great Thor stories.
The Immortal Thor (2023) by Al Ewing: The current Thor run, with a strong focus on mythology and how stories are constructed and passed down across the years.
Scarlet Witch (2023 and 2024) by Steve Orlando: A fun ongoing that finally made Wanda Maximoff a worthy headliner in Marvel, featuring her protecting a small town from magical threats.
COSMIC MARVEL
Silver Surfer (1968) by Stan Lee and John Buscema: One of my favorite comics as a teenager, this book combines space opera and melodrama to great effect.
Silver Surfer (1987) by Steve Englehart, Jim Starlin, and Ron Marz: The definitive Silver Surfer run. Includes some excellent stories, including some from the master of cosmic Marvel, Jim Starlin.
Silver Surfer (1988) by Stan Lee and Moebius: Must be read for the art alone.
Guardians of the Galaxy (2008) by Dan Abnett and Andy Lanning: This is where the MCU team originated, and it's still the best run the Guardians have ever had.
Quasar (1989) by Mark Gruenwald: Has the energy of a Silver Age comic with none of the baggage. Definition of a hidden gem.
Nova (2007) by San Abnett and Andy Lanning: Probably the definitive Nova run? Spun out of Annihilation which as an event comic I haven't included here but is still a great read.
Eternals (1976) by Jack Kirby: It's kind of Fourth World backwash, but it's Kirby doing wacky cosmic stuff so you know it's a good time.
AND THE REST
Power Pack (1984): What if a bunch of kids got superpowers? No, not teenagers, little kids? It's a thoroughly 1980s premise and one that shines best in the original series from that era.
Captain America (2005, 2011) by Ed Brubaker: A high-octane action-spy thriller which reintroduced Bucky and made him Cap for a while. The definitive modern Captain America run.
2001: A Space Odyssey (1976): A short adaptation of the novel and film, and then like 10 issues of wacky Kirby sci-fi. Really great hidden gem.
Black Panther (1998) by Christopher Priest: The definitive Black Panther run, that set the stage for everything to follow.
Black Panther (2016) by Ta-Nehisi Coates: Another great run exploring the nature of power. Many comic fans do not like it because they are philistines.
Vision (2015) by Tom King and Gabriel Hernandez Walla: Tom King is hit or miss, but this book is great, with the Vision building a family - of a kind - for himself.
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spider-man-sass · 3 months ago
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Peter Parker: The Spectacular Spider-Man (2017) #6
Spider-Man:
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merrymarvelite · 1 year ago
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Cover of the Day: Peter Parker, The Spectacular Spider-Man #6 (May, 1977) Art by Al Milgrom
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heckcareoxytwit · 9 months ago
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A preview of The Spectacular Spider-Men #1
THE SPECTACULAR SPIDER-MEN #1
The stars of two of Marvel’s biggest series come together in their first ongoing series ever! That’s right, Peter Parker and Miles Morales are going to team up on the regular, comparing notes and using said notes to take on some of their most dangerous bad guys. This duo is better than dynamic, amazing, sensational, superior… they’re SPECTACULAR! And with Greg Weisman, writer of the fan-favorite animated Spectacular Spider-Man series, returning to Spidey along with Spider-Legend Humberto Ramos, you know it’s going to be epic.
Written by: Greg Weisman Art by: Humberto Ramos, Victor Olazaba, Edgar Delgado Cover by: Humberto Ramos, Edgar Delgado Page Count: 40 Pages Release Date: March 6, 2024
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livlovesspiders · 1 year ago
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SPIDER FIT CHECK: SPIDER-GIRLS
Alright time to do more of these! This post will include Mayday Parker, Anya Corazon, and Annie Parker!
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Spectacular Spider-Girl: 12/10
I am incredibly biased towards the Sensational suit on Ben but God damn Mayday wears it so much better. Wearing her Uncle Ben's suit is a great call back to both Peters original inspiration to become a hero in the first place, while also separating her costume from her fathers.
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Black Suit Spider-Girl: 10/10
Symbiote suits are tight as hell. Sleek design, sometimes less is more.
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Mayday Parker Spider-Woman: 5/10
I....May, this is just your dad's suit. I dont hate it of course, the Spider-Man suit is a banger but like, there's zero personality here.
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Araña, Anya Corazon: 7/10
I love the Bulky wrist pouches and the red gloves, no clue how no one recognizes her in this though. Still a fun street wear costume!
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Araña (Exo Suit): 8/10
I love how organic this armor looks, the huge bug eyes are really fun, I just wish she got a mouth covering to go with it.
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Anya Corazon Spider-Girl: 10/10
Once again, the black costumes are always sick as hell.
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Araña (2023): 10/10
I really like this revamp! Keeps the stuff from the old suot that worked, but actually bothering to give her a super suit this time lol
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Annie Parker, Spiderling: 6/10
I understand the concept behind this suit, she isn't ready for a full suit just yet. And Peter and MJ giving their daughter hockey pads and a bike helmet is hilarious. Doesn't mean it makes for a great super suit tho
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Annie Parker Patternmaker: 7/10
Making her color primarily blue is very nice along with the accents of red webshooters, but- you guys really should've given her a real mask.
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earth90214 · 2 years ago
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Hi! Just followed your blog and I love your art. I was wondering if you had any recommendations for getting into Black Cat comics? I’ve mostly only seen her in Silk and wanted to get into reading her storyline more but don’t know where to start. Do you have any recommendations?
Ahh omg tysm!!! I definitely have recs for Felicia!! 😸 I’m not going to include every appearance she’s ever had but my rec list is gonna be pretty heavy bc she’s my fav 🫶🫶 I’m also gonna include some non-canon comics, miscellaneous media, and fanfics I enjoy because i have so many recs LMAO
Earth-616
I’m gonna try to keep these in order but no promises!! This begins with Fel’s first appearance and ends with her latest appearance.
Comic Book Urban Legends Revealed #22 (This is just a little background on Felicia’s creation and design, but to save you a little time you can read about it here.)
