#Pedro Coello

[tina-aumont]

Abuelo Made in Spain screencaps (3/4)

Abuelo Made in Spain is a 1969 Spanish comedy written by Pedro Masó and Vicente Coello and directed by Pedro Lazaga.

Marcelino (Paco Martínez soria), a widower shepherd living in the Aragonese Pyrenees saw his three young daughters Cándida (Carmen Lozano), Visi (Mabel Karr), and Nieves (Monica Randall), go to Madrid to find better lives; they've all gotten married, had sons, and forgotten their father. One day, Marcelino receives a letter from Cándida, who invites him to come for a long visit. What she really wants is some help from her father, as she's not able to take care of her 10 daughters and her upcoming child. Marcelino goes to Madrid, but once there, he only finds an unknown, frantic, hostile world and three unhappy daughters.

___

More than 30 years after its premiere in cinemas, in 2000 it was broadcast on La 1, being seen by more than five million viewers and ranking 33rd among the most viewed films in the decade (2000-2009) and the first at the national level.

Cast:

Paco Martínez Soria - Marcelino

Carmen Lozano - Cándida

Mabel Karr - Visitación "Visi"

Monica Randall - Nieves

María Montez II - dancer

Fernanda Hurtado - Nina

José Ramón Moreno Muñoz - Antoine, "Los Gritos" drummer

[colonna-durruti]

" L''Orco volante"

20/12/'73 Operación Ogro

Non fu una decisione facile da prendere, ma alla fine le lunghe notti negli scantinati di Bilbao portarono a una scelta, basta comprimari, stavolta si mirava al bersaglio grosso, anzi al più grosso di tutti, perché rappresentava meglio di chiunque altro l'essenza del franchismo, perché destinato alla successione dell'oramai vecchio Franco e perché grosso lo era davvero l'ammiraglio Carrero Blanco, talmente grosso e spietato da meritarsi l'appellativo di Ogro (orco).

Da diversi anni ormai, la dittatura fascista del generale Francisco Franco è scossa da un crescente malcontento sociale, che trova nelle mobilitazioni operaie la valvola di sfogo nei confronti di quello che è diventato il più longevo stato europeo guidato da un esecutivo dichiaratamente reazionario e conservatore.

La lettura di quegli anni, propagandata dal regime, parlava infatti di una crescente tolleranza nei confronti dei conflitti sociali.

Al contrario però, mai come in quegli anni, Franco decide di attuare una feroce repressione contro tutti i suoi oppositori politici, concentrandosi con particolare accanimento sulla popolazione basca.

Dal 1961 fino alla morte del Caudillo, il Paese Basco viene sottoposto ben 9 volte allo stato di emergenza nel giro di neanche 13 anni, vivendo un totale di 4 anni e due mesi in condizioni di completa sospensione di ogni diritto civile fondamentale, con un potere di vita e di morte affidato alle Forze di Sicurezza dello Stato.

È in questo clima che Euskadi Ta Askatasuna decide di entrare in azione.

L'operazione dura quasi nove mesi e porta la firma del «Commando Txikia» di ETA.

I quattro giovani baschi ai quali è affidata l'azione cominciano a seguire le mosse dell'ammiraglio nell'aprile del '73, dopo aver affittato un seminterrato al n. 104 di calle Coello a Madrid, dove fingono di svolgere il mestiere di scultori.

Il lavoro si rivela però più lento e dispendioso del previsto, dal momento che impegna tutti i componenti della squadra nello scavo dalla casa fino al centro della strada, dove sarà sistemata la carica più grossa.

L'operazione, prevista per il 19 dicembre, viene posticipata al giorno successivo. Poco prima dell'ora stabilita, uno degli "scultori" parcheggia, in seconda fila una "Morris" carica di dinamite. Quando l'auto dell'ammiraglio raggiunge la zona "ideale", al segnale stabilito il contatto elettrico fa saltare in aria la macchina.

