#Peplos garments

[peplosmensfashion]

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[allbeendonebefore]

Aegisthus has just come on stage and I'm nearly done but I need to tangentially gush about the (written) english ambiguity of wound (injury) and wound (in robes) when Aegisthus observes Agamemnon's body "This man lie wound in robes the Furies wove" like!!! good translation choice there

[bronywnsworld]

Sea green eyes locked onto storm cloud grey. One set of eyes was filled with horror while the other set of orbs were crowned in confusion.

“What do you mean,” Percy hissed causing her blonde friend’s shoulders to tense in offense, “that you’ve never been trick or treating?!” The tone of astonishment was clear.

Annabeth shifted minutely, clenching and unclenching her fists at the hem of her shorts.

“I know what Halloween is, Seaweed Brain.” She used the nickname to balance herself, a subtle reminder that Percy wasn’t making fun or calling out her faults. The onyx haired girl was truly just surprised. “I’ve just never gone. Father never really had the time and my stepmother told me that if I was already making up stories I didn’t need any fuel for my tall tales. Halloween is a Celtic and somewhat Christian tradition, it wouldn’t really be celebrated in a Greek camp.”

Annabeth smoothed out the creases she’d caused in her jean shorts, forcing the tension to ease between her shoulders.

“That is unacceptable!” Percy voiced her thoughts on the matter, grabbing Annabeth’s hand and dragging her towards Cabin 3. It still confused many why Poseidon allowed Annabeth to enter at all, he heated Athena and while he never went out of his way to be cruel to her demigod children he also wasn’t kind either. Perhaps he allowed it because of Percy, his only demigod daughter.

His only daughter born since the loss of Arsinoe and Perseleia.

Perhaps he just didn’t see Annabeth as that much of a threat, or much of anything really. He wouldn’t be the first adult, mortal or otherwise, to deem her unworthy of note or attention and Annabeth found she didn’t quite care. She knew what happened when the gods took an interest in anything remotely mortal.

“Percy what are you doing?” The head of Cabin 6 asked nervously.

“Give me a minute!” Percy responded as she shuffled through the closet. A closet she had all to herself unlike the little footlocker Annabeth had to store all her belongings. She shifted fabric Annabeth had no idea her friend even had, it looked soft and refined like something she’d seen her mother wear during the solstices when camp went to visit.

“Aha! Here we go.” Percy excitedly released pulling out two dresses. One was an ivory color and had a deep blue cloth wrapped around the hanger. It was a floor length chiton that was pinned only at the shoulders with dainty pearls for some odd reason the garment looked familiar. The other was a deep navy peplos that had an ombré effect and reminded Annabeth of the ocean and the push and pull of the waters lapping at the shore. It had subtle golden embellishments and a veil was draped over the fabric as well.

“Where did you get these?” Annabeth questioned, unable to restrain her curiosity. The prices were simple and intricate, breathtaking and timeless, but most of all they felt ancient.

They looked like they came from Ancient Greece itself.

“Kym gifted them to me.” Percy responded offhandedly. As though it was normal. Though, perhaps, to Percy it was. Among the campers it was common knowledge that Percy and Nico were the exception to the rule. Their godly families adored them despite their mortality and being the product of adultery. Nico had a room in his father’s palace much like Percy had her own set of apartments in Atlantis. Persephone had gifted Nico seeds from his favorite berry bush and Percy often came back with nick nacks taken from her time spent with her father’s side of the family, often sharing with Annabeth any of the treats she had been sent home with.

Annabeth wondered what it felt like to be treasured so dearly for a moment before shaking it off.

“Ok?” The blonde responded, truly Percy hadn’t answered her question.

“She said I reminded her of the person it belonged too and if I was going to take it, and she wasn’t taking no for an answer, I had to take one of the dresses from that person’s sister. She wasn’t giving names so I think it was probably a pair of nymphs that did something to anger either Uncle Sparky or Dad enough to remove their names from history.”

“Joy.” Annabeth said dispassionately looking now at the beautiful garment as though it were poison. “So why are you pulling them out?”

“Because we’re going trick or treating, silly!” Percy chirped happily and Annabeth swiveled her head to look at her sworn sister with widened eyes.

“You want us to put on clothes of dead women, who likely angered either the lightning bringer or the earth shaker, maybe both knowing our luck, and go trick or treating?” Annabeth let the incredulous tone permeate the air.

“Yep.” Percy popped the p, shrugging off her shirt as she went revealing her scared back and torso.

“Can’t argue with that logic I guess.” Annabeth sighed following Percy’s lead, ignoring the fast pace her heart was beginning to beat at.

