#Pedro Caetano

[duostuffs]

assista "universo de coisas que eu desconheço" e "caixa postal" no youtube.

não reposte | salvou? curta ou reblogue

[gutierrezferreira]

caetano veloso em hable con ella.

dir: pedro almodóvar

[karendaisy]

ta tudo certo da disney plus

credit: @Iindodemais

like if u save <3

[piovascosimo]

saw this today at the cinema. the first time i saw the trailer, i thought their relationship was super awkward, i wasn't buying it, it was strange to think of ethan (an actor that i like) in an almodóvar setting. but this part works very well, there is an easy chemistry between pedro and him, even if the dialogue feels a bit stiff in english. but sadly it's a 30min short financed by a fashion house, so when it starts to get good, it ends. i'm pretty sure if this was developed further i would have loved it a lot. i liked that they put a lengthy interview with almodóvar at the end of the movie, where he explained his ideas, inspirations, and where the story would have gone, i'd really love to see the whole thing. he also talks about how lately the most interesting films and ideas about westerns came from women (jane campion, chloe zhao, and kelly reichardt). i've never been a huge fan of westerns, but it's really interesting to hear him talk about it, and as always i love his aesthetics and to see the emotions he brings on screen.

[movienized-com]

Tá Tudo Certo

Tá Tudo Certo (Serie 2023) #PedroCalais #AnaCaetano #Vitao #ClaraBuarque #ToniGarrido #GitaDelavy Mehr auf:

Serie Jahr: 2023- Genre: Comedy / Romantik Hauptrollen: Pedro Calais, Ana Caetano, Vitão, Clara Buarque, Toni Garrido, Gita Delavy, Sandra de Sá, Manu Gavassi, Serjão Loroza, Vitória Falcão, Rayssa Leal, Gabriel Zoldan, Agnes Nunes … Serienbeschreibung: Pedro träumt davon, ein berühmter Musiker zu werden. Durch einen Zufall trifft er Ana, eine Sängerin und Songwriterin, die ihm die Vielfalt…

[boomgers]

Una historia de confusiones, amor y mucha música… “Todo Está Bien”

En una reunión, Pedro conoce a Ana, una artista con una carrera musical en ascenso con la cual está triunfando en las redes y que sabe disfrutar del momento. Al lado de Ana, el camino al éxito parece posible. Pero enseguida Pedro recibirá una difícil misión de parte de Toni, su jefe, que pondrá en riesgo las importantes decisiones de su vida. En ese proceso, Pedro repensará sus prioridades y el real significado del éxito.

Estreno: 12 de abril de 2023 en Disney+.

La comedia cuenta con las actuaciones de Pedro Calais, Ana Caetano, Vitão, Toni Garrido, Clara Buarque, Julia Mestre, Gita Delavy, Lucas Mamede, Rubel, Cynthia Senek, entre otros.

[tocafitas]

Toca fitas na Casa Lúpulo - 22/07/2023

Semana passada fiz uma playlist ao vivo na Casa Lúpulo, como hei de fazer um sábado por mês a partir de agora. Fui montando uma seleção de clássicos da brasileira solar e, aproveitando a sugestão do @aoleucomleo_ no Instagram, salvei tudo o que eu colocava pra tocar numa playlist, que acabou sendo tocada pelo resto da semana no bar. Hoje trago essa playlist aqui nessa pré-pré-volta às postagens…

[laserpinksteam]

Film after film: Três Tigres Tristes (dir. Gustavo Vinagre, 2022)

A loose, seductive, funny, sprawling, and touching chronicle of one day spent by three queer young adults in a slightly dystopic version of São Paulo, ravaged by Covid-like virus streaks and capitalism, which the protagonists explicitly curse throughout. The film never ceases to take surprising turns, particularly when, at some point in its back half, it focalizes its plot in a different elsewhere, one that fascinatingly blends and distorts the reality of the reality and the reality of what precedes it.

[duostuffs]

metadinhas ana e pedro calais.

não reposte | salvou? curta ou reblogue

[gutierrezferreira]

la flor de mi secreto, 1995

dir. predro almodóvar

[capacle]

20 Brazilian TTRPGs I wish also existed in English

Today I offer you:

20 Brazilian TTRPGs I wish also existed in English (because I want the world to know about them)

Buckle up, because you won't BELIEVE the diversity of our indie scene.