L'automobile di Carrero Blanco vola per sei piani, oltrepassa il tetto di un palazzo e finisce su un balcone interno al terzo piano. Le guardie del corpo, scese malconce dall'automobile di scorta finita contro un muro, non si rendono conto dell'accaduto per molto tempo, mentre i quattro "etarras" hanno tutto il tempo per fuggire in tranquillità dalla capitale.

Nei giorni successivi, il Partito Comunista e vari esponenti dell'opposizione antifranchista e democratica, parlarono di provocazione, di possibile azione di "ultrà" fascisti, poi, di fronte alla circostanziata rivendicazione dell'attentato da parte di ETA, di atto irresponsabile che avrebbe fatto il gioco del regime. La realtà fu che tutto il popolo spagnolo, e non solo gli abitanti di Euskal Herria, furono ben felicissimi della morte di colui che, a tutti gli effetti, si era dimostrato degno continuatore delle politiche del regime franchista.

Rispetto per i compagni di Txikia :

José Ignacio Abaitua Gomeza “Marquín”,

José Miguel Beñarán Ordeñara “Argala”,

Pedro Ignacio Pérez Beotegui “Wilson”,

Javier María Larreategui Cuadra “Atxulo”,

José Antonio Urruticoechea Bengoechea “Josu” e Juan Bautista Eizaguirre Santi esteban. “Zigor”)

Gora Euskadi Ta Askatasuna

[carlosubeda]

Recluta con niño

Clásico del cine español que incluso tuvo “remake” años después con “Cateto a babor”. Comedia muy blanca -aunque con algún chispazo medio irreverente- y algo previsible, con guion de Escrivá y Coello y dirección de Pedro Luis Ramírez. Grandes actuaciones de José Luis Ozores y un memorable Manolo Morán.

Filmaffinity

[ruleof3bobby]

THE LOST CITY OF Z (2016) Grade: C-

Kinda of a snooze fest. Interesting story, but better off reading on it. About 30 minutes too long and I strongly disagree with casting Charlie Hunnam in the lead role. I like him as an actor, just not in this role. Didn’t suit him.

[genevieveetguy]

If we may find a city, where one was considered impossible to exist, it may well write a whole new chapter in human history.

The Lost City of Z, James Gray (2016)

[atarahderek]

Random Encanto: Some facts and head canons about this batch of villagers

From left to right

The first two are random villagers that I can't really speculate on. They're likely modeled after someone on the crew or who helped the crew in Colombia. The same is probably true of most of the villagers from the third row back.

Third from the left is José. He's one of the tallest people in the village, and his height comes in handy when Luisa is busy with other chores. He's implied here to be in some kind of relationship (likely marriage) with Sra. Pezmuerto.

Immediately behind them is a man who looks not unlike Félix. It's entirely possible he's a brother, as we do know that the family Félix was born into is living in the Encanto (Félix himself was born outside of the Encanto and moved there at some point in his childhood). I have yet to pick names for any of Félix's siblings or niblings outside the Madrigal house.

Next we've got Sra. Pezmuerto, who seems to be married to José, given she's a señora rather than a señorita. In my head canon, her real surname is Paz-Maldonado (which roughly translates to "ill-fated peace"), which really isn't much better than the nickname she was given by the village kids after that public rant about Bruno "killing" her goldfish.

Behind her is Osvaldo Ortiz. He's known to have a big mouth and an even bigger sweet tooth. He's also shown to be pretty lazy. In my head canon, he makes and sells candy, which is how he always has access to it.

Next comes the padre. He's credited as Sr. Flores in the script, though if his name is Flores, it should be Padre Flores. I've given him the personal name of Franco and decided he's related to (but clearly is not the same as) the priest who married Pedro and Alma. Specifically, his full name is Juan Franco Patricio Flores-Coello.

Behind the padre is a woman who looks quite a bit like Alma did at her age. She also looks (to me) like she could be related to Cecilia and the other girl with braids, whom I've named Carmina and have decided is Cecilia's sister. However, I don't think this woman is related in any way to Alma. At least not closely. The fact that they resemble one another has more to do with their similar ethnic backgrounds and pure chance.