Amazing Spider-Man #194-195, #204-205, #226-227
Spectacular Spider-Man #74-79, #84-91
Amazing Spider-Man #246, #256-258
Spectacular Spider-Man #94-100, #112, #115-117, #119, #123
Amazing Spider-Man #288-289
Spectacular Spider-Man #128-129
Amazing Spider-Man #329-331, #341-343, #346-347
Web of Spider-Man #80
Spider-Man Unlimited #11
Amazing Spider-Man #369-371
Spectacular Spider-Man #204-206
Felicia Hardy: The Black Cat #1-4
Web of Spider-Man #113, #128
Sensational Spider-Man #29-30
Spider-Man/Black Cat: The Evil that Men Do
Marvel Knights Spider-Man #1-12
Sensational Spider-Man (2006) #25-27, #33
Amazing Spider-Man #606-607, #612, #621-622
Wolverine & Black Cat: Claws
Heros for Hire #2-4, #6-8, #14
Marvel Divas #1-4
Amazing Spider-Man Presents: Black Cat #1-4
Amazing Spider-Man #630-633 , #648-651
Wolverine & Black Cat: Claws 2
Amazing Spider-Man #677
Daredevil (2011) #8 (This is the issue the “my super-villain origin story” panel comes from el oh el)
Superior Spider-Man #20
Amazing Spider-Man (2014) #1-6, #16-18
Patsy Walker a.k.a Hellcat (2015) #7-14
Deadpool: Back in Black #3
Silk #9-10
Spider-Man (2016) #5
Star-Lord: Grounded (2016) #1-6
Power Man and Iron Fist (2016) #10-15
Spider-Man: Miles Morales (2016) #15-21
Venom (2016) #159-160
Defenders (2017) #1-9
Peter Parker: The Spectacular Spider-Man #300
Amazing Spider-Man (2018) #9-10, #16-17, #20
Symbiote Spider-Man #1-5
Amazing Spider-Man (2018) #77-78
Death of Doctor Strange: Spider-Man #1
Amazing Spider-Man (2018) #87, #89
Women of Marvel #1
Black Cat (2019) #1-10
Black Cat (2019) Annual #1
Black Cat (2020) #1-10
Mary Jane & Black Cat: Beyond #1
Iron Cat (2022) #1-5
Amazing Spider-Man (2022) #6 (She also is in #5 & #11 but I actually wouldn’t recommend this run and am only including #6 because it has the Peterfel B-day kiss that I thought that art of was cute 😿)
Mary Jane & Black Cat: Dark Web #1-5 (Only #1 & #2 are out atm but I’m including the next three issues for future reference!)
Non-Canon/Not Earth-616
Spider-Man Noir (2009) #1-4 and Spider-Man Noir: Eyes without a Face #1-4 (Obviously I wouldn’t be a Peterfel main if i didn’t suggest SM Noir. My user is literally Earth-90214 I basically have to.)
Marvel’s Spider-Man: The Black Cat Strikes (This one’s actually a tie-in with the Insomniac Spider-Man DLC: the Heist!!)
Spider-Gwen #5, #26, #33 (Black!Felicia is a pretty popular hc and one both me and my mutuals use so a canonical black Fel variant is definitely on my rec list.)
Exiles vol 3 #9 (Another WOC Felicia Hardy and probably one of my favorite Felicia variant suits! She’s not a major character but I like her panels so I’m including this on the list.)
What If…? #4 (1989) (Follows Felicia after Peter dies because of bonding with the symbiote suit.)
What If…? #21 (1989) (What if Peter married Felicia)
Misc Media
Spider-Man: Web of Shadows, Spider-Man: Edge of Time, and Insomnic’s Spider-Man: The Heist/ Silver Linings DLC are all games that have Felicia in them!! I believe that the Spider-Man 2 (2004) game and TASM games from 2012 & 2014 also have Fel in them but I haven’t watched those play throughs so I can’t say for certain how much content there is.
There are some cut scenes from TASM 2 that feature Felicity Jones as Felicia working for Harry Osborn! Unfortunately we never get to see her in costume but she still does a great job and I wish we got her as Fel in TASM 3 🥲
Spider-Man: the Animated Series (1994): s1 eps 2-7 & 10, s2 eps 1-2/6-10, s3 eps 4-6/12-13, s4 eps 2-7, s5 eps 1/7/8-12
Spectacular Spider-Man: s1e10, s2e12
Spider-Man (2017) s1ep4, s2ep1 (I actually can’t stand this show, but its the only adaptation that portrays Felicia’s glowing, cat-like eyes seen in her first appearance so for that, it gets a pass.)
Fanfics
Felicia has a pretty small ao3 tag with <1,500 works, but there are some fantastic fics that I definitely suggest reading (and authors you should definitely follow)!!
@the-cat-and-the-birdie has a Post-NWH Peterfel/PeterMjFel fic that I’ve really been enjoying and is currently ongoing!!
@seek--rest !! Seek’s mostly an mcu/spideychelle writer but has some really fantastic Felicia-centric/Felicia appearance fics up that i definitely suggest.
Both of @traincat’s Insomniac Peterfel fics are great reads that are on my (very short) list of fics i regularly re-read.
@justmattycakes’s Insomniac Peterfel series is another series on my re-read list! 10/10
any fic in @splendidnothings’s peterfelweek ao3 collections/works. Going thru the @peterfelweek blog or tag in general is a great place to find fics and art.
Naturally I have to suggest myself as well 🤭 I just started a new Peterfel series that I’m looking forward to updating soon! It’s a comic au without a solid timeline and is mostly just interconnected oneshots that center domestic Peterfel. I’m also working on a Felicia-centric fic based on a really cool headcanon that @peterbwatsonparker sent me about psychic/medium Felicia that I’m hoping to post in the next few weeks!! I also have a decent amount of headcanons posted on my blog that never made it into full fics, but my most popular ones (and my personal favorites) are my Mutant!Felicia headcanons.
Obviously these are just my personal recs, so I’m definitely missing some stuff, but if you’d like a complete list of Fel’s mainstream comic appearances you can find that here!!