[presented in no particular order, and only one per author]

1. Meu Brinquedo Preferido ('My favorite toy'), by Eduardo Caetano

A metaphor about a child's growing process by deconstructing their fears through playful situations.

2. SeanchaS, by Jorge Valpaços and Jefferson Neves

A game about myths, construction of identity and narrative around bonfires, about the time of ancient stories and the present time.

3. Gatunos, by Tiago Junges

A GMless/Solo game in which you play as cat thieves and mercenaries doing the dirty work of the five big factions that run the city.

4. Nômades (Nomads), by Marcelo Collar

A card-based RPG in which you play as beings who have the ability to find and pass through the cracks in the veil that separates the universes.

5. Infaernum, by Caio Romero

Create your own apocalypse while playing the game, and interpret characters who experience the last days of all things.

6. Áureos, Os Dançarinos da Lua ('The Moon Dancers'), by Rey Ooze

A game of fight and freedom where dice play capoeira. You play as an 'Áureo', a former slave who, in a fantastic colonial Brazil, receives the blessings of his Orisha to free his people from slavery.

7. Veridiana, by Alan Silva

You play as creatures that live in a large tree, embarking on a deeply sentimental journey in search of a cure.

8. Karyu Densetsu, by Thiago Rosa and Nina Bichara

A game inspired by action anime and manga, with tactical combat, philosophical conversation, and passionate ideals.

9. Imperia, by Jonny Garcia

A game of politics and intrigue in a medieval court, inspired by Game of Thrones. Create a kingdom collaboratively and assume the role of the most influential people in it.

10. Goddess save the Queen, by Carol Neves and Julio Matos

A pulp adventure game in which you play as secret agents of the British Crown during the interwar period, with their own agenda connected in some way with their home nation.

11. Abismo Infinito ('Infinite Abyss'), by John Bogéa

A narrative game of psychological horror in which the protagonists are astronauts, far away in space, involved in a web of lucid nightmares and manifestations of their own fears.

12. Mojubá, by Lucas Conti and Lucas Sampaio

An Afrofuturistic urban fantasy game inspired by Yoruba and Afro-Brazilian mythologies. Play as a person with fantastic powers who descends from the Orixás, fights evil spirits, and occasionally gets into a rap battle.

13. Chopstick, by Igor Moreno

A game inspired by action movies of oriental martial arts, gang fights and crime, with a twist on Fate Accelerated.

14. Contos do Galeão ('Tales of the Galleon'), by Encho Chagas

Create together the legend of a vessel that would have existed during the Golden Age of Piracy. Players will create the ship, its pirates, as well as its enemies, challenges, and rewards.

15. O Cordel do Reino do Sol Encantado ('The Cordel of the Kingdom of the Enchanted Sun'), by Pedro Borges

A narrative game set in the northeastern 'cangaço' region at the beginning of the 20th century.

16. Através das Trevas ('Through the Darkness'), by Ramon Mineiro

A post-apocalyptic fantasy game inspired by The Legend of Zelda: Breath of the Wild, The Witcher and Diablo.

17. Nihilo, by Andre Osna and Gustavo Rolanski

A world very much like our own—yet bigger, deeper, and stranger. Secret banks are run by Urban Dragons, Infernal mafias terrorize slums, interdimensional portals open in the basements of abandoned pizzerias.

18. Caçada ao Colosso ('Hunt for the Colossus'), by Jairo Borges Filho

Reenact stories such as Siegfried and the dragon Fafnir, the Greek Odyssey or legends centered on the opposition of two primary forces of humanity.

19. Perdidos ('Lost'), by Marcelo Paschoalin

Inspired by Bloodborne and Dark Souls, a world in ruins, fragmented to the point where only memories remain. You'll find relics of yesteryear, monstrous beasts, beings that have forgotten their purpose, and devious paths to tread.

20. Hitodama - A jornada das almas ('The Journey of the Souls'), by Alexsander Araujo

You are Shinigamis: creatures half divinity, half Yokai, who must carry out missions through different worlds, fighting formidable enemies and saving lost souls.

[figmentof]

A man crosses the desert that separates his ranch from the town of Bitter Creek on horseback. He is going to visit Sheriff Jake, a friend from his youth, when both worked as hired gunmen. The action takes place in 1910, and the two men are in their fifties. Silva (Pedro Pascal) is of Mexican origin, a solid guy, emotional, elusive, a cheat, if necessary, warm. It's been twenty-five years since he last saw Sheriff Jake (Ethan Hawke), blond, strict, cold, inscrutable, almost the opposite to Silva. That night, at the Sheriff's house, they eat a meat stew Jake has cooked, they drink, and they make love, all of it in abundance. The next morning, Silva wants the party to continue, but he finds a stony Jake, who is nothing like the man from the night before. (This was the first thing I wrote, the sequences that follow that orgiastic night in which both characters confront their past and their present in totally different ways.)

spoilers ahead!