—-

When they were completely dressed Annabeth pulled her curly hair back into a low bun, grateful she had pinned the blue himation so it draped just below one shoulder and dipped to her opposite hip before the rest of the fabric pooled at the side. It certainly made pinning her hair in place that much easier.

Percy had finished just before her pulling the veil around the back of her head to sit neatly on her untamed curls. She looked even more godlike than when she donned armor and fought with such vigor it awed Annabeth. It didn’t stop the blonde from noting something was missing. She took a decorative net and tied it around Percy’s waist, a sense of right falling into place.

“Oh my gods.” Percy cackled as she looked at Annabeth turning to her nightstand and pulling out a flashlight. “You look just like the torch lady off the Columbia pictures logo. Here. Use this as a torch.” The onyx haired beauty said between guffaws.

“The what?” Annabeth asked, grey eyes laced with confusion

Annabeth couldn’t help but be glad Percy had personally brought Sally’s care package because she was already having fun.

“Forgot you- never mind we’ll get you culturally prepared a little at a time Wise Girl. For now let’s go, night is setting and candy is waiting!”

@chaoticdumbassrogue it just kind of happened ok

[thearchaicsmile]

A bronze statue depicting the goddess Athena, adorned with the Corinthian style helmet, peplos garment and an aegis wrapped around her chest. The statue was discovered under the Piraeus harbour in Athens and is dated to the 4th century BC.

🏛️: Archaeological Museum of Piraeus, Athens

[literaryvein-reblogs]

Word List: Fashion History

to try to include in your poem/story (pt. 3/3)

Pelete Bite - a fabric created by the Kalabari Ijo peoples of the Niger Delta region by cutting threads out of imported cloth to create motifs

Pelisse - a woman’s long coat with long sleeves and a front opening, used throughout the 19th century; can also refer to men’s military jackets and women’s sleeved mantles

Peplos - a draped, outer garment made of a single piece of cloth that was worn by women in ancient Greece; loose-fitting and held up with pins at the shoulder, its top edge was folded over to create a flap and it was often worn belted

Pillow/Bobbin Lace - textile lace made by braiding and twisting thread on a pillow

Pinafore - a decorative, apron-like garment pinned to the front of dresses for both function and style

Poke Bonnet - a nineteenth-century women’s hat that featured a large brim which extended beyond the wearer’s face

Polonaise - a style of dress popular in the 1770s-80s, with a bodice cut all in one and often with the skirts looped up; it also came back into fashion during the 1870s

Pomander - a small metal ball filled with perfumed items worn in the 16th & 17th centuries to create a pleasant aroma

Poulaine - a shoe or boot with an extremely elongated, pointed toe, worn in the 14th and 15th centuries

Raffia Cloth - a type of textile woven from palm leaves and used for garments, bags and mats

Rebato - a large standing lace collar supported by wire, worn by both men and women in the late 16th and early 17th century

Robe à L’anglaise - the 18th-century robe à l’anglaise consisted of a fitted bodice cut in one piece with an overskirt that was often parted in front to reveal the petticoat

Robe à la Française - an elite 18th-century gown consisting of a decorative stomacher, petticoat, and two wide box pleats falling from shoulders to the floor

Robe en Chemise - a dress fashionable in the 1780s, constructed out of muslin with a straight cut gathered with a sash or drawstring

Robe Volante - a dress originating in 18th-century France which was pleated at the shoulder and hung loose down, worn over hoops

Roses / Rosettes - a decorative rose element usually found on shoes in the 17th century as fashion statement

Ruff - decorative removable pleated collar popular during the mid to late 16th and 17th century

Schenti - an ancient Egyptian wrap skirt worn by men

Shirtwaist - also known as waist; a woman’s blouse that resembles a man’s shirt

Skeleton Suit - late 18th & early 19th-century play wear for boys that consists of two pieces–a fitted jacket and trousers–that button together

Slashing - a decorative technique of cutting slits in the outer layer of a garment or accessory in order to expose the fabric underneath

Spanish Cape - an outer wrap often cut in a three-quarter circle originating from Spain

Spanish Farthingale - a skirt made with a series of hoops that widened toward the feet to create a triangular or conical silhouette, created in the late 15th century

Spencer Jacket - a short waist- or bust-length jacket worn in the late 18th and early 19th centuries

Stomacher - a decorated triangular-shaped panel that fills in the front opening of a women’s gown or bodice during the late 15th century to the late 18th century