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marvelousmrm · 1 year ago
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Peter Parker, The Spectacular Spider-Man #6 (Conway/Andru, May 1977). Pete spends a whole issue reminiscing on an old Marvel Team-Up story where he faced Morbius…
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popculturebuffet · 2 years ago
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Into the Spider-Verse: SP//dr: Edge of Spider-Verse #5 (Sponsored by WeirdKev27)
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Hello all you happy webheads and welcome back to our second dose of action as your reward… for what I don't know. Maybe you petted a dog recently or something and they were a very good boy/girl. I don't know. With our main spider-trio clear, we're now into the other three spider-persons starting with our only other spider-woman SP//dr.. which is going to be annoying to type out already I can tell you that.
SP//dr is also the only spider-person in this retrosepective to not really have a lot of indivdual focus. She's mostly shown up in team up events only getting one shots in this and the edge of spider-geddon mini series, and the most she's gotten for a solo is a story arc is marvel unimited's spider-verse series. In contrast looking at the other spider-people miles is on his fifth solo series and has tons of minis, gwen has had three solo series and also tons of minis, Spider-Pig had a short lived solo we'll be visiting soon and multiple minis and while never having an ongoing, Noir has had three full mini series and a few one shots. And of course peter has had multiple runs of amazing, spectacular and adjetivelss spider-man along with marvel team up, giant size spider-man, two volumes of web of spider-man and spider-man unlimited, untolt tales of spider-man, two volumes of sensastional spider-man, webspinners tales of spiderman, spider-man's tangeled web, avenging spider-man, and spider-man/deadpool among COUNTLESS mini series. What i'm saying is while Peni has a great issue here and a great concept she really hasn't had the big character defining storyline most of her peers got, and out of the 6 chosen, she's easily the obscure pick, though it likely helped Lord and Miller switched out her origins considerably while leaning into the anime style to give them another distinct spidey to roll with. Kimiko Glenn's impecable as always performance probably didn't hurt.
So going into this.. Peni was a mystery to me, as I hadn't read this issue, spider-verse or spider-geddon. And boy howdy was this a massive fun suprise: For starters Peni was co-created by GERARD FUCKING WAY. For those who don't know him
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But for those who don't, Gerard was, and maybe still is?, the lead singer and creative force of the emo band to end all emo bands My Chemical Romance. Naturally my faviorite album is their last one, an over the top and glorious punk album set in a comic style corprate wasteland and where Grand Motherfucking Morrison played the main bad guy. No joke, they showed up in two diffrent videos as the character. He rocks.
And for most people being a world famous rock star and having his own money bin only with pennies painted pink , black and red would be enough. For Gerard.. he wanted to write comics too and was damn good at it. He created Umbrella Academy out of his love for the x-men, which as far as I know he has'nt gotten to work on and i'ts a damn crime, and Doom Patrol, one of my faviorite DC Comcis teams. Thankfully he DID get to work on the latter and rescued them from a decades long limbo, crafting a run that's as batshit insane as it is damn fun and creative. It may not entirely make sense at times but like Morrison's own team defining run, it dosen't always need to to be awesome. He's also written multiple comics based on Danger Days, the album I mentioned, and the 12 issue series Cave Carson has a Cybernetic Eye. While his work is sporadic it's always memorable and this is no exception. So look alive sunshine as we plug in under the cut.
We open with the death of a spider-man: Peni Parker's dad peter dies horribly. How?
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But there are two key points from this striking two page spread: SP//dr the man is dead.. btu the actual spider somehow bonded with him is alive
We then cut to young peni parker, age 10, who talks to her uncle ben and aunt mei who break the news which she takes with chilling calm… and then ask her to bond with SP//dr to help defend japan… and also prove their GREAT new caretakers by revealing they released the genetically altered spider her dad died with into the room to bite her without making sure she was okay with it. It bites her and a new spider is added to the web. As you can tell… they changed the tone a LOT with Peni. In the movie she's mostly just "LOOK ANIME'. Here.. it's more cyberpunk, with SP//dr likewise having a more mechanical design. I get Why they did it.. but wish they'd still kept peni unique while making her look anime instead of being generic anime school girl with robot buddy. Especially since SP//dr's armor is fucking sick looking as you could see on the cover
5 years later, she's on duty as this universe's mysterio is attacking.. and also really weird. While the guy inside we'll find out is some nerd in a cool suit and weird globe as usual… his way of attacking the populace is this cool ominous floating doom orb
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It's honestly a hell of an interpretation and makes me mad we didn't get to see MORE of way's takes on various spidey rogues, as he naturally goes all out with it while still keeping the core: mysterio is still a showman, but more as a mad artist than a hollywood schster, and his hallucinations gas is stil la thing now just poored onto the street> The art is also incredible, fitting Way's pop punk astetic like a glove, being both colorful while also fitting the mildly gritty tone: this work is cyberpunk but more the anime brand with lots of flash and sound, aka the better version. Aunt May serves as Peni's mission contorla s she prepares to get in, admits sh'es a vegetarian and crashes in on mysterio while playing the song Love is a Weapon by Cult Summer Feat Gloss.. which is a song i'm not even sure actually exists.
What we get is an awesome sequence as our mechanized heroine busts in.. sadly she dosen't say this
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But I think she DOES meet this guy eventually so it balances out. It's awesome especially once the hallucinogens kick in and our hero has to punch the guy out. We also find out he's a looney fan who sent her a mix cd.
We then cut to.. school as we see peni's id is public: SP//dr which is both the suit and the spider, and is confusing as you would imagine is there, and when Daredevil shows up to pick her up for superhero stuff she's excused. There's also what looks like anime mj looking at her. Neat.
I like this unvierse's daredevil too: he seems to work as SP//dr's handler, ;ally and a friend of her dad's, has a nice look to him (lookiing like armored daredevil but less 90's and more badass), and ikt's again why I wish we knew more or got a series, even a mini as this universe really ISN'T that explored. I mean granted given how way's work can go we could get more questions than answers, but we'd also get some real neat shit along the way.