This is the heart of the story: the argument while they get dressed the following morning. In this argument, the ulterior motives are revealed(as well as the passion that they lived when they were younger, and that is still beating within them, even though Jake doesn't want to admit it once they are sober). Jake has to go after a murderer who, according to an eyewitness, was Silva's son. And Silva has to intercede for him, trying to convince Jake that his son is innocent and that he should stop searching for him. All this, the sheriff’s duty as opposed to a father’s grief, mixed with reproaches and declarations of love from two lovers who haven’t seen each other in twenty-five years and who live their lives at opposite ends of the desert. These are the ten central minutes of the film, the first I wrote. I still didn’t know what the story would be, or if there would even be a story, but my first intention was to give voice to these two middle-aged, queer men who traditionally have remained silent in a genre like the western. I was attracted by the idea of breaking that silence. Brokeback Mountain by Ang Lee is the closest Hollywood has come to telling a story about two men who love each other and talk about it, but the lovers in Ang Lee’s film are shepherds, so I don’t include the film in the western genre.

There are westerns with gay characters, like Warlock by Edward Dmytryk. The script abounds in data about the passionate relationship between its two protagonists, Anthony Quinn and Henry Fonda, but no one talks about it even though their relationship is one of the axes of the film. This turns Dmytryk’s film into a strange western or one with a badly written script. The film is only understood if both of them are lovers, but that word is never mentioned.

Although I’m a great admirer of the genre, I never thought that I’d end up making a western. I greatly enjoyed this shoot, despite the unbearable temperatures of the hottest summer in our history. We filmed in a town built in Almeria for Sergio Leone as a set for his legendary dollar trilogy, with Clint Eastwood. (The Good, The Bad, The Ugly; For a Few Dollars More and A Fistful of Dollars). The passing of time, fifty years of it, has given authenticity to the place, today being dusty and old. The typical artifice of what had been a film set fifty years ago, built back then only weeks before shooting, had now disappeared.

It was also a thrilling experience to work with Ethan Hawke and Pedro Pascal, both extraordinary in their respective roles.

As for the décor, I have respected the rules of the genre without falling into any anachronistic temptation, except for the song at the beginning, with the voice of Caetano Veloso and the angelical face of Manu Ríos, which gives the film its title.

For the choice of paintings on the walls of the two most important sets, the interior of the sheriff’s house and the ranch where Silva lives, I have turned to artists of the time. In Sheriff Jake’s house there are several paintings by Maynard Dixon, one of the first artists, if not the first, to paint landscapes from the American West, with native Indians and cowboys. For me it has all been a discovery, his work possesses a coloring untypical of the time that brings it close to pop and at times to impressionism. There is also a portrait of the artist Lily Langtry, very famous at the start of the century, who actually made a silent film and whom Ava Gardner plays in The Life and Times of Judge Roy Bean along with Paul Newman. The other great artist who appears on the walls of the ranch is Georgia O’Keefe, the Mexican landscape that hangs over Silva’s bed.

Saint Laurent by Anthony Vaccarello was in charge of the entire wardrobe. We took our inspiration not so much from the reality of the time but from cinema, how actors were dressed in westerns between 1900 and 1915. If anyone wonders about Pedro Pascal wearing a green jacket, I recommend watching Bend of the River by Anthony Mann, where James Stewart wears an identical green jacket. And I have a lot of respect for Anthony Mann and James Stewart.

We are also inspired by Veracruz (Robert Aldrich), specifically for the outfit worn by Silva's murderous son Joe. It is inspired by Burt Lancaster, all black.

And Sheriff Jake, he's in a suit, with a vest and bola tie, like almost all the sheriffs in the Westerns I have watched. Kirk Douglas is one of the models, whether playing a sheriff or a card player, Gun Fight at the OK Corral or in Last Train from Gun Hill, both by John Sturges. I have re-watched many westerns so as not to fall into anachronisms and the truth is that the male wardrobe has changed very little, the sheriff is always the most elegant, usually with a suit, waistcoat (the fabric of the waistcoat was the only thing that allowed you some fantasy, with shiny damasks), shirt and around the neck a bola tie.