Finally we've got another tall dude, and the only thing I have to say about him is he looks like he's ready to throw hands with an old lady. Also, someone please feed him. You can see his ribs through his shirt.

Screen shot pinched from @hiptoff.

[byneddiedingo]

The Lost City of Z (James Gray, 2016) Cast: Charlie Hunnam, Sienna Miller, Robert Pattinson, Tom Holland, Edward Ashley, Angus Macfadyen, Ian McDiarmid, Clive Francis, Pedro Coello, Franco Nero. Screenplay: James Gray, based on a book by David Grann. Cinematography: Darius Khondji. Production design: Jean-Vincent Puzos. Film editing: John Axelrad, Lee Haugen. Music: Christopher Spelman. The Lost City of Z sounds like one of those campy adventure movies spoofing the genre epitomized by King Solomon's Mines and pretty much done to death by the Indiana Jones series. (I also admit that the Z in the title also made me think it had something to do with zombies.) Anyway, how can we take movies about explorations in the Amazon seriously after Werner Herzog's Fitzcarraldo (1982)? But The Lost City of Z turned out to be a pleasant surprise: an old-fashioned adventure story played straight and done well. Charlie Hunnam doesn't have enough heft and charisma in the lead -- it was originally planned for Brad Pitt (who stayed on as producer after a schedule conflict) and then for Benedict Cumberbatch, either of whom might have filled the part of the obsessive explorer Percy Fawcett better. But writer-director James Gray handles a sprawling story -- we get not only scenes of Amazonian hardship but also of the Battle of the Somme in World War I -- with finesse.

[junkielee]

[Last Film I Watched] The Lost City of Z (2016)

[Last Film I Watched] The Lost City of Z (2016)

Title: The Lost City of Z Year: 2016 Country: USA Language: English, Spanish, Portuguese Genre: Adventure, Biography, Drama, History Director/Writer: James Gray based on the book by David Grann Music: Christopher Spelman Cinematography: Darius Khondji Cast: Charlie Hunnam Sienna Miller Robert Pattinson Tom Holland Edward Ashley Angus Macfadyen Ian McDiarmid Clive Francis Daniel Huttlestone Pedro Coello Matthew…

[joseandrestabarnia]

Atribuido a Coello, Claudio (Madrid, 1642 - 1693)

El jubileo de la Porciúncula

Departamento: Museo

Nº Inventario: 0682

Datación: Siglo XVII

Otros números: R. 125. C. 451.

Dimensiones: 295 x 143 cm

Técnica: Óleo sobre lienzo

Procedencia: Ingresa en la Academia en 1815 restituido por el gobierno francés. Se ignora su procedencia.

Observaciones: Este lienzo se incluyó en Cuadros selectos de la Real Academia de las tres Nobles Artes de San Fernando, una colección de estampas que pretendía divulgar el conocimiento de las obras más singulares de la institución y, a la vez, fomentar el arte del grabado. Fue grabada por Federico Navarrete según dibujo de Eduardo Soler y Llopis. La imagen está acompañada de un texto firmado por Valentín Cardedera.

De procedencia desconocida, fue seleccionado para formar parte del Museo de Napoleón en París.

Restauración: Pedro Rodríguez Mostacero (1984).

Información Real Academia de Bellas Artes de San Fernando en la web Colecciones en Red, fotografía de mi autoría.

[tina-aumont]

Abuelo Made in Spain screencaps (2/4)

Abuelo Made in Spain is a 1969 Spanish comedy written by Pedro Masó and Vicente Coello and directed by Pedro Lazaga.