We also get a really nice bit where the two break for lunch… where Peni both admits she's tired and asks about her dad. While we don't see MUCH of her here.. we get plenty of character as it's clear Peni feels lost, coming off stoic.. but it's clear there's a real sadness to her: She lost her dad, there's a job she was forced into and didn't ask for and she can never really have a normal life, something Peter, Miles and Gwen all struggle with, but it's magnified here: all of them at least can TRY thanks to the mask. Peni.. is stuck with everyone knowing she's the spider-person and we see that not having to hide.. doesn't make her feel any less alone.
The ending… is a bit more tied into the event than Gwen's.. I mean granted anything's better than
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Btu the last few pages are Peni being greeted by Spider-Ham, does whatever a spider-pig does and Old Man Spider. Old Man Spider, who I hadn't seen before this is Ezikiel. He's a LOT to explain and I could just brush over it.. but i'm a wordy bastard so instead here's
JAKE EXPLAINS AN OLD SPIDER-MAN MOST OF YOU HAVE NEVER HEARD OF AND DON'T CARE EXISTS
During the early good parts of J. Micheal Strazenski's long run on spider-man, we found out spider-man was tied into the "web of life and death" and picked as the spider-totem for his universe, with the reason he has so many animal foes being their drawn to him via destiny and stuff. I think it's fine: it's not a necessary explanation but I don't mind adding some magic to peter's science based world. He soon met Ezikel, a successful businessman who also had spider-powers and used them for personal gain, but showed up to help Peter against morlun, a mystical vampire man who hunts spider-people who was cool at the time but sadly got a bunch of generic siblings who are the main reason i'm not super into reading spider-verse and were wisely replaced with kingpin for the movie. Point is he's a cool old guy and in this universe peter died fighting morlun, so Eziekl became spider-man.
Anyways our heroes go to get the suit, and we get Peni stating she's a weapon to keep going till termination, seeing her once again brush her emotions aside… because the reality is too terrifying. All that matters is the job. So with that our spider-'s swing off and we get Spider-Ham's classic catchphrase.
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I mean i'ts no crackers and milk... oh who am I kidding it's SO crackers and milk. That'll do pig. That'll do. INto The Spider-Verse #5 is amazing, a ncie short story. If I have any complaint it's that it feels fragmented, with three diffrent stories: peni fighting mysterio, peni and daredevil fighting thgs mysterio told them about, and spider-verse spider-verse. But the energetic tone, art and great characterization for peni means it comes quick, hits hard and leaves a hell of an impression. Hopefully we'll see Peni again in al lher death metal glory. For now.. this is a nice single tha tstands on it's own
Next Time: Just say Noir as a very different Peter Parker must avenge his uncle's murder and dawn a spiffy fedora.
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juchily · 5 months ago
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just got twenty comics from an antique store where I live
Batman 2016 #29
Psylocke & Archangel Crimson Dawn #2 (1997)
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Peter Parker, The Spectacular Spider-Man Vol 1 113 (1986)
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Spider-Man Vol 1 #18, Revenge of the Sinister Six Part One (1992)
Spider-Man Vol 1 #38, Light The Night Part One (1993)
Spider-Man Vol 1 #25
All of 2000 Beast Boy 4/4
Robin III Cry of the Huntress Part 2 Variant cover (1992)
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Robin III Cry of the Huntress Part 4 Variant cover (1992)
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Robin III Cry of the Huntress Part 1 (1992)
Firestorm Vol 2 #9 (1983)
Robin Vol Vol #1 (1991)
Robin Vol 2 #85 (1993)
All Star Batman and Robin, the Boy Wonder Vol 1 #6
Batgirl Vol #5 (2000 series)
Batgirl #9 (2000 series)
The Punisher 2099 #2 (1993)
Young Justice Vol 1 #10 (1999)
Immortal Doctor Fate #1 (1985)
Another variant cover of Robin Vol 1 #1
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I've been meaning to get the Batgirl series and YJ, and I got Robin III CotH 2, 4, and 6 on my last antique store visit, so now I have the variant covers of 2 and 4 and the normal 1. Also get to have the #2 of The Punisher 2099, since I'm pretty sure I have the first somewhere.
Anyways now I owe my dad 87 dollars bc the comics were on average 3 $ each, shitty, I know, but I also havent seen any Batgirl or Robin in the past places I've gone so I jumped at the opportunity. Time to indulge in paid child labour /s
Also got this sick thing: McFarlane Toys Medieval Spawn vs. Malebolgia Spawn Action Figure
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I have the og medieval Spawn (they had a bare one in one of their bins too), but hey, Malebolgia + black suit medieval spawn? Thats my shit
Some other stuff I saw but didn't get:
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Brb, gotta scrub the walls and clean the windows top to bottom (by my own choice, don't be naive) 👌 -🦎
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hardchoicespod · 1 year ago
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How good do Spider-Man villains bang?
[We're not talking about hotness. This is only about what they bring to the bedroom]
Norman Osborn is a shit f*ck. FINDOM THIS DOOFUS 🤑🤑🤑 Unless you want to hear that screechy ass Green Goblin voice. You want to hear him tell you hard he's gonna nut in that voice?
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2. Doctor Octopus? WHAT A F*CKING ROMANTIC! LOOK AT THAT FACE! Do you not think he brings flowers??? Man has trained each limb to make you scream in a different way.
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3. J. Jonah Jameson. Not technically a villain, but like, don't you want to fuck this absolute smug asshole bastard? LEAVE THE CIGAR LIT, BABYEEEEE
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4. Venom is the ultimate goo husband and will love you and keep you safe and eat pop-tarts with you at 3am, but also, he got that tooooongue 👅👅👅
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5. Mephisto is gonna make you think he's f*cking you and then suddenly, from the mists of this incredible performance of raw sexual power, he appears and then does a comedy 💦 on you because motherf*cker can't resist. Do you want this dude to nut on your tits and then laugh at his own dumbf*ck genius?