The rest of the male characters always wear a scarf around their necks, in different colours and patterns, a checked shirt and a waistcoat. The dresses of the Mexican prostitutes are inspired by El Dorado (Howard Hawks). I have done my research with a multitude of westerns, especially Hawks, John Ford, John Sturges, Raoul Walsh, Anthony Mann, Peckinpah, Robert Aldrich, etc.

As for the narrative in general and the music, I have followed the classical canon. Despite the fact that in Spain we have a great tradition of spaghetti westerns, more than a hundred were filmed in the 60s and 70s. I have not been inspired by any of them and the composer Alberto Iglesias has avoided Ennio Morricone, who would have been the easiest reference.

Pedro Almodóvar

[selektakoletiva]

MARCELO D2 E A ANCESTRALIDADE DE FUTURO!

Com 13 discos de estúdio na bagagem - 4 com o Planet e 9 em carreira solo - já né segredo que Marcelo D2 ocupa um espaço notório na música popular e na cultura Hip-Hop pelo mundão. Acontece que em seu novo trabalho, ele ultrapassa barreiras, fura otas bolhas e se consagra ainda mais como um dos grandes arquitetos da música brasileira.

Intitulado "IBORU, Que Sejam Ouvidas Nossas Súplicas", Marcelo D2 nos leva por uma jornada musical de puro suingue, com o afrofuturismo batendo na alta, como sempre falara Chico Vulgo.

O disco começa com a voz de Wander Pires te transportando pra avenida quase que espontaneamente. 'Por baixo', numa crescente, um instrumental drumless do lendário Barba Negra (aka O Terrível Ladrão de Loops), versos afiados de D2 e uma fala de sua coroa. Apenas o início de uma saga que vai flutuando entre a boniteza e a concretude dos fatos como são. Trazendo a beleza da crueza e do povo, como o timbre de Nega Duda que vem logo em seguida. A genuína cultura de rua e dos morros, favelas e do subúrbio carioca.

Das rodas que varam da noite ao clarão do dia; ad infinitum. Os terreirões de Umbanda e Candomblé, os Bate-Bolas, Rosinhas e Malandros que transitam pelas ruas encantadas de um Rio de Janeiro que não passa na retrospectiva da Globo, não está nos trends, ou em capas de jornais. Essas são algumas das várias personas carioca que inspiram IBORU. Que inclusive, dia 28 deste mesmo mês de Junho, ganhará seu complemento audiovisual. Um curta que contará a história fictícia do encontro de João da Baiana, Clementina de Jesus e Pixinguinha, nos idos dos anos de 1923. O curta, assim como a estética do disco, foi toda assinada pela mágica Luiza Machado e o próprio Marcelo, diálogo que vem ampliando ainda mais a arte do rapper carioca. A produção fica por conta da produtora da família D2 - PUPILA DILATADA.

O elenco de músicos e compositores de "IBORU, Que Sejam Ouvidas As Nossas Súplicas", chega a ser baixaria de tanto talento junto. A começar pela cozinha, composta por bambas da velha escola e da nova geração, tudo junto e misturado; Marcio Alexandre, Zero, Miúdo, Jorge Luiz, João e Marcelinho Moreira. Nas cordas, temos João Lopes (banjo), Maycon Ananias (cordas geral), Gabe Noel (violoncelo), Wanderson Martins e o craque Rodrigo Campos (ambos no cavaquinho). Violões de 6 e 7 cordas, no nome de Kiko e Fejuca, camisa 10 que contribui também batucando no couro e arranjando no cavaco.

Nos sopros, Thiago França (sax), Marlon Sete e Pedro Garcia no trombone e voz. Na bateria, o novo expoente da bateria brasileira, Thiaguinho Silva. O côro é comandado pela Luiza Machado, sua parceira de vida e arte, que entoa unissomo com as vozes de Jussara, Jurema, Hodari, Betina, Luiza e Camila de Alexandre, e o talentoso Luccas Carlos.

Falando em voz e coro, vale ressaltar a parceria louvável entre Luiz Antonio Simas e Marcelo D2. Desde o último disco de estúdio com intervenções e trocando prosas juntos sobre ancestralidade, resistência e identidade. Também estão no catálogo grandioso de compositores João Martins, Inácio Rios, Diogo Nogueira, Igor Leal, Fred Camacho, Neném Chama, Carlos Caetano, Márcio Alexandre, Cabelo, Douglas Lemos, Moa Luz e Otacilio da Mangueira. É mole?