Tablion - a rectangular panel, often ornamented with embroidery or jewels, attached to the front of a cloak; worn as a sign of status by Byzantine emperors and other important officials

Toga - the large draped garment of white, undyed cloth worn by Roman men as a sign of citizenship

Toga Picta - a type of toga worn by an elite few in Ancient Rome and the Byzantine Empire that was richly embroidered, patterned and dyed solid purple

Tricorne Hat - a 3-cornered hat with a standing brim, which was popular in 18th century

Tupu - a long pin used to secure a garment worn across the shoulders. It was typically worn by Andean women in South America

Vest/Waistcoat - a close-fitting inner garment, usually worn between jacket and shirt

Wampum - are shell beads strung together by American Indians to create images and patterns on accessories such as headbands and belts that can also be used as currency for trading

Wellington Boot - a popular and practical knee- or calf-length boot worn in the 19th century

If any of these words make their way into your next poem/story, please tag me, or leave a link in the replies. I would love to read them!

More: Fashion History ⚜ Word Lists

[invis-o-william]

Dannymay 2025 - Day 1: Dragon

Throngs of ghosts shuffled into the towering cathedral, the tall spires casting shadows on the crowds below. Most of the ghosts wore medieval garb, ladies in long colorful dresses accentuated with brocade trim and men draped in a mix of cloaks and well embroidered tunics. Standing out amongst the crowd were representatives of other realms. There were a few women dressed in ancient peplos, the leader of their group wearing ceremonial armor over her gown. She moved to sit in the available pews next to two yetis wearing their finest furs. Other representatives peppered the crowds, their garments of different centuries past contrasting with their surroundings.

Watching the ghoulish procession from a high alcove was Princess Dorathea. She nervously picked at her silken dress, one of the fine threads giving way as she fiddled with the fabric.

“Your Highness, may we continue with the final preparations?” 

The appearance of Dorathea’s lady in waiting threw her out of her thoughts. She quickly turned away from the crowd and nodded her assent before following the noblewoman to a secluded chamber. Sitting on a stool, she watched her lady collect a pair of pristine gloves from a nearby table and present them to her. As the material slid over her fingers, Dorathea couldn’t help but give voice to her thoughts.

“Lady Arundel, do you believe the people will accept my rule?”

The noblewoman looked up in surprise. “Whatever do you mean ma’am? Your brother still sits imprisoned, does he not?”

Dorathea sighed. “Yes he does, though I am sure he had many supporters among both the nobility and serfs. I have staked my claim to those of higher birth, and the ladies of the court have shown remarkable interest in the social changes I wish to implement. However I know not what the common folk will think of me.”

Lady Arundel mulled this over carefully. “Well ma’am, may I be utterly honest with you?” Dorathea nodded in interest, gesturing for the woman to continue.

“Your brother was a cruel man, not only to you and the ladies of the court, but to the serfdom as well. It would be my opinion that they hold no favor for him, and if you prove yourself to be a Queen of your word, then you would in time gain their loyalty.” 

There was a moment of silence as the Princess contemplated her lady’s words. “I see. Thank you for your wisdom, Lady Arundel.” She said with a smile. The noblewoman bowed to her and handed her the last of the ceremonial regalia before retreating from the room. 

It was an ermine lined cape, the train long and trimmed with gold lace. As she pulled it around her shoulders the weight of the crimson velvet was almost comforting, feeling not like a burden but a promise. With any luck, the promise of a brighter future to come. She carefully closed the clasp at her neck, the large heraldic dragon emblazoned there gleaming in gold and silver, and stood. 

It was time. Within minutes she would walk the length of the grand cathedral and be crowned Queen in front of the masses, swearing oaths to her realm and people. She hoped to gain their trust. She hoped to gain new alliances with neighboring realms. Though above all, she hoped to leave a better legacy than her brother Aragon had. 

[theamazingmaddyas]

One completely untapped part of the Greco-Roman Riordanverse fandom, especially in fics that include the demigods getting technology is the amount of parodies of modern media Rick adds to his series, especially in TOA above all the others, and in the Senior Year Adventures.

In Wrath of the Triple Goddess, the show The Great Witch's Brew Off (a parody of The Great British Bake Off of course), is mentioned, so for the last two months I've been thinking of shows that could air on HephaestusTV. (Note, while I just reread TOA, I have a bad memory, and I know for a fact there are parody medias in that series, like I'm pretty sure there's an Instagod in TON, but there isn't a collective list and me a few months ago didn't think to write it down, something I regret already)

So, here's a list of six shows I believe have a chance of airing on HephaestusTV! I would love it if other people could make lists and add to it.