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6. Rhino is a problem. Look, is the dick trapped in the suit or not? If this is hardcore chastity play, okay. Okay, we can fuck like that Rhino. But don't you want this weirdo to just cut loose and pound you so hard the neighbors call your super? HE IS A FULL TIME FURRY AND ALSO DOES CRIMES! WHAT ARE YOU WAITING FOR?!?! Find out about that dick situation first tho, probably.
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You want more lovingly horny takes about these dorks? listen to Hard Choices 26 - Spider-Man and get all the boners you can possibly handle. Episode description? Babe, I got you.
We all know that with great power comes great responsibility. You know what else comes with great power? Us when we think about Spider-Man! It's not just Peter Parker who makes our web-shooters go thwip, either; he's got a huge cast of friends, foes, and supporting characters to suit every taste, from monsterfucks like Venom, to adorable loser fucks like The Shocker, to the jackpot herself, Mary Jane. This episode, your friendly neighborhood MeganBob pushes DEEP into the Spiderverse to find the median, the zenith, and the nadir of its fuckability, all with the help of: The Amazing Annie Craton! The Spectacular James D'Amato! And Dan Mulkerin from an alternate reality where he never lost his Captain Universe powers! IN THIS ISSUE: Dan single-handedly promotes Tombstone from D-tier to Daddy-tier MeganBob discovers the only bad way to listen to "The Cruel Angel's Thesis" Annie lets Carnage's gooey appeal blind her to his, you know, everything else And James finally takes a public stance on whether eating boys is wrong!
Is this podcast safe for work? F*ck no it isn't. Is this going to make you laugh so hard you snort a cheeto? Yeah, probably. Jump to anywhere in the episode for takes that will make you go "Ya'll need god."
Big Sloppy Kisses, Hard Choices 💋🍆
Which spidey character's are your top three f*cks? We won't tell.
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nevenkebla · 10 months ago
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Portada de Peter Parker: The Spectacular Spider-Man (2017) #6 por Paulo Siqueira y Rachelle Rosenberg.
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supernightboy08 · 1 year ago
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My favorite versions of Spider-Man (Peter Parker):
1. Classic Spider-Man
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2. Raimi Spider-Man
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3. MCU Spider-Man
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4. Spectacular Spider-Man
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5. PS4 Spider-Man
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6. Ultimate Spider-Man
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7. Peter B Parker
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softgrungeprophet · 2 years ago
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I was rambling about this in my insta stories and had been thinking about making a post like this off and on for a while so, i'm just gonna do it now
Spider-Man comics to get to know me:
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(Peter Parker: Spider-Man #47 (Jenkins/Ramos))
These are comics I like, comics that make me go "AUGHFDHGH" etc. I'm not saying they're masterpieces (though some of them are), but I'm saying I like them and they are a good insight into my tastes and why I write and draw the way I do, for my AUs, etc...
apologies in advance, this post is going to be a bit long.
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first: a comic arc (really, arcs) that makes me feel crazy (in a good way)
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Peter Parker: Spider-Man #44-47 (Jenkins/Ramos) and Spectacular Spider-Man v2 #3-10 (Jenkins/Ramos) (also issue #27)
I am still randomly working my way through these comics in bits and pieces because I read like a weirdo (aka, sometimes out of order, often with large breaks in between) but in general I do recommend these specific issues to at least some extent if you want to understand my tastes in comics and what subplots make me absolutely feral
with the caveat that these comics are incredibly early aughts for better and for worse; some of the jokes don't quite land (particularly Nurse Helga in SSM, which is a textbook example of the Brawnhilda trope, such a staple of 2000s humor and just not funny), and I find Jenkins' take on Venom (and Eddie Brock's backstory, mannerisms and speech) to be lacking... though it's not entirely uncompelling.
but as far as Peter, and his life, and the stuff involving Flash, and also the scene where he makes Ock beg for mercy, it's very much my shit. He makes Peter feel lost and directionless in a way that feels very believable, and it's clear that Peter really gives a shit about people. Even just the other people in his apartment building breaking into his apartment to play games using his TV is like... Yeah. I love it.
Extremely "this was made for me," and I am definitely the target audience when it comes to taste. When/if I ever have the money I'll definitely be looking for used copies of the trades with these issues in them because I really do like it a lot. I guess there's something about the way Jenkins writes (not to mention Ramos' stellar compositions) both in terms of character but also in terms of style itself—something dreamy and melancholy but not trudging—that really speaks to me as a reader and drags me in, even when he sometimes misses the mark or makes a joke that isn't funny. (which i'll admit isn't... uncommon)
I WANT TO SAY ONE THING THOUGH which is that even though I like their Spectacular stuff, the Ock arc (issues #6-10 iirc) deals with the Israel/Palestine conflict as part of the plot and while, writing-wise, it's actually surprisingly thoughtful (tho idk if i can judge whether it's truly deeply thoughtful or just not as offensive as it could have been, especially for such a fraught topic in a superhero comic), there is an Israeli character that, to be frank, the way Ramos draws him feels very antisemitic to me. I know that he has a very stylized way of drawing and he exaggerates a lot of characters' features, especially facial features, but it's still fair to point out that the IDF character is undeniably drawn in a way that is questionable at best and clearly rooted in antisemitic stereotypes whether intentional or not.
Similar goes for the Palestinian character, tbh. Ramos is, again, very stylized, but definitely is leaning more into the big hawkish noses for the arab and israeli characters...
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Sensational Spider-Man v2 #23-40 (Aguirre-Sacasa/Medina/Crain)
NOT marvel knights spider-man, I do not like marvel knights spider-man, this is a different creative team, it got the title changed from MKS I guess? idk 23-40 is literally the entire run, it starts on 23 lol
well. no 23-41 is the whole thing but 41 is OMD and I still haven't read it 🤷 Also this is concurrent with a lot of Civil War stuff, like, Aunt May getting shot, and like one of the trades actually is a Civil War branded book, but like... I didn't read basically any of that stuff. If you know the gist of what happens during Civil War, it makes plenty enough sense on its own.