Marcelino (Paco Martínez soria), a widower shepherd living in the Aragonese Pyrenees saw his three young daughters Cándida (Carmen Lozano), Visi (Mabel Karr), and Nieves (Monica Randall), go to Madrid to find better lives; they've all gotten married, had sons, and forgotten their father. One day, Marcelino receives a letter from Cándida, who invites him to come for a long visit. What she really wants is some help from her father, as she's not able to take care of her 10 daughters and her upcoming child. Marcelino goes to Madrid, but once there, he only finds an unknown, frantic, hostile world and three unhappy daughters.

___

More than 30 years after its premiere in cinemas, in 2000 it was broadcast on La 1, being seen by more than five million viewers and ranking 33rd among the most viewed films in the decade (2000-2009) and the first at the national level.

Cast:

Paco Martínez Soria - Marcelino

Carmen Lozano - Cándida

Mabel Karr - Visitación "Visi"

Monica Randall - Nieves

María Montez II - dancer

Fernanda Hurtado - Nina

José Ramón Moreno Muñoz - Antoine, "Los Gritos" drummer

[ola-rojita]

Reforma parcial de la Ley Orgánica de Drogas fue aprobada en primera discusión en la AN

Este martes los diputados y diputadas de la Asamblea Nacional (AN), durante sesión ordinaria, aprobaron en primera discusión el Proyecto de  Reforma parcial de la Ley Orgánica de Drogas, con el fin de impulsar un componente de prevención para combatir este flagelo.

El presidente de la Comisión de Política Interior, diputado Pedro Carreño, presentó la propuesta del  Proyecto de Ley de Reforma Parcial de la Ley Orgánica de Drogas en la cual destacó que esta Ley tiene una oportunidad de sincerar ante el mundo las calamidades que viven los pueblos y Gobiernos libres de este planeta que no se ciñen a la voluntad de los poderosos ante el problema del narcotráfico.

Resaltó que el problema de la droga trasciende a lo meramente médico, ético, trasciende lo moral, “y en este momento es utilizado como un mecanismo para la intromisión en los asuntos internos de los pueblos, para satanizar estigmatizar y criminalizar Gobiernos, acusarlos de narco Estado y acusar de narcotraficantes a la alta dirigencia política”.

Carreño destacó que Venezuela es víctima de los Gobiernos injerencistas que insisten en acusar al Gobierno Nacional como “forajido, como Estado fallido” con la excusa de aplicar sanciones e inmiscuirse en asuntos internos del país “situación es más grave aún en medio de la terrible pandemia que azota a la humanidad”.

Recalcó que el informe de la ONU correspondiente al año 2019 dice que Venezuela es territorio libre de cultivos y laboratorios. Además, establece que el 87% de la droga no sale a través de nuestras costas. ¿De quién es el narco Estado entonces?”

Por su parte el diputado Hanthony Coello propuso la implementación de una consulta pública para que se conozcan las cifras que respaldan las luchas antidrogas del Estado; del mismo modo solicitó que en esta nueva Ley sean incorporados delitos que no estaban siendo penados, aumentar las facultades en materia de prevención y también de su apoyo, su financiamiento y establecer un grupo de Fuerza de Tareas Especiales,  activado a través del Ministerio del Poder Popular para las Relaciones interiores, Justicia y Paz.

[aquihonduras]

Fusina pone en marcha la Operación Morazán II en marco de su séptimo aniversario

Tegucigalpa – La Fuerza de Seguridad Interinstitucional Nacional (Fusina), inauguró este jueves la Operación Morazán II que coincide con la conmemoración de su séptimo aniversario.

En presencia de los comandantes de las diferentes fuerzas del orden que integran Fusina, las autoridades anunciaron la ejecución de este operativo.

Desde el Campo de Parada Marte, así como en la 105 Brigada de San Pedro Sula, efectivos de la Policía Nacional, Policía Militar del Orden Público (PMOP) y de las Fuerzas Armadas, se reunieron en una ceremonia en la que les giraron instrucciones para esta operación.

El comandante de la PMOP, Mario Bueso Caballero, aseguró que, durante estos siete años, lograron reducir en un 32 por ciento la tasa de homicidio.