Disclaimer, I rarely watch reality TV, so some of these I haven't watched myself, and am basing my ideas off of my vague understanding of the plots. For that reason, my bolded explanations aren't in depth for any, to keep it consistant:

1) Dancing with the Gods (Dancing with the Stars) pros are probably nymphs, dryads, and satyrs

2) Keeping up the the Olympians (Keeping up with the Kardashians) note: I feel as though I've heard this before, but I don't remember where or why

3) Domain-ly Feud (Family Feud) instead of families, each team consists of gods/dieties with similar domains

4) Demigodly Ninja Warrior (American Ninja Warrior) Instead of Las Vegas, the final four stages are held in Olympus. Qualifiers are in CHB and Semis are in Camp Jupiter.

5) Say "Yes" to the Peplos (Say "Yes" to the Dress) a peplos is a garment worn by Ancient Greek woman, for those who didn't know.

6) The 100,000 ₯ Pyramid (The $100,000 Pyramid) note: I'm like 58% sure I used the symbol for drachma correctly, but if not, tell me

[llitchilitchi]

really want a book that documents the evolution of dress in greek cultures from minoan period up to hellenistic period, the way that ancient greeks went from much more structured dresses with more sewing and something that could even be considered more elaborate patterns back in minoan and mycenaean times, but then turning to chitons and peplos that are (while elaborate in the fabric pattern, much like the earlier dresses), to put it very simply, just a square piece of fabric pinned and tied to make a garment? driving me crazy lives rent free in my brain I need someone who's actually educated on this stuff to talk about it for some 500 pages

[brimo5]

Reread The Mysteries of Demeter and Kore by Kevin Clinton, here are some I missed before.

#1 (Possible) Difference between Iakchos and Eubouleus

The Ninnion Tablet, fortunately, begins to provide the answer. All of the initiates, male and female, in both upper and lower fields, wear a cloak (himation); the men have just a cloak, the women a cloak over a peplos. The cloak was the traditional garment of the initiates at the Mysteria. Here Iakchos, the god of the initiates’ journey, also wears one, on top of his elaborately decorated tunic. This is the attribute that distinguishes Iakchos when he appears with Eubouleus, for in other scenes in which they appear together Eubouleus lacks a himation.

Third, in fifth-century vase scenes, Eubouleus’ garment is apparently not yet standardized: in two scenes he wears a short chiton with no himation (LIMC 4:24, s.v. “Hades”; 4:388, s.v. “Demeter”), in two others a long chiton, once with chlamys, once with himation (LIMC 4:25, s.v. “Eumolpos”). In the fourth century, he is always dressed in a short chiton with boots and without himation. He usually carries two torches, sometimes one. In catalogue number 49, Hermes with a short torch is unique. In number 50, a similar relief, of mediocre quality, his right arm hangs down and seems to clasp the lower end of Kore’s torch, seemingly sharing it with her. Book Review: The Athenian Agora: Votive Reliefs

#2 Dionysus with Triptolemus on Regina Vasorum

Dionysus appears separately (no. 4), also as an initiate, between Triptolemus (no. 3) and Demeter (no. 5).

[gailyinthedark]

Took kids sledding today and tested out my wool gear. It was only just below freezing, but I'm cold-sensitive and couldn't find my gloves, so I was prepared to be miserable. Linen tunic + wool peplos + cloak + scarf + socks + my wool pants* from ancient futures + hiking boots. I wasn't exactly rolling around in the snow, but I was wading and sitting in it while assisting children with various glove- and sled-related emergencies, and I was totally fine. More comfortable than usual, actually, and no cold headache, so I count this a win. :)

*these are knit with a yoga waistband, but they're one of my few garments that wasn't due to be replaced when this project started. I might make a woven pair later, but these stand in well enough for now.

[gemsofgreece]

Hi!

I saw this amphora for the first time today when I was researching things about Helen of Sparta as a reference for drawing her. From what I saw, the woman is Helen and this art is dated 550 BC. I thought what she was wearing was really beautiful, so I looked up the name of this outfit so I could draw it better.

I got the impression that it's a peplos from the images I saw (in particular, these Kore statues are kind of similar because of the patterns: 1, 2, 3. And the shape reminds me of that) and because of the year of the amphora (I read that apparently peplos was popular around the same time), but I'm not sure. Also, is that veil that Helen wears a specific piece of clothing? The only similar thing I've seen referring to clothing in Greek visual arts is himation, but I also don't know if it's one because I haven't found a himation being used specifically in that way (the ones I saw seemed more involved around the body/head).