This run is... my shit. Overall, I just like it. And more specifically the issues from the POV of, respectively, Aunt May, MJ, and Felicia, made me cry like a little baby. Hell—I don't even like the villain who's revealed at the culmination of the first arc but I still really like the first arc as a whole. (though I'll admit, while Aguirre-Sacasa writes a Peter I really like, he does fall into my biggest pet peeve (he's not the only one) of talking about Peter's Inherent Pure Goodness but like... he still writes a great Spidey imo)
Also. It turns out I have a thing for moody 2000s comics where it's pouring rain with art that can occasionally be described as "wack" 😂 I actually... unlike Ramos' art, I don't really find myself defending Medina's. It's ridiculously lumpy, it's very mid 2000s aesthetically, it's kind of fuck-ugly. But. The atmosphere is impeccable. I'm also not really a fan of Clayton Crain (who did the art i put up above), generally (he's just not to my taste most of the time) but like, again, the mood is impeccable and Crain is good at what he does when what he's doing is meant to be uncomfortable or creepy. The atmosphere is off the charts, man.
It's absolutely not for ages 9 and up ("A") and I really don't know how or why it got that rating instead of the 15+ "Parental Advisory" warning, because even the briefest of glimpses shows that it's a pretty intense run from the start... it's really just not for kids at all imo, though young horror buffs I'm sure could handle it for the most part.
Also yes this is the comic run where Peter meets and talks to God (#40, the Book of Peter) which. i know sounds weird. and it is weird, i won't lie. But... I liked it? I think it rewired my brain a little bit. When I mention Peter punching dumpsters in fics, this issue is where I got that from. It really made a lot of things click for me.
This run is also why I draw Felicia's hair down to her fuckin ankles lol like—even though I said! that I don't really like Medina's art! The way he draws Felicia in the pouring rain with her long, long hair plastered soaking wet to her body, like. again, rewired my brain a little bit.
THAT BEING SAID—
I feel the need to put a VERY BIG TRIGGER AND CONTENT WARNING on this recommendation.
Issues #38 and #39 are The Last Temptation of Eddie Brock.
The Last Temptation of Eddie Brock is upsetting to read (regardless of your opinion on Venom and/or Eddie as a character(s)).
Listen, I like angst. I write and read a lot of angsty stuff. I like sad endings. I like reading stories that are dark, to an extent. One could probably accuse me of liking edgelord-y or grimdark stuff. I don't even think The Last Temptation is bad. BUT. It's upsetting to read and I think it really requires a trigger warning for the things it deals with—not just cancer but also attempted suicide and self harm, and graphic violence/blood—because it's kind of intense even in its briefness, and it was a little bit upsetting for me to read even as someone who usually isn't bothered by this stuff in fiction. It's just kind of a lot.
So just keep in mind that those two issues but especially #39 might be... kind of intense or upsetting, especially if you don't know what to expect going in. I did know what to expect, I knew what happened in it already, and it still really threw me for a loop just because of the presentation of certain scenes and the visuals themselves, and it kind of stuck with me for a few days just cause it's that kind of heavy.
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Grim Hunt (Amazing Spider-Man #634-637) (Kelly/Lark/Chechetto)
What can I say except AWOOOOOOOOOOOOOO
another comic that feels like it was made just for me 😂 you might be.. noticing a pattern here.... lmao it's true i'm the target audience for edgy, violent superhero comic books (i'm just also the target audience for like. the ones where the interpersonal relationships are just as important as everything else)
Grim Hunt's got it all: it's got angry Peter, it's got dangerous Peter (perhaps even... murderous Peter), it's got Kaine being tragic, it's got nice art overall, it's got Kraven being a DILF (thanks checchetto)—also it opens on Peter with swine flu 😂
I really enjoyed Grim Hunt when i read it recently, and it really does tap into exactly the kinds of things I like in Spider-Man, in making Peter really give a shit about people, and in having Kaine trying to do the right thing, and especially in having Peter switch into my favorite mode: Horror Movie Serial Killer Mode.
It's a lot of fun!
It's not perfect, of course, and like many of the other comics on my faves list, does that "innate goodness" thing which I disagree with and I think is a thing Kelly often does? At least, twice, i guess, cause it's in Non-Stop as well sort of (though it feels more justified there). And it makes me go NOO Peter's anger does not take away from his humanity, his anger is PART of his humanity! His flaws are what make him human! But other than that it ruled and I really liked it, and like the other comics on here I'll probably try to snag a trade someday if I can find one, cause I like to physically own my favorite comics, generally.
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Non-Stop Spider-Man (Kelly/Bachalo) (all of the issues; it's not very long, it fits in a single trade, you can read it in like. an afternoon.)
(note: I haven't had a chance to read the follow-up to Non-Stop (Savage Spider-Man) yet, so I can't say if that's good or not but Non-Stop is fantastic so it's gotta be at least halfway decent)
Something I'm realizing is that I think I might like Joe Kelly's writing 😂 even his arc in SM/DP is genuinely not awful (I mean, anything that gives me Peter being sexy in a sleek black suit with claws, threatening people, ends up a minimum level of decent just by that virtue alone)
Others have said this: Bachalo's art does feel a little rushed, especially compared to other comics he's done, and yet, despite this, visually it is a TREAT. It is a FEAST for my eyeballs. The layouts are fucking WILD, it's like 90% diagonals, it fucking RULES. It goes 500000 miles an hour. This is hands-down one of the best modern (past 10 years specifically) Spider-Man comics I have read. Period. It rips, slaps, fucks, etc. It's bitchin' and I'd recommend it for the art and layouts alone!
(even if, yes, Bachalo makes Peter the most twinky twink to ever twink; at least he's fuckable) (even if not as fuckable as in SM/DP #23... with the DSL...)
But I like the writing a lot too! It's not just visually appealing, it's simply a stellar all around piece of comic-making, from the art, lettering, writing, the whole team really made something amazing.