Por su parte, el portavoz de las FFAA, teniente José Coello, explicó que están desarrollando operaciones de impacto en conjunto con la Fuerza Nacional Antimaras y Pandillas (FNAMP).

De su lado, el comandante de la Fuerza de Tarea Xatruch en el departamento de Colón, Carlos Ivánovich Rodríguez, indicó que la Operación Morazán II arrancó hace tres años y con los cuatro años anteriores de la Operación Morazán I, son siete años que llevan esas acciones contra el crimen organizado, narcotráfico y delitos comunes y lo que se está ejecutando ahorita es la Operación Omega apoyada por el Ministerio Público.

En ese sentido, se realizan varios operativos en ese departamento en el marco de la celebración de los siete años de la Fuerza de Tarea Xatruch, a través de hombres y mujeres que portan uniforme y otros efectivos que trabajan de manera encubierta para mantener la paz y la tranquilidad.

[collectorscorner]

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[makedata]

Crucero de la Catedral de Santa María de Segovia by neobit // La Santa Iglesia Catedral de Nuestra Señora de la Asunción y de San Frutos de Segovia, conocida como la Dama de las Catedrales por sus dimensiones y su elegancia, es una catedral construida entre los siglos XVI y XVIII, de estilo gótico con algunos rasgos renacentistas. La catedral de Segovia es una de las catedrales góticas más tardías de España y de Europa, erigida en pleno siglo XVI (1525-1577), cuando en la mayor parte de Europa se difundía la arquitectura renacentista. Destruida la antigua Catedral de Santa María de Segovia en 1521 durante la Guerra de las Comunidades, por su cercanía al Alcázar, el claustro —obra de Juan Guas— y otros elementos fueron trasladados a este lugar. Comenzó su construcción en 1525 según las trazas de Juan Gil de Hontañón; fue financiada por el pueblo segoviano mediante aportaciones de los gremios y sisas del ayuntamiento. Posee una estructura en tres altas naves y girola, destacando sus hermosas ventanas de complicada y fina tracería calada así como la extraordinaria calidad de los numerosos vitrales. El interior muestra una notable unidad de estilo (gótico tardío), excepto en la cúpula de 1630 y presenta un aspecto imponente y sobrio. Sus bóvedas góticas se elevan a 30 metros de altitud y mide de ancho 50 metros y 109 de longitud. El crucero está cubierto con una cúpula finalizada por Pedro de Brizuela en el siglo XVII. La poderosa torre alcanza casi los 90 metros. El actual chapitel de piedra que corona la torre, data de 1614, erigido luego de un gran incendio originado por una tormenta eléctrica. El chapitel original enteramente gótico construido de madera de caoba americana, de estructura piramidal alcanzaba la mayor altura de España. Entre las capillas destacan la del Santísimo Sancramento, con un magnífico retablo de José de Churriguera, así como las de San Andrés, con el tríptico flamenco del Descendimiento de Ambrosius Benson; y la del Descendimiento con extraordinario Cristo Yacente, de Gregorio Fernández. El retablo del altar mayor, obra de Francisco Sabatini, está dedicado a la Virgen de la Paz. Le adornan esculturas de los santos segovianos San Frutos, San Geroteo, San Valentín y Santa Engracia. El coro conserva la sillería gótica de la antigua catedral y está flanqueado por dos grandes órganos barrocos, del siglo XVIII. El Museo Catedralicio tiene notables obras artísticas de Pedro Berruguete, Sánchez Coello y Van Orley, entre otros, y el Archivo Catedralicio custodia, entre otros muchos, el Sinodal de Aguilafuente, primer libro impreso en España. = = = = = = = = = = = = = = = = = = = = = = = = = = = = = The massive cathedral was built between 1525-1577 in a late Gothic style, outdated elsewhere in Europe. The previous cathedral of Segovia had stood adjacent to the Alcazar, and had been used by the royal armies in defending the latter against siege. The rebellious Comuneros were intent on taking the Cathedral to protect its holy relics, and to use its position against the walls of the Alcazar in order to defeat its defenders. In a famous exchange, prominent city officials urged the comuneros to halt their attacks on the church, saying they should consider the injustice of razing so sumptuous a temple while making war against those who, serving their king, defended his Alcazar. But their plea fell on deaf ears, and the comuneros replied: la Iglesia era de la Ciudad (the Church belonged to the City). After a bitter siege lasting months, the cathedral lay in ruins. Overall view of the Cathedral of Segovia, Castilla y Léon, Spain and the surrounding Jewish Quarter of the city (la Judería) Due to fears of a repeat assault, the cathedral was relocated to the present site and built using a design by the Trasmeran mason named Juan Gil de Hontañón, and the work was continued by his son Rodrigo Gil de Hontañón. The building's structure features three tall vaults and an ambulatory, with fine tracery windows and numerous stained glass windows. The interior is characterized by unity of style (late Gothic), except for the dome, built around 1630 by Pedro de Brizuela. The Gothic vaults are 33 meters high by 50 meters wide and 105 long. The bell tower reaches almost 90 meters. The current stone spire crowning the tower, dating from 1614, was erected after a major fire caused by a thunderstorm. The original spire, entirely Gothic, was built of American mahogany, had a pyramidal structure, and was the tallest tower in Spain. Among the most prominent chapels are that of the Santísimo Sacramento, with a Reredo by José de Churriguera, and the Chapel of San Andrés, with a Tryptich of the Deposition by Ambrosius Benson; and the chapel of the Deposition with the recumbent Christ by Gregorio Fernández.