Do you (or anyone in the comments) know if it's a peplos? If it isn't a peplos, do you/anyone know what it is? And what is this veil, it's a himation?

Hi, I am pretty sure Helen’s outfit is indeed a peplos. You can also tell from how the fabric bulges on the torso.

As for the veil, yeah, I don’t think it’s a himation (it still might be though). It’s little known that occasionally Ancient Greek women did wear a veil, which was called καλύπτρα (kalyptra). A kalyptra was usually used by a matron, a dignified older married woman, likely an aristocrat, and in general the lady of the household. It was associated with propriety and the avoidance of unwanted advances.

Helen, as a married queen in the presence of several men as we see in this amphora, is totally eligible as a woman who would have a kalyptra on. It might also be the artist’s attempt to redeem Helen and in this way abdicate her of any responsibility when she was forced to leave Menelaus for Paris.

A kalyptra was a thing, though not as obligatory or paramount a garment as a veil was in Rome or in the Eastern cultures. The reason we probably don’t see it often in statuary is that Greek sculpture depicted mostly youth and the human body. Young unmarried girls wouldn’t wear such garments.

Here you can see the differences with himation. Himation was a thicker fabric, used for warmth. When cold, it could double as both a himation and a kalyptra. The thin fabric the woman with the chiton in the middle is holding could be a kalyptra.

Not an expert though, so if anyone else has more info about this, please share.

[fashionculturelife]

Timeless Greek Elegance

Ancient Greek fashion was a perfect blend of simplicity and sophistication, reflecting the culture’s artistry and functionality.

👗 Key Garments

Chiton: A versatile tunic for men and women, made from linen or wool, perfect for draping elegantly.

Peplos: A layered woolen dress for women, symbolizing tradition and grace.

Exomis: A practical tunic for laborers and warriors, leaving one arm free.

Himation: A woolen cloak for warmth and style, often draped over a chiton.

Chlamys: A shorter cloak favored by soldiers and travelers for mobility.

🎨 Colors and Motifs Clothing featured vibrant natural dyes and intricate designs, with patterns symbolizing art and status.

Greek fashion remains a timeless inspiration, proving elegance and functionality can coexist beautifully. 🌿✨

[blindmagdalena]

MINOTAUR ANON HERE. ALMOST AT FUCKING 5K WORDS BUT THEY FINALLY MEET. I'M GOING TO START EATING DRYWALL

Anonymous asked: I FORGOT TO ADD THE SNIPPET I GOT TOO EXCITED I;M SO SORRY: ' The sickly and iron tang in your mouth calls to you. Sings in your veins as you find more bodies, some still alive but unable to talk, most dead upon impact. You don't even realise it but the bodies' placements feel like a thread that lures you deeper into the labyrinth itself. Until you are at its very heart, and the small amount of sunlight shining from a place too far to reach, you find the beast— a man of great height with a golden-brown bull's head with barely a loincloth for garments— bashing the head of another sacrifice into the ground before taking his heart out and stopping when he notices you. You can only imagine how you look, perhaps bloody and dishevelled but still wearing the peplos like an armour. He eats the heart in front of you, deeming you less important than his next meal, the fur around his neck and jaw so thoroughly covered in blood it's dark in the low light. He keeps eye contact, however, and you notice the unnatural eye colour of them. Bright blue. His voice threatens to split you in half, a deafening baritone that's been unused for some time. '

ANON. I'M SO EXCITED FOR THIS FIC. HELLO MONSTERLANDER!!!!

[spearminthe]

🕯️ do you wear your f/o's clothes? do they wear yours? what's your favorite piece of clothing to steal from them? what's their favorite piece of clothing to steal from you?

We're actually not too prone to clothing sharing in canon! It's something we tend to dabble in occasionally in modern AU, where there are more varied and fun garment types for us to swap about :3c

It's much more likely for us to steal each other's lounge wear, where I pilfer any old t-shirts from him that aren't in regular circulation anymore so I can use them to sleep in, and he nabs up my PJ pants for his own use...they're usually both too wide at the waist yet too short on the leg, but he doesn't mind 🙂‍↕️ I've been known to be a sweater and a hoodie thief, though...anything that's retained a lot of his smell...I'll make it mine idc, even if it's only temporary... ):3c And if he's in need of something with a flashier or more colorful print, he'll borrow a button up from my wardrobe!

There is an instance in canon of Minthe lending him a peplos to sleep in during an occasion where he's spending the night in their chambers. Taking into consideration how much more revealing a cut it has compared to his usual chiton...I think you can infer how that encounter ended up going... –7–