And also, okay. So. This comic. I think it's well-written and well-drawn. But. Okay. The dialogue. It's... very very clearly influenced directly by things like the popularity of the MCU by which I mean: over-reliance on Whedon-esque, frequently memetic dialogue (which is weird because none of the other stuff I've read by Kelly has this kind of dialogue style?)... it's Cringe, essentially. That being said, I think Joe Kelly is significantly more successful and better at using this style of dialogue compared to basically every other writer I've ever seen doing it—not that that's saying much but, I do think he was largely successful with it, as cringe as "Nazi, please" is. It doesn't really stop being cringe but it is, for the most part, fairly snappy and well-paced with a good patter that matches the pacing of the art very well. It's called Non-Stop Spider-Man for a reason, it really does not stop.
Also, even with that dialogue and trying to make Peter more hip and cool (which I assume is at least partially editorial), well, Kelly remains very good at writing Peter. He just has a great handle on the character.
I also think that there's a really huge point in Kelly's favor here which is that he's completely, 100% candid, upfront and straightforward about the story he is writing. The villains in this comic are racists. They are neo-nazis and anti-semites. Kelly doesn't shy away from that or try to couch it in metaphors. They're just racist, and that is why they are bad people.
There's a scene where Zemo makes a crack about gold fillings, to Peter's face. Kelly and Bachalo allow for a single completely silent panel following this (which is very impactful in a comic that's this frenetic) and then he snaps. It's a very effective scene, and unlike some other "Character Experiences Discrimination" scenes (such as, for example, Zodiac's violent homophobic assault of Johnny Storm) even despite the fact that "Peter is Jewish" is the only thing that does remain only subtext, it feels very cathartic and well-done because Peter is allowed to be angry and fight back in response; he's not the object of the scene, he's the subject and he gets to act rather than be dehumanized or objectified as nothing more than a victim, and I really liked that and I know that I've talked about that with others who felt that it was very well executed as well.
AND that fighting back and anger is presented as justified, and right, rather than an unfortunate flaw. Peter's rage is sympathetic, justifiable, and not presented as Wrong. He is allowed to be angry, and it is okay that he is angry—in fact it is good that he is angry. Because it means he gives a shit. I like that.
I don't think the plot twist at the end entirely hits right, like... I do 100% see what Kelly was going for with it, and I don't think it's necessarily unbelievable or bad, but something just didn't click right for me there. But overall, I still think it's a good comic and is a good window into my tastes.
To quote myself: it takes big swings, some of them miss, some of them hit really hard, and it feels like it has a lot more teeth than some of the more recent comics. and i can appreciate teeth.
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(Spider-Man: Redemption #3 (DeMatteis/Zeck)
Not specific runs per se but I also really just like anything DeMatteis does—sometimes he does whiff it a tiny bit (rarely) but overall I love his writing stylistically (he's one of few writers that can get me to enthusiastically read a wall of text in a comic book), in terms of characterization and interpersonal relationships—
comics like Spider-Man: The Lost Years or Redemption were really enjoyable for me to read (thanks for the recs TC)
and of course there's Spectacular Spider-Man (Flashback) #-1 (That Thompson Boy!) which is such a foundational issue for Flash's backstory at this point
and who can forget the iconic Child Within (i'll admit i haven't actually read TCW myself but I've seen many, many pieces of it via discord lol)—he and Buscema are such a dream team for comics, really... they work so well together. Nothing hits harder than Harry's death...
Anyway, those are like, The Comics That Define My Taste to some extent (or offer the best window into what I like and understanding my taste) but
There are also other comics I know I would like that I have not read yet! Though I've read a couple issues from JMS' ASM run and enjoyed them, such as ASM #55 (love teacher!peter so much), but there's still a lot I have yet to make my way through. (i still haven't read Kraven's Last Hunt 😂 yeah I know)
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(Amazing Spider-Man #55 (JMS/Romita Jr.)
(peter's like, in his mid-to-late 20s at this point i'm pretty sure lol)
And there are other single issues I won't be taking the time to list just cause, there's a lot, you know? Like...
The B story in ASM 622 (or the A story, if you're horny and want to look at peter's biceps and beautiful profile)
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(Amazing Spider-Man #622 (A-story: "It is the Life," van Lente/Quinones (peter gets vampire hypnotized), B-story: "Stages of Grief," Weisman/Ross (peter and the crew throw flash a birthday party so he knows just how much he is valued and loved))
or like... ASM Extra! #3 where Flash comes back w/o his legs and Peter beats the shit out of a z-lister because he feels so guilty, and so on and so forth.
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(Amazing Spider-Man: Extra! #3, "Character Assassination: Coda," Guggenheim/...Fiorentino I think? There are two artists in this story, for the two different things happening, but I think the artist for this sequence is Fabrizio Fiorentino, not Olliffe)
anyway
Good shit!!
obviously there are the classics as well, Amazing Fantasy #15, early ASM, etc., like of COURSE. Silver Age is a lot of fun (or, sometimes, tragedy) and the silver age gave us the coffee bean gang, and peter's bitchiness, and such good character dynamics, and was the start of all of it—obviously none of these comics would exist without the silver age, and like, gwen's death is iconic, and so on. but to try to pick specific issues, idk if i can single any out? i hop around so much when i read, you know? it's hard to keep track or to pick favorites 😂
but I do think that Amazing Spider-Man Annual #5 has really valuable insight into Peter as a character (spoiler: he's not very nice), though requires some basic understanding of Cold War politics and the Rosenbergs (thank you Traincat for pointing that second part out to me, it really brings nuance and clarifies subtext that might go missed otherwise)
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but you can like… go on wikipedia for that really… I just think it's a neat comic and tbh for every fan (or pro) who tries to insist that Peter is a perfect, delicate, harmless boy maybe they should go to the source and see that Stan Lee disagreed. lol
(and also those people owe me... five bucks and a pizza 😉)
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songue85 · 1 year ago
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Questions for Fic Writers ✏📝💻
@faeriekit tagged...
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1. How many works do you have on Ao3?
Only one! Most of mine are all in FF.net, maybe one day I'll post them there, but for now, yeah, single fic.