[unidadortopedia]

Dr. Pedro Antonio Sánchez Mesa, MD de Colombia y El Dr. Alejandro Coello Manuell, MD de México en los Health Sciences Awards in the Shalala, Student Center Complex, University of Miami. Fl. USA 🇺🇸. Dr. Pedro Antonio Sánchez Mesa, MD. Ortopedista y Traumatólogo, Cirujano Reconstructivo y del Reemplazo Articular de Cadera y Rodilla. Ortopedista y Traumatólogo Infantil y del Adolescente. Medicina Regenerativa y Celular. Pionero en nuevas tecnologías biomedicas; artrotecnologia, nanotecnología, viscosuplementacion articular. Citas particulares: PBX: +571- 6923370 Extensión 10-02, Móvil y WhatsApp Institucional: +57 (318) 778-2042. Bogota D.C. Republica de Colombia. #ortopedia #ortopediaytraumatologia #ortopediaytraumatología #ortopediaytraumalogia #ortopediaytrauma #ortopediaytraumatologíainfantil #ortopediaytraumatologia🏨 #ortopediaytraumatologia🇨🇴 #ortopediaytraumatologiapediatrica #ortopediaytraumatologiabogota #cirugiacadera #cirugíacadera #cirugiacaderayrodilla #ortopediacaderacolombia #ortopediacadera #ortopediacaderainfantil #ortopediacaderainfantil #ortopediarodillabogota #ortopediarodillacolombia #ortopediarodilla #medicinaregenerativa👨‍⚕️ #medicinaregenerativacelular #medicinaregenerativarodilla #medicinaregenerativayviscosuplementacion #artrosisrodilla #artrosisrodillas #artrosiscadera #artrosiscaderas (en UM Shalala Student Activities Center.) https://www.instagram.com/p/B5EnrccjQlj/?igshid=2h52u3qo2ieh

[joseandrestabarnia]

La Virgen con el Niño entre las Virtudes Teologales y santos de Claudio Coello, 1669. Óleo sobre lienzo, 232 x 273 cm. Alrededor de la Virgen y el Niño se disponen varias figuras de Virtudes y de santos, formando una "sacra conversación" multitudinaria. Se reconocen fácilmente a San Juanito, Santa Isabel de Hungría, San Pablo, San Pedro, San Francisco y San Antonio de Padua, que se cuentan entre los santos más populares de la España barroca.