Todo esse time consegue criar uma atmosfera de uma vibração coletiva incrível, que dialoga o asfalto com o morro de uma forma ímpar. O grave do surdão e do 808 suingando com o hihat, que por sua vez unifica-se com as palmas e o tamborim... isso é o Nave e mais uma sequências de beats absurdos. Uma parceria que já vinha dando certo desde "A Arte do Barulho". E pelo visto, continua. Numa parceria luxuosa que vem se estreitando nos últimos anos, Nave e Kiko Dinucci - que traz suas picotadas lombradas, guitarras levemente sujas, uma viola elegantíssima - se entendem em grau, número e frequências.

A produção é algo instantaneamente clássico - o que já faz pensar nesse disco do OGI que vem aí. Mas isso é papo de futuro, pra outro momento.

Ah, jamais podemos esquecer de mencionar a co-produção e mixagem, que ficou na assinatura de nada mais/nada menos que o gênio e cumpade de longa data de Marcelo, Mario Caldatto. É óbvio que a qualidade de sempre foi entregue.

Dito isso e abordado o time, agora vamos as participações; Nega Duda, Metá Metá, BNegão, Mumuzinho, Alcione, Xande de Pilares, Zeca Pagodinho e o imortal Mateus Aleluia. Há homenagens a Romildo Bastos (Padre Miguel) e mestre Monarco (Portela) a sua maneira afrosambadélica.

Essa fusão chega ao ápice quando IBORU traz a cultura Hip-Hop pra dentro duma quadra de Padre Miguel com adlibs de Westside Gunn em um partido alto feito de beats, palmas, trombone e guitarra. Ou com um batuque e naipe de sopros junto a MPC, como fez no seu último trabalho com Um Punhado De Bambas no Cacique de Ramos - que aliás, outro excelente trabalho que transcende as fronteiras convencionais e cria uma experiência auditiva e cativante, como faz novamente nesse trabalho.

É junto de baluartes, ídolos e bambas que D2 aprendeu boa parte do que sabe do samba. Zeca e Arlindo são reverenciados em mais de um momento do disco. Beth, João Nogueira, Dona Ivone, Luiz Carlos, Candeia, Cartola, Martinho, Paulinho e o pessoal do Fundo de Quintal. Entre muitos outros. É bonito ver o artista em seu auge, com a pura satisfação de fazer o que gosta, evoluindo e não se prendendo a velhos chavões e modos operandi. Além de toda essa gratidão de quem aprendeu com os verdadeios movimentadores da massa e da cultura popular.

E se você se pergunta da outra parte, nunca se esqueça que antes de D2, era o Sinistro, com sua vivência pelas quebradas do mundaréu. Rio 40 graus. De Padre Miguel, Cascadura, Madureira, do Andaraí, Humaitá e das vielas do centrão. Lapa, Gamboa, Cinelandia. Vivência que Peixoto teve nos camelos com seu camarada Skunk. Das chamas que circundavam a capital carioca nos anos 90.

No final, "IBORU" vai além do siginificado em iorubá, do Ifá, e muito mais do que título de disco ou uma simples combinação de gêneros musicais; é uma verdadeira celebração da diversidade e da riqueza da cultura brasileira. Destaca temas relevantes e urgentes, como a desigualdade social e a resiliência das comunidades marginalizadas. Ancestralidade de futuro.

Ao mesmo tempo e paralelo a concretude lírica e dos batuques de fine estirpe, a nuance abstrata das melodias se faz valer em loops, samples e um instrumental finesse. A sinestesia e o campo lúdico do disco é forte, e isso tem muito a ver com o imaginário popular, fé e outros pagodes da vida que circundam a vida do brasileiro - que assim como Marcelo, se recria e se renova a cada nova batalha. "Provando e comprovando a sua versatilidade", já diria seu saudoso amigo Bezerra da Silva, que eu sei que assim como os outros bambas mencionados aqui neste texto, no disco, e durante a vida do Sinistro, também benzeu e abençoou "IBORU" até vir ao mundo terreno, há uma semana atrás, dia 14 de Junho.

E faz uma semana que é festa no Orum...

ALÔ, MEU POVO! A HORA É ESSA!!!

[flumptonbronzebottom]

The unfinished façade of the Basilica of San Petronio in Bologna, taken by Pedro Nuno Caetano on Flickr