2. What’s your total Ao3 word count?
Today (10/30/2023), measly 45k, but I'll be posting two chapters this week, so... 50k soon?
3. What fandoms do you write for?
Now, Spider-Man and Batman, but I've mostly published Doctor Who fics, usually crossovers.
4. What are your top 5 fics by kudos?
Just AO3, that is Arachnomaly. If I include the works in FF.net, then, by favorites, it would be:
5) Maelstrom in the Darkness - An Essay on Blindness: What if Uzumaki Naruto had been incurably blind from birth? Oh, I wish I had time to write more, so many ideas, so LITTLE TIME!
4) Smoke on the Water - The Untold Stories! Based on the popular "Smoke on the Water" story by Sir-Mercutio-McHuffer, who authorized me to publish chapters as a separate, sorta-not-exactly-canon bonus chapters!
3) Different Doctors Meet a Most Unique Universe: after a talk with @zaziecurie , I started writing this collection of short stories about The Doctor in Steven Universe's reality, different takes as his many incarnations (4, 10 and 12 posted, but I had other ideas)
2) Justice-Whimey : formerly my longest fic to date, it's a tie with the first place, The Tenth Doctor is a patient in Arkham Asylum, DC Universe, in an reality-altering adventure;
And at the top
1) ARACHNOMALY! Surprise, two months of posting and it is my most favorite story at the moment at FF.net, though it's always a one chapter behind from AO3's schedule (less than half of its ao3 equivalent in kudos as well).
5. Do you respond to comments?
Sure, always! I don't have too many comments, but what I get, I try to reply on the same day or the following, at most!
6. What is the fic you wrote with the angstiest ending?
My short story Destiny is Not A Game , in FF.net, based on the finale of the game X-Men: Destiny.
7. What’s the fic you wrote with the happiest ending?
What is this 'happy ending' people talk about so much?!
8. Do you get hate on fics?
Hate in ao3? Maybe... overzealous criticism?
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The worst stuff, as expected, is in the reviews in FF.net, but, again, it's FF.net, so what can you do against great guest reviewers such as...
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9. Do you write smut fic? If so, what kind?
Used to, but they are for my wife's eyes only !
10. Do you write crossovers? If so, what’s the craziest one you’ve written?
Currently, Spider-Man x Batman comics, but the craziest were my forays into Doctor Whooves stories (my focus, as always, had been more of a whovian than ever a brony, I'll admit)
11. Have you ever had a fic stolen?
I hope not!
12. Have you ever had a fic translated?
Nope! Maybe I'll do it myself for Arachnomaly, one day!
13. Have you ever co-written a fic before?
Yes, long time ago, but never published it - it was a crossover with The Idealist 33. Actually, I fibbed, I heavily edited a chapter for their story, Doctor Whooves?, chapter 7, which almost makes it half mine, kinda?
14. What’s your all-time favorite ship?
Oh, wow, let's see, there are so many... NaruHina ? Though I always had a spot for NaruIno? In RWBY, Dragonslayer, just for the fics I've read. Peter Parker x Kitty Pryde, just because of the Ultimate Comics, but PeterxMJ for life.
... and in my writing, yeah, The Doctor (Whooves) and Ditzy Doo.
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... it was a phase, mom.
15. What’s a WIP you want to finish but doubt you ever will?
Well, "Spider-Man Must Not Ruin the Future" is an old project, Spectacular Spider-Man crossover with X-Men: Evolution, trying to integrate both realities in one story.
Also an untitled story where the six original Mighty Morphing Power Rangers get saved by the arrival of Black Dino Thunder Ranger, hilarity and feelings ensue (those who know, will understand the potential!)
16. What are your writing strengths?
I've been told that, when I get the character, I REEALLY get them. Like,
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17. What are your writing weaknesses?
If I feel the chapter needs to be short, it will be short. Sometimes, I can get too concise for my own good.
Also mispeling, but I've been getting better, I think.
18. Thoughts on writing dialogue in another language in fic?
I'm always writing in another language, but I've been venturing on writing a character who communicates mostly in ASL.
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19. First Fandom you wrote for?
Doctor Who!
20. Favorite Fic you’ve written?
Tie for Justice-Whimey , Arachnomaly and Charades 4 6, actually!
And that's all, folks!
Thanks once again to Faeriekit for the tag!
Whoever would like to continue, follower of mine or not, feel free to consider themselves tagged!
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hollowsart · 2 years ago
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I RETURN WITH MORE ACEDIA QUESTIONS
1 PC or console?
1.5 Nintendo, Xbox or PlayStation?
2 what's the fav coffee in the AU (prepared by Beck ofc)
3 do DC comics exist in the AU?
4 does a Peter Parker exist in the AU (being the Spectacular Spider-Man or not)
5 the 'Delorian' or 'The Hot Tub Time Machine' (not by movie or capabilities just would you rather)
6 irl ask: fav spider-man actor
1) uhh.. aren't those technically the same thing? Would have to say laptop, though.
1.5) Nintendo. Had a Playstation 2, never really had many games growing up. Usually played old DoS games on an outdated landline computer until eventually obtaining a GBA SP for the first time and never having been the same since.
2) bdjsnfbdf Hot Chocolate.
3) Quentin Beck went to Gotham University with Johnathan Crane, absolutely was weirdo friends with the man (theater kid and reclusive goth dynamic). Max owns a shirt with the Flash's symbol on it cuz she def looks up to the guy for his usually kind and helpful actions. Plus he's cool, she'd love to visit Central city and meet him one day. (Preferrable while not being seen as a new enemy, she literally would just love to take a selfie with him)
4) Peter exists! He is Harry's good school friend and Gwen is also a part of the little trio. Peter never got bit, but I do think he'd still seek out a job with TDB and take pics for them to help out Aunt May and Uncle Ben with their money troubles. (Uncle Ben lives!! Peter is happy and healthy and only stressed with the usual high school troubles!!)
5) Never seen either.. so I have no idea how to answer this.
6) N/A Lol Maybe Andrew?? Honestly I cannot make a decision here